Signals and Systems Laboratory with MATLAB 1st Palamides Solution Manual

Signals and Systems Laboratory with

MATLAB 1st Palamides Solution
Manual
Full download chapter at: https://testbankbell.com/product/signals-and-
systems-laboratory-with-matlab-1st-palamides-solution-manual/

Chapter 2: Signals

1)
t=-5:.1:10;
r5=(t+5).*heaviside(t+5);
r3=(t+3).*heaviside(t+3);
r2=(t+2).*heaviside(t+2);
r=t.*heaviside(t);
u=heaviside(t);
u2=heaviside(t-2);
u5=heaviside(t-5);
u8=heaviside(t-8);
x=r5-r3-r2+r+u+u2+u5-3*u8;
plot(t,x)
ylim([-.1 3.1])

2) Ω = 2 ⇒ Τ = 2π / Ω = π
T=pi;
t=0:.1:3*T;
x=3*exp(-j*2*t);
plot(t,real(x),t,imag(x));
legend('Re[x(t]','Im[x(t)]')

3) Ω1 = 2π ⇒ Τ1 = 1 and Ω 2 = 3π ⇒ Τ2 = 2 / 3 . For k=2 and m=3 ,

Τ = kΤ1 = mΤ2 = 2 .
T=2; t=0:.1:4*T;
x=cos(2*pi*t)+sin(3*pi*t);
plot(t,x)
grid

4)
t=0:.1:20;
x=t.*exp(-0.1*t).*cos(t);
x_t=-t.*exp(0.1*t).*cos(-t);
xe=(x+x_t)/2;
xo=(x-x_t)/2;
y=xe+xo;
subplot(221);
plot(t,x)
subplot(222)
Visit TestBankBell.com to get complete for all chapters
plot(t,xe);
subplot(223)
plot(t,xo);
subplot(224)
plot(t,y)
5)
syms n x=0.9^n;
E=symsum(x,n,0,inf)

6) t1=0:.1:2;
x1=t1;
t2=2:.1:4;
x2=4-t2;
t=[t1 t2];
x=[x1 x2];
plot(t,x)
plot(-t,x)
plot(2*t,x)
plot(-(1/4)*(2+t),x)

7)
function u=unitstep(t0);
t1=t0-10:.1:t0;
t2=t0:.1:t0+10;
u1=zeros(size(t1));
u2=ones(size(t2));
t=[t1 t2];
u=[u1 u2];
plot(t,u);
ylim([-.1 1.1]);

8)
function d=unitdirac(t0);
t1=t0-10:.1:t0-.1;
t2=t0;
t3=t0+.1:.1:t0+10;
d1=zeros(size(t1));
d2=1; % or u2 =inf
d3=zeros(size(t3));
t=[t1 t2 t3];
d=[d1 d2 d3];
plot(t,d);
ylim([-.1 1.1]);

