Professional Documents
Culture Documents
Adobe Confidential
Table of contents
Tenets: Inspiring ___________________________________10 Corporate imagery: Examples ________________________ 33 Collateral templates _______________________________ 57
Product & program imagery _________________________ 34 Email signature ___________________________________ 58
OUR NAME & LOGO ____________________________________ 11 Photography ____________________________________ 35 Presentation templates _____________________________ 59
Company name ___________________________________12 Photography—Using photos together __________________ 36 Stationery ______________________________________ 60
Adobe logos ______________________________________13 Conceptual imagery _______________________________ 37
Which logo do I use? _______________________________14 LEGAL GUIDELINES ___________________________________ 61
Infographics: Components __________________________ 38
Using the red tag logos ______________________________15 Trademark symbols _______________________________ 62
Infographics: Anatomy _____________________________ 39
Using the standard logos _____________________________16 Copyright notice & attribution statements _______________ 63
Infographics: Graphs & Charts ________________________ 40
Logo examples: Print _______________________________17 Infographics: Iconography ____________________________41 EDITORIAL GUIDELINES _______________________________ 64
Logo examples: Online ______________________________18 Infographics: Typography ___________________________ 42 Voice: Overview __________________________________ 65
Logo examples: Events ______________________________19 Infographics: Color palette ___________________________ 43 Voice: Examples __________________________________ 66
Logo examples: Facilities ____________________________ 20 Infographics: Examples _____________________________ 44 Adobe.com and editorial differentiation _________________ 67
Logo examples: Non-standard ________________________21 Typography: Adobe Clean ___________________________ 45 Headline punctuation ______________________________ 68
Logo examples: Third-party use ______________________ 22 Typography: Using other fonts ________________________ 46
Incorrect logo use _________________________________ 23 Logotypes ______________________________________ 47 FOR MORE INFORMATION _____________________________ 72
Product logos ____________________________________ 48
Boxshots and cardshots: Channel-use only ______________ 49
Program badges __________________________________ 50
Our mission
Genuine Innovative
We are sincere, trustworthy, and reliable. Operating with We are highly creative and strive to connect new ideas
integrity, being ethical, and treating others with respect is with business realities. Ideas are welcome from everyone
at the heart of Adobe’s culture. in the company.
Exceptional Involved
At Adobe, good enough is not good enough. We are People are our greatest asset. We are inclusive, open,
committed to creating exceptional experiences that and actively engaged with our customers, partners,
delight our employees and customers. employees, and the communities we serve.
Community Forward
We’ve committed to a highly collaborative relationship We challenge ourselves and others to aim higher and
with the creative and professional marketing community. never settle. Boldness, unexpectedness, and optimism
Sometimes we educate; sometimes we simply drive us forward, inspiring new categories and tools.
participate alongside them. As a tech company with creativity at its core, we have a
The community is the creative firepower, and we exist to responsibility to be cutting edge.
share with them—share tools, ideas, and successes.
VERBAL TIPS
LET USER’S DRAW THEIR OWN CONCLUSIONS
They can decide if it’s amazing. Simply inspire them to experience it—don’t tell them what to think. BE CONVERSATIONAL
Use an apostrophe.
SHOW EXPERIENCES
KEEP IT REAL Be human, be contextual. We create tools that
Speak and act in a way that feels natural, comfortable, and complementary to how people think. people use with their hands, so the idea of
personal connection should shine in all we do.
TELL BIGGER STORIES
Be discerning and create awe. Make it a story, communicate the big picture, and always have a narrative VERBAL TIPS
thread that your audience can relate to. HAVE A CLEAR POINT OF VIEW
Assume our audience is contemporary,
intelligent, media-savvy, and thoughtful—no
over-explaining or marketing speak required.
Present information hierarchically—know
what’s important and what’s less important.
PERSONALIZE FEATURES
Help people see the possibilities of our
features. Make it matter, make it human.
BE CONVERSATIONAL
Speak like you’re explaining to a friend or relative.
INFUSE PERSONALITY
Adding some personality, especially to headlines
is a clear way to sidestep corporate jargon.
8 Adobe Corporate Brand Guidelines | Adobe Confidential | 01 August 2017
Tenets: Forward
“The greater danger for most of us lies not in setting our aim too high and falling short,
but in setting our aim too low and achieving our mark.”
- Michelangelo
UP YOUR GAME VISUAL TIPS
If you’re not continually improving, what’s the point? Just as we slowly disclose more and more of our UI to people as they learn, look to
PIQUE CURIOSITY
push yourself to do better too. Understand the power of an image to spark
a visceral reaction in the viewer and tickle
GET OUR OF YOUR COMFORT ZONE the mind. Choose images and moments
It’s about thinking boldly and broadly—outside the silo. If that means asking for help or collaborating with someone new, go for it. that have a clear POV yet leave the viewer
inspired to want more.
Be passionately open-minded
BE CONFIDENT AND OPTIMISTIC Not only is it contagious (you’ll inspire your
A company that believes in itself is infinitely more powerful. Speak and act with confidence. coworkers), but it’s also likely to bring positive
results, both for you personally and Adobe.
Along these lines, feel free to enumerate the
possibilities of a given product or service.
