Professional Documents
Culture Documents
f. it s / broken / perhaps
1. There
be anybody there chen you arrive.
56 Flfty-six
1- Unscramble tha
sentences.
a. he ”s t OU!d / h ungry, /
mean /
b. foIIOW hl
' ‹I / you lo / m e i2ns / he / wants / probably
CO plete
these sentences using
2-
either, may nof or can’t.
1. There
be anybody there when you arrive
2. That
be true! It's abSOlutely i
mpossible
3. I don't kDOw if She wi| a gFe e. She
want to.
l
4. You
be serious. You’\ie got to be
It Islay very well joking.
5. happen, but on
the
other hand it
6.It
3-cOmplete the sent
in the box. enCe S t hom
S Ehe
co rect
form
*’ ^ £ds
CONtUSE
because
I°I in Fe ‘’
g TEL *’’ ^* ät doe S i|
r mean? t S t Cle ar at ail
/t, food in that estauran t on the hig
hway it
I’ll neve r eat
str
g dtove for eight hours on a dight 8g there again
F0ad
Where the scen
ery I£I e r
• Ch £lnge d, I’ve
1.a: I fell asleep during the movie this afternoon. My friend had to wake me up.
b:Oh, the’s
5- What would you say in each situation 7 Write the answers using
prohibitions, obligations or permissions.
C. YOU wave to
your friend because you want to show him something.
1. He opens the
door
2. We s t the table.
4. I draw a picture.
8
White theetter.
l
9. Does y
k yOU up?
10. Does e i
- Reading.
SUb s *Cerican
2- Complete the conversation with should or would and the correct verbs.
SAM: I may not go. What yOU (Do) if your girlfriend asked
SAM: I’ve tried thd. She said she won’t go and she might break up with me.
didn’fgo l (Takej the job. I’ve aWays regretted my decision
a. When I went back to the parking lot, I tried to get into someone else's car
b. If I saw a friend cheating on an exam, I know exactly what I’d do. I'd go
to the teacher (Actual/y/
Pr obably/Straightj
6 - For each sentence, write the corresponding question using the ‘Wh’ word
in brackets.
n/‘B/neo',
IO be a
dur.rip
their
e af oused.
On C
Sitie5.
OÎ C* f CU ' O’ s ts v
S Ca
1. Sam Said lie was really worried about Tina a- Giving an apology
She seemed very depressed
c- Expressing a concern
d-Offering an invitation.
e.Tom
s his own busines
s pleastoe SlOw down!
not
as e give me a
hand,
P\e
hem Wait for
Hurry up
pps taking a long time to ge t ready, $ | | | ; T
0 0 d
O
b.Peter me an apology
kots ol jones
7• Reading
Festival festivalHeld
in the States,
United in and as
Parl‹ City ranks
wellamongst
as Salt
it6 typeisina the
film world. annually
for new wOFk
val is the premiere showcase romAmedcan and
fesfival comprises competitive sections t0f
makers. The
1 dramatic and doCumentary II jFl15, and a g* *P
Festval
ns, including the su ndance Online F#m
The feslival was began in 1978 £lS the Utah/U.S. Film Festival in an effort IO attra“**e
filmmakers to Utah. At the time, the main focus of fhe event was to present a S
eries
retrospeclive films and filmmaker panel discussions; however it also included a smali FO gram
of films made outside the Hollywood system.
The festival may well have ended up being nothing more than a small, regional ever t,
two key factors helped push it down the road to greatness. The first of thèse Was the
involvement of actor Robert Redford. Redford was a local Utah resident and becaMe (he
festival's inaugural chairman of the board, and having his name associated WÎth the
allowed it to garner a great deal more attention than it may otherwise have been
achieve on its own.
The second factor was the festival's move from September to January; in other words,
summer to winter. The move was reportedly on the advice of Hollywood director Sydney
Pollack, who suggested that running a film festival in a ski resort during winter Would res lt
in “Hollywood beating down the door to attend". Management of the festival was taken oyer
by the Sundance Institute, a non-profit organization, in 1985, and in 1991 the festival was
oñcially renamed the Sundance Film Festival. Many famous independent filmmakers, including
Kevin Smith, Robert Rodriguez, Quentin Tarantino, James Wan and Jim Jarmusch häd their
big break at the festival. The festi\/aI is also responsible for bringing wider attention to
films such as Saw, The Blair Witch Project, El MariaChi, Clerks, Napoleon Dynamite and Sex,
Lies,
and Videotape.
