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Acoustics A to Z​
Building Acoustics - How does Architectural Acoustics affect our Buildings?

B is for Building Acoustics

B gives me another excellent topic which I’m very familiar with, which is… Building Acoustics. Now I appreciate that it looks like
every topic in this A to Z will be a different word simply followed by the word ‘acoustics’, but I promise… it’s not going down that road,
there will be some variety!

Anyway… a common misconception (along with eggboxes on walls) is that Building Acoustics means designing concert halls and
recording studios, types of space which have a strong connotation with good acoustics and quality of sound. However, it’s also an
important aspect for any building which contains ‘noise-sensitive’ spaces, which is most buildings, i.e. our homes, places of work or
education, healthcare facilities and places of recreation and leisure. It can have a huge impact on our living comfort, health and
wellbeing, productivity and communication.

So, what is Building Acoustics? 

Well, the clue’s in the name, so you’ve probably already guessed that it’s to do with the acoustic design of buildings… but still, what
does that mean? Let’s briefly look at some of the different aspects of Building Acoustics (and bear in mind, I’ll cover most of these in
more detail later in this A to Z series).

Airborne Sound Insulation

The control of sound transmitted through the air, such as speech, television, music or the next-door neighbour’s dog. We usually
want a decent level of airborne sound insulation from the room next door so that we don’t hear private conversations or have to
listen to their music. We achieve this by specifying wall and floor constructions which have good sound reducing qualities, making
sure they all connect together without leaving weak points for what’s known as ‘flanking sound’, and sealing any ‘penetrations’ like
ducts and pipes which may run through the separating wall or floor.

Impact Sound Insulation

Impact sound occurs when an object impacts the structure, typically the floor, such as footsteps and chair scrapes. Carpets and
‘resilient’ underlays help to dampen the impact, as do rubber or spring mounts on raised floors. In most cases, we’re dealing with
vertical transmission across intermediate floors from above to below. But in high impact areas, such as sports halls and gym floors,
we can also have impact noise transmitting horizontally. 

Room Acoustics
How sound behaves in an enclosed spaced, in particular, how reverberant a room is, which refers to the length of time that sound
takes to decay. For example, think of two contrasting rooms, firstly a large sports hall with lots of hard surfaces such as vinyl flooring
and concrete block walls, which has a very ‘live’ feel. Secondly, a small control room at a recording studio, with plenty of soft surfaces
(which absorb sound) such as carpet, foam wall panels, ceiling tiles and furniture, which has a very ‘dead’ feel. The former has a much
longer reverberation time, resulting in poor speech intelligibility and high levels of noise build up. If you think of a classroom, an office
or a bedroom, this is somewhere between these two extremes. This is important, after all, can you imagine working in an office as
reverberant as a sports hall?

Indoor Ambient Noise

This is the background noise level in each room of a building, when unoccupied but operational, or if you like, when you sit in silence
with the television off. In thisHome
case, we might
Serviceshear the sound of Insights
Sectors passing traffic outside, noise
About from a nearby school
Contact playground,
Contact maybe
an Acoustic Consultant

the air conditioning, and perhaps the sound of water rushing through the pipes. So, the aim is firstly to control noise ingress from
outside by specifying façade constructions that have sound reducing properties, and also considering the ventilation strategy, i.e. will
open windows let too much noise in? Secondly, we need tolimit the830
0800 noise
3338generated by the building services, avoiding noisy MENU
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mechanical ventilation units in sensitive spaces, using silencers in ductwork, and perhaps lagging pipework or encasing it with
plasterboard. We need low enough indoor ambient noise levels to avoid sleep disturbance in our bedrooms, and to work or learn
without distraction from noise (although in open plan offices, some background noise can actually be beneficial in masking the
sound from our colleagues, and providing comfort to ourselves, after all, no-one wants to feel like the whole office is listening to their
phone conversation, especially if you can otherwise hear the proverbial pin drop). 

