You are in a clean,
chrome room.
A warm mug of coffee rests in your hands. A monitor to
your left delivers readouts of information: heart rates, time
stamps, causes of death. You’re barely looking at it,
though. The computer will handle that. No, your focus is
on the wide laboratory expanding below you, perfectly
visible through a wall of glass without a single smudge.
Assistants in lab coats like yours, but not quite as nice, wander
from table to table peering into mazes and inspecting the rats.
Your gaze rests on one—Experiment#033—which is just
beginning a test. A gentle buzzer sounds and a capsule opens.
Rat#033 scurries out: 2:45:31pm. Your monitor confirms a
heart that’s already racing. #33 knows what’s coming. The
maze has been rearranged since its last attempt, but it wastes
no time identifying the early dead ends. A few seconds later—
2:45:39pm—the assistant signals with a raised hand.
You extricate your fingers from the mug’s handle and push the
button. You know the one. You don’t have to look. Another
buzzer sounds, deeper, and #33 breaks into a run. Heart rate
climbing further. Its new pursuers are one of your designs, quick
and deadly. Louder than you’d like, but they get the job done.
A left turn. A right turn. A dead end. You can’t hear the
screeching from here, but you know the rat can. A
scramble back around the corner. Your coffee ripples with
the uneven tension of your hands clenching around the
mug in anticipation. Another turn, and another dead end. 
This one will be the last, and the rat knows it too. It backs
against the wall and lifts up high onto its hind legs.
Something is spinning in its hand—a sawblade? Where did it
get one of those? No matter. It takes down one, two of its
pursuers, but there are more around the corner.
Time of Death: 2:47:21. Longer than last time, not a
record. Your tension releases as the data is logged into the
computer. A few seconds pass as the assistant resets the
maze. Then, a gentle buzzer sounds. A capsule opens.
Rat#033 scurries out, heart already racing.
Does it understand its fate? Does it suffer? Do any of
them? You briefly wonder, but then you move on. As it
should be. At the end of the day, you are happy.
And that is all that
matters to me.
perfectly fine.
A Crossover Mission
 3
Made for the

ST BILIZE LL RE LITIES Game Jam

Compatible With Compatible With

Created by:

Caleb Zane Huett Nevyn Holmes

Story, Layout, Triangle Agency Notes Editing, Characters, Spacefucked Notes

Special Thanks:
Sean Ireland, Julie-Anne Muñoz, Michael Shillingburg
 4
HOW TO PLAY
You’re in Space and Everything is Perfectly Fine is a
mission playable in two systems. Your table can choose Medical
Viewport
which game to approach the story in, and depending
on your choice the experience can be very different. Bay
(You could even play it in both simultaneously, though
that may add some extra challenge.)

The following pages explains the overall arc of the

adventure in a chronological way. The sections after that,
Living

FOR YOU’RE IN SPACE AND EVERYTHING’S FUCKED Quarters

and FOR TRIANGLE AGENCY will address some specifics
for running the scenario from those perspectives. The
Annoying
Corner
SETUP Garden
Two years ago, Parlow Technologies chief scientist Dr. Airlock &

Cedrick Healy announced that he would be personally Escape Pods

overseeing a new study into the possibility of human life
in space. They had already launched a space station into
orbit around Earth and now civilians could apply to live
there for three months at a time.
The station’s small size was intimidating to some, but
They’d be paid well for the risk, and trained on safety they received an incredible number of applicants for
protocols, but because it was specifically about the something that could only house about twelve
viability of civilian life they would pick from a diverse people. In the year since the experiment started,
range of candidates across the United States. To show 48 people have taken shuttles up to the station.
the company’s faith in the project, Dr. Healy would be
staying on the station for the duration of the experiment. There are only 3 public interviews with subjects who
have returned. All three had the time of their lives.