9)
function r=unitramp(t0);
t1=t0-10:.1:t0;
t2=t0:.1:t0+10;
r1=zeros(size(t1));
r2=t2-t0;
t=[t1 t2];
r=[r1 r2];
plot(t,r);
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humorous work has been ascribed to Canon Hole. In addition to the
“Hints to Freshmen,” it contains nine excellent poetical parodies, extracts
from which have already been quoted in this Collection.
History of the Decline and Fall of the British Empire. By Edwarda Gibbon
(Auckland, A.D. 2884.) London: Field & Tuer, 1884.
Homburg no Humbug; ye Diarie of Mr. Pips while there, with plates.
London, 1867.
Leading Cases done into English. By an Apprentice of Lincoln’s Inn. (Said
to be Professor Pollock). London: Macmillan & Co. 1876.
Manners and Customs of ye Englishe, drawn from ye Quicke, to which is
added some Extracts from Mr. Pips, hys Diarie, contributed by Percival
Leigh, illustrations by Richard Doyle. London: Bradbury & Evans, 1849.
Marks and Re-marks for the Catalogue of the Exhibition of the Royal
Academy, 1856. Written in the manner of Longfellow’s Hiawatha.
London: Golbourn, 1856.
Max in the Metropolis. A Visit Paid by Yankee Doodle to Johnny Bull. By
Max P. Romer. Illustrated. London: G. Routledge & Sons. 1887.
The Model Primer. By Eugene Field, of Denver Tribune. Published by Fred
Tredwell, of Nassau Street, New York, U.S., and Bernard Quaritch,
London. Illustrated by “Hop.” 1886.
(This is one of the drollest of Yankee books of humour.)
More Hints on Etiquette, for the use of Society at large, and Young
Gentlemen in Particular. With cuts by George Cruikshank. London:
Charles Tilt, 1838.
A parody of “Hints on Etiquette, and the Usages of Society: with a
glance at bad habits.”
London: Longmans & Co. 1836.
Music for the Million; or, Singing made Easy. By Dick Crotchet. London:
Diprose & Bateman.
The Mysteries of London, and Strangers Guide to the Art of Living and
Science of Enjoyment in the Great Metropolis. By Father North. London:
Hugh Cunningham, 1844. A satirical guide to London in the form of a
dictionary.
Overland Journey to the Great Exhibition, showing a few Extra Articles
and Visitors. Being a Panoramic Procession of humorous figures
representing the various Peoples of the Earth, exhibiting their national
Characteristics, 109 inches in length. By Richard Doyle. London: 1851.
A Parody upon the History of Greece. Published by the Society for the
Confusion of Useful Knowledge. (By A. F. Braham.) London: W. S.
Johnson. 1837.
The Pictorial Grammar. By Alfred Crowquill. The first edition was
published by Harvey and Darton, London, without any date. It has since
been re-issued by William Tegg & Co., 1876.
(Mr. Alfred Henry Forrester, who wrote as “Alfred Crowquill,” was born
in London in 1806, and died May 26, 1872. He also wrote The Tutor’s
Assistant.)
Picture Logic; or, the Grave made Gay, an Attempt to popularise the
Science of Reasoning by the combination of Humorous Pictures with
Examples of Reasoning taken from Daily Life. By Alfred Swinbourne,
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The Pleader’s Guide; a Didactic Poem, in two parts: containing Mr.
Surrebutter’s Poetical Lectures on the conduct of a Suit at Law (by J.
Anstey). London: T. Cadell, 1804.
The Premier School-Board Primer; with forty illustrations. London: E.
Appleyard, 1884.
A Satire on Mottos, being a literal translation and Criticism on all the
Mottos which now decorate the Arms of the English Nobility and the
Sixteen Peers of Scotland, with humorous reflections on each. (A skit on
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Tom Treddlehoyle’s Peep at t’ Manchister Art Treasures Exhebishan e 1857,
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Transactions of the Loggerville Literary Society. London: Printed for
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If you take the mean of an isosceles triangle, bisect it at one and an
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derived from a double stuffing box, high pressure steam, and a vacuum of
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 Theatrical Burlesques and Travesties.

the following Table a rather wide interpretation has been given

to the word Burlesque, so that some of J. R. Planché’s witty
extravaganzas have been included, and a few even of the clever
pantomime openings written by the late Mr. E. L. Blanchard.
The object aimed at being to insert particulars of every Dramatic
production which professed to be a Burlesque, or a Travestie of
any well-known Play, Novel, Poem, or Poetical Legend.
Probably some thousands of Burlesques have been performed
which have never attained the dignity of print, and in the
following pages will be found many Burlesques which have never been
publicly acted, although written in dramatic form.
I wish to express my sincere thanks to my esteemed friend Mr. T. F.
Dillon Croker for the great assistance he has rendered in this compilation.
Not only was his curious dramatic library generously placed at my disposal,
but he also undertook to revise the proof sheets, his intimate knowledge of
theatrical history enabling him to make numerous valuable suggestions. I
have also to thank Mr. F. Howell for the loan of many early burlesques, and
to mention that in the verification of dates the Era Almanacks have been of
great service. It is to be regretted that this useful publication was not started
until 1868. Long may it flourish!
In a Table containing nearly eight hundred entries, and the first of its
kind ever compiled, it is almost inevitable that some errors and omissions
should occur. Mr. Samuel French, the theatrical publisher, in answer to a
politely worded request, not only declined to give the slightest assistance,
but even refused permission to consult any of his Play books for the
verification of a few dates. This information is not readily accessible at the
British Museum Library, as under the peculiar method of cataloguing there
adopted, it is necessary to know the author’s name of any work one desires
to consult. As Mr. French possesses a virtual monopoly of the sale of
modern English plays it is to be regretted that he will not extend a little
courteous assistance to writers on Dramatic history.
Mr. John Dicks, of 313, Strand, who issues very cheap and readable
reprints of old English plays, gave me all the information in his power, but,
as yet, he has only published a few Burlesques.
In the Table a strictly alphabetical arrangement of Titles has been
adopted, followed by the date and place of first performance, and in some
cases the names of the principal performers have been given. For
convenience of reference the articles, The, Ye, A, An, Le, La, L’, Il, have
been ignored. Thus—L’Africaine will be found under the letter A, and La
Sonnambula under the letter S.
Where the name of a Theatre is given, without any town, London is to be
understood.
Burl. signifies Burlesque.
Burl. panto. „ Burlesque Pantomime.
Burl, extrav. „ Burlesque Extravaganza.
Burl. op. „ Burlesque Opera.
N.D. „ No date.

