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Phonology is the study of the ways in which speech sounds form systems and patterns in a
language. It is about the underlying design, the blueprint of each sound type, which may vary in every
physical context. Phonology refers either to the representation of the sounds and sound patterns in a
speaker’s mental grammar, or to the study of the sound patterns in a language or in human language in
general.
Phonological knowledge permits a speaker to produce sounds that form meaningful utterances, to
recognize a foreign “accent”, to make up words, to add the appropriate phonetic segments to form plurals
and past tenses, to produce aspirated and unaspirated voiceless stops in the appropriate context, and to
know what is or is not a sound in one’s language.
Phonological Concepts:
Phonemes – are the meaning-distinguishing sounds in a language. They are not physical sounds but are
abstract mental representations of the phonological units of a language, the units used to represent the
forms of words in our mental lexicons.
The International Phonetic Alphabet (IPA) is provided below to introduce to you the 44 Phonemes in
English.
Consonants
Phoneme IPA Symbol Examples
1 b bug, bubble
5 h hop, who
8 l live, well
11 p pin, dippy
21 θ thongs
22 ð leather
Vowels
Phoneme IPA Symbol Examples
26 eɪ bay, maid, weigh, straight, pay, foyer, filet, eight, gauge, mate, break, they
28 i: be, bee, meat, lady, key, phoenix, grief, ski, deceive, people, quay
30 aɪ spider, sky, night, pie, guy, stye, aisle, island, height, kite
35 u: who, loon, dew, blue, flute, shoe, through, fruit, manoeuvre, group
40 ɑ: arm
42 ɔ: paw, ball, fork, poor, fore, board, four, taught, war, bought, sauce
Natural Classes are two sounds that share some features. Phonemes that have certain features in common
tend to behave phonologically in similar ways.
Example provided on the table below, ones marked with the plus sign (+) means that feature is present and
we use a minus sign (-) if it is not present.
(https://scholar.harvard.edu/files/adam/files/phonology.ppt.pdf)
(file:///George%20Yule%20-%20The%20Study%20of%20Language-Cambridge%20University%20Press%20(2020).pdf)
Phonotactics - are constraints that concern ways in which syllables can be created in a language.
Syllables – are a larger phonological unit containing a vowel or vowel-like sound including diphthongs.
The most common type of syllable also has a consonant (C) before the vowel (V) and is represented as CV.
The basic elements of the syllable are the onset (one or more consonants) followed by the rhyme. The
rhyme consists of a vowel, which is treated as the nucleus, plus any following consonant(s), described as
the coda. Syllables that have an onset and a nucleus but no coda (such as me, to or no) are known as open
syllables. When a coda is present, (as in the syllables up, cup, at or hat), they are known to be closed
syllables.
Consonant Clusters are a group or sequence of consonants that appear together in a syllable without a
vowel between them.
Notice the combination /st/ is a consonant cluster (CC) used as an onset in the word stan and as coda in the
word past. English can actually have larger onset clusters, as in the word straw and split. If we study the
phonotactics of these larger consonant clusters, they have a fairly regular pattern. The first consonant must
always be /s/ followed by a natural class of voiceless stops (/p/, /t/, /k/), plus a liquid glide (/l/, /r/, /w/).
Coarticulation Effects
Coarticulation is the process of making one sound almost at the same time as the next sound. Syllables and
words are used fast and spontaneous in a casual conversational speech which requires our articulators to
move from one sound to the next without stopping.
Assimilation is when two sound segments occur in sequence and some aspect of one segment is taken
or “copied” by the other. Think of the word have by itself, then how it is pronounced in the phrase I have to
go on an everyday speech. As we start to say the /t/ sound in to, which is voiceless, we tend to produce a
voiceless version of the preceding sound, resulting in what sounds like /f/ than /v/. So, we typically say
“hafta”, showing how the assimilation from a voiced to a voiceless sound is perceived.
Nasalization is adding a nasal quality to a sound segment preceding a nasal sound. This type of
assimilation process occurs in a variety of different contexts. By itself, the word can may be pronounced as
[kæn], but when you say I can go, the influence of the following velar [g] will make the preceding nasal
sound come out as [ŋ] (velar) rather than [n] (alveolar). The most common conversational version of the
phrase is [aɪkəŋgoʊ]. Notice the vowel in can has also changed into schwa [ə]. We may also pronounce and
as [ænd] by itself but if it is used in the common phrase you and me, we usually say [ən], as in [juənmi].