ADOBE
requirements may vary, so please check
with your legal representative as to correct
usage. The local entity name in full may also
be used anytime it’s more appropriate for
cultural reasons.
All everyday uses: email signatures, voicemail greetings, business cards, marketing materials, signage, etc.
Learn more.
LEGAL
Adobe Systems Incorporated
Only when legally required for contracts, documentation, copyright line, etc.
NEVER
Adobe Systems
Adobe Systems, Inc.
Adobe Incorporated
Adobe® Systems Incorporated
Or any other variation.
Current Outdated
Adobe A third-party
Sponsorships
Co-marketing
IS THERE A TOP OR BOTTOM "EDGE" To represent a partnership
THAT THE LOGO CAN BLEED FROM?
An “edge” can be in print or online—the edge
of paper, screen, email, web banner, etc.
Yes No
RED TAG ADOBE LOGO STANDARD ADOBE LOGO STANDARD ADOBE LOGO
Use the red tag just once in any communication; sign Use when layout, production, or the item doesn't A trademark license is required for any third-party use.
off multi-page communications with the standard logo. allow the logo to sit at an edge. Always use the standard logo for third-party communications.
See page 15 for more details. See page 16 for more details. (The red tag logo is for Adobe’s use only.)
.25x COLOR
X
SUB-HEAD
USE THE STANDARD LOGO FOR THREE MAIN PURPOSES: STANDARD Sidebar head
Sidebar
1.
BodyTo close a piece (i.e. back of datasheet or brochure)
2. When there is no top or bottom edge from which to hang the tag
3. By 3rd-parties, under license only (sponsorships, co-marketing, etc)
0.375”
.5x
COLOR
• Primary: Adobe red with black or white
0.24”
• Secondary: All black or all white
• Other: On promotional items only, other colors may be used for a tone-on-tone
.5x
effect, i.e. a gray logo on a gray sweatshirt.
The “A” inside the logo should always be transparent, letting the background color
show through.
COLOR PMS C M Y K R G B HEX
Adobe Red 485 C 0 100 100 0 255 0 0 FF0000
UP CLOSE
Services will:
• Assign a CSE to work with you from The Adobe advantageservice is about
authorization. software
Adobe
offerings:
is the onlyand services cloud service provider for the following set of cloud
FedRAMP-authorized
provisioning until your service is in With cutting-edge solutions from Adobe, government agencies can create and deploy powerful digital
production experiences to better engage with•clients and meet their mission goals. But the valueManager
an agency receives
Web content management—Adobe Experience Sites and Assets
• Install, upgrade and manage your from software goes much further than its features—the
Create, manage andreliability, scalability
deliver digital and security
experiences acrossofwebsites,
softwaremobile sites and on-site screens that
Adobe solutions, providing more services are equally important. And getting
are globaltheinsoftware
reach, yetup personally
and running in a timely
relevant and fashion
engaging.is critical
Forresterto ranks Adobe as the leader in digital
AND PERSONAL.
secure and reliable access mission success. Adobe Experience Manager
experience Managed Services
management, fully it
giving leverages the scores
the highest cloud with intelligent
possible for its current offering, strategy and
API-driven, smart automation to quickly
marketprovision,
presence.launch and maintain reliable, scalable and secure
• Provide software, dedicated
solutions with service level agreements (SLAs) ranging from 99.5% to 99.99%.
clustered virtual machines, network • Forms and workflow with digital signatures—Adobe Experience Manager Forms
and storage
Free your agency to focusSimplify on itsthe creation, processing and securing of electronic forms and documents. The Adobe solution
mission
supports communications, such as employee and citizen enrollments, and integrates them into
• Include Adobe Platinum
With Adobe Experience Manager Managed engaging digital experiences.
Services, you delegate the management of your enterprise
Maintenance and Support, with
designated support specialists and Platform as a Service (PaaS) to the• team that built it,
Collaboration andleveraging proven expertise
eLearning—Adobe Connectto realize the full benefits
UsingMarketing
As a part of Adobe mobile toAdobe
Cloud, get your customers
Campaign whereemail
provides best-in-class they live. offer, and personalization
campaign, an expedited escalation path of Adobe Experience Manager and Adobe AdobeConnect software. online
offers immersive With in-house
meetingtechnical support
experiences and access large-scale webinars and virtual
for collaboration,
to engineering, upgrades and patching assistance, Adobe is a true partner in your agency’s success. We
classrooms.
management capabilities for sophisticated automation and execution of marketing programs across all channels—digital • Proactively monitor service from
design, operate and maintain our solutions on the Amazon cloud computing platform, while you retain the
our network operations center, 24x7
and traditional. Adobe Campaign addresses a key challenge for marketers: how to build and extend relationships with their Adobe
control, security and flexibility to use and
the tools youAWS: Two
need, when andleading
where yousolutions
need them. combine to bring you
• Perform regular maintenance and unprecedented value
customer base to drive top-line revenue growth and ROI. Adobe Campaign is used by approximately 600 of the world’s updates to your operating system Speed time to mission success
2016 and Adobe software; assist with Powerful and affordable, Adobe solutions are also interoperable with other industry-leading technology.
leading brands. custom software updates on an In addition to freeing resources and reducing IT
Experience burden,consistently
Manager Adobe Experience
leads inManager
Gartner’sManaged Servicesfor Web Content Management. AWS
Magic Quadrant
agreed schedule helps your agency achieve missionhas goals
beenfaster.
namedInstead of taking
a leader everymonths to set
year since up, configure
Gartner began theandMagic
secureQuadrant for Cloud Infrastructure as a
Learn more at www.adobe.com/campaign. the hardware and back-end infrastructure to deploy
Service (IaaS). Still athe
typical
only enterprise solution, Adobe
leader recommended Experience
for enterprise, AWS combines seamlessly with Adobe to
Manager Managed Services gets the formjobandone quickly. enterprise
unbeatable Delivered and secured
solution in the cloud, Adobe
for performance, scalability and agility.