The Station As It Was
The Airlock
Where ships would attach to the space station to
allow passengers to enter the station itself. The station
does not have artificial gravity, but magnetic shoes
are provided for those who want to feel a little more
grounded. There are also three escape pods capable
of holding four people each that can be activated for
an emergency descent back to Earth.
The Hallways
Chrome, well-lit, wide enough for two people to stand
shoulder-to-shoulder. Emergency lights near the floor
shine red if anything happens to the normal lights.
The Garden
While PT provides supplies with every shuttle, the civilians
on the station supplement them by growing their own
produce with artificial lights and humidity. The room
has clear plastic curtains sealing it off from the hallway
that are easily pushed apart. Inside, planters bolted to the
tables are full of a variety of delicious vegetables and
fruits. This is by far the largest room in the station and is
where most people spend their days keeping busy.
The Living Quarters
Eight bunk beds, four on each wall, are where the
civilians and scientists rest. A rehydration station,
convection oven, and table allow them to strap in
and socialize. Books, media, and other private items
they brought with them are kept in lockers bolted to
the foot of the beds, and each has a name-tag.
5
The Medical Bay
Staffed by Dr. Healy and his two assistants, chemist Dr.
Gil Navarro and psychiatrist Dr. Beth Francis, the
medical bay is where the civilian dwellers are examined
and questioned regularly about the effects of the station
on their health and well-being. Dr. Navarro frequently
draws blood from his patients which is kept in small vials
labeled with their names and the number they were
assigned upon entering the ship. Dr. Francis conducts
private mental health interviews with the room sealed,
which everybody finds annoying because it means they
have to go through the tiny hallway on the other side.
In the back of the room is a machine that looks a bit like a
tanning bed. The domed top opens on a hinge, allowing
patients to lay down on a cold glass pane and have the
top closed back over them. The glass pane—and the same
glass above—glow blue while the machine is powered. The
civilians are told this machine scans their bodies for any
abnormalities, but it’s not an X-ray. The process doesn’t
feel like anything at all, and only takes a few seconds.
The Viewport
A big spherical room of radiation-proof glass with seats &
seatbelts for relaxation attached to the inner wall. The Earth
is visible from this viewport, and sometimes the Sun.
The Annoying Corner
Due to a budget cut in the design process, the space
needed for the external escape pods has cramped the
bottom-right hallway and it is most easily passed through
by turning sideways and sidestepping around the corner.

The Station As It Is - Field Agents Begin Here
There have been no signals or signs of life
from the station in the last three weeks.
Parlow Technologies has kept things quiet, but a few
people are starting to notice the lack of new information.
The Triangle Agency has intercepted communications
between PT executives explaining the situation:
Every single person on the entire station has vanished.
No pods have been activated, the airlock was never
opened, and everything on the station appears to be
working, but no one is there anymore. This is not the
first time people have disappeared—in fact, most of the
civilians who have gone onto the space station have
disappeared. PT has spent a lot of money covering that
up. But never the scientists, and never everyone at once.
The Agency suspects an Anomaly, and is sending
in a field team on a company-owned rocket.
The Struggler is already living confirmation of an
Anomaly on the station and starts on Layer Two.
The Airlock
Works as intended. Silent. Will connect to new shuttles.
The Hallways
As normal, though a few personal items are
floating around where they shouldn’t be.
The Garden
The plants are doing well! Some are dying from lack of
tending, but the systems are working as intended and
for the most part it’s not especially overgrown here.
6
The Medical Bay
The machine shaped like a tanning bed is on and humming
with blue light. When it’s opened, someone is inside!
Petra Gillis, #42: One of the most recent additions to the
space station. Awakening as if from a dream, Petra most
recently remembers being eaten by a dragon. Before that,
she knows she was working in the garden like normal with
the other members of her shuttle group. She’s confused
about why the station would be abandoned. If at any point
she is not being observed, she disappears again.
The “tanning bed” is an expression of the Anomaly: it is
a Save Point given to the Civilians, but this has never
been explained to them.  It creates a body immediately
upon the death of a Civilian and puts their memories and
experiences back into the new body. The old body, and
everything it was carrying, remains where it was left.
The Viewport
Normal. The Earth is visible from this viewport,
and the edges of the sun. It’s beautiful.
The Living Quarters
Normal. Personal objects are floating around, though,
and some of the screens are still playing videos on loop.
The Annoying Corner
This is where the truth of the disappearances is revealed.
When passing through this corner clockwise, Agents and
Strugglers move into another layer of reality. The entire
station is the Anomaly’s Domain, and it has created
potentially endless versions of the station, all layered on
top of each other in surreal space.

