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Hatch, Craig. "THE HORROR of PROGRESSIVE ROCK:." Italian Horror Cinema, by Stefano Baschiera and
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Roche, David. "“LOOKIN’ BACK on THE TRACK, GONNA DO IT MY WAY”." Quentin Tarantino: Poetics
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Gross, Terry. "Eastwood’s Letters from Iwo Jima." Clint Eastwood: Interviews, Revised and Updated, by
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Nicholls, Mark. "Lolita:." Lost Objects of Desire: The Performances of Jeremy Irons, Berghahn Books, 2012,
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SÁnchez, Gonzalo Restrepo. "Conclusiones." Gabriel García Márquez Y El Cine ¿Una Buena Amistad?,
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Giusti, Marco. "“E ADESSO, IO?”." La Revolución Mexicana En El Cine: Un Acercamiento a Partir De La
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Hunt, Leon. "‘UH-OH – IT’S GETTING GROOVY!’:." Danger: Diabolik, Columbia UP, 2018, pp. 37-
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Kosovsky, Robert, et al. "Film Music Bibliography 2015-2018." Music and the Moving Image, vol. 12, no. 3,
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"About the Authors." Music and the Moving Image, vol. 6, no. 3, 2013, pp. 66-68. JSTOR,
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Burkhardt, Otto Paul. "DUNKLE, FERNE SCHATTENKLÄNGE: ELEKTROAKUSTISCHE ABENTEUER:


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Sargiacomo, Massimo. "Report of the XIV World Congress of Accounting Historians." The Accounting
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Haskell, Molly. "A MAN APART." Film Comment, vol. 53, no. 3, 2017, pp. 26-30. JSTOR,
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Hynes, Eric. "UNITED WE SIT." Film Comment, vol. 53, no. 1, 2017, pp. 66-71. JSTOR,
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Ziegler, Robert, and Ian Christie. "Music Structuring Narrative – a Dialogue." Stories, by Ian Christie and
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Van den oever, Annie. "The Aesthetics and Viewing Regimes of Cinema and Television, and Their
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Dargis, Manohla. "Quentin Tarantino on Pulp Fiction." Quentin Tarantino: Interviews, Revised and Updated,
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Aquila, Richard. "A Fistful of Dollars:." The Sagebrush Trail: Western Movies and Twentieth-Century
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Arnold, Michael. "Indie Neofado’s Temporality:." Postmodernity's Musical Pasts, by Tina Frühauf, NED - New
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Graber, Oliver Peter. "Ballett in Serie." Musik Im Zusammenhang. Festschrift Peter Revers Zum 65.
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Adinolfi, Francesco. "Italian Style, from Spies to Exotica-Erotica." Mondo Exotica: Sounds, Visions,
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Christgau, Robert. "Journalism And/or Criticism And/or Musicology And/or Sociology (and/or Writing):." Book
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Batsleer, Janet, and James Duggan. "I’m New Here:." Young and Lonely: The Social Conditions of
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Mikics, David. "You Can Talk for Hours about a Thing with Stanley:." Stanley Kubrick: American Filmmaker,
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Guerra, Paula. "ANOTHER MUSIC in a DIFFERENT (AND UNSTABLE) ROOM:." Music Scenes and
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Tschmuck, Peter. "SECONDARY MUSIC MARKETS." The Economics of Music, 2nd ed., Agenda
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Carpio, Glenda R. "“I like the Way You Die, Boy”." Transition, no. 112, 2013, pp. 1-12. JSTOR,
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Harrington, Andrew. "Is Quentin Tarantino Calvin Candie?: The Essence of Exploitation in <em>Django
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David Ireland. "Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary
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Sadoff, Ronald H. "An Interview with Royal S. Brown on Film Music Pedagogy with Course Syllabus." Music
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Said, Edward, and Gillo Pontecorvo. "The Dictatorship of Truth: An Interview with Gillo
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Isaacs, Bruce. "The Part Is Greater than the Whole: Montage as Fragment in Hitchcock, Argento, and De
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O'donoghue, Darragh. "Laughter in the Dark." Cinéaste, vol. 43, no. 4, 2018, pp. 15-21. JSTOR,
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O'brien, Geoffrey. "HEART of DIXIE." Film Comment, vol. 49, no. 1, 2013, pp. 30-33. JSTOR,
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"About the Authors." Music and the Moving Image, vol. 11, no. 1, 2018, pp. 66-67. JSTOR,
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Ferguson, Josh-wade. "The Africadian Blues: A Conversation with George Elliott Clarke." The Global South,
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Gussow, Adam. "Bien Al Sur: Notes toward a Genealogy of Blues Music's Global Spread." The Global South,
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Golding, Dan. "JUST like OLD TIMES?" Star Wars after Lucas: A Critical Guide to the Future of the Galaxy,
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Muscio, Giuliana. "Transnational Neorealism:." Napoli/New York/Hollywood: Film between Italy and the
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Bergfelder, Tim. "Abducted Twice?" African Cinema and Human Rights, by Mette Hjort and Eva Jørholt,
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Kannas, Alexia. "INTERMITTENT TRANSCENDENCE:." Deep Red, Columbia UP, 2017, pp. 91-
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Caps, John. "Looking Back, Looking on." Henry Mancini: Reinventing Film Music, U of Illinois P, 2012, pp.
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San miguel pÉrez, Enrique. "52 PELÍCULAS CON FRANÇOIS TRUFFAUT." Sueños En Movimiento.
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Hunt, Leon. "FROM FUMETTO NERO to ‘WILD AND KOOKY CAPE-OPERA’:." Danger: Diabolik, Columbia
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Lordi, Emily J. "BLACK RADIO:." Are You Entertained?: Black Popular Culture in the Twenty-First Century,
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Lagerwall, Anne. "Is Cinema the Handmaid of International Criminal Justice?" Cinematic Perspectives on
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Lera, J. M. caparrós. "Comentario a 'La Batalla De Argel' De Gillo Pontecorvo." Historia, Antropología Y


