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LAB MANUAL
1. SYLLABUS
RAJIV GANDHI PROUDYOGIKI VISHWAVIDYALAYA, BHOPAL
New Scheme Based On AICTE Flexible Curricula
Course objective: This course intends to impart practical training in the use of English
Language for Communicative purposes and aims to develop students’ personality through
language Laboratory.
7. LIST OF EXPERIMENTS
S. No Name of Experiment Course
Outcome
CO1
1 Introducing oneself and family.
Debate CO2
5
.LAB MANUAL
1. GENERAL INTRODUCTION
Students must be able to introduce themselves in professional environment, in both Static and
Dynamic manner.
Static Introduction: One is introduced for a specific purpose and all the information is provided
in a single bulk. Usually such in happens in an interview when the question asked is:
Dynamic Introduction: One introduces himself to establish a long term relationship with the
other in personal and professional life.
Sometimes the instructor can ask the students to express their feelings about parents. They can be
asked to justify why their mother and father are the best among all. Siblings in the family can be
taken up for introducing to the class as students develop their communicative ability and
confidence by sharing their views on their family. The instructor tries to correct the students
individually instead of giving them a standard template for Introduction. Grammar, Syntax and
nonverbal elements are corrected in them.
First of all, I would like to thank you for giving me this opportunity. It's my pleasure to introduce
myself. My name is XYZ, born in Bhopal. Coming to my educational qualification I am pursuing
Engineering from OIST Bhopal. Regarding my family background, my family consists of 5
members, me, my younger brother and younger sister, Father and Mother. My Father is a
Businessman, Mother is a homemaker, Sister is in High School, and Brother is working as
Customer support representative. My hobbies are listening to music, surfing internet etc. I am
flexible and can work in shifts. I am capable of taking multiple tasks if required.
Viva questions
1. INTERPERSONAL COMMUNICATION
Language Lab and Seminars (2021-22)
What is etiquette? Etiquette is a term that refers to the conventions and norms of social
behavior. They are accepted codes of conduct with respect to interpersonal communication.
Some example forms of etiquette with respect to communicating with others might include:
Looking into someone's eyes as you talk with them
Not interrupting someone as they speak
Avoiding negative expressions and feelings, such as swearing or an angry tone
Not picking your nose as someone talks to you
Showing up on time to a meeting or a date
Being polite. For example, saying please and thank you as necessary
Shaking one's hand when meeting them or saying goodbye
There are plenty of other examples. But the importance of such interpersonal social norms
cannot be overstated. That's because social conventions such as these help us show that we care
for the person we are communicating with as well as their thoughts, feelings, and words.
If it's hard to understand why this is important, then think of the opposite scenario, where no
manners and codes of conduct such as these are apparent. What would we do then? Insult people
left and right? Burp and fart around the dinner table without a care in the world? That wouldn't
make for a very pleasant experience for anyone.
So, etiquette exists to, in many ways, maintain proper social order and respect when there is no
reason to do otherwise.
There are a few important nuances to the last section. Etiquette and social norms and
conventions, in general, can be governed by things like culture, power, and intimacy. This is why
the last section gave possible examples that demonstrate proper etiquette. These social
conventions may not apply to all interpersonal relationships within a culture or, even more so,
across the globe.
2. PUBLIC SPEAKING
Language Lab and Seminars (2021-22)
The best advice on making a speech in public is embodied in the sample injunction to “stand up,
speak up, and shut up.” One should precisely study the art of Public Speaking. Brevity of
presentation is important. Impress your speech with personality. A talk is to influence and please
through the medium of the ear. Adopt the examples to the specific situation under which you are
to speak. In class students are given general topics to speak on for 2 minutes on the topic of their
interest. They are given sufficient time to plan and then speak with right gestures and emotion.
Their speech is graded thereafter.
Types of Speech
1. Welcome Speech. These are usually made to welcome guests of honor, chief guest or
any other dignitaries. This type of speech is kept short. Introducing the person and
mentioning his achievement and qualities are required.
2. Announcement. To announce is a very elementary from of public speaking, common in
its occurrence that practically all of us are likely to encounter it at some time or another.
3. Introducing a Speaker. There are many occasion, which require to introduce the speaker
at a seminar, conference, meeting or function. A speech of this kind is brief.
4. Felicitation speech. This speech is given to honor or person for his significant
achievement.
5. Commemorative Speech. A commemorative speech is given to honor the memory of a
great person .in it the speaker naturally refers to the significant contribution and cherished
ideals of the person.