Elision is the process of leaving out a sound segment that might be present in a deliberately careful
pronunciation of a word. /t/ is a common casualty in this process, as in the pronunciation [himəsbi] for the
phrase he must be or in we asked him as the process of elision (of /k/) is likely to produce [wiæstəm].
Vowels also disappear through elision, with the result that sometimes a whole syllable may not be
pronounced, as in [ɪntrɪst] for interest, [kæbnət] for cabinet, [kæmrə] for camera, [prɪznər] for prisoner, and
[spoʊz] for suppose.
Normal Speech
These processes of assimilation, nasalization and elision occur in everyone’s normal speech and should not
be regarded as some type of sloppiness or laziness in speaking. In fact, consistently avoiding the regular
patterns of assimilation, nasalization and elision would result in extremely artificial-sounding talk. The
point of investigating these phonological processes is not to arrive at a set of rules about how a language
should be pronounced, but to try and come to an understanding of the regularities and patterns that
underlie the actual use of sounds in language.
Introduction
Linguistic structure is conveyed to a listener by speech. (Although linguistic structure can be
conveyed to a viewer by sign or by writing, in this chapter we will consider only oral communication.)
Phonetics is the study of the physical aspects of speech events, including: speech production (how speech is
produced by the speaker, an instance of skilled motor performance), speech acoustics (the properties of the
airwaves that transmit speech from speaker to listener), and speech perception (how speech is perceived
by the listener). Phonetics is part of linguistics, but it is part of other disciplines as well, such as speech and
hearing science, psychology, and engineering. Linguistic phonetics is a term sometimes used to describe the
aspects of speech articulation, acoustics, and perception that are part of linguistics. It includes the study of
the speech sounds of a range of languages, generalizations about sounds that hold across languages, and
the study of the relation of phonetics to other areas of linguistics. In the next section we provide some
concepts and terms that let us describe the sounds of speech.
olemissspeechpath.blogspot.com
The IPA Chart
Articulators -The IPA articulatory definitions are provided in part by arranging some of the consonant
and vowel symbols into individual charts which are three-dimensional in content but flattened out to two
dimensions on paper. One dimension is in the horizontal arrangement, another is in the vertical
arrangement, and the third is in the order of symbols that are written in pairs. The main consonant and
vowel charts are both three-dimensional in this way, but they use different sets of dimensions.
Consonants - Let us now return to the IPA chart, beginning with the main consonant chart at the top. The
main consonant chart contains a subset of the consonants, those made with air flowing out from the lungs
(pulmonic egressive). Recall that consonants are sounds produced with a significant constriction in the
vocal tract. This constriction means that the flow of air through the oral cavity and out of the mouth is
affected: either the airstream becomes noisy, or less air is able to flow out than would without the
constriction.
Voicing - Inside many cells (or boxes) are pairs of consonants with the same rowand-column definition.
These pairs differ in voicing, that is, in the activity of the vocal cords. Generally, if the vocal cords vibrate for
all or part of the sound, it is said to be voiced and appears as the right member of the pair; if the vocal cords
do not vibrate at all, the sound is said to be voiceless, and appears as the left member of the pair. Notice
that all the unpaired sounds (the nasals, trills, tap/flaps, and approximants) are placed to the right in their
cells to show that they are all voiced.
Other consonants- The Basic English consonants that are not on this main consonant chart are the
affricates and the approximant [w]. For [w], it is not on the chart because it is a combination of two
articulations, bilabial and velar. Sometimes on phonetic consonant charts you will see [w] in the bilabial
column, sometimes in the velar column, sometimes in both, sometimes in a special column labelled, labial-
velar or labiovelar.
Vowels - Like the consonant chart, the vowel chart encodes three dimensions, but the vowel dimensions
are different from the consonant ones. The primary active articulator of vowel sounds is always some part
of the tongue (almost always the tongue body), the passive articulator is some part of the midline of the
outer surface of the vocal tract, but the active articulator never comes very close to the passive. The vowel
chart represents a kind of grid of the vocal tract in which the top of the chart is the roof of the mouth, and
the left side of the chart is the front of the oral cavity, viewed on the speaker’s left side, just as for the main
consonant chart
Diphthongs -Some vowels are represented as sequences of vowel symbols because the tongue and/or lips
move from one position to another. Such vowels are called diphthongs. We can distinguish large
diphthongal movements, which cross a large part of the vowel space, from small diphthongal movements,
which involve only adjacent areas of the chart.
