Professional Documents
Culture Documents
A. LEARNING OUTCOMES:
After engaging in each topic, you should be able to:
1. define in your own words the meaning of the moral legacies of Jose Rizal;
2. correctly illuminate how our national hero portrayed or exhibited these moral legacies
when he was alive; and
3. relate the importance of these moral legacies in our daily living.
B. KEY CONCEPTS:
Moral Legacies HOW JOSE RIZAL SHOWED OR EXHIBITED HIS MORAL LEGACIES?
1. Love of God He showed his love for the Almighty God by:
● Carving a statue in honor of the Sacred Heart of Jesus at the Ateneo de Manila
when he was just 14. There was something unique and dynamic in Rizal’s
representation of the Heart of Jesus: Our Lord’s chest emptied and the Sacred
Heart in His fist. The Sacred Heart of Jesus is not a symbol but a true heart
that loved and continues to love humankind. “And the Word was made Flesh,”
assumed a human heart, “and dwelt among us” (John 1:14).
● Regularly attending masses in the Dapitan church during his exile because he
never lost faith in God.
● In his struggle for his country’s freedom, Rizal called on his countrymen to
place their confidence in God.
2. Purity ● Another virtue of Rizal worth emulating was his insistence in purity of thoughts
and Idealism and clean behaviour.
● In his famous El Filibusterismo, a Decalogue for the Political Redemption and
Human Dignification of the Filipinos, Father Florentino softly pressed the
challenge to perfection of character traits on the dying Simoun who used his
ill-gotten wealth to destroy the Philippine society in working woes, distorting
justice, and fomenting avarice.
● “Pure and spotless must the victim be that sacrifice may be acceptable.”
8. Courage ● He said, “If I’m to be condemned for desiring the welfare of my country,
condemn me.”
● Knowing the dangers that may befall upon him, he still continued to resist the
colonizers and fought for our country.
● He actively exhorted his friends towards nationalism upon his return on 1891.
He pointed out to these that the battlefield for reforms was the Philippines
itself.
9. Will-power ● Spain had adopted a policy of implanting an inferiority complex among the
Filipinos the better to govern them but Rizal did not accept the belief that his
people were irredeemable. This shows his will-power to resist the restrains of
the Spaniards.
● He had a clear vision of what to do to make his people happy and he exerted
his best to accomplish this objective.
10. Honesty ● Rizal’s honesty was the result of his constant love and search for truth.
● As he wrote the two novels he was attempting to unmask the cancer that
prevailed in his beloved homeland. The novel attacks not only the friar control
over the land and the vices that came with it but some rather brutally honest
depictions of the lives of average Filipinos.
● In his relationship with the flagship propaganda organ La Solidaridad. His
moral compass led him to insist that the "propaganda" be as factual and free
of bias as was possible. He encouraged the writers to stop using pen names
but their own so that people could judge their writings with a real and not
imagined author.
15. Self-control ● Rizal showed much self-control his lifetime. During his student days in Madrid,
he manifested self-control. Once he visited the house of the Paterno brothers
(Antonio, Maximo and Pedro). They showed him their house and Rizal was
thankful for their hospitality. When Pedro proposed that Rizal exhibit the
pictures he had, he refused.
16. Initiative ● “The Greatness of a Man is in Guiding the People in its Forward Way”
● Rizal showed initiative to secure freedom for his country and for his people.
He led several activities to fight for our country’s freedom.
17. Tolerance ● He forgave lieutenant Porta for lashing him on the back.
● He asked the soldiers to shoot him through his heart but they said that they
should shoot him at the back, Rizal said, “Shoot me the way you want then.”
18. Prudence ● In one of his writings, he said: “People and government are correlated and
complementary, an aimless government would be an anomaly among a
righteous people, just as corrupt people cannot exist under just rulers and
wise laws. Whatever social and political environments we are in are products
of men’s deliberate choice.”
● As Rizal emphasized: “There are no tyrants where there are no slaves.”
19. Obedience ● Even in his lonely exile in Dapitan, he himself never forgot to report to the
military commander and civil administrator of Dapitan, Juan Sitges, three times
a day and thus demonstrated obedience.
20. Courtesy and ● Rizal studied at Biñan, the teacher asked him: "Do you know Spanish?" "A
Politeness little, sir," replied the Calamba lad. "Do you know Latin?" "A little, sir."