Experience Manager Managed Services speeds deployment time from months to days with a rigorously
Gain theservers,
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from Adobe solutions
mass storage with Adobe
and backup—available in a Experience Manager
1 Ingrid Lunden, “80% Of All Online Adults Now Own A Smartphone, Less Than 10% Use Wearables,” TechCrunch, 14 Cooper Smith, “The Beacons Report: Growth Forecasts for the Most Important Retail Technology Since the single-tenant environment. Issues Managed
January2015,http://techcrunch.com/2015/01/12/80-of-all-online-adults-now-own-a-smartphone-less-than-10-use-wearables/, Mobile Credit Card Reader,” Tech, Business Insider, August 2014. Services
are managed quickly by a dedicated point of contact, your Customer
Success Engineer (CSE).
accessed on January 15, 2016.
15 Jack Philbin, contributor, “Mobilizing messages for a cross-channel world,” Adobe Summit 2015, Adobe, March 2015. Adobe Experience Manager Managed Services delivers reliable, scalable and cost-effective cloud
2 Aaron Smith, “U.S. Smartphone Use in 2015,” Pew Research Center, April, 2015,
16 Seeking Alpha, “Starbucks’ (SBUX) CEO Howard Schultz on Q3 2015 Results—Earnings Call Transcript,” July 2015. Identify and reduce riskinfrastructure
with a single sourcetoof
management accountability
help your agency get the most from its investment in Adobe platforms. With
http://www.pewinternet.org/2015/04/01/us-smartphone-use-in-2015/, accessed December 22, 2015.
17 Gartner, “Gartner Says Worldwide Mobile Payment Transaction Value to Surpass $235 Billion in 2013,” June 2013.
proven technology, extensive experience and dedicated, expert support, Adobe allows your agency to
3 Ibid. Your CSE is an extended member moreof your team, providing
efficiently achieve proactive
its missionmanagement
goals. and go-live assistance
18 “Consumers and Mobile Financial Services 2015,” Board of Governors of the Federal Reserve System, March 2015. through a single point of contact. Our expert team is experienced in delivering successful installations
4 Josh Clark, “Seven Deadly Mobile Myths,” Global Moxie, 2012.
19 Derek Walter, “The new Android Pay app offers a sneak peek at support for loyalty programs, special offers,” CIO, on the Amazon Web Services (AWS) infrastructure. Upgrades and patching are handled using automated
5 Thomas Husson, “Mobile’s Untapped Value Is In Contextual Data,” Forrester, October 2014; Adobe, “Putting email marketing
September 2015. scripts to speed updates and prevent failures. We have the resources to monitor your system 24x7.
in context,” September 2015.
20 Mobile messages for a cross-channel world. When you have a service issue, we work closely with you to resolve it—whether it’s at the infrastructure,
6 Movable Ink, “US Consumer Device Preference Report,” August 2015. platform or software level.
21 Localytics, “Recipes for Perfect Push Messages,” February 2015; MarketingCharts, “Top Daily Activities on Smartphones
7 Ibid.
and Tablets,” February 2014.
8 BlueHornet, “2015 Consumer Views of Email Marketing,” August 2015.
22 Reggie Lau, “The Total Economic Impact of Adobe Campaign,” Forrester, March 2015.
9 Ibid.
23 Mobile messages for a cross-channel world.
10 Litmus, “The Science of Email Clicks: The Impact of Responsive Design & Inbox Testing,” December 2014.
24 Adobe, “AXA Bank embraces all channels,” February 2015.
11 Justine Jordan, contributor, “Mobilizing messages for a cross-channel world,” Adobe Summit 2015, Adobe, March 2015.
25 Julie A. Ask and Douglas Roberge, “Create Mobile Moments with Messaging,” Forrester, October 2014.
For more information
Front Front
12 Ibid.
26 Dynmark, “Big Data; Profiling Your Mobile Customers,” March 2015. www.adobe.com/marketing-
13 Ibid.
cloud/enterprise-content-
management/
managed-services-cloud-
platform.html
Back Back
Web banner
Adobe.com
The red tag logo is placed at The red tag logo is placed at the The red tag logo can be scaled to the size of a hanging banner. In this case, hanging
the top for better visibility at bottom for better visibility when from the top of the building - the building acts as the “edge” from which it hangs. It
standing height. looking up at the banner from could also be used indoors hanging from a ceiling, etc. As this is a very bold use, only
the ground. one should be used in any particular space.