Layer Two - The Struggler Begins Here
This place smells like blood. The hallways
are lit only with red emergency lights.
Blood coats the walls and discarded body parts float
through the air. At first it seems many people have died
here—but if inspected closely, it’s clear the same person
has died here many times.
This layer is a specific experiment regarding Nico Detrik, #33
– or, the starting place of the Struggler, who replaces Nico.
Nico has been faced with repeated attacks by horrible
monsters with bladed bones. They arrive shortly after he is
brought back by the Save Point and kill him before he can
reach the escape pods. He has always dismissed the Annoying
Corner because it seems like a death trap, but if he were to
make it there, he would move into Layer Three.
Nico is a persistent, furious survivor. Not content with
simply escaping, he wants to find and kill the ones who did
this to him and will work with the Agents if it serves that
purpose, though he’s extremely suspicious at first. He’s also
a potential Resonant, and could bond with an Anomaly.
The Airlock
Appears to be broken. It will not open.
The Hallways
Ripped clothes and Nico’s body parts float
weightlessly, easily set spinning by light touches
as anyone moves through the hallways.
The Garden
The plants are dead. The lights have
apparently been off for a long while.
7
When playing You’re In Space, you
can start randomly generating rooms
here, and roll for Monsters in each
room as you would normally!
The Medical Bay
Nico respawns here in the Save Point when he dies, and
he understands it’s the reason he’s still alive. He typically
grabs a syringe at first, tries to get to the Garden and find
a spinning sawblade tool either on his previous body or
in the emergency tool kits kept here, then tries to fight the
monsters and get to the airlock. He doesn’t trust anything
that arrives here now—apparently the monsters have
changed a few times. He will attack intruders.
The Viewport
Nothing is visible. Space is devoid of stars and planets.
Empty blackness. If not already fought, monsters formed
from artificially-grown human flesh with protruding, bladed
bones are released from the walls to the sound of a buzzer.
The Living Quarters
Nico has been here before—he has moved furniture around
to barricade half of the room, and in one loop survived for
a while in here. He’s back to trying to escape, now.
The Annoying Corner
Moving
through it leads into Layer Three. Quiet sounds of
humans talking come through from the other side.

Layer Three
This layer smells like people.
There’s a huge amount of noise.
Thirty people are trapped here, hungry and overcrowded
in this small station. They groan at any new arrivals—more
mouths to feed, and everyone is already so hungry.
Residents of Layer Three came from many different
shuttles, and new ones occasionally appear, but no
one ever leaves. This experiment is intended to see
what happens when their resources are pushed to the
limits, but they are not directly harmed by monsters.
The mood is very tense. The crowd could escalate into
violence easily, but they could also be rallied with care.
Residents of Layer Three are not Resonants, and are unable
to move through The Annoying Corner into other layers
unless the Anomaly is dealt with. The residents here don’t
understand that they aren’t on the original space station,
and think something is jamming their radio signals to Earth.
The Airlock
Appears to be broken. It will not open.
The Hallways
Beds made out of clothes and other supplies
are scattered throughout the hallways, because
they have twice as many people as beds.
The Garden
The plants are really struggling. The edible ones
have been picked down. Cory and Angelina
struggle to ration what remains and keep people
from destroying the plants entirely out of hunger.
8
Don’t generate new monsters on this
layer; let the tension and drama build
from the large amount of people and
the sudden appearance of the Agents.
The Medical Bay
This has been entirely sealed off. The tools within were
considered too dangerous for everyone to have access to,
and there was nothing edible inside, so it has been locked
completely. The other citizens use the Annoying Corner, but
Agents and the Struggler can’t do this the way they came
without returning to Layer Two. They’ll need the keycard
from Jason to keep moving. The Save Point is here.
The Viewport
A normal view. Earth looks beautiful
from up here, and so full of life.
The Living Quarters
The politics of this place are best told through the
beds. People who have found power or respect
among the others, whether through deeds or age,
receive the real beds. Everyone else is in the hallway.
The Annoying Corner
Successfully moving through it leads to Layer
Four, but if they’re observed they will kick off
an attempt to recreate the escape.
 9
Notable Residents of Layer Three