● During the early days of November, 1893 Rizal was living peacefully and
happily at his house in Talisay when suddenly jolted by a strange incident
involving a spy of the friars. The spy with the assumed name of “Pablo
Mercado” and posing as a relative, secretly visited Rizal at his house on the
night of November 3, 1893. He introduced himself as a friend and a relative,
showing a photo of Rizal and a pair of buttons with the initials “P.M.”(Pablo
Mercado) as evidence of his kinship with the Rizal family. In the course of their
conversation the strange visitor offered his services as a confidential courier
of Rizal’s letter and writings for the patriots in Manila. Rizal became suspicious.
Irked by the impostor’s lies, he wanted to throw him out of the house, but
mindful of his duty as a host and considering the late hour of the night and
the heavy rainfall, he hospitably invited the unwanted visitor to stay at his
house for the night. And early the next day, he sent him away.
21. Thrift ● Rizal practiced the habit of thrift when he was a student in Madrid, Spain he
would have his shoes repaired instead of buying new ones. Now and then he
economized in food expenses.
● When the Paterno brothers wanted him to join the Ateneo de Madrid Society,
a cultural society, he turned down the suggestion saying, “I find the dues a
little exorbitant”.
22. Gratitude ● Once he visited the house of the Paterno brothers (Antonio, Maximo and
Pedro). They showed him their house and Rizal was thankful for their
hospitality.
● He gave the galley proofs of the novel to Maximo Viola to show his gratitude
for helping him publish his first novel, Noli me Tangere.
24. Living by ● “Gladly I Depart to Expose Myself to Danger to Confirm with My Example What
example I have Always Preached”
● Once, Rizal was offered P100, 000, a huge amount that time, apart from a
professorial chair at a university and an estate of his own if only he would
renounce his two novels, Noli Me Tangere and El Filibusterismo. Rizal showed
he was made of strong moral fibre for he was not tempted by these bribes,
giving up his personal happiness for the welfare of his countrymen.
LESSON 5: EDUCATIONAL LEGACIES OF JOSE RIZAL
1. The right to education is a fundamental human right
2. Rizal’s supreme aspiration is for Filipinos to be educated
3. It is the duty of man to seek his own perfection
4. Man works for a purpose
5. The values of education
6. The Filipinos should be brilliant, enlightened & progressive
7. Without virtue, redemption is impossible
8. Raise your children close to the image of a true God
9. Educate our intelligence & heart to live worthily
10. Teachers should be better than learners
11. Make study a thing of love and joy
12. Rizal saw truth where formerly he saw only error
13. The government has roles in relation to education
A. LEARNING OUTCOMES:
After absorbing these lessons, you should be able to:
1. explicate the meaning of the different educational legacies of Jose Rizal;
2. correctly illuminate how our national hero portrayed or exhibited these educational
legacies when he was alive; and
3. relate the importance of these educational legacies in our daily living.
B. KEY CONCEPTS:
EDUCATIONAL LEGACIES:
1. The right to education is a fundamental human right.
✔ It means that no one should be deprived to be educated. Everyone should have the right
to learn things and that everyone have the freedom to attend school. No one should stop
someone on going to school and learning things.
3. Rizal believed that it is the duty of men to seek their own perfection.
✔ Rizal exhorted that seeking our own perfection is a duty imposed by God as the Holy Bible
tells us, “Be perfect as Thy Heavenly Father is perfect.” It means that we should follow
the teachings and actions of God. He believed that if a man is not perfect then he is
capable of being perfect. Perfection in virtue is a condition of our union with God.
8. Rizal asked the mothers to raise their children close to the image of a true God.
✔ It means that mothers should prepare to awaken the minds of their children and prepare
it for a good desirable idea. He wants the mothers to teach their children to always do
well. He wants them to be in good conduct, have a clear conscience and upright thinking.
9. Rizal believed that Filipinos should be educated in intelligence and heart for them to live a
worthy life.
✔ Rizal believed that a man is serene if he has an unruffled mind. The mind and the heart
should not overpower one another, they should be united instead. A united mind and
heart will lead to a less stressful life; there will be no internal conflict.
10. Rizal emphasized that teachers should be better than their students.
✔ Great teachers have the ability to change lives better. Teachers should know better than
their students in order for them to teach effectively. Effective teaching is a great factor
contributing to a student’s achievement.
