The document provides a summary of various literary works categorized by period, genre, and brief descriptions. It includes both modern and pre-colonial Philippine literature. Some of the works summarized are The Arrival (immigration story), Lady Chatterley's Lover (love story), The Hunger Games (science fiction), Biag ni Lam-ang (epic hero story), and the legend of the Sleeping Beauty from Kalinga. The genres represented include novels, epics, folk narratives, riddles, songs, and proverbs.
The document provides a summary of various literary works categorized by period, genre, and brief descriptions. It includes both modern and pre-colonial Philippine literature. Some of the works summarized are The Arrival (immigration story), Lady Chatterley's Lover (love story), The Hunger Games (science fiction), Biag ni Lam-ang (epic hero story), and the legend of the Sleeping Beauty from Kalinga. The genres represented include novels, epics, folk narratives, riddles, songs, and proverbs.
The document provides a summary of various literary works categorized by period, genre, and brief descriptions. It includes both modern and pre-colonial Philippine literature. Some of the works summarized are The Arrival (immigration story), Lady Chatterley's Lover (love story), The Hunger Games (science fiction), Biag ni Lam-ang (epic hero story), and the legend of the Sleeping Beauty from Kalinga. The genres represented include novels, epics, folk narratives, riddles, songs, and proverbs.
Title of Corresponding Literary Short description of the literary Image
literary Period genre
The 21st literature Illustrated The Arrival tells a universal story of immigration. Arrival novel The story is about a man leaving his home to find work and support his family, whose home has apparently become unsafe. In the new land, the man goes through a lengthy administrative process and manages to find a small living space. Although he struggles to understand the different language, navigate the unknown city and to find a secure job, he makes new friends of the locals and learns of the struggles of other refugees that have fled their homes due to slavery and sought asylum from war, sharing his own experiences as well. Eventually, the man’s family joins him in the new land, and they settle into a new, happy life. Lady 21st literature Chick lit or The story concerns a young married woman, the chattery’s chick former Constance Reid (Lady Chatterley), whose lover literature upper-class Baronet husband, Sir Clifford Chatterley, described as a handsome, well-built man, is paralysed from the waist down due to a Great War injury. In addition to Clifford's physical limitations, his emotional neglect of Constance forces distance between the couple. Her emotional frustration leads her into an affair with the gamekeeper, Oliver Mellors. The class difference between the couple highlights a major motif of the novel, which is the unfair dominance of intellectuals over the working class. The novel is about Constance's realization that she cannot live with the mind alone; she must also be alive physically. This realization stems from a heightened sexual experience that Constance has only felt with Mellors, suggesting that love can only happen with the element of the body, not just the mind. The 21st literature Science The Hunger Games is an annual event in which Hunger fiction one boy and one girl aged 12–18 from each of the games twelve districts surrounding the Capitol are selected by lottery to compete in a televised battle royale to the death. DepEd 21st century blog They used social medias to imform the people about Tambayan the educational status.
Chapter 21st century Flash Chapter V,” Ernest Hemingway
V,” fiction Ernest “For sale: baby shoes, never worn” is far from Hemingw Hemingway’s only foray into flash fiction (if it ay was indeed his story). This story from his collection In Our Time follows the typical arc of great flash fiction by starting with a straightforward but descriptive sentence to set the scene.
Title of Correspondin Literary Short description of the literary Image
literatur g period genre e Biag ni Pre-colonial epics Life of lam-ang of the illocanos narratives the lam-ang adventures of the prodigious epic hero, lam- ang who exhibits extraordinary powers at an early age. At nine months he is able to go to war to look fo his father’s killers. Then while in search of lady love, ines kannoyan, he is swallowed by a big fish, but his rooster and his friends bring him back to life. The Pre-colonial Folk The Sleeping Beauty is said to be legend narrativ a beautiful maiden named Dinayao who is of e in love with a dashing Luplupa villager sleeping named Binsay at first sight. Tribal wars beauty forced Binsay to help out his village but (kalinga) promised to Dinayao he will be back to see her at the summit of Mt Patukan.
Atis Pre-colonial riddles Ate mo, ate ko, ate nating lahat.
A broom Pre-colonial Proverb Matibay ang walis, palibhasa’y magkabigkis.
is sturdy s because People gain strength by standing together its strands are tightly bound. Subli Pre-colonial Song The dance is considered a favourite in the barangays of Bauan and Alitagtag Batang as, as well as other parts of that province in the southwestern part of Luzon. It is a Catholic devotional practise (often described as a "prayer") honouring the Holy Cross of Alitagtag (Tagalog: Mahál na Poóng Santa Krus) traditionally done in May, the month in which Roodmas fell before the General Roman Calendar was revised by Pope John XXIII in 1960. The name Sublî is a portmanteau of the Tagalog words subsób ("bent", "stooped", also "fall on the face") and balî (also "bent" or "broken"), referring to the posture adopted by male dancers. Both men and women dancers —called manunublî (meaning "them that Sublî")—perform in pairs and various formations. The women's costume includes a straw hat adorned with ribbons, which are waved about, removed, tipped in salute to a copy of the Cross of Alitagtag set on an altar, or used to make other graceful gestures. Theatrical versions (often performed outside of a devotional context) are set to a rondalla ensemble playing a tune by Juan P. Silos, but in its older form the dance is accompanied only by the constant beating of drums, punctuated by the clacking of wooden castanets used by the men. The frenetic rhythm of the drums is also seen as proof of the custom's pre-Hispanic origins, in line with the theory that it is a Christianised version of much older, animist rites. A chant to the Holy Cross is sometimes intoned at the beginning of the Sublî, underscoring the dance's originally religious character.