Jason Finch, #3 Jo Partridge, #24 Imaan Emu, #36

Flustered teacher, trying
to maintain some kind of
order. Doing his best, but
he’s not very good at it. He
is generally considered
the leader and holds the
key to the Medical Bay,
but people look more to
the Sparrow couple for
personal guidance.
A short-order fry cook.
Could trust them with your
life. Has basically decided
they’ll never escape the
station, but isn’t sad about it.
Older, so has a bed, and the
respect of everyone on the
floor for their creativity with
the limited cooking supplies.
A mid-twenties influencer.
Likes to be called someone’s
“problematic fave.” Is NOT
having a good time on the
station, but still films
everything in case ze
escapes. Believes this footage
will have hir set for life.

Angelina Sparrow, #11 Cory Sparrow, #12

A logistics specialist for a shipping
company, married to Cory. They
decided to go to space before
settling down and having a kid.
Now they’re not sure if they ever
will. Angelina is always working
on a new angle towards escaping.
A gardener, married to
Angelina. He has been tending
the plants mostly by himself, to
make sure they’re distributed
fairly. Some residents think
Angelina & Cory are sneaking
extra food, but they are not.
 10
Layer Four
The mus y, humid smell of a
k
Generate

monsters,
some

and
rooms,

let the
add some

Agents be

catacomb. There s gravity here.

’ a present

halls on
threat

their own
stalking

mission.
the

This layer appears as the halls of a dungeon, as in

a medieval castle, complete with torches and brick
walls. The Annoying Corner behind visitors appears
as a long staircase reaching upwards into darkness.
There is no airlock.
This experiment is the private layer of r. avarro,
D N
who has been ordered to test the effects of different
combinations of sedatives on patients’ abilities.
The Hallways
Warm, not only from the torches. The sound of
screams comes occasionally from deeper in.
The Garden
The Viewport
A walkway with a rail overlooking a wide dirt pit. A plank
extends from the walkway without a rail, over the center.
Below, a dragon grown from stretched & contorted
human muscle waits, chained, for food to drop from
above. Upon arrival the dragon is circling, casually chasing
Petra Gillis who disappeared from Layer One, or another
Civilian if something else happened to Petra.
The Living Quarters
nstead of bunk beds there are two long rows of ail cells.
I j

If he is not found anywhere else, r. avarro is here, offering

D N

An old larder, kept cooler than the hallways. Meats, food doused with sedative to one of the residents, listed
fish, vegetables—a lot more food, and good food, below. e wants any visitors to end up in the pit with the
H

then is available anywhere else in the station’s layers. dragon. Dr. Navarro’s Lab Coat allows for passing through the
Layers freely, including directly into the Final Layer.
The Medical Bay S tephanie Lamb, 1 A meek something college
#4 : 20-

Looks like a storage room of various herbs, spices, student who came here on a lottery pull; they thought
and liquids. Some are for food; some are clearly for this would be a great thing to put on their resume.
mixing into poisons. Most recently, several bottles of a
sedative have been brewed by Dr. Navarro. There is a K illian Tripe, The slimiest dude you’ve ever
#27:

Save Point here, but it looks like an ancient coffin. met; everything about him sets off red ags. e’s fl H

scheming a way to escape, and may be useful. e H

The Annoying Corner also might throw you in the dragon pit.