13. RIZAL BELIEVED THAT THE GOVERNMENT HAS THE FOLLOWING ROLES IN RELATION TO
EDUCATION:
⮚ Rizal asked the government to solve the problems of education
⮚ Rizal believed that the school is the basis of society
⮚ Rizal wished the education of the masses
⮚ Rizal battled for primary education
⮚ Rizal advocated vocational education
⮚ Rizal believed in the usefulness of science
⮚ Rizal believed in academic freedom
⮚ Rizal emphasized the great importance of personal discipline
⮚ Rizal pointed to the need of fulfilling our duties as citizens of the Philippines
⮚ Love of country should be taught
⮚ Rizal believed in man’s duty to respect the rights of others
⮚ Rizal would stimulate arts and letters
⮚ Rizal believed in an education that meets the demands of modern times
⮚ Rizal championed the right of teachers to a better pay
⮚ Rizal practiced a work-oriented type of education
LESSON 6: INTELLECTUAL LEGACIES OF JOSE RIZAL IN HIS POEMS
1. “Sa Aking mga Kababata”
2. “Education Gives Luster to the Motherland”
3. “To the Filipino Youth”
A. LEARNING OUTCOMES:
After reading this lesson, you should be able to:
1. read in detail the poems of Jose Rizal;
2. cull out the principles embodied in these poems; and
3. give ways on how we can apply these principles in our life.
B. KEY CONCEPTS:
This first stanza in Rizal's poem shows that long before he sprouted the first fruits of his youth,
he had already placed distinguished value in the importance of one's mother tongue. According
to these verses, if a nation's people wholeheartedly embrace and love their native language, that
nation will also surely pursue liberty. He likens this idea to a bird soaring freely in the vast,
eternal sky above.
Language here is likened to a people born into freedom. In Rizal's time, Filipinos were held in
slavery by Spain. Rizal, however, believed that if the people treasured and loved and used their
mother tongue, it would become a symbol of relative freedom, and of identity.
It is here in these lines of verse that we find Rizal's famous quote: "He who does not love his own
language is worse than an animal and smelly fish." He further adds that Filipinos must work to
make the language richer, and likens this endeavor to a mother feeding her young. The native
tongue is now compared to a helpless child that must be nurtured in order to grow and flourish.
The Tagalog language is, according to these lines, equal in rank to Latin, English, Spanish, and
even the language of the angels. It is not inferior to any other language, nor must it be considered
so. It is God who has bestowed upon the Filipinos this gift, just as He has blessed the other
nations and lands with their native tongues.
In this first stanza, Rizal expresses that education is what builds up a country and allows her to
rise above the rest in matters of honor and a good name. He likens a guided and relevant
education to the vibrance of a flower.
From the time of a man's birth to the moment of his death, he is constantly engaged in the
journey of learning. This can come in the form of a formal education and a structured curriculum,
or in the essence of daily living. And in this continued journey, people begin to discover and
innovate, create and recreate, giving birth to great discoveries and breathe taking wonders. Rizal
likens education to a rivulet, a stream, a brook, that provides a certain peace as the water
endlessly flows.
Knowledge and wisdom enliven and embolden the young. With the sword of education they are
able to identify errors and correct them. They are able to find fault in the seemingly faultless
fabric of earthly knowledge and smother it with truth. They are well-respected for the ideas they
bring to the world.
A good education is an effective remedy to the problem of criminal acts and unlawful pursuits.
Even nation who wishes nothing more than to divide, conquer, and control is silenced when they
open their ears to the voice of wisdom, which stops hatred in its tracks and promotes the welfare
of the people. Even savages, turn into champions when they are afforded a good education.
Knowledge is likened to a spring that nourishes everything its water touches. The spring of
knowledge is everlasting; there is no end to it.
In the education and enlightenment of the soul, man is able to overcome the powers of evil,
which in this stanza, are likened to the waves that lash upon the shore. Yet when man opens his
eyes to the divine revelation and acquires knowledge in matters of the spirit, he is able to defeat
the oppression of evil and "climb the heavenly ways."
Here, education is likened to a balsam, producing medicinal effects to the many afflictions of the
human race, which are generally and singularly rooted in the propensity for evil. The acquisition
of good wisdom enables man to magnify his passion for good and continually shun temptation.
An educated man does not sway when trials come. He stands firm in the midst of trouble and
remains courageous in times of despair. Great horrors cannot frighten him as they do other
people. Education provides her country with strong and respectable citizens who are ready to
fight for her honor no matter the cost.
