BDM - Booklet 221209 Print

lequang-architects (LAB)
B¶OTÀNGT¨NGHPBÌNHŃH
Binh Dinh General Museum
Design report
Tàiliıuthuytminhphngán
Presentation booklet
Berlin
LJ-Group
Hochiminh City
SCA
Hanoi
June 2022
22
BôtàngtınghpBình¶ºnh
NłIDUNG TABLE OF CONTENT
INTRODUCTION THITKMTNG FACADE DESIGN

GIITHIUCHUNG
Museum Case Studies Ýtýngmtõ&ng Facade Concept
Cácbôtàngthamkhô
Binh Dinh History Thi”tk”kiªuhình Typology
LºchsBìnhôºnh
Quy Nhon city Thi”tk”thõøng Passive design
ThànhphæQuyNh‰n
Hthænglàmmátbngbayh‰i Evaporation cooling system
Vºtríd.án Site location
Thi”tk”chi”usáng
Lighting system
Liênhvùng Connecting Zone
Môtˆkhuõ¯t Project‘s site
URBAN DESIGN THITKBNVNG SUSTAINABLE DESIGN

QUYHO·CHT¨NGTH
Chi”nlýc-Phântích Strategies - Analysing
TrcTh˙nôò Shinto Axis
Ýtýng Concept
TrcõôthºBˇc-Nam North-South urban axis
Giîphápthõøng Passive Design
Giaothôngti”pc˝n Traffic Access
Giîphápchõøng Active Design
Tıngmtbng Masterplan
Mànglckhôngkhí Air Filtration facade coating
THITKKINTRÚC BUILDING DESIGN

Design Concept & Inspiration
Ýtýngvàcˆmh&ngki”ntrúc
Ch&cnóngvàkhoahcv˝nõøng
Programming Study PHÂNTÍCHTÍNHKH¶THI TECHNICAL REVIEW
Ýtýngkhônggiantrýngbày Exhibition Concept Ýtýngc¯utrúc Structure Concept
ÝtýngvÆgiîphápk”tc¯u Structure Concept Nh˝nxétchungvÆtínhkhˆthi Overview
AnninhvàPhòngcháych,acháy Fire Safety & Security System
S‰õch&cnóng Functions Diagram
CÁCMTB—NG PLANS
CÁCMTC˛T&MTôNG SECTIONS & ELEVATION
THITKC¶NHQUAN LANDSCAPE DESIGN

Thi”tk”ýtýng Concept Design
Côngviênsinhhc Biological park
Cˆnhquanvàphânkhu Landscape and subdivision area
Thi”tk”õad`ngsinhhc
Design of biodiversity
23
24
GIITHIUCHUNG INTRODUCTION
Cácbôtàngthamkhô Museum Case Studies
LºchsBìnhôºnh Binh Dinh History
ThànhphæQuyNh‰n Quy Nhon city
Vºtríd.án Site location
Liênhvùng Connecting Zone
Môtˆkhuõ¯t Project‘s site
25

Gißithiu Introduction
CÁCBÓTÀNG MUSEUMS
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广n广g广h广i广m广x广ã广h广i广c广a广c广o广n广n广gýß广i广v广à广b广iÆ广u广h广i广n广vó广n广h广óaõ”广 , 广广n广gýß广i广h广iÆ广u广õý广c广n广h广n广g广h广t广h广n广g广p广h广c广tý广p广n广à广y广.
广x广uˆ广t广n广h广n广g广c广á广c广h广g广i`广i广t广h广í广c广h广mø广i广v”广t广h广g广iø广i广 .
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õý广t广广ý广广tý广n广g广, 广k广h‰广i广广d¸广y广广t广r广í广广t广ò广广m广ò广 , 广n广â广n广g广广c广a广o广广n广h¸广n广广t广h广c广广n广h广à广b`广o广t广à广n广gõ广广 cõ广广 á广o广c
, `广i广t广h广i广n广n广g广h广i广ê广n广c广u广k广h广o广a广hº广c广
广v广à广广tý广o广广c‰广广h广i广广g广i广a广o广广t广i广p广 . 广L广à广广c广ô广n广g广广c广广g广i广á广o广广d广c广广v广à广广t广h广a广y广广v广à广g广i广á广o广d广c广k广h广o广a广hº广c广p广h广b广i广n广 B广ì广n广h广ôØ广n广h广õæ广 , n广g广t广hß广i广
õ广i广, 广b`广o广广t广à广n广g广广g广i广ú广p广广c广h广ú广n广g广广t广a广 õØ广n广h广广h广ì广n广h广广lý广i广广s,广广h广iÆ广u广广l广à广m广广p广h广o广n广g广广p广h广ú广广t广h广ê广m广广cˆ广u广广t广r广ú广c广广vó广n广广h广óa广 õ广ô广广t广hØ广 õ广a广n广g广
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• 广S广t广u广t广t广g广a广r 广t广ô, 广c
• 广D广i广n广t广í广c广h广t广r广i•广n广l广ã广m广:160m广²
• 广T广i广p广õ广ó广n广70n广gýß广i广mı广i广nó广m
MERCEDES BENZ MUSEUM

• 广S广t广u广t广t广g广a广r 广t广G, 广e广r广m广a广n广y
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• 广16.0m广²广e广x广h广i广b广i广t广i广o广n广a广r广e广a
• 广70v广i广s广i广t广o广r广s广/y广e广a广r 广L广i广n广e广a广r广C广i广r广c广u广l广a广t广i广o广n广&c广e广n广t广r广a广l广v广o广i广d
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• 广B˝广c广K广i广n广h广T, 广r广u广n广g广Q广u广c
• 广D广i广n广t广í广c广h广:102m广²
• 广K广h广ô广n广g广g广i广a广n广s广à广n广:480m广²广
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• 广B广e广i广j广i广n广g
• 广102m广²广a广r广e广a广广K广h广o`广n广g广t广r广n广g广t广r广u广n广g广t广â广m广&c广m广t广r广iÆ广n广l广ã广m
• 广G广r广o广u广n广d广–广o广o广r广480m广²广
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• 广B˝广c广K广i广n广h广T, 广r广u广n广g广Q广u广c
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• 广B广e广i广j广i广n广g广C , 广h广i广n广a
• 广120m广²广a广r广e广a 广T广r广iÆ广n广l广ã广m广x广p广c广hæ广n广g广&k广h广o`广n广g广t广r广n广g广b广a广o广q广u广a广n广h
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• 广O广s广l广o广N, 广a广U广y
广M广U广N广C广H广M广U广S广E广U广M
• 广O广s广l广o广N, 广o广r 广w广a广y
• 广1658m广²广a广r广e广a 广V广à广n广h广õ广a广i广lý广u广t广h广ô广n广g广&t广r广iÆ广n广l广ã广m广t广r广u广n广g广t广â广m
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26

Gißithiu Introduction BôtàngtınghpBình¶ºnh
CÁCBÓTÀNG MUSEUMS
Museums, armatures for collective societal experience and expanding our understanding of these complex systems.
cultural expression, present new ways of interpreting the
world.
They contain knowledge, preserve information and transmit The new Quy Nhon General Museum will create a distinct
ideas; they stimulate curiosity, raise awareness and create identity for a state of the art Museum, enhance Binh Dinh‘s
opportunities for exchange. As instruments of education and prominence in scientific research and education and enrich
social change, museums have the potential to shape our Quy Nhon’s - Binh Dinh province evolving cultural fabric.
understanding of ourselves and the world in which we live.
Museums dedicated to nature and science play a key role in
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• 广T广R广E广N广T广O广Ý 广,
• 广D广I…广N广T广ÍC广H广:170m广²
• 广201
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• 广T广r广e广n广t广o广I, 广t广a广l广y
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• 广170m广²
• 广201 广C广e广n广t广r广a广l广v广o广i广d广&e广x广h广i广b广i广t广i广o广n广c广l广u广s广t广e广r广s
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• 广M广u广n广i广c广h广ô, 广c
• 广D广i广n广t广í广c广h广t广r广i•广n广l广ã广m广:730m广²
• 广T广i广p广õ广ó广n广150t广r广i广u广n广gýß广i广mı广i广nó广m
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• 广M广ün广c广h广e广n广G, 广e广r广m广a广n广y
• 广730m广²广E广x广h广i广b广i广t广i广o广n广A广r广e广a 广C广h广i广m广h广o广à广n广t广o广à广n广&k广h广o`广n广g广t广r广n广g广t广r广u广n广g广t广â广m
• 广1.5m广i广o广v广i广s广i广t广o广r广s广/y广e广a广r
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• 广D广a广l广l广a广s广H , 广o广a广K
• 广D广i广n广t广í广c广h广1672m广²
广P广E广R 广O广T广M广U广S广E广U广M广
• 广D广a广l广l广a广s广U, 广S广A
• 广1672m广²广a广r广e广a广广Lý广u广t广h广ô广n广g广v广ò广n广g广q广u广a广n广h广&k广h广o`广n广g广t广r广n广g广b广a广o广q广u广a广n广h
广P广e广r广i广m广e广t广e广r广C广i广r广c广u广l广a广t广i广o广n广&p广e广r广i广m广e广t广e广r广v广o广i广d广s
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• 广W广o广l广f广s广b广u广r广g广ô, 广c
• 广T广n广g广d广i广n广t广í广c广h广:120m广²
• 广K广h广ô广n广g广g广i广a广n广t广r广i•广n广l广ã广m广:90m广²
广P广H广A广E广N广O广S广C广I广E广N广C广E广C广E广N广T广E广R
• 广W广o广l广f广s广b广u广r广g广G, 广e广r广m广a广n广y
• 广120m广²广T广o广t广a广l 广C广h广i广m广h广o广à广n广t广o广à广n广&C广á广c广õ`广o广
• 广90m广²广e广x广h广i广b广i广t广i广o广n
广F广u广l广l广o广c广c广u广p广y广&i广s广l广a广n广d广s
27

LŒCHS)BÌNHôŒNH BINH DINH HISTORY
广B广ì广n广hôØ广广 n广h广n - ‰广i广sø广m广s`广n广s广i广n广h广r广a广n”广n广vó广n广h广o广á广lø广n广c广a广cý广 Binh Dinh - the early birthplace of the great culture of ancient
广d广â广n广 c广 S广a广 H广u 广n广h广, m广a广n广g广 õ¸广m广 n广é广t广 õ广c广 t广rý广n广g广 c广a广 t广hß广i广 Sa Huynh residents, bearing the characteristics of the metal VÕTHUTBÌNHôŒNH
õý广i广k广i广m广k广h广íõ广广 , ãõÆ广
广广lý广i广n广h广i”广u广d广i广t广í广c广h广p广h广o广n广g广p广h广ú广c, 广á广c广c广ô广n广g广 age, has left behind many rich relics, iron production tools, BINHDINHMARTIALARTS
广c广广s`广n广广x广uˆ广t广广bˇ广n广g广 õæ广广s˝广t广 , õæ广广t广r广a广n广g广广s广c广广bˇ广n广g广 õ广á广广q广u广ý广 jewelry. special gems and glass, etc. Dong Son bronze drums
广v广à广 t广h广u0广 t广i广n广h广 õ广c广 s˝广c广 v广v . 广 .n广h广n广g广 t广r广n广g广 õæ广n广g广 ô广ô广n广g广 S‰广n广 have also been found here, proving that there was a great
广cù广n广gõ广广 ãõý
广广c广t广ì广m广t广hˆ广yõ广广 â广y广c广h广n广g广t广t广hß广iõ广广 õ广ó广 ã广c广s
ó 广 ,广 cultural exchange between regions of the country at that time.
广g广i广a广o广lý广u广vó广n广h广o广á广r广n广g广lø广n广g广i广a广c广á广c广v广ù广n广g广c广aõˆ广广 t广nýø广c广.
广B广ì广n广h广 ôØ广n广h广广c广ò广n广广l广à广广n‰广i广广c广h广n广g广广k广i广n广广s,广广p广h广á广t广广t广r广iÆ广n广 , 广l广i广广t广à广n广
广c广a广q广u广c广g广i广a广c广C广hó广m广p广a广-m广t广vý‰广n广g广q广u广c广c广ón广h广i”广u广 Binh Dinh is also a place to witness the development and
广t广hó广n广g广广t广r¯广m广广s广o广n广g广广cù广n广g广广k广h广ô广n广g广广t广r广á广n广h广广k广h广i广广s广广p广h¸广n广广tæ广n广 decline of the ancient nation of Champa - a kingdom with
广v广o广n广g广c广a广lØ广c广h广s广C (. 广á广i广t广ê广n广C广hó广m广p广a广c广h广c广ò广n广n广hý广广m广t广t广ê广n广 many ups and downs, but the fate of history is inevitable. The
广r广i广ê广n广g广c广a广m广t广d广â广n广t广c广C广hó广m广g˝广n广b广tó 广r广o广n广gõý广
广 i广g广i广aõ广广 ì广n广h广 name Champa remains only as a proper name of a Cham ethnic
广c广á广c广d广â广n广t广c广V广i广t广N广a广m广. group attached to the great family of ethnic groups in Vietnam.
广Vý‰广n广g广q广u广c广C广hó广m广p广a广xý广a广n , 广a广y广c广ò广nõÆ广
广广lý广i广n广h广n广g广d广i广t广í广c广h广 The ancient Kingdom of Champa still leaves behind
广k广h`广o广c广hº广c广n , 广h广i”广u广t广h广à广n广h广cõ广广 , i广ê广u广k广h˝广c广c广v广à广k广i广n广t广r广ú广c广 archaeological relics, many ancient citadels, ancient sculptures
õ”广n广 t广h广á广p广 n广i广 t广i广n广g广 , c广 k广í广n广h广 , u广y广 n广g广h广i广 . C广á广c广 d广i广 t广í广c广h广 õý广c广 and famous, ancient and majestic architecture of temples and
广c广á广c广广n广h广à广广k广h`广o广广c广广p广h广á广t广广h广i广n广广广n广h广i”广u广广n‰广i广广t广r广ê广n广 õˆ广t广广B广ì广n广h广 towers. The relics discovered by archaeologists in many places in
ôØ广n广h广广p广h广o广n广g广广p广h广ú广, õ广a广广dý广n广g广广v”广广c广h广n广g广广l广oý广i广 , 广t广i广n广h广广x`广o广广v”广 Binh Dinh are rich, diverse in types, sophisticated in technique,
广k2广 t广h广u¸广t广 ,gæ广m广 c广á广c广 õæ广广g广m广 s广 p广h广c广 v广 c广h广o广 c广u广c广 s广n广g广 including ceramics serving community life, exchange and
广c广n广g广õæ广n广g广g, 广i广a广o广lý广u广t , 广r广a广o广õ广i广h广à广n广g广h广o广á广n广g广o广à广i广k广h广u广v,广c广 exchange. goods outside the region and neighboring countries.
广v广à广c广á广c广nýø广c广p广h广ç广n广.
广B广ì广n广h广ôØ广n广h广c广ót广h广à广n广h广ôæ广广B广à广n广tæ广n广tý广i广g¯广n广5t广h广k0广m广à广s广a广u广 Binh Dinh has Do Ban citadel, which existed for nearly 5
õ广ó广l广à广t广h广à广n广h广H广o广à广n广g广ô广广t广hß广i广T广â广y广S‰广n广-N广g广u广y•广n广N广hý广c广 . centuries, and then the Emperor citadel of the Tay Son -
Nguyen Nhac dynasties. THÁPCHòMPA
广T&广s广a广u广nó广m广1975õ广n广n广a广y广t
, 广h,广c广s,广B广ì广n广h广ôØ广n广h广õ广ã广õ广i广õß广i广 ,
广t广h,广c广sõ广,广 i广mø广i广t广t & 广r广o广n广g广n广p广n广g广h„广广k广i广n广h广t广l , 广à广mó广nõ广广 n广tý广 CHAMPATOWER
广d广u广y广 c广u广c广 s广n广g广, tý广o广 n广ê广n广 s,广 b广i广n广 õ广i广 s广â广u广 s˝广c广 t广r广o广n广g广 õß广i广 Since 1975 until now, Binh Dinh has really changed its life, really
广s广n广g广x广ã广h广i广c广a广t广n广h广n广h广à广 . changed from economic thinking, business to life thinking,
creating a profound change in the social life of the province.
广C广h广í广n广h广 s广á广c广h广 c广a广 N广h广à广 nýø广c广 õ广i广 vø广i广 n广gýß广i广 n广g广h广è广o广 , v广ù广n广g广 The State‘s policies towards the poor, remote and isolated
广s广â广u广v
, 广ù广n广g广x广a广n广g广à广y广m广t广q广u广a广n广t广â广m广õ广ú广n广g广m广c广õÆ广广t广i广n广tø广i广 areas are paying more and more attention to achieve a balance
广l¸广p广t广h广c广â广n广bˇ广n广g广g广i广a广m广i”广n广n广ú广i广v广à广m广i”广n广x广u广ô广i广. between mountainous and lowland areas.
THÁ
广Vò广NP广HCHòM
广AÓ 广B广ÌN广HPA广ôŁ广N广H
CHAMPA TOWER
广B广I广N广H广D广I广N广H 广C广U广L广T广U广R广E
VòNHÓABÌNHôŒNH VòNHÓA BÌNHôŒNH

BINHDINHCULTURE BINHDINHCULTURE
28

广K广h广í广 h¸广u广 B广ì广n广h广 ôØ广n广h广 c广ó t广í广n广h广 c广hˆ广t广 n广h广i广t广 õø广i广 ˙广m广 , g广i广ó m广ù广a广 . Binh Dinh’s climate is tropical, humid, and monsoonal. Due to
the complexity of the topography, the monsoon when entering ôNGLÀNG ôNGLÀNG
广D广o广 s,广 p广h广c广 tý广p广 c广a广 õØ广a广 h广ì广n广h广 n广ê广n广 g广i广ó m广ù广a广 k广h广i广 v广à广o广 õˆ广t广
广l广i”广n广õ广ã广t广h广a广y广õ广i广hýø广n广g广v广à广cýß广n广g广õ广广k广h广á广n广h广i”广u广. the mainland has changed direction and intensity quite a lot. VILLAGEROAD VILLAGEROAD
广D,广a广v广à广o广c广á广cõ广广 cõ广广 iÆ广mõ广广广m ó 广à广B广ì广n广hôØ广广 n广hõý 广广c广m广d广a广n广h广 Based on these characteristics, Binh Dinh is known as the “land
广l广à广 v广ù广n广g广 “ôˆ广t广 v广õ广 t广rß广i广 vó广n广 ” c广a广V广i广t广 N广a广m广 , n‰广i广 h广ò广a广 q广u广y广n广 of martial arts and literature” of Vietnam, where the mountains
广g广i广a广n广ú广i广n广o广n广b广iÆ广n广c`广广n , ‰广i广g¯广n广t 5 广h广k广g0 广i广v广a广i广t广r广ò广l广à广t广r广u广n广g广 and sea blend together, where for nearly 5 centuries it played
广t广â广m广广c广a广广n广h广à广广nýø广c广广C广hó广m广广P广a广广c广广k广í广n广h广 , 广cù广n广g广广b广i广广v广ì广广t广h广 the role of the center of the ancient Champa state. glass,
广k广i广n广t广r广ú广c广C广hó广m广P广a`广广 n广h广hý广n广g广rˆ广t广lø广nõ广广 n广k广i广n广t广r广ú广c广B广ì广n广h广 also because of that Champa architecture greatly influenced
ôØ广n广h广n广g广à广y广xý广a广v广à广n广a广y广T. 广r广ê广n广v广ù广n广g广õˆ广t广g广i广à广u广t广r广u广y”广n广t广h广n广g广 the architecture of Binh Dinh in the past and present. On this
广vó广n广广h广i广n广广n广à广y广, 广B广ì广n广h广 ôØ广n广h广广h广ô广m广广n广a广y广广t广a广广s广á广n广g广广vø广i广广n广h广n广g广 land rich in cultural traditions, Binh Dinh today shines with
广g广i广á广广t广rØ广广lØ广c广h广广s(广广v广à广广n广hý广n广g广广d广i广广s`广n广广vó广n广广h广óa广 õý广c广广b`广o广广tæ广n广 historical values and cultural heritages preserved over time.
广q广u广a广t广hß广i广g广i广a广n广.
Imprints of Champa appear extremely rich, diverse in types, N“PNHÀ ôÓNGTÀU,THUYN
many in quantity...
广Dˆ广u广 ˆ广n广广C广hó广m广广P广a广广h广i广n广广l广ê广n广广v广ô广广c广ù广n广g广广p广h广o广n广g广广p广h广ú广 , õ广a广 VILLAGEROOF BOATBUILDINGDETAILS
广dý广n广g广v”广l广oý广i广h广ì广n广h广n , 广h广i”广u广v”广s广lý广n广g广 .
Khu vực công cộng Bán công cộng Khu vực nội bộ
Ranh giới Public Semi - Public Private
Enclosure 0% 50% 100%
Ngoài trời Hàng hiên Nội thất

Outdoor Area Veranda Indoor
广N广ÚI广V广ÀB广I广N CŃHQUAN
Khu vực công cộng Bán công cộng Khu vực nội bộ
Ranh giới Public Semi - Public Private
MOUNTSANDSEA LANDSCAPE
Enclosure 0% 50% 100%
Ngoài trời Hàng hiên Nội thất

Outdoor Area Veranda Indoor
TRCTH˘NôOB˛C-NAM
NORTH'SOUTHAXIS
Residence
开放视野
One openned View
街道骑楼灰空间街道商铺
Street Arcade Space Street Commercial
Residence
MTôNG THIÊNNHIÊNVÀCONNGI THIÊNNHIÊNVÀKI“NTRÚC
开放视野 FACADE NATURAL&HUMAN NATURAL&ARCHITECTURE
One openned View
街道骑楼灰空间街道商铺
Street Arcade Space Street Commercial
29
Binh Dinh Green waves Museum - lequang-architects (LAB)|LJ-Group| SCA

广T广h广e广o广广n广h广i”广u广广t广à广i广广l广i广u广广lØ广c广h广广s广 (, 广t广h广à广n广h广广c广 ôæ广广B广à广n广 õý广c广广x广â广y广 According to many historical documents, Do Ban citadel was
广d,广n广g广v广à广o广nó广m广98b广i广n广h广à广l广ã广n广h广õý广o广c广a广n广gýß广i广C广hó广m广 built in 988 by the leader of the Cham people, Harivarman II.
广l广à广H广a广r广i广v广a广r广m广a广n广I广I广. Through many excavations, many architectural works of the
Emperor Citadel have been revealed under Nguyen Nhac.
广Q广u广a广 n广h广i”广u广 l¯广n广 k广h广a广i广 q广u¸广t广 õ广ã广 l广 r广õ广 n广h广i”广u广 c广ô广n广g广 t广r广ì广n广h广 k广i广n广 It is the main electric background, the octagonal electric
广t广r广ú广c广 c广a广 t广h广à广n广h广 H广o广à广n广g广 ô广广dýø广i广 t广hß广i广 N广g广u广y•广n广 N广hý广c广 . ô广ó广 background with Bat Trang bricks and Champa white stone.
广l广à广n”广n广c广h广í广n广hõ广广 i广n广n
, ”广nõ广广 i广n广b广á广t广g广i广á广c广vø广i广gý广c广h广B广á广t广T广r广à广n广g广
广v广à广õ广á广t广r˝广n广g广C广h广a广m广p广a广.
The citadel consists of 3 layers:
广T广h广à广n广h广gæ广m广3lø广p广: Perimeter of the suburbs about 7.4 km,
广T广h广à广n广h广n广g广oý广i广c广h广u广v广i广k广h广o`广n广g广7,4k广m广 , Inner city: 1.6 km,
广T广h广à广n广h广n广i广1,6k广m广 , Forbidden city: 600 m.
广T(广cˆ广m广t广h广à广n广h广60m广 .
广T广r广o广n广g广t广h广à广n广h广h广i广n广n广a广y广c广h广c广ò广n广lý广i广m广t广s广d广i广v¸广t广n广hý广广n广g广h广ê广 In the current city, only a few relics remain such as the stone
õ广á广t
, 广r广cß广广c
, 广n广g广t广h广à广n广h广h
, æ广广b广á广n广n广g广u广y广t广 … stone, the flagpole, the city gate, the semi-moon lake ...
广B广ê广n广t广r广o广n广g广t广h广à广n广h广cõ广广ó t广m广i广u广S广o广n广g广T广r广u广n广g广t广hß广广V广õ广T广á广n广h广v广à广 Inside the citadel, there is a Song Trung Temple worshiping Vo
广N广g广ô广 T广ù广n广g广 C广h广â广u广 l广à广 h广a广i广 d广a广n广h广 týø广n广g广 c广a广 c广h广ú广a广 N广g广u广y•广n广 Tanh and Ngo Tung Chau, two generals of Lord Nguyen Phuc
广P广h广ú广c广Án广h广õ广ã广t广u广n广t广i广t广tý广i广õ广â广y广. Anh who died here.
CHITI“TTHÀNHCôBÀN
DOBANANCIENTCITADEL
30

