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Unique birds in Ancient Egypt

Chapter · January 2018

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

Hoopoe in Ancient Egypt


By
Venice Ibrahim Attia

-The hoopoe , “Upupa, Epops and and north Asian hoopoes migrate to
Hudhud respectively are its Latin , the warmer areas of the world in
Ancient Greek and Arabic names”, winter.
it named after the sound which it
produces as they are known to be
vocal birds with a distinctive call
sounds like “Hooo -Pooo, oop-oop-
oop” and is repeated 3 – 5 times
each time it calls, it is known for its
colourful “black, white and The hoopoe
orangey-pink , quite similar to
tiger’s colours ” feathers and - The hoopoe is a medium sized
distinctive large erectile crest bird,about 25-32 cm long, 44-48 cm
“crown” composed of 28 feathers on wings, weighing about 46-89 grams.
its head, with a long, thin tapering
bill that is black with a fawn base ,
it posseses a long ,strong black beak
slightly curved as an adaptation for
the feeding on the ground, they are
widespread in North Africa,
Europe, and Asia, thus the African
populations of hoopoes are
sedentary all year but the European Abundace and distribution of hoopoe in the world

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

Scientific classification which are usually milky blue (or


light blue-green) coloured on laying
and quickly changes to creamy to
Kingdom: Animalia
white colored and is responsible for
incubating them, thus an average
Phylum: Chordata egg weighs about 4.5 grams,
hatching after 15 to 18 days of
Class: Aves incubation.

Order: Bucerotiformes

Family: Upupidae
Leach, 1820

Genus: Upupa
Linnaeus, 1758

Species

 Upupa africana

 Upupa antaios

 Upupa epops

 Upupa marginata

-The hoopoe is monogamous ( male Milky blue coloured changing to creamy colored.
& female) , the mating bond lasts
for a single season, the males are -Hoopoe female birds produces a
territorial calling frequently to “stinky brown secretion” during
advertise his ownership of the breeding season from its uropygial
territory, they don’t gather twigs gland as it enalrges exceptionally
and find a nice nook on a tree producing dark brown fluid having
branchto make a nest they rather the odour of rotten meat, this
nest in holes in tree trunks, cliffs, secretion discolours the eggs and
and walls making a narrow coats it forming anti-microbial
entrance, female lays 4 – 7 eggs proteins, guarding the eggs against

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

infection, thus the eggshell has -Hoopoe birds has a special defence
“specialized tiny craters( pits) to technique where it spreads its tail
hold the secretion in place”. and wings flat to the ground
pointing its beak upwards when
attacked by a predator, as well as it
is a way of relaxing in tne sun and
showing terretorial ownership.

Under microscope pits in a hoopoe’s eggshell, & a


close up of the pits, with secretion inside.

-Hoopoe feeds on plants, insects


(crickets, locusts, beetles, earwigs,
cicadas, ant lions, bugs and ants), Hoopoe relaxing in the sunshine or in defensive
small reptiles as frogs and lizards. situation

-Hoopoe bird is known to give


warning on detecting climatic
changes in the atmosphere that
heralded an electrical storm, it also
detects earthquake piezoelectric
charges ten to twelve hours before
it happens, it is known also that it
has the ability of detecting
underground water.
Hoopoe feeding chicks

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

-The bird's crest is considered to be


an indication to his royal status, -Also Camillus Leonardus (
and his long, sharp beak symbolizes Leonardi, Camillo 1451-1550),
his violent nature. early-sixteenth-century Italian
–Albertus Magnus (Albert de Groot astronomer, mineralogist and
1193–1280), a Dominican friar physician author of “The Mirror of
from Cologne wrote the famous Stone ” book first published in 1750
“De Mineralibus ”Book of Minerals by J. Freeman in London.
and discovered “Arsenic”, – Also the book titeled “Mirror of
mentioned a stone named “ the Stones” is one of the earliest
Hoopoe (Quiritia ) Stone” as references that describes the
follows:- “Quiritia is a stone qualities and virtues of over two
sometimes found in the nest of the hundred( 279 ) Gems, Stones,
hoopoe, a bird entirely [devoted to] precious gems and jewels, refers to
illusions and augury, according to the hoopoe stone as “Quirinus, or
the magicians and soothsayers. This Quirus, a juggling Stone, found in
stone reveals secrets and produces the “Nest of the Hoopoop”,
hallucinations, if placed on the mentioning that “The virtue of it is
breast of a sleeper (Wyckoff 1967, that if it is laid on the breast of one
114). who is sleeping, it forces him to
- In addition and according to discover his rogueries” (Leonardus
legend the quirin, also known as the 1750, 222).
traitor's stone, is a magic stone
when placed on a sleeping person's
head, the stone causes him to reveal
his innermost thoughts

Camillus Leonardus ( Leonardi, Camillo)

Albertus Magnus, saint Albert the great, Albert of


Cologne

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

as its blood was used in medical


prescriptions, thus its medicinal
virtues were listed by Pliny, and in
the Syriac Book of Medicine, and
also was mentioned in 1752 in the
English translation of the
Pharmacopoeia Universalis.