(Retail display)
www.telecomtv.com/mobileworldtv
PLATINUM SPONSORS
HP BOOTH
HALL 1
STAND
1E67
HP CLUB
HALL 6
INQ BAR
HALL 7
STAND
7C95
GOLD SPONSOR
HALL 1
STAND
1E05
This is a rare case, but shows that the Adobe logo may be recolored to match the
other partner logos shown.
1. 2. 3. 4. 5. DONT’S
1. Don’t move “Adobe”.
2. Don’t remove “Adobe”.
3. Don’t apply any effects.
4. Don’t rotate the logo.
5. Don’t skew or attempt to make the logo 3-dimensional in
any way.
6. Don’t make a pattern or texture out of the logo.
6. 7. 8. 9. 10.
7. Don’t alter the transparency of the logo.
8. Don’t recolor the logo.
9. Don’t alter the tag to run horizontally.
10. Don’t crop or extend the tag.
11. Don’t move the logo within the tag.
12. Don’t recolor the tag or the logo within the tag.
11. 12. 13. 13. Don’t place the red logo tag at the right or left edge of a piece -
follow clear space requirements.
Not shown:
• Don’t combine the logo with any other elements—such as
logos, words, graphics, photos, slogans or symbols that might
seem to create a hybrid mark.
• Don’t display the logo in a way that suggests that a third party’s
product is an Adobe product, or that the Adobe name is part
of a third party’s product name. Please note: Use of the Adobe
logo by a third party requires a license agreement
23 Adobe Corporate Brand Guidelines | Adobe Confidential | 01 August 2017
Visual identity
The brand imagery creation involves a system that allows for Corporate Clip-art should never be used.
and Product
the combination of aspirational, conceptual imagery and Imagery
dynamic lifestyle photography that is authentic, meaningful,
and immersive.
IMAGERY SYSTEM:
1. Corporate and product imagery
Reportage
High concept imagery for corporate, product or Lifestyle
program identity. Do not create your own identity; Photography
Title Slide
Name | Title
Title Slide
Name | Title
Presentation templates
Business cards
© 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
The Made Shop The Made Shop The Made Shop The Made Shop Sagmeister & Walsh Sagmeister & Walsh Sagmeister & Walsh Goodby Goodby Evolution Bureau Evolution Bureau
Asset ID 210314 Asset ID 210313 Asset ID 210316 Asset ID 210318 Asset ID 210326 Asset ID 210327 Asset ID 210328 Asset ID 212552 Asset ID 212551 Asset ID 210307 Asset ID 210301
Evolution Bureau Evolution Bureau GMUNK GMUNK GMUNK GMUNK GMUNK Andres Amador Andres Amador Patrick Tighe Patrick Tighe
Asset ID 210310 Asset ID 210308 Asset ID 210303 Asset ID 210304 Asset ID 210302 Asset ID 210305 Asset ID 210306 Asset ID 210300 Asset ID 210299 Asset ID 210325 Asset ID 210321
Patrick Tighe Janne Parviainen Janne Parviainen Janne Parviainen Robert Hodgin Robert Hodgin Robert Hodgin Robert Hodgin Robert Hodgin Robert Hodgin Robert Hodgin
Asset ID 212561 Asset ID 210309 Asset ID 212554 Asset ID 212555 Asset ID 210322 Asset ID 210323 Asset ID 210324 Asset ID 212558 Asset ID 212557 Asset ID 212560 Asset ID 212559
Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp
Asset ID 212437 Asset ID 212438 Asset ID 212440 Asset ID 212432 Asset ID 212434 Asset ID 212435 Asset ID 212439 Asset ID 212436 Asset ID 212442 Asset ID 212441 Asset ID 212433
Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Ash Thorp Craig Ward Christopher Bettig Christopher Bettig Christopher Bettig
Asset ID 212445 Asset ID 212443 Asset ID 212444 Asset ID 212446 Asset ID 212447 Asset ID 212449 Asset ID 212448 Asset ID 212550 Asset ID 212984 Asset ID 212987 Asset ID 212985
Christopher Bettig Klebebande-Berlin Klebebande-Berlin Klebebande-Berlin Klebebande-Berlin David Mascha David Mascha David Mascha David Mascha Takehiro Tobinaga Takehiro Tobinaga
Asset ID 212986 Asset ID 212982 Asset ID 212980 Asset ID 212983 Asset ID 212981 Asset ID 213200 Asset ID 213198 Asset ID 213199 Asset ID 213197 Asset ID 213984 Asset ID 213983
Sam Wick Sam Wick Sam Wick Sam Wick Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume
Asset ID 215925 Asset ID 215923 Asset ID 215926 Asset ID 215924 Asset ID 215915 Asset ID 215910 Asset ID 215914 Asset ID 215917 Asset ID 215918 Asset ID 215916 Asset ID 215912
Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume Hiroyuki Mitsume Lauro Samblas Lauro Samblas Lauro Samblas Lauro Samblas Lauro Samblas Lauro Samblas S1T2
Asset ID 215911 Asset ID 215913 Asset ID 215919 Asset ID 215920 Asset ID 216051 Asset ID 216053 Asset ID 216049 Asset ID 216048 Asset ID 216050 Asset ID 216052 Asset ID 216232
S1T2 S1T2
Asset ID 216233 Asset ID 216234
1. Give credit to the artists. All of these pieces were done in collaboration with our creative community. And in support of Examples:
Corporate presentation template
them, we want to include attribution to the featured artist right in the communication whenever it’s possible. There will be
times when layout or functionality doesn’t allow for it, but those should be the exception, not the rule. Title Slide
Name | Title
2. Each of the images carries its own tone and theme that can help support your message. When choosing an image for
your communication, consider your audience, the message, and the impact you want to achieve.
