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CHAPTER
1
The of Children’s
History Use
of Electronic Media
HAEJUNG PAlK
University of Oklahoma
For every new communication medium that tific Advisory Committee, i972) and 1980s
has appeared and spread
widely, people have (Pearl, Bouthilet, & Lazar, 1982). More re-
expressed concerns regarding the effects of cently, with the increase in the purchase of
the medium, especially on children and young video games and in response to the amount of
adolescents. In the 19205 and 1930s, when time children and young adolescents
motion spend on
pictures matured into a major mass the Internet, the same concerns
medium and moviegoing became a national
driving are
studies on the social
impacts of such interac-
pastime for family entertainment, questions tive communication media
were raised and charges were
(Turow, 1999).
made about the Before one can begin to understand the
possible harmful effects on children. This led role that each medium
plays in children’s and
to the Payne Fund
studies, a scientific assess- early adolescents’ lives, it is important to
ment of the effects of movie viewing on chil- know what each medium is and how it is used.
dren and
youth in the late 19205. Next came To that end, some of the basic questions that
radio; a special committee was established in must be considered are as follows: When was
the 19305 to study the effects of radio pro- the medium invented? How did the medium
grams on children’s emotions, learning, and distribute
social
across
society? And what happened
adjustment (Gruenberg, 1933). When to other existing media when the new medium
television sets diffused into American
rapidly was first introduced? As for how each me-
households, the same concerns resulted in a dium is used, the
series of studies
questions include who
in the late 1950s (Schramm, watches, how much, when, what programs,
Lyle, & Parker, 1961); a report by the Presi- why, how, and with whom?
dent’s Commission on the Causes and Preven- In this
tion of
chapter, some basic facts are pre-
Violence, a media task force, in the late sented about
the history and children's use of
1960s (Baker & Ball, 1969); and a federal in-
electronic media—movies, radio, television
quiry in the 19705 (Surgeon General’s Scien-
(including cable television), and interactive
8 THE POPULAR MEDIA OF GROWING CHILDREN
:
first mass medium that
appeared on the social and television, made their
respectively, pro-
scene.
Although in its
early years there was nounced on the media scene. It is
appearance
little about the film technology that could be
interesting that the first drop in movie atten-
considered electronic, it is fair to classify the dance reversed in
was
quickly just a few
current design as one of the electronic media. years, while the second drop (mostly due to
Several major discoveries and technological television) has been a great deal slower in its
innovations from 1824 to 1896 led to the de- recovery, increasing only moderately over a
I
development of photography, which in turn Children and the Movies
led to the invention of the motion picture cam-
era and projection techniques.
Following the introduction of sound tech-
At first, cinemas simply pictures that
were
nology, the notion of the cinemas for children
appeared to move, such as horse races, various began to crystallize. However, many talking
History of Children ‘s Media Use 9
(millions)
Attendance
Weekly
Average
O _u_...|i..i.l_._L..._l...l...\.4_._J_._._i_ii..I._I. .1...I...l,.,|...I.i_,4_,..1...|...i.
1 926 1 938 1950 1 962 1974 1 986 1 998
Year
pictures were seen as too mature for children animated feature-length film in color and with
in terms languageof theme. Thus, theand music, which appealed to large audiences of
practice of separate viewing for children on all age and social
groups classes. Besides ani~
selected or recommended films began, usually mated films
features, such as Little Miss
on Saturday momings or
early afternoons. Marker (1934), The Wizard 0f0z (1939), and
This was initiated by a sense of social respon- Lassie Come Home (1943) attracted a wide
sibility, in conjunction with commercial rea-
range of family audiences.
sons (Bazalgette & Staples, 1995). Even In 1929, the average attending child was
though through these matinee screenings the 1.6 movies per week
(Cressey, 1934), but that
movie theaters were able to get an audience at number differs widely considering age and
a time when they would otherwise be idle, the gender. In particular, adolescents attended
industry
children
soon
producing films for
learned
unprofitable. Instead, the indus
was
that movies
dren.