THÀNHPHQUYNHúN QUY NHON CITY
广Q广u广y广N广h‰广n广l广à广m广t广t广h广à广n广h广p广h广lø广n广v广e广n广b广iÆ广n广v广ù广n广g广d广u广y广ê广n广 Quy Nhon is a large coastal city in the South Central Coast of
广h`广i广N广a广m广T广r广u广n广g广B广V广i广t广N广a广m广v广à广l广à广t广r广u广n广g广t广â广m广k广i广n广h广t广 , Vietnam and is the economic, political, cultural, scientific,
广c广h广í广n广h广t广rØ广广v , ó广n广h广óa广k , 广h广o广a广hº广c广k2广t广h广u¸广t广v广à广d广u广lØ广c广h广c广a广 technical and tourism center of Binh Dinh province, Vietnam.
广t广n广h广B广ì广n广h广ôØ广n广h广V, 广i广t广N广a广m广. Quy Nhon‘s coastline is 72 km long, with a large area of
广Bß广广b广iÆ广n广Q广u广y广N广h‰广n广d广à广i广72k广m广d , 广i广n广t广í广c广h广õ¯广m广h
, æ广广nýø广c广 lagoons and brackish lakes, rich marine resources, with many
广l广lø广n广t , 广à广i广n广g广u广y广ê广n广s广i广n广h广v¸广t广b广iÆ广n广p广h广o广n广g广p广h广ú广c , 广ón广h广i”广u广 precious specialties and high economic value. The city‘s main
广l广oý广i广õ广c广s`广n广q广u广ý广c , 广óg广i广á广t广rØ广广k广i广n广h广t广c广a广o广C . 广á广c广n广g广à广n广h广 economic sectors include industry, trade, import and export,
广k广i广n广h广t广c广h广í广n广h广c广a广t广h广à广n广h广p广h广gæ广m广c广ô广n广g广n广g广h广i广p广 , seaport services, aquaculture and fishing, and tourism.
广t广hý‰广n广g广mý广i广x, 广uˆ广t广n广h¸广p广k广h˙广u广d , Ø广c广h广v广c`广n广g广b广iÆ广n广n , 广u广ô广i广
广v广à广k广h广a广i广t广h广á广c广t广h广u0广h`广i广s`广n广d , 广u广lØ广c广h广. Regarding climate, Quy Nhon has 2 distinct seasons: dry
season from March to September, rainy season from October to
广V”广k广h广í广h¸广u广Q, 广u广y广N广h‰广n广c广ó2m广ù广a广r广õ广r广t广:m广ù广a广k广h广ô广t&广 February next year; The average annual temperature is about
广t广h广á广n广g广m3-9, 广ù广a广mý广a广t&广t广h广á广n广g广10õ广n广t广h广á广n广g广2nó广m广 28 Celsius degrees.
广s广a广u广;n广h广i广t广õ广广t广r广u广n广g广b广ì广n广h广h广à广n广g广nó广m广k广h广o`广n广g广28õ广广C广.
广P广h广í广a广õ广ô广n广g广g广i广á广p广B广iÆ广n广ô广ô广n广g East side looks toward to the East Sea (Bien Dong).
广P广h广í广a广t广â广y广g广i广á广p广h广u广y广n广T广u广y广P广hýø广c广v广à广h广u广y广n广V广â广n广C广a广n广h To the west, it borders Tuy Phuoc district and Van Canh district.
广P广h广í广a广b˝广c广g广i广á广p广h广u广y广n广T广u广y广P广hýø广c广v广à广h广u广y广n广P广h广ù广C广á广t To the north, it borders Tuy Phuoc district and Phu Cat district.
广P广h广í广a广n广a广m广g广i广á广p广t广hØ广广x广ã广S广ô广n广g广C¯广u广t
, 广n广h广P广h广ú广Y广ê广n广. To the south, it borders Song Cau town, Phu Yen province.
31

VŒTRÍD-ÁN PROJECT SITE
32

LIÊNHVÙNG CONNECTING ZONE
广T广r广u广n广g广t广â广m广h广i广n广g广hØ广广t广n广h广B广ì广n广h广ôØ广n广h
广L广oý广i广h广ì广n广h广:C广h广í广n广h广t广rØ
广D广i广n广t广í广c广h广c广ô广n广g广t广r广ì广n广h广:810m广²
广N广g广à广y广m广c(广a广:20.1
广B广i广n广h广D广i广n广h广C广o广n广v广e广n广t广i广o广n广C广e广n广t广r广e
广T广y广p广e广:P广o广l广i广t广i广c广s
广B广u广i广l广d广i广n广g广A广r广e广a广:810m广²
广D广a广t广e广o广f广O广p广e广n广i广n广g广:20.1
广B广n广h广v广i广n广õ广a广k广h广o广a广B广ì广n广h广ôØ广n广h
广T广hÆ广广l广oý广i广:LØ广c广h广s(
广D广i广n广t广í广c广h广c广ô广n广g广t广r广ì广n广h广:m广²
广N广g广à广y广m广c(广a广:
广B广i广n广h广D广i广n广h广G广e广n广e广r广a广l广H广o广s广p广i广t广a广l
广T广y广p广e广:H广o广s广p广i广t广a广l
广B广u广i广l广d广i广n广g广A广r广e广a广:m广²
广D广a广t广e广o广f广O广p广e广n广i广n广g广:
广T广ò广a广n广h广à广I广T广o广w广e广r广-Q广u广y广N广h‰广n
广L广oý广i广h广ì广n广h广T: 广hý‰广n广g广Mý广i
广D广i广n广t广í广c广h广c广ô广n广g广t广r广ì广n广h广:10748m广²
广I广T广o广w广e广r广-Q广u广y广N广h广o广n
广T广y广p广e广:C广o广m广m广e广r广c广i广a广l
广B广u广i广l广d广i广n广g广A广r广e广a广:10748m广²
33

LIÊNHVÙNG CONNECTING ZONE
广Tý广n广g广õ广à广i广N广g广u广y•广n广S广i广n广h广S˝广c广-N广g广u广y•广n广Tˆ广t广T广h广à广n广h
广L广oý广i广h广ì广n广h广:B广iÆ广u广tý广n广g
广M广o广n广u广m广e广n广t广N广g广u广y广e广n广S广i广n广h广S广a广c广-N广g广u广y广e广n广T广a广t广T广h广a广n广h广
广T广y广p广e广:M广o广n广u广m广e广n广t
广C广h广õ广ê广m广B广ì广n广h广ôØ广n广h
广L广oý广i广h广ì广n广h广:C广h广t,广q广u`广n
广B广i广n广h广D广i广n广h广N广i广g广h广t广M广a广r广k广e广t
广T广y广p广e广:M广a广r广k广e广t
广Q广u`广n广g广t广rýß广n广g广x广a广n广h广Q广u广y广N广h‰广n
广T广hÆ广广l广oý广i广:Q广u`广n广g广t广rýß广n广g
广Q广u广y广n广h广o广n广G广r广e广e广n广S广q广u广a广r广e
广T广y广p广e广:S广q广u广a广r广e
广Q广u`广n广g广t广rýß广n广g广Q广u广y广N广h‰广n
广T广hÆ广广l广oý广i广:Q广u`广n广g广t广rýß广n广g
广Q广u广y广N广h广o广n广S广q广u广a广r广e
广T广y广p广e广:S广q广u广a广r广e
34

MÔT´KHUô˜T SITE DESCRIPTION
广K广h广u广õˆ广t广t广i广p广g广i广á广p广vø广i广Q广u`广n广g广t广rýß广n广g广N广g广u广y•广n广S广i广n广h广 The land is adjacent to Nguyen Sinh Sac Square - Nguyen Tat
广S˝广c广-N广g广u广y•广n广Tˆ广t广T广h广à广n广h广v , ø广i广d广i广n广t广í广c广h广õˆ广t广l广à广130m广é广t广 Thanh, with a land area of 13,000 square meters.
广v广u广ô广n广g广. At 86 Le Duan Street, Quy Nhon City, Binh Dinh Province.
广Tý广i广s广86õýß广n广g广L广ê广D广u˙广n广t
, 广h广à广n广h广p广h广Q广u广y广N广h‰广n广t
, 广n广h广
广B广ì广n广h广ôØ广n广h广.
广G广iø广i广ç广n广n广hý广广s广a广u广: The precepts are as follows:

广-P广h广í广a广B˝广c广g广i广á广p广:ôýß广n广g广Vù广广B`广o广. - The North borders on: Vu Bao Street.
广-P广h广í广a广ô广ô广n广g广v广à广p广h广í广a广N广a广m广g广i广á广p广:C广ô广n广g广v广i广ê广n广. - The East and the South borders: Park.
广-P广h广í广a广T广â广y广g广i广á广p广:ôýß广n广g广D广i广ê广n广Hæ广n广g广. - The West borders on: Dien Hong Street.
广•广D广i广n广t广í广c广h广k广h广u广õˆ广t广:130m广² • Site Area 13000m²

广•广G广F广A广m广a广x广20m广² • GFA max. 20000m²
广•广C广h广i”广u广c广a广o广c广ô广n广g广t广r广ì广n广h广t广i广õ广a广4t
. ¯广n广g • building height max. 4 storeys
广•广M广c广õ广广b广a广o广p广h广c广ô广n广g广t广r广ì广n广h广40% . • building coverage max 40%
广•广T0广l广k广h广ô广n广g广g广i广a广n广x广a广n广h广t广i广t广h广iÆ广u广40% • green ratio min 40%
35
36
QUYHO·CHT¨NGTH URBAN DESIGN

TrcTh˙nôò Shinto Axis
TrcõôthºBˇc-Nam North-South urban axis
Giaothôngti”pc˝n Traffic Access
Tıngmtbng Masterplan
Côngtrìnhnmtrêntrc‘Th˙nôò’cathànhphæQuyNh‰n,doõóthi”tk”quyho`chtrên
tıngmtbngc˙nõˆmbôs.thamgiacacôngtrìnhvàovictòrat˙mnhìnpháttriªn
cathànhphætrongt˙mnhìndàih`n.BôtàngTınghpBìnhôºnhkhôngchØlàmøtcông
trình vón hóa, nó còn là møt công trình mang giá trº õºa chính trº quan trng b˝c nh¯t trên
trcBˇc-Namvænõýcxemlàtrcõôthºtrongthi”tk”õôthºkinhõiªncangýichâunó Á i
chungvàngýiVitNamnóiriêng.
The project is located on the ‘Shinto’ axis of Quy Nhon city, so the urban design and masterplan need to
ensure the participation of the building in creating the city’s vision in the long term. . Binh Dinh General
Museum is not only a Cultural building, it is also a structure of the most important geopolitical value on the
North-South axis, which is considered the Spine in the classic urban design theory of Asians in general and
Vietnamese in particular.
37
Thi”tk”õôthº Urban Design
TRCTH˘NôO SHINTO AXIS
广S广i广t广e广D广e广s广c广r广i广p广t广i广o广n广:
ôæ广广á广n广B`广o广t广à广n广g广t广n广g广h广p广B广ì广n广h广ôØ广n广h广nˇ广m广n广g广a广y广t广r广ê广n广d广ã广y广t广r广c广õý广c广gº广i广l广à广“t广r广c广t广h¯广n广õý广o广t
” 广r广o广n广g广q广u广y广h广oý广c广h广v广à广t广h广i广t广
广k广õ广ô广t广hØ广广P广hý‰广n广g广ô广ô广n广g广.
TheprojectofBinhDinhGeneralMuseumislocatedrightontheseriesofaxescalled“theshintoaxis”inoriental
urbanplanninganddesign.
Thi”tk”õôthº Urban Design BôtàngtınghpBình¶ºnh
TRCTH˘NôO SHINTO AXIS
广S广i广t广e广D广e广s广c广r广i广p广t广i广o广n广: 广S广i广t广e广D广e广s广c广r广i广p广t广i广o广n广:
广T广r广c广t广h¯广n广õý广o广t广hýß广n广g广l广à广t广u广y广n广k广h广ô广n广g广g广i广a广n广t广h广n广g广n , ˇ广m广g广i广a广c广ô广n广g广t广r广ì广n广h广h广à广n广h广c广h广í广n广h广(h广o广c广í广t广n广hˆ广t广l广à广t广u广y广n广c广h广广C广á广c广n广h广à广q广u广y广h广oý广c广h广v广à广t广h广i广t广k广õ广ô广t广hØ广广p广hý‰广n广g广T广â广y广t广u广y广k广h广ô广n广g广d广ù广n广g广k广h广á广i广n广i广m广“t广h¯广n广õý广o广m ” 广a广n广g广t广í广n广h广h广u广y”广n广t广h广u¸广t广

õý广o广c广a广c广ô广n广g广t广r广ì广n广h广)n广hˇ广m广t广hÆ广广h广i广n广s,广c广h广í广n广h广t广r,广c广n , 广g广a广y广t广h广n广g广t, 广r广u广n广g广d广u广n广g广c广a广n广gýß广i广q广u广â广n广t广ô广(. ó广cù广n广g广l广à广t广c广hˆ广t广广n广hý广广p广hý‰广n广g广ô广ô广n广g广n广hý广n广g广hº广广lý广i广d广ù广n广g广m广t广c广ô广n广g广c广g¯广n广g广i广n广g广n广hý广广v¸广y广m , 广à广c广h广ú广n广g广t广ô广i广tý广m广gº广i广l广à广“t广u广y广n广k广h广ô广n广g广
广c¯广n广t广h广i广t广c广a广c广a广n广h广n广g广n广gýß广i广l广à广m广c广h广í广n广h广t广rØ广广h广o广c广l广à广m广c广ô广n广g广v广i广c广h广à广n广h广c广h广í广n广h广C . 广h广o广tø广i广t¸广n广n广g广à广y广n广a广y广V广i广t广N广a广m广广g广i广a广n广c广h广õý广o广T. 广” 广u广y广n广k广h广ô广n广g广g广i广a广n广k广h广u广v,广c广t广r广u广n广g广t广â广m广h广à广n广h广c广h广í广n广h广l广à广n广h广n广g广c广o广n广p广h广r广n广g广n , 广h广n广g广q广u`广n广g广t广rýß广n广g广
广(cù广n广g广n广hý广广c广á广c广nýø广c广t广r广ê广n广t广h广g广iø广i广c
), 广á广c广c广ô广n广g广t广r广ì广n广h广h广à广n广h广c广h广í广n广h广t广hýß广n广g广õý广c广t广h广i广t广k广õ广i广x广n广g广t广r广ê广n广c`广广m广t广bˇ广n广g广v广à广广h广a广y广c广ô广n广g广v广i广ê广n广k广é广o广d广à广i广t广h广e广o广c广á广c广t广r广c广k , 广t广n广i广c广á广c广c广ô广n广g广t广r广ì广n广h广q广u广a广n广t广rº广n广g广vø广i广n广h广a广u广v广à广k广t广n广i广vø广i广c广á广c广k广h广u广v,广c广k广h广á广c广
广h广ì广n广h广k广h广i广cù广n广g广l广à广v广ì广õÆ广广tý广o广r广a广n广h广n广g广c`广m广g广i广á广c广c广h广í广n广h广t广r,广c广t , 广r广a广n广g广n广g广h广i广ê广m广c
, 广ô广n广g广bˇ广n广g广. 广c广a广õ广ô广t广hØ广广T. 广r广o广n广g广cˆ广u广t广r广ú广c广k广h广ô广n广g广g广i广a广n广õ广ô广t广hØ广广t , 广r广u广n广g广t广â广m广h广à广n广h广c广h广í广n广h广s广l广à广c广ô广n广g广t广r广ì广n广h广õ广iÆ广m广n广hˆ广n广õÆ广õØ广n广h广hýø广n广g广v广à广
广d广n广d˝广t广c广á广c广t广u广y广n广k广h广ô广n广g广g广i广a广n广k广h广á广c广n广h广a广u广c广a广õ广ô广t广hØ广广t , 广r广o广n广g广õ广ó广c广ót广u广y广n广t广r广u广n广g广t广â广m广c广h广õý广o广(g广i广n广g广n广hý广广t广r广c广t广h¯广n广
õý广o广c广á广c广õ广ô广t广hØ广广p广hý‰广n广g广ô广ô广n广g广).
The project of Binh Dinh General Museum is located right on the series of axes called “the spiritual axis” in oriental urban planning
and design. While Western urban planners and designers do not use the magical “god” concept in the East, they do use a similar tool, which
The shinto axis is usually a straight space line, located in the middle of the administrative work (or at least the main line of the we call “the space line.” mainstream ”. Spatial routes in the administrative center are wide streets, squares or parks extending
work) in order to show the integrity, integrity, and loyalty of the gentleman. It is also a necessary quality of people doing politics along axes, connecting important works to each other and connecting with other areas of the city. In the urban spatial structure,
or working in administrative work. Until today in Vietnam (as well as other countries in the world), the administrative works are the administrative center will be a prominent work to orient and guide the different urban spatial routes, including the main
often designed symmetrically on both the ground and the shape because to create a sense of integrity and solemnity. , equal. central line (like the spiritual axis in the oriental city).
39
TRCôÔTHŒB˛CNAM NORTH-SOUTH URBAN AXIS
Vºtrícáccôngtrìnhõiªmnh¯n ôÆxu¯tquyho`cht¯tcˆcácquˆngtrýngchínhtrêntrcth˙nõò
Iconic buildings along new urban axis Gate condition
Cáctòanhàvónhóavàcáctòanhàmangtínhbýßc Cultural buildings and landmark buildings are developed Trung tâm høi nghº tØnh Bình ôºnh mang tính biªu týng, Binh Dinh Convention Centre is Iconic, Nguyen Sinh Sac Square
ngot õýc phát triªn dc theo trc trung tâm (trc along the central axis (North-South Shinto axis) of Quy Nhon Quˆng trýng Nguyn Sinh Sˇc - Nguyn T¯t Thành mang - Nguyen Tat Thanh is historic, forming a dialogue relationship
th˙n õò Bˇc Nam) ca Thành phæ Quy Nh‰n. Trung City. The conference center of Binh Dinh province is the first and tính lºch s, tò thành møt mæi quan h õæi thoì dc trc along the North-South axis. Together with Quy Nhon General
starting point of the gradually developing axis to the south of BˇcNam. Museum will form a gateway to a continuous cultural park.
tâmhøinghºtØnhBìnhôºnhlàõiªmõ˙utiênvàbˇtõ˙u
the city. CùngvßiBôtàngtınghpQuyNh‰nstòthànhmøtca
catrcpháttriªnd˙nxuængphíaNamthànhphæ. ngõvàocôngviênvónhóaliêntc.
N
40
4广141
GIAOTHÔNGTI“PCN TRAFFIC ACCESS
Læivàoh˙mõªxeôtô,xemáy
EntrancetoBasementCarParking
LæivàoLogistics Taxi
EntrancetoLogistics Taxi
Læiti”pc˝nxeõin,xeõ`p
Electricbus,bicycleaccess
XeBus
Bus
广T广rý广m广x广e广õ广i广n广|广x广e广õý广p 广P广hý‰广n广g广t广i广n广t广i广p广ç广n
Electric Bus Terminal Vehicular Access
Trým xe õin õýc tích hp dýøi Bò tàng Khoa hºc, The bus electric terminal is integrated underneath the CácõýßngphânluænggiaothôngõýcthitkõÆ The traffic circulation was designed to provide an efficient
õýc che ch bi khi lýng tòa nhà, õæng thßi týo museum, sheltered by the mass of the building, and forms a cungcˆpmtltrìnhphânluænghiuqu`.Phý‰ng flow. The main vehicular access to the plot is from the North
thànhmttngthÆkin trúcthngnhˆt. unified architectural whole. tinchínhõngócõôngb˝ccalôõˆtvàxuˆtphát East corner whereas the exit is towards the south.
Nˇm phíaTâycaBòtàngtnghpBìnhôØnh,õây Located west of the Binh Dinh General Museum, this is also the t&hýøngNam. The vehicular traffic is designed to minimize disturbance to
cùnglàvØtríttnhˆtõÆduytrìktnitý‰ngtácvøibibest location to maintain an interactive connection with the Dònggiaothôngvàdòngngýßiõibõýcngón pedestrian circulation around the site.
c`nhkinhtcakhuõˆtli”nk”phíaõidin. economic landscape of the adjacent land. cáchhiuqu`õÆtránhgiaothoalnnhau.
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GIAOTHÔNGTI“PCN TRAFFIC ACCESS
LæithoátkhuB
Læiti”pc˝nchongýiõibø
RescuezoneB
Approachforpedestrians
LæithoátkhuA
RescuezoneA
LæithoátkhuC
RescuezoneC
LæithoátkhuD
RescuezoneD
广T广i广p广ç广n广x广e广c广u广h广a 广L广i广d广à广n广h广c广h广o广n广gýß广i广õ广i广b
Fire Truck Access Pedestrian Access
Xe cu ha tin vào hin trýßng t& góc ôông B˝c. Ba The fire truck access to the plot is from the North East corner. Vìviclýuthôngxecõýcgiìquytphíaõôngvà While vehicular access is only from the East and South sides of
b” mt cha cháy và cu nýn õýc phân b và thit Three Rescue Zones- Zone A from the North facade, Zone B from nam ca tòa nhà nên li õi và li vào dành cho ngýßi the building, pedestrian access and entrances are facing the
l¸p:khuAmtti”nphíaB˝c,t&khuBmtti”nphía the East facade, and Zone C from the South facade, are easily õi b có thÆ tr,c din ra công viên và qu`ng trýßng pedestrianized park and plaza. Besides the main entrance, the
ôông và khu C mt ti”n phía Nam, có thÆ tip çn accessible which comply to all fire regulations. dành cho ngýßi õi b. Ngoài li vào chính, Bò tàng Binh Dinh General Museum provides for separate entrances for
chacháynhanhchóngtrongmºitìnhhung. Tng hp Bình ôØnh cung cˆp li vào riêng cho các groups, children, cinema and staff.
nhómdØchvtr , em,phimvànhânviên. The sunken courtyard on the museum plaza connects to
Mt sân trùng týi khu v,c Plaza kt ni vøi không gian adjacent underground retail and provides additional entrances
thý‰ngmýing¯mxungquanhvàcungcˆpquy”ntip to the cinemas and conference facilities.
çnvàocácc‰shinghØvàrýpchiuphimbsung.
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TNGMTB—NG MASTERPLAN
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TNGMTB—NG MASTERPLAN
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TiêuõÆ STRUCTURE
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Bˆnv Urban Design BôtàngtınghpBình¶ºnh
TiêuõÆ STRUCTURE
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THITKKINTRÚC BUILDING DESIGN

Design Concept & Inspiration
Ýtýngvàcˆmh&ngki”ntrúc
Ch&cnóngvàkhoahcv˝nõøng
Programming Study
Ýtýngkhônggiantrýngbày Exhibition Concept
ÝtýngvÆgiîphápk”tc¯u Structure Concept
AnninhvàPhòngcháych,acháy Fire Safety & Security System
S‰õch&cnóng Functions Diagram
CÁCMTB—NG PLANS
CÁCMTC˛T&MTôNG SECTIONS & ELEVATION
L.a chn ngôn ng, Ki”n trúc õa d`ng, mi din mt có s. thay õıi khác bit, không õæi
x&ng khuôn m¸u nhý ki”n trúc Bô tàng truyÆn thæng cho th¯y tý duy výt khi nh,ng khái
nimvàõemõ”nd¯u¯nmßim‘cathiõìchomøtõôthºõangpháttriªn.Ngoàira,ki”n
trúcõócùngvßitıngthªxungquanhcôngtrìnhcònlàmtóngthêmvàkhisinhnhiÆugiátrº
vßinh,nglith”khácvÆcˆnhquan,giaothông,côngnóngõanhimvàs.linhho`ttrong
phý‰ngánv˝nhànhkhaitháccáckhíac`nhkinht”.
Architecture language is diverse, each elevation has a different change, to be different from traditional
symmetric museum architecture shows thinking beyond concepts and brings new imprints of the times for
a growing city. In addition, that architecture together with the overall surrounding the project also adds
and generates many values with other advantages in terms of landscape, traffic, multitasking function and
flexibility in mining operation plan. economic aspects.
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TiêuõÆ STRUCTURE
TRADITIONAL ARCHITECTURE BEAUTY OF NATURE

KINTRÚCTRUYNTHNG V…”PTHIÊNNHIÊN
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Thi”tk”ki”ntrúc Building Design BôtàngtınghpBình¶ºnh
Ýtýngchính BUILDING CONCEPT
BˆR tàng Tıng hp Bfinh ¶ºnh F Yº tUfl •øF •áR nm •iªm Binh Dinh General Museum has a unique location at the intersection S. Fhuyªn •øng nhºp nhàng Fa Nin tU…F t·a nhà EˆR tàng The rhythmic movement of the building creates a connection
giaR thRa gi,a n…i Bà Ha phfla T⁄y Yà •¿ng E Eiªn hfinh between Ba Hoa mountain in the west and the crescent-shaped t`RUaV.li‹nNtgi,a•¿ngmtn¿ßFphfla¶¶ngYành,ng between the water front area in the east and the dramatic
l¿i liÆm phfla ¶¶ng. NhRˆng gi,a Fa Fhuyªn •øng NºFh coastline in the east. In the midst of this dramatic movement, the ngn n…i tU˝p tU»ng phfla T⁄y. Khæi F¶ng tUfinh nıi l‹n nh¿ mountains landscape in the West. The building massing
tflnhnày,NhuY.F•¶thºmßiFathànhphæQuyNh‰nmFl‹n new urban area of Quy Nhon City emerges in the present and will nh,ng•tVng.NlàmøtnGYÆY•pt˙ngt˙nglßplßp emerges like ocean waves. It is a metaphor for the layered
hin tì Yà V tip tF phát tUiªn tURng t¿‰ng lai. DR •, t·a continue to develop into the future. Therefore, the museum building Fa Nin tU…F tUuyÆn thæng Bfinh ¶ºnh Yà Y •p t. nhi‹n Fa beauty of Binh Dinh’s traditional architecture and the natural
nhà EˆR tàng V là Nhu Y.F Fhuyªn tip gi,a FáF yu tæ Fa will be a transition area between the elements of nature and man- •ìG¿‰ngYàFˆnhTuann…i•iNºFhtflnhnmtU‹ntUF¶¶ng beauty of the Ocean and Mountainous landscape lying on the
t. nhi‹n Yà Fa nh⁄n t`R, •ánh G¯u møt •iªm nh¯n FhR Fˆ T⁄y. Qua •, Nhæi F¶ng tUfinh tU n‹n nh¯t Tuán Yà t`R Ua li‹n
made, marking a highlight for the whole city as a convergence of East-West axis. Thereby, the Museum becomes consistent and
tRàn thành phæ nh¿ møt •iªm høi t Fa t. nhi‹n, lºFh V Yà NtthºgiáF•øF•áRYßiEæiFˆnhFan.
FRnng¿i
nature, history and people. creates a unique visual association with its context.
MOUNTAIN URBAN DEVELOPMENT MUSEUM SITE OCEAN

