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Eastern Influences on The Rolling

Stones: “Paint It Black,” Brian Jones, and Psychedelia


By Tyler Bolden
The Rolling Stones
● Formed in 1962
- London
● Heavily influenced by American music
- blues, gospel, soul, country, and rock
and roll

● First stable line-up


- Mick Jagger
- Keith Richards
- Brian Jones
- Bill Wyman
- Charlie Watts
Brian Jones
● Founding Member
● Multi Instrumentalist
- dulcimer, alto sax, accordion, koto, marimba

● Ingenuity often led the Stones off their


“bluesy” course, especially 1966-67.
● Learned sitar from Harihar Rao
- senior disciple of Ravi Shankar

● Died in 1969
“Paint It Black”
● 1966
● Sitar
- Plucked string instrument from India
● Uptempo and Eastern pentatonic melody
- Eastern-sounding phrases akin to the Middle East
● One of the earliest rock songs to use the sitar
- Early example of “raga-rock”
“Paint It Black”
Indian Influence

Mick Jagger and Brian with Maharishi in 1967


Their Satanic Majesties Request (1967)
● Excursion into Psychedelic music

● Answer to The Beatles’ Sgt. Pepper

● Album artwork features Indian mandalas


and portraits

● Features their most pronounced Eastern-inspired


music, such as “Gomper” and “Sing This All
Together.”
“Gomper”
● Psychedelic love song
● Based on Moroccan rhythms and Indian melody lines
● Jones plays vox bijou
- electric dulcimer designed to emulate sitar sound

● Charlie plays tabla


- pair of drums found in Hindustani music from India

More Indian Influence
● “Street Fighting Man” (1968)
- sitar
- tanpura: long-necked pluck string instrument;
provides harmonic bourdon or drone.
- shehnai: wind-blown instrument

● “Factory Girl” (1968)


- tabla

● Famous “tongue and lips” logo inspired by


Hindu goddess Kali.

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