more
Dale
frequently than younger
(1935) indicated that
chil~
early-
��3
try exerted its efforts in developing a new
elementary-school-age children attended the
genre, the family film, attracting both adults movies roughly two times a month (or 0.5
and children. In 1937, Walt Disney released times a week), whereas high school and mid-
Snow White and the Seven Dwarfs, the first and upper—elementary-schoolstudents at-
10 THE POPULAR MEDIA OF GROWING CHILDREN
tended once a week. This is consistent with liked western, war, comedy, and adventure
Charters’s (1933) study in which older chil- while
program types, girls favored a some-
dren 8 to 19 years old were found to attend what different list, namely, comedy, musical,
movies more than twice as frequently as and love and romance For the
program types.
children 5 to 8 years old. Further-
younger youngest study (fifth graders), both
in the
more, these studies found that boys attended boys and girls preferred cartoons, comedy
movies more than girls did. features, and westerns. However, starting
The attendance patterns have changed in from grade 7, program preferences between
more recent times. The data for Table 1.1 are
boys and girls were different.
very Boys
from The Kids Study, by Simmons Market Re- started favoring adventure and con-
programs
search (1995), based on 2,118 children 6 to 14 tinued to favor and
war western movies,
years old. Unlike earlier data, Table 1.1 shows whereas girls began
prefer musicals to
and
that girls are more frequent moviegoers than love and romance movies. Interestingly, but
boys. As for age dependence, the results de- perhaps not surprising, program preferences
pend on the frequency of moviegoing itself. In did not change significantly when radio made
general, 9- to ll-year-olds go to movies more its appearance.
frequently than both younger (ages 6-8) and
older (ages 12-14) children; this pattern ap-
plies to both genders. However, among the Radio
frequent moviegoers (i.e., two or more times
in the last 30 days or five or more times in the
last 90 days), attendance increases with age Early Development
for both boys and girls. The attendance pat-
tern becomes further convoluted when differ- Radio developed out of scientific advances
ent program types are taken into account. (In made in the field ofelectricity and magnetism.
order to keep the chapter focused and con- In 1897, Guglielmo Marconi received a patent
-
and Brink (1941), in the early days, teenagers radio offered them direct access to the homes
favored comedy and mystery-type films. Girls of the listeners, and it could be used to pro-
also favored love stories, whereas boys mote products. Stations began selling airtime,
showed a stronger
liking for westerns and and radio broadcasting became a revenue-pro-
newsreels. Older children liked educational ducing business (Barnoux, 1967). To increase
features and newsreels than
more
younger their profitability, groups of stations began
children did. A decade
later, Lyness (1951) working together, sharing the costs of a pro-
reported similar findings. Lyness examined gram and broadcasting the same show on sev-
whether preferences for particular movie eral member stations. This be-
arrangement
types depended on gender and age. He studied tween stations became known as a network
5th-, 7th-, 9th-, and llth-grade boys and girls. and persisted into the television era. In the
Results showed a gender difference in favored 19305 and 1940s, radio flourished, and entire
program types but a more stable preference families could be found sitting by their radios,
across different age groups. Overall, boys enjoying their favorite shows and news. :
History of Children’: Media Use 11
in Lax! 90 Dayr Timer in Last 90 Dayx in Lari 30 Days Timer in La.v130 Dayr
ready reached 98%, nearly the current owner- dren’s entertainment media. Early radio pro-
ship rate (99%). Of course, one may question grammers recognized the popularity of chil-
the appropriateness of radio ownership as a dren‘s programs by designating a specific
measure of radio’s popularity, for it is entirely time. usually 5:00 to 6:00 P.M., for “children’s
hour." The popularity of these
possible that a great many radios simply sat programs
brought increase in the number of
unused. collecting dust. However, as seen an pro-
from Figure 1.2, the increase in ownership is grams designed for children. For instance, in
matched increase in the num- the New York City area, for chil-
by a comparable programs
ber of radio stations; presumably, this reflects dren increased from 3 in 1928 to 52 by 1934
a growing market meeting the demands of the (Eisenberg, 1936; Jersild, 1939).
that In the mid-1930s, children 9 to 12 years
public. As such, it is reasonable to state
mostly unaffected by the forces that affected the children, except third—gradeboys, named
movies. radio as their most frequently engaged in
12 THE POPULAR MEDIA OF GROWING CHILDREN
100
80 -
(II
E
.9.
E
on
3 60 —
0
.0
E
3 .
z
‘D
E 4° '
.9
.C
‘L’
Q)
E 20 —
Noncommercial
I
u
. __
0
,.