Some pages of “The Mirror of Stones” by Camillus


Leonardus (Camillo Leonardi)

Some pages of “The Mirror of Stones” by Camillus


Leonardus (Camillo Leonardi)

- Hoopoes were considered as a


symbol of virtue in Persia; a hoopoe
was the leader of the birds in the
Persian book of poems “The
Conference of the Birds”, also
considered as the king of birds in
the ancient Greek comedy “The
Birds” by Aristophanes, thus one of
the tales involving a hoopoe is
related by Ovid in his
“Metamorpheses ”
- The Arabs in old times used to
name the hoopoe bird the “Doctor
due to what they thought to be
unique medicinal qualities.
- in Greco-Roman and Coptic
Egypt its various body parts as well

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

Hoopoe in Ancient Egypt


- Hoopoe in hieroglyphs is written
as a letter in the shape of a hoopoe
having the phonetic value of Db

Hoopoe in hieroglyph (phonetic value of Db)

Drawing of a wall painting in the Mastaba of


-Hoopoe is named ḏbȝw in ancient Nianchchnuma and Chnumhotep V at Saqqara
Egyptian language bearing the (After Wolfgang Decker and Michael Herb).
meaning of “the crowned or crested
one”.
-Hoopoe bird (bears number G22 in
Sir Alan Gardiner’s list) was well
known in ancient Egypt , mainly
depicted on wall paintings in tombs.

Hoopoe depicted in a scene with the priestess of


Amun

Relief with the depiction of Amenhotep II, v dynasty


bearing the hoopoe word in 3 positions today at the Hoopoe depicted in a scene with the priestess of
Museum of Egyptian Art in Luxor Amun
(After Wolfgang Decker and Michael Herb)

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

Userkaf (2494-2487, first ruler of


the 5th Dynasty) at Abusir,
depecting a flock of birds and a
butterfly in a papyrus thicket, with
other species of birds depicted: a
pied kingfisher hovers above, a
hoopoe, a scared ibis, a night heron
and a purple gallinule standing on
papyrus umbels or lotus flowers.
A depiction of a flying hoopoe in Mastaba no 5 in
Saqqara now in th Louvre Museum.

A panel, carved in bas relief, found in the mortuary


Wall painting depecting two males one of them is temple of Userkaf (2494-2487, first ruler of the 5th
holding a hoopoe in his hand and the other holding Dynasty), depecting a flock of birds and a butterfly in
another crested bird. a papyrus thicket. A pied kingfisher hovers above, a
Tomp of visir Ptahsepsese at Abusir hoopoe, scared ibis, night heron and a purple
gallinule stands on papyrus umbels or lotus flowers.
Egyptian Museum Cairo.
The main contexts where hoopoe
bird is found in ancient Egyptian
Depictions may be classified as
follows:-
1- bird-trapping scenes (e.g., in the
case of Saqqara tombs from the 5th
Dynasty).
2- perching on a tree; such context
is clearly explained in a panel,
carved in bas relief, housed and
kept in Egyptian Museum, Cairo
found in the mortuary temple of Close up to hoopoe carving

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

-Also an early depiction of hoopoe


recorded is in a funerary Scene
painting on the wall of
Khnumhotep II “H̱ nmḥtp” tomb at
Beni Hasan dates from the
XIIth“12th Dynasty ”of Egypt, the
funerary Scene is a depiction of
different kinds and species of birds
perching on an acacia tree
branches ( tree of life) including a
hoopoe.

Different kinds and species of birds perching on an


acacia tree branches including a hoopoe.