A downward staircase leads directly to Layer Corvi Veal, 1 A beefy ornithologist from Boston;
k # 5:

Five unless someone wears a Lab Coat. was told there would be birds to research on the station.

Layer Five
Clean, brightly-lit hallways with high ceilings.
Skylights letting in the sunshine.
This is Dr. Francis’s art gallery, where she brings the
few people she “saves” from other layers and lets
them live here instead, relaxing and discussing art.
The other doctors have let her pick her favorites to keep
here, about 10% of the entire population of the station.
They’re still considered test subjects and are compared
to the other citizens in Dr. Healy’s lab. A wide variety of
food is brought in regularly for everyone here.
The Airlock
An oil painting of the airlock. The brush
strokes are smooth and confident.
The Hallways
Sunny and calm with sculptures behind glass and
paintings guarded by velvet rope. Music floats
throughout them from the piano in the Garden.
Some of the creations here were made by residents,
and are labeled with their names and numbers.
The Garden
A greenhouse of unbreakable glass, with a
manicured, sunny landscape inaccessible but
right there, just beyond the windows. In the
center of all the plants is a grand piano. Jazz
(#7) is a skilled pianist and can take requests.
11
The Medical Bay
Dr. Francis lives here, in a recreation of a small one-room
cabin with a kitchen, bed, clawfoot bathtub, and fireplace. A
couch is available for citizens to have psychiatric evaluation
and assistance sessions with her, including sometimes
short-term visitors from other layers. She is here often.
Dr. Francis is interested in dissuading progression of
anyone from this point, and will offer them the
chance to stay here, or as a last resort free passage
back to Layer One to use the real escape pods.
If threatened, the citizens of this layer are very inclined to
protect her. Dr. Francis’s Lab Coat allows for passing through
the Layers freely, including directly into the Final Layer.
The Viewport
Instead of a glass viewport, there’s an old CRT TV on a
rolling cart here, equipped with a VCR player, several
tapes, and some older game consoles. Citizens of this
layer spend a lot of time here. There are bean bag chairs.
The Living Quarters
There are beds here, but there’s also a little studio
for making all kinds of art. Easels and canvases, a
pottery wheel, several musical instruments. Residents
are encouraged to create, and their creations are put
on display elsewhere in the gallery.
The Annoying Corner
Successfully moving through it leads to Layer
Six, but if someone has a Lab Coat everyone
with them can move to the Final Layer.

Residents of Layer Five
Jazz Fluorite, #7
A musician and connoisseur of modern art. Was
a very early favorite of Dr. Francis’s, and never
had to go through any of the other experiments.
Considers it a bummer to hear about them.
Tisker Mica, #8
The only teenager allowed onto the station.
Lied on their application. Dr. Francis argued
it wasn’t right that they be included in the
experiments, because they couldn’t legally
have signed the consent form.
Cal Alum, #18
Poet. Is outwardly glad that his life has “turned
interesting, finally,” but cries very easily when he’s
reminded of the other layers. He went through
something he does not want to talk about.
Misty Copper, #21
Really upset that xir Pokemon Go doesn’t work up
here. Used to live on a layer flooded with water.
12
While there are no Monsters on
this layer, there’s still
plenty of imminent threat.
It’s difficult for the Struggler to
tell who is trustworthy, and
deciding whether or not to take
Francis’ bargain should be a point
of tension. The Agents could also
show up and make things more
difficult, if the break from the
action drags on too long.
It also provides a choice: does the
Struggler want to escape, or stop
the experiments from hurting others?
Ludric Pyrite, #45
An investor. Always manages to
believe he made good choices. He
bought his way in here through a
deal with Dr. Healy, and is allowed
calls back home to secure
additional funding for the station.

