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Understanding museum visitors’ experience: a comparative study
Juan Gabriel Brida Marta Meleddu Manuela Pulina
Article information:
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Abstract
Purpose – The purpose of this paper is to examine museum visitors’ experience. The objective of the
research is to explore preferences, behaviour, overall. This study experience and the determinants on
repeated visits to two heritage sites. In particular, a more comprehensive regression approach is
introduced and employed to compare results at two regional museums.
Design/methodology/approach – First, a factor analysis identifies a set of orthogonal factors
related to visitors’ perceptions on their positive and negative experiences at two different museums.
Second, a two-step cluster analysis is implemented to identify specific demand segments. Third,
a regression analysis reveals the key determinants that influence visitors’ perceptions on the quality of
services provided at the cultural sites. The empirical data were collected at two archaeological
museums located in Sardinia and Trentino Alto Adige (Italy).
Findings – On the whole, some homogeneous findings have been obtained for the two cultural sites,
regardless of the different levels of attractiveness exerted by these two museums. Moreover, the
outcomes highlight that the two museums need to be reinterpreted and reorganised with the provision
of supplementary services, able to satisfy a broader audience, and enriching their traditional mission
that is to collect, preserve and exhibit the archaeological heritage.
Practical implications – The methodological approach presented in this paper is for practitioners
and curators to deepen their understanding of their consumers and to improve the overall quantity and
quality of services offered.
Originality/value – This paper presents a novel and integrated approach to investigate customers’
experience and their needs with the aim of improving the overall quality of the services provided at the
museum. The proposed methodology is used to analyse multidimensional aspects of the visit to a
cultural site. Within the literature on museum marketing and management, this methodological
framework can be regarded as an alternative approach to analyse visitors’ experience, characteristics,
behaviour, preferences and to elicit specific characteristics of different segments of demand.
Keywords Cultural tourism, Factor analysis, Two-step cluster analysis, Heritage economics,
Management and museum, Visitors’ experience, Museum service, Understanding visitors’ experience,
Integrated approach
Paper type Research paper
1. Introduction
An increasing number of studies highlight the contribution of cultural services and
involvement from a well-being perspective (Bandarin et al., 2011). Such a contribution is
justified by the convergence between culture and everyday life, driven by the on-going
process of culture democratisation, enhanced by a generalised higher level of education Journal of Cultural Heritage
Management and Sustainable
(Silberberg, 1995; Lord, 1999; Mulcahy, 2006). This cultural upwards trend leads to an Development
increase in the number of people visiting cultural attractions such as museums, Vol. 6 No. 1, 2016
pp. 47-71
galleries, festivals, heritage sites, artistic performances as well as attractions related to © Emerald Group Publishing Limited
2044-1266
food, fashion, language and religion. Understanding the role of positive externalities DOI 10.1108/JCHMSD-07-2015-0025
JCHMSD exerted by the cultural activity has become the aim of the field of services research.
6,1 In this respect, scholars are devoting more attention to examine the determinants that
influence the participation in cultural goods and services.
However, managers and curators are questioning the role of museums in a digitally
and interconnected society and how they can engage with visitors drawing out
contemporary messages from their museum exhibitions. The mission of a museum is
48 not only the traditional role to collect, preserve, exhibit and encourage appreciation and
knowledge of the past. Nowadays, museums are becoming a place able to offer a wide
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range of services that inspire visitors in a more friendly and welcoming environment.
Museum services consist of exhibitions as well as other tangible or intangible services
and experiences (Chan, 2009) that include organisation of courses and seminars,
bookshops, restaurants, brochures and other facilities that offer a better access and
interpretation of information, as well as the attitude and values transmitted to the
visitor (De Rojas and Camarero, 2008).
New generations of visitors require to interact with and be part of the exhibition.
The museum becomes an educational service centre that offers a wide range of
activities for both younger people and adults. However, museums are in competition
with many other types of leisure and entertainment activities, such as cinema, sporting
events, theatres and increasingly, visitors look for a global experience that includes
leisure, culture, education and social interaction ( Jansen-Verbeke and van Rekom, 1996;
Colbert, 2003; Aalst Van and Boogaarts, 2004; Geissler et al., 2006; Heidenreich and
Plaza, 2015). Thus, the role of policy makers is increasingly important, especially for
business-oriented museums and heritage organisations (Gilmore and Rentschler, 2002).