6. Installation Speech. After being elected to office- almost any office-the group so
selecting you will sit back in a state of pleasurable anticipation, awaiting first talk to
them
7. Farewell Speech. Farewell speech is given to bid farewell/good bye to somebody. The
good things are spoken about the person with wishes for the future. The speech usually
end with courteous leave taking.
(i) Plan
(ii) Prepare and Rehearse
Language Lab and Seminars (2021-22)
(iii) Be Natural
(iv) Stay relaxed
(v) Use positive body movements
(vi) Touch of Humors
(vii) Dress up Properly.
Do’s
Don’ts
Topics of Speech
Capital Punishment
Euthanasia
Human Cloning
Media Ethics
The life and times of Mahatma Gandhi/ Steve Jobs/ Mother Teresa
Computer viruses
Sibling rivalry
Emotional Intelligence
Viva Questions
3. .EXTEMPORE/JAM
Extempore is a stage performance which is carried out without preparation of any kind. This
term is mostly used while referring to speech and poetry discussions. The other commonly used
names for extempore speeches are impromptu speaking, improvised speaking and
extemporaneous speaking. Speaking without any preparation of any kind in front of a huge
audience can give creeps to anyone. There are many times when we are expected to speak out of
our knowledge and without prior preparations. In class, a box of surprise topics is put up before
the students to speak on. If a student stumbles the other one can take on and thus a chain like
activity initiates in the class. The Instructor pitches in at proper moments to assist the students
with good vocabulary or helping words. They are evaluated the same day for their matter,
spontaneity and pronunciation.
Here are some tips to help you given an extempore speech without any hurdles.
1. Focus on one point – talking in general is an easy task, but becomes tough when you have to
talk about a particular topic. Any topic on which you need to talk about would have certain
main areas. Understand that you will not be able to cover all the points in a speech, therefore
concentrate on a single point and take it forward.
2. Limit your speech to your knowledge – many people tend to talk a little more without
having any prior information. Talking for the sake of talking does not yield any results. It is
always important that you talk as far as you know correctly about the topic and nothing more.
3. Do not memorize – memorizing information only leads to it being stiff and less
conversational. Memorizing will also result you in forgetting a point and getting stuck in a
particular place, which can be avoided by impromptu speaking.
4. Focus on opening and closing statements – the opening and closing statements decide on
how the audience welcomes your speech. Making an impact which can keep them glued to
your speech with your opening statement and remembering your speech by the closing
statement is important.
Topics of Extempore
* Newspaper reading as a habit
* Before criticizing anyone, put yourself into their shoes
* Bungee jumping
* Childhood
* Most memorable moment
* Funniest moment
Language Lab and Seminars (2021-22)
* Population explosion
* Flyovers
* Trip to favourite holiday place
* The man who laughs last laughs best
* Tough conditions don’t last, tough men do
* Favourite company
* Favourite serial
* Favourite actor
* Your idol
* Favourite business personality
Viva Questions
Q1. How is extempore different from a speech?
Q2. What are JAM sessions?
Q3. How can one prepare for extempore?
Q4. What precautions can one take to deliver good extempore?
Q5.How can one master one’s body language in an extempore?
5. DEBATE
Language Lab and Seminars (2021-22)
6. TELEPHONIC ETIQUETTE
Presenting a professional image, both in person and on the telephone, is very
important in the Office Skills profession. Taking care of your customers over the
telephone and making them feel well informed and appreciated is essential. Whether
you are the front office receptionist or an executive secretary, the following phone
tips should always be followed.
7. READING COMPREHENSION
Language Lab and Seminars (2021-22)
1. Read the passage through and through to get the central idea of the given passage. The
process of comprehension involves the interpretation or the understanding of the content
in the passage.
2. Read the passage again, a little more carefully, so as to know the author’s point of view.
Determine the line of thought of the author.
3. Study the question. Turn to the relevant portion again, if necessary, as you read the
questions.
Passage
It is not possible to imagine A Streetcar Named Desire without the influence of Marlon Brando,
the actor who rose to fame playing Stanley Kowalski. On the page, the part is fairly simplistic.
Stanley is a monster and a beast without any redeeming qualities. But Brando and the play’s
original director, Elia Kazan, imagined the character as having a soft underbelly, rooted in his
own sorrow, insecurities, and soulful complexity. Brando’s Stanley is a brute, yes, but he is a
brute who hates the fact that he is so awful. He is also unable to control himself and his passions,
and this lack of control is equally embarrassing to him, even as it is also threatening to Blanche
and alluring to her sister Stella. For instance, after he hits Stella, he comes back to her, famously
begging for forgiveness by shouting “Stella” outside their apartment. But in Brando’s depiction
on the stage and later on the screen, he is soaked from the rain and looks completely desperate,
as though he needs Stella to live. He looks and seems totally helpless and weak, the exact
opposite of the brute he appears later when he forces himself onto Blanche. The play is excellent
and memorable, even when read. But it is Brando’s interpretation of the male lead role that
makes the play indelible. Without Brando, the play would still have a deep meaning, but with
Brando’s interpretation, the play becomes even more profound.