NÚIBÀHA KHUV-CPHÁTTRINôÔTHŒ KHUô˜TBÓTÀNG BBINBÌNHôŒNH
SCHEMATIC SECTION ALONG EAST-WEST AXIS

MTC˛TÝTNGTRCôÔNGTÂY
MOUNTAIN URBAN DEVELOPMENT DRAMATIC WAVES OCEAN

NÚIBÀHA KHUV-CPHÁTTRINôÔTHŒ CHUYNôłNGCŃHQUAN BBINBÌNHôŒNH
KŒCHTÍNH
THE MUSEUM TO BE CREATED AS THE MOVEMENT OF WAVES

TÒANHÀBÓTÀNGôCTORANHCHUYNôłNGCANHNGôTSÓNG
MOUNTAIN URBAN DEVELOPMENT BINH DINH GENERAL MUSEUM OCEAN

NÚIBÀHA KHUV-CPHÁTTRINôÔTHŒ TÒANHÀBÓTÀNGBÌNHôŒNH BBINBÌNHôŒNH
VISUAL CONNECTION BETWEEN THE MUSEUM AND THE CONTEXT

K“TNITHŒGIÁCVÀKHÔNGGIANGIABÓTÀNGVÀBICŃH
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Thi”tk”ki”ntrúc Building Design
QuˆngtrýngNguynSinhSˇc
NguynSinhCung Trccˆnhquanôông-Tây Khuõ¯td.án TrcTh˙nôòBˇc-Nam
Ho Chi Minh plaza Landscape East-West Axis Project’s site Shinto North-South Axis
Khu õ¯t d. án nm trên trc ‘Th˙n õò’ Bˇc Nam và có liên

k”t t˙m nhìn trên trc ôông-Tây vßi cˆnh quan õi núi kºch
tính.Thêmvàoõó,nónmk”c˝nvßihaiquˆngtrýngõiªm
nh¯n quan trng ca thành phæ là quˆng trýng cøt c
phía ôông và khu týng nim Nguyn Sinh Sˇc - Nguyn T¯t
ThànhphíaNam.
The project land is located on the North-South ‘Shinto’ axis and

has a vision link on the East-West axis with the dramatic hilly
landscape. In addition, it is adjacent to two important squares of
the city, the flagpole square in the east and the memorial plaza
for Nguyen Sinh Sac - Nguyen Tat Thanh in the south.
QuˆngtrýngCøtcthànhphæ
City Plaza
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NguynSinhCung Cácn”pg¯pcˆnhquan
Ho Chi Minh plaza Landscape folding lines
Thphápki”ntrúccˆnh
- quanchínhcatòanhàõýctòra
bimøtõýnglýnl¯ytrngtâmlàtrcôông-Tâyvàtrîdc
theohýßngBˇc-Namõªk”tnæikhuõ¯td.ánvàcácquˆng
trýngxungquanhthànhmøttıngthªmßi.býßcnày,phæ
LêDunõýctíchhpvàocùngvßicôngviênmßinhmtò
s.liÆnm`chtrêntıngmtbng.
Architectural solution of the building is created by a curved line

based on the East-West axis and spreading along the North-
South direction to connect the project’s and surrounding plazas
into a new park. In this step, Le Duan Street is integrated with the
project’s site to create a seamlessness on the masterplan.
City Plaza
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u ng tr ng Nguy n Sinh S c
Nguy n Sinh Cung C nh quan ti p di n Tòa nhà chính qu ng tr ng ph a ng
Ho Chi Minh plaza Landscape Connetor Main building East Plaza
T ng l n tr n m t b ng, kh ng gian c ph t tri n theo

chi u ng gi ng nh m t ph n chuy n ti p c a c nh quan.
N t o ra m t chuy n ng ba chi u, v a m ph ng m t t
s ng bi n nh ng ng th i ph n nh c c tr c tuy n v k t n i
th gi c t i b i c nh.
From the curving line on the ground, the surface is raised

vertically as a transition part of the landscape. It creates a three-
dimensional movement that simulates a wave of the ocean but
at the same time reflects the linear axes and visual connection
to the context.
u ng tr ng C tc th nh ph
City Plaza
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NguynSinhCung Tuy”nthómquanngoàitri Sânkh¯ungoàitri quˆngtrýngphíaôông
Ho Chi Minh plaza Public outdoor exhibition Main building East Plaza
Chuyªn õøng ca õýng dæc này õã tò ra ph˙n thân thª

ki”ntrúcchínhcatòanhàbôtàngvßimøtkhæitícht˙ng
ch&a 20. m2 sàn triªn lãm õýc bæ trí bên dýßi õýng
dò møt cách õøc õáo. Bên c`nh õó nó õºnh hình nên 2
quˆng trýng mßi, nm phía ôông và phía Tây ca công
trình,n‰idinracácho`tõøngcôngcøngngoàitrivàlàlæi
vàochínhcaBôtàng.
The movement of this ramp has created the main architectural

body for the museum building with a 4-storeys volume
containing 20,000 square meters of Exhibition that is uniquely
positioned below the roof garden. In addition, it forms two new
plazas, located on the East and West sides of the building, where
outdoor public activities take place and being as the main
entrance of the Museum.
QuˆngtrýngCøtcthànhphæ Læivàochínhnhàbôtàng
City Plaza Main entrance
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NguynSinhCung Khuv.cdânsinh Mtõ&ngchính
Ho Chi Minh plaza Residential Area Museum main facade
Khæinhàcabôtàngtrýtlênnhaunhýhìnhconsóng,qua
õó làm giˆm chiÆu cao ca nó phía Tây, n‰i tòa nhà ti”p
giápvßikhuv.cdânsinhtrongkhiõónódângcaolênphía
ôông,n‰ihýßngraquˆngtrýngchínhcanó.ôiÆunàytò
õiÆu kin phù hp õª cung c¯p ánh sáng t. nhiên cho bô
tàng cùng nhý õˆm bô lýng ánh sáng ti”p c˝n õýc tßi
cácdãynhàdânnmphíaTây,phíasaubôtàng.
The museum’s blocks slide on top of each other like a wave,

thereby reducing its height on the west side, where the building
back faces the residential area, while it rises on the East side,
which overlooks the new plaza. This creates suitable conditions
to provide natural light for the museum as well as to ensure the
amount of light accessible to the residential blocks located on
the West, behind the museum.
City Plaza
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Gócnhìnth¯praQuˆngtrýng
NguynSinhSˇc
NguynSinhCung GócnhìnraõinúiphíaTây GócnhìnratrcTh˙nôò
Ho Chi Minh plaza View to mountains View to Shinto Axis
Mc dù õýc xây d.ng d.a trên trc trng tâm Bˇc-Nam,

ôông-Tâynhýngcuæicùng,tòanhàtrnênõahýßngdotò
ra các góc nhìn vô cùng õa d`ng và có chn lc tßi nh,ng
vº trí õiªm nh¯n ca cˆ thành phæ. Không nh,ng th”, nó còn
chuyªn õøng theo cˆ ba chiÆu, t( dýßi lên trên vßi góc nhìn
toàn cˆnh. ôó là møt thành công cˆ trên phý‰ng din quy
ho`cht˙mnhìnl¸nti”pc˝nki”ntrúc.
Although based on the 4 central axes North-South, East-West

but in the end, the building becomes multi-directional by
creating extremely diverse and selective views to the highlight
locations of the whole city. Not only that, its movement is
going in all three dimensions, from the bottom to the top with
a panoramic view. It was a success both in terms of planning
vision and architectural approach.
Gócnhìnraquˆngtrýng Gócnhìnraquˆngtrýngphíaôông
thànhphæ View to East Plaza
View to city Plaza
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Vung Chua mountain
p
đạ
xe ute
Đườ cle ro
Bic
g
ờn ro
Đư cycle
ng
y
Bi
xe đ te
ạp
ạp
u
e đ ute
Đườn le route
x
Bicyc
g
ờn ro
Đư cycle
g xe
Bi
đạp
tốc độ Đường xe đạp

v ự c h ạn chế zone
Khu tion Bicycle route
restric
Speed
xe đạp xe đạp
Đường route Đường route
e
Bicycl trian
Pedes
Park
Park Qui Nhon beach
GIAOTHÔNGQUYMÔôÔTHŒ URBAN SCALE CIRCULATION

Qui Nhon bay
Khu v.c thi”t k” chi”m vº trí chi”n lýc tì trung tâm õºa lý The competition site occupies a strategic position at the
ca thành phæ, nm gi,a hai trc chính là õì lø An Dý‰ng geographic center of the city, located between the two main
Vý‰ngch`ydcphíabãibiªnvàNguynT¯tThànhcùnglà axes, An Duong Vuong avenue that runs through the beach side
õºa õiªm h` cánh trýßc õây ca sân bay. Khu v.c thi”t k” and Nguyen Tat Thanh that was also the previous landing site
baoquáts.k”tnæinàyvàmrøngnóõªtòramøtm`ng of the airport. Our site embraces this connectivity and expands
lýßi k”t hp gi,a giao thông dành cho ngýi õi bø, xe õ`p it to create a hybrid network of pedestrian, bicycle and motor
vàxec‰gißi. vehicle transportation.
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Chuich&cnóng PROGRAMMING
+ =
TBIUHINCAKI“NTRÚCCHOTœITCHCCHCNòNG BIUTNGCACÔNGTRÌNH-NHNGCONSÓNG
FROM THE ABSTRACTION OF ARCHITECTURE TO THE MOVEMENT OF THE PROGRAMMING THE ICONIC IMAGE OF THE MUSEUM - THE WAVES
Tínhch¯tcôõøngcakhæicôngtrình Hìnhthànhcáckhæiõach&cnóngõanxenbêntrong T`pras.liênk”tgi,acácch&cnóngbêntrongvàbênngoài

A compact massing Shifting volumes creates diverse spaces Create linkages between internal and external
functions
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h ng ch c bi u hi n b n ngo i l nh ng n p g p c a c nh
quan g i t i h nh nh s ng bi n v ki n tr c truy n th ng, b n
th n chu i ch c n ng ph a b n trong t a nh c ng l t h p
c a hi u ng tr t l n nhau gi a c c t ng v c c kh i ch c
n ng. Nh , c ng tr nh tr n n r ng h n v cho ph p s
giao ti p qua l i gi a c c th nh ph n, ng th i khu ch t n
nh s ng t nhi n gi a c c n p g p c a kh i v o s u c c
kh ng gian tr ng b y ph a b n trong.
Not only is the external expression of the folds of the landscape

reminiscent of the image of ‘‘ocean waves’’ and traditional
architecture, the functional chain inside the building itself is
also a combination of the sliding effect between functional
blocks. As a result, the building becomes “porous” and allows
for internal-external communication between the components,
while diffusing natural light between the folds of the volume
into the interior exhibition spaces
S S CH N L N AC CN P P H N AN B N TRON B OT N
DIAGRAM OF SHIFTING VOLUMES INSIDE THE MUSEUM
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HA TR C CH CN N CH NH TWO MAIN AXIS OF PROGRAMMING L N T CH CN N TRON V N O INSIDE-OUT CONNECTION

ng vai tr v a l m t nh b o t ng nh ng c ng l m t Acting as both a museum but also a scientific research institute and S tu n ho n c a c c nh m ch c n ng b n trong c ng tr nh The circulation of functional groups inside the building not
vi n nghi n c u khoa h c v trung t m t ch c s ki n c a event center of the province, the functional space in the building kh ng ch t o ra tuy n th m quan th ch h p m n c n t o only creates a suitable route for visitors, but it also creates
t nh, kh ng gian ch c n ng trong t a nh c ng c t is also organized along two axes of East-West and North-South. ra m i li n k t m v i c c kh ng gian tr ng b y ngo i tr i v an open connection with the outdoor display spaces and the
ch c theo hai tr c ng- T y v B c Nam. c c kho ng v n tr n m i. Nh ng i s d ng i ch ng
roof gardens. Thanks to that, public users can go outside and
The East - West axis is an area of exhibition and exhibition space, c th i b n ngo i m v n th ng th c c b ng d ng still enjoy the sign of activities inside the museum. During
Tr c ng - T y l khu v c kh ng gian tri n l m v tr ng b y, which has direct interaction with the landscape and mass users. c a c c ho t ng ph a b n trong b o t ng. Trong to n b this whole process, the Administrative area and the R&D
c s t ng t c tr c ti p v i c nh quan v ng i s d ng qu tr nh n y, khu v c h nh ch nh v vi n nghi n c u v n
While the North-South axis acts as the administrative block center remained in a state of high security. That is a success
i ch ng. Trong khi tr c B c- Nam ng vai tr nh kh i lu n c t trong tr ng th i b o m t cao. ch nh l m t
h nh ch nh v trung t m nghi n c u khoa h c, n l n i l m
and the scientific research center, it is the private workplace th nh c ng v t ch c kh i ki n tr c v kh i ch c n ng c a
in organizing the architectural and functional blocks of the
vi c ri ng t c a c c nh khoa h c c ng nh ban i u h nh of scientists as well as the museum management and archives n. project.
nh b o t ng v b ph n l u tr . department.
Tr ch nh ch nh v vi n nghi nc u
Adminstration - R&D Center
Tr c tri nl mv tr ng b y
Public Exhibition space
M T T A NH - HA H CH C N N HA UM UV M T N HA TH C C C C NH N T T NH T T B C NH
ONE BUILDING - TWO FUNCTIONAL BLOCKS TWO FACADE TYPOLOGIES CREATING THE BEST VIEW TO THE CONTEXT
h i ch c n ng c h nh th nh d a tr n hai tr c ch nh. D a tr n t nh ch t c a kh ng gian b n trong, t a nh h ng ch n thu n t o ra c c kh ng gian tri n l m v

Tr c th nh t l kh i kh ng gian vi n nghi n c u. c s d ng hai ki u m t ng nh m khai th c nh nghi n c u ti u chu n, t a nh c n t o ra c c g c nh n
Tr c th hai l kh ng gian tr ng b y s ng t nhi n v o c ng tr nh theo hai c ch kh c nhau. ph ng t i c c i m nh n quan tr ng c a th nh ph .
The functional block is formed based on two main axes. Based on the position of the interior space, the building More than simply creating standard exhibition and
The first axis is the Adminstration - R&D Center . uses two types of facades to exploit natural light into the research spaces, the building also offers beautiful views
The second axis is the Public exhibition space. building in two different ways. towards important landmarks of the city.
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TUY“NTHòMQUANôłCôÁO
AN UNIQUE VISITOR ROUTE
Tòanhàtòramøttuy”nthómquankhépkínõýadu
kháchthýngth&ccˆkhônggianbêntrongl¸nbênngoài
côngtrình.
The building creates a closed tour that allows visitors to

enjoy the space inside and outside the building.
67

. C ng n ng a nhi m ôiÆuõ˙utiênphînóiõ”nlàCông . Multi-tasking function : The first thing to mention is that the
trìnhchoth¯ys.thoátkhikhuônm¸ucôngnóngbôtàng building shows an escape from the mold of the museum function
as just a pure exhibition place. Here, the objects of artifact are not M TN H NC US UV CH CN N PROGRAMMING RESEARCH
chØlàn‰itrýngb˙ythu˙ntúy.Tìõâycácõæitýnghinv˝t
khôngchØõýcb˙ybêntronghayph˙nsˆnhhiên,õýng only displayed on the inside or the porch, the slope outside the
dæcbênngoàicôngtrìnhki”ntrúc,màchínhbæccki”ntrúc building, but the architectural layout itself also allows visitors to live
in the atmosphere and transformative space. chemistry of themes,
cònchophépkháchthómquanõýcsængtrongb˙ukhông h c bi t v i c c n nh b o t ng th ng g p ch u Different from the common museum projects in Asia in general and
scenarios, and periods. The landscape area is attached to the building,
khívàkhônggianbi”nhóacachõÆ,kºchbˆn,giaiõo`n n i chung v Vi t Nam n i ri ng, n b o t ng T ng h p Vietnam in particular, the Binh Dinh General Museum project is based
creating open-closed areas with green trees combined with uniform
thik.Khuv.ccˆnhquanlandscapegˇnliÆnvßicôngtrình, B nh nh c c n n t ng l s nghi n c u s u v c on ch in-depth research on new ways of Operation. A new specialization
wall and floor materials... Here, the spaces allow the application of
tòracáckhuv.ckhoˆngõóngmbngcâyxanhk”thp th c v n ng m i m . M t chuy n ng nh thu c l nh v c in the field of cultural interdisciplinary and functional science has
light shows. , mapping technology, the transmission of information
vßi các mˆng ch¯t liu õng nh¯t týng sàn.. õây, các li n ng nh v n h a v khoa h c ch c n ng m i c a been introduced in the leading Architecture Universities in Germany.
and images intertwined with the installation artifacts allow visitors
không gian cho phép áp dng trình din ánh sáng, công v o gi ng d y trong c c tr ng i h c i n tr c h ng u These research groups have collaborated to come up with a complete
ngh mapping, s. truyÆn tî thông tin và hình ˆnh õan xen to have unlimited experiences between reality and illusion, they are proposal for the museum’s infrastructure to work with the programs it
t i CHLB c. C c nh m nghi n c u n y c ng t c
also interacting directly with the subject. subject and object. It’s a live
vßi hin v˝t sˇp õt cho phép khách thóm quan có nh,ng cho ra im t xu t tr n v n ph n h t ng nh b ocan generate inside. This is the way design is being applied in cultural
performance, not just a display. That vividness is the emotional level
trînghimkhônggißih`ngi,ath.ctìvàôˆnh,hcùng t ng ho t ng t ng th ch v i c c ch ng tr nh m n c projects worth billions of dollars being built in Hamburg, Munich,
that goes from narrow deposition to dissolving into the openness of
nhýõangõýctý‰ngtáctr.cti”pvßichõÆvàõæitýng. th t o ra ph a b n trong. y l c ch th c thi t k c Berlin - major cultural centers of Europe.
ôó là s. trình din sinh õøng ch& không chØ là trýng bày. S. the scene. It is entirely possible to follow the scripts created through
p d ng trong c c n v n h a tr gi h ng t la ang
sinhõøngõólàcáccungb˝ccˆmxúcõit(lˇngõngch˝t many forms of expression. The values of both tangible and intangible
c x y d ng t i Hamburg, Munich, Berlin - c c trung t m
hp õ”n hòa tan vào s. røng m ca cˆnh v˝t. Hoàn toàn cultures, from history to the present, belonging to the ancient or the
v n h a l n c a ch u u.
cóthªõitheonh,ngkºchbˆnõýcsángtòquanhiÆuloì modern today, from both the biological and human landscapes and
hìnhcáchth&cthªhin.Cácgiátrºcavónhóav˝tthªl¸n this land, are recreated and traveled. through the timeline. When
phiv˝tthª,t(lºchstßihintì,thuøcvÆcıxýahaycáihin placed in the context of the overview and architecture of the Museum,
õì ngày nay, t( cˆnh quan sinh v˝t l¸n con ngýi và vùng those things will be elevated, come to life, and go beyond the concept
õ¯t này, õÆu õýc tái hin du hành qua dòng thi gian. Khi of meaningless exhibits with little emotion. That creates vibes in the
õt trong bæi cˆnh tıng quan và ki”n trúc Bô tàng, nh,ng soul of the visitor.
th&õósõýcnângt˙m,trnênsængõøngvàvýtlênkhi
kháinimnh,ngv˝ttrýngb˙yvôchiítcˆmxúc.ôiÆuõótò
nênnh,ngrungcˆmn‰itâmhnngýithómquan
R&
D
To help preserve the beautiful nature of the archipelago ENT
ONM
다도해의 아름다운 자연 보호와 보존을 지향하는 학교 IR
NV
DE
E
SIG
N
E
To build on the cultural DNA of Tongyeong
TUR
CUL
통영의 문화 DNA를 이어가는 미래의 예술, 문화 학교
ARTS &
PRODUCTION
Ho Chi Minh president and Binh Dinh history
HO C
Bác Hồ và tỉnh Bình Định - các dấu son lịch sử
HI M
INH
NG
STI
To cultivate health and happiness in daily lives of all generations
TE
LIV
ING
세대를 아우르는 건강하고 행복한 일상을 가꾸는 학교
ET
RK
MA
68

CÁCCHUYÊNôCHÍNHCATRINLM MAIN TOPIC
Chuich&cnóngchínhcabôtàngõýcho`chõºnhd.a The museum’s main sequence of functions is planned around themes

trêncácchõÆxuyênsuæt.ôólàchõÆ‘Lºchs’,‘Vónhóa that run through it. These are the themes ‘History’, ‘Culture - Art’,
- Ngh thu˝t’, ‘Ki”n trúc Chóm-pa’ và ch õÆ ‘Môi trýng’. ‘Champa architecture’ and the theme ‘Environment’.
phía bên kia, thuøc vÆ nhóm ch&c nóng nghiên c&u On the other side, belonging to the research-intensive functional
chuyên sâu, õ án tò ra các không gian thuøc trung tâm group, the project creates R&D, Design, Manufacturing, Test and
nghiênc&uR&D,Thi”tk”Sˆn
, xu¯t,ThnghimvàThºtrýng. Market research hub spaces.
ôây là nhóm ch&c nóng giúp du khách th.c s. õýc trî This is a functional group that helps visitors really experience the
nghim vÆ bˆn ch¯t vón hóa và kinh t” hin tì ca tØnh, current cultural and economic nature of the province, as well as
cùng nhý cung c¯p không gian nghiên c&u chuyên ngành providing specialized research space for scientists.
chocácnhàkhoahc.
FOCUS
R&
D
THEM
To preserve the beautiful nature of the archipelago
ENT
ES
다도해의 아름다운 자연 보호와 보존을 지향하는 학교
NM
IRO
NV
DE
E
SIG
N
E
TUR
CUL
통영의 문화 DNA를 이어가는 미래의 예술, 문화 학교
ARTS &
PRODUCTION
TOU
To bring residents and travelers of Tongyeong together

RIS
통영 사람들과 여행객이 더불어 공감하고 공유하는 학교

M
NG
STI
TE
LIV
IN G
To cultivate health and happiness in the daily lives of all generations
세대를 아우르는 건강하고 행복한 일상을 가꾸는 학교
T
RKE
MA
69

12 THEMES
Based on the main themes, there are 12 exhibition themes

formed, creating diversity as well as wide interoperability to
all public audiences.
Ship
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To help preserve the beautiful nature of the archipelago
IL
SU
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다도해의 아름다운 자연 보호와 보존을 지향하는 학교 O
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Art Agency
통영의 문화 DNA를 이어가는 미래의 예술, 문화 학교 School
SHARING
ARTS &
PRODUCTION
통영예술중개소
12 themes
VENTURE
For resident and travelers of Tongyeong to come together Start-up Incuba
ting Scho ol
TOU
업학교
통영 사람들과 여행객이 더불어 공감하고 공유하는 학교 관광창
RIS
TRAV
M
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s m Sc 학교
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To cultivate health and happiness in daily lives of all generations ve T 여행
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cho
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nP
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70

Ship
여러
Cry
-Ma
ls
가지
ona
s
SCHOO
tal
ls
rchers
ke r
a
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lopm
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e
ch
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TOPIC
r
ar
ch
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wa
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ral Sc
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m
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· Co d Cult
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THE COMPLETED ORGANIZATION
list
· Natu
e
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· Nat
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FOCUS
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vic
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· T rvey
The deeper the program chain of the museum, the more clearly the
er
l
E
통영 usic
lS
· Li
ve
u
connection and exchange between the majors is revealed. It shows N
음악 Aca AI TY R&
ra
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great potential to create a living museum with permanent and I cto rs
학교 dem
THEM
ne
AB ST
re ners
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IL
periodic activities. In fact, this type of research has greatly helped Pla
SU
(TY y eb t n ne ce Plan
the project team to develop the project in the next stages. It not MA NT ·W uc Pla eren
ME
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ro
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only creates economic benefits but also becomes an identity of the ) N ·P ibi iona mer
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The
ts
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· Counsellin
SHARING
ARTS &
· Textile Designers
PRODUCTION
통영예술중개소
12 themes
· Accessory Designers
· Display Designers
VENTURE
· Packaging D
esigners
ating School
Project
· Graphic D
Start-up Incub · User Ex
esigners
TOU
업학교 perience
관광창 · Produ
ct Des
and Inte
rface De
signers
RIS
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TRAV
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· Wo a l a nd Pe
M
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NG
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sm Scho 교 · Car ductor
elat
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ouri
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학 · Lei egivin s · l i s h ers d Wo
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행 Co ng rkers
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t LIV
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T W a n · L
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ch · D erf ert tio ers
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71

Ýtýngtriªnlãm EXHIBITION CONCEPT
‘All around’ exhibition

Triển lãm cả trong và ngoài
Earth / Green
Yếu tố ‘Thổ’ - cây xanh và công viên sinh học
Telescope
Kính viễn vọng bầu trời
Sky
Bầu trời - trưng bày ngoài trời
Ocean
Đại dương và sinh vật biển Multimedia
Phòng nghe nhìn
Natural Light
Trưng bày lịch sử Large Sculpture
trong nhà
các tác phẩm điêu khắc lớn
LED Screen
Trưng bày ánh sáng mặt đứng
72

Ýtýngtriªnlãm EXHIBITION CONCEPT
Flex Space
Không gian đa năng
T H H H T HH H H T T
a trên nghiên c u chi n l c v t ch c v n ng công trình m t l n n a c tích h p v i các ch ng trình và không
gian tr ng bày c a n c b n tòa nhà c r o ra b i t m sàn l n chính v i chi u cao thông th y m liên t c n i
li n và t o ra các kho ng tr ng - t ng gi a ch ng v i nhau h ng giao thoa t i các khánh ti t‘ v i kh i tích l n n i du
khách m chìm trong các không gian t ng tác s ng d ng công ngh cao và c ng là n i neo gi ph n x ng s ng
c a m sàn tri n lãm và không gian nghiên c u chuyên
T B c xu ng am t ông sang Tây các không gian tr ng bày c t o ra v i mô- un linh ho t s d ng theo h k t
c u th ng nh t là m h vào n t o ra các ki u tr ng bày v i ch t ng tác khác nhau t th giác cho
t i x c giác k thu t s c h c c m giác th nghi m và các tri n lãm òi h i s tham gia tr c ti p c a ng i xem
Interactive Exhibition
i không gian tr ng bày u c chi u sáng t nhiên ua ph ng pháp thi t k th ng chi u sáng gián ti p nh
Triễn lãm tương tác số mà ti t ki m c n ng l ng làm mát cho các không gian m t khác d dàng t o ra c u tr c ng m ph h p v i yêu
c u v ánh sáng và h t ng k thu t c th c a các tri n lãm v i v t th l n ho c òi h i h th ng trình di n ph c t p
Không ch di n ra bên trong lòng công trình các không gian ngo i th t v n trên mái c ng tr thành m t ph n c a tri n
lãm v i các ch liên uan t i môi tr ng nh gi ‘ n c‘ id ng‘ b u tr i‘ l ch s ‘ h du khách liên
c tr i nghi m các không gian công ngh cao và v a tr i nghi m các y u t thiên nhiên và chuy n ng c a t t tr i
ràng tính toán thi t knày ã t o ra m t b u không khí s ng ng theo t ng b c chân c a khách
tham uan gi i uy
t m t trong nh ng v n l n nh t trong các tòa nhà b o tàng tr ng i m i t
am là kh n ng áp ng và kh i d y ni m h ng th cho du khách không ch bên trong mà còn bên
ngoài tòa nhà ây c ng là c s bi n b o tàng Bình nh tr thành m t i m n lí th không th b
ua v i t t c m i ng i t các em thi u nhi cho t i ng i l n tu i ng i i t am và c du khách u c t
Diverse Activity
là m tb o tàng ch a ng m t cu c is ng ng bên trong n tb o tàng s ng th cs
hoạt động trình chiếu đa dạng
FROM DESIGN STRATEGY TO SHAPING THE INTERACTIVE EXHIBITIONS