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Tagg, Philip. "Music, Moving Image, and the 'Missing Majority': How Vernacular Media Competence Can
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Suozzo, Mark. "A Conversation with Carter Burwell and Mark Suozzo." Music and the Moving Image, vol. 12,
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Hoberman, J. "IN PRAISE of Da Pasta." Film Comment, vol. 48, no. 3, 2012, pp. 36-43. JSTOR,
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Porton, Richard, and Cynthia Lucia. "The Tribeca Film Festival." Cinéaste, vol. 30, no. 4, 2005, p.
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Arbo, Alessandro. "On Appreciating the Aesthetic Properties of Musical Works." International Review of the
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Melcón, Pablo Huerga. "7 APUNTE SOBRE LA MÚSICA COMO CIENCIA MIMÉTICA Y LAS CEREMONIAS
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De las heras, Victoriano Darias. "EL CINE Y LA MÚSICA." La Música Y Los Medios De Comunicación,
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Tschmuck, Peter. "SECONDARY MUSIC MARKETS." The Economics of Music, Agenda Publishing, 2017,
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Aquila, Richard. "EPILOGUE." The Sagebrush Trail: Western Movies and Twentieth-Century America, U of
Arizona P, 2015, pp. 329-38. JSTOR, www.jstor.org/stable/j.ctt183gxp6.16. Accessed 9 Sept. 2021.

Reddell, Trace. "Sonorous Object-Oriented Ontologies (1979–89)." The Sound of Things to Come: An


Audible History of the Science Fiction Film, U of Minnesota P, 2018, pp. 361-434. JSTOR,
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Grady, William. "For a Few Comic Strips More:." Spaghetti Westerns at the Crossroads: Studies in
Relocation, Transition and Appropriation, by Austin Fisher, Edinburgh UP, 2016, pp. 213-38. JSTOR,
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Polenberg, Richard. "SACCO AND VANZETTI (1927)." Hear My Sad Story: The True Tales That Inspired
"Stagolee," "John Henry," and Other Traditional American Folk Songs, Cornell UP, 2015, pp. 251-
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San miguel pÉrez, Enrique. "CONTINUO DESPLAZAMIENTO, ESPEJO GEOGRÁFICO:." El Sol


Ofuscado.Derecho E Historia En El Cine Y La Literatura. La Edad Moderna, Dykinson, S.L., 2018, pp. 119-
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San miguel pÉrez, Enrique. "65 PELÍCULAS CON FOUQUET." El Sol Ofuscado.Derecho E Historia En El
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Decker, Todd. "End Titles." Hymns for the Fallen: Combat Movie Music and Sound after Vietnam, U of
California P, 2017, pp. 241-66. JSTOR, www.jstor.org/stable/10.1525/j.ctt1jd948d.14. Accessed 9 Sept.
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Decker, Todd. "Nothing Sounds like an M-16." Hymns for the Fallen: Combat Movie Music and Sound after
Vietnam, U of California P, 2017, pp. 125-44. JSTOR, www.jstor.org/stable/10.1525/j.ctt1jd948d.9. Accessed
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Decker, Todd. "Unmetered." Hymns for the Fallen: Combat Movie Music and Sound after Vietnam, U of
California P, 2017, pp. 173-88. JSTOR, www.jstor.org/stable/10.1525/j.ctt1jd948d.11. Accessed 9 Sept.
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Bozzacchi, Gianni, and Joey Tayler. "After the Neorealism." My Life in Focus: A Photographer's Journey with
Elizabeth Taylor and the Hollywood Jet Set, edited by Patrick Mcgilligan, UP of Kentucky, 2017, pp. 39-
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Palmer, Andrew. "Debbie Wiseman." Encounters with British Composers, NED - New ed., Boydell & Brewer,
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