The poem ends in a splash of color as the author likens a good education to lights of the sun and
the aurora. Great wisdom picks no favourites; young and old benefit from it and delight in its
joys. Rizal closes the verse with an image of his country with the sun overhead, a sun that
embodies the virtues and wonders of a good education, which he dreams for every citizen to
enjoy.
The first line, "unfold, oh timid flower," implies that the youth is silent, maybe daunted, and
consequently has not yet gone into full bloom for whatever reason there is that may have silenced
them. In the beginning stanza, Rizal encourages the youth, by telling them to hold their heads
high for they possess talents and skills and abilities that would make their country proud.
The second verse can be rearranged in contemporary English to say: "Oh genius great, soar high;
and fill their mind with noble thoughts. May their virgin mind fly and find the honour’s glorious
seat more rapidly than the wind." Here, Rizal calls to genius to fill young minds with noble
thoughts and hopes that as they release their thinking from the chains that bind, they may be
able to soar swiftly high where the joy of honour is.
Contrary to the second verse, which talked about ascending and soaring to the heights, this third
stanza now talks about descent, and a downward motion of the great genius to fill the earthly
strokes of art and science with their magnificent ideas? Again, Rizal calls them to break the chains
that bind their intellect. "Poetic genius" here does not necessarily pertain to the talent of writing
poetry. Instead, the term "poetic" is simply an adjective to describe genius, meaning that it is
deep and mystifying and heavy with meaning.
Rizal challenges the youth; that in their pursuit of knowledge and wisdom, they may humble the
hand of Spain, whose proud chin did not look kindly upon the people whom they labelled as
"Indios" and whom they treated with contempt. He dreams that in their journey to intellectual
greatness they may humble even the proudest nations that look down on them and rightfully
deserve "a crown that shines, even where shadows stand."
In these two stanzas, Rizal calls the youth to seek the beauty of poetry and music, which he
himself values greatly as essentials in every manner of life. He claims that poetry is "sweeter than
divine honey," and that music can "dissipate man's sorrow's blight."
Speaking to the youth, Rizal says that by the very impulse of their mind, they are capable of
bringing to life or animating even something as lifeless and unmoving as a hard rock. He continues
to say that the youth is able, to immortalize their thoughts and their words through the help of
great genius (as he has done himself. This stanza can be arranged in a more contemporary
English structure as follows: "You can animate the hard rock at the impulse of your mind; and
transform, with the great power of your mind, the pure memory of great genius into immortality."
Rizal here addresses the youth, comparing their abilities to a magic brush that can capture even
the most majestic views and the most glorious charms on a blank canvas.
The last stanza is a charge, urging the youth to run, for a glorious crown awaits them. The
"sphere" here pertains to the world, showing that Rizal believed the Filipino youth is as brilliant
as those in any other nation, and is able to contend with even the strongest powers if they only
set their mind to making most of what they already have.
These are the words of one about to die for his country. He expresses no regret but only gladness,
knowing that in giving his life, he is giving his country the greatest gift any citizen could offer.
Here Rizal says that it does not matter where one dies, but why one dies and to what purpose.
Whether it’s “scaffold, open field, conflict or martyrdom’s site,” all death hold the same honour if
given for home and Country.
Rizal’s execution was set at sunrise, thus the meaning of the first and second lines. He employs
the visual senses in his poetic use of colour, and then in the third and fourth lines, adds the bright
red tint of his blood to the scene, and gilds it with golden sunlight. The use of these devices
ignites passion in the reader, as it is felt – a hundred times more so – in the writer, even without
explicit use of words signifying feeling.
Since his childhood, even as other children dreamed of childish things, Rizal dreamed of seeing
his country free, esteemed, and with head held high.
Here, he showers her with praise. He is his life’s fancy, his ardent and passionate desire. He
shouts “Hail!” as many would to their God. He says in the third line that it is sweet to fall so that
his country may acquire fullness, and then continues on in the succeeding lines, “to die to give
you, life.” But his joy does not end in the act of dying, but continues beyond the grave, where he
shall sleep in his country’s mystic land through eternity. As one dies for God, Rizal dies for country.
And as one looks forward to heaven, Rizal’s heaven – in these lines, at least – lies in being buried
in the land of his ancestors.
In this stanza, Rizal likens his soul to that of “a simple humble flower amidst thick grasses.” The
use of this comparison says a lot about how Rizal sees himself – timid, simple, humble, surrounded
by the unrelenting forces of society. He imagines that after his death, he will live on in the bosom
of his motherland, and never cease to enjoy her love, which he begs her to express with a kiss.