Related Questions
A.I only
B.II only
C.I and II only
D.II and III only
E.I, II, and III
A. the New York theater scene was blown away by A Streetcar Named Desire
B. Tennessee Williams wrote A Streetcar Named Desire to end melodrama
C. A Streetcar Named Desire has more than one true meaning
D. A Streetcar Named Desire only has power when performed on the stage
E. The character of Stanley Kowalski is simply a brute monster
Viva Questions
Q1 What is comprehension?
8. READING SKILLS.
Reading skills are the ability to process text, understand its meaning, and to integrate with
what the reader already knows. It is the process of building up a meaning from the words in a
sentence. Fundamental skills required in efficient reading skills are knowing meaning of
words, ability to understand meaning of a word from discourse context. These skills enable
the reader to follow organization of passage and to identify antecedents and references in it.
It increases the ability to determine writer's purpose, intent and point of view, and draw
inferences about the writer .The process to develop reading skills includes:
1. Making Inferences: In everyday terms we refer to this as “reading between the lines”. It
involves connecting various parts of texts that aren’t directly linked in order to form a
sensible conclusion. A form of assumption, the reader speculates what connections lie
within the texts.
2. Planning and Monitoring: This strategy centers around the reader’s mental awareness
and their ability to control their comprehension by way of awareness. By previewing text
(via outlines, table of contents, etc.) one can establish a goal for reading-“what do I need
to get out of this”? Readers use context clues and other evaluation strategies to clarify
texts and ideas, and thus monitoring their level of understanding.
3. Asking Questions: To solidify one’s understanding of passages of texts readers inquire
and develop their own opinion of the author’s writing, character motivations,
relationships, etc. This strategy involves allowing oneself to be completely objective in
order to find various meanings within the text.
4. Determining Importance: Pinpointing the important ideas and messages within the text.
Readers are taught to identify direct and indirect ideas and to summarize the relevance of
each.
5. Visualizing: With this sensory-driven strategy readers form mental and visual images of
the contents of text. Being able to connect visually allows for a better understanding with
the text through emotional responses.
6. Synthesizing: This method involves marrying multiple ideas from various texts in order
to draw conclusions and make comparisons across different texts; with the reader’s goal
being to understand how they all fit together.
7. Making Connections: A cognitive approach also referred to as “reading beyond the
lines”, which involves
Viva Questions
9. BOOK REVIEW
A book review is a short piece of text describing what the book is about, the intentions or aims of
the author in writing the book, whether the aims were successfully achieved or not, how it is
written and whether it suits a certain readership, and how does it compare to other comparable
works in the same field. They offer a brief description of the text’s key points and often provide
a short appraisal of the strengths and weaknesses of the work.
Readers sometimes confuse book reviews with book reports, but the two are not identical. Book
reports commonly describe what happens in a work; their focus is primarily on giving an account
of the major plot, characters, and/or main idea of the work. Most often, book reports are a K-12
assignment and range from 250 to 500 words. If you are looking to write a book report, please
see the OWL resource, Writing a Book Report.
By contrast, book reviews are most often a college assignment, but they also appear in many
professional works: magazines, newspapers, and academic journals. They typically range from
500-750 words, but may be longer or shorter. A book review gives readers a sneak peek at what
a book is like, whether or not the reviewer enjoyed it, and details on purchasing the book.
Before You Read
Before you begin to read, consider the elements you will need to included in your review. The
following items may help:
Author: Who is the author? What else has s/he written? Has this author won any awards?
What is the author’s typical style?
Genre: What type of book is this: fiction, nonfiction, romance, poetry, youth fiction,
etc.? Who is the intended audience for this work? What is the purpose of the work?
Title: Where does the title fit in? How is it applied in the work? Does it adequately
encapsulate the message of the text? Is it interesting? Uninteresting?
Preface/Introduction/Table of Contents: Does the author provide any revealing
information about the text in the preface/introduction? Does a “guest author” provide the
introduction? What judgments or preconceptions do the author and/or “guest author”
provide? How is the book arranged: sections, chapters?
