Rameau was too good a musician to rely solely on acoustic phenomena to develop a scientific theory of harmony. While his attempts to discover a more rational system were important, deducing chords from acoustics alone was insufficient. The thoroughbass system of indicating chords through numerals and abbreviations was the first step towards analyzing harmony, and its adoption allowed for significant progress in musical theory and composition.
Rameau was too good a musician to rely solely on acoustic phenomena to develop a scientific theory of harmony. While his attempts to discover a more rational system were important, deducing chords from acoustics alone was insufficient. The thoroughbass system of indicating chords through numerals and abbreviations was the first step towards analyzing harmony, and its adoption allowed for significant progress in musical theory and composition.
Rameau was too good a musician to rely solely on acoustic phenomena to develop a scientific theory of harmony. While his attempts to discover a more rational system were important, deducing chords from acoustics alone was insufficient. The thoroughbass system of indicating chords through numerals and abbreviations was the first step towards analyzing harmony, and its adoption allowed for significant progress in musical theory and composition.
Rameau was too good a musician not to know that to deduce the major
consonant chord only from an acoustic phenomenon was not sufficient to
build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover aRameau was too good a musician not to know that to deduce the major consonant chord only from an acoustic phenomenon was not sufficient to build up a scientific system of harmony. But his attempts to discover arther powerful impulse to a more rational development of it came from Jean Philippe Bameau*rther powerful impulse to a more rational development of it came from Jean Philippe Bameau*rther powerful impulse to a more rational development of it came from Jean Philippe Bameau*The one positive g«ain was the possibility of indi- cating all combinations of tones by abbreviations; as, the chord of the sixth by G the chord of the sixth and fourth by f the chord of the seventh by 7; That the chord of the sixth is an the chord of the sixth and fifth by f, etc. inversion of the common chord, and thatThe one positive g«ain was the possibility of indi- cating all combinations of tones by abbreviations; as, the chord of the sixth by G the chord of the sixth and fourth by f the chord of the seventh by 7; That the chord of the sixth is an the chord of the sixth and fifth by f, etc. inversion of the common chord, and thatIt was not long before a great many abbreviations came into practical use, which made it much easier to think harmony. It was soon noticed that the chord formed out of a third and a fifth occurred much more frequently than any others. It then became customary to consider this chord as demanded, This chord thus acquired special unless some other figures were written. importance. Only when the third or fifth had to be altered by means of a sharp, flat or natural, was any figure required.It was not long before a great many abbreviations came into practical use, which made it much easier to think harmony. It was soon noticed that the chord formed out of a third and a fifth occurred much more frequently than any others. It then became customary to consider this chord as demanded, This chord thus acquired special unless some other figures were written. importance. Only when the third or fifth had to be altered by means of a sharp, flat or natural, was any figure required.he thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in thehe thoroughbass system was, as I have just shown, the first attempt at indicating chords, and its adoption marked a long step forward, both in theIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIn order to comprehend the importance of thoroughbass in the practice and teaching of musical composition at that time, we nflftst remind ourselves that all through that period a chord wasIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pIf the system which was to grow up had only been developed on chords. the lines laid down by Zarlino, i. e., if his principle of duality had been recognized, according to which the minor chord is the reciprocal, the counterpart and opposite of the major chord ; then theory would have taken the direction in which the latest efforts of theorists are now being pppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedppear ; but I know of no older theorist who has mentioned nately, this splendid idea of Zarlino's came to naught ; it. Unfortu- whether it remainedharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory andharmonies which lie at the foundation of polyphony ; but both theory anduIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantIn practice musicians had long ago discovered empirically the consonantt Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.ut Zarlino went further. He gave to the world the conception of the consonant chord, in its double form of major and minor chord.lArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdArabs belongs the merit of having enriched the exact theory of music by the conception of the consonant thirdOf course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.Of course, the practical musician has a right to ask, " Of what use is it to Art and artists to know that when two strings sound the interval of an octave, they being of the same weight and tension, their lengths are related as 1 2; : or if they produce a fifth, as 2 : 3 ; or a fourth, as 3:4?" And certainly the composer derives no direct benefit from knowing these facts ; only the maker of instruments can apply them in his measurements, and the player in finding out how to stop his strings correctly.he more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofhe more the new way ofnot yet become intense ; but this is hardly to be wondered at when we con- sider that it is only within the past twenty years that our scientific knowledge has become sufficient to make it possible to classify discovered facts into a well-rounded system, available for practical use. The more the new way of looking at harmonic relations is seen to be positively useful and practical, the more will interest in laying scientific foundations for the art of music become widespread and lively. In the following pages I shall briefly show what benefit the practical teaching of music has already derived from exact science, and how much it may still hope to draw from such study in wholly new directions. The oldest portion of our exact scientific knowledge in connection with harmony is that investigation into the nature of sounding bodies whichnot yet become intense ; but this is hardly to be wondered at when we con- sider that it is only within the past twenty years that our scientific knowledge has become sufficient to make it possible to classify discovered facts into a well-rounded system, available for practical use. The more the new way of looking at harmonic relations is seen to be positively useful and practical, the more will interest in laying scientific foundations for the art of music become widespread and lively. In the following pages I shall briefly show what benefit the practical teaching of music has already derived from exact science, and how much it may still hope to draw from such study in wholly new directions. The oldest portion of our exact scientific knowledge in connection with harmony is that investigation into the nature of sounding bodies whichooking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,looking at harmonic relations is seen to be positively useful and practical,The oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection withThe oldest portion of our exact scientific knowledge in connection witha basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of the student and composer.a basis for the practical work of 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between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.At first, the contributions to such a theory based on scientific investiga- tion were few and far between ; it is only of late that the impulse given to scientific study in general has helped us forward considerably.
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