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Cinnabar
Cinnabar (/ˈsɪnəˌbɑːr/; from Ancient Greek κιννάβαρι
(kinnábari)),[7] or cinnabarite (/ˌsɪnəˈbɑːraɪt/), is the
Cinnabar
bright scarlet to brick-red form of mercury(II) sulfide (HgS).
It is the most common source ore for refining elemental
mercury and is the historic source for the brilliant red or
scarlet pigment termed vermilion and associated red mercury
pigments.
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Cinnabar is generally found in a massive, granular or earthy Cleavage Prismatic {1010}, perfect
form and is bright scarlet to brick-red in color, though it
Fracture Uneven to
occasionally occurs in crystals with a nonmetallic adamantine
subconchoidal
luster.[12][13] It resembles quartz in its symmetry. It exhibits
birefringence, and it has the second-highest refractive index Tenacity Slightly sectile
of any mineral.[14] Its mean refractive index is 3.08 (sodium Mohs scale 2.0–2.5
light wavelengths),[15] versus the indices for diamond and the hardness
non-mineral gallium(III) arsenide (GaAs), which are 2.42
Luster Adamantine to dull
and 3.93, respectively. The hardness of cinnabar is 2.0–2.5
on the Mohs scale, and its specific gravity 8.1.[6] Streak Scarlet
Diaphaneity Transparent in thin
pieces
Structure
Specific 8.176
gravity
Optical Uniaxial (+); very high
properties relief
Occurrence
Cinnabar generally occurs as a vein-filling mineral associated with recent
volcanic activity and alkaline hot springs. Cinnabar is deposited by
epithermal ascending aqueous solutions (those near surface and not too
hot) far removed from their igneous source.[17] It is associated with native
mercury, stibnite, realgar, pyrite, marcasite, opal, quartz, chalcedony,
dolomite, calcite and barite.[4]
Palatinate; La Ripa, at the foot of the Apuan Alps and in the Mount Amiata (Tuscany, Italy); the
mountain Avala (Serbia); Huancavelica (Peru); Murfreesboro, Arkansas (United States); Terlingua,
Texas (United States); and the province of Guizhou in China and Western ghats in India where fine
crystals have been obtained. It was also mined near Red Devil, Alaska (United States) on the middle
Kuskokwim River. Red Devil was named after the Red Devil cinnabar mine, a primary source of
mercury. It has been found in Dominica near its sulfur springs at the southern end of the island along
the west coast.[21]
Cinnabar is still being deposited, such as from the hot waters of Sulphur Bank Mine[22] in California
and Steamboat Springs, Nevada (United States).[23]
To produce liquid mercury (quicksilver), crushed Cinnabar crystals of an individual size of one
cinnabar ore is roasted in rotary furnaces. Pure mercury centimeter, on quartz. Almadén (Ciudad Real)
separates from sulfur in this process and easily Spain. Coll. Museum of the School of Mining
evaporates. A condensing column is used to collect the Engineers of Madrid
liquid metal, which is most often shipped in iron flasks.
[28]
Toxicity
Associated modern precautions for use and handling of cinnabar
arise from the toxicity of the mercury component, which was
recognized as early as in ancient Rome.[29] Because of its mercury
content, cinnabar can be toxic to human beings. Overexposure to
mercury, mercurialism, was seen as an occupational disease to the
ancient Romans. Though people in ancient South America often Apparatus for the distillation of
used cinnabar for art, or processed it into refined mercury (as a cinnabar, Alchimia, 1570
means to gild silver and gold to objects), the toxic properties of
mercury were well known. It was dangerous to those who mined
and processed cinnabar; it caused shaking, loss of sense, and death. Data suggests that mercury was
retorted from cinnabar and the workers were exposed to the toxic mercury fumes.[30] "Mining in the
Spanish cinnabar mines of Almadén, 225 km (140 mi) southwest of Madrid, was regarded as being
akin to a death sentence due to the shortened life expectancy of the miners, who were slaves or
convicts."[31]
Decorative use
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Cinnabar has been used for its color since antiquity in the Near East, including as a rouge-type
cosmetic,[29] in the New World since the Olmec culture, and in China for writing on oracle bones as
early as the Zhou dynasty. Late in the Song dynasty it was used in coloring lacquerware.