Are you working on a thought leadership or corporate-level communication? Consider using an image with red to help
reinforce the Adobe brand, i.e. Goodby, Evolution Bureau, or Robert Hodgin.
Poster
Do you need an image for a celebration? Maybe use Sagmeister & Walsh.
3. None of these pieces represent any particular product, program, department, or business unit. Use them freely as
appropriate for each communication. Title goes here
Title goes here
Subtitle goes here
4. When incorporating additional elements such as type or the Adobe logo with the imagery, ensure that all those elements Copy goes here. Copy goes here. Copy goes here. Copy
goes here. Copy goes here. Copy goes here. Copy goes
here. Copy goes here. Copy goes here. Copy goes here.
Copy goes here. Copy goes here. Copy goes here.
5. The imagery is designed to be flexible and offer a wide range of possibilities. Each image can be cropped in a number of
ways, zooming in or out based on the layout. The full “A” doesn’t always need to be visible. For simple communications
with minimal text, showing the full “A” is likely the right choice. But for more complex communications, or when combining
with photography, zoom way out so the image becomes more of a textural background. See page 30 for more.
© 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
31 Robert Hodgin
Adobe Corporate Brand Guidelines | Adobe Confidential | 01 August 2017
Corporate imagery: Scale examples
Micro: Presentation template cover slides Macro: Presentation template section dividers Macro: Business cards
Title Slide Title Slide Title Slide Section Divider Section Divider Section Divider
Name | Title Name | Title Name | Title
© 2015
1 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015
1 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015
1 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
Title Slide Title Slide Title Slide Section Divider Section Divider Section Divider
Name | Title Name | Title Name | Title
© 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015
1 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015
1 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
Title Slide Title Slide Title Slide Section Divider Section Divider Section Divider
Name | Title Name | Title Name | Title
© 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
Posters
Adobe Journey
• Career and leadership development • View team members • Holiday schedule
Thanksgiving
• Restricted stock and ESPP information • Update personal information • Discounts
Luncheon with the ERC Email erc@adobe.com, dial 408-536-HELP (ext. 6-HELP), option 3, option 8, or feel free to visit your local ERC at larger sites.
Flyers Handout
environment as hero rather than the individual, Focuses on spaces, We see people, but they These are highly personal, but
atmospheres, aren’t the primary focus notice that we’re capturing them in a
done in a reportage style, speaking in the visual and details. of the image. moment, not posing for the camera.
vernacular of the customer. Natural light, genuine
moments of engagement and collaboration,
mixing color and black and white. Avoid literal
visual metaphors.
A selection of images in each of the three
categories below is available on Marketing Hub.
Try searching by each category and browsing
from there.
If stock photos become necessary, reportage
lifestyle photos should be chosen and sent to
brandapproval@adobe.com for review before
purchasing.
DO DON’T
When using more than one photo on the same Never run photos together that depict the
page a mix of all types should be used. same emotion and the same camera angle.
Marquee image
Relevant to the story &
compliment the headline
612px or 930px (w) x varies (h)
Marquee headline
42 - 36px / Adobe Clean / Light
90% Black or white
Section image
Relevant to the topic of section &
compliment content and graphs
(width x height varies)
Margin and
Section padding
35px
Section headline
Sentence case
26px / Adobe Clean / Light / 90% Black
Section paragraph
12px / Adobe Clean / Light / 50% Black
Section image
Relevant to the topic of section &
compliment content and graphs
(width x height varies)
100
80
76
53
62
60
952
49 48
414
40
30
20
SOCIAL NETWORKING
375
SOCIAL NETWORKING
SOCIAL NETWORKING
0
Jan Feb M ar A pr M ay J un
7%
BASIC BROWSING 62
DEVICES
BROWSING
Feb, 2012
Ellentesque id nunc auctor est
dignissim tincidunt. Sed tincidunt
100
46 %
feugiat dolor, eget imperdiet
80
SOCIAL
NETWORKING
60
40
31 %
20
DOWNLOADING 0
MUSIC
Jan Feb Mar Apr M ay J un J ul
nunc tincidunt autor. 21% 26px / Adobe Clean Light / 90% Black
Various % of grey
86 %
of parents and educators believe teaching
creativity requires a transformation in the
way schools work.
30% 23%
18% 22%
24% 21%
Making creativity Providing tools to
Reducing mandates Making creativity integral integral to the curriculum and educators that enable
that hinder creativity to the curriculum rewarding educators who inspire creativity more effectively
students to be creative
Source: Adobe “Barriers to Creativity in Education: Educators and Parents Grade the System” Study. Study based on interviews with 4,000 adults, including 2,000 educators of students in K through higher
education and 2,000 parents of children in K through higher education, including 1,000 each in the United States, United Kingdom, Germany and Australia.