Layer Six+
Dr. Healy knows they’re coming.
The Anomaly has rapidly constructed this repeating,
multiplying layer as a defense against the visitors
reaching Dr. Healy himself. This Layer is an extremely
dangerous final gauntlet.
The initial hallway manifests as one very short, straight
space station hallway with an Annoying Corner at the
end—but after each Annoying Corner, visitors are back
at the beginning of the hallway, with a different
challenge in their way. Making these hallways rapidly is
taxing to the Anomaly, so it can’t keep it up forever.
If at any point a visitor turns around and
backs out of a layer, they return to Layer 5.
Layer 6: The Airlock
A normal, empty station hallway—with something
trying to break in. A monster outside of the airlock is
attacking this hall. They quickly puncture a hole in
the hull, and air begins rushing out into space.
Visitors will die if they don’t make it to the other side.
Layer 7: The Hallways
Cylindrical tubes line the walls, a green liquid
holding six creatures from Layer Two in stasis. Upon
entrance, the cylinders lift from their bases, flooding
the floor in the green liquid and releasing the blade-
boned creatures to attack the intruders.
Layer 8: The Garden
Vines try to grab anyone passing through this
short hallway and feed them to enormous
carnivorous flytraps and pitcher plants.
13
Layer 9: The Medical Bay
A swarm of flying hypodermic needles full
of sedative descend from the ceiling like
bats and chase any visitors in this hall.
Layer 10: The Viewport
Visitors to this hallway perceive themselves as literal
rats in a short maze. Guillotines swing from the walls,
acid bubbles in pits, and you are a rat. Finding the
cheese at the end releases you into the next hallway.
Layer 11: The Living Quarters
The Anomaly is exhausted. No one is supposed
to be able to move through its layers, and it
doesn’t understand why the visitors won’t just
leave. This is its last chance to protect its Focus.
The Anomaly brings up three surviving residents from
other Layers that it perceives as the visitor’s favorites
and places them in cages hanging above the dragon
below, if the dragon is still alive, or a pit of acid if not.
On a large computer screen, it shows that it is deleting
them from the Save Point system. It is unable to stop
visitors from moving forward because it can’t delete
the Annoying Corner, but it will kill the residents if the
visitors don’t turn around.
The Annoying Corner
Successfully moving through the last one leads to
the Final Layer. If the Anomaly has not been talked
down or stopped in some other way, the deaths of
the residents can be heard as you leave this layer.
 14

What is the Anomaly?

The Anomaly’s Focus is Dr. Healy, and it has rebuilt reality around Dr. Healy
to give him exactly what he wants: an endless supply of lab rats and
experiments for collecting all kinds of data on humans. The Anomaly
doesn’t initially understand or care why Dr. Healy wants this information. Its
Impulse is to make sure Dr. Healy is uninterrupted and perfectly cared for.
The Anomaly was born directly from Dr. Healy’s desire combined with the
widespread public belief in his “genius.” It is fiercely protective of the
doctor and truly believes that anything he wants is intrinsically good. By
immediately fulfilling all of Dr. Healy’s impulses, even his idle curiosities, the
Anomaly created these torture scenarios for visitors to the space station.
Parlow Technologies has been covering up disappearances, up to now,
because Healy has used the unlimited resources given by the Anomaly to
make real scientific advancements—including the creation of engineered
monsters like the blade-boned and the dragon.
Dr. Healy is not a Resonant and does not control the Anomaly directly. The
Anomaly’s Appearance is his mug of coffee—its first action was to fulfill Dr.
Healy’s desire for a physical comfort. Always available and always the right
temperature. If the Mug is destroyed, the Anomaly becomes unstable and can
be captured, destroyed, or, if Nico or the Struggler is around, bonded with.
 15

The Final Layer

Dr. Healy’s laboratory. A clean, chrome room.
The Anomaly, a mug of coffee, sits on a console. A computer to the side
displays readouts of vital information on the citizens of the station. Dr. Healy
is here, and he is normally protected by the Anomaly, but it is exhausted
from trying to keep the visitors out.
He is extremely vulnerable.