El Mariachi is a 1992 motion picture production directed by Robert Rodriguez as the first
chapter in his Mariachi Trilogy. lt was a commercial and artistic success, inspiring a nez
wave of young producers to film low-budget movies such as Clerks. and The Blair wi‹er
Project. It was shot in the northern Mexican border town of Ciudad Acuña, Coahuila completely
in Spanish, using primarily amateur actors and on a budget of only US$7,000. It was initially
intended only for the Hispanic home video market, and Rodriguez never thought an American
release was a possibility. Executives at Columbia Pictures liked the film so much that they
bought the American distribution rights. Columbia eventually spent several times more than
the film's original production budget on 35 millimeter film transfers (it had been shot on 16
milTimeter), a marketing campaign and the eventual distribution/release of the film. It was so
well received that they eventually chose to finance the second part of the trilogy, Desperado,
and then the final chapter, Once Upon a Time In Mexico.
It tells the story of an out of work musician (the Mariachi) traveling th.ro0gh Maxim. He arrives
in the small border town of Acuña, hoping to find work In, trame,.e ,gtg .Ïoeal Cantinas and
clubs. Unfortunately for "El", local drug dealers
who is looking for re\/enge against them and has G guitar œse
filled with hand-guns. As the story progresses, El
hide from those who are trying to kill him, and a
same men. He seeks revenge for all he has
”‘ ” ..•
em was to present a • ries / '
¡/ ¿ na e o de a a o de uso cot d a •
CO fTTO p0F
ejemp|o las irStFUccioneş
o. de
Undo ‹•r r IaS ideas principa IeS de articulos period b fi• es sobre łemas de actualidad
o v.. -.---.
do leer en la prensa columnas de opinión y entre i a e so d aa a
|//rpresder el sentido general del texto.
t
jade deducir el significado de palabras desconocidas par el conlexto y de
el@nificado de expresiones si el tema me es familiar.
o encontrar con facilidad /os hechos e informaciones măs importantes
fpor ejemplo. quién i
hã he¢h0 d|9 • cuándo y dônde) en textos cortos corno par ejemplo, resú menes de noticias.
’I›Iedo comprender la informació n más importante de lolleto8 informativos siempre que sean
’serriiios soar.e asunios cou0ianos.
fi‹niprenda ifiensajeș sencillos y cartas łipo {por ejemp/o, de empresas. äe asociaciones a de
’siiloriöades).
Ed las carlas.përfionales puedo comprender las partes que tratan de aconlecímientos,
se»liifiienlçs y dese'o,s Io bastante bien como Para manfener correspondencia con un amigo de
(*’^.*a.‹aü płéndeï”el.arg” um. ento de una /iísforia estructurada con clańdad y reconocer cuâ/es
f!l 05B§i$odios j/ ácontecímienfos más impoftantes y por què son signircativos.
Pveão captar las ideás principales de articulos periodisticos breves sobre temas 0e aclualida0
él viaje..
”a:s indicacionés dela
” '*‘
me
s encítfas Cãra a cara sobre temas que
. coúv rsaciones
fort to o ttroct more
›resent series of
p¡ Email program A Lf tOEValUació n Nivel
evei›t, but h•bilid• des Ía columna 1 lo que usted cree que es capaz de hacer y en la columna 2 las
these was the que considera que aún debe seguir desarrollando. Si logra marcar más del
nd became the columna 1, probablemente haya usled alcanzado el Nivel B1.
with the festival 8•% de !^
been able to
qçn cillo gue alguien me dirige si me habla Con Claridad,
puedO seguir mi repitan alguna* ÇQlabras o frases.
ces lengo 9^* pedir g a M s de una conversación extensa desarrollada
e
.luding puedo
me ituales cuando
had their lema* 9‘ Ei Ie le vis ian sobre tem65 hab
jp|¡yamente Cfard-
› to films puedO §e $ pü C io y óe (o e
y O por f*)emplO IO
x, Lies, s í3Ilos se
fTTI
enci//8*
ciones téc8i*+‘
F'uedO comP render jQfDTW8
Ei
’ r esar
antene sUl{á *''"”"''
b Ve cesEne re
do eKPezaf,
@ tf g una disctíSiÓ8'É
II i
decir
bie* en !6
a9*”'* 0 el
A ut oc
Puedo captar las id €tas prin cipales de artículos periodisflcos breyes sobre
O CONOCiÓ OS. lemag dé actual idad
o empezar, mantener y cerrar conversaciones sencillas cara a cara sobre temas Que me
f#ares o me interesan personalmente.
tener una conversación o una discusión, pero a veces me resulta difícil expresar
que quiero decir.
I erme bien en la mayor parte de las situaciones que pueden presentarse al
n,una agencia o durante ef viaje.
a diracción y seguir las indicaciones detalladas que me dan.
Hisioty
Th‹* fcsliv‹JI was t›egan in 1û78 as the UIah/U S Film Festival in an effort to attract
filrnmakcrs lo Utah AI the time, the mam focus of the event was to present a Serle
rcIr0sDecI‹v0 films anJ filmmaker panel discussions however il ôISO included a small s Of
ol fiIrI3S F0ade outside the Hollywood system.