- Also The solar hoopoe depicted


on Khnumhotep’s tree refers to
thier caring for and protectection of
the tombs owner on his journey to
rebirth, thus awaiting him in the
eastern sky after his rebirth that is
explained by the special habbit of
Lepsius, Denkmaler, v. 2, pl. 130, Courtesy of hoopoe birds of having sun bath ,
Universitats- und Landesbibliothek Sachsen-Anhalt, relaxing on the ground spreading
ULB-Halle
its wings enjoying the sun rays.
- In addition, there is a relief from
Ka-Em-Nofrets chapel dated to the
(V) 5th Dynasty depicting some
flying birds among them a flying
hoopoe is carved spreading its
wings in a flying position .

Earliest depiction recorded is in a painting on the


wall of Knumhotpe tomb at Beni Hasan, dates from
the XIIth Dynasty of Egypt

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

God Horus (Harpocrate) holding a pet hoopoe,


Cairo

– such context where the hoopoe is


Hoopoe spreading its wings in a flying positionon on held in children’s hands is well
a relief from Ka-Em-Nofrets chapel 5th Dynasty
featured during the Old Kingdom
epoch of Egypt, where the hoopoe
3- Held in the hands of children, was considered as a symbol
and in such case, the child often indicating that the child was the
holds hoopoe in one hand, and his heir and successor of his father,
other hand holds his father’s staff. such explanation and
– Such case is clearly of great interpretation of hoopoe held in
significant meaning in ancient child hand has been mentioned by
several great Egyptologists and
Egyptian religion as well as cult
famous historians as follows:
where the child God Horus son of - Ludwig Keimer “Quelques
Isis and Osiris was represented remarques sur la huppe (Upupa
holding a hoopoe bird in one of his epops) dans l'Égypte ancienne,
hands. BIFAO 30 (1931), pl.III” .

God Horus (Harpocrate) holding a pet hoopoe, Ludwig Keimer (Archiv des Deutschen
Brusells. Archäologischen Instituts)

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

Boy holding hoopoe, Ludwig Keimer, Quelques


remarques sur la huppe (Upupa epops) dans l'Égypte Boy holding hoopoe, Ludwig Keimer, Quelques
ancienne, BIFAO 30 (1931) remarques sur la huppe (Upupa epops) dans l'Égypte
ancienne, BIFAO 30 (1931), pl.III

Boy holding hoopoe, Ludwig Keimer, Quelques


remarques sur la huppe (Upupa epops) dans l'Égypte Senedjemib Mehi with his family( fifth dynasty)
ancienne, BIFAO 30 (1931)

Boy holding hoopoe, Ludwig Keimer, Quelques Details of Senedjemib Mehi where one of his
remarques sur la huppe (Upupa epops) dans l'Égypte children holds a hoopoe bird in his right hand
ancienne, BIFAO 30 (1931)

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

A scene depicting a young boy standing at the feet of


his father , holding a hoopoe bird in one of his hsnds Pliny the Elder (Gaius Plinius Secundus)
and holding his father staff in the other hand.

- In addition, Claudius Aelianus


(Greek: Κλαύδιος Αἰλιανός 175 –
235 AD), known as Aelian Roman
author and teacher of rhetoric who
flourished under Septimius Severus
& author of “ De Natura
Animalium”; stated that
Egyptians honored
the hoopoe because it cared for its
elders (De natura
animalium, 10.16), and this is the
case where the scene of an Egyptian
-According to the bestiaries of Pliny child holds a hoopoe in one hand
the Elder (Gaius Plinius Secundus) and his fathers staff in the other
and Isidore of Sville (Saint Isidore hand , thus the staff
of Seville) hoopoe is one of only “staff of old age” of his father, and
hand couple of animals whose youth this is a caring child who “feeds”
and adult birds deal with senior the elder just as the young hoopoe
and elder birds with sympathy feeds its parents.
when they become old and feeble.

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

4- Another context referring to the


hoopoe can be found in manuscript
texts for example:
-In the Great Magical Papyrus of
London and Leyden “in demotic
Egyptian language”, the Hoopoe
occurs several times

Saint Isidore of Seville


Author of an etymological encyclopedia which
assembled extracts of many books from classical
antiquity.

