Professional Documents
Culture Documents
1. A La Titus (Hairstyle)
A La Titus was a hairstyle that was interchangeable with the “A La Victime” hairstyle.
Both styles were short and choppy, reminiscent of guillotine victims. The hairstyle was
also a nod to roman statues. The distinction between the two styles was not in the style
itself, which is nearly identical, but in the name. The Victime hairstyle was specifically in
reference to guillotine victims, and Titus was a tribute to roman statues. The name
comes from Titus Brutus, a founder of the roman empire. A play called Brutus, by
Voltaire was put on stage in 1729. The actors had their hair cut short to play the roman
characters, and it soon gained popularity
Sources: Survey of Historic Costume p. 317
https://fantasticfacts.net/6683/
https://www.amusingplanet.com/2020/04/the-guillotine-haircut.html
The Bicorne Hat, a hat that came into military fashion in the 1790s. It is a varient of the
previously popular three corner hat, but now is a two corner hat. It could be worn front to back or
side to side. This hat was adopted into many militaries including, Americans, Englishman, and
the French. Mainly worn by Naval officers. Someone you might recognize famously wears this
hat, Napoleon Bonaparte.
https://www.canterburymuseum.com/collections/collection-highlights/lightbox/36#:~:text=This
%20hat%20was%20worn%20by,part%20of%20the%20dress%20uniform.
https://philamuseum.org/collection/object/138520
https://hatguide.co.uk/bicorn/
Also known as the “Liberty cap” or Red Phrygian. They were a soft cone shaped
hat with the top cured forward. Worn by french militants to show their loyalty and
was widely used in propaganda. It became the official symbol of the revolutionary
state. Since it was a symbol of allegiance to the revolution it was adopted by
anyone, including aristocrats, who wished to avoid the guillotine. It has been
resurrected at various moments of tension in French political history, right into
the twentieth century.
Source: https://www.thoughtco.com/phrygian-cap-bonnet-rouge-1221893
https://ageofrevolution.org/200-object/phrygian-cap/
https://mediakron.bc.edu/fashiondecor/french-revolution-fashion/french-
revolution-fashion/phyrigian-cap
5. Carmagnole-Mads Wilkins
A carmagnole was a short jacket that was hip length at the front and in some
cases, had a full cut at the back. These jackets were usually of darker colors and
were made of wool or cloth. These were worn by men of the working class and
were named after a song and dance entitled, “La Carmagnole”, which was
associated with the working class. Carmagnoles were named after Carmagnola,
which was a town in Italy where these coats were associated with peasants.
French Revolutionary Fashion | Unframed (lacma.org)
'Carmagnole' jacket | Palais Galliera | Musée de la mode de la Ville de Paris
Survey of Historic Costume p.309
6. Chapeau- Emily Prueitt
A chapeau is a hat or a head covering. Chapeau is the french word for hat. Head
coverings transitioned from hats to bonnets from 1790-1820. How they did their hair
was was important for wearing a hat because they may need it a certain way.
Sometimes it was tied back in a net or tied back so they could put a bonnet over their
hair. A hairstyle that became popular during the french revolution was called Haircut a la
victime which derived from how they would cut women's hair off before they were sent
to the guillotine.
Source 1:https://www.pinterest.com/pin/583286589211902481/
Source 2: https://www.geriwalton.com/evolution-of-womens-hats-from-1700-to/
Source 3: survey of historic costume
Small lace caps or muslin worn by mature women indoors.The day caps were used for
decency as well as for the lower class women to cover their hair that wasn’t done as
elegantly as wealthy women. Some of the caps covered the whole head tightly while
others sat on top of the head secured with a ribbon. This hat can be seen in movies like
Pride and Prejudice. The caps were worn basically everywhere except for things like the
opera or balls.
Sources:
1. Survey of Historic Costume, fifth edition, page 317
2. eng18th century caps.html
3. 18hauben.shtml
11. Gypsy Hat - Hope Vander Meiden, Celesta Graham, Allie Stoddard
The gypsy hat had a low crown and a wide brim, frequently made of straw and
decorated with ribbons. During this time period, hats were used not only for outdoor
use, but for more semi-formal occasions such as “theaters or balls”.(317)
Sources: candicehern.com
https://aubreyshuga.wordpress.com/the-directoire-and-empire-period/
Survey of Historic Costume, fifth edition, page 317
Sources:
Survey of Historic Costume by Phyllis G. Tortora & Keith Eubank (p. 316)
https://edutube.hccs.edu/media/Fashion+History++
+The+Directoire+and+the+Empire+Period+++1790-1820/0_i5aaj1bi
https://www.fashiongonerogue.com/fashion-revolution-during-regency-period/
Merveilleuses, meaning, “the marvelous ones” was a term used hand in hand with
Incroyables, to indicate fashion hardliners after the Reign of Terror. This term, specifically used
for women, indicated those in a sort of “fashionable aristocratic subculture”. These women
were well known for the sheer fabrics, low necklines, and trains that they wore. They
had major influence on boisterous fashion trends and were often well known, not only
for their style, but for their lack of pronouncing “R”s as a way to further distinguish
themselves from lower classes.