Based on the strategic study of advocacy organization, the work is again integrated with its programs and exhibition spaces.
Basically the building is created by 4 main large floor slabs with a clearance height of 5.0m that are continuously connected
and create 2-3 storey gaps between them. They intersect at the ‚canary‘ with a large volume where visitors are immersed in
interactive spaces with high technology and high-tech applications and also anchor the backbone of the 20,000 m2 exhibition
floor and space. thematic study
From North to South, from East to West, the exhibition spaces are created with flexible modules using a unified structural system
Performance / Events
of 1.35m. As a result, it creates exhibits with different modes of interaction, from visual to tactile, digital, mechanical, sensory,
Sự kiện và triển lãm thực nghiệm experimental and exhibitions requiring direct participation of the audience. viewers.
All exhibition spaces are naturally lit through passive design, indirect lighting, thereby saving cooling energy for the spaces,
on the other hand, easily creating an open and closed structure. suitable for the specific requirements of lighting and technical
infrastructure of exhibitions with large objects or complex performance systems.
Not only taking place inside the building, the outdoor spaces and roof gardens also become part of the exhibition with
environmental themes such as ‚wind‘, ‚water‘, ‚ocean‘. , ‚sky‘, ‚history‘. As a result, visitors can continuously experience high-tech
spaces while experiencing the natural elements and movements of heaven and earth.
Playfulness It is clear that this design calculation has created a lively atmosphere with every step of the visitor. It solves one of the biggest
problems in key museum buildings in Vietnam, which is their ability to satisfy and spark interest for visitors, not only inside but
Hội thảo khoa học và giao lưu also outside of the building. This is also the basis for making Binh Dinh Museum an interesting destination not to be missed by
everyone, from children to the elderly, Vietnamese and international visitors.
It‘s a museum with a living life inside of it. A real living museum.
73
Ýtýngk”tc¯u STRUCTURE CONCEPT
tc uv n tr n m i n gi n
L mm tv thu n cm a
H TC U N N
Roof garden for cooling and
working as rain collector tank
M c d c h nh kh i c o, n t ng nh ng t a nh c
t nh to n x y d ng v i h k t c u r t n gi n v hi u
qu . N s d ng b c c t 16.2m v i c u tr c s n h n h p
k ch th c l n. ua gi i ph ng c c kh ng gian ch nh c a
b o t ng ph n m t ng, t o ra ng n ng ph ng kho ng
nh ng v n m b o kh n ng giao th ng tr n tr c ng v
kh n ng tho t ch y, tho t n n trong c c t nh hu ng kh n
H th ng c t ch u l c ch nh , c p.
L i k t c u ch nh v i giao th ng
v ib c c t 16.2m cho ph p tr n tr c ng
t i a h a kh n ng s d ng
c ng nh s l ng b i xe Concrete Core with Vertical
d ih m circulation A SUFFICIENT STRUCTURE CONCEPT
The main bearing column
system, with a column grid of Although the building has a unique and impressive shape, the
16.2m, allows to maximize the
building is calculated to build with a very simple and effective
usability as well as the amount of
underground parking. structural system. It uses 16.2m column grid with large size
hybrid floor structure. Thereby liberating the main spaces of the
museum in the façade, creating a exclusive design language
but still ensuring the ability to traffic on the vertical axis and
the ability to escape in emergency situations.
S nl nv ik tc uh nh p
Slab in hybrid structure
75

Anninhphòngcháych,acháy FIRE SAFETY AND SECURITY SYSTEM
LæilênKhutrinlãm
ToupperExhibition
Khuv.ctrinlãmdýßimtõ¯t
Exhibitionunderground
Khuv.ctrinlãmdýßimtõ¯t
Exhibitionunderground
Khánphònghøinghº
Conferenceauditorium
Khuh˝uc˙n
Logistics
Hthængkiªmsoátvºtrí Khobãi
SiteMonitoringSystem Storages
Hthængkiªmsoátlæivào Giaothôngõ&ng
EntranceMonitoringSystem VerticalCirculation
Hthængbáoõøngõøtnh˝p Khoõýckiªmsoátvàbôv
InvasionAlarmingSystem StoragesSecurityControl
76
Bˆnv Building Design BôtàngtınghpBình¶ºnh
TiêuõÆ STRUCTURE
77

S‰õv˝nõøngch&cnóng FUNCTION DIAGRAMS
广M广á广i
广R广o广o广f
广T¯广n广g广4 Qu˙yónuængnhanh
广4F Coíeeteria
广T¯广n广g广h¯广m广õı广广x广e广1
Qu˙yónuængnhanh
P1 + B1 Coíeeteria
Sˆnhbôtàng
Museumlobby
广T¯广n广g广3 Qu˙yltân&Tõ
广3F Reception&Locker
Administration&Research
广T¯广n广g广h¯广m广õı广广x广e广2
Khæihànhchính&Nghiênc&u
P2 +b2
Lõithang
广T¯广n广g广2 Circulation
广2F
Khutrinlãm
Exhibition
Thôngt˙ng&TrinlãmtheochuyênõÆ
Void&ThematicExhibition
广T¯广n广g广t广r广t 广T¯广n广g广h¯广m广õı广广x广e广3
广G广r广o广u广n广d
P3 + B3
Khæih˝uc˙n
Logistics
Kholýutr,
Storages
78
78

Thi”tk”ki”ntrúc Building Design Binh Dinh General Museum
S‰õv˝nõøngch&cnóng FUNCTION DIAGRAMS
广M广á广i G
广R广o广o广f
FG FG
G
Main Main
BOH / Loading
广T¯广n广g广h¯广m广õı广广x广e广1 BOH
G
P1 + B1
B2
BOH
FG
B2
Main
B1
3F
广T¯广n广g广4 3F
广4F
P2
3F
3F
B1
B1
Main
3F
2F
广T¯广n广g广3 2F
Temp. Exh.
B1
Main Main
广3F 广T¯广n广g广h¯广m广õı广广x广e广2 B1
BOH
P2 + B2 B3 BOH
B3
P3
2F
2F
2F
P1
2F Main
广T¯广n广g广2
广2F BOH
2F
G
G
G
BOH
B2 B2
Main Main
B2
Taxi
广T¯广n广g广h¯广m广õı广广x广e广3 BOH
B2
Parking out
2F
2F P3 + B3 BOH
广T¯广n广g广t广r广t
Parking in
Main
Main F2
BOH / Loading 1F
广G广r广o广u广n广d
BOH 1F
B1
B1 FG
BOH
B1
B1
P2
81
81
1
E3
A5
A7
E4
A8
E2 A6
E1
A3
C5 A2
C4
ZONE 1 (A)
C3
A1. LOBBY | SẢNH CHÍNH

A3 3
A2. COMMON EXHIBIT ROOM | PHÒNG TRIỄN LÃM
C4 A3. DARKROOM | PHÒNG TỐI
A1
A4 A4. WHALE HALL | SẢNH TREO BỘ XƯƠNG CÁ VOI
A5. LARGE EXHIBIT ROOM | PHÒNG TRIỄN LÃM HIỆN VẬT LỚN
A9
A6. COMMON SPECIAL EXHIBIT ROOM | PHÒNG TRIỄN LÃM HIỆN VẬT ĐẶC BIỆT
C1 A7. LARGE SPECIAL EXHIBIT | PHÒNG TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
A8. ART GALLERY ROOM | PHÒNG TRIỄN LÃM NGHỆ THUẬT
A9. THEMATIC SPECIAL EXHIBIT ROOM | PHÒNG TRIỄN LÃM THEO CHUYÊN ĐỀ
C5
A2 4
A8
ZONE 2 (C)
C5
C1. INTERNAL MAIN LOBBY (OFFICE) | SẢNH NỘI BỘ KHỐI VĂN PHÒNG
C2. SCIENTIFIC COUNCIL MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ)
C3. OFFICE OF DIRECTOR | PHÒNG LÀM VIỆC CỦA GIÁM ĐỐC
C7 C2
C4. DEPUTY DIRECTOR'S OFFICE 1-2 | PHÒNG LÀM VIỆC CỦA PHÓ GIÁM ĐỐC 1-2
C5. ADMINISTRATIVE OFFICE - ADMINISTRATION | PHÒNG HÀNH CHÍNH - QUẢN TRỊ

C6. ACCOUNTING DEPARTMENT | PHÒNG KẾ TOÁN
广T广H广I广T广K广K广I广N广T广R广ÚC BUILDING DESIGN

5
C7. DEPARTMENT OF MANAGEMENT AND PROMOTION OF RELICS | PHÒNG QUẢN LÝ VÀ PHÁT HUY DI TÍCH
C9 C8. RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH
C9. PROPAGANDA GALLERY | PHÒNG TRƯNG BÀY TUYÊN TRUYỀN
C10 C10. RESEARCH - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM
C7
广C广C
Á 广M广T广B˛广N广G PLANS
ZONE 3 (E)
6
E1. LOGISTICS LOBBY | SẢNH KHU HẬU CẦN

E2. BIG ELEVATOR | THANG HÀNG LỚN
E3. RESTROOM | NHÀ VỆ SINH
E4. CATEGORIES STORE | KHO PHÂN LOẠI
TOTAL AREA (Z) : 5130 m2
ZONE A: 3500 m2
ZONE C: 1400 m2
A B C D E F G
ZONE E: 230 m2
10m
82
广T广h广i广t广k广k广i广n广t广r广ú
广c Building Design BôtàngtınghpBình¶ºnh
广M广T广B˛广N广G广T广N广G广ÝT广L…广1:50 SITE PLAN (SCALE 1:500)
LỐI VÀO KHO LƯU TRỮ

LOGISTICS ENTRANCE
CARPARK ENTRANCE
LỐI VÀO HẦM ĐỖ XE
MAIN ENTRANCE
LỐI VÀO CHÍNH
LỐI VÀO KHU HÀNH CHÍNH
ADMINISTRATION
83

T˙ngh˙mB1,B2,B3(1:50) BASEMENT B1,B2,B3 (SCALE 1:500)
A B C D E F G A B C D E F
B9 B9 B9 B9 B9
B9 B9 B9 B9
B1
1 1 1 B1
2 2
ZONE 1 | CAR PARK 2
CAR PARK AREA: 7840 m2
CAR NUMBER: 210 CARS

MOTOBIKE NUMBER: 250
B10
ZONE 2 | WAREHOUSE SYSTEM (B) B2 B3
3 3 3
C1
B1. WAREHOUSE TO PROCESS ARTIFACTS BEFORE ENTERING THE OFFICIAL WAREHOUSE | KHO XỬ LÝ HIỆN VẬT TRƯỚC KHI
NHẬP KHO CHÍNH THỨC
B2. WAREHOUSE OF METAL ARTIFACTS | KHO HIỆN VẬT KIM LOẠI
B3. WAREHOUSE OF TEXTILES AND FABRICS | KHO HIỆN VẬT ĐỒ DỆT, VẢI
B4. WAREHOUSE OF BAMBOO, RATTAN & LEATHER ARTIFACTS | KHO HIỆN VẬT MÂY TRE, DA
B5. WAREHOUSE OF STONE ARTIFACTS | KHO HIỆN VẬT ĐÁ
B6. WAREHOUSE OF CERAMIC ARTIFACTS | KHO HIỆN VẬT GỐM SỨ
B7. WAREHOUSE OF FILM ARTIFACTS & DOCUMENTS PAPER ARTIFACTS | KHO HIỆN VẬT PHIM ẢNH VÀ HIỆN VẬT GIẤY
B8. ARCHIVES FOR DOCUMENTS ARTIFACTS | KHO LƯU TRỮ HỒ SƠ TƯ LIỆU HIỆN VẬT
4
B9. ROOM FOR RESTORATION AND RESTORATION OF ARTIFACTS | PHÒNG PHỤC HỒI VÀ PHỤC CHẾ HIỆN VẬT 4
4
B10. SPECIALIZED LIBRARY ROOM | PHÒNG THƯ VIỆN CHUYÊN NGÀNH
B7
ZONE 3 (C)
B2 B3
C1. HALL FOR CONFERENCES AND SEMINARS (150 SEATS) | HỘI TRƯỜNG PHỤC VỤ HỘI NGHỊ, HỘI THẢO (QUY MÔ 150 CHỖ)
5 5 C4. DEPUTY DIRECTOR'S OFFICE 1-2 | PHÒNG LÀM VIỆC CỦA PHÓ GIÁM ĐỐC 1-2 5
D1 C8. RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH
B5 B4
C10. RESEARCH - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM
ZONE 4 (D)
6 6 6
D1. EXHIBIT ROOM UNDERGROUND | PHÒNG TRIỂN LÃM DƯỚI MẶT ĐẤT
B6
TOTAL AREA (Z) : 12,280 m2

7 7 7
ZONE 1: 7840 m2
2
ZONE 2: 3200 m
ZONE 3: 1240 m2
B8
8 8 8
9 9 9
10 10 10
B8
B8
11 11 11
10m
A B C D E F G A B C D E F
84
G A B C D E F G
B9 B9 B9 B9 B9 B9
1 1 B1 1
2
ZONE 1 | CAR PARK 2 2
ZONE 1 | CAR PARK
CAR PARK AREA: 8720 m2 CAR PARK AREA: 8720 m2
CAR NUMBER: 410 CARS CAR NUMBER: 410 CARS

MOTOBIKE NUMBER: 0 MOTOBIKE NUMBER: 0
ZONE 2 | WAREHOUSE SYSTEM (B) B2 B3

ZONE 2 | WAREHOUSE SYSTEM (B)
3 3 3
B1. WAREHOUSE TO PROCESS ARTIFACTS BEFORE ENTERING THE OFFICIAL WAREHOUSE | KHO XỬ LÝ HIỆN VẬT TRƯỚC KHI B1. WAREHOUSE TO PROCESS ARTIFACTS BEFORE ENTERING THE OFFICIAL WAREHOUSE | KHO XỬ LÝ HIỆN VẬT TRƯỚC KHI
NHẬP KHO CHÍNH THỨC NHẬP KHO CHÍNH THỨC
B2. WAREHOUSE OF METAL ARTIFACTS | KHO HIỆN VẬT KIM LOẠI B2. WAREHOUSE OF METAL ARTIFACTS | KHO HIỆN VẬT KIM LOẠI
B3. WAREHOUSE OF TEXTILES AND FABRICS | KHO HIỆN VẬT ĐỒ DỆT, VẢI B3. WAREHOUSE OF TEXTILES AND FABRICS | KHO HIỆN VẬT ĐỒ DỆT, VẢI
B4. WAREHOUSE OF BAMBOO, RATTAN & LEATHER ARTIFACTS | KHO HIỆN VẬT MÂY TRE, DA B4. WAREHOUSE OF BAMBOO, RATTAN & LEATHER ARTIFACTS | KHO HIỆN VẬT MÂY TRE, DA
B5. WAREHOUSE OF STONE ARTIFACTS | KHO HIỆN VẬT ĐÁ B5. WAREHOUSE OF STONE ARTIFACTS | KHO HIỆN VẬT ĐÁ
B6. WAREHOUSE OF CERAMIC ARTIFACTS | KHO HIỆN VẬT GỐM SỨ B6. WAREHOUSE OF CERAMIC ARTIFACTS | KHO HIỆN VẬT GỐM SỨ
B7. WAREHOUSE OF FILM ARTIFACTS & DOCUMENTS PAPER ARTIFACTS | KHO HIỆN VẬT PHIM ẢNH VÀ HIỆN VẬT GIẤY B7. WAREHOUSE OF FILM ARTIFACTS & DOCUMENTS PAPER ARTIFACTS | KHO HIỆN VẬT PHIM ẢNH VÀ HIỆN VẬT GIẤY
B8. ARCHIVES FOR DOCUMENTS ARTIFACTS | KHO LƯU TRỮ HỒ SƠ TƯ LIỆU HIỆN VẬT B8. ARCHIVES FOR DOCUMENTS ARTIFACTS | KHO LƯU TRỮ HỒ SƠ TƯ LIỆU HIỆN VẬT
B9. ROOM FOR RESTORATION AND RESTORATION OF ARTIFACTS | PHÒNG PHỤC HỒI VÀ PHỤC CHẾ HIỆN VẬT 4
B9. ROOM FOR RESTORATION AND RESTORATION OF ARTIFACTS | PHÒNG PHỤC HỒI VÀ PHỤC CHẾ HIỆN VẬT
4 4
B10. SPECIALIZED LIBRARY ROOM | PHÒNG THƯ VIỆN CHUYÊN NGÀNH B10. SPECIALIZED LIBRARY ROOM | PHÒNG THƯ VIỆN CHUYÊN NGÀNH
ZONE 3 (C) ZONE 3 (C)
C1. HALL FOR CONFERENCES AND SEMINARS (150 SEATS) | HỘI TRƯỜNG PHỤC VỤ HỘI NGHỊ, HỘI THẢO (QUY MÔ 150 CHỖ) C1. HALL FOR CONFERENCES AND SEMINARS (150 SEATS) | HỘI TRƯỜNG PHỤC VỤ HỘI NGHỊ, HỘI THẢO (QUY MÔ 150 CHỖ)
C2. SCIENTIFIC COUNCIL MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ) C2. SCIENTIFIC COUNCIL MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ)
C3. OFFICE OF DIRECTOR | PHÒNG LÀM VIỆC CỦA GIÁM ĐỐC C3. OFFICE OF DIRECTOR | PHÒNG LÀM VIỆC CỦA GIÁM ĐỐC
5 C4. DEPUTY DIRECTOR'S OFFICE 1-2 | PHÒNG LÀM VIỆC CỦA PHÓ GIÁM ĐỐC 1-2 5 5 C4. DEPUTY DIRECTOR'S OFFICE 1-2 | PHÒNG LÀM VIỆC CỦA PHÓ GIÁM ĐỐC 1-2
C5. ADMINISTRATIVE OFFICE - ADMINISTRATION | PHÒNG HÀNH CHÍNH - QUẢN TRỊ C5. ADMINISTRATIVE OFFICE - ADMINISTRATION | PHÒNG HÀNH CHÍNH - QUẢN TRỊ
C6. ACCOUNTING DEPARTMENT | PHÒNG KẾ TOÁN C6. ACCOUNTING DEPARTMENT | PHÒNG KẾ TOÁN
C7. DEPARTMENT OF MANAGEMENT AND PROMOTION OF RELICS | PHÒNG QUẢN LÝ VÀ PHÁT HUY DI TÍCH C7. DEPARTMENT OF MANAGEMENT AND PROMOTION OF RELICS | PHÒNG QUẢN LÝ VÀ PHÁT HUY DI TÍCH
C8. RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH C8. RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH
C9. PROPAGANDA GALLERY | PHÒNG TRƯNG BÀY TUYÊN TRUYỀN C9. PROPAGANDA GALLERY | PHÒNG TRƯNG BÀY TUYÊN TRUYỀN
C10. RESEARCH - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM C10. RESEARCH - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM
ZONE 4 (D) ZONE 4 (D)

6 6 6
D1. EXHIBIT ROOM UNDERGROUND | PHÒNG TRIỂN LÃM DƯỚI MẶT ĐẤT D1. EXHIBIT ROOM UNDERGROUND | PHÒNG TRIỂN LÃM DƯỚI MẶT ĐẤT
D2. LOBBY | SẢNH D2. LOBBY | SẢNH
TOTAL AREA (Z) : 11,920 m2 TOTAL AREA (Z) : 11,920 m2

7 7 7
ZONE 1: 8720 m2 ZONE 1: 8720 m2
ZONE 2: 3200 m2 ZONE 2: 3200 m2
8 8 8
9 9 9
10 10 10
B8
11 11 11
10m 10m
G A B C D E F G
85
广c Building Design
广T˜广N广G广T广R…广T广+0.ÝT广L…广1:50 GROUND FLOOR +0.00 (SCALE 1:500)
A B C D E F G
Lobby & Coffeeteria
E4
1
B8
Sảnh & Quầy ăn uống

B7
E5 E3
Trung tâm nghiên cứu & Quản lý

B6
E2
B2
Research & Administration
B1
E1
B4
B3
Logistics
2 Logistics
C5 B5
Lõi thang
A8 A8
Core
A7
C8
A4
C5
ZONE 1 (A)
E4
C6
A1. ENTRANCE | LỐI VÀO CHÍNH
1 3 1 A2. RECEPTION & INFORMATION | LỄ TÂN & QUẦY THÔNG TIN
B8
C1 B7 A3. LOBBY | SẢNH CHÍNH
A1
A3 A4. SEATING AREA | SẢNH ĐỢI
E5 E3
A5. INFORMATION | PHÒNG THÔNG TIN
B6 A6 A6. PUBLIC STAIRS | SẢNH THANG CÔNG CỘNG
A7. ENTRANCE (MULTIMEDIA ROOM) | LỐI VÀO PHÒNG HỘI THẢO
E2 A8. EXIT | LỐI RA
A7
B2
A9. READING & RESTING AREA | KHU THƯ GIÃN & ĐỌC SÁCH
B1
B3 A2
B4 4
E1
A9
A5
2 C6 A8 A8
2
ZONE 2 (B)
C5 B5
B1. COFFEE TERIA | KHU ĂN UỐNG TẠI CHỖ

D2
A8 A8
B2. RESTROOM | KHU NHÀ VỆ SINH
B3. LOCKER ROOM | PHÒNG GIỮ ĐỒ
C8 C2
B4. ELEVATOR LOBBY | SẢNH THANG
A7
C8
A4 B5. INFORMATION | SẢNH THÔNG TIN
C5
5 ZONE 1 (A)
B6. SHOPPING | KHU MUA SẮM
B7. ART SHOP | QUÀ LƯU NIỆM
C9 B8. ART SHOP
A1.(HAND MADE) | |QUÀ
ENTRANCE LỐI LƯU
VÀONIỆM
CHÍNH
C6
3 3
A2. RECEPTION & INFORMATION | LỄ TÂN & QUẦY THÔNG TIN
C10
C1 D1 A3. LOBBY | SẢNH CHÍNH
A1
A3 A4. SEATING AREA | SẢNH ĐỢI
C7
ZONE 3 (C) A5. INFORMATION | PHÒNG THÔNG TIN
A6 A6. PUBLIC STAIRS | SẢNH THANG CÔNG CỘNG
A7. ENTRANCE (MULTIMEDIA ROOM) | LỐI VÀO PHÒNG HỘI THẢO
A8. EXIT | LỐI RA
A7 6 C2. SCIENTIFIC COUNCIL MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ)
A9.DIRECTOR
C3. OFFICE OF READING| & RESTING
PHÒNG AREACỦA
LÀM VIỆC | KHU
GIÁMTHƯ GIÃN & ĐỌC SÁCH
ĐỐC
A2
4 4 C6. ACCOUNTING DEPARTMENT | PHÒNG KẾ TOÁN
A9
A8 A8 A5
C6
C8. RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH
ZONE 2 (B)
B1. COFFEE TERIA | KHU ĂN UỐNG TẠI CHỖ

D2
C8 C2 ZONE 4 B4. (D)ELEVATOR LOBBY | SẢNH THANG
B5. INFORMATION | SẢNH THÔNG TIN
5 5 B6. SHOPPING | KHU MUA SẮM
D2. LOBBY | B7.
SẢNHART SHOP | QUÀ LƯU NIỆM
A B C9 C D E F G
B8. ART SHOP (HAND MADE) | QUÀ LƯU NIỆM
C10
D1
C7
ZONE 3 (C)
ZONE 5 (E)
E1. ENTRANCE
C1.f.HALL
LOGISTICS | LỐI VÀO KHU HẬU
FOR CONFERENCES AND
CẦNSEMINARS (150 SEATS) |
E2. BIG ELEVATOR | THANG HÀNG
C2. SCIENTIFIC LỚN MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ)
COUNCIL
6 6
E4. STORAGE | KHO
E5. INTERNAL CORRIDOR | GIAO THÔNG NỘI BỘ
C7. DEPARTMENT OF MANAGEMENT AND PROMOTION OF RELICS |
TOTAL C9. PROPAGANDA
AREA m2
(Z) : 6120GALLERY | PHÒNG TRƯNG BÀY TUYÊN TRUYỀN
ZONE A: 1860 m2
ZONE B: 1240 m2
ZONE 4 (D)
ZONE C: 1400 m2
ZONE D: 1100 m2
ZONE E: 520D1.
m2 EXHIBIT ROOM UNDERGROUND | PHÒNG TRIỂN LÃM DƯỚI MẶT ĐẤT
D2. LOBBY | SẢNH
A B C D E F G
10m
广T˜广N广G广02+6.5ÝT广L…广1:50 2nd FLOOR PLAN (SCALE 1:500)
A B C D E F G
1
Lobby & Coffeeteria
E3 Sảnh & Quầy ăn uống

A5
A7
E4
A8

E2 A6
E1
Logistics
A3
2 Logistics
C5 A2
Lõi thang
Core
C4
ZONE 1 (A)
C3
A1. LOBBY | SẢNH CHÍNH