The London Magical Papyrus


-Also according to Horapollo Nilous British Museum
(5th century, one of the last leaders
of Egyptian priesthood at a school -Another papyrus in the Leyden
in Menouthis, near Alexandria, Museum is “in demotic Egyptian
during the reign of Zeno (AD 474– language” contains a number of
491), A Greek Egyptian historian animal fables where the hoopoe is
and author of a treatise, titled in friendly alliance with the falcon.
Hieroglyphica ) the hoopoe was –In a magico-medical prescriptions
famous for being grateful towards manuuscripts, where it has been
its parents, hence their depiction in mentioned that hoopoe blood is
the hand of a child refers to his care used as a charm and in an another
and attention towards of his parents prescription its blood is used as a
when they are old as he or she is the medicament to be smeared on the
heir and successor of his father . eyes to producing visions.
–It has been also mentioned in
other various manuscripts where
the hoopoe, its was referred to as
being used in medical prescriptions
and magic ingredients of several
spells such as :
- A love spell inscription calls for a
live hoopoe is found in the
“Demotic Magical Papyrus of
Hieroglyphica of Horapollo Nilous London and Leiden COL. XXV.”

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

translated as follows: palm fibre”.


“A method to put the heart of a -A spell referring to the use of
woman after a man; done in one hoopoe bird blood in bringing
moment (?), and it comes to pass
woman to a man and in dreams
instantly.You take a swallow (?)
alive, together with a hoopoe, (both) VERSO COL. XVII, translated as
alive. Ointment made for them: follows: “(1) A spell to bring [a
blood, of a male ass, blood of the woman] to a man (and ?) to send
tick (?) of a black cow; you anoint dreams, otherwise said, to dream
their heads with lotus ointment; you dreams, also. (2) (A line of symbols
utter a cry before the sun in his or secret signs.) (3) You write this
moment of rising; you cut off the
on a rush-leaf and you place (it)
heads of the two; you take the heart
out of the right ribs of both of under your head; you go to sleep;
them; you anoint it with the ass's then (4) it makes dreams and it
blood and the blood of the tick (?) sends dreams. If you will do it to
of a black cow, as aforesaid; you send dreams, you put it (the leaf) on
put them into an ass's skin you lay the mouth of a mummy. (5) It
them in the sun until they are dry brings a woman also; you write this
for four days; when the four days
name on the rush-leaf with the
have passed, you pound them, you
put them into a box; you lay it in blood of a .... or a hoopoe (?); (6)
your house”. and you put the hair of the woman
-Another prescription mentioning in the leaf, and put it on the mouth
hoopoe in COL. XXVII where the of the mummy; and you write on
hoopoe blood is used , the original the earth with this name, saying:
script is translated as follows: 'Bring (7) N. daughter of N. to the
“ Blood of a smune-goose, blood of house in the sleeping-place in which
a hoopoe, blood of a night jar, (10) is N. son of N.' (8) Now it is also an
ankh-amu plant, senepe plant, agogimon”.
Great-of-Amen-plant, qes-ankh
stone, genuine lapis-lazuli, myrrh,
'Foot-print (?)-of-lsis' plant, pound
and make into a ball, and paint (11)
your eyes with it upon (?) a goat's
tear, with a 'pleasure-wood' of ani
or ebony; you tie yourself at your
The "Oslo Papyrus" (P.Oslo 1.1 ), a magical
side (12) with a strip (?) of male- papyrus

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Hoopoe in Ancient Egypt Venice Ibrahim Attia

References: al. "'Metamorphoses' by Ovid"


- Collier's New Encyclopedia. 1921 - F.Ll. Griffith 1904 The Demotic
- Encyclopedia Americana. 1920. Magical Papyrus of London and
- HArrison .J. A, Species text in The Leiden,H.Grevel & Co., London.
Atlas of Southern African Birds.
- Jobling, James A The Helm
Dictionary of Scientific Bird
Names,. (2010) . London:
Christopher Helm. pp. 147, 396.
ISBN 978-1-4081-2501-4.
–L. Keimer, Ibid 310-311
- Marshall, Amandine (2015) The
child and the hoopoe in ancient
Egypt, Kmt 26/2, pp. 59,. -
Quelques remarques sur la huppe
(Upupa epops) dans l’Égypte
ancienne, Keimer Ludwig, p. 305-
331. BIFAO 30 , 1930.
- Arlette David, Hoopoes and
Acacias: Decoding an Ancient
Egyptian Funerary Scene,
University of Jerusalem, Journal of
Near Eastern Studies.
- F. Ll. Griffith and Herbert
Thompson 1904 The Demotic
Magical Papyrus of London and
Leiden (The Leyden Papyrus) by.
- ‫كتاب "حياة الحيوان الكبرى" كمال الدين‬
‫الدميري‬
- Nicoll, M. J, (Michael John. 1880-
1925Handlist of the birds of Egypt.
- Shelley, G. E. (George Ernest),
1840-1910. A handbook to the birds
of Egypt .
- Garth, Samuel; Dryden, John; et

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