Visitors’ experience becomes an opportunity to further expand the visitors’ understanding
and learning (Colbert, 2003). In fact, as observed by Victorino et al. (2005), before
introducing a new service innovation, managers need to assess the value that it will bring
to their customers through empirical research methods, such as customer surveys. This
point is also valid for the supply of museum services. Considering the definitions of
service quality proposed by Parasuraman et al. (1988), museum service quality can be
disentangled into ten main dimensions: tangible items (e.g. adequate building, artefacts,
equipment, staff uniforms); reliability to deliver the expected service; responsiveness of
staff to help in an effective way; competence of staff in executing the service; courtesy
exhibited by staff; credibility on the overall museum service; security; access to the
museum (e.g. road information; transport facilities); communication of the services
provided (e.g. use of different languages; customers’ information centre); understanding
customers in the effort to know and understand their preferences, characteristics and
needs (see Agbor, 2011 for a detailed account on service quality and customer
satisfaction). As far as the last dimension is concerned, that is understanding the
customer, it is important to analyse visitors’ experience, behaviour and their commitment
to the cultural site also in the future, bearing in mind that each segment of demand carries
different expectations from the services offered at site (Chan, 2009; Youngs et al., 2014).
Focusing on museum visitors, part of the literature is devoted to investigate visitors’
willingness to pay, preferences, motivation, satisfaction and the probability to return
and to recommend the site to others (Hume et al., 2007). Contributing to the literature on
museum services, the present paper analyses visitors’ experience using an integrated
approach built on a stepwise analysis. This methodological approach integrates several
aspects related to the dimension on understanding museum visitors (Agbor, 2011).
To this aim, empirical data were collected through two identical questionnaires
administered during the period June-December 2011 at the Archaeological Museum in
Bolzano (known as the Ötzi Museum), located in the homonymous Autonomous Understanding
Province (Northeast of Italy) and at the National Museum “Giovanni Antonio Sanna” museum
(from now on the Sanna Museum) in Sassari (Sardinia, Italy). The former hosts a
well-preserved ice mummy, so-called Ötzi, and all his artefacts from over 5,000 years ago;
visitors’
this is a unique discovery that continues to attract not only visitors but also academics experience
from all over the world. The Sanna Museum hosts findings from the lower Palaeolithic
to late Neolithic produced by the ancient Nuragic civilisation, one of the most advanced 49
in the Mediterranean area in prehistoric times. These museums hold their interest
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Jeong and Lee (2006) and Gil and Ritchie (2009) employ a factor and path analysis,
respectively, to study if the museum environment and building affect visitors’
satisfaction and to test, amongst other hypotheses, if perceptions of the museum are
affected by previous visits. While Jeong and Lee (2006) find that curiosity has a positive
effect on visitors’ satisfaction, Gil and Ritchie (2009) find that museum perception is not
affected by the number of previous visits. From a methodological point of view, visitors’
experience can be analysed more in depth by employing further quantitative approaches
such as count models (Brida et al., 2012a, b, 2013c, 2014).
Methodology
Factors:
Individual Market
Positive-negative Expenditure
Characteristics segments
experience
Third step
Regression
Figure 1.
The integrated
Repeat behaviour
approach
As a second step of the investigation, a cluster analysis is carried out to aggregate Understanding
respondents into distinct groups, each of them characterised by the most similar units museum
and dissimilar from the reminder groups (Brida et al., 2013a). For example, in
D’Urso et al. (2013), the clusters are employed as dependent variables within a
visitors’
multinomial framework to understand the factors that influence each market segment. experience
In Brida et al. (2012d, 2013b), the clusters are employed as regressors in the Tobit
regression to investigate the factors that influence cruisers’ expenditure. Likewise, 51
in the present paper, the demand segments obtained via a TSC analysis are included as
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3. Methodology
The methodological strategy consists of three main steps: a factor analysis is used to define
a set of orthogonal factors; a cluster analysis is employed to identify specific segments of
demand, and a regression specification is run by using a set of socio-demographic and
economic determinants variables, together with the factors and the clusters obtained in the
previous steps. The proposed methodology is used as a tool to analyse multidimensional
aspects of the visit to the cultural site. Within the literature on museum’s marketing and
management, this methodological framework can be regarded as an alternative approach
to analyse visitors’ experience, characteristics, behaviour and preferences and able to elicit
specific characteristics of different segments of demand. This type of methodological
approach has been recently adopted in the museum sector by various studies, including
Robb et al. (2014), Dillon et al. (2014) and Brida et al. (2012a, b, c, 2013a, 2014).