Rizal’s love for nature is again depicted in these next four lines. It is interesting that he
enumerates the moon, the dawn, the wind, and a bird to pay homage to his grave, yet does not
mention close friends or specific people. Perhaps it is a simple image of his reunion with nature
that he wants to bring to mind; perhaps it is also an expression of the loneliness and isolation
that he has felt and continues to feel in his fight for freedom.
The mention here, of a friend, is the closest he gets to company. And the mention of God in the
fourth line is the closest he gets to praying for a spiritual heaven. That Rizal beseeches his country
to pray that his soul may rest in God is in line with the Roman Catholic belief that all men are
sinners and that salvation is to be earned and cannot be determined before the grave.
In these four lines he gives his motherland a list of the things he wishes her to pray for. He
remembers all of the martyrs who have suffered the same fate as he will, who have died for their
country; the mothers, wives, and children they have left behind who suffer no less for being
abandoned. He also, in a hopeful closing note, asks her to pray for herself.
Clearly Rizal has not imagined that a monument would eventually be built over his grave and has
pictured his final resting place as a humble cemetery where he shall, even after death, sing a
song of devotion for his motherland.
In this next stanza, Rizal wishes to then be “plowed by man” when his grave is no longer
remembered, and be scattered as he returns to be part of the dust that covers the land he had
died for. What actually happens in real life, though, is an uncanny parallel. On December 30,
1896, on the day of his execution, Rizal’s remains were buried in an unmarked grave in the Paco
Cemetery. Years later, however, his remains were exhumed and on December 30, 1912, they
were brought to their final resting place in the base of the monument at Luneta.
The first line in this stanza begins following the assumption that our hero’s ashes have now been
spread over the land. Rizal envisions that once he has returned to her in this manner, it will no
longer matter if the country forgets him because he will be with her, everywhere, as dust in the
atmosphere, blowing in the skies, in the wind, and still singing songs and murmuring words of
devotion.
Here we come to a more submissive yet hopeful tone. Rizal bids farewell to his one great love –
his country – and yet looks forward to being with God, where there are no slaves, tyrants or
hangmen.
To close, Rizal now finally mentions specific people: parents, brothers, friends of his childhood.
In other translations, the fourth line reads, “Adios sweet-tender foreigner—my friend, my
happiness,” which historians have interpreted to allude to Josephine Bracken, the daughter of an
Anglo-Saxon father and a Chinese mother, whom many believe – although it is frequently
challenged – he secretly married an hour before his death.
REFERENCES:
A. BOOKS
As-il, E.J. F.2019. Rizal. Saint Andrews Publishing House. Plaridel, Bulacan, Philippines.
Capino, D. G. 2005. Rizal’s Life, Works and Writings: Their Impact on our National
Identity. Goodwill Trading Company, Incorporated. Makati City, Philippines.
Crudo, E.R.P. et. al. 2019. The Life, Works, and Writings of Jose Rizal. Rex Bookstore.
Manila, Philippines.
De Viana, A.V., et al. 2018. Jose Rizal: Social Reformer and Patriot. Rex Bookstore.
Manila, Philippines.
Duka, C.D. & Pila, R.A. 2010. Rizal: His Legacy to Philippine Society. Anvil Publishing,
Incorporated. Pasig City, Philippines.
Ocampo, A. 2008. Rizal without the Overcoat. Anvil Publishing, Incorporated. Pasig City,
Philippines.
Zaide, G.F. & Zaide, S.M. 2012. Jose Rizal: Life, Works, and Writings of a Genius, Writer,
Scientist, and National Hero. All- Nations Publishing Company, Incorporated. Quezon
City, Philippines.
Zulueta, F.M. 2012. Rizal: Life, Works and Ideals. National Book Store. Mandaluyong
City, Philippines.
B. ONLINE SOURCES
http://thelifeandworksofrizal.blogspot.com/2012/01/interpretation-sa-aking-mga-
kababata.html
http://thelifeandworksofrizal.blogspot.com/2013/06/interpretation-education-gives-
luster.html
http://thelifeandworksofrizal.blogspot.com/2013/06/interpretation-to-filipino-youth.html
http://thelifeandworksofrizal.blogspot.com/2018/03/interpretation-mi-ultimo-adios-my-
last.html