Core Truth:
The system here is not providing meaningful information for Dr. Healy’s
research. It is inspiring him because he enjoys the power he feels
putting other humans through terrible situations. If given the chance,
he will attempt to justify his work here as if it has led to breakthroughs,
but anything he’s actually accomplished here has come from his desire
to cause more harm, not from the harm’s results.

If Dr. Healy is killed, the Anomaly is captured, or the Anomaly is destroyed

every layer smashes back into Layer One and all citizens from every floor—
including some so far unseen—land back there. The cages and pods with the
monsters are brought here because they’re also real, but they remain in stasis.
Communications with Earth work, as do the existing escape pods (which can
only hold twelve people.) Parlow Technologies will not want anyone to return.
Neither will the Agency.
 16
For You’re In Space and Everything’s Fucked
For Station’s Eyes Only: Objectives
The following section is for the Station’s eyes only! While the Objectives included here are marked for
It contains various secrets and suggestions for specific layers, they can certainly be adjusted and used
them to use during the Struggler’s terrifying however feels best for your table! Some are pretty
journey through the layers of this doomed station. defined, while others are more open to side objectives
or be more of a puzzle than a strict waypoint.
When playing this adventure in You’re In Space, The
Strugglers begin the mission waking up in Layer Two. (pg. 7) Layer 2
You can choose to roll additional rooms for each area Find a way out of this loop.
to extend exploration (and treat them more like Sectors Layer 3
from the main book), or you can use the rooms as
described for a tighter, more claustrophobic adventure. Get out of this layer, ideally without being seen.
The sidebars throughout the book are meant to help with OPTIONAL: Help with the food problem.
running individual layers. The story-specific Save Points Layer 4
can be used by the Struggler, but they can also use the
Save Point system like normal in generated rooms. Get past the dragon and get through this layer.
The next page has several unique OPTIONAL: Confront Navarro.
monsters specific to this mission! Layer 5
Appreciate the art.
OPTIONAL: Get Dr. Francis away from the Annoying
Corner so you can move to the next layer.
Layer 6+
Confront the Anomaly and escape these layers.
OPTIONAL: Save the citizens.
Final Layer
End this.
 17
Monsters
The Agents
Agent Delta Agent Beta Agent Gamma
A variety of Monster specific to this mission
are The Agents. These are supernatural, HP: 1 HP: 1 HP: 1
anomaly-hunting humans as powerful as they Limbs: 4 Limbs: 4 Limbs: 4
are dedicated to their job. They are here to Weak Point: Head Weak Point: Head Weak Point: Head
investigate the anomaly on the station and Size: Human Size: Human Size: Human
solve “the problem” by whatever means Behavior: Behavior: Behavior:
necessary. They can revive and return to the Tactical Tactical Tactical
station shortly after being killed, even without a Special Powers: Special Powers: Special Powers:
Save Point, and have low regard for human life. Whisper Catalogue Gun
You should have them run up against the
Struggler throughout the mission, not Check out the Triangle Agency Delta Test
limited to their introduction in the Layers. for details on these special powers!

Meat Dragon (Boss) Dr. Healy’s Creations

HP: 10 Bone-bladed Beetle-head Syringes-For-Eyes

Limbs: 4, plus 2 wings
Weak Point: HP: 4 HP: 2 HP: 3
Exposed core in its chest Limbs: 4 Limbs: 2 Limbs: 4
Size: Barely fits in the room Weak Point: Head Weak Point: Chest Weak Point:Arm(s)
Body Type: Size: Human-ish Size: Human-ish Size: Human-ish
Human flesh shaped into Body Type: Body Type: Body Type:
necrotic wyrm Metal-fused Insectoid Slithering
Behavior: Behavior: Behavior: Behavior:
Protective of Navarro Aggressive Trapper Stalker
Extra: Relentless Extra: Extra: Extra:
Boss Feature: COMPLICATED: Reinforced
Carapace Explodes
It must be defeated in phases, Structure
or the environment must be
used to make it vulnerable.