Book Jacket/Cover/Printing: Book jackets are like mini-reviews. Does the book jacket
provide any interesting details or spark your interest in some way? Are there pictures,
maps, or graphs? Do the binding, page cut, or typescript contribute or take away from the
work?
As You Read
As you read, determine how you will structure the summary portion or background structure of
your review. Be ready to take notes on the book’s key points, characters, and/or themes.
Characters: Are there characters in the work? Who are the principal characters? How do
they affect the story? Do you empathize with them?
Themes/Motifs/Style: What themes or motifs stand out? How do they contribute to the
work? Are they effective or not? How would you describe this author’s particular style?
Is it accessible to all readers or just some?
Argument: How is the work’s argument set up? What support does the author give for
her/findings? Does the work fulfill its purpose/support its argument?
Language Lab and Seminars (2021-22)
Key Ideas: What is the main idea of the work? What makes it good, different, or
groundbreaking?
Quotes: What quotes stand out? How can you demonstrate the author’s talent or the feel
of the book through a quote?
When You Are Ready to Write
Begin with a short summary or background of the work, but do not give too much away. Many
reviews limit themselves only to the first couple of chapters or lead the reader up to the rising
action of the work. Reviewers of nonfiction texts will provide the basic idea of the book’s
argument without too much detailed.
The final portion of your review will detail your opinion of the work. When you are ready to
begin your review, consider the following:
Establish a Background, Remember your Audience: Remember that your audience
has not read the work; with this in mind, be sure to introduce characters and principals
carefully and deliberately. What kind of summary can you provide of the main points or
main characters that will help your readers gauge their interest? Does the author’s text
adequately reach the intended audience? Will some readers be lost or find the text too
easy?
Minor principals/characters: Deal only with the most pressing issues in the book. You
will not be able to cover every character or idea. What principals/characters did you agree
or disagree with? What other things might the author have researched or considered?
Organize: The purpose of the review is to critically evaluate the text, not just inform the
readers about it. Leave plenty room for your evaluation by ensuring that your summary is
brief. Determine what kind of balance to strike between your summary information and
your evaluation. If you are writing your review for a class, ask your instructor. Often the
ratio is half and half.
Your Evaluation: Choose one or a few points to discuss about the book. What worked
well for you? How does this work compare with others by the same author or other books
in the same genre? What major themes, motifs, or terms does the book introduce, and
how effective are they? Did the book appeal to you on an emotional or logical way?
Publisher/Price: Most book reviews include the publisher and price of the book at the
end of the article. Some reviews also include the year published and ISBN.
Revising
When making the final touches to your review, carefully verify the following:
Double-check the spelling of the author name(s), character names, special terms, and
publisher.
Try to read from the vantage point of your audience. Is there too much/enough summary?
Does your argument about the text make sense?
Should you include direct quotes from the reading? Do they help support your
arguments? Double-check your quotes for accuracy.
Suggested book
1. Autobiographies
2. Biographies
Viva Questions
Language Lab and Seminars (2021-22)
What is role-play?
Role-play is the activity where one would be given a role to play. Role play is any speaking
activity where you either put yourself into somebody else’s shoes or you may stay in your own
shoes but put yourself into an imaginary situation. While planning the role of someone else the
student reflects either himself or the character chosen by him. In the character the student has to
Language Lab and Seminars (2021-22)
think in a broader way, correct his attitude and find facts and responsibilities that are required for
an ideal personality.
Role-play allows a student to prepare thoroughly for real life situations. Role-play improves
speaking & listening skills, of the students and develops their communication techniques. They
learn to use appropriate language in real life communication.
DO’S
DONT’S
The students are given various role play topics in their groups of 10. After some
preparation they come before the class to do their play. They are evaluated by the
instructor for dialogues, acting body language and vocabulary. If not able to perform they
are encouraged to speak in vernacular language and translations or inputs are provided by
the Instructor.
A: Call and tell your boss (B) you can't come to work because of illness.
A: Ask B to teach you to play tennis. B: You hate coaching for free.
A: Try to get B to divulge a secret about someone else. B: Try to be diplomatic.
A: Ask B to give you a ride home. B: A's house is out of the way, and your time is limited.
A: Call and tell B you can't come to the party on Friday. B: Try to get A to come to the party.
A: Call to order a pizza. B: Wrong number. You sell cakes, not pizzas.
A: Present B with an unsolicited gift. B: You do not feel comfortable accepting the gift.
A: You ran over B's favorite pet with your truck. Apologize to him/her. B: You are very upset
with the news. The pet is irreplaceable.
Viva Questions
Q4. How should a group leader plan a role play within a group?
Q5. What are the practices to be avoided during the role play?