Professional Documents
Culture Documents
Migration
Unit Rationale:
Everybody’s families and ancestors have migrated from somewhere. Migration is
unique to each and every person in the world. Some people have migrated
because of the economy, culture, and politics - whether it be voluntary or
involuntary. Students will explore where they came from as they look into the
migration of their own families. Inspired by the Great Migration, artists Jacob
Lawrence and Romare Dearden create art in different mediums that show the
theme of migration.
Grade Level:
6th Grade
Focus Artworks:
Jacob Lawrence (1917-2000), The Migration Series, Panel No. 1, 19410 Casein
tempera on hardboard.
Circe’s Domain, Romare Bearden, collage of various papers with foil, paint, and
graphite on fiberboard (1977)
Instructional Resources
- Pinterest
- Slideshow: Migration
- Introductory Video:
https://www.youtube.com/watch?v=Woh63FlFDBk&t=136s
- Student iPads
- Worksheet: Migration
- Computer
- Smart Board
- Lecture
Vocabulary
Migration: movement of people to a new area or country in order to find work or
better living
The Great Migration: movement where approximately 6 million African Americans
left the South and headed to Northern, Western, and Midwestern states to run
away from racism and look for jobs
Dynamic Cubism: a style that used bold colors, interlocking geometric forms,
controlled outlines, angular planes, and titled viewpoints
Collage: to stick together - assembling different forms
Connotation: an idea of feeling that a word invokes in addition to its literal or
primary meaning
Primary Colors: are basic colors that can be mixed together to produce other
colors - they cannot be made (red, yellow, blue)
Secondary Colors: a color resulting from mixing two primary colors (orange,
purple, green)
Tertiary Colors: the combination of primary and secondary colors (ex: yellow
green, yellow orange)
Juxtapose: placing two or more thing side by side
Mixed Media: one that combines different painting and drawing materials and
methods, rather than only one medium
Thumbnails: small, preliminary sketches
Oral Presentation: public speaking to an audience
Art Critique: oral or written strategy used to interpret, analyze, and describe
works of art
Curriculum Unit:
Migration
Grade Level:
6th Grade
Time Frame:
90 minute class
Focus Artworks:
Jacob Lawrence (1917-2000), The Migration Series, Panel No. 1, 19410 Casein
tempera on hardboard.
Circe’s Domain, Romare Bearden, collage of various papers with foil, paint, and
graphite on fiberboard (1977)
Instructional Resources:
- Pinterest
- Slide Show: Migration
- Introductory Video:
The Great Migration: Crash Course Black American History #24
- Student iPads
- Worksheet: Migration
- Computer
- Smart Board
Procedures:
DAY 1
Anticipatory Set
- Teacher asks students if they have ever moved
- Teacher will then ask students if their families have moved
- Teacher introduces the theme migration
Direct Instruction
- Teacher will go over the game plan for the class (Migration, the Great
Migration, Lawrence and Bearden, the powerpoint, pinning on Pinterest
boards, and the worksheet)
- Teacher talks about how everyone moves to get to where they are now
- Teacher talks about the Great Migration
- Teacher plays the youtube video
- Teacher goes over the powerpoint
- Teacher instructs students to pin 5 pins of Jacob Lawrence’s work, 5 pins
of Bearden’s work, and 5 pins of art influenced by the Great Migration
- Teacher asks students to share their boards with their classmates
- Teacher passes out worksheets at the end of class
- Teacher asks students to go home and ask their families about where they
have come from and asks students to bring it back the following class
Guided Practice
- Students complete 3 Pinterest Boards
Independent Practice
- Students will bring their work sheets to finish at home and ask their
relatives for help
Slideshow:
See Powerpoint Presentation Attached Below
Name: _____________________ Date:_________
Worksheet: Migration
What is migration?
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
Where has your family migrated from? What were their experiences?
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
Lesson Title:
Artistic Perception
Curriculum Unit:
Migration
Grade Level:
6th Grade
Time Frame:
90 minute class
Focus Artwork:
Jacob Lawrence (1917-2000), The Migration Series, Panel No. 1, 19410 Casein
tempera on hardboard.
Circe’s Domain, Romare Bearden, collage of various papers with foil, paint, and
graphite on fiberboard (1977)
Instructional Resources:
- Student iPads
- Lecture
- Worksheet
- Color Meaning Chart
- Computer
- Smart Board
Procedures:
DAY 1
Anticipatory Set
- Instructor will introduce how color has connotation
- Instructor will introduce how different shapes affect the mood of an artist’s
artwork
- -Instructor informs the class that they will have a lecture, get a color chart,
talk in groups, share their ideas, and complete a worksheet
Direct Instruction
- Instructor will pass out the color chart
- Instructor will ask the groups to discuss:
- How does Jacob Lawrence and Romare Bearden’s work make them
feel?
- What do you notice about the shapes?
- What do you notice about the colors?
- What do you think the story behind it is?
- How do the paintings make you feel?
- What is the overall mood?
- Groups will participate in class discussion and share their thoughts
Guided Practice
- Students will participate in group discussions
Independent Practice
- Students complete worksheet
- Students bring the worksheet home if not completed in class
- Students write down an ideas how they can tie shapes and colors into their
migration project
Multiple Intelligences:
Interpersonal: addressed through presentation
Vocabulary:
Connotation: an idea of feeling that a word invokes in addition to its literal or
primary meaning
Curriculum Unit:
Migration
Grade Level:
6th Grade
Time Frame:
90 minute class
Focus Artwork:
Jacob Lawrence (1917-2000), The Migration Series, Panel No. 1, 19410 Casein
tempera on hardboard.