© 2013 Adobe Systems Incorporated. All rights reserved.
Adobe and the Adobe logo are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
In the rare instance that a font becomes part of a graphical illustration in a multimedia or campaign
communication, it may become necessary to use a font other than Adobe Clean.
In these cases, always ensure you are using an Adobe font—and preferably an Adobe original font.
In cases where you feel another font than Adobe Clean is necessary, please ensure you work with both the
brand and creative services teams. E-mail brandapproval@adobe.com with your request.
Logotypes are available in all black and all white. Note: The use of “Adobe” in red combined
with the product name in black has been
They may be used interchangeably based on the background color. discontinued.
Artwork for all product logotypes is available
Examples: on Marketing Hub. Please don't (re)create
logotypes on your own.
Web, screen, PPT: Use the .png file, at the exact sizes posted. If
necessary, scale down the 512px version, never below 48px.
Print: Use the .ai file labeled RGB.
If a CMYK color is required, convert the color space of the RGB file.
Adobe Experience Cloud If a PMS version is required, please email askbrand@adobe.com..
Novelty items: Use the .ai file labeled PMS, ONLY when
production requires flat color.
Adobe Marketing Cloud Adobe Analytics Cloud Adobe Advertising Cloud
Minimum size
Target Social Primetime Experience Campaign Audience Analytics Media .27” .25”
Manager Manager Optimizer
Clear space
.25x .25x
X
Acrobat DC PDF Pack Export PDF Send & Sign
Track
.25x
48 Adobe Corporate Brand Guidelines | Adobe Confidential | 01 August 2017
Boxshots and cardshots: Channel-use only
Note: Boxshots and cardshots are for use ONLY by channel partners, and not in any Adobe communications.
BOXSHOTS CARDSHOTS
.25x .25x
.25x .75”
.25x
Based on the particular program name and any associate levels, descriptors, etc there are several options for the Do not create your own badges, logos, or
other identities; work with Brand Strategy to
exact layout of the badge. But the overall design, including the font, remains the same for all programs. create them.
Examples:
Each program will have individual guidelines which will include specifications for clear space, minimum size, etc.
PREFERRED VENDORS:
BrandVia Jack Nadel
Contact: Doug Kahl Contact: Catherine Smith
doug.kahl@brandvia.com catherine.smith@nadel.com
408-955-1707 916-570-1201
52 Adobe Corporate Brand Guidelines | Adobe Confidential | 01 August 2017
Branded merchandise: Wearables
The goal is create garments someone will truly enjoy wearing. We’re not trying to put the biggest Adobe logo that will
fit on a shirt. It can be subtle. It can be white. It can be tone-on-tone. Opt for subtle and sophisticated over big and red.
TONE-ON-TONE
The standard logo, as well as product
logotypes, may be recolored to created a
tone-on-tone effect on giveaways.
The red tag logo is NEVER recolored
including for a tone-on-tone effect.
WW Customer Care
Each InDesign template has a layer showing the guidelines for that specific template.
There are a selection of templates, but only the Datasheet template is shown as an example - shown with and without the guidelines layer.
Label
Full product name and label. Mandatory.
36 pt.
Adobe Flash Builder 4 Datasheet Adobe Flash Builder 4 Datasheet Objective: Created for point products and suites; offers in-depth info.
Explains 3-4 main product benefits (long theme descriptions based on
messaging pillars), lists several key features, and shows sample artwork,
screenshots, or a workflow diagram of the product in action.
Word count/length: 1,000-1,100 words; 2 pages.
Buying cycle phase: Consideration
Image
Adobe® Flash® Builder ™ 4 This image represents the product in
whatever form it ships. If the product is a
download, then the alternative is to use
Adobe® Flash® Builder ™ 4 Product name
For suites, the flavor (e.g., “Design Premium”)
should appear on the second line.
source Flex® framework, including support for intelligent coding, debugging, and visual source Flex® framework, including support for intelligent coding, debugging, and visual
design. It features powerful testing tools that speed up development and lead to higher design. It features powerful testing tools that speed up development and lead to higher
performing applications. performing applications.
Key message paragraph
One bold paragraph that describes each key message and presents a few key features as proof. 70–150 words.
Improve productivity—Adobe Flash Builder 4 helps you accelerate development and testing of Key message head Improve productivity—Adobe Flash Builder
Mandatory. 4 helps
Begin you accelerate
each paragraph development
with an imperative statement. 3-5 and
keytesting
messagesofper document. These can
An imperative phrase that describes a distinct be based off of the long key theme descriptions in the core content document. Word count for each should
expressive web applications using powerful developer tooling. A powerful Eclipse™ based IDE includes benefit the customer can experience from expressive web applications using powerful developer
decrease as key tooling.
messages increase. IdealAtotal
powerful Eclipse™
word count based
for this section IDEincluding
is 350, includesheads.
using the product. 3–7 words. Mandatory.
editors for MXML, ActionScript®, and CSS, as well as syntax coloring, statement completion, code editors for MXML, ActionScript®, and CSS, as well as syntax coloring, statement completion, code
Adobe Flash Builder 4 collapse, interactive step-through debugging, and automatic generation of common code. You can Adobe Flash Builder 4 collapse, interactive step-through debugging, and automatic generation of common code. You can
Standard Edition quickly navigate through code or restructure it by renaming all references to a class, method, or variable. Standard Edition quickly navigate through code or restructure it by renaming all references to a class, method, or variable.
