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Quarter 4 – WEEK 6
Representative Philippine
Theatrical Forms
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ARTS
Quarter 4 – WEEK 6
Representative Philippine Theatrical Forms
Learning Competency
• Discusses the history of the theatrical composition and its own evolution and describe how the townspeople
participate and contribute to the event. A7EL-Ivb-2
• Discusses the elements and principles of arts as seen in the theatrical forms. AEL-IVc-3
Objectives
At the end of the module, you should be able to:
✓ Identify the representative theatrical forms in the Philippines.
✓ Create a poem displaying one’s appreciation of Philippine Theater Forms.
✓ Exhibit understanding of the importance of knowing theatrical forms in the Philippines through writing a
reflection.
ACTIVITY 1
What do you know about the different theatrical forms in our country? Write 2-3 sentences of your ideas for each
theatrical form listed below.
❖ Shadow puppetry
❖ Comedia
❖ Moro-Moro
❖ Senakulo
❖ Zarzuela
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Secular Komedya - an example of
secular komedya popularized in the
1600’s is the “Moro-Moro”, that use
stories that revolve around kings,
queens, princes, princesses, animals,
and supernatural beings. Most of the
time, it portrays the clash between
Christians and Filipino Muslims.
ACTIVITY 2
Read the questions/situations carefully and answer them.
1. What is the difference between Secular and Religious Komedya?
2. Have you ever experienced making images out of your shadow during brownout? How will you describe the
experience? And what are the important art elements present in your shadow making?
General Instructions: Create a poem displaying your appreciation of Philippine Theater Forms (the ones discussed in
this module). You may also include in the content of your poem the importance of theater arts to you, or your school, or your
community, or for our country in general.
Technical Instructions: The poem can be written in a maximum of 4 stanzas, with the minimum of 2. There must be 4
lines in each stanza, last words of each line must rhyme, but you may follow free meter.
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RUBRICS