For Triangle Agency
Dealing With Nico
Nico is an unusual kind of Loose End. He’s persistent,
regularly resurrects, and will follow the Agents if he’s
not allied with or very seriously dissuaded. Remember
that he’s been through a lot of torture already, and
never gave up. He’s not going to be scared off easily.
If he makes it to the Final Layer, the exhausted
Anomaly will be drawn to his Resonant potential
and attempt to hide by bonding with him. (Typically,
this means the Anomaly’s personal identity
disappears and Nico would gain Manifold powers.)
Reviving
If the Agents figure out what the Save Points are
doing, they can use them by getting in the machine
and looking for the simple “on” button. The Agency
is not using resources to revive Agents in this way,
and so will not give them Demerits. If they don’t use
the Save Points, the Agency will active their Life
Insurance policy as normal and quickly send their
new self on another rocket to the station.
Optional Objectives
Here are some recommended
Optional Objectives for this Mission:
Name a Monster - 1 Commendation each time
Feed the Hungry - 3 Commendations to
the first Agent who completes this objective
Create Art - 3 Commendations to each
Agent who completes this objective
Touch Blood that Isn’t Your Own - 1 Demerit each time
18
Chaos Effects
Here are some unique uses for particular
Chaos Effects with this Anomaly.
Attract
Attract is a really important feature to involve Relationships
with this Anomaly. It’s very dangerous to bring an Agent’s
Relationship on board, but can be extremely compelling.
Consider using this effect to reveal that someone was on
the most recent shuttle of residents added to PT Station.
Manifest, Double, and Triple
Instead of Minor Anomalies (difficult to summon
in space, with few people around) this Anomaly
moves Dr. Healy’s experiments from place to
place. Using the same costs, call these effects:
Transport, Double Transport, Triple Transport
These create Violent and Imprisoning enemies with the
following changes: the enemies are considered mundane
and they each can survive 3 Harm before they are killed.
These monsters can take a variety of shapes, but they are
always made out of twisted, modified flesh.
If the Agents do not come into conflict with the Meat
Dragon through their own behavior, you can also use Triple
Transport to bring it into play. The Meat Dragon can deal 3
Harm at a time and can survive 5 Harm before it is killed.
Displace
The Anomaly expects everyone to understand Dr. Healy’s
genius. It will show them the laboratory if given an opportunity,
expecting it to fill them with wonder; you can use the opening
narration of this document as in-game text if it’s helpful!
 19
The Agency’s Perspective & Concluding the Mission
Remember: The Agency would be perfectly fine with no one
from this station returning to earth. Every character met
anywhere but Layer Three is an immediate Loose End.
If the Agents are successful in defeating or capturing the
Anomaly (rather than it bonding with Nico), the immediate
disappearance of its powers from Reality will merge all the layers
together, and then every surviving character is a Loose End.
To make sure Agents are aware of this, they should be
reminded from the outset that the Agency recommends no
one returns from PT Station. In this way, their interests align
with Parlow Technologies. If PT’s malpractice is going to be
exposed, or if the people on this station are going to be saved,
the Agents will have to decide it matters to them.
The Station’s radios are tuned specifically to PT’s headquarters
and do not go directly to media or other sources of help. PT
will not be eager to save anyone on the station. Without some
creative solutions, there is only enough space on the escape
pods to return 12 people of the total 45 who might still survive.
If captured, the Anomaly provides the following
new Requisition for purchase by Agents:
Temporary Displacement Dome - 18 Commendations. This satellite
dish can be placed on the ground to replace all physical reality in a 100-
yard radius space around it with a perfect replica of the space that will
return to normal when the satellite is powered down, or after 8 hours pass.
 20

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