A3 3
1 1 A2. COMMON EXHIBIT ROOM | PHÒNG TRIỄN LÃM
C4 A3. DARKROOM | PHÒNG TỐI
A1
E3
A9
A5
A7
E4 C1 A7. LARGE SPECIAL EXHIBIT | PHÒNG TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
A8
E2 A6
E1 A9. THEMATIC SPECIAL EXHIBIT ROOM | PHÒNG TRIỄN LÃM THEO CHUYÊN ĐỀ
C5
A3
A2 4
A8
2 2
ZONE 2 (C)
C5
C5 A2
C7 C2
C4
5 ZONE 1 (A)
C3
C9 C8. RELIC PRESERVATION ROOMCHÍNH
A1. LOBBY | SẢNH | PHÒNG BẢO TỒN DI TÍCH
3 A3 3 C9. PROPAGANDA GALLERY | PHÒNG TRƯNG BÀY TUYÊN TRUYỀN
A3. DARKROOM | PHÒNG TỐI
C10
C4
A1
C7 A5. LARGE EXHIBIT ROOM | PHÒNG TRIỄN LÃM HIỆN VẬT LỚN
A9
C1 ZONE 3 (E)
A7. LARGE SPECIAL EXHIBIT | PHÒNG TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
6
A9. THEMATIC SPECIAL EXHIBIT ROOM | PHÒNG TRIỄN LÃM THEO CHUYÊN ĐỀ
C5 E2. BIG ELEVATOR | THANG HÀNG LỚN
4 A2 4 E4. CATEGORIES STORE | KHO PHÂN LOẠI
A8
ZONE 2 (C)
C5
TOTAL AREA (Z) : 5130
C2. SCIENTIFIC m2 MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ)
COUNCIL
C7 C2
ZONE A: 3500 m2ADMINISTRATIVE OFFICE - ADMINISTRATION | PHÒNG HÀNH CHÍNH - QUẢN TRỊ
C5.
5 5 C6.
ZONE C: 1400 m2ACCOUNTING DEPARTMENT | PHÒNG KẾ TOÁN
C7. DEPARTMENT OF MANAGEMENT AND PROMOTION OF RELICS |
A B C9 C D E F G
m2 RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH
ZONE E: 230C8.
C10 C10. RESEARCH - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM
C7
ZONE 3 (E)
6 6

ZONE A: 3500 m2
ZONE C: 1400 m2
A B C D E F G
ZONE E: 230 m2
10m
87
广T˜广N广G广03+12.ÝT广L…广1:50 3RD FLOOR +12.00 (SCALE 1:500)
A B C D E F G
1
Lobby & Coffeeteria
A8
A5
A4
A1
Logistics
A6
2
Logistics
A7 A4
Lõi thang
V1
A1
Core
A7
ZONE 1 (A)
A8 A1
A1. LOBBY EXHIBIT | SẢNH TRIỄN LÃM

3
1 1 A2. LARGE SPECIAL EXHIBIT | PHÒNG TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
A8 A4. COMMON EXHIBIT ROOM | PHÒNG TRIỄN LÃM
A6. OPEN SPACE | KHÔNG GIAN MỞ
A2
A5 A3 A7. OPEN SPACE | KHÔNG GIAN MỞ
A4
A4
A1
A6
4
A4
A4
A4
2 2
ZONE 2 (V)
A7 A4 V1. OPEN SPACE | KHÔNG GIAN MỞ

V1
A1
A7
5 ZONE 1 (A)
A8 A1
3 3
ZONE A: 2600m2
m2 COMMON EXHIBIT ROOM | PHÒNG TRIỄN LÃM
ZONE V: 400A4.
A2
A3 A7. OPEN SPACE | KHÔNG GIAN MỞ
A4 6
A9. ART GALLERY ROOM | PHÒNG TRIỄN LÃM NGHỆ THUẬ
4 4
A4
A4
A4
ZONE 2 (V)
V1. OPEN SPACE | KHÔNG GIAN MỞ
5 5
A B C D E F G
ZONE A: 2600m2
ZONE V: 400 m2
6 6
A B C D E F G
10m
88
广T˜广N广G广04+17.5ÝT广L…广1:50 4TH FLOOR PLAN (SCALE 1:500)
A B C D E F G
1
Lobby & Coffeeteria

Logistics
2
Logistics
A5
Lõi thang
A1
Core
A1
A4
ZONE 1 (A)
1 A5 3 1
A3 A1. LOBBY EXHIBIT | SẢNH TRIỄN LÃM
A2. ART DIY CLASSROOM | LỚP HỌC THỰC HÀNH NGHỆ THUẬT
A3. AUDIO VISUAL ROOM | PHÒNG NGHE NHÌN
A2
A4. NATURE EXHIBIT VIEW | PHÒNG TRIỄN LÃM NGẮM NHÌN THIÊN NHIÊN
A4
2 2
A5
A1
A1
A4
5 ZONE 1 (A)
3 A5 3
A3 A1. LOBBY EXHIBIT | SẢNH TRIỄN LÃM
A2. ART DIY CLASSROOM | LỚP HỌC THỰC HÀNH NGHỆ THUẬT
A3. AUDIO VISUAL ROOM | PHÒNG NGHE NHÌN
A2
A4. NATURE EXHIBIT VIEW | PHÒNG TRIỄN LÃM NGẮM NHÌN THIÊN NHIÊN
A4
4 4
5 5
A B C D E F G
6 6
A B C D E F G
10m
89
90
广T广U广Y广N广T广H广A广M广Q广U广A广N VISITING ROUTE SCENARIO
91
广T广H广I广T广K广T广U广Y广N广T广Hò广M广Q广U广A广N广T˜广N广G广T广R…广T
GROUND FLOOR - VISITOR ROUTE
E4
B8
1 Lobby&Coíeeteria
Sˆnh&Qu˙yónuæng
B7
A8
E5 E3
Trungtâmnghiênc&u&Quˆnlý
B6
A5
A4
E2
B2
Research&Administration
A1
B1
Logistics
A6
B3
B4
E1
2 Logistics
C5 B5
A7 A4
Lõithang
A8 V1 A8
A1
Core
A7
C8
C5
A7
A4
Khuv. ctrinlãmdýßimtõ¯t
ZONE 1 (A)
A8 A1
Exhibition
LOBBY EXHIBIT
A1. ENTRANCE
underground
| LỐI| VÀO
SẢNH TRIỄN LÃM
CHÍNH
C6
3 LARGE SPECIAL EXHIBIT | PHÒNG TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
A2. RECEPTION & INFORMATION | LỄ TÂN & QUẦY THÔNG TIN
C1 A3. LOBBY
COMMON SPECIAL
| SẢNH CHÍNHEXHIBIT ROOM | PHÒNG TRIỄN LÃM HIỆN VẬT ĐẶC BIỆT
A1
A3 COMMONAREA
A4. SEATING EXHIBIT ROOM
| SẢNH ĐỢI| PHÒNG TRIỄN LÃM
LARGE EXHIBIT| PHÒNG
A5. INFORMATION ROOM | THÔNG
PHÒNG TIN TRIỄN LÃM HIỆN VẬT LỚN
A6
OPEN SPACE
A6. PUBLIC STAIRS| KHÔNG
| SẢNH GIAN
THANG MỞCÔNG CỘNG
A2
A3 OPEN SPACE
A7. ENTRANCE | KHÔNG GIAN
(MULTIMEDIA ROOM)MỞ | LỐI VÀO PHÒNG HỘI THẢO
DARKROOM
A8. EXIT | LỐI RA| PHÒNG TỐI
A4
A7
ART GALLERY
A9. READING ROOM AREA
& RESTING | PHÒNG TRIỄN
| KHU THƯLÃM NGHỆ
GIÃN THUẬT
& ĐỌC SÁCH
A2
44
A4
A9 A4
A8 A8 A5 A4
(V)
C6
ZONE 2 (B)
V1. COFFEE
B1. OPEN SPACE
TERIA| KHÔNG
| KHU ĂNGIAN MỞTẠI CHỖ
UỐNG
D2
C8 C2
B4. ELEVATOR LOBBY | SẢNH THANG
B5. INFORMATION | SẢNH THÔNG TIN
55 B6. SHOPPING | KHU MUA SẮM
TOTAL
B7. AREA
ART SHOP : 3000 m2
(Z) NIỆM
| QUÀ LƯU
C9 B8. ART SHOP (HAND MADE) | QUÀ LƯU NIỆM
C10
ZONE A: 2600m2
D1
ZONE V: 400 m2
C7
ZONE 3 (C)
6 C2. SCIENTIFIC COUNCIL MEETING ROOM (30 SEATS) | PHÒNG HỌP HỘI ĐỒNG KHOA HỌC (QUY MÔ 30 CHỖ)
ZONE 4 (D)
D2. LOBBY | SẢNH
A B C D E F G
ZONE 5 (E)
E1. ENTRANCE f. LOGISTICS | LỐI VÀO KHU HẬU CẦN

E4. STORAGE | KHO
E5. INTERNAL CORRIDOR | GIAO THÔNG NỘI BỘ
ZONE A: 1860 m2
ZONE B: 1240 m2
ZONE C: 1400 m2
ZONE D: 1100 m2
ZONE E: 520 m2
10m
广T广H广I广T广K广T广U广Y广N广T广Hò广M广Q广U广A广N广T˜广N广G广02 2ND FLOOR - VISITOR ROUTE
1
Lobby&Coíeeteria
E3
A8
Sˆnh&Qu˙yónuæng
A5
A7
A5
E4
A8 A4
E2 A6
E1
A1
Logistics
A6 A3
2 Logistics
C5 A2
A7 A4
Lõithang
V1
A1
Core
A7
C4
Khuv. ctrin
ZONE 1 (A) lãmdýßimtõ¯t
C3 A8 A1
Exhibition
A1. LOBBY |EXHIBIT
underground
| SẢNH TRIỄN LÃM
SẢNH CHÍNH
A3 3
A2. COMMON
LARGE SPECIAL
EXHIBIT EXHIBIT
ROOM || PHÒNG
PHÒNG TRIỄN
TRIỄN LÃM
LÃM CÁC HIỆN VẬT CỠ LỚN
C4 A3. DARKROOM
COMMON SPECIAL
| PHÒNG EXHIBIT
TỐI ROOM | PHÒNG TRIỄN LÃM HIỆN VẬT ĐẶC BIỆT
A1
A4 A4. WHALE
COMMON EXHIBIT
HALL | SẢNHROOM
TREO| PHÒNG TRIỄN
BỘ XƯƠNG CÁLÃM
VOI
A9
A6. COMMON SPECIAL
OPEN SPACE EXHIBIT
| KHÔNG GIANROOM
MỞ | PHÒNG TRIỄN LÃM HIỆN VẬT ĐẶC BIỆT
C1
A2
A3 A7. LARGE SPECIAL
OPEN SPACE EXHIBIT
| KHÔNG | PHÒNG
GIAN MỞ TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
A8. ART GALLERY
DARKROOM ROOM |TỐI
| PHÒNG PHÒNG TRIỄN LÃM NGHỆ THUẬT
A4
A9. THEMATIC SPECIAL
ART GALLERY ROOMEXHIBIT
| PHÒNG ROOM
TRIỄN| PHÒNG TRIỄN
LÃM NGHỆ LÃM THEO CHUYÊN ĐỀ
THUẬT
C5
A2 4
A4
A4
A8 A4
ZONE 2 (C)
(V)
C5
C1. INTERNAL
V1. OPEN MAIN
SPACE LOBBYGIAN
| KHÔNG (OFFICE)
MỞ | SẢNH NỘI BỘ KHỐI VĂN PHÒNG
C7 C2
5 C6. ACCOUNTING DEPARTMENT | PHÒNG KẾ TOÁN
2
TOTAL
C7. AREA
DEPARTMENT OF(Z) : 3000 mAND
MANAGEMENT PROMOTION OF RELICS | PHÒNG QUẢN LÝ VÀ PHÁT HUY DI TÍCH
C9 C8. RELIC PRESERVATION ROOM | PHÒNG BẢO TỒN DI TÍCH
C10
ZONE
C10. A: 2600m2 - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM
RESEARCH
ZONE V: 400 m2
C7
ZONE 3 (E)
6

ZONE A: 3500 m2
ZONE C: 1400 m2
A B C D E F G
ZONE E: 230 m2
10m
93
广T广H广I广T广K广T广U广Y广N广T广Hò广M广Q广U广A广N广T˜广N广G广03 3RD FLOOR - VISITOR ROUTE
1
Lobby&Coíeeteria
A8
A8
Sˆnh&Qu˙yónuæng
A5
A5
A4
A4
A1
A1
Logistics
A6
A6
2 Logistics
A7
A7 A4
A4
Lõithang
V1
V1
A1
A1
Core
A7
A7
Khuv. ctrin
ZONE 1 (A) lãmdýßimtõ¯t
A8
A8 A1
A1
Exhibition underground
3
A2
A2
A3
A3 A7. OPEN SPACE | KHÔNG GIAN MỞ
A4
A4
4
A4
A4
A4
A4
A4
A4
ZONE 2 (V)
5
ZONE A: 2600m2
ZONE V: 400 m2
A B C D E F G
10m
94
广T广H广I广T广K广T广U广Y广N广T广Hò广M广Q广U广A广N广T˜广N广G广04 4TH FLOOR - VISITOR ROUTE
1
Lobby&Coíeeteria
A8
Sˆnh&Qu˙yónuæng
A5
A4
A1
Logistics
A6
2 Logistics
A5 A7 A4
Lõithang
V1
A1 A1
Core
A7
Khuv. ctrin lãmdýßimtõ¯t

A1
A4
ZONE
ZONE 1 (A)
1 (A)
A8 A1
Exhibition underground
3
A2. LARGE EXHIBIT
SPECIAL| EXHIBIT | PHÒNG
A5
A3 A1. LOBBY SẢNH TRIỄN LÃM TRIỄN LÃM CÁC HIỆN VẬT CỠ LỚN
A3. COMMON
A2. ART SPECIAL EXHIBIT
DIY CLASSROOM | LỚP ROOM | PHÒNG
HỌC THỰC TRIỄN
HÀNH NGHỆLÃM HIỆN VẬT ĐẶC BIỆT
THUẬT
A4. COMMON
A3. AUDIO EXHIBIT
VISUAL ROOM ROOM | PHÒNG
| PHÒNG TRIỄN
NGHE LÃM
NHÌN
A2
A5. LARGE EXHIBIT
A4. NATURE EXHIBITROOM
VIEW || PHÒNG
PHÒNG TRIỄN
TRIỄN LÃM
LÃM HIỆN
NGẮM VẬT LỚN
NHÌN THIÊN NHIÊN
A6.
A2
A3 A4 A7. OPEN SPACE | KHÔNG GIAN MỞ
A4
4
A4
A4
A4
ZONE 2 (V)
5
ZONE A: 2600m2
ZONE V: 400 m2
A B C D E F G
10m
95
Bˆnv Building Design BôtàngtınghpBình¶ºnh
TiêuõÆ STRUCTURE
广M广T广C广T广&M广T广ô广N广G SECTIONS & ELEVATIONS
97
Building Design
Thi”tk”ki”ntrúc
MtCˇtxuyêncˆnhquanA-A MASTER SECTION A-A
M t c t A-A d c theo tr c ng T y cho th y ph ng ph p This section along the East-West axis shows an ingenious block
t o kh i kh o l o h nh ra m t ph n c ng tr nh th p t ng T ymaking method that shapes a low-rise building in the West adjacent
ti p gi p v i khu d n sinh. i u n y t o c m gi c nh nh m to the Residential area. This creates a sense of ‘light massing’ and
cho kh i nh v cung c p th m nh s ng t nhi n cho khu provides more natural light to the adjacent housing. It looks like a
nh k c n. N nh m t c ng vi n c ng c ng cho t t c m i public park viewed from the west. This low-rise block also houses the
ng i khi nh n t ph a T y. h i th p t ng n y c ng l n i ch Administrative
a functions, Archive and R&D center with separate access
ng c c ch c n ng i u h nh, l u tr v trung t m nghi n for staff on the West side.
c u khoa h c c ng l i ti p c n ri ng cho nh n vi n ph a T y.
V tr c t
keyplan Trong khi , nh ph a ng c a B o t ng th d ng cao l nMeanwhile, the Museum’s Eastern peak rises like a wave towards
0M 5M 15M 40M
nh m t t s ng h ng ra qu ng tr ng cung c p g c the square to provide views of the coast. This block contains the main
nh n ra b bi n. h i n y ch a ng c c kh ng gian tri n exhibition spaces of the Museum and communicates directly with the
l m ch nh c a b o t ng v giao ti p tr c di n v i l i v o iPublic Entrance on the East side
ch ng ph a ng
98
on Building Design
Thi”tk”ki”ntrúc BôtàngtınghpBình¶ºnh
MtCˇtxuyêncˆnhquanA-A MASTER SECTION A-A
Các rìa mái lßn tò ra h ‘hàng hiên’ õýc coi là õc The large roof edges create a ‘patio’ system which is considered
trýng cho ki”n trúc Chóm-pa và ki”n trúc truyÆn thæng typical for Champa architecture and Binh Dinh traditional architecture.
Bình ôºnh. Nó là giî pháp tò khæi ki”n trúc nhýng cùng It is a solution to create architectural massing but also to reduce the
v(a nhm giˆm lýng nhit õi vào công trình. Dc theo amount of heat entering the building. Along the East-West axis, many
trc ôông -Tây, nhiÆu ‘n”p g¯p’ và khe sáng õýc tò ra ‘folding gaps’ and light slits are created to bounce indirect light into
õªõýaánhsánggiántipõ˝pnˆyvàobêntrongtòanhà. the interior of the building.
ôó là phý‰ng pháp thi”t k” th õøng ýu vit cho các công It is the preeminent passive design method for Cultural buildings
trìnhvónhóahýßngtßigiátrºtruyÆnthængvàbÆnv,ng.Bên towards traditional and sustainable values. Besides, it helps to
c`nhõónógiúpíchchovicsˇpõtvàtıch&cchi”usáng arrange and organize the lighting inside the Museum to become
bêntrongBôtàngtrnênchõøngh‰nõæivßikhæiv˝n more active for the operating team.
hành.
Ph˙nrìamáiõuaratrêntrcôông-Tâyv(alàgiîphápchˇnnˇng&
cùngv(atòraánhsánggiánti”pvàotrongBôtàng
The edge of the roof that opens to the east is both a solution to block the
sun and also create indirect light into the Museum
99

MtCˇtA-A(1:250) SECTION A-A (SCALE 1:250)
C c kh ng gian ch c n ng vay m n c c kho ng tr ng Functional spaces borrow gaps from each other to create a coherent
c a nhau t o ra m t t ch c nh t qu n v c ng. and compact organization. At the same time, increase efficiency in
ng th i t ng c ng hi u qu trong kinh t x y d ng. construction economy.
C m t tuy n th m quan li n t c t t ng tr t cho l n n t n There is a continuous sightseeing route from the ground floor all
m i. Tuy n n y cho ph p du kh ch v a chi m ng ng c c the way up to the roof. This route allows visitors to both enjoy the
ch b n trong b o t ng nh ng c ng v a c th quan s t Exhibition inside the museum but also observe and play in the roof
v vui ch i c c khu v n tr n m i. y c ng l nh ng v tr gardens. These are also locations that provide more natural light to
V tr c t cung c p th m nh s ng t nhi n v o B o t ng the Museum
keyplan
0M 5M 15M 40M
101
Building Design
Thi”tk”ki”ntrúc
MtCˇtxuyêncˆnhquanB-B MASTER SECTION B-B
M t c t B-B n m tr n tr c B c Nam cho th y chuy n ng The section B-B located on the North-South axis shows the
m nh m c a kh i nh c ng nh c a c c nh m ch c n ng strong movement of the building massing as well as of
b n trong v b n ngo i b o t ng. M t c t n y g i nh c t i the functional groups inside and outside the museum. This
c c kh i l n tr t, n n l n nhau trong ki n tr c Ch m-pa section is reminiscent of large blocks of stone sliding and
c . B n c nh n cho th y c nh quan v n i th t c a pressing on each other in ancient Champa architecture.
t a nh B o t ng l m t th th ng nh t, kh ng th t ch r i. Besides, it shows that the landscape and interior of
the museum building is a unified, inseparable whole.
C c khe s ng li n t c v y b c l y ph n v c ng tr nh, kh ng
V tr c t ch t o n n v p c a ki n tr c m c n cung c p nh s ng
0M 5M 15M 40M
keyplan t nhi n v th ng gi t c c v n tr n m i v o ph n m tThe continuous light slits surround the building shell, not only
ng. T i n n y, v n tr n m i creating
th c s tr th nh m t the beauty of the architecture but also providing
ng th 5 c a c ng tr nh natural light and ventilation from the roof gardens into the
façade. In this project, the roof garden has really become the
5th facade of the building.
102
Inspiration form Cham-pa Architecture The section of the building is inspired by ancient architecture and creates the ability to provide natural light and ventilation into the interior of the building masing
103

MtCˇtA-A(1:250) SECTION A-A (SCALE 1:250)
Mt cˇt qua sˆnh chính cho th¯y khˆ nóng tı ch&c và õón The section through the main Lobby shows the ability to
các õoàn thóm quan õi qua møt sˆnh thông t˙ng røng organize and welcome visiting groups through an atrium
hàng nghìn mét khæi. Nó cùng v(a là không gian trýng bày thousands of cubic meters wide. It is also a display space for
các v˝t thª lßn gây ¯n týng ngay l˝p t&c cho du khách. large objects that make an immediate impression on visitors.
H thæng thang cuæn và thang bø ph‰i bày khˆ nóng The system of escalators and stairs exposes the possibility of
di chuyªn xuyên xuæt các không gian công cøng, movement through the public spaces, while still separating
trong khi õó v¸n phân tách õýc các læi thoát hiªm the main exits located along the two sides of the building.
Vºtrícˇt chính nm dc theo hai bên sýn ca công trình.
keyplan There are 2 basement parking provided, they not only meet the needs
Cót˙ng
2 h˙mõxeõýccungc¯p,chúngkhôngchØõáp of the museum, but also share the infrastructure pressure with the
0M 5M 15M 40M &ngnhuc˙usdngcanhàbôtàngmàcònchias‘áp whole city.
l.ch`t˙ngvßicˆthànhphæ.
104
Inspiration from the Ocean for main Foyer
105
Mtõ&nghýßngNam South Elevation
M The Southern elevation shows that the building is a continuation

of the landscape. It rises from the ground and moves like a wave,
thereby forming the architectural body as well as the location of the
views overlooking the city’s context.
This is also an area for outdoor activities.
keyplan
0M 5M 15M 40M
106
107
Mtõ&nghýßngôông East Elevation
M t ng ph a ng nh n th ng ra l i v o c a kh ch ngThe Eastern elevation overlooks the Public entrance and offers views
th i g i m c c h ng nh n ra id ng, nh n v o trung t mof the ocean, the city center, and the flagpole square. There is a large
th nh ph c ng nh qu ng tr ng c t c . C m t m i n drop-off porch designed here along with the shuttle roundabout area
l n c thi t k t i y c ng v i khu v c quay v ng xe ncombined with the water square.
kh ch k t h p v i qu ng tr ng n c.
V tr m t ng
keyplan
0M 5M 15M 40M
108
109
Mtõ&nghýßngBˇc North Elevation
Mt õ&ng phía Bˇc ti”p giáp vßi phæ Vù Bô. ôây là mt The Northern elevation is adjacent to Vu Bao street. This is the facade
õ&ngxu¯thintrêncácõìløchínhcathànhphæ.Nóxu¯t that appears on the main avenues of the city. It appears in a large
hinbngkhæilßnõªtò¯ntýngthºgiácchongýivàxe massing to give a visual impression to people and vehicles moving
di chuyªn trên trc Th˙n õò Bˇc-Nam. ôây là khu v.c cho on the Shinto North-South axis. This is an area that allows logistics
phép các thi”t bº chuyên tr h˝u c˙n ra vào cùng nhý læi vehicles in - out as well as convenient access to the underground car
vàothu˝ntincabãiõxeng˙m. park.
Vºtrímtõ&ng
keyplan
0M 5M 15M 40M
110
111
Mtõ&nghýßngTây West Elevation
M t ng ph a T y ti p gi p v i ph Di n H ng. yl m The
t Western elevation is adjacent to Dien Hong street. This is the facade
ng h ng v o kh i d n sinh. N l m t ng c a kh i v nfacing the residential block of the city. It represents for Administration
ph ng i u h nh v vi n nghi n c u. T i y kh i nh d nand the R&D center. Here, the block gradually decreases in height
gi m cao t o c m gi c h i h a v i b i c nh. C m t to create a sense of harmony with the context. There is an entrance
l i v o ph a n y, t ch bi t v t o ri ng t cho nh n vi non this side, separating and providing privacy for office workers and
v n ph ng c ng c c nh khoa h c l m vi c trong B o t ng. scientists working in the Museum.
V tr m t ng
keyplan
0M 5M 15M 40M
112
113
Bˆnv Building Design 州科学馆广
TiêuõÆ STRUCTURE
114
THITKC¶NHQUAN LANDSCAPE DESIGN
Thi”tk”ýtýng Concept Design
Côngviênsinhhc Biological park
Cˆnhquanvàphânkhu Landscape and subdivision area
Thi”tk”õad`ngsinhhc
Design of biodiversity
Bô tàng Tıng hp Bình ôºnh õc bit chú trng õ”n các khía c`nh dân sinh và môi trýng
ca các không gian công cøng Vit Nam. Chúng tôi õã thi”t l˝p møt m`ng lýßi các h
thængthuth˝plc / nýßcmýa,tóngcýngõad`ngsinhhcbˆnõºavàõch,ucùngnhý
nângcaocácch&cnóngcôngcøngcakhônggianngoàitri.Chúngtôimongmuæntò
ramøtcôngviênkhôngtrangtrí,h,uíchchongýidânvàc‰sh`t˙ngcathànhphæ.
The Binh Dinh General Museum has a strong emphasis on the civic and environmental aspects of
public spaces in Vietnam. We have established a network of systems to collect/filter rain water,
boost native and endemic biodiversity and enhance public functions of outdoor space. We aim
to create a non-decorative park, that is useful for the residents and infrastructure of the city.  
118
119
Thi”tk”cˆnhquan Landscape design
T˙mnhìntıngquan GENERAL VISION
C c kh ng gian th ngo i tr i c quy ho ch th nh Successfully well planned outdoor urban spaces have a
c ng c m i t ng quan c n b ng gi a quy m , ti n nghi balanced interrelation between scale, comfort and use. A
v s d ng. M t kh ng gian c ng c ng d ch u th ng l k t pleasant public space often comes as a result of a balanced
qu c a s k t h p c n b ng gi a c c y u t kh c nhau, combination between different elements, such as permeable
ch ng h n nh qu ng tr ng d th m v c c c m c y c i plazas and densely vegetated clusters, solid constructions and
d y c, c c c ng tr nh ki n c v kh ng gian tho ng, c c clear space, intimate corners and big gathering areas, etc..
g c th n m t v c c khu v c t h p l n, v.v.
130m 280m 30m