The festival may well have ended up being nothing more than a Small, regional event
two key factors helped push it down the road to greatness. The first of these was the
involvement of actor Robert Redford. Redford was ã lOCàI Utah resident and became
festival' s inaugural chairman of Ihe board, and having his name associated Wİth the fe e
allowed il to garner a great deal more attention than it may otherwise have been stive
achieve on its own. able th
The second factor was the festival's move from September to January; in other words,
summer to winter. The move was reportedly on the advice of Hollywood director ¥#ney frog
POllack, who suggested that running a film festi\/al in a ski resort during winter
in “Hollywood beating down the door to attend". Management of the festival WOuId
by the Sundance Institute, a non-profit organization, in was takenresOVer
offcially renamed the Sundance Film Festival. Many famous 1985, and in 1991 the
independent filmmakers,feinstival was
Kevin smith, Robert Rodriguez, Quentin cludin
Tarantino, James Wan and Jim Jarmusch 9
big break at the festival. The festival is also responsible for bringing wider attentionha d their
SUCH ãS Saw, The Bläİr Witch Project, El (O *lms
Mariachi, Clerks, Napoleon Dynamite
and Videotape. and Sex, Lies,
El Mariachi İS ã 1992 motion
chapter in his Mariachi Trilo picture production directed by Robert Rodri guez aS the
gy. It was a commercial and artistic success,
wave of young producers to film ins
Project. !t WãS Shot in the northern low-budge t movies SUCh as Clerks. and Thepiring
in Spanish, using primaril}/ amateur Mexican border town of Ciudad Acuńa, Blair
actors and on a budget of onl y Coahuila C om pleted
intended only for the Hispanic
home video market, and Rodnguez USS7.000, It was
init am
release Was a possibilit y. Executives never thoughta nAmer can
Columbia at Pictures liked the film SO much t
bou ght the American dlS(rİbution hai
the film's original productio rights. Col umbia eventually spent several times more they
n budget on 3s Iha
millimeter), a marketing CäMpaign and
the mllllmeter film transfers (it had been Sh0t on
well received that Ihey eventually chose eVentual dİStribution/release of the film It was 16
and then the (inal Chapter, to finance the second part Of the t SO
Upon a Tune In Mexico. rilo gy, Oesperado,
Once
It tells the slory of an OU( 0( WOFk ITlUSjCian
in the small border town of Acuńa, (the MäFläChİ) travelin gthfough Mexico. He arriUe
hoping t find work in some s
Clubs. Unforłunatel y for "El", local drug of the local Canflnas
dealers mistake arid
filled iswith
who hand-guns,
looking for revenge
As theagainst
story them
progress hlm for a recently escape
and has been shooting up locals with a d
hide from thOS0 who are trying to kill
same men. He seeks revenge ra # him, e S "Et" fÂlls in love with ă WOman
{o and handshof
WhO Ihose
elps hïs
he has been
Puedo repetir lo que alguien ha dicho para co íirmar que los esla os entendiendo.
Puedo pedir que me aclaren o repilan lo que acaban de decir.
Cuando no encuentf0 Ig palabra que quiero, pued0 UliliZdf Una palabra más sencilla que
signifique algo parecido y pedfl' que me corrJan.
Th
Puedo mantener una convefsación con desenvollura, pero necesifo hacer pausas para ‘Re
planificar y corregir lo que digo, espec aImente cuando hablo de torma /idre durante largos
periodos de tiempo Í_OOH
Puedo aportar información de relevancia inmediata, dan0o a enlender cual es para mi la idea
más importante. /\mei
Tengo ef vocabulario suf c ente para expresarme con algunos rodeos sodre temas de la vida
The H
diana, tales como lamina, acciones e intereses, Trabajo, viajes o aconlecimienios de Specia
actualidad. The pum
Puedo expresarme con relaliva precisión en situaciones cotidianas o predecib/es.
House li
Puedo escribir de manera coherente fextos sencillos sodre lemas óe mi interés, y expresar
puntos de vista y opiniones personales
I also lii:e
Puedo escribir un comun cado de prensa de una asociación o un breve art culo para una this workb
revista escolar sobre experiencias o aconlecimientos. como mi viaje, por ejemplo.
Puedo escribir cartas personales a amigos o conocidos para informarles de acontecimientos o
novedades o pedirles información del m smo I po
Puedo describir en una carta personal el argumento de una película o un libro o comentar un
concierto.
Puedo expresar en una carta senlim entos como pena, felicidad. nterés, añorantg
atrepenlim+ento
Puedo conteslar por escrflo a anuncios para sollctfar informar ón más comp)et¿ específica
sobre determinados productos [un coche o un curso académico, por ejemplo).
Puedo dar a mis amigos o colegas informaciones dreves y sencillas - por tax, corrao
electrónico o Carta c rcufar- y pedirles información por el mismo medio.
Puedo escribir mi curriculum vita) en forme resumida.
•ocui