Different pronunciations mean different symbols - The IPA charts make a big distinction between
consonants and vowels, giving them separate charts and descriptive terminology. This puts the glides in an
odd position, since they are like both consonants and vowels. Glides are sometimes also called semi-vowels
because they are vowel-like. Their position on the consonant chart (as central approximants) obscures
their similarity to vowels.
Other IPA symbols: consonants and vowels -The IPA provides many more symbols than we have used so
far. This is in part because other languages use sounds that English does not use. The IPA is meant to
provide a symbol for every basic sound of every language. It is beyond the scope of an introductory course
to present and discuss all of the symbols of the IPA, but if you understand the conceptual framework you
should be able to cope with many of these symbols when you encounter them.
DIACRITICS
We noted before that the cells of the charts cover ranges of articulations. Diacritics serve to narrow down
those ranges, and transcriptions using them are often called Narrow. As stated above, a narrow
transcription is used to represent small differences between speakers or languages, to show how a basic
sound’s exact value can change depending on the surrounding sounds, and to show differences between
speech that is more or less careful, etc. However, in many cases diacritics are needed even for the basic
sounds of a language. For example, a language that has nasalized (with air coming out the nose) as well as
oral vowels will necessarily use the nasalization diacritic. The lower right part of the IPA chart contains a
chart of diacritics, of which a few have already been presented.
SUMMARY
Phonetics is concerned with the physical properties of speech. Speech utterances are analysed as
sequences of (partially overlapping) speech segments, plus suprasegmentals. A phonetic transcription
represents a speech utterance as a string of phonetic symbols for the segments, accompanied by diacritics
for the suprasegmentals.
Languages’ orthographies are not always consistent in their letter-to sound relations. Phonetic alphabets
aim to provide one symbol per sound and one sound per symbol. The IPA is an international standard
alphabet which aims to provide symbols for the sounds of all the world’s languages. Consonant and vowel
symbols are defined in terms of speech articulations: consonants in terms of their voicing, place of
articulation, and manner of articulation; vowels in terms of their tongue position and lip rounding. These
descriptive dimensions also serve to organize the symbols into phonetic charts.
A phonetic transcription can be broad or narrow. This chapter provides a list of 40 symbols for broad
transcription of the basic sounds of American English. Narrow transcriptions use additional phonetic
symbols and diacritics. Diacritics make symbols more specific. These additional symbols and diacritics are
also used for basic sounds of other languages.
Just as native speakers of a language have unconscious knowledge about other aspects of linguistic
structure, they have phonetic knowledge. They know the sounds of their language, and exactly how those
sounds are pronounced in different combinations. No phonetic transcription conveys every such detail of
pronunciation.
Phonetics and phonology are two important intra-disciplinary branches of linguistics. Though closely
interlinked and serving the same purpose, i.e. dedicated to the study of human speech sounds and sound
structures, phonetics and phonology differ from each other to an extent that each has been given a separate
disciplinary status. Some of the most prominent differences between phonetics and phonology can be
elaborated as follows:
Applications:
Foreign language teaching/learning
Pronunciation dictionaries
Speech pathologies
Forensic phonetics
Speech technology
What is Pronunciation?
The production of significant sound.
Significant because:
• It is used as part of a code of a particular language
• It is used to achieve meaning in contexts of use.
Auditory Phonetics – the perception of the sound.
Articulatory Phonetics – the production of the sound.
Speech monitoring abilities: good learners listen to the input and try to imitate it.
Pronunciation Issues
1. Perfection versus intelligibility
2. What students can hear versus what students can say
3. To use or not to use phonemic symbols
4. When to teach pronunciation
What to teach?
Individual sounds (perhaps using the IPA)
Sound linking
Connected speech
Weak forms (schwa)
Voice – get them to imitate English speakers mispronouncing their L1 – gives them a feel for
sounds/rhythm
Syllable stress – highlight length, pitch loudness, & vowel clarity
Intonation
Minimal pairs
Chunking
Pausing
Rhythm
Awareness of varieties of English
Awareness and recognition
So...
Recognizing all these things give them extra information about spoken English and help them
achieve the goal of improved comprehension and intelligibility
Being made aware of pronunciation issues will be immense benefit not only to their own
production but also to their own understanding of spoken English.