also applied as a commonly used measure to test the reliability of the extracted factors.
Values higher than 0.7 suggests for the reliability of the factors. The relative weight of
each factor in the total variance is calculated, that takes into account how much each
factor explains of the total variance. Cumulative inertia shows the amount of variance
explained by n+(n+1) factors (Escofier and Pages, 1988).
To establish the adequacy of the factor analysis, two tests are conducted: the
Kaiser-Meyer-Olkin (KMO) Measure of Sampling Adequacy test that with a value
between 0.50 and 1.00 implies that the analysis is satisfactory (Kaiser, 1974) and the
Bartlett’s Test of Sphericity where the null hypothesis is that the correlation matrix is an
identity matrix.
el lyi 0
ProbðY i ¼ yi jwi Þ ¼ yi ¼ 0; 1; 2; ::: E ð yi jxi Þ ¼ Varð yi jxi Þ ¼ l ¼ exi b (1)
yi !
The parameter λ represents the average and the variance, as assumed by the Poisson
distribution, and is greater than zero. The Poisson model is non-linear, however, it can
be easily estimated by the maximum likelihood technique. In the literature, there
are many extensions of the Poisson model according to the characteristics of the
empirical data as well as the dispersion feature, that is the inequality of the mean and
the variance.
In the present study, as the survey is run at the site, the count data are truncated,
as the data are observed only over part of the range of the response variable. Examples
of truncated count applications include the number of bus trips made per week in
surveys taken on buses, the number of shopping trips made by individuals sampled
at a national park. As zero counts are not observed, the data are zero truncated,
or more generally left truncated. A zero-truncated Poisson model is specified by the
following equation:
el lyi 1
ProbðY i ¼ yi jwi 4 0Þ ¼ U yi ¼ 0; 1; 2; . . . (2)
yi ! ð1el Þ
where Yi is the entry required by the ith individual to visit the museums. TCi is the
travel cost associated with visiting the jth recreation site, Xi is the vector of explanatory
variables. As stated in the methodological framework, based on the first and
second step of the analysis (Figure 1), Fi are the latent factors associated with the
experience at the site, as obtained via the factor analysis, Cli is a vector representing
the clusters, as obtained by the TSC analysis, αi is a vector of unknown parameter and
εi the error term.
JCHMSD 4. Sample and measure
6,1 4.1 The demand at the Sanna Museum and the Ötzi Museum: seasonal distribution
and trend
Empirical data are collected at two cultural sites: the Ötzi Museum in Bolzano and the
Sanna Museum in Sassari (Italy). These cultural sites, given their scientific importance,
constitute key tourism attractions, for both serious and casual tourists (Stebbins, 1996;
54 Brida et al., 2012c) in geographical areas out of the typical cultural Italian tourism
itineraries (e.g. Florence, Rome and Venice).
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40,000 3,000
35,000
2,500
30,000
2,000
25,000
Visitors
20,000 1,500
15,000
1,000
10,000
Figure 2. 500
Visitors at the 5,000
Sanna and the Mean Otzi Mean Sanna
Ötzi Museum 0 0
(Means – Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
2007:1-2010:12)
Months
Hodrick-Prescott Filter ( = 100) Understanding
20,000
museum
18,000
visitors’
16,000
experience
14,000
800
12,000
400 55
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0
–400
–800
–1,200
2007 2008 2009 2010
Visitors Sanna Trend
25,000 euros or less. As far as the employment status is concerned, the majority is
occupied either as an autonomous worker or as a full-time/part-time worker (overall,
these categories represent 55.3 per cent).