Adobe Flash Builder 4 In addition, you use Flash Builder 4 to create applications for the Adobe AIR runtime, including all the Adobe Flash Builder 4
In addition, you use Flash Builder 4 to create applications for the Adobe AIR runtime, including all the
Premium Edition tools required to build, debug, package, and sign AIR applications. Premium Edition tools required to build, debug, package, and sign AIR applications.
Adobe Flash Builder 4 Premium Adobe Flash Builder 4 Premium
Integrate with existing infrastructure—Flash Builder 4 lets you integrate with servers and services in Integrate with existing infrastructure—Flash Builder 4 lets you integrate with servers and services in
Edition adds professional testing Edition adds professional testing
tools, including profilers, network your existing infrastructure, including those based on Java™, PHP, Adobe ColdFusion®, REST, and SOAP. You tools, including profilers, network your existing infrastructure, including those based on Java™, PHP, Adobe ColdFusion®, REST, and SOAP. You
monitoring, an automated testing can import design assets created using Adobe Flash Professional, Illustrator®, Photoshop®, or Fireworks® monitoring, an automated testing can import design assets created using Adobe Flash Professional, Illustrator®, Photoshop®, or Fireworks®
framework, integration with Flex software, or import a complete application user interface created using the Adobe Flash Catalyst™ interaction framework, integration with Flex software, or import a complete application user interface created using the Adobe Flash Catalyst™ interaction
unit testing, and command line unit testing, and command line
design tool. A rich, built-in library of data access services makes it easy to invoke web services or request design tool. A rich, built-in library of data access services makes it easy to invoke web services or request
build support, plus includes Adobe build support, plus includes Adobe
ColdFusion® Builder™ and Aptana XML or other data via HTTP. ColdFusion® Builder™ and Aptana XML or other data via HTTP.
Studio Pro™ software. Studio Pro™ software.
Deliver more expressive apps—With Flash Builder 4, you can create intuitive, engaging applications that Deliver more expressive apps—With Flash Builder 4, you can create intuitive, engaging applications that
deliver more compelling experiences. A rich library of built-in components lets you visually design and Sidebar deliver more compelling experiences. A rich library of built-in components lets you visually design and
For complementary and/or related product
preview user interface layout, appearance, and behavior. You can extend the built-in Flex framework information that is not already mentioned preview user interface layout, appearance, and behavior. You can extend the built-in Flex framework
in the main copy. For Creative Suite point
components or create new ones as needed. By simply dragging and dropping a chart type and linking it products, use this space to promote the components or create new ones as needed. By simply dragging and dropping a chart type and linking it
benefits of the suite and list all products in
to a data source using the Flex Charting library, you can create data dashboards and interactive data analysis. the suite. Do not use the sidebar to summarize
to a data source using the Flex Charting library, you can create data dashboards and interactive data analysis.
It’s easy to customize the appearance of an application using CSS and graphical property editors. You can or repeat content already covered in the It’s easy to customize the appearance of an application using CSS and graphical property editors. You can
main body of the datasheet. Do not include
also import Flex Projects (FXPs) created using Adobe Flash Catalyst, saving time and improving the credibility information, such as customer also import Flex Projects (FXPs) created using Adobe Flash Catalyst, saving time and improving the
quotes or accolades. 50-100 words.
quality of the user experience. quality of the user experience.
The templates are available in PowerPoint and Keynote in the widescreen format. Widescreen vs. “standard” format
In recent years, hardware has shifted
Examples: predominantly to the 16x9 widescreen
format, making it the new “standard.” The
Adobe corporate presentation templates
Title Slide Title Slide
and corporate overview are now available
Name | Title Name | Title
exclusively in the 16x9 format.
Additional information about formatting
between standard and widescreen templates
is available on Brand Center.
Gray Content Slide – Graphic Footer & Header Gray Content Slide – Graphic Footer & Header
© 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
© 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential. © 2015 Adobe Systems Incorporated. All Rights Reserved. Adobe Confidential.
Adobe
345 Park Avenue
Adobe
Mailstop E10
345 Park Avenue
San Jose, CA 95110-2704
San Jose, CA 95110-2704
Phone 408 536.6000
Fax 408 537.6000
T 408 536 6000
F 408 537 6000
lorem@adobe.com
adobe.com
adobe.com/type
Blog: adobe.com/go/acrolawmhjyfd
Twitter: @xxxxxxxxxxxxxxxxxxxxx
Envelope
Letterhead
EFFECTIVE SEPTEMBER 2013 Protection of our trademarks remains a priority for the company.
•• You are no longer required to use ™ or ® (“circle R”) trademark symbols (or “bugs”) •• You must continue to use a standard trademark attribution statement (the fine print
with Adobe trademarks, including product names and all logos (including the Adobe listing of trademarks and their respective owners, better known as “mouseprint”) for
corporate logo). Adobe trademarks and for any trademarks of other companies where such notice is
•• You are not required to use a ™ or ® trademark symbol with the trademarks of other contractually required.
companies, except where product-specific use is contractually required. Please refer •• You should use the standard disclaimer trademark attribution statement (“All other
to your product audit for this information or contact your legal representative. trademarks are the property of their respective owners.”) where appropriate.
