Professional Documents
Culture Documents
Secrets
An often overlooked tailoring
element adds support and shape
BY JUDITH NEUKAM
G
arments always look better when their sleeves
extend from the body so smoothly the attachment
area looks nearly seamless. Even if you manage to con-
trol the sleeve-cap ease and avoid a puckered seamline,
the sleeve cap may have empty space within, between the shoulder
and upper arm, where the sleeve curves downward from the armscye
seam. Instead of looking sculpted, the sleeve cap collapses, creating a
hollow area; the armscye seam allowances may show through as a row of
uneven lumps. This can happen in any garment, from a fluid silk blouse to
a strictly tailored coat or jacket.
One of the easiest and most successful ways to solve this problem is by sup-
porting the sleeve cap with a well-designed sleeve head. This simple tailoring
technique is often overlooked in sewing sources; you’ll rarely find it mentioned
in a standard commercial pattern. However, once you understand the concept
and become familiar with the materials and basic technique, you can create sleeve
heads for just about any garment with set-in sleeves.
Decades ago, when I first looked for sleeve-head directions in my sewing books, the
best I could find was a two- or three-sentence description, without images. When I fol-
lowed the minimal directions, the resulting sleeve heads were good. But there’s more to
know if you want to make better sleeve heads for a range of garment styles.
Even though you can purchase ready-made sleeve heads from a tailor supply (e.g., BBlack
andSons.com), I prefer the flexibility and spontaneity of making my own. I’ll describe some
of my preferred materials for crafting sleeve heads for garments of different weights and styles.
I’ll also show you five methods for cutting and installing a sleeve head. Experiment with these
approaches, and try other materials and proportions to create the effect you want for your garment.
Contributing Editor Judith Neukam writes from her home in the Midwest.
Garments from any fabric
can benefit from the
support of a sleeve head.
50 THREADS
Sleeve seam
The sleeve head sits allowance
within the sleeve’s cap.
Sleeve-head
seam allowance
Many fabrics are suitable for
making sleeve heads, from
fleece and felt to wool and
even silk organza.
w w w. t h r e a d s m a g a z i n e . c o m AU G U ST/ S E P T E M B E R 2 0 2 0 51
Position the strips. Align a strip with one long edge along the raw
2 edges of the sewn sleeve-cap seam allowance; the strip extends
toward the sleeve. Place the strip’s ends at the front and back notches. 3 Position and stitch the sleeve heads. Place the strip
with its fleecy face against the sleeve’s wrong side.
Follow steps 2 through 4, at left, for the basic sleeve head.
Sew the strips in place. Set the machine for a 3.0-mm-long straight
3 stitch. With the strip against the feed dogs and the armscye seam
allowances on top, sew within the seam allowance, close to the
armscye seamline.
Bodice seam
allowance
Sleeve-cap Sleeve-head
seam allowance seam allowance
Sleeve head
Armscye seam
Slit Slit allowances
SLEEVE (WS) SLEEVE (WS)
52 THREADS
First fold
Second
fold
Zigzag
stitching
w w w. t h r e a d s m a g a z i n e . c o m AU G U ST/ S E P T E M B E R 2 0 2 0 53
Choose cording. Cotton cording intended for upholstery welting Steam to shape. Lightly steam the sleeve cap and mold it
1 is suitable, in nearly any diameter. Thick cording produces the
most pronounced shoulder shape. Cut it to the armscye seam’s
5 over the cording to create the enhanced shape.
Photos: Sloan Howard. Illustrations: Steven Fleck. Fabrics: (p. 50, top to bottom) coat-weight woven wool, wool bouclé, pebble-finish wool, lightweight wool crepe, and print cotton batiste—all from MoodFabric.com.
length between the front and back notches, and trim the ends to
create a tapered shape.
SILK ORGANZA
Choose cording diameter based on the fabric weight and desired finished
effect. The sleeve head may be silk organza or other fabric.
Prepare the head strip. Cut a bias sleeve-head strip from silk
2 organza, wide enough to enclose the cording and extend into
the sleeve cap. It may need to be 3 inches or wider; err on the side Armscye seam
of wider, as you can trim it narrower later. Make it an inch longer allowances
than the cording, and taper the cording on the ends. If the garment
fabric is thin, the sleeve head may be made from a fabric heavier
than organza, such as lightweight wool.
Cording
Insert the cording. Wrap the cord within the sleeve-head Catchstitching
4 layers, and hand-sew it in place, stitching through the armscye
seam allowances but not through to the garment’s exterior. If the
Silk organza
sleeve head
garment fabric is bulky, catchstitch the armscye seam allowances
to the cording to control the bulk.
SLEEVE (WS)
54 THREADS
Make the pattern. Trace the sleeve Install the sleeve heads. Align the
1 pattern’s sleeve-cap cutting line,
from front to back notches. Draw a
3 outer curve along the sleeve’s seam
allowances. If you are including a felt
line about 2 inches inside this. Shape layer, sandwich it between the sleeve
the line by curving the short ends head and sleeve cap. Sew just inside
and creating a divot at the center; the the armscye seamline, within the
finished pattern resembles a mustache. sleeve seam allowance.
Add a bias grainline to the pattern.
Photos: Sloan Howard. Fabrics: (p. 50, top to bottom) coat-weight woven wool, wool bouclé, pebble-finish wool, lightweight wool crepe, and print cotton batiste—all from MoodFabric.com.
Cut the sleeve heads. Cut two on Press the sleeve cap. Fold the sleeve
2 the bias from wool fabric. If desired,
cut two additional pieces from felt,
4 head and all seam allowances
toward the sleeve cap. Then press
batting, or fleece, and trim them gently to shape.
narrower than the wool pieces.
Sleeve
cutting
line
Armscye seam
allowances
SLEEVE PATTERN
Felt layer
Sleeve-head
seam allowance
Sleeve head
e
lin
SLEEVE (WS)
Sleeve-head SHOULDER PAD TIPS
ain
pattern
Gr
w w w. t h r e a d s m a g a z i n e . c o m AU G U ST/ S E P T E M B E R 2 0 2 0 55