Cinnabar's use as a color in the New World, since the Olmec culture,[32] is exemplified by its use in
royal burial chambers during the peak of Maya civilization, most dramatically in the 7th-century tomb
of the Red Queen in Palenque, where the remains of a noble woman and objects belonging to her in
her sarcophagus were completely covered with bright red powder made from cinnabar.[33]
The most popularly known use of cinnabar is in Chinese carved lacquerware, a technique that
apparently originated in the Song dynasty.[34] The danger of mercury poisoning may be reduced in
ancient lacquerware by entraining the powdered pigment in lacquer,[35] but could still pose an
environmental hazard if the pieces were accidentally destroyed. In the modern jewellery industry, the
toxic pigment is replaced by a resin-based polymer that approximates the appearance of pigmented
lacquer.
Other forms
Hepatic cinnabar, or paragite, is an impure brownish variety[37]
from the mines of Idrija in the Carniola region of Slovenia, in
which the cinnabar is mixed with bituminous and earthy
matter.[38]
Hypercinnabar crystallizes at high temperature in the
hexagonal crystal system.[39] Chinese carved cinnabar
lacquerware, late Qing dynasty.
Metacinnabar is a black-colored form of mercury(II) sulfide,
Adilnor Collection, Sweden
which crystallizes in the cubic crystal system.[40]
Synthetic cinnabar is produced by treatment of mercury(II)
salts with hydrogen sulfide to precipitate black, synthetic metacinnabar, which is then heated in
water. This conversion is promoted by the presence of sodium sulfide.[41]
See also
Earth sciences
portal
China red
Classification of minerals
List of minerals
Mercury cycle
Red pigments
References
1. Warr, L.N. (2021). "IMA–CNMNC approved mineral symbols" (https://doi.org/10.1180%2Fmgm.20
21.43). Mineralogical Magazine. 85 (3): 291–320. Bibcode:2021MinM...85..291W (https://ui.adsab
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21. Voudouris, Panagiotis; Kati, Marianna; Magganas, Andreas; Keith, Manuel; Valsami-Jones,
Eugenia; Haase, Karsten; Klemd, Reiner; Nestmeyer, Mark (2020). "Arsenian Pyrite and Cinnabar
from Active Submarine Nearshore Vents, Paleochori Bay, Milos Island, Greece" (https://doi.org/10.
3390%2Fmin11010014). Minerals. 11 (1): 14. Bibcode:2020Mine...11...14V (https://ui.adsabs.harv
ard.edu/abs/2020Mine...11...14V). doi:10.3390/min11010014 (https://doi.org/10.3390%2Fmin1101
0014).
22. "Cinnabar from Sulphur Bank Mine (Sulfur Bank Mine; Sulphur Bank deposits), Clear Lake Oaks,
Sulphur Creek Mining District (Sulfur Creek Mining District; Wilbur Springs Mining District), Lake
Co., California, USA" (https://www.mindat.org/locentry-133387.html). Mindat. Retrieved
2021-03-15.
23. "Cinnabar from Steamboat Springs mine, Steamboat Springs Mining District, Washoe Co.,
Nevada, USA" (https://www.mindat.org/locentry-204963.html). Mindat. Retrieved 2021-03-15.
24. "Natural Sources: Mercury" (http://ec.gc.ca/mercure-mercury/default.asp?lang=En&n=2C1BBBDA
-1). Environment Canada. 9 January 2007. Retrieved 2015-07-24.
25. Martín Gil, J.; Martín Gil, F. J.; Delibes de Castro, G.; Zapatero Magdaleno, P.; Sarabia Herrero, F.
J. (1995). "The first known use of vermillion". Experientia. 51 (8): 759–761.
doi:10.1007/BF01922425 (https://doi.org/10.1007%2FBF01922425). ISSN 0014-4754 (https://ww
w.worldcat.org/issn/0014-4754). PMID 7649232 (https://pubmed.ncbi.nlm.nih.gov/7649232).
S2CID 21900879 (https://api.semanticscholar.org/CorpusID:21900879).