This is a global change and is applicable in all Adobe and third-party communications See page 62 for details on writing the standard attribution statement.
including product UIs, adobe.com pages and other company websites, including localized
The Adobe Trademark Database will continue to list the proper form of each trademark;
sites, as well as collateral in all media.
please refer to it to identify which trademarks should be included in the attribution
Note: this change only needs to be made in new communications, there is no statement. Only those marked with a ™ or ® need to be included.
requirement to edit existing materials.
•• Internal Database: https://inside.corp.adobe.com/content/dam/legal/documents/
Adobe_Trademark_Database-Internal.pdf
•• External Database: https://wwwimages2.adobe.com/content/dam/acom/en/legal/
licenses-terms/pdf/adobe_trademark_database_external.pdf
Please include a copyright notice and an attribution statement, which may appear in small, but still legible, print, when using For more information on copyright
notices and attribution statements, and for
any Adobe trademarks in any published materials. They are typically placed with other legal lines at the end of a document or details regarding attribution of third-party
on the copyright page of a book or manual. trademarks, please visit the Adobe Legal
website.
THE FORMAT FOR ADOBE’S COPYRIGHT NOTICE IS AS FOLLOWS: Please refer to the Adobe Trademark
Database to identify which trademarks should
© [Year of Publication] Adobe Systems Incorporated. All rights reserved. be included in the attribution statement.
Only those marked with a ™ or ® need to be
included.
THE FORMAT FOR THE ATTRIBUTION STATEMENT SHOULD BE: • Internal Database: https://inside.
corp.adobe.com/content/dam/legal/
List of Adobe marks used, beginning with “Adobe” and “the Adobe logo,” if used, followed by any other marks (in alphabetical documents/Adobe_Trademark_Database-
order) “are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other Internal.pdf
countries.” • External Database: https://wwwimages2.
adobe.com/content/dam/acom/en/legal/
licenses-terms/pdf/adobe_trademark_
FOR EXAMPLE: database_external.pdf
Our editorial voice reflects our five brand personality tenets: It is simple, forward-thinking and inspiring, and ARE YOU A COPY WRITER?
Please download our Tactical Guide for Writers
seeks to foster an emotional connection with the Adobe community. Therefore, it must contain life and (Asset ID 212406) that covers in detail the
compel a reaction. Adobe tone and voice.
The guide serves as a technical resource
We expect a certain level of intelligence from our audience, avoiding lowest-common-denominator
to writers and marketers who create copy
communication. Visuals and type should not compete, but support each other. We are direct and confident, for the Adobe brand. It’s intended as a
bold yet not boastful. In display type, the voice should speak peer to peer and focus on real-world value companion guide to our corporate guidelines,
offering a deeper level of insight to the many
rather than technical features.
copy situations we encounter day to day.
We speak conversationally. We express a passion for technology but an understanding that innovation is
nothing without customer benefit. We have a strong voice that understands customer needs, leads changes,
and commands trust.
Here at Adobe, we want to maintain a strong and consistent personality. We shouldn’t be a chameleon.
We use one voice, regardless to whom we are speaking. There is a level of informality and personality that
shouldn’t change, no matter the audience. Content changes, voice doesn’t.
You’re a pro. Make sure you look like one. Protect documents and accelerate information exchange with PDF.
Deadlines just got less dangerous. Adjust images in half the time.
Adjust images in half the time. Work faster with new timesaving features.
Find the audience in the haystack. Looking to optimize your audience management?
Creativity just got a lot more colorful. Creative Cloud offers new ways to manipulate color.
As our primary marketing communications vehicle, the Adobe website plays an oversized role in
differentiating the Adobe brand from its competitors. Follow these guidelines in writing copy and using the
Adobe voice on Adobe.com.
WRITING CONTENT THAT DIFFERENTIATES ADOBE
Web content that differentiates the Adobe brand will appear primarily as headlines, product overview
paragraphs, and to a lesser extent navigational elements such as buttons and calls to action. This is where
the Adobe editorial voice is strongest and where we’re most likely to spark an emotional connection with
the brand.
Differentiation in content decreases relative to the depth (position) of the content on the site. For example,
content on a product overview page, the uppermost page in the product area, should clearly differentiate
Adobe from its competitors through the brand voice. Feature descriptions, on the other hand, appearing at
the deepest levels of the site, are objective, factual, and concise, and contain very little of the brand voice. At
this level, the feature set differentiates Adobe (specifically, the product); the text itself does not.
We use periods in most of our headlines on Adobe.com and in emails to give them extra emphasis.
Where we don't use them:
•• Adobe.com page titles
•• Key benefit and feature description headings
•• Buttons and calls to action
•• Subject lines in emails
See the following pages for examples.
EACH USE OF ADOBE ASSETS MUST BE SENT FOR BRAND REVIEW BEFORE BEING FINALIZED.
Please send a PDF or link to the website where you plan to use an Adobe asset to brandapproval@adobe.com.
Please allow for a 24-hour turnaround.