20m
3,4ha
5,ha 3.5ha
183m
150m
40m
13ha
360m
5ha
QUYNHONMUSEUM ETHNOGRAPHICMUSEUM HOCHIMINHMUSEUM INDEPENDENCEPALACE

BINHDINH,VIETNAM HANOI,VIETNAM HANOI,VIETNAM HOCHIMINH,VIETNAM
120
B ´ O TÀ N G Q U Y N H ú N B ´ O TÀ N G D Â N T ł C H C B ´ O TÀ N G H C H Í M I N H DINH ôłC L P
Thi”tk”cˆnhquan Landscape design BôtàngtınghpBình¶ºnh
Nhi u kh ng gian th c ng c ng trung t m Vi t Nam Many central public urban spaces in Vietnam suffer from the
c ng g p ph i v n t ng t , l h qu c a vi c thi same
t problematic, which comes as a consequence of designing
k c c khu v c m r ng qu m c thi u m c ch c th . excessively large open areas lacking specific purpose. These
Nh ng kh ng gian n y th ng kh ng c s d ng nhi u, v spaces are often a severely underused, as they are too exposed
ch ng ph i ti p x c qu nhi u v i i u ki n th i ti t v quy to the weather conditions, and their scale is so big that
m c a ch ng qu l n n n tr n n ng s v kh ng h p becomes intimidating and unattractive to human experience.
d n i v i tr i nghi m c a con ng i.
28m 136m
281m
205m
36m
3,1ha 15ha 10ha 5ha
17m
50m
715m
121
CˆBãibiªnQuyNh‰nvàAnDý‰ngVý‰ngtòthànhhaitrc Both Quy Nhon Beach and An Duong Vuong form two
không gian m lßn ca õô thº. ôª khai thác tiÆm nóng ca formidable metropolitan open space axis. In order to unlock
chúng, chúng tôi õang õÆ xu¯t møt m`ng lýßi õýng dành their potential, we are proposing a new network of pedestrian
cho ngýi õi bø và xe õ`p mßi, các quˆng trýng m và and bicycle pathways, open plazas and densely vegetated
nh,nghònõôxanhr˝mr`pcóthªquaymtraph˙ncòn green islands which turn their face to the rest of the city.
lìcathànhphæ.
122
H‰ncˆmøttòanhà,d.ánBôtàngQuyNh‰ncóngh„alà Far more than a building, Quy Nhon Museum project

møtc‰høiõªk”tnæilìvàmangt¯tcˆkhônggianmxung means an opportunity to re-connect and bring all the
quanhtòanhàlìvßinhau.Bôtàngsdinracˆbêntrong open space surrounding the building together. The
và bên ngoài các b&c týng ca nó, cˆ trên cùng và dýßi museum will happen both inside and outside its walls,
máicanó,thànhphæcùngv˝y. both on top and below its roof, so will do the city.
123
Vung Chua mountain
p
đạ
xe ute
Đườ cle ro
Bic
g
ờn ro
Đư cycle
ng
y
Bi
xe đ te
ạp
ạp
u
e đ ute
Đườn le route
x
Bicyc
g
ờn ro
Đư cycle
g xe
Bi
đạp
tốc độ Đường xe đạp

v ự c h ạn chế zone
Khu tion Bicycle route
restric
Speed
xe đạp xe đạp
Đường route Đường route
e
Bicycl trian
Pedes
Park
Park Qui Nhon beach
GIAOTHÔNGQUYMÔôÔTHŒ URBAN SCALE CIRCULATION

Qui Nhon bay
Khu v.c thi”t k” chi”m vº trí chi”n lýc tì trung tâm õºa lý The competition site occupies a strategic position at the
ca thành phæ, nm gi,a hai trc chính là õì lø An Dý‰ng geographic center of the city, located between the two main
Vý‰ngch`ydcphíabãibiªnvàNguynT¯tThànhcùnglà axes, An Duong Vuong avenue that runs through the beach side
õºa õiªm h` cánh trýßc õây ca sân bay. Khu v.c thi”t k” and Nguyen Tat Thanh that was also the previous landing site
baoquáts.k”tnæinàyvàmrøngnóõªtòramøtm`ng of the airport. Our site embraces this connectivity and expands
lýßi k”t hp gi,a giao thông dành cho ngýi õi bø, xe õ`p it to create a hybrid network of pedestrian, bicycle and motor
vàxec‰gißi. vehicle transportation.
124
125
S‰õýtýng Concept diagrams
Bicycle route | Đường xe đạp
MNGLœIBłHÀNHQUYMÔôŒAPHúNG
quymôõºaphý‰ng,thi”tk”cakhuv.cthi”tk”baotrùm
và vý‰n xa õª k”t næi vßi khu v.c lân c˝n và các tin ích
côngcøngxungquanh.Møtm`nglýßik”tnæimßidànhcho
ngýiõibømrøngt(côngviênõ”ncácconõýng,công
viên và ca hàng xung quanh trong khi các tuy”n õýng
st
dành cho xe õ`p õ”n t( các khu v.c lân c˝n õýc hýßng
ong
vàotrungtâmcakhônggiancôngcøng. nH
Die
LOCAL PEDESTRIAN NETWORK

n Troi st st
Nguyen Va Tu
Tầng mái yen
u
At a local scale, the design of the competition site embraces Rooftop Ng
and reaches out to connect with the neighborhood and t
n gs t
public facilities surrounding it. A new network of pedestrian Ho ans
connections extends from the park to the surrounding ien Du
D Le
Vu
Ba
roads, parks and shops while the bicycle routes coming from Giá để xe đạp
o
Giá để xe đạp
st
surrounding neighborhoods are directed into the heart of the Bike rack st
public space. Bike rack anh
Walkway | Đường dạo Le Lai st Tat Th
en
uy st
Ng uo
ng
gV
on
Du
An
n Sinh Sắc Giá để xe đạp

on
g st Tượng Nguyễ
Thành
Die
nH - Nguyễn Tất Bike rack
tue
NSS -NTT sta
ion zone Bike rack
Speed restrict tốc độ Tuyến công viên
n ch ế
Khu vực hạ Giá để xe đạp
Linear park
ong st
An Duong Vu
Quãng trường Quy Nhơn
iep st
Quy Nhon square
en Th
Khu vực đậu
Nguy
xe công cộng
iếu nhi
Công viên th Public parking
park
Thieu Nhi
Xuan Dieu st
Đường
dạ
Beachf o dọc bờ biển
ront pr
omena
de
Bãi biễn
Legend
Beachfront
Pedestrian route | Đường đi bộ
Forest trail | Đường dạo trong rừng
Bicycle route | Đường xe đạp
126
PHỐ ĐI XE ĐẠP
Xe h‰i õýc mi s dng õýng phæ vßi tý cách là khách

và møtsækhuv.c,phý‰ngtinc‰gißiravàobºh`nch”.
ôýngdànhchoxeõ`pcóthªõýcápdngkhichiÆurøng
õýngphæh`nch”cácphý‰ngtindànhriêngchoxeõ`p.
Nh,ng con õýng dành cho xe õ`p mßi s ch`y song song
vßi nh,ng khu v.c trng cây d th¯m õt ranh gißi các
õýngphæ,õóngvaitròthugomnýßcmýa,làms`chnýßc
và giˆm thiªu lù lt, tò thành møt m`ng lýßi c‰ s h` t˙ng
xanhmßi.
HYBRID STREET
Cars are invited to use the street as guests, and in some areas
they have limited motor vehicle access. Cycle streets can
be applicable where street width restricts dedicated cycle
facilities.
New bicycle paths will run in parallel with permeable planting

areas placed at the border of the streets, working as rain
water collectors, cleansing the water and mitigating flood,
constituting a new network of green infrastructure.
Mảng xanh (thu nước vào mùa mưa)

Vật liệu thẩm thấu Swale (wet season)
Permeable surface
Mặt cắt đường Nguyễn Thái Học

Nguyen Thai Hoc street section
Mảng xanh (mùa khô)

Swale (dry season) Làn chung (xe đạp, và phương tiện cơ giới)
Shared lane
1.8m
Vỉa hè Làn cho phương tiện cơ giới

Sidewalk vehicle transportation lane
3.5m 127
2.5m
Legend Danh mục
Pond | Hồ nước
QUŃLÝNœCMABNVNG
Natural permeable surface
Thi”tk”khônggiancôngcøngchokhuv.cnàytíchhpmøt | Bề mặt tự nhiên
hthængtoàndinvÆquˆnlýnýßcmýabÆnv,ng,thugom Hướng chảy nước mưa
nýßc mýa t( các mái nhà, khu v.c lát õá và trng cây vßi Storm water run off
mcõíchgiˆmtæcõødòngchˆy,lcnýßcbn,lýutr,hoc
2
h¯pthõªgiˆmthiªuônhimchocácbãibiªnlânc˝n.
SUSTAINABLE STORMWATER MANAGEMENT Hướng chảy nước mưa

Storm water run off
The public space design for the competition site integrates
a comprehensive system of sustainable stormwater
management, collecting stormwater from rooftops, paved t
ngs
areas and planters with the aim of reducing flow rates, Ho
en
filtering dirty water, and storing or absorbing it to minimize Di
Vu
Ba
the pollution of nearby beaches. 1
o
st
st
ng
uo
gV
on
2 Du
An
st
ong
nH
Die
Mùa khô
Hướng chảy nước mưa Dry season
Storm water run off
1 1 2
ong st
An Duong Vu
iep st
en Th
Nguy
Xuan Dieu st
Mưa nhỏ Mưa nặng hạt Mưa nhỏ

Dry season Heavy rain Light rain
128
1 BôtàngtınghpBình¶ºnh
ThĐc vưt vùng ờđm lđy Không khí ẩm từ tiểu cảnh
Wetland water edge Humidity from the waterfeature
VĐưn mĐa
Rain garden
HTHNGT-NHIÊN
VĐưn trên mái
KhônggiancôngcøngõýcõÆxu¯tbaogmcáchthæng Roof garden
t. nhiên õª cung c¯p møt không gian thoî mái và lành
m`nh h‰n. ôª chæng lì bi”n õıi khí h˝u và ô nhim không
khíõôthº,côngviênbaogmhàngtrómcâyxanhvàaoh Khu cây xanh quanh nĐm
õªlckhôngkhívàcungc¯phiu&nglàmmátbayh‰igiúp Evergreen woodland
không gian thoî mái và s`ch s h‰n trong nh,ng õt nˇng
nóng d. ki”n s tr nên thýng xuyên h‰n và c.c õø h‰n + O2 O2
trongnh,ngth˝pk2tßi.
+
+
+ O2 + + O2
NATURAL SYSTEMS O2 +
+ Không khí sạch từ rừng
+
The proposed public space embraces natural systems to provide + t Fresh air from the forest
ngs
a more comfortable and healthy space. To combat climate Ho
O2 + en O2
change and urban air pollution, the park includes hundreds Di
Vu
+
Ba
of trees and ponds to filter the air and provide evaporative
o
1
st
cooling effects that make the space more comfortable and +
+ O2
clean during heat waves which are expected to become more
frequent and deadly in coming decades. + 3
O2
O2 + + st
ng
+ uo
gV
on
+ O2 + + An
Du
+ + O2
+ + +
2
O2 + +
+ + +
st
on
g +
+ nH
Die + + O2 O2 +
O2 O2 + +
O2
ThĐc vưt vùng ờđm lđy +

Wetland water edge Vườn các loại cây ven biển
3 Coastal garden 2
ong st
An Duong Vu
iep st
Không khí sạch từ rừng
en Th
Fresh air from the forest
Không khí ẩm từ hồ
Nguy
Humidity from the pond
Xuan Dieu st
Không khí Đm tư tiờu cđnh
Humidity from the pond
Không khí sạch từ rừng

Fresh air from the forest
129
6 Orchard | Vườn trái cây 5 Pond | Hồ

HSINHTHÁIôłCôÁO Mangifera Indica L Cyperus alternifolius
Dimocarpus longan Typha angustifolia L.
Nhu c˙u ca møt khu õô thº ph&c hp õòi hi møt thi”t k” Musa acuminata Equisetum hiemale
xemxétnhiÆuõiÆukinmôitrýngkhácnhauõýctìmth¯y
trong toàn bø không gian. Bô tàng Tıng hp Bình ôºnh s
Colocasia esculenta Colocasia esculenta
dng các qu˙n xã sinh thái õøc õáo õýc thi”t k” õª õáp Averrhoa carambola Thalia geniculata (red-
&ngcácõiÆukinõad`ngcakhônggiannhýt˙ngthýng, stemmed)
khuv.cvenbiªnvàkhônggiancómáiche.S.õad`ngnày
mang õ”n møt lo`t trî nghim õøc õáo cho cý dân khi h Nymphaea tetragona
di chuyªn qua công viên, õng thi tò ra môi trýng sæng Nelumbo nucifera
chonhiÆuloàisinhv˝tõºaphý‰ng.
4
UNIQUE ECOSYSTEM 4
gs
t 4 4
The demands of a complex urban site require a design which n
Ho 3
considers the many different environmental conditions which en 1
Di
Vu
are found throughout the space. The Binh Dinh general
Ba
o
museum uses unique ecosystem designed to meet the diverse
st
conditions of rooftop spaces, coastal exposures and sheltered
5 1 4 Rooftop | Vườn trên mái
spaces. This diversity provides a series of unique experiences 3
for residents as they move through the park, while creating 1 2 st
1 ng
habitat for a variety of local species. 1 2 uo
gV
3 on
Du
6 1 An
1 2
1 Forest | Rừng 2
5 2
st 2
ong
nH
Die
2 Coastal garden | Vườn giáp biển 3 Seasonal garden | Vườn cây theo mùa
ong st
An Duong Vu
iep st
Cyperus alternifolius
en Th
Leucophyllum frutescens
Nguy
Ruellia brittoniana
Pennisetum setaceum
purple
Barringtonia acutangula Hopea odorata Delonix regia Wedelia trilobata
nephrolepis exaltata Khaya senegalensis Cassia fistula Pandanus pygmaeus
Xuan Dieu st Imperata cylindrica
Alocasia macrorrhizos Dracontomelon Plumeria rubra
Livistona rotundifolia duperreanum Peltophorum pterocarpum
Cinnamomum camphora Bauhinia purpurea
Rhapis excelsa Hibiscus tiliaceus
Barringtonia asiatica
Pandanus tectorius
Cycas pectinata
Cocos nucifera
Liriope spicata
Scaevola taccada
130
ôADNGSINHHC'NúISINHSNGCAMUÔN
LOÀI
S. din tˆ õa d`ng ca th.c v˝t có hoa, ao h, õ¯t ng˝p
nýßc và r(ng õô thº tò nÆn tˆng õª xây d.ng lì møt h
thæng sinh thái õºa phý‰ng m`nh m. Bô tàng tıng hp
Bình ôºnh cung c¯p môi trýng sæng, th&c ón và n‰i cho
nhiÆuloàiõºaphý‰ngbaogmchim,õøngv˝tthph¯nvà
các õøng v˝t khác, mang lì cho không gian s. sæng õøng
t.nhiêncaâmthanhvàho`tõøng.
BIODIVERSITY – A PLACE FOR ALL SPECIES
t
The diverse expression of flowering plants, ponds, wetlands 6 3
and urban forest provide the foundation for building back 2st 7
a strong local eco-system. The Binh Dinh general museum ng 6
Ho 5
en 2
provides habitat, food and shelter for a variety of local species Di 6
Vu
1
Ba
including birds, pollinators and other animals which give the
o
st
space a natural vibrancy of sound and activity. 1 1 7
1
6
2 2 6 6
4 7
a b 7 1 st 2 3
ng
uo
6 gV
on
4 Du
An
4
4
c d e f 4 5 6 7
g st
on
nH
Die
g h i k a b c
ong st
An Duong Vu
BŃGVTLIU
iep st
d e f Vic l.a chn v˝t liu phù hp vßi phý‰ng pháp ti”p c˝n
en Th
a tácõøngmôitrýngth¯ptrêntoànc˙ucad.án.Vicl.a
Acridotheres tristis
chn các loì õá và si t. nhiên sn có tì õºa phý‰ng, g
Nguy
Passer domesticus b õýcch&ngnh˝n,máylátcóthªthmth¯u,sphùhpvßi
c cácbÆmtc&ngvàmÆmtònênhìnhdángchocôngtrình
Streptopelia chinensis
cˆnhquan.
Cinnyris asiaticus d
Libellago lineata e Cyprinus carpio a
MATERIAL PALETTE
Cinnyris asiaticus f Ariidae b
Xuan Dieu st
Neurobasis chinensis g Chanodichthys c
The material selection aligns with the project’s global low
Marmotini h Hypophthalmichthys d environmental impact approach. A selection of locally
Graphium Sarpedon i Duttaphrynus melanostictus e available natural stone and gravel, certified wood, permeable
pavers, will conform the hard and soft surfaces giving shape to
Tyto alba k Hylarana guentheri f
the landscape project.
131
MTB—NGTNGTH
MASTERPLAN
2
2
2 3
13 1 4
3
2
CHÚ THÍCH | LEGEND 2
1 Khu đón trả khách | Drop-off 10

2 Băng ghế | Benches 2 5 5
3 Khán đài | Grandstand 9
8 2
4 Vũng thu nước | Swale 2 7
5 Hồ cảnh quan/ điều hòa | Pond 6
6 Băng ghế vòng | Ring seats 6
7 Khu vực cộng đồng | Community space 6 11
12
8 Khu vực triển lãm/ sự kiện | Outdoor exhibition/ event space 6
12
9 Tháp Chăm | Champa tower
10 Máng trượt | Slide 6
11 Lối dạo trong rừng | Forest trail

6
12 Vườn cây ăn quả | Orchard
13 Khán phòng trên mái | Rooftop auditorium
6 6
132
QUYHOCHKHÔNGGIANCÔNGCłNG'MłT
KHUVNCÔNGCłNGCHO¡THÀNHPHà
Bên trên các lßp môi trýng và h sinh thái, bô tàng tıng
hpBìnhôºnhnhmcungc¯pmøttrungtâmxãhøisôiõøng
ca thành phæ. Cho phép cý dân ti”p c˝n vßi không gian
xanh công cøng r¯t c˙n thi”t õª t t˝p và t˝n hýng. Các Cầu trượt Slide
ch&c nóng õýc õÆ xu¯t giî quy”t nhiÆu nhu c˙u ca cý
dânmil&atuıivàtòras.k”tnæigi,akhônggiancông Ghế đá Stone seats Outdoor auditorium Khán đài ngoài trời
cøngtrongnhàvàkhônggiancôngcøngngoàitri.
Ghế dài Benches
Water feature Tiểu cảnh nước
PUBLIC SPACE PLANNING – A PUBLIC GARDEN FOR [CITY] Tháp Chăm Champa tower
Drop-off/ Plaza Quảng trường/ Đón thả khách
Above the layers of environmental and ecosystem services, Khu sự kiện/triễn Outdoor exhibition/ t
lãm ngoài trời event space ngs
Binh Dinh general museum aims to provide a vibrant social Ho
en
center of the city. Giving residents access to much needed Di
Vu
Ghế dài Benches Stone grandstand Khán đài đá
Ba
public greenspace to gather and enjoy. The functions proposed
o
st
resolve the many needs of residents of all ages and creates Ghế vòng Ring seats
a connection between the public indoor space and public
outdoor space. Cây ăn trái Orchard
st
ng
uo
gV
on
Du
An
Benches Ghế dài

st
Ghế vòng Ring seats ong
nH Ghế đá Ring seats Ghế vòng
Die
Stone seats
Benches Ghế dài
Khu vực công cộng Community area
Gathering area Khu vực tập trung
Khu vực đón thả khách
Khán đài đá Stone grandstand
Drop-off ong st Benches Ghế dài
An Duong Vu
iep st
en Th
Nguy
Khu vực cộng đồng Ghế đá Khán đài ngoài trời
Community area Stone seats Xuan Dieu st Outdoor auditorium
Khán đài đá Khu vực kiện/ triễn lãm ngoài trời Ghế dài Khu vực tụ họp Ghế tròn Cây ăn trái Tháp Chăm Pa
Stone grandstand Outdoor exhibition/ Benches Gathering space Ring seats Orchard Champa tower 133
Event space
1664
m2
LPK“HOCHS-KIN'¡CITYàNHMłTVòNHÓA 554
SÔIôłNG Lượng người vào ngày thường (3m2/ người)
Ta l`c tì vº trí chi”n lýc ca trung tâm thành phæ, bô People on ordinary day (3 m2/ person)
1664
tàng tıng hp Bình ôºnh õã õýc quy ho`ch õª phc v
1567
cácõámõôngvàcáclhøilßn,phcvnhýmøttrungtâm
vónhóasôiõøngcathànhphæ.ôæivßinh,ngdºpõcbit,
Lượng người vào ngày lễ (1m2/ người)
1100
khônggianõýcbætrílinhho`tkhépkíncáctuy”nphænh¯t
õºnhvàmicôngchúngõ”nthýngngo`nmøtkhônggian People on event day (1 m2/ person) m2
522
ngangvßiphæõibøNguynHuhayhHoànKi”m.
m2
366
EVENT PLANNING – [CITY] AS A VIBRANT CULTURAL CENTER Lượng người vào ngày thường (3m2/ người)
People on ordinary day (3 m2/ person)
Lượng người vào ngày thường (3m2/ người)
1567
Located at a strategic site in the center of the city, the Binh
Dinh general museum has been planned to accommodate big t
People on ordinary day (3 m2/ person) ngs
crowds and festivals to serve as a vibrant cultural center for the Ho
1100
city. For special occasions, the space is made flexible to close Dien Lượng người vào ngày lễ (1m2/ người)
Vu
People on event day (1 m2/ person)
Ba
certain streets and invite the public to enjoy a space equal to
o
st
Nguyen Hue street or Hoan Kiem lake. Lượng người vào ngày lễ (1m2/ người)
416
st
ng
uo
gV
on
m2 An
Du
138
1824
People on ordinary day (3 m2/ person) st
ong
nH
416 Die
m2
Lượng người vào ngày lễ (1m / người)
2
People on event day (1 m2/ person) 608

st
An Duong Vuong People on ordinary day (3 m2/ person)
1824
iep st
en Th
Nguy
540
34240
m2
m2 Xuan Dieu st 180

11413 People on ordinary day (3 m2/ person)
540
People on ordinary day (3 m2/ person)
34240 People on event day (1 m2/ person)
134
D. án Fa Fh…ng t¶i F»ng [Hm [«t møt •Æ [u¯t nhm Fî

thin Nhˆ nng tip F˝n Yà Nt næi gi,a Quˆng tU¿ng Quy
Nh‰n, Nh¶ng gian t¿ng nim t¿ng Nguyn Sinh SˇF
Nguyn T¯t Thành, gißi thiu Nhu Y.F h`n Fh tæF •ø GF
thHR •R`n ¶ì lø An D¿‰ng V¿‰ng giaR Fˇt gi,a Fh…ng.S.
Fan thip Fhin l¿F này nhm Fng Fæ Nt næi tUF Nh¶ng
gianF¶ngFøngNguynT¯tThànhYßiB¥iEiªnQuyNh‰n.
Our project also considers a proposal to improve the

accessibility and connectivity in between Quy Nhon Square,
Nguyen Sinh Sac – Nguyen Tat Thanh statue memorial space,
introducing a speed restriction zone along through the section
of An Duong Vuong Avenue crossing between them. This
strategic intervention aims to consolidate the connection of
Nguyet Tat Thanh public space axis to Quy Nhon Beach.
135
136
137
THITKMTNG FACADE DESIGN
Ýtýngmtõ&ng Facade Concept
Thi”tk”kiªuhình Typology
Thi”tk”thõøng Passive design
Hthænglàmmátbngbayh‰i Evaporation cooling system
Thi”tk”chi”usáng
Lighting system
138
139
Thi”tk”mtõ&ng Facade Design
Ýtýng CONCEPT
ground movemen
ÝTNGCHÍNH
Ba Hoa moutain City’s Shinto Axis
Mt õ&ng ca nhà bô tàng õýc hình thành d.a trên tính GócnhìnranúiBàHa Gócnhìnvàotrcth¯n•¿o
ch¯t õa hýßng ca công trình. Mc dù có c¯u trúc trng
tâm vÆ ch&c nóng theo trc Bˇc-Nam và ôông-Tây, nhýng
nóõýckhaithácõªtæiõahóagócnhìnrat¯tcˆcácõiªm
nh¯nquantrngcakhuv.cvàcathànhphæ.
D.a trên mæi quan tâm õó, cùng vßi vic mt õ&ng chính
xoay vÆ phía õông nên toàn bø các ph˙n trong suæt ca
côngtrìnhõýcchialàm2loì,phùhpvßikhæich&cnóng
mànóõˆmnhim.
Các góc nhìn t( bô tàng ra bên ngoài õánh d¯u các vº trí
East Plaza
trng õiªm vÆ tý‰ng tác thº giác. Thêm vào õó, chúng còn
õýctínhtoánõªcôngtrìnhcókhˆnóngnh˝nánhsángt. Góc nhìn
nhiênmøtcáchgiánti”p,giˆmnhitlýngõivàocôngtrình. qu`ngtr¿ßngphíaôông
Nhý v˝y, ý týng chung trong thi”t k” mt õ&ng là tò ra

møt thi”t k” thông minh d.a trên tính toán ca góc chi”u South Plaza
mt tri trong nóm, qua õó õy m`nh tính bÆn v,ng ca Góc nhìn
thi”tk”,õngthikhaithácv‘õpm`nhmcakhæiki”n qu`ngtr¿ßngphíaNam
trúccôngtrìnhvßicácsàncˆnhquanxôtrýtlênnhaunhý
nh,ngõtsóng.
Ho Chi Minh square
Góc nhìn
qu`ngtr¿ßng
NguyªnSinhCung
CONCEPT NguyªnSinhS˝c
The facade of the museum is formed based on the multi-directional

of the building. Although it was structured with a functional focus
on North-South and East-West axes, it is exploited to maximize
views of all the important landmarks of the area and of the city.
Based on that concern, along with the main facade facing east,
all transparent parts of the building are divided into 2 types, in
accordance with the functional axes that it undertakes.
The views from the museum to the outside mark key locations for
visual interaction. In addition, they are also calculated so that the
building has the ability to receive natural light indirectly, reducing the
heat entering the building.
Thus, the general idea in façade design is to create a smart design

based on the calculation of the solar angle of the year, thereby
promoting the sustainability of the design, while exploiting the
strong beauty. of a building structure with landscape floors sliding
over each other like waves.
Curvy glass facade

