Professional Documents
Culture Documents
Guide
Guide
Slide 7:
1. You, as a receiver are important to
Slide 1: be a visually literate person.
Visual Information and Media 2. You, as a sender, should be a visually
literate person.
Slide 2:
The ability to draw and communicate visually Slide 8:
can no longer be seen as optional. VISUAL MEDIA
-Bette Fetter-
Slide 9:
Slide 3: 1. Ideogram. These are graphical symbols
that represent ideas. Examples of such are
Trust signs, logos, and symbols.
yourself. You
know more Slide 10:
than you ARE EMOJIS AN EXAMPLE OF IDEOGRAMS?
think you do.
- Albert Slide 11:
Einstein-
2. Statistical Visualization. This refers to
the study and creation of data using visual
Slide 4: representation. Charts and graphs are
examples of statistical visualization.
Slide 12:
Trust yourself. You
know more than you
think you do.
- Albert Einstein-
Slide 5:
Slide 13:
Not everything you see on the internet is
3. Picture. Photography, painting, drawing,
true.
and the like all fall under pictures. It is used
- Abraham Lincoln
widely by people to express their ideals,
opinions, and sentiments.
Slide 6:
VISUAL LITERACY
Slide 14:
Slide 18:
5. Video. If graphic design is the
combination of text and pictures, video is
the combination of motion and picture; or of
motion, picture, and audio.
Slide 19:
Slide 15:
4. Graphic Design. This refers to the art of
combining text and pictures to
communicate information. Infographics, Slide 20:
posters, and graphic advertisements are 6. 3-D Image. A three-dimensional visual
considered as graphic designs medium can be a sculpture, architecture, a
real-life object, or a person. Information
Slide 16: conveyed through sign language is
considered visual information.
Slide 21:
Slide 17:
Slide 22:
Slide 23: Approximately 65% of the human
population are visual learners; 30% are
VISUAL INFORMATION auditory learners; and about 5% are
experiential learners (Bradford, 2011).
Slide 24:
VISUAL COMMUNICATION SLIDE 5
Slide 25: *The brain can see images that last for
Petterson (2015) just 13 milliseconds.
a. Analyze
b. Anchor an image SLIDE 6
c. Assist in concept development
d. Clarify pieces. *Eyes can register 36 000 visual
messages per hour.
Slide 26:
Visual communication SLIDE 7
started way back in 40 000 BCE
when Cro-Magnons engraved in rocks what People can get a sense of a visual scene
were considered today the oldest art in in less than 1/10 of a second.
history.
SLIDE 8
SLIDE 14
SOTTO
Slide 1: The Power to Affect
Slide:
© vecteezy
© Wikiwand
Slide:
Slide:
©https://americangimuseum.org/origin-of-the-swasti
ka/
Slide 3:
Slide: The Power to Affect VISUAL LITERACY
- Connotation In a media-driven, image-saturated culture it is
- Denotation imperative to broaden our scope of what it
means to be 'literate'
Slide: The Power to Make and Break
Slide 4:
VISUAL LITERACY
Slide: How people react to visual
A visually literate person can read and write
information
visual language
Slide 5:
WHAT IS VISUAL LITERACY?
- The process of sending and receiving messages
using images
- The ability to construct meaning from visual
images
- Intermediality-combined literacies are needed
to read in a multimedia world
Slide: “In any type of communication, it is
not just the medium and information that Slide 6:
are powerful, but the receiver too.” "Visual Literacy is a learned ability to interpret
visual images accurately and to create such
messages."
TANDOC - Robert Heinich, Michael Molenda, and James
Russell (1982)
Slide 1:
Art is a language, a form of communication
Slide 7:
Primary Level
Slide 2:
- Manipulation (Changing objects)
Everything we see is an image
- Construction (Producing simple visuals; taking
pictures)
- Abstraction (Identifying concepts from art Visual language pertains to the system of
elements) communication that uses visual elements (i.e.,
dots, lines, color, form, etc.).
Slide 8:
Skilled Level Slide 5: According to Pettersson (2015), visual
- Manipulation (Using tools for problem languages have syntaxes different from spoken
solving) and written languages.
- Construction (Drawing with perspective;
controlling variables in picture -taking Slide 6: Horn (1998) says that the syntax of
-origami; interpreting instructions) visual languages depends upon the arrangement
- Abstraction (Creating visual plans; specifying of visual elements on a page or a space. Unlike
photographic treatment for subjects; creating spoken and written languages that follow a
visuals from verbals and vice versa) linear structure, visual language is two-, three-,
or even four-dimensional.
Slide 9:
Advanced Slide 7: Example of visual language
- Manipulation (Mental manipulations of
complex representations)
- Construction (Drawing in 3-D; creating own
visual style; producing multimedia information)
- Abstraction (Lateral thinking, visual intuition,
visual invention; describing visual ideas
verbally)
TOLIBAS
Slide 1: What/Who is the source of
information?
Always do a background check and look for the
Edvard Munch, The Scream, 1893
identity of the information source.
Slide 2: What is the medium used?
If found in textbooks, journals, and newspapers,
the visual information is more likely valid,
reliable, and accurate.
Slide 8: 19th-century Filipino battling with a
fellow native
Slide 3: What is the reason behind showing
this information to the public?
Always be wary of the information source's
purpose in releasing the visual information to the
public.