26. Vitruvius. De architectura. Vol. VII. 4–5.
27. Pliny. Natural History. Vol. XXXIII. 36–42.
28. "Concentration of Isotopes of Mercury in Countercurrent Molecular Stills" (https://nvlpubs.nist.gov/
nistpubs/jres/041/jresv41n3p205_A1b.pdf) (PDF). Journal of Research of the National Bureau of
Standards. Retrieved 2021-03-15.
29. Stewart, Susan (2014). " 'Gleaming and deadly white': Toxic cosmetics in the Roman world". In
Wexler, Philip (ed.). History of Toxicology and Environmental Health: Toxicology in Antiquity (http
s://books.google.com/books?isbn=0128016345). Vol. II. New York, NY: Academic Press. p. 84.
ISBN 978-0-12-801634-3. Retrieved 2015-07-24.
30. Petersen, G. (2010). Mining and Metallurgy in Ancient Peru (https://www.researchgate.net/publicat
ion/287174777). Special Paper 467. Boulder, CO: The Geological Society of America. p. 29.
31. Hayes, A. W. (2014). Principles and Methods of Toxicology (6th ed.). New York, NY: Informa
Healthcare. p. 10. ISBN 978-1-842-14537-1.
32. "New World's Oldest" (https://web.archive.org/web/20081205015759/http://www.time.com/time/ma
gazine/article/0,9171,825208,00.html). Time. 1957-07-29. Archived from the original (http://www.ti
me.com/time/magazine/article/0,9171,825208,00.html) on December 5, 2008.
33. Healy, Paul F.; Blainey, Marc G. (2011). "Ancient Maya mosaic mirrors: Function, symbolism, and
meaning". Ancient Mesoamerica. 22 (2): 230. doi:10.1017/S0956536111000241 (https://doi.org/1
0.1017%2FS0956536111000241). S2CID 162282151 (https://api.semanticscholar.org/CorpusID:1
62282151).
34. Rawson, Jessica, ed. (2007). The British Museum Book of Chinese Art (2nd ed.). British Museum
Press. p. 178. ISBN 9780714124469.
35. Dietrich, R. V. (2005). "Cinnabar" (http://www.cst.cmich.edu/users/dietr1rv/cinnabar.htm).
Gemrocks: Ornamental & Curio Stones. Ann Arbor, MI: University of Michigan.
36. "Dressed to Kill: Chilean Mummies' Clothes Were Colored with Deadly Toxin" (https://www.livescie
nce.com/63181-mummies-poison-clothing.html). livescience.com. 27 July 2018.
37. "Hepatic Cinnabar: Hepatic Cinnabar mineral information and data" (http://www.mindat.org/min-18
71.html). mindat.org.
38. Shepard, Charles Upham (1832). Treatise on Mineralogy. Hezekiah Howe. p. 132.
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Further reading
Stewart, Susan (2014). " 'Gleaming and deadly white': Toxic cosmetics in the Roman world". In
Wexler, Philip (ed.). History of Toxicology and Environmental Health: Toxicology in Antiquity. Vol. II.
New York, NY: Academic Press. p. 84. ISBN 978-0-12-801634-3.
Barone, G.; Di Bella, M.; Mastelloni, M. A.; Mazzoleni, P.; Quartieri, S.; Raneri, S.; Sabatino, G.;
Vailati, C. (2016). Pottery Production of the Pittore di Lipari: Chemical and Mineralogical Analysis
of the Pigments. Minerals, Fluids and Rocks: Alphabet and Words of Planet Earth. Rimini: 2nd
European Mineralogical Conference (EMC2016) 11–15 Sep 2016. p. 716.
External links
MSDS for cinnabar (https://web.archive.org/web/20070912190757/http://physchem.ox.ac.uk/MSD
S/ME/mercuric_sulphide.html)
Dartmouth Toxic Metals Research Program – Mercury (https://web.archive.org/web/20090626042
032/http://www.dartmouth.edu/~toxmetal/metals/stories/mercury.html)
Cinnabar visual reference (http://www.galleries.com/minerals/sulfides/cinnabar/cinnabar.htm)
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