As far as the Ötzi Museum is concerned, the percentage of the visitors who are from
European countries (48 per cent) and Italy (47 per cent) are approximately the same.
Females account for 51 per cent and the majority are married/de facto (72 per cent).
A large proportion of the sample (44 per cent) is between 41 and 55 years old. Regarding
the education level, 56 per cent hold a college degree or a higher degree. Moreover,
57 per cent of the respondents declared to have a middle-high income, while 10 per cent
an annual income less than 25,000 euros. Full results can be provided upon request.
5. Empirical evidence
5.1 First step: factor analysis
In the case of the Sanna Museum, the PCA leads to the identification of three factors
that explain 50 per cent of the total data variance (Table II). These factors are further
reduced to two factors, given the poor level of reliability and meaning of the last factor
as suggested by the Cronbach’s α (equals to 0.32). The KMO equals 0.75, indicating that
the analysis is satisfactory. Also, the Bartlett’s Test of Sphericity test ( ¼ 873.06;
significance ¼ 0.000) indicates that the null hypothesis of an identity matrix is rejected.
Factor 1 (positive experience) includes items related to a positive perception of the
experience at the museum (i.e. feeling of happiness, feeling having fun, felt guided,
felt astonished, feeling having learnt something new and feeling safe). The total
variance explained by this factor (20.1 per cent) indicates that this is the most
important; the Cronbach’s α equals to 0.68, and although its reliability is questionable,
it can be still regarded as congruent. Factor 2 (negative experience) relates to a negative
perception of the experience at the museum (i.e. feeling tense, feeling wasting time,
feeling bored and feeling tired). In this case, it explains 18 per cent of the total variance
and presents a Cronbach’s α equals to 0.68. Although the reliability of these two factors
is questionable yet are retained since they are meaningful (see also Kibicho, 2008). It is
worthwhile noting, that further experiments have been run by excluding certain items
that presented a relatively low loading factor. Yet, these specifications were less robust
in terms of the overall relevant statistics.
As far as the Ötzi Museum is concerned, the factor analysis also leads to the
identification of three factors that explain almost 50 per cent of the total data variance
(Table I). These factors were further reduced to two factors, given the poor level of
reliability and meaning of the last factor (Cronbach’s α equals to 0.28). In this case,
the KMO equals 0.71, indicating that the analysis is satisfactory. Also, the Bartlett’s
Test of Sphericity test ( ¼ 1,916.43; significance ¼ 0.000) indicates that the null
hypothesis of an identity matrix is rejected. Factor 1 (positive experience) includes
items related to a positive perception of the experience at the museum (i.e. feeling
having fun, feeling astonished, feeling having learnt something and feeling happiness).
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% % % %
Variable variance cumulative Cronbach’s Variable variance cumulative Cronbach’s
Sanna Museum contribution explained variance α Ötzi Museum contribution explained variance α
Factor 1: positive 20.1 20.1 0.68 Factor 1: positive 18.4 18.4 0.66
experience experience
Feeling happiness 0.71 Feeling fun 0.70
Feeling fun 0.65 Feeling astonished 0.65
Feeling guided 0.64 Feeling having learnt 0.64
Feeling having 0.60 Feeling happiness 0.64
learnt
Feeling astonished 0.55
Feeling safe 0.51
Factor 2: negative 18.0 38.1 0.68 Factor 2: negative 17.1 35.6 0.63
experience experience
Feeling tense 0.72 Feeling tired 0.72
Feeling wasting time 0.70 Feeling lost 0.67
Feeling bored 0.69 Feeling wasting time 0.66
Feeling tired 0.64 Feeling bored 0.64
Note: These results are obtained by using IBM SPSS Statistics (Version 19)
highest contribution
Factors and
to each factor
items with the
experience
Table I.
57
visitors’
museum
Understanding
JCHMSD The total data variance explained by this factor (18.4 per cent) indicates that this is the
6,1 predominant one; the Cronbach’s α equals to 0.66, and although its reliability is
questionable, it can be regarded as congruent. Factor 2 (negative experience) relates to
a negative perception of the experience at the museum (i.e. feeling tired, feeling lost,
feeling wasting time and feeling bored). In this case, it explains 17.1 per cent of the total
variance and presents a Cronbach’s α equals to 0.63.