Circe’s Domain, Romare Bearden, collage of various papers with foil, paint, and
graphite on fiberboard (1977)
Procedures:
DAY 1
Anticipatory Set
- Instructor introduces what primary colors are
- Instructor introduces what secondary colors are
- Instructor introduces what tertiary colors are
- Instructor explains how we need to know how to mix colors and paint when
creating our mixed media migration painting
Direct Instruction
- Instructor shows the class the color wheel sample
- The instructor uses the projector to show how to mix the secondary colors
- The instructor will demo part of the color wheel (ex: yellow, yellow orange,
orange, red orange, red)
- During the demonstration, the teacher asks students to elaborate what the
instructor
- After the demonstration, the instructor asks the students the instructs in
order to check their understanding of the assignment
Guided Practice
- Students begin working on their color wheel. Teacher walks around to
answer any questions, comments, or concerns students may have
Independent Practice
- Students must finish the painting portion in class. If they do not finish
gluing and labeling the color wheel, they may bring it home and finish it for
homework.
Curriculum Unit:
Migration
Grade Level:
6th Grade
Time Frame:
4 90 minute class
Focus Artwork:
Jacob Lawrence (1917-2000), The Migration Series, Panel No. 1, 19410 Casein
tempera on hardboard.
Circe’s Domain, Romare Bearden, collage of various papers with foil, paint, and
graphite on fiberboard (1977)
Instructional Resources:
- Migration painting student examples
Procedures:
DAY 1
Anticipatory Set
- Instructor asks students to take out their migration worksheet
- Instructor asks to discuss in groups where they or their family has come
from
Direct Instruction
- Instructor has students take out their migration worksheet
- Instructor discusses how everyone’s story is unique and different. We all
come from different places, have different experiences, and adapt to
different cultures
- Instructor talks about how we are going to show this through creating a
mixed media painting
- Instructor goes over what they can use for their mixed media painting
(acrylic paint, photos, newspapers, magazines, etc.)
- Instructor shows student examples and goes over the meaning and story
behind each example
- Instructor tells students to brainstorm, complete 5 thumbnails, and execute
by artmaking
Guided Practice
- Students begin to brainstorm
- Students talk to their peers and use the internet, photos, pinterest, ect for
inspiration
- Instructor walks around the room to answer any questions, comments, or
concerns to ensure students are on the right track
Independent Practice
- Students come up with ideas
- Students complete 5 thumbnails in their sketchbook
DAY 2
Anticipatory Set
- Students share their ideas and thumbnails with each other
Direct Instruction
- Instructor informs students that it is okay that students may work at
different paces
- Instructor asks students to share their favorite thumbnail with the teacher
for the painting
- Instructor show student where the fabric and magazines are
- Instructor goes over safety precautions on using the hot glue gun
- Instructor passes out canvas to the students who are ready to proceed -
students should get started today but can use time wisely to modify
thumbnails
Guided Practice
- Students alter their thumbnails if needed
- Students begin their sketch for their mixed media painting
- Instructor walks around room to answer any questions , comments, or
concerns students may have to ensure students are on the right track
DAY 3-4
Guided Practice
- Students continue to work on their mixed media piece
- Instructor walks around the rooms to answer any questions, comments, or
concerns students have to ensure they are on the right track
Day 5
Guided Practice
- Students finish up on their mixed media painting
- Instructor walks around the room to add extra feedback on how they can
finalize their piece
Closure
- Students assess their artwork by marking the criteria they met on the rubric
Curriculum Unit:
Migration
Grade Level:
6th Grade
Time Frame:
2 90 minute class
Focus Artwork:
Jacob Lawrence (1917-2000), The Migration Series, Panel No. 1, 19410 Casein
tempera on hardboard.
Circe’s Domain, Romare Bearden, collage of various papers with foil, paint, and
graphite on fiberboard (1977)
Instructional Resources:
- Art criticism worksheet
- Critique rubric
Procedures:
DAY 1
Anticipatory Set
- Instructor reassures that all students did well on their migration painting
- Instructor reminds the class that there is no right and wrong answer and to
not be scared to present
- Instructor reminds students that presenting their art is a learning
experience
Guided Practice
- Students give their oral presentation to the class
Closure
- Instructor and students talk about how their critiques went
- Instructor tells students how this is a learning experience
- Instructor reassures and tells all the students that they did a great job
Accommodations and/or Modifications:
Students with speaking anxiety: students who have speaking anxiety may
receive extra time to present and may receive extra time to prepare if they
communicate with the instructor first
Multiple Intelligences:
Verbal/Linguistic: addressed through oral presentations
Vocabulary:
Oral Presentation: public speaking to an audience
Art Critique: oral or written strategy used to interpret, analyze, and describe
works of art
Criteria for Assessment:
Did Students:
- Give an oral presentation
- Write the critique out
- Look at, analyze, respond to, and make judgements
Method for Assessment:
- Instructor makes sure they look at, analyze, respond, and make judgments
about their art
- Instructor makes sure students are respectful during presentations
- Oral presentations will be evaluated by the rubric
California Visual Standards:
Aesthetic Valuing
5.1 Research how art was used in theatrical productions in the past and in the
present.
Art Criticism