3
1 920 1940 1 960 1 980 2000
Year
activity at home in the evening. Overall, for tening 5 hours or more a day. This study
girls time spent listening to radio increased shows that, regardless of television‘s domi-
with age, while for boys it decreased after the nance, at least children were still enjoying ra-
dium, among their subjects, half of the first cents exists even in present times, and it has
graders and 80% of the sixth graders reported been explained by many providing teenag-
as
listening to radio on the preceding day. Fur- ers with acceptable social cues; as giving
24% of tenth graders reported lis- them something of interest to discuss with
thermore,
History of Children '.r Media Use 13
their friends (Brown, Eicher, & Petrie, 1986); ers; sports for seventh and ninth graders; and
as important
an source for socialization music for the eleventh graders.
(Adoni, 1979; Mendelsohn, 1964); and even By the early 1950s, as television was be-
as a way of rebellion against parental norms coming a major threat to radio, radio lost
and a search for identification with peers much of its drama and comedy programming
rather than with adults (Golinko, 1984). Re- to television. This led the radio programmers
gardless of the explanations, it appears that to shift their emphasis to music programs,
television did not significantly affect (and has with a few features, a little news, and com-
not affected) the time children and adoles- mercials. These
programming changes were
cents spent with radio. well received
by children. Christenson and
DeBenedittis (1986) asked first through fifth
graders why they liked to listen to radio. More
Program Preferences than 83% gave a response that referred to the
musical content of the medium, and only 25%
In 1937, Clark (1939) obtained data from referred seeking information.
to In their study,
children 9 to 18 years old on their radio-listen- no significant gender or age difference in grat-
ing patterns. The study showed that whether ification was found.
children listened to a program was largely de- More recently, in 1993, Arbitron con-
termined by the broadcast time of the show. ducted a special diary pilot study to measure
week- radio-listening habits 2- to 11-year-
Programs aired at evening hours during among
days were the most frequently mentioned pro- olds and adults in their households (Patchen,
grams. Regarding the programs aired in those Burgess, & Cralley, 1994). It was found that,
hours, girls 15 to 18 listened more to romantic in addition to children's programs, children
and historical dramatizations than boys of the listened to other programs such as news/talk,
than album rock, and oldies. The
same age; boys listened more girls to country or even
dance, and novelty With study speculates that some of these programs
popular, programs.
the increase of
age, both boys and girls are not the child’s choice but that of their par-
showed less interest in and greater dislike for ents. In fact, these were programs heard in the
children’s programs. It was clear, then, that, car while driving. The finding is similar to
within a given broadcast time, age and gender what Clark (1939) had found earlier: Program
influence the degree of preference for certain choices are often not determined by any pro-
listener attribute but, rather, by the
types of content. gram or
program choice. The two most preferred pro- times, Wells and Hakanen (1991) found a
comedy and mystery plays gender difference in gratification.They found
gram types were
for both boys and girls of all ages (except for that female teenagers made greater use of mu-
fifth—gradeboys, whose first choice was west- sic for mood management (mood enhancing
ern shows). The gender difference appeared at or tranquilizing) than their male counterparts.
the most highly rated function of
the third most preferred program type: Girls For males,
radio get excited. This is very similar to
preferred drama and music, while boys en- was to
joyed adventure shows and sports. The age the findings of Larson, Kubey, and Colletti
difference within each gender was also at the (1989), who found that males listen to music
level of the third most that excites them, while preferfemales ballads
preferred program type:
For girls, fifth through ninth graders enjoyed and love songs. The authors
speculated that
drama, while eleventh graders preferred mu- such needs (getting excited) are leading teen-
sic. For boys, the third most preferred pro- age boys to turn away from radio to other al-
gram type was adventure shows for fifth grad- ternative sources for defiant rock music. If
14 THE POPULAR MEDIA OF GROWING CHILDREN
When television was first developed in the point where most moderately affluent families
1920s and 1930s, the film and radio industries could afford one, ownership in-
television
looked on it as more of a novelty than a threat. creased exponentially (see Figure 1.3). Dur-
Close to 3 years after radio broadcasting be- ing this period, television broadcast began at
of 7:00 A.M. and continued till past midnight.
came a reality in 1920, a primitive version
an all-electronic television system was avail- The early morning programs consisted of
able. In 1928, telecasting began on an experi- news summaries and feature stories aimed at
demonstration at the 1939 World‘s Fair housewives and featured game shows, house-
public
and the first telecasting in 1941.