58
5.2 Second step: cluster analysis
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The cluster analysis and specifically the TSC, run in IBM SPSS Statistics (Version 19),
identifies three main clusters based on 434 respondents, reflecting their length of stay
at the Sanna Museum.
Full statistics on the results obtained for this museum are reported in Figure 4.
Cluster 2 (short staying) comprises 41.2 per cent (174) of the total respondents
and is characterised by relatively short staying and middle-aged visitors. Cluster 1
(middle staying) includes 144 respondents (34.2 per cent of the sample) and is
characterised by middle staying and relatively young visitors. Finally, Cluster 3
(long staying) comprises 24.6 per cent of the sample (for a total of 104 respondents)
characterised by relatively long staying and older visitors.
The silhouette measure of cohesion and separation is rather fair. The ratio of cluster
sizes presents a value under two (1.67) that implies that no cluster is more than two times
larger than any other clusters. Respondents within Cluster 2 are on average middle aged
(44 years old against a global median of 45), tend to spend a relatively short time visiting
the museum with an average of 54 minutes (against a global median of 90 minutes), paid
an entrance ticket and visited six other museums in the last year (against a global median
equal to four). The second cluster (Cluster 1) comprises respondents who are fairly young
(36 years old) and on average spend 106 minutes during their visit at the museum, paid an
entrance ticket and visited five other museums in the last 12 months. Finally, the third
cluster (Cluster 3) includes the relatively oldest respondents (average age 63 years old),
who tend to spend 114 minutes visiting the museum, did not pay an entrance ticket and
visited six other museums in the last year. Hence, this latter cluster is characterised by
individuals who are serious cultural tourists and have more time to spend on leisure.
The same analysis is performed for the Ötzi Museum. Three clusters are also
identified as follows (Figure 4): Cluster 1 (short staying) comprises 45.1 per cent of the
total respondents and is characterised by relatively short staying and young visitors.
Cluster 2 (long staying) includes 31.0 per cent of the sample (for a total of 316
respondents) and is characterised by relatively long staying and middle-aged visitors.
Finally, Cluster 3 (middle staying) comprises 23.8 per cent of the sample (for a total of 243
respondents) characterised by relatively middle staying and older visitors.
The silhouette measure of cohesion and separation is sufficient. The ratio of cluster
sizes presents a value under two (1.69) that implies that no cluster is more than two times
larger than any other cluster. Respondents within Cluster 1 are fairly young with an
average age of 36 (against a global median of 44), tend to spend a relatively short time
visiting the museum with an average of 76 minutes (against a global median of
91 minutes), on average spend 19.34 euro that is higher the global median (that equals
17.98 euro) and visited four other museums in the last year (against a global median
equal to 3). The second cluster comprises respondents who on average are aged 44, hence
cutting almost perfectly the global distribution, on average they spend a relatively long
time visiting the museum (136 minutes), their average expenditure at the museum is
24.25 euro and visited four other museums in the last 12 months. Finally, the third cluster
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Cluster 1 2 3 Cluster 1 2 3
Label Middle staying at the Short staying at the Long staying at the Label Short staying at the Long staying at the Middle staying at the
Sanna Museum Sanna Museum Sanna Museum Ötzi Museum Ötzi Museum Ötzi Museum
Size Size
34.1% 41.2% 24.6% 45.1% 31.0% 23.8%
(144) (174) (104) (460) (316) (243)
Inputs Inputs
tspent tspent age age age age
106.37 53.67 62.69 35.68 44.44 59.28
cluster output
experience
Two-step
Figure 4.
59
visitors’
museum
Understanding
JCHMSD includes the relatively oldest respondents (average age 59 years old), who tend to spend
6,1 85 minutes visiting the museum, on average tend to spend 21.17 euro and visited five
other museums in the last year. Hence, this latter cluster is characterised by individuals
who are serious cultural tourists, have more time for leisure and are also likely to spend a
fair amount of money in the museum.
The final step of the analysis incorporates the results obtained from the factor analysis
and the cluster analysis into the regression analysis (the STATA 13 package is employed).
