Professional Documents
Culture Documents
Design features
The basic square plan and central open space have derived from traditional local structures (wada)
•Interior Designers: Studio Advaita Syngenta foundation and Snehalaya organization (NGO) wanted to build an agricultural
from nearby places of Ahmednagar. The commonly used elements of design at local level are used
•Area: 250 m*2 training centre in the rural area for small and marginal farmer’s children.Where the young
and rearranged in a new way eg. External Staircase.The building material is carefully chosen which
•Year: 2017 generation in the rural area can learn various new agricultural technique in short duration
will reduce the cost and it will go with adjacent surrounding structures. Gray and coloured fly ash
•Manufacturers: Saint-Gobain, Asian, Birla courses. Also, it will be a place for getting information about soil, climate, crops etc for
bricks are used with cavity for heat insulation for the construction of external walls. All internal
•Services: Bhandari, Balasaheb Walhekar adjacent villagers. This centre will arrange exhibitions of student’s research which can be
spaces are having natural indirect light to reduce consumption of electricity.
•Design Team:Ar. Rasika Badave, Ar. Prasad Badave, easily seen by farmers.
FLOOR PLAN-
Prakash Apate, Ravindra Katre, B. Seshadri
•Construction Team:Jaykumar Munot, Sanjay Gugale
•Structural Engineers:Dipak Mutha
LEGEND-
•Site Supervision:Mahesh marakand, Anil Gawade
1. Entrance
•Model Maker:Arjun, Bhumi Mavani 2. Central space
•Client:Snehalaya and Syngenta foundation 3. Classroom/ exhibition space
•Site Area:6 acre 4. Laboratory
5. Administration
•Project Estimate:35 Lakh 6. Toilet
•City:Nimblak 7. Pantry
•Country:India 8. Staircase
SITE DETAILS-
CONCEPT NOTE:
* THE BASIC SQUARE PLAN AND CENTRAL OPEN SPACE HAS DERIVED FROM
TRADITIONAL LOCAL STRUCTURES (WADA) FROM NEARBY PLACES OF
AHMEDNAGAR
• THE BUILDING IS CAREFULLY PLACED ON ROCKY PORTION OF SITE INSTEAD
OF DAMAGING FERRILE SOIL ON THE SITE
• IN THE AGRICULTURAL CENTER THE PLANNING IS DONE BY CONSIDERING
SUN MOVEMENT SERVICES LIKE TOILETS, PANTRY AND ENTRANCE LOBBY IS
PLACED AT SOUTH CORNER WHICH CAN ACT AS A BUFFER ZONE
• CAVITY WALL IS MADE FOR REMAINING SIDES TO MINIMISE THE HEAT GAIN.
• BOTH THE CLASSROOMS ARE ORIENTED TOWARDS NORTH SIDE TO
MINIMIZE THE HEAT GAIN AND MAXIMIZE THE NATURAL NORTH LIGHT
THROUGH OUT THEE DAY.
• THE DRAMATIC INTERNAL VOLUME IS MODULATED WITH NATURAL MATERIALS USED- EXTERIOR PHOTOS-
ILLUMINATION, WHITE WALLS UT WITH NATURAL LIGHT, GRAY KOTAH STONE
FOR FLOORING AND OVER DETAILED INTERIORS ARE AVOIDED TO BRING
SIMPLE DIGNITY OF SILENT ARCHITECTURE.
• THE MAIN CHALLENGE WAS TO DESIGN A BUILDING FOR THOSE LOCAL
PEOPLE WHO CAN GET TO KNOW THE CONTEMPORARY ARCHITECTURE BY
USING THE MATERIALS WHICH ARE FAMILIAR TO THEM SO IN THAT CONTEXT
WE HAVE USED EXPOSED GRAY AND COCOURED FLY ASH BRICK WALLS
OUTSIDE AND WHITE WASHED INTERIOR SPACES LIT WITH NATURAL LIGHT.
FRONT
ELEVATION-
ENTRANCE Further, the interiors finished with faint colors and medium
PANTRY rough textures make the vast spaces feel subtle to the senses.
INTERIOR VIEWS-
INFERENCE-