commercial hold hints, light interviews, romantic dramatic
In 1934, Congress passed the Communica- series, variety shows, and discussions of fam-
tions Act, empowering the Federal Communi- ily and community problems. Following that
the children's hour. From 6:30 to 8:00
cations Commission (FCC) with regulatory li- was
it not for the the growth started at 11:00 P.M. with by news, followed
start were depression,
of the film industry, and World War II. During feature films and goodnight chat (UNESCO,
a
the war, the FCC placed a freeze on the forma- 1953). This format has changed little into the
tion of new television stations, and most ef- present day.
forts were redirected away from television to
ous threat to movies and radio (Barnoux, children were watching television throughout
the day, and their choices were not limited to
1990).
The structure of early television was mod- children's programs (just as in radio). About
eled after that of radio, It had three television 30% of the children under age 16 were watch-
network systems—the National Broadcasting ing television reaching maxi-
at 9:00 A.M,,
at 5200 RM., and falling to less than
Company (NBC), the Columbia Broadcasting mum
System (CBS), and the American Broadcast- 8% around 10:00 P.M. (UNESCO, 1953).
also fc
ing Company (ABC)—and a spectrum that Children watching adult programs were
History ofChildren '5 Media Use 15
Households
Total
O)0
of
8
Percentage
20
19'5o 1955 19750 19%5 1 970 15575 19230 1585 1590 19'9s \1998
Year
general notion for development and media use tate what actually watches,
one such as
is that development creates both needs and re- whether preferred program
a is available, time
sources for differential use of mass media by availability, or broadcast time. Rosengren and
children and adolescents. Developmental sta- Windahl (1989) have pointed out that prefer-
tus influences media choice, degree of media ences are more an expression of the individual
use, and the media content. For teenagers who and the stage of development attained rather
would like to identify with their peers, the im- than a predictor for actual viewing. With this
ages television portrays are remote from them understanding, the following deals with pref-
since television aims for the largest possible erences in television viewing.
audience, making many adolescents grow in- Program preferences appear very early, al-
creasingly distant from the mainstream focus most as soon as children begin to view tele-
of this appeal and looking for other me-
start vision. Preschool children generally prefer the
dia, such as radio (Larson & Kubey, 1985). shows designed specifically for them, such as
And what about gender differences in the those involving animals, animated characters,
viewing time of contemporary children? The or puppets, all in story form with full action,
answer is complex and controversial, and will and frequently involving laughter (Lyle &
be discussed chapters. Briefly,
in later there is Hoffman, 1972; Schramm et al., 1961). As
some evidence that
gender differences in tele- children mature, program preferences become
vision viewing typically appear around 4 or 5 more diversified, and they begin to favor adult
years of age and increase with age (Bianchi & programs as well. In fact, as early as 1951
Robinson, 1997; Carpenter, Huston, & Spera, (Maccoby, 1951), it was known that all age
at
1989; Singer & Singer, 1981). On the other levels children watch television during hours
hand, data from Nielsen Media Research that are exclusively devoted to children's
not
show no gender difference for ages 2 to 11 programs, indicating that they are exposed to
(Condry, 1989). Huston,
Wright, Marquis, a variety of adult programs. Naturally, as chil-
and Green (1999), from their 3-year longitudi- dren shift their program preferences toward
nal study, also find no significant gender dif- more adult programming, program prefer-
ference in children 2 to 4. The studies by ences become more diverse. A more recent
Mauldin and Meeks (1991) and Timmer, study by Adler and his colleagues (1980),
Eccles, and O'Brien (1985), however, show based analysis of Nielsen data for 1973,
on an
ence is apt to depend on numerous other fac- preferences increasingly approximate adult
tors. patterns.
The question then arises as to why children
prefer adult
programs. As Wartella et al.
