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SUPRASEGMENTAL FEATURES
We may talk about phonetic features as they apply to single phonetic segments, or
phones. Phonetic features can also apply to a string of several sounds, such as a syllable, or an
entire word or utterance. The study of phonological features which apply to groups larger than
the single segment, such as the syllable or the word, are known as suprasegmental features.
The study of these features is known as prosody.
The most obvious prosodic feature in language is the syllable. Let's briefly discuss the notion of
syllables.
Length
Length is a phonological term while “duration” is a phonetic term used to describe the time
parameter in speech
Stress
Stress is a property of syllables: an increase in the respiratory muscles and in the activity of the
laryngeal muscles . Word Stress and Sentence
contraDICtion/Update/examiNAtion/Export/exPort
Functions
Ex) an insult vs. to insult, an overflow vs. to overflow, a record vs. to record, etc.
Ex) blackboard vs. black board, white house vs. White House
English words can be stressed on any syllable. The short and long vowels and diphthongs we
have revised so far are called STRONG vowels, occurring in stressed syllables. In unstressed
syllables we usually (not always) find weak vowels. The process of stress/unstressed syllables
within a word and the process of sentence stress and sentence unstressed is called
GRADATION.
In English stresses occur at fairly regular intervals, no matter how many unstressed syllables
there are between them. We say that stress in English is ISCOCHRONIC. So that to occur we
need to divide isolated utterances (words) between those ones which have a strong and a wek
form and those one which only possess a strong form. The process of stress/unstressed
syllables within a word and the process of sentence stress and sentence unstressed is called
GRADATION. Within a sentence level of production students need to determine which ones –
taking into account the context and the semantics of the word, are going to be stressed and
which ones not.
Words that change their strong vowel to schwa and therefore become WEAK FORMS
He,be,him,she,we
Words that do not change into a weak form: Lexical words (active verbs, adverbs, adjectives,
nouns)
Lexical words: nominal clause: nouns, adjective –depending on the nominal clause-
3.3 RHYTHM:
We have seen that the vowels in unstressed syllables can suffer reduction usually to /schwa);
then to /i/ and rarely to /u/. But in connected speech because of English rhythm –time
stressed rhythm- short structural words are often completely unstressed:
1,2,3,4,5
How,if,in,on,off,then,they,up,what,when,where
Pitch changes because of variations in laryngeal activity (the tension of the vocal cords): if the
vocal cords are stretched, the pitch of the sound will go up. In English, we call it “Intonation”
Intonation
If pitch varies over an entire phrase or sentence, we call the different pitch curves by the term
intonation. Intonation conveys the speaker's attitude or feelings. In other words, intonation
has a deictic function in discourse: questions; or a connotative function: anger, sarcasm, or
various emotions. Intonation can also convey purely syntactic information, as when it marks
where a sentence ends.
Intonation types
Falling
Rising
Rising/falling:
The pitch of the voice falls at the end of the sentence, on the final stressed syllable. It is
commonly found in statements, commands, wh-questions (information questions),
confirmatory question tags and exclamations.
Statements
Commands
Next year.
Questions Tags that are statements requesting confirmation rather than questions.
Exclamations
It is normally used with yes/no questions, and question tags that are real questions.
Yes/no Questions
(Questions that can be answered by 'yes' or 'no'.)
Questions tags that show uncertainty and require an answer (real questions).
Fall-rise intonation describes how the voice falls and then rises.
The main function of fall-rise intonation is to show that the speaker is not certain of the
answer they are giving to a question, or is reluctant to reply (as opposed to a falling tone used
when there is no hesitation). It is also used in polite requests or suggestions. Thus, we use fall-
rise intonation in the following cases:
- At the end of statements when we want to say that we are not
sure, or when we may have more to add:
I don’t support any football team at the m↘om↗ent. (but I may change my mind in the
future).
It rained every day in the firs↘t w↗eek. (but things improved after that).
-To express hesitation or reluctance. The speaker is not certain of the answer s/he is giving to a
question, or is reluctant to reply (as opposed to a falling tone used, when there is no
hesitation)
-To express politeness/doubt/uncertainty (we are not sure what the answer might be):
The intonation rises and then falls. We use rise-fall intonation for choices, lists, unfinished
thoughts and conditional sentences.
o Do you like my new handbag? Well the ➚leather is ➘nice... (but I don't like it.)
o What was the meal like? Hmm, the ➚soup was ➘good... (but the rest wasn't
great).
o So you both live in Los Angeles? Well ➚Alex ➘does ... (but I don't).
Conditional sentences
(The tone rises in the first clause and falls gradually in the second clause.)
Pause
Presence or absence of pause can provide grammatical information which can help listeners
decode meaning: Two types: breathing pause and syntactic pause.
Breathing pause: Any pause that comes after a meaningful clause –nominal/verbal -. It differs
from speaker to speaker depending on its fluency.
Syllable juncture: Segments which could be attached to one of two syllables: linkages
Ex. Look out/ I got it – Direct objects related to transitive verbs; prepositions to verbs; articles
related nouns/ adjectives and nouns/ adverbials and verbs....