This integrated approach is feasible since the orthogonality of the estimated factors is
ensured, as explained in the methodological section. Hence, the factors can be used as
regressors in the relevant specification (e.g. Huang and Lee, 2011). Besides, the clusters
previously obtained, defined as dummy variables, are included as further regressors in
order to assess in what measure certain market segments can influence attendance.
Accordingly, the first model estimates visitors’ behaviour at the Sanna Museum, while the
second model investigates visitors’ behaviour at the Ötzi Museum. Results are reported on
coefficients, that is the incidence rate ratios (IRR) (Tables II and III). The Poisson
Model A Model B
Variables Coefficients IRR Variables Coefficients IRR
integrated
Table III.
approach results
Ötzi Museum –
61
experience
visitors’
museum
Understanding
JCHMSD regression coefficient ( β) is the difference between the logs of expected counts:
6,1
b ¼ log mx þ 1 log mx
where μ is the expected count evaluated at x+1 and x. This expression can be also written
in the following manner:
62
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b ¼ log mx þ 1 =mx
that is the log of the ratio of expected counts. In addition, the incidence rate is the number
of events per time.
A zero-truncated Poisson is empirically the best specification since the dependent
variable, number of visits at the museum allows for the specific restriction, ranging
from 1 to n (i.e. the count variable cannot be zero). Moreover, in the both cases the null
hypothesis cannot be rejected, that is the empirical model fits the data implying the
goodness-of-fit; for the Ötzi Museum: deviance goodness-of-fit ¼ 114.8755,
Prob W χ2(381) ¼ 1.0000; Pearson goodness-of-fit ¼ 172.3535, Prob W χ2(381) ¼ 1.0000.
For the Sanna Museum: deviance goodness-of-fit ¼ 47.06849, Prob W χ2(151) ¼ 1.0000;
Pearson goodness-of-fit ¼ 60.53659, Prob W χ2(151) ¼ 1.0000. Furthermore, the Akaike
Information Criterion and the BIC are employed to empirically assess the standard
Poisson models in comparison with the zero-truncated Poisson specifications. In both
the cases, the two criteria are minimised when the truncated specification is applied.
Besides, the Wald test indicates that the overall models are well specified at the
statistical level of 1 per cent. As a result, there is statistical ground to retain the
zero-truncated Poisson as a better empirical specifications. The models have been also
estimated correcting for robust standard errors to account for the relatively low
number of observations that may lead to heteroskedasticity problems in the residuals,
a rather common diagnostic problem when using survey data.
5.3.1 The Sanna Museum. By taking into account only statistically significant
variables, it emerges that, amongst the economic variables, ceteris paribus, income
under the lower bound of the reference category (€40,000-€70,000) is expected to have a
rate 2.77 times greater for museum attendance. While, on the upper bound of the
reference category, the rate ratio for the dependent variable is expected to decrease by a
rather marginal factor. In terms of the set of control variables, being a widower
decreases the rate ratio of attendance by a very marginal factor. However, being Italian
positively influences the dependent variable and is expected to have a rate of 2.54 times
greater than for the reference group.
A significant expectation to repeat the visit is found for respondents who are
visiting the museum with their children, if compared to those who are not; as the IRR
indicates 9.00 times more. On the opposite extreme, those who visited the museum
within an organised group are less likely to be repeaters, although the IRR is marginal
(IRR ¼ 0.00). Interestingly, the probability to learn something (plearn) appears to
negatively influence attendance at this cultural site (IRR ¼ 0.28).
Considering the cluster dummies, and keeping the short staying visitors as the
reference category, it emerges that long staying visitors have an expected repetition of
the visit 3.68 times higher than the short staying visitors. Likewise, middle staying
visitors reveal an expected repetition of the experience 3.88 times higher than the
reference category.
5.3.2 The Ötzi Museum. In this section, the experience and behaviour of visitors at the Understanding
Ötzi Museum is investigated by employing the same construct used for the Sanna museum
Museum. Apart from the income controls, that are not statistically significant in the Ötzi
model, the statistically significant coefficients reveal that widows are less likely to revisit
visitors’
the museum when compared to married people treated as the reference category experience
(IRR ¼ 0.00). The probability to revisit is also lower for organised group visitors
(IRR ¼ 0.00). As for the Sanna Museum, the probability to learn something (plearn) during 63
the visit reduces the likelihood to revisit Ötzi (IRR ¼ 0.48). Turning to the coefficients of
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the cluster variables, long staying visitors denote a rate ratio approximately twice higher
than the middle staying group (IRR ¼ 1.99). Also, the belief that the museum is a tourism
attraction positively influences the likelihood to revisit the museum by 1.71 times.
