Professional Documents
Culture Documents
REGR(ESAD)
23-24
The idea that accompanies every art student at the end of his
career is, what do I do now?
The fear of failure and of not knowing if we will find our place in
the artistic world accompanies us and sometimes stops us in
our creations. We think that everything we need to continue in
art is out there, but we don't know how to go about it. We leave
school and most of the time we focus on doing what we think
sells instead of fighting for something new with which we really
feel identified.
The residence would last for one school year (from
October to July) in which the creators to whom it was
2. Creation. granted would have to create a scenic piece in which
they would experiment with their own aesthetics.
3. Professional They would have spaces where they could rehearse and
meet throughout the artistic process as well as a
world. budget of 3,000 euros to be able to get their piece off
the ground.
REGR(ESAD)
BIO.
24 years old. Graduated in stage direction and playwriting from the Superior School of
Dramatic Art of Castilla y León and student of Textual Interpretation at the same school.
She has written and directed his work "Al otro lado del río" and has worked in productions
such as "Bodas de Sangre" or "La Boda de los peqeños burguesos", both directed by
Eduardo Navarro Hevia. She is currently working as an actress in the production "Bailando
en Lughnasa" which will be the work that will end her academic stage at the Superior
School of Dramatic Art.
She completes her training in vocal technique with teachers such as Kristin Linklater and
has taken acting courses in front of the camera with Leyre Ruiz and Fernando Cayo.
Always in constant training and trying to discover all the opportunities that artistic
creation presents.
REGR(ESAD)
REGR(ESAD)
REGR(ESAD)
01 Scenic classroom.
REGR(ESAD)