Rain Noise
As you can probably guess, this is the control of noise generated by rain impacting on the roof, particularly if it’s a lightweight roof,
and especially if it has rooflights. If you’ve sat in a conservatory when it’s raining heavily, you’ll know it can get very noisy.

Structure-borne Sound
This relates to vibrations through the structure which then radiates sound into a room. Indeed, impact sound is a form of structure-
borne sound. But it might not be a sudden or intermittent impact, structure-borne sound could be excited by a continuous source of
vibration. Examples of this might be mechanical plant with moving parts (such as a fan unit), which if not installed well and isolated
from the structure, can cause continuous vibration to be transmitted through the floor, walls and fittings, which then radiates noise
into rooms nearby. Or, the vibration could arise from the foundations, particularly if the building is close to a railway line.

Noise Pollution
This perhaps fits under the area of Environmental Acoustics rather than Building Acoustics, but as I’ve referenced noise and structure-
borne sound generated by building services, it’s worth mentioning. This mainly refers to controlling the external noise emissions
generated by the mechanical plant of a proposed building, to ensure it does not adversely impact on those that live and work in the
surrounding area. But we also must consider how ‘activity’ noise might impact on others, particularly if a building has high noise
level spaces (i.e. music rooms, dance studios, workshops, etc).

Credit: Acoustics of Schools: A design guide – IOA (2015)

Is good Building Acoustic design needed for all buildings? 

Well, ideally yes… but the necessary level of detail in the design and the performance will vary for different types of buildings, rooms,
and adjacencies. If we live in an apartment, we’d want a good level of sound insulation from the flat next door, but we probably
wouldn’t be so bothered about it between the rooms within our dwelling. If we live above a nightclub, then we’d definitely want a
VERY good level of sound insulation! Low indoor ambient noise levels in our bedroom are important for sleep, but not so important
on the dancefloor of the nightclub downstairs. Many guidelines exist (in the UK) which govern the acoustic design of different
buildings, such as Approved Document E (Part E) of the Building Regulations (residential), BB93 (education), HTM 08-
01 (healthcare), BCO guidelines (offices)
Home and BS 8233 (multiple
Services Sectors building
Insights types).
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When does Building Acoustic design occur? 

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With the exception of assessing external noise ingress through the building envelope, where a site with high external noise levels
might not be suitable for a sensitive building unless designed and mitigated appropriately, and perhaps some high-level internal
design as part of a feasibility study, the bulk of Building Acoustics design is usually (though not always) done after gaining planning
permission, depending on the project. So, this is on new construction or refurbished developments from RIBA Stage 3 onwards. That
is, detailed design, technical design, and construction stages. We may also have to ‘test’ the building at handover and completion, to
demonstrate that the acoustic design criteria have been achieved. Occasionally some input from an acoustic consultant may be
needed for developments that have been in operation for years, in response to a complaint from the occupant, usually as a result of a
refurbishment or a change in the surrounding environment.

I hope you enjoyed this short article, and keep an eye out for more articles on the common questions that I get asked by clients in
my job as an acoustic consultant.  Feel free to connect and message me through LinkedIn, send me an email at
chris@parkerjonesacoustics.com, or through our Contact Us page.

Building acoustics

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Author

Chris Parker-Jones

 October 24, 2019

The aim of our articles are to break down acoustic terms and concepts as simply as possible, without going too far into the mathematics and every nitty gritty technicality,
that acousticians usually love to get stuck into.

So please, if you’re an architect, contractor, developer, planner… or really anyone who occasionally needs to dabble in acoustic design and assessments… then read on…

Got a question?
Is there an acoustic, noise, or vibration related topic or problem that you would like explained?  Send us an email and we’ll write an article about it.

chris@parkerjonesacoustics.com

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 Home Services Sectors Insights About Contact Contact an Acoustic Consultant

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 Home Services Sectors Insights About Contact Contact an Acoustic Consultant

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Internal building acoustic design from planning, through detailed design, to completion. Sound insulation,
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