Program Preferences (1979) explained, it may well be that, in gen-
eral, television viewing happens in a family
Whatpeople state as their preference and context, and it is easy
imagine that other to
what they actually watch can be very differ- family members’ preferences can
norms and
ent. As a result, there is always a danger of influence a child's preferences. There are few
misinterpreting the relationship between pref- programs offered for 9- to 11-year-old chil-
erence and actual consumption. Especially dren, and that may be why children are tuning
when it comes to children's television use, of- to adult programs. From the child develop-
ten preferences are influenced by the opinions mental perspective, early adolescence is when
History ofChildren'.r Media Use 17
children strive to orient themselves to the was purchased as a single unit and was placed
adult world, and adults‘ programs, more than in the living room. Television brought fami-
adult lies together and made family members spend
children's, satisfy such needs. Watching
television adds to one’s status in more time at home with one another. How-
programs
despite being together in one room. fam-
peer grouprelationships. ever,
Finally, program preference is determined ilies conversed they had before tele-
less than
to a large degree by motivation and reasons vision, and when they did talk to each other,
for viewing. Schramm et al. (1961) listed frequently it was in regard the disagreement
to
three reasons why children watch television: over program choices (McDonagh, l950;
(a) the passive pleasure of being entertained Stewart, 1952).
and living a fantasy; (b) the information that Since the 1950s, there has been a steady in-
in the number of homes with than
they frequently gain from television even crease more
social utility function, accord- dia Research. in 1998, 74% of U.S. house-
(c) television's
holds had than television set (see
ing to which television provides a subject of more one
conversation or a reason to be with other peo- Figure 1.3). With multiple television sets,
different there have been that television view-
ple. They noted that television offers concerns
for arousal, and for relaxation. It ap- for concern is the possibility that television
to forget,
pears that younger children identify with can become a distraction from other activities,
these reasons more strongly than do older a source of exposure to antisocial behavior,
habit is and also void of any prosocial value. Indeed,
ones, but
viewing as a pastime or as a
long-lasting value.
Families with cable services have better re-
gramming choices could be offered by im- work) family-oriented networks that carry
and
porting signals from distant stations into some children’s programming (Turner Broad-
markets that were served by only one or two casting System [TBS], USA Network, the
local stations. Discovery Channel, Turner Network Televi-
It is interesting that, contrary to common sion [TNT], Music Television [MTV], Arts
belief, when television became a mass me- and Entertainment Channel [A&E], and the
dium, the percentage of the American house- Family Channel).
holds using over-the-air television was com- Given the expanded content available on
emergence of the two media in the early years urdays, Heeter (1988) surveyed 153 house-
was the exponential growth of the former as holds with cable, 40 of which had children
the steady linear growth of the under 18. The share of viewing time to differ-
compared to
latter. Still, the gradual increase in cable tele- ent types of channels revealed that the house-
vision subscription was sufficient to bring the holds with children watched more network
broadcast industry’s attention to its potential programming (61% of viewing time on aver-
competition. This led to the FCC’s placing re- age) compared with the other households
strictions on cable-delivered programming, (36%). Network programming during the
from 1966 to 1972, to protect the broadcast in- sample period (8:00 AM. to noon) was made
dustry in the public’s interest. up exclusively of shows targeted to children.
In 1972, the restrictive policies on cable As expected, other households watched more
relax. This
brought the launch of the nonnetwork off-air channels. However, chan-
began to
nation's first pay-TV network, Home Box nels availableonly over cable attracted one
interconnections, brought into the home Hol- children, indicating that children watched
the fact that there
lywood films, made-for-television movies, those channels despite were
and special entertainment programming not children’s programs on network channels. In-
vision broadcast networks have begun losing cial consequences. And, naturally, the effects
viewers to of- on children and adolescents have been of par-
Saturday morning programs
A survey ticular Ever since their
appearance,
fered on children‘s cable channels. concern.
reports that, in the 1996-1997 season, children computers have been enthusiastically used by
of 21 1 hours of ba- children and adolescents. Given the rapid
2 to 11 watched an average
sic cable programming, while they watched pace at which children are adopting and using
hours of broadcast television computers, and considering the possible edu-
only 48
cational social effects that possibly may be
(Petrozzello, 1998). This shift from broadcast or
cussion is based
only one source, the
on cable rarity of family viewing, in
and the on
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22 THE POPULAR MEDIA OF GROWING CHILDREN
1969 when the Defense creased to 800 million, a 250% increase in the
Department computer
network allowed military contractors and uni- number of web pages (Lawrence & Giles.
versities research exchange 1999). For Internet the challenge
doing military to consumers,
information with each other in an electronic is finding the desired websites, particularly
fashion. However, the birth of the Internet as a since no search engine has indexed more than
domain entity had to await the develop- 16% of the Web.