The total expenditure (i.e. Texpenditure as the sum of travel costs, accommodation
costs, food and beverage expense and spending in shopping in Bolzano) has a
significant effect on the dependent variable (IRR ¼ 1.00). As a further investigation,
costs are also disaggregated in order to assess the influence of the single components of
expenditure on the dependent variable. Notably, accommodation costs, that only
present a statistically significant coefficient, are possibly driving the significance of the
coefficient of the aggregated expenditure variable (IRR ¼ 1.00).
demand and especially for young people, based on the implementation of a wide range
of services. Given that, in a digital era, media panels and touch screen interactive
projections are already rather diffuse in museums, the next challenge is to set spaces
that can host classes, reading rooms, interactive spaces, online activities that can also
involve audience outside. In times of digital change, young generations expect to
interact with the museum: before the visit, to gather information on why they may visit it.
During the visit, when they actively participate in the exhibition, through a wide range
of activities, also capturing their involvement with photos and tweets. After their visit,
not only sharing their experience via social networks, but also leading to new ways of
participation by the implementation of ideas that can enhance over time the identity of
the visited site, as a cultural asset that enriches the wider digital community (Anderson,
2004; Falk and Dierking, 2012; Rozan, 2014; Works, 2014).
7. Conclusions
Nowadays, museums have to compete with other forms of leisure and entertainment
activities, and to understand the visitors’ experience at a site becomes an opportunity
for managers and curators to develop new services that cover all the spheres of custom
satisfaction (Colbert, 2003; Zeithaml et al., 2006). This is strategic to help museums
which have to innovate and adopt new marketing methods to improve their appeal
(Geissler et al., 2006).
The present paper has investigated a particular aspect of service quality related to
understanding customers’ experience in order to provide quality services according to
their needs and wants (Parasuraman et al., 1988). An integrated approach has been
employed as a tool to analyse multidimensional aspects of the visit to a cultural site.
Within the literature on service marketing and management, this methodological
framework can be regarded as an alternative approach to analyse visitors’ experience,
characteristics, behaviour and preferences and able to elicit specific characteristics of
different segments of demand.
The integrated approach has consisted of three main research steps: first, a factor
analysis has been run to define a set of orthogonal (i.e. non correlated) factors about
positive and negative experience by the sample of respondents during the visit. Second,
a TSC analysis has been run that has led to identify specific demand segments:
i.e., short staying, middle staying and long staying visitors. As a final step, a regression
analysis has been run with the inclusion of a set of socio-demographic and
economic determinants as well as the outcome variables obtained in the previous steps
(i.e. the factors and cluster variables). This approach has the advantage to be applied
without any a priori hypothetical construct, as required, for example in SEM.
From a methodological point of view, the strength of this study has been the use of
an integrated approach to identical questionnaires, and the investigation of the impact
of the same combination of categorical and other quantitative variables on museum
attendance. Data were gathered on a representative sample of respondents interviewed
JCHMSD at two important archaeological museums in Italy, that present a rather similar
6,1 mission. The Sanna Museum located in the Island of Sardinia, that hosts a unique
archaeological collection of the so-called Megalithic Nuragic civilisation; the Ötzi
Museum that hosts a well-preserved prehistoric ice mummy and his artefacts that,
thanks to the use of new generation technologies, are still shedding light on human life
in prehistoric times.
66 On balance, rather homogeneous results have been found proving the reliability of
the approach. The findings have shown that these two museums here analysed need to
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Appendix Understanding
museum
Name Definition
visitors’
Dependent variable experience
Number of visits Number of times respondents visited the museum
Independent variables
Civil status (reference group Status 1: single/never married; Status 3: separate/divorced; Status 4: widow
71
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Corresponding author
Juan Gabriel Brida can be contacted at: gbrida@ccee.edu.uy
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