Flat Glass facade
140
DOUBLE SKIN F
Facade Design
Thi”tk”mtõ&ng MT¶NGHAILłP
Kiªuhình TYPOLOGIES
CLOSED FACADE Core
KHUVCMT¶NGKÍN
South MT¶NGPHÍANAM
Inside PHÑTRONGCÔNGTRÌNH
Curvy Glazing TYPE B Curvy Glazing, GRID 1.35M
LłPKÍNHCONGPHNXMODUL1.35
Evaporation Pipe FACADE 2ND LAYER

NGNłCTNNHIT LłPMT¶NGTH2
MÁI¶UACHNNNG
Veranda Blocking the Sunlight
South MT¶NGPHÍANAM
Inside PHÑNGOÀICÔNGTRÌNH
View Through R&D

MT¶NGHAILłP MT¶NGKHIVINNGHIÊN
Core
Inside Office and

Facade Type A R&D Center
LłPKÍNHPH—NGTYPEA
HAILOIMTKÍNH%AOPHMT¶NG GLASS ENVELOPE: 2 TYPOLOGIES Glazing
PK˙QPWNflQKWKQK¯WLR`LAO¢NKXY.FFPW•QJFD The Glass facade: Type A, is the façade area of the administrative
NKæLYQSK·QJ•LÆXK¢QKY¢YLQQJKL‹QFXNKRDKF.KKX offices and the R&D center. This area rotates to the West and South, so
Y.FQ¢\[RD\YÆSKflDT⁄\Y¢SKflDNDPGR•VO¢NKXY.F it will be an area where located by more sunshades.
[X¯WKLQQKLÆXKFKˇQQˇQJ.
TURQJNKL•OR`L%O¢NKXY.FFKDPW•QJFDNKæLSK·QJ Meanwhile, type B is the area containing the facade of the public MÁI¶UACHNNNG
WULªQO¥PFK…QJ•¿F•ºQKYºQKLÆXSKflD¶¶QJY¢SKflD%ˇF Exhibition hall, they are located more in the East and North of the Veranda Blocking the Sunlight
F¶QJWUfiQKGR•NK¶QJF˙QQKLÆXV.WKDPJLDFDKFKˇQ building, so there is no need for much involvement of the sunshade
QˇQJY¢•¿FFKRSK«SVGQJNflQKWURQJVXæWQKLÆXK‰Q. system and to be implemented by transparent glass.
View GÓCNHÌN
Outside PHÑNGOÀICÔNGTRÌNH
Thi”tk”thõøng PASSIVE DESIGN
THI“TK“THôłNG PASSIVE DESIGN
õªõýaánhsánggiántipõ˝pnˆyvàobêntrongtòanhà. the interior of the building. Photovoltaic Cells
广T´广M广P广I广N广M广T广T广Rœ广I
ôó là phý‰ng pháp thi”t k” th õøng ýu vit cho các công It is the preeminent passive design method for Cultural buildings
trìnhvónhóahýßngtßigiátrºtruyÆnthængvàbÆnv,ng.Bên towards traditional and sustainable values. Besides, it helps to
c`nhõónógiúpíchchovicsˇpõtvàtıch&cchi”usáng arrange and organize the lighting inside the Museum to become
hành. Sun shading + roof garden’s edges
广D广I“广M广M广ÁI广C广H广N广N广N广G广
广V+ üœ广N广T广R广ÊN广M广ÁI
Structural Columns
广C广T广C´广U广T广R广ÚC广
Facade horizontal support

广C´广U广T广R广ÚC广P广H广
Curvy Glass facade

广C´广U广T广R广ÚC广P广H广
Evaporative Cooling Pipe

广H…广L广ÀM广M广TÁ 广B˛广N广G广B广A广Y广Hú广I广
Entrance Canopy
广M广ÁI广S广N广H广ô广Ó广N
Transparent Glaze Entrance

广M广T广ô广N广G广S广N广H广ô广Ó广N广T广R广O广N广G广S广U广T
Ph˙nrìamáiõuaratrêntrcôông-Tâyv(alàgiîphápchˇnnˇng&
Thi”tk”mtõ&ng Facade Design BôtàngtınghpBình¶ºnh
Kiªmtrabóngõı SUN SHADING EFFECT
K“TQU´TÍNHTOÁNVHIUQUĆH˛NN˛NGCAFACADE
SUN SHADING ANALYSING
145
Hthænglàmmát EVAPORATION SYSTEM
LNGMA
Precipitation
NGBAYH…IMT¶NG
Evaporation Pipe
BCHANœCMATRÊNMÁI
Sunlight
ÁNHSÁNGMTTRœI Collected Rain Water Highly Water Retentive
Terra-Cota Louver Ø 6cm
Elastic Adhesive
Core Material:
Evaporation Extruded Aluminium
BAYH…ITRONGCÁC
NGTNNHIT
LUNGKHÍMÁTLUÂNCHUYN
Cool Air Pump
MÁYB…M
NGUNC´PTTHÀNHPH
City Water
HTHNGBNG˜M
Underground Tank
Filtered Raw Sterilized Water Spraying Clorine Prevention

Water Tank Water Tank /Receiving Tank Sterilization of Scale
Thi”tk”mtõ&ng Facade Design BôtàngtınghpBình¶ºnh
Hthænglàmmát EVAPORATION SYSTEM
H TH N L MM TB N N D N BA H EVAPORATION SYSTEM
C c ph n m t ng k nh c a t a nh ph a ng v ph Ha th ng n y t o th nh m t v ng tu n ho n kh p k n, s d ngThe building’s glass facades to the east and south are equipped with This system forms a closed cycle, using rainwater and solar energy to
Nam c trang b h ng mao d n t o bay h i. yl m tn c m a v n ng l ng m t tr i ho t an evaporator capillary system. This is a recirculating system that
ng. N c th operate. It can be replicated across all public buildings located on the
h th ng tu n ho n, s d ng c c b ch a n c m a tr n c nh n r ng tr n t t c c c c ng tr nh c ng c ng n muses rainwater storage tanks on the roof and drains it down through city’s north-south Shinto axis. At that time, the entire route will act as
m i r i d n xu ng qua m t s l ng l n c c ng mao d n tr n tr c Th n o B c-Nam c a th nh ph . hi y, to n b a large number of capillary tubes on the facade of the building. The an environmentally friendly cooling system, not only for itself, but also
tr n m t ng c a c ng tr nh. Nhi t l ng c a m t tr i l tuy
m n s ho t ng nh m t h th ng l m m t th n thi heat n of the sun causes the water in these tubes to evaporate, thereby contribute to reducing the temperature of neighboring areas, limiting
n c trong c c ng n y bay h i, qua
tr n c c t m k nh l n.
l m gi m nhi t v i m i tr
gi m nhi t
ng, kh ng ch cho ch nh n m c n g p ph n
c a c c khu v c l n c n, h n ch ng p ng
lowering the temperature on the large panes of glass.
Water C
flooding and increasing water permeability.landscape in the rainy season.
v t ng kh n ng th m n c c a c nh quan v o m a m a. Thanks to the instantaneous temperature difference, the cool air It’s a system that should be widely adopted,
Nh ch nh l ch nhi t t c th i, l ng kh ng kh m t c generated on the façade is continuously recirculated downwards and
t o ra tr n m t ng s li n t c tu n ho n xu ng ph a d i l m t h th ng n n c p d ng r ng r i, forms a ‘temperature curtain’, which protects the building from large
v t o th nh m t l p m nh nhi t , n b o v c ng tr nh amounts of radiation in the summer.
kh i l ng b c x l n v o m a h . .
门面系统具有显著的环保性能为创造一个舒适的小气候。
从屋顶收集的雨水储存在地下存储罐，然后泵入管道。经
过滤的雨水蒸发通过多孔陶瓷管，从而由2摄氏度降低周
围的空气。
NGNGTTHÀNHMÂY
Cloud Formation
LNGMA
Precipitation
Core Material: BAYH…ILÀMMÁT BAYH…ITNHIÊN

Extruded Aluminium Evaporation Evaporation
Th nghi m tr n c ct a nh c s d ng h th ng l m m t
b ng bay h i n c
¶´TTH´MTNHIÊN
From Soil
NłCMT
Ground Water
V ng tu n ho nn c quy m pd ng tr n c th nh ph
Water cycle in the City scale
M ph ng b ng ch ng tr nh gi l p tr n t a nh b o t ng
B nh nh
147
Hthængchi”usáng LIGHTING SYSTEM
CHIUSÁNGMT¶NGCNGTRNH FACADE LIGHTING CONCEPT
KKXYFPW•QJSKflD¶¶QJQ‰L•QNK£FKFKflQK•¿FWUDQJ The East façade area, the main common area, is equipped with
EºKWKæQJ•“QLEDWflFKKSWKHRKWKæQJO¢PP£WEQJED\
K‰LQ¿ßFNWUWK¢QKPøWP¢QKfiQKOßQFWKªSKFYF£F
EXıLWUfiQKGLQ£QKV£QJQJR¢LWULY¢REXıLWæL4XD•ELQ
integrated LED lighting system according to the evaporative cooling
system. It becomes a large screen that can serve outdoor light shows in Facade Lighting
the evening. Thereby making the East Plaza an attractive destination
TXˆQJWU¿QJSKflD¶¶QJWK¢QK•LªP•QFXæQK…WFKRF¶QJ
FK…QJ QJD\ Fˆ WURQJ WU¿QJ KS EˆR W¢QJ NK¶QJ P FD
for the public, even if the museum is not open. CHIUSÁNGMT¶NG
Besides, interior lighting inside the building is also a theme that
B‹Q F`QK • FKLX V£QJ QøL WK¯W E‹Q WURQJ W·D QK¢ F»QJ creates the beauty of the building at night. Light shines through the
O¢ PøW FK •Æ W`R UD Y •S FD F¶QJ WUfiQK Y¢R EXıL •‹P gap between the floor slits and the roof garden, turning the building
ÁQK V£QJ KˇW TXD NKRˆQJ WUæQJ JLD F£F NKH V¢Q Y¢ Y¿Q into an iconic building. It was like a beam of light emanating from
WU‹Q P£L ELQ F¶QJ WUfiQK WU WK¢QK PøW W·D QK¢ ELªX W¿QJ the ground. It is also one of the unique architectural ideas that the
NJLæQJQK¿FK»PQKQJWLDV£QJSK£WUDWWURQJO·QJ•¯W building aims at.
¶ F»QJ O¢ PøW WURQJ QKQJ ¿ W¿QJ NLQ WU…F •øF •£R P¢
W·DQK¢QKˇPWßL
Glazing
Evaporation Pipes MT¶NGKÍNHPHÍATRONG
Curvy glass HTHNGBAYH…ILÀMMÁT HTHNG¶ÈNLEDTÍCHHPVÀONGBAYH…ILÀMMÁT
Integrated LED Ligting on Evaporation Pipes
TÍCHHP¶ÈNLED
Integrated LED Lights
ÁNHSÁNGLŒTTTRONGRANGOÀI
Lighting Through Waving massing
Bˆnv Facade Design BôtàngtınghpBình¶ºnh
TiêuõÆ STRUCTURE
149
Bˆnv Facade Design
TiêuõÆ STRUCTURE
150
THITKBNVNG SUSTAINABLE DESIGN

Chi”nlýc-Phântích Strategies - Analysing
Ýtýng Concept
Giîphápthõøng Passive Design
Giîphápchõøng Active Design
Mànglckhôngkhí Air Filtration facade coating
151
Thi”tk”bÆnv,ng Sustainable Design
Chi”nlýc STRATEGIES
B o t ng T ng h p B nh nh c thi t k mang l The i s Binh Dinh General Museum is designed to provide maximum user
tho i m i t i a v tr i nghi m kh qu n cho ng i d ngcomfort and a memorable museum experience while minimizing
ng th i gi m thi u t c ng n m i tr ng. B o t ng c impact
ng on the environment. The museum also strives to provide
c g ng mang l i c m gi c tho i m i v kh ng gian m i comfortable outdoor spaces surrounding the building, at grade and
t ng v t ng th ng bao quanh t a nh . t c i onu balconies by creating a microclimate. To achieve this, the energy
n y, chi n l c n ng l ng s d ng c c bi n ph p th ng
strategy employs passive measures which minimize loads, high-
v t i t i thi u, h th ng l m vi c ph i h p hi u qu , hi u su efficiency
t systems which work in harmony with each other and on-site-
cao v n ng l ng x y d ng n ng l ng t i t o t i ch generated renewable energy which offsets building energy needs.
cung c p n ng l ng cho t a nh . B o t ng m i s t c
The New Museum will achieve the Green Building Three-Star and
ch ng ch xanh t a nh b n v ng ba sao v ch ng ch xanh international LEED standards.
LEED qu c t .
Sustainability
Sustainable Design Biodiversity, Ecology
and Sustainable Drainage
Use of materials
ôad`ngsinhhc,Hsinh
生物多样性、生态与可持续
tháivàThoátnýßcbÆnv,ng Sdngv˝tliubÆnv,ng
排水系统材料利用
Land, Water
and Air Waste
ô¯t,nýßcvàkhôngkhí Táich”
土地、水与空气废弃物管理
Culture, Heritage
and Built Form Transport and
Mobility
Di文化、文物与
sˆnvónhóavà
V˝nchuyªnvà
hình建筑形式
th&cxâyd.ng 废弃物管理
SUSTAINABLE Tínhdiõøng
DESIGN
可持续设计
Housing
Energy
and Amenity
Nóng
能源lýngs`ch
NhàvàTinnghi
住房与配套设施
Education Inclusion
and Economy Tínhk”tnæi
包容性
Giáodc vàkinht”
教育与经济
Health and
Global, Local and
‘ Văn hóa Bình Định khuyến khích sự kết hợp hài hòa giữa thiên nhiên với môi trường thành phố cùng Wellbeing
Internal Environments
với thiết kế sáng tạo’ S&ckhevàan
Toànc˙u,ôºaphý‰ngvà
卫生与福利
全球、地方与内部环境 sinhxãhøi
‘Binh Dinh culture encourages the harmonious integration of nature with the city environment along Môitrýngbêntrong
with innovative design.’
152
Thi”tk”bÆnv,ng Sustainable Design BôtàngtınghpBình¶ºnh
Phântíchsæliu ANALYSING
Wind Directions
Climate at Quy Nhon
Wind Speeds
Average High and Low Temperature at Quy Nhon
Humidity and Comfort Range

Moon Rise, Set & Phases at Quy Nhon
153
Sustainable Design
Thi”tk”bÆnv,ng
Ýtýng CONCEPT
Sosánhcácy”utæmôitrýng
Environmental Factors in Comparison
Air Pollution BINH DINH HANOI BERLIN

Drinking Water Pollution & Inaccessibility 25 119 24
Dissatisfaction with Garbage Disposal
18 51 20
Dirty & Untidy
Noise & Light Pollution Low to Moderate Very High Low to Moderate
Water Pollution
Dissatisfaction to Spend time in the City
Dissatisfaction with city Green & Parks
Air Quailty
Drinking Water Quality & Accessibility
Garbage Disposal Satisfaction
Clean & Tidy
Quiet & No Problem with Night Lights
Water Quailty
Comfortable to Spend time in the city
Quality of Green & Parks
154
Ýtýng CONCEPT
KháinimpháttriªnbÆnv,ngbêntrongBôtàngKhoahclà The sustainability concept for the interior of the museum is a hybrid
s. pha trøn gi,a các h thæng th õøng và ch õøng. S. k”t passive and active system. Highly technical and active systems in
hpgi,ahthængchõøngcôngnghcaovàhthængth combination with natural passive systems control the temperature and
õøngt.nhiêntòram&cnhitõøvàõømtæiýubêntrong humidity levels of the interior creating an optimum museum condition.
tòanhà.MttiÆnvàlßpbaocatòanhàcaBôtàngKhoa The facade and building envelope of the museum filters the pollution
hc lc các ch¯t ô nhim trong không khí và giˆm nhit õø and lowers the surrounding air temperature.
khôngkhíxungquanh.
HỖN HỢP | HYBRID LỌC KHÔNG KHÍ | AIR FILTRATION

HỆ THỐNG CHỦ ĐỘNG THỤ ĐỘNG | PASSIVE ACTIVE SYSTEM zzv | LOW CO₂, LOW TEMPERATURES
Hthængthõøngt.nhiên Hthængchõøngcôngngh Binh Dinh

Natural Passive Systems Technical Active Systems General Museum
TRÍNGHIMTHIÊNNHIÊN&CÔNGNGHCAOVÔHÌNH TÁCôłNGTÍCHC-Cô“NXUNGQUANH | POSITIVE IMPACT

EXPERIENTIAL NATURE | & INVISIBLE HI-TECH TO THE SURROUNDING
Bêntrongbôtàng Bênngoàibôtàng
Museum Interior Museum Exterior
155
Giîphápthõøng PASSIVE DESIGN
Výn trên mái là møt trong các y”u tæ ch chæt ca thi”t k” The roof garden is one of the key elements of the building’s architectural
ki”n trúc và thi”t k” bÆn v,ng ca tòa nhà. Nó v(a làm vic and sustainable design. It both works as a landscape garden, a place
nhývýncˆnhquan,v(alàn‰ithunýßcmýa,v(alàmgiˆm to collect rain water, reduce the temperature of the building and is a
nhit õø cho tòa nhà và là h thæng làm s`ch không khí møt system to clean the air naturally without the need for electrical energy.
cácht.nhiênmàkhôngc˙ntßinónglýngõin.
Hthængvýntrênmáilàmmátvàtóngcýngch¯tlýng Mtõ&ngtrongsuætnmrîrácdctheocáckhuvýn
khôngkhíbêntrongcôngtrình mangõ”ncˆmgiácxanhmátcˆtrongl¸nngoài
Roof gardens enhance the museum’s interior quality and visitor comfort Transparent facades scattered along the gardens provide a green feeling inside and
outside the building
156
Giîphápthõøng PASSIVE DESIGN
õªõýaánhsánggiántipõ˝pnˆyvàobêntrongtòanhà. the interior of the building.
Day light penetration ôó là phý‰ng pháp thi”t k” th õøng ýu vit cho các công
trìnhvónhóahýßngtßigiátrºtruyÆnthængvàbÆnv,ng.Bên
c`nhõónógiúpíchchovicsˇpõtvàtıch&cchi”usáng
It is the preeminent passive design method for Cultural buildings
towards traditional and sustainable values. Besides, it helps to
arrange and organize the lighting inside the Museum to become
hành.
Výntrênmáih¯pthnhitlýngthõøngchobÆmtkhuõ¯t Ph˙nrìamáiõuaratrêntrcôông-Tâyv(alàgiîphápchˇnnˇng&
The roof garden absorbs passive heat to the land surface
157
Thi”tk”k„thu˝t TECHNICAL DESIGN
HTHNGK‚THUTCHôłNG ACTIVE SYSTEM BłTHULUNA

Các ngun sýi ¯m và làm mát chính s là trái õ¯t hay còn
Ngoài các giî pháp thi”t k” th õøng, tòa nhà cùng õýc In addition to passive design solutions, the building is also operated gi là h thæng nóng lýng õºa nhit. Tuy nhiên, do nhu c˙u
v˝nhànhphtrbnghthængk„thu˝tchõøng.ôólàmøt by an active engineering system. It is a closed, circulating system that làm mát là trng tâm Bình ôºnh, nên c˙n có chi”n lýc loì
h thæng khép kín, tu˙n hoàn, õˆm bô khˆ nóng v˝n hành ensures the comprehensive operation of the building as well as waste b nhit nóng lýng th¯p õª ngón trái õ¯t quá nóng hàng
toàn din ca công trình cùng nhý x lý ch¯t thî trong quá treatment in the process of energy consumption. nóm. Nhit th(a t( b‰m nhit trung tâm, hiu su¯t cao và t(
trìnhtiêuhaonónglýng vòng õºa nhit s õýc loì b qua vòng nýßc và thông qua
“bø thu Luna” møt h thæng quang õin-nhit (PVT), tò ra
õinvàobanngàyvàloìbnhitchob˙utriõêmmátm‘.
Chi”nlýcthônggiósýi , ¯mvàlàmmátchod.ánnàyõýc
thi”t k” õª yêu c˙u nóng lýng tæi thiªu. Ngun cung c¯p
khôngkhíõýctáchkhiõiÆuhòakhônggianbngcáchs
HTHNGLUNACOLLECTORS
Luna Collectors
HTHNGTHÔNGGIÓ
Displacement Ventilation
HTHNGTHUNłCMAMÁI
Rainwater Collection
HTHNGTRÑRADIANT
Radiant Ceiling Panels
QUTXTRUNGTÂM
Central Exhaust Fan
Rainwater Cistern
THÙNGCHANłCMA Heat Pump
HEATPUMP
158
Thi”tk”k„thu˝t TECHNICAL DESIGN - LUNA COLECTORS
d ng m t d n n ng chuy n d ng. h ng kh ngo i tr i cN c n ng v l nh do m y b m nhi t t o ra s c s strategy is required to prevent the earth from overheating on an occupants uncomfortable. As the cool fresh air (18°C) gains heat from
c p cho d n n ng chuy n d ng v c t i luy n b ng h d ng cung c p cho c c t m tr n b c x , gi p i u annual basis. Excess heat from the central, high-efficiency heat pump the space loads (occupants, equipment), it naturally rises. This warm
th ng a nhi t. Sau , kh ng kh trong l nh c cung c p h a kh ng gian n u c n. C c ph ng ph p b c x c and from the geothermal loop will be removed via a water loop and air is directed to one of the “molecule” atriums, where it continues to
m c s n, t c l th ng gi d ch chuy n, v i t c th p v os d ng v ch ng y u c u nhi t n c th p h n c c h through a “Luna collector”; a photovoltaic-thermal (PVT) system, rise to the top of the atrium and is exhausted by a general fan.
kh ng gian b n trong. i u n y c l i cho kh ng kh t c th ng th y i n kh c v cung c p nhi t b cx ng which generates electricity during the day and rejects heat to the cool
cao, t o ra gi l a v g y kh ch u cho ng i ng i trong xe. u h n, mang l i s tho i m i cao cho ng i s d ng. h i night sky. The hot and chilled water generated by the heat pump will be used to
l ng nhi t c a c c t m c ng m b o cho s dao ng supply radiant ceiling panels, which will further condition the space
hi kh ng kh trong l nh m t m (1 C) thu c nhi t t nhi t nh h n trong kh ng gian. T m tr n b c x cThe ventilation, heating and cooling strategy for this project are if needed. Radiant methods are used as they require less extreme
c c v t t i kh ng gian (ng i , thi t b ), n s t ng l n m t c bi t l a ch n v th i gian p ng nhanh c a ch ng. designed to demand minimal energy. Air supply is decoupled from water temperatures than other hydronic systems and provide more
c ch t nhi n. h ng kh mn y cd n n m t trong space conditioning by the use of a dedicated outdoor air unit. Outdoor uniform radiant temperature, which brings high user comfort. The
nh ng t m nh ph n t , n i n ti p t c i l n nh c a t m air is supplied to a dedicated outdoor air unit and tempered with a thermal mass of the slabs also ensures for smaller temperature
nh v c qu t th ng gi th i ra ngo i. The main heating and cooling sources will be the earth; otherwise geothermal system. Fresh air is then supplied at floor level, i.e. fluctuations in the space. Radiant ceiling panels have been especially
known as a geothermal energy system. However, because of Binh displacement ventilation, at a low speed to the interior space. This chosen because of their fast response time.
Dinh’s cooling-dominated climate, a low-energy heat rejection is in preference to high-speed air, which creates drafts and makes
Luna Collector: Using photovoltaic and solar-thermal technology (PVT) PVT Collector
Generating electricity and hot water Summary Central Conditioning Systems – Modes of Operation
Day Night
200 W/m² electricity

1. Warm water from ground goes to HP
2. HP heats water further
1. HP cools water
3. Hot water delivered to building for heating
2. Heat from HP is rejected to ground
400 W/m² heat 3. Cold water delivered to building for 地源热泵
cooling 系统
白天夜间
Day Night
350 W/m² heat rejection

