interlocking structural framework. It's The Latin American music is the product Popular music literally means “music of mostly overlapping, with a rich texture of three major influences of indigenous the populace”. and rhythmic intricacy. Spanish, Portuguese and Africa. Developed in the 20th century, pop music is generally comprised of music for Types of African Music Popular Latin American Music entertainment of large number of Afrobeat jive audience, whether on radio or in live SAMBA akpala (apala) juju performances. It is a dance form of African origin which evolved a axe kwassa kwassa lively rhythm consists of two four-time signature jit marbi that are danced as three steps per measure, thus Literally means “music of the populace”, creating a feeling of three four-time signature. similar to traditional folk music of the Vocal Forms of African Music SON past It is a fusion of the popular music or canciones MARACATU (songs) of Spain, the African rumba rhythms of Generally consisted of music for The maracatu group called nacoes who paraded Bantu origin. entertainment of large numbers of with a drumming assemble numbering up to 100, SALSA are accompanied by singer, a chorus, and coterie people, whether on radio or in live It is a social dance with marked influences from of dancers. performances Cuba and Puerto Rico that started in New York in BLUES the mid 1970s. The moderate tempo is used It is one of the most widely performed musical Music Styles throughout. forms of the late 19th century. The melodies of blues are expressive and soulful. Vocal and Dance Forms of Latin Folk Music SOUL Country and Western Music American Music The catchy rhythm is accompanied by handclaps Ballads and extemporaneous body moves which are Cumbia Bossa Nova Rock and Roll among its important features. SPIRITUAL Tango Reggae Disco It is associated with deeply religious person. It ChaCha Foxtrot Pop Music pertains to a song form, known as the “Negro Rumba Paso Doble Hip Hop and Rap spiritual” sang by the African slaves in America Alternative who became enslaved by their white communities. CALL AND RESPONSE It is a method of a succession of two distinct musical phrases usually rendered by different musicians, where the second phrase acts as a direct commentary on or response to the first.