Sources:
Survey of Historic Costume, fifth edition, page 310
https://en.wikipedia.org/wiki/Incroyables_and_merveilleuses
https://www.parisology.net/incroyables-et-merveilleuses
16. Pantalettes - Hope Vander Meiden
Pantalettes originated in France in the early 19th century. They are a form of leggings or
long drawers. They could be one piece or two pieces. A majority of them are made from
white linen fabric and could be decorated with lace or other decorative designs. Ankle
length pantalettes for women were worn under hoop skirts to ensure the legs were
covered up. Interestly, until the 19th century, boys wore dresses until they were about
two. Because of this style, they would wear children's length pantalettes as well.
https://fashionhistory.fitnyc.edu/pantalettes/
http://www.katetattersall.com/early-victorian-undergarments-part-4-pantelettes-
pantalettes/
The reticule was a purse that women used during the 19th century. It was used to carry
everyday items that a woman could need such as a handkerchief, coin purse, and
notebook. Women would stuff the bags so full it became a joke to call them a ridicule.
21. Round Gown: Sarah Smith & Michaela Facuri
The round gown of the 1790s stands just before the complete renunciation of
three-dimension shaping and color in the First Empire, more or less imitating
Greek sculpture bereft of polychromy. The piece fully anticipates the Empire style
but retains one last vestige of rococo ornament and incident. A round gown is a
dress with a full (’round’) skirt, of which the front is not attached to the bodice. In
the 18th century, most dresses were actually open in front, and had a petticoat
underneath which shows in the front. The round gown is an exception to this
‘rule’. A round gown is different from most ‘later’ styles of dresses, in that the
bodice is attached only to the back of the skirt, while the front of the skirt has ties
and is attached underneath the front bodice with ties. The sides of the skirts have
slits to allow for getting into the skirt .
Source: https://www.metmuseum.org/art/collection/search/80580
https://ateliernostalgia.wordpress.com/2018/02/02/round-gown-inspiration/
http://www.larsdatter.com/18c/round-gowns.html
22. Spencer: Esther Wambold
A Spencer is a short jacket that is said to have been named after the 2nd Earl Spencer. He was
said to have once stood too close to the fire and burned his coattails. After that, he
commissioned a tail-less coat that wouldn’t catch on fire. The men’s version was cropped at the
waist, while the women’s version fell just under the chest because of the high-waisted silhouette
of their gowns. Spencers were worn outdoors and indoors and were made with many fabrics
and usually contrasted the rest of the outfit.
https://fashionhistory.fitnyc.edu/spencer-jacket/
Joanna. (2018, May 5). Historical Costume 1800-1820: a spencer for a skimpy gown? -
costume-1800-1820-spencer/
Directoire style fashion of women in 1795–1800 – HiSoUR – Hi So You Are. (2023).
Hisour.com. https://www.hisour.com/western-fashion-of-women-in-1795-1800-
32569/
a. These were decorative pieces meant to be worn on the hat or lapels as a sybol
/badge or patriotism. The symbolism is partly in the colors, white represents the
monarchy, while blue and red represent the colours of the city of Paris, which
according to the mayor, are signs of “the noble and eternal alliance between the
monarch and the people”. The tricolour cockade thus became a symbol of
patriotism.They have been worn over the centuries to display social or political
stances, and in modern times to communicate high quality in products
b. Source 1: https://www.elysee.fr/en/french-presidency/the-french-
flag#:~:text=White%20represents%20the%20monarchy%2C%20while,began
%20to%20appear%20on%20lapels.
c. Source 2:
https://www.indianamuseum.org/blog-post/how-to-create-a-cockade/#:~:text=Coc
kades%20are%20pleated%20or%20knotted,communicate%20high%20quality
%20in%20products.
d. Source 3:
https://www.amazon.com/Tri-color-Ribbon-Cockade-White-Brooch/dp/B075WH4
CKQ