50 – 150 W/m² free cooling
„Luna collector“ strategy 1. Cool water from ground goes to building
1. Warm water from ground goes to
350 W/m² heat rejection PVT/Luna collector
200 W/m² electricity 400 W/m² heat 50 – 150 W/m² free cooling 2. PVT/Luna collector rejects heat to
night sky
Ph nt ch n ng l ng m t tr i cho ng d ng PV ti mn ng- V n tr n m il v tr pd ng nh
Solar Analysis for Potential PV application- Rooftop is the most applicable location
159
Thi”tk”bÆnv,ng Sustainability
Hlàmmátbngbayh‰i EVAPORATIVE COOLING SYSTEM
L M M T N O TH T L P PH B OUTDOOR COMFORT ENVELOPE

t o kh ng gian ch o n cho c ng ch ng v du kh ch, L p bao c ch nhi t t t l ch a kh a gi m t i tr ng cho t aTo create a welcoming space for the public and for visitors, the plaza will A well-insulated envelope is the key to reducing building loads as
qu ng tr ng s c c c k t c u che n ng cl pv nh
c v kh ng gian b n trong c b o v kh i s dao have standalone shading structures, and be surrounded by greenery.
ng the interior space is protected from the outdoor air temperature
bao quanh b i c y xanh. C c b m t b n ngo i c a phong nhi t kh ng kh b n ngo i. T ng c l p c ch nhi t li n tThec exterior surfaces of the envelope will also be coated with a fluctuations. Walls with continuous insulation and high performance
b c ng s c ph m t l p titanium dioxide, c t c d ng l cv c a s hi u su t cao s kh ng ch l m gi m s t ng v th titaniumt dioxide layer, which purifies the surrounding air. The building windows will not only reduce conduction heat gains and losses, but
s ch kh ng kh xung quanh. T a nh treo l l ng tr n l i v o tho t nhi t d n truy n m c n gi m thi u c u n i nhi t v r hangs over the main entrance, inviting the public to enter the museum. have minimal thermal bridging and air leakage, ensuring a long-
ch nh, m i g i c ng ch ng b c v o b o t ng. h ch tham r kh ng kh , m b o l p v b n l u. C c r a s n nh ra Museum
che visitors will be further treated to shaded, evaporatively-cooled lasting envelope. External slab edeges work as sun shading system will
quan b o t ng s c quan t m h n n nh ng ban c ng n ng b n ngo i s ng n c n vi c thu n ng l ng m t tr i v obalconies, from which they can enjoy a view of the surroundings. prevent solar gains in the summer, reducing the building cooling loads.
c b ng r m, c l m m t b ng h i n c, t h c th
m a h , gi m t i cho vi c l m m t t a nh .
th ng ngo n quang c nh xung quanh.
-2°
temperature drop
温度降低
广H广t广h广n广g广l广à广m广m广á广t广bˇ广n广g广n广g广b广a广y广h‰广i
Evaporative Cooling Pipe Section
HTHNGLÀMMÁTB˛NGBAYH…I
Evaporative Cooling Pipes
HTHNGLŒCBI
Air Filtration Facade Coating
MÁISNHTOBÓNGMÁT
Plaza Shading
THMTHCV˚TLÀMMÁT
Vegetation
160
Thi”tk”bÆnv,ng Sustainability BôtàngtınghpBình¶ºnh
Hlàmmátbngbayh‰i EVAPORATIVE COOLING SYSTEM
L MM TB N N MAO D N BA H N CM A EVAPORATIVE COOLING SYSTEM WATER

L m m t bay h i l m t h th ng th ng hi u qu c th N cm as c thu gom t m i nh v c s d ng Evaporative cooling is an effective passive system which can lower Rainwater will be collected from the roof and used for indoor toilet-
h nhi t xu ng 2 . ng g m mao d n x p c px nh v sinh trong nh v t i ti u c nh quan theo y u temperatures by 2 degrees. Porous ceramic pipes applied in the flushing and irrigation in the landscape, as required.
d ng trong h th ng m t ti n l m t h th ng l m m t chi c u. facade system are a low cost, low maintenance cooling system for the
ph th p, b o tr th p cho ban c ng v vi kh h u xung quanh balconies and microclimate surrounding the building. Chilled air from
t a nh . h ng kh l nh t c c ng l m m t bay h i ch m the evaporative cooling pipes sink onto the plaza surface.
xu ng b m t qu ng tr ng.
Temperature Plots PPD Plots

SIDED VENTILATION
Temperature Plots PPD Plots

VENTILATION
Peak T: 32degC
PPD: 37-70%
SINGLE
Peak T: 32degC
SINGLE SIDED
PPD: 37-70%
Th ng gi m tm t
Single-Sided Ventilation
COOLINGCOOLING
Peak T: 27degC PPD: 5%

EVAPORATIVE
Peak T: 27degC PPD: 5%

EVAPORATIVE
L mm tb ng bay h i h n ng l mm tb ng bay h i
Evaporative Cooling Evaporative Cooling Abilities
161
Thi”tk”bÆnv,ng Sustainability
Mànglckhôngkhí AIR FILTRATION FACADE COATING
BIÔNHIM BIÔNHIM BIÔNHIM

POLLUTANTSPOLLUTANTS
POLLUTANTS UV UV UV RAIN RAIN RAIN
C ng ngh m i nh t kh nhi m c p d ng l m l p NHITN·NG NHITN·NG NHITN·NG MA MA MA
ph m t ti n. H th ng quang x c t c l m t ph n ng h a
h c theo nh s ng m t tr i ho c tia c c t m ph n h y c c
ch t nhi m trong kh ng kh trong m t qu tr nh t nhi n. V i
5000m2 di n t ch m t ti n, t c ng c a n t ng ng v i
1000 c y xanh hay n i c ch kh c l gi m 1000 xe t . 1 2 3
The newest technology for achieving depollution is applied as a facade L m s ch kh ng kh , l p ph m t ti n th ng minh c H th ng c k ch ho t b i tia c c t m nh s ng m t B r a tr i b in c m a, c c ch t nhi m c lo i
coating. The photocatalyst system is a chemical reaction whereby p d ng cho c c b m t b n ngo i c a t a nh tr i, c c h t nhi m b m tr n b m t b kh i b m t c a m t ti n
sunlight or ultraviolet light decomposes airborne pollutants in a natural
process. With 75000 sqm of facade surface application, its impact is Air purifiying, intelligent facade coating is applied to the System is activated by UV sunlight, pollutant particles adheres Washed away by rainwater, the pollutants are removed from
equivalent to 6000 trees or in other terms, reduction of 6000 cars. building’s exterior surfaces to the surface the facade’s surface
Air intelligent
Air purifiying, purifiying,
Air purifiying,
intelligent
facade intelligent
facade
coating is coating
facade
is coating is System isbyactivated
System is activated System isby
activated
UV sunlight,UV sunlight,
by UVpollut-
pollut- sunlight, pollut- Washed
Washed away away
Washed
by the
by rainwater, rainwater,
away by rainwater,
the pollutants
pollutants the
applied
applied to the to applied
theexterior
building’s building’s
to the exterior
building’s
surfaces surfaces
exterior surfaces ant
ant particles particles
adheres antadheres
to particles
the toadheres
surface the surface
to the surface arefrom
are removed removed
thearefrom
removed
facade’s the facade’s
from the
surface surface
facade’s s
20M2XÂYD+NG +10CÂYTRNG
20.000 sqm facade surface = + 1000 Trees
-10XEH…I
= - 6000 Cars
162
163
163
节能设计 Sustainability
通风分析 TECHNICAL
166
PHÂNTÍCHTÍNHKH¶THI TECHNICAL REVIEW

Ýtýngc¯utrúc Structure Concept
Nh˝nxétchungvÆtínhkhˆthi Overview
167

Tínhkhˆthi Technical Review
K”tc¯u STRUCTURE
C c ph nt k tc u ch nh b sung nh c t chu vi, d m bi n v d m m ng ch nh ( c hi n th

V n tr n m i, ch tr b ic c, l i ch ut i ngang v d c d i d ng d m h p n gi n)
Roof gardens, supported by piles, cores carrying horizontal and vertical loads Additional primary structural elements such as perimeter columns, edge beams and primary lattice girders (shown as simplified box-girders)
Ph nt , mang t i th ng ng nh hi u ng c tv ch, m t ph n D ms c pl d m i v i chi u cao k t c u kho ng 4,00m,

k ch ho t hi u ng ng cung c p kh ng gian gi a, t c l cho c a ch p ch a ch y.
‘Molecules’, carrying vertical loads by shear wall effects, partly activating tube effects Primary beams as twin beams with about 4.00m structural height, providing space in-between i.e. for fire shutters.
168

Tínhkhˆthi Technical Review BôtàngtınghpBình¶ºnh
K”tc¯u STRUCTURE
169

K”tc¯u STRUCTURE
Cáct¯msàn,vídthªhinvºtrícad˙mmøtchiÆu(màuõ
tý‰i)vàd˙mlýßihaichiÆu(màuõs¸m)
Floor plates, exemplary showing location of unidirectional girders (bright red) and bidirectional grid girders (dark red)
PhântíchFEMvídvÆhthængd˙mlýßi(hthæng(a)vàs
dng(b))õªkiªmtrachiÆucaok”tc¯u
Exemplary FEM-analysis of grid girder system (system (a) and utilization (b)) for check of structural height
170

Tínhkhˆthi Technical Review BôtàngtınghpBình¶ºnh
K”tc¯u STRUCTURE
MôhìnhFEMvíd(sdngd˙ms‰c¯p(a)vàsdnglýßi(b))
õªõánhgiálýßik”tc¯utıngthª,chy”uchocáckhuv.cnhºp
lßn.Cáckhuv.ccónhºpnhcóthªõýcgiˆmbßtthànhmøt
hthængõ‰ngiˆnh‰nnhýõãõÆc˝ptrongph˙nmôtˆ.
Exemplary FEM-model (utilization of primary beams (a) and utilization of grid (b)) for evaluation of overall structural
grid, primarily for large span areas. Areas with small span can be reduced to a more simple system as mentioned in the
description.
171
Tómlýc OVERVIEW
ÁNHGIÁT¨NGQUAN OVERVIEW
L.a chn ngôn ng, Ki”n trúc õa d`ng, mi din mt xã høi hóa, liên k”t vßi các trýng, c‰ quan, doanh nghip, Architecture language is diverse, each elevation has a different change, even contradict, leading to few visitors and creating a false emotional
có s. thay õıi khác bit, không õæi x&ng khuôn m¸u nhý tıch&cbênngoàixãhøitßicôngtrình-trthànhmøtõiªm to be different from traditional symmetric museum architecture impression on the building itself because of the disproportionate
ki”n trúc Bô tàng truyÆn thæng cho th¯y tý duy výt khi õ”n thú vº, tha mãn nhiÆu nhu c˙u cùng lúc . Các y”u tæ shows thinking beyond concepts and brings new imprints of the times subjective part when it fails to operate or erroneously orientated the
nh,ng khái nim và õem õ”n d¯u ¯n mßi m‘ ca thi õì này giúp gia tóng phý‰ng án ngun thu theo cách khoa for a growing city. In addition, that architecture together with the functional design in those works. It should be noted objectively that
cho møt õô thº õang phát triªn. Ngoài ra, ki”n trúc õó cùng hc và gi, õýc tính thæng nh¯t ca các giá trº, õc õiªm, overall surrounding the project also adds and generates many values people’s needs and mindsets increasingly need well-designed points
vßi tıng thª xung quanh công trình còn làm tóng thêm và phm ch¯t ca công trình và toàn thª khu v.c. ôây là giî with other advantages in terms of landscape, traffic, multitasking that are both true to nature, multitasking, and scientific like that.
khi sinh nhiÆu giá trº vßi nh,ng li th” khác vÆ cˆnh quan, pháp li ích khˆ thi tæt h‰n nhiÆu công trình Bô tàng khácfunction and flexibility in mining operation plan. economic aspects.
giao thông, công nóng õa nhim và s. linh ho`t trong õãõ˙utýnhýngsauõólìr¯títho`tõøng,haycácdºchv . To meet the above activities well, it is necessary to mention the
phý‰ng án v˝n hành khai thác các khía c`nh kinh t”. ri r`c, ho`t õøng õ‰n l‘ không ón nh˝p và th˝m chí còn Current status of a number of museums in our country: optimization of the structural solution with a column step of 16.2m
mâuthu¸n,d¸nõ”nítlýtkháchvàtònên¯ntýngcˆm The exhibition has a regular exhibition area and a thematic exhibition that allows optimizing the basement with the number of parking
Hiın tUng Yæ mt V B•R tàng nF ta Trýng bày có xúcsailchvßichínhcôngtrìnhvìph˙nchquanb¯ttý‰ng area, but little changes due to the limited amount of information and spaces up to 1000 cars and 600 motorbikes. Traffic in the area of
khutrýngbàythýngxuyên,khutrýngb˙ychuyênõÆnhýng x&ngkhiv˝nhànhkhôngõýchoclàmsaiquiho`chõºnh collectibles, so it feels monotonous and uninteresting, visitors almost the Square, flower garden, this Museum in combination with the
ít thay õıi do h`n ch” vÆ sæ lýng thông tin và hin v˝t sýu hýßng thi”t k” công nóng các công trình õó. C˙n lýu ý never come back. There are shops selling souvenirs, refreshments, and Convention Center will have a large density of vehicles both on
t˙m nên bº cˆm giác õ‰n õiu và khách h˙u nhý không vÆmtkháchquannhuc˙uvàtýduycangýidânngày events, but the frequency of events is very little related to the main weekdays and during events. Therefore, the design of a large cellar
quay tr lì. Có dºch v qu˙y ca hàng bán õ lýu nim, càngc˙ncónh,ngõiªm õýcthi”tk”õp,v(aõúngtính function of the Museum, the main activities are industry conference for parking with a clear traffic flow where the drop-off point in the
café giî khát và là n‰i tı ch&c s. kin nhýng t˙n su¯t r¯t ít ch¯t,v(aõanhimvàkhoahcnhýv˝y. events, agencies, and organizations, festivals, sports festivals, events flower garden lobby is separate from the departure point will be a
s. kin liên quan õ”n ch&c nóng chính ca Bô tàng, ho`t promoting tourism, seminars on various topics from culture to rural strong advantage in terms of traffic exit.
õøng chính là các s. kin høi nghº ca ngành, c‰ quan và .ôªõáp&ngcácho`tõøngtrênõýctæt,c˙nnóiõ”ntính development, etc., is a parking place (above-ground car park).
cáctıch&chøi,høithao,s.kinquˆngbádulºch,taõàm tæi ýu ca giî pháp k”t c¯u vßi býßc cøt 1.2m cho phép . Thanks to the structure of the corridors, verandas and ramps on the
nhiÆuchuyênõÆkhácnhaut(vónhóaõ”npháttriªnnông tæi ýu hóa t˙ng h˙m vßi sæ lýng ch õ lên tßi 10 chi”c . Multi-tasking function : The first thing to mention is that the
façade, the building offers a change in views, directions and views.
thôn,v.vlàn‰itrônggi,xe(bãixenıi). oto và 0 xe máy. Giao thông tì khu v.c Quˆng trýng, building shows an escape from the mold of the museum function
These departments are the places where exhibitions, performances
výnhoa,Bôtàngnàyk”thpvßiTrungtâmhøiNghºscó as just a pure exhibition place. Here, the objects of artifact are
and events can be organized according to thematic themes. The
. C¶ngnnganhiım ôiÆuõ˙utiênphînóiõ”nlàCông m˝tõøxelßnkªcˆngàythýngl¸nkhicócács.kin.Do not only displayed on the inside or the porch, the slope outside
creative change in the structure of the porch, this ramp will also
trìnhchoth¯ys.thoátkhikhuônm¸ucôngnóngbôtàng õó vic thi”t k” møt h˙m lßn õª trông õ xe vßi giao thông the building, but the architectural layout itself also allows visitors
satisfy the need for photography, adapting to the trend of media
chØlàn‰itrýngb˙ythu˙ntúy.Tìõâycácõæitýnghinv˝t phân lung rõ ràng ch õiªm thˆ khách õ”n sˆnh výn to live in the atmosphere and transformative space. chemistry of
communication when people go anywhere, do whatever they want to
khôngchØõýcb˙ybêntronghayph˙nsˆnhhiên,õýng hoatáchbitvßiõiªmõónkháchõislàýuõiªmm`nhvÆ themes, scenarios, and periods. The landscape area is attached to
share. Your beautiful pictures are there. The value of the artifacts does
dæcbênngoàicôngtrìnhki”ntrúc,màchínhbæccki”ntrúc thoátgiaothông. the building, creating open-closed areas with green trees combined
not exist only during the week of the event on display. Educational
cònchophépkháchthómquanõýcsængtrongb˙ukhông with uniform wall and floor materials... Here, the spaces allow the
activities, conferences, and even weddings will save moments and
khívàkhônggianbi”nhóacachõÆ,kºchbˆn,giaiõo`n . Nh c¯u trúc các hành lang, hiên và õýng dæc trên mt application of light shows. , mapping technology, the transmission
emotions into happy memories at this Museum. Museums around the
thik.Khuv.ccˆnhquanlandscapegˇnliÆnvßicôngtrình, õ&ngcôngtrìnhõemõ”ns.thayõıivÆcácgócnhìn,hýßng of information and images intertwined with the installation artifacts
world also have cooperative methods both in terms of exchanging
tòracáckhuv.ckhoˆngõóngmbngcâyxanhk”thp và t˙m quan sát. Các bø ph˝n này là n‰i có thª trýng b˙y, allow visitors to have unlimited experiences between reality
artifacts and information, and at the same time promoting the media
vßi các mˆng ch¯t liu õng nh¯t týng sàn.. õây, các biªu din, tı ch&c s. kin theo các chuyên õÆ. S. sáng tò and illusion, they are also interacting directly with the subject.
to let more people know about their Museum, but it will be very
không gian cho phép áp dng trình din ánh sáng, công thayõıivÆmtc¯utrúchiên,õýngdæcnàycùngstha subject and object. It’s a live performance, not just a display. That
effective when the building itself is attractive and a destination for
ngh mapping, s. truyÆn tî thông tin và hình ˆnh õan xen mãnnhuc˙uchpˆnh,thích&ngvßixuhýßngtruyÆnthông vividness is the emotional level that goes from narrow deposition
everyone.
vßi hin v˝t sˇp õt cho phép khách thóm quan có nh,ng media khi ngýi ngýi õi õ”n b¯t c& õâu, làm gì cùng phát to dissolving into the openness of the scene. It is entirely possible
trînghimkhônggißih`ngi,ath.ctìvàôˆnh,hcùng sinh ý muæn õýc chia s‘ nh,ng b&c hình õp ca mình to follow the scripts created through many forms of expression. The
nhýõangõýctý‰ngtáctr.cti”pvßichõÆvàõæitýng. õóGiá
. trºcacáchinv˝t,khôngchØtntìtrongcáctu˙n values of both tangible and intangible cultures, from history to the
ôó là s. trình din sinh õøng ch& không chØ là trýng bày. S. ls.kintrýngbày.Cácho`tõøngõàotògiˆngd`yki”n present, belonging to the ancient or the modern today, from both
sinhõøngõólàcáccungb˝ccˆmxúcõit(lˇngõngch˝t th&c,cáchøinghº,vàngaycˆchoõ”ncácõámcýßicùng the biological and human landscapes and this land, are recreated
hp õ”n hòa tan vào s. røng m ca cˆnh v˝t. Hoàn toàn s lýu gi, õýc nh,ng khoˆnh khˇc cùng cˆm xúc thành and traveled. through the timeline. When placed in the context of
cóthªõitheonh,ngkºchbˆnõýcsángtòquanhiÆuloì nh,ngk2nimvuiõptìcôngtrìnhBôtàngnày.CácBô the overview and architecture of the Museum, those things will be
hìnhcáchth&cthªhin.Cácgiátrºcavónhóav˝tthªl¸n tàng trên Th” gißi cùng có nh,ng phý‰ng th&c hp tác cˆ elevated, come to life, and go beyond the concept of meaningless
phiv˝tthª,t(lºchstßihintì,thuøcvÆcıxýahaycáihin khíac`nhtraoõıihinv˝t,thôngtin,õngthiquˆngbá exhibits with little emotion. That creates vibes in the soul of the visitor.
õì ngày nay, t( cˆnh quan sinh v˝t l¸n con ngýi và vùng truyÆn thông õª nhiÆu ngýi bi”t tßi Bô tàng mình, song s
õ¯t này, õÆu õýc tái hin du hành qua dòng thi gian. Khi r¯thiuquˆkhit.thâncôngtrìnhcós&chútvàlàõiªmõ”n . Flexible operation and exploitation: With the layout of
õt trong bæi cˆnh tıng quan và ki”n trúc Bô tàng, nh,ng chomingýi. architectural functions, there is a research area, preservation and
th& õó s õýc nâng t˙m, tr nên sæng õøng và výt lên restoration, storage, conference room, and landscape that allows
khi khái nim nh,ng v˝t trýng b˙y vô chi ít cˆm xúc. ôiÆu organizing many activities with many different purposes. The
õó tò nên nh,ng rung cˆm n‰i tâm hn ngýi thóm quan. museum will have more scenario options in introducing artifacts
and performing various themes. The integration of other functions
Vºn
. hành Nhai tháF linh hRt Vßicáchbæ trícôngnóng (research, preservation, restoration, etc.) can be designed to create
ki”ntrúccókhunghiênc&u,bôquˆnphcd.ng,lýutr,có , tours with interesting narratives that are informative and informative.
phònghøinghºvàcˆnhquanlandscapechophéptıch&c for visitors to the Museum. The design of the functional space is
nhiÆuho`tõøngvßinhiÆumcõíchkhácnhau.Bôtàngs flexible, allowing the work of cultural dissemination, entertainment,
cóthêmnhiÆuphý‰ngánkºchbˆntrongvicgißithiuhin education, history teaching, conference organization, etc. to be
v˝tvàtrìnhdincácnhiÆuchõÆ.S.liênk”tcácch&cnóng fully met, even creating opportunities. opportunity for socialization,
khác(khuv.cnghiênc&u,bôquˆn,phcd.ng.v. . vcó
) thª linking with schools, agencies, businesses, and organizations outside
õýc thi”t k” tò nên các tour thóm vßi các câu chuyn the society to the project - becoming an interesting destination,
õýc d¸n dˇt thú vº , và õem õ”n nhiÆu thông tin h,u ích satisfying many needs at the same time. These factors help to increase
chokháchõ”nvßiBôtàng.Thi”tk”khônggiancôngnóng the revenue plan in a scientific way and keep the integrity of the
linh ho`t, cho phép công vic truyÆn bá vón hóa, giî trí, values, characteristics, and qualities of the building and the area as
giáo dc, giˆng d˝y lºch s, tı ch&c høi nghº.v.
. v hoàn toàn a whole. This is a viable benefit solution that is better than many
cóthªõáp&ngõýc,th˝mchítòranh,ngc‰høichovic other projects that the Museum has invested in but then has very little
activity or discrete services, individual activities do not match and
172
Tàiliıuthuytminhphngán
Presentation booklet
Berlin
LJ-Group
Hochiminh City
SCA
Hanoi
June 2022
173

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lequang-architects (LAB)

NłIDUNG TABLE OF CONTENT

INTRODUCTION THITKMTNG FACADE DESIGN

URBAN DESIGN THITKBNVNG SUSTAINABLE DESIGN

THITKKINTRÚC BUILDING DESIGN

THITKC¶NHQUAN LANDSCAPE DESIGN

MERCEDES BENZ MUSEUM

VòNHÓABÌNHôŒNH VòNHÓA BÌNHôŒNH

Ngoài trời Hàng hiên Nội thất

Ngoài trời Hàng hiên Nội thất

广G广iø广i广c¸广n广n广hý广广s广a广u广: The precepts are as follows:

广•广D广i广n广t广í广c广h广k广h广u广õˆ广t广:130m广² • Site Area 13000m²

QUYHO·CHT¨NGTH URBAN DESIGN

THITKKINTRÚC BUILDING DESIGN

TRADITIONAL ARCHITECTURE BEAUTY OF NATURE

MOUNTAIN URBAN DEVELOPMENT MUSEUM SITE OCEAN

SCHEMATIC SECTION ALONG EAST-WEST AXIS

MOUNTAIN URBAN DEVELOPMENT DRAMATIC WAVES OCEAN

THE MUSEUM TO BE CREATED AS THE MOVEMENT OF WAVES

MOUNTAIN URBAN DEVELOPMENT BINH DINH GENERAL MUSEUM OCEAN

VISUAL CONNECTION BETWEEN THE MUSEUM AND THE CONTEXT

Khu õ¯t d. án nm trên trc ‘Th˙n õ`o’ Bˇc Nam và có liên

The project land is located on the North-South ‘Shinto’ axis and

Architectural solution of the building is created by a curved line

T ng l n tr n m t b ng, kh ng gian c ph t tri n theo

From the curving line on the ground, the surface is raised

Chuyªn õøng ca õýng dæc này õã t`o ra ph˙n thân thª

The movement of this ramp has created the main architectural

The museum’s blocks slide on top of each other like a wave,

Mc dù õýc xây d.ng d.a trên trc trng tâm Bˇc-Nam,

Although based on the 4 central axes North-South, East-West

tốc độ Đường xe đạp

Park Qui Nhon beach

GIAOTHÔNGQUYMÔôÔTHŒ URBAN SCALE CIRCULATION

Tínhch¯tcôõøngcakhæicôngtrình Hìnhthànhcáckhæiõach&cnóngõanxenbêntrong T`pras.liênk”tgi,acácch&cnóngbêntrongvàbênngoài

Not only is the external expression of the folds of the landscape

HA TR C CH CN N CH NH TWO MAIN AXIS OF PROGRAMMING L N T CH CN N TRON V N O INSIDE-OUT CONNECTION

h i ch c n ng c h nh th nh d a tr n hai tr c ch nh. D a tr n t nh ch t c a kh ng gian b n trong, t a nh h ng ch n thu n t o ra c c kh ng gian tri n l m v

The building creates a closed tour that allows visitors to

CÁCCHUYÊNôCHÍNHCATRINLM MAIN TOPIC

Chuich&cnóngchínhcabˆotàngõýcho`chõºnhd.a The museum’s main sequence of functions is planned around themes

To bring residents and travelers of Tongyeong together

통영 사람들과 여행객이 더불어 공감하고 공유하는 학교

Based on the main themes, there are 12 exhibition themes

‘All around’ exhibition

FROM DESIGN STRATEGY TO SHAPING THE INTERACTIVE EXHIBITIONS

S‰õv˝nõøngch&cnóng FUNCTION DIAGRAMS

A1. LOBBY | SẢNH CHÍNH

广T广H广I广T广K广K广I广N广T广R广ÚC BUILDING DESIGN

E1. LOGISTICS LOBBY | SẢNH KHU HẬU CẦN

TOTAL AREA (Z) : 5130 m2

LỐI VÀO KHO LƯU TRỮ

CAR PARK AREA: 7840 m2

CAR NUMBER: 210 CARS

ZONE 2 | WAREHOUSE SYSTEM (B) B2 B3

C10. RESEARCH - COLLECTIONS ROOM | PHÒNG NGHIÊN CỨU - SƯU TẦM

TOTAL AREA (Z) : 12,280 m2

CAR NUMBER: 410 CARS CAR NUMBER: 410 CARS

ZONE 2 | WAREHOUSE SYSTEM (B) B2 B3

ZONE 3 (C) ZONE 3 (C)

ZONE 4 (D) ZONE 4 (D)

TOTAL AREA (Z) : 11,920 m2 TOTAL AREA (Z) : 11,920 m2

ZONE 2: 3200 m2 ZONE 2: 3200 m2