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ARTIST PENSION TRUST http://www.aptglobal.org/en/About
Artist Pension Trust® (APT) offers both long-term financial security and internati
around the world based on a unique tailor-made financial model.
APT has the largest global collection of contemporary art, comprising 10,000 artw
in 75 different countries. With additional commitments totaling 40,000 artworks,
more than 2,000 each year, as artworks are deposited by artists chosen by APT’s d
Curatorial Team. 
THE APT MODEL
The artworks in the trust are gradually sold over the course of 20 years for the ben
providing them with future financial security. The funds from the net proceeds of
distributed to the artists in the following manner: 72% are distributed to the artis
individual artist and 32% among the artists in that trust based on the number of
The remaining 28% are used to cover the operational costs of the trusts.
APT started with eight regional trusts almost a decade ago and, following their su
its first global trust, APT Global One, with a capacity of 628 artists. APT Global On
diversification to benefit artists all over the world.
GLOBAL REACH
APT has representative offices in New York, Los Angeles, London, Leipzig, Mumba
Mexico City and Amman, in addition to Artist Relation Managers all around the wo
accelerated expansion into Asia in partnership with Simon Murray & Company, a
investment fund management firm with Asian business expertise accumulated o
LEADING ART PROFESSIONALS
The international Curatorial Team consists of over 100 leading art professionals w
artists with the highest potential of success and in supporting these artists throu
their careers. APT artists are growing in stature; many are winning awards and pr
the William H. Johnson Prize, the Hugo Boss Prize and the Future Generation Art
curated exhibitions for numerous leading museums, including the MoMA, Tate M
well as for major art venues such as the Venice Biennale, Art Basel, Documenta a
APT’s Chairman and co-founder is the high-tech entrepreneur and art collector M
Board includes esteemed and experienced art and business professionals: co-fo
Professor Dan Galai, a world-renowned economist and authority in risk diversific
Chair of the MFA Art Practice Program at the School of Visual Arts and former dire
American Art, SFMOMA and ICA Boston. The Advisory Board also comprises such
Foster, Chairman of the Tate International Council and founder of Ivory Press; Joh
influential artists in the Post-War American scene and a pioneer in Conceptual A
Head of Global Banking at Citigroup, a collector of contemporary art and member
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International Center of Photography, the Studio Museum in Harlem and the Whitn
Artist
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