public
ment of the personal computer by Inter- Even 16% of 800 million pages amounts to
national Business Machines (IBM) in I975- a great deal of information, and the power of
formed when the National Science Founda- that nearly 20% of children used home com-
connected to hundreds of other networks op- are the largest growing sectors
two on the
puma growing
Since the late 1980s,
rapidly, expanding by 50% every
year in the 1990s. The growth has been en-
the Internet has been 21.9
16.6 million
Kirchner,
million
1999).
children
teens
(a
(almost
155%
a
increase)
100% increase;
and
couraged by ordinary computer users’ interest The uses of the Internet and the various
-1rv—r—.,
Internet features (Dizard, 2000). The WWW ied as those of other media. The 1997 Census
(also known as the Web), one of many Inter- data suggest that the most frequent purpose of
net-based communication systems, was origi- Internet use by children and adolescents was
and the first Web server, mation on weather, and sports (35.4%
(a browser-editor) news,
ware, defining URLs, HTTP, and HTML (Eu- than boys for e-mail (61.6% vs. 54.4%).
24 THE POPULAR MEDIA OF GROWING CHILDREN
The Internet is truly in its infancy, and if iting with friends, driving for pleasure, partic-
anything has been learned from the history ipation in sport activities, radio listening,
and evolution of other media, it is that during movie attendance, and conversational inter-
times of transition, when a new medium is in- action (McDonagh, 1950). However, in more
troduced, little can be said with certainty. Cur- recent times, even the proliferation of media
rently, the Internet appears to have disturbed content distribution channels (i.e,, multiple
the partial equilibrium that previous media television sets, cable television, and VCRS)
had been enjoying, and, as a result, the media
has changed our behavior
world
only slightly.
appears to be somewhat chaotic. Al- Viewers tend to watch similar programs, or
though only time will tell of the future of the even reruns of the same programs, broadcast
Internet and other media, the policy decisions over the air (Barwise & Ehrenberg, 1988).
that are made now, during this time of turmoil, The viewing behavior follows the same sort of
are apt to affect that future. punctuated pattern in that there are times
when it is erratic, followed
by times of consis-
tent and predictable behavior. The new chan-
nels have, therefore, not revolutionized view-
ConcludingRemarks ing choices or
viewing behavior.
__
Of course, a punctuated in
The
history of me-
history and evolution of media resemble dia, it is still possible to identify some of the
that of species in nature: The introduction of a underlying processes. To survive radio's chal-
new medium (species) typically changes the lenge, the motion picture industry was forced
uses and interactions the existing me-
among to move to sound and later to color films.
dia. This is not
surprising given that the sys- More direct and compelling challenges to
tem consisting of media and ecological sys- movies came from television. Television pro-
tems are both based on very similar
principles vided the entertainment
same function that
(e.g., the survival of the fittest). By the same movies provided but with the added conve-
token, the two systems display some generally nience of delivering programs directly to
common features in their evolution. For ex- homes. To survive this threat, the movie in-
ample, the evolution of ecological systems is dustry had to cooperate with television
marked
by
by what has been termed punctuated providing materials for broadcasting. As for
equilibrium (Eldridge, 1985; Gould, I984); radio, it had to reinvent itself survive
to the
rather than in a steady and
gradual fashion, television challenge. Radio was forced to
changes occur in short-time frames separated move from being a staple at the center of the
by long periods of relative quiescence. This is, living room to becoming
portable and physi-
in fact, how media have evolved as well, Fol- cally going to where television could not. The
lowing the introduction of movies over a short television industry, in an effort to survive with
span of
time, they enjoyed their golden age, multimedia, introduced high—definitiontele-
accompanied by relatively little change, until vision,
radio came
a
breakthrough toward the computer-
along. The evolution of radio, tele- ization of home television sets. This
digital
vision, and interactive media has followed the technology is expected to provide multimedia
same general pattern. Intemet services for the television networks
To illustrate that idea in bit
a more detail, and local stations. Radio, too, has taken the
consider television. In its early days, tele- step toward digital broadcasting in what is re-
vision substantially affected activities. Some ferred to as
digital audio broadcasting.
of the changes were
impressive, if not socially The Internet offers an environment in
significant (e.g., bedtime being postponed which all of these media can coexist. With
about 13 minutes; Schramm et al., 1961).
high-speed Internet connections provided by
Other more significant changes included less either telephone wire, a cable television line,
engagement in activities such as reading, vis- satellite
or a link, new entertainment options
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