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Introduction
Comparatively, the characters Tiresias and Oedipus in Sophocles’ Oedipus Rex, one of
ancient Greece’s most notable tragedies, serve as converging points in the play. Unfortunately,
Oedipus slays his father Laius early in his life and because of his lack of knowledge over the
identity of his birth parents, ends up wedding his mother Jocastra. Tiresias’ role in the play is as
the bearer of bad news where his gift as a prophet of Apollo gives him insight on the identity of
his parents. This shot essay aims to identify the similarities and differences between Tiresias and
Oedipus in the play. Ultimately it intends to display how despite Tiresias’ blindness and
Oedipus’ possession of both eyes, Oedipus is blind to the world due to lack of knowledge while
Tiresias is aware of his surroundings due to his special insight because of his connection to
Apollo.
Analysis
As an illustration on the manner in which prophesy differed between the two characters,
the power of sight verses prophesy was used to serve as the determinative factor in the play. It is
important to realize that Oedipus’ blindness ruled his life. From the outset, his origins are hidden
from him. In Thebes, plagues rip the city apart and the knowledge he derives from a priest
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indicates to him that the people of the city are in danger. The priest begs Oedipus to save the city
and “Rule our land…but rule a land of the living not a wasteland.”(Meyer, p. 1301). The irony of
the play is that Oedipus is blind to the cause of their tribulations: they pray to Apollo, god of
prophesy and healing, to give them a savior as well as heal their beloved city. Apollo instead
gives them the cause of their pain and suffering in the form of Oedipus (Meyer, p. 1300). As
Apollo commands, “…pay the killers back, whoever is responsible.” (p. 1303). The corruption
that Apollo gives to Creon is Oedipus himself who is blind to his misdeeds: he not only kills his
Prophesies
It is important to realize that the influence of prophesy in Oedipus Rex is great in that it
not only provides the tempest for the plot but also guides the lives of the characters. The two
characters in the play are prophets in that their actions and prophesies allow them to direct the
plot of the play. Oedipus delivers a curse on the unknown perpetrator of the crime, consigning
himself to suffering. As worded in the text, Oedipus calls upon the same curse to harm him in the
off chance that the king’s murderer happened to be a member of the royal house and under his
wing. As he stated:
May the curse I just called down on him strike me!” (Meyer, p. 1307).
It is for this reason that the paper posits that Oedipus’ powers of prophesy are not as
guided as Tiresias’ since he has no special relationship to Apollo. While on the one hand
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Apollo’s ire at the patricide and incest causes him to actualize the curse Oedipus conveys upon
himself, the fact that the prophesy of the murder was made long before Oedipus reached
manhood displayed the manner in which Oedipus’ fate was sealed. It is this speial knowledge
that allows Tiresias to act the wise man while leaving Oedipus in darkness as deep as Tiresias’
blindness. As a result, Oedipus suffers the knowledge of his father’s death and his relationship to
his mother. He gouges out his eyes because they did not aid him with sight and the man suffers
It is important to realize that Tiresias’ own role in the play is minimal yet crucial. He
provides the characters and the audience with the link and motivation for the suffering the people
experience. Tiresias acts out of the position of knowledge in that his relationship to Apollo gifts
him with sight. His response to Oedipus is riddled with truths, insights and revelations for he
To Tiresias, Oedipus’ sight is useless to the man since it does not aid his kingship. Oedipus seeks
the answers to the riddle of Thebes’ suffering when all he has to do is look to himself. As a
result, Tiresias’ last act of service to Oedipus comes in the form of another riddle. Upon his
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departure, he delivers a final clue as to the reason Thebes suffers and does this in the form of a
riddle:
To the children he embraces…son and husband both…he spilled his father’s blood…” (p. 1313).
Conclusion
“…you are fated to couple with your mother, you will bring a breed of children into the
light no man can bear to see-you will kill your father” (p. 1321).
These ill-fated words spark the intelligence within Oedipus. Oedipus, esteemed for his insight
and intelligence, realizes his blindness and the cruel fate the gods played upon him. The old
prophesy, retuning to haunt the king, resonates with Tiresias’s final words of parting. Under
those circumstances, Oedipus is left with no option but to abase himself before the will of the
gods. He realizes that his arrogance in esteeming the power and independence of men brought
him to the attention of the gods and for this suffered their wrath. Oedipus ends up gouging his
eyes due to the shame and anguish of his life. Ultimately the play displays how Oedipus, wisest
of men, is laid low by his lack of knowledge. The prophesy which hounded his life are
into the workings of the gods. Owen in Drama of Sophocles attempts to claim that Tiresias acts
as the true prophet in the play, however, he merely serves as the gods’ messenger. While his
deliveries are accurate and full of meaning to those in the know: his role is no more than that of a
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messenger, telling rather than foretelling. Granted that, it is difficult to credit Tiresias with
wisdom and the gift of prophesy and we leave him with nothing more that the position of an
oracle. In contrast, Oedipus’ own role as a prophet is more powerful and real. He acts from a
position of ignorance yet delivers prophesy that fate acted to materialize. Unlike Tiresias,
Oedipus has no special relation to the gods other than his piety. However, his curse proves true
as they resonate with prophesies cast by other men earlier on in the play. Both men thus deliver
the messages of the gods, albeit one of them through ignorance. In this we thus conclude that
Oedipus’ role as a prophet in the play is greater as his prophesies provide the plot with a greater
Works Cited
Owen, E.T. ‘Drama in Sophocles’ Oedipus Tyrannus’, in O’Brien 30-40, The University of