Abon Hassan; or, The Hunt after Happiness. By Francis Talfourd. St.
James’s. December 26, 1854. J. L. Toole and Miss Eleanor Bufton.
Abon Hassan; or, An Arabian Knight’s Entertainment. By Arthur O’Neil.
Charing Cross. December 11, 1869. Published by Phillips, Regent Circus,
London.
Abou; or, The Sleeper Awakened, burlesque, by Joseph Tabrar. T. R.
Coventry. August 3, 1885.
Acis and Galatea, paraphrased, by W. H. Oxberry. Adelphi. February 8,
1842. Wright & Paul Bedford.
Acis and Galatea, burlesque, by F. C. Burnand.
Acis and Galatea, by T. F. Plowman. Oxford, Dec. 1869.
Adonis. An “American Eccentricity,” by Gill and Dixey. Gaiety. May 31,
1886. Performed by an American company, and damned by the London
press, as a noisy, stupid and meaningless production. Mr. Henry E. Dixey,
the leading performer, as “Adonis,” gave some imitations (not in the best
taste) of Henry Irving.
L’Africaine; or, the Belle of Madagascar, by Captain Arbuthnot.
L’Africaine, burl. By F. C. Burnand. Strand, Nov. 18, 1865, and revived in
1876. Edward Terry, Harry Cox and Marius.
Agamemnon at Home; or, the Latest Particulars of that little affair at
Mycenæ. A Burlesque Sketch. First performed at the St. John’s College,
A. T., during Commemoration, 1867. Oxford. T. & G. Shrimpton, 1867.
(By the late Mr. E. Nolan, of St. John’s).
Agamemnon and Cassandra; or, The Prophet and Loss of Troy, by R.
Reece. Prince of Wales’s, Liverpool, April 13, 1868.
Airey Annie, travestie of Ariane, by F. C. Burnand. Strand, April 4, 1888.
Willie Edouin, W. Cheesman, Misses Alice Atherton and M. Ayrtoun.
The latter lady mimicked Mrs. Bernard Beere’s impersonation of Ariane.
A Knock at the Door; or, Worsted Works Wonders, by Stafford O’Brien and
R. M. Milnes. Acted by Amateurs at the Cambridge University, March
19, 1830. Privately printed.
Aladdin; or, the Wonderful Lamp in a New Light, by Gilbert A. à Beckett.
July 4, 1844. Wright, Paul Bedford, Augustus Harris, Madame Sala.
Aladdin; or, The Wonderful Scamp. By Henry J. Byron. Strand, April 1,
1861. H. J. Turner, J. Rogers, J. Clarke, Misses C. Saunders, F. Josephs,
E. Bufton and Marie Wilton.
Aladdin II.; or, An Old Lamp in a New Light, by Alfred Thompson. Gaiety.
December, 1870. Burl.-Opera. J. L. Toole, Stoyle, Miss E. Farren and
Miss Loseby.
Aladdin; or, The Wonderful Lamp, by Frank W. Green. Charing Cross.
December 23, 1874.
Aladdin and the Flying Genius. Philharmonic. Dec. 26, 1881.
Aladdin. Burl.-drama, by R. Reece. Gaiety. December 24, 1881. E. Terry, E.
W. Royce, T. Squire, Misses E. Farren, P. Broughton and Kate Vaughan.
Aladdin; or, The Scamp, the Tramp, and the Lamp, by Lloyd Clarance.
Blackpool Gardens. May 14, 1883.
Aladdin; or, the Wonderful Lamp, by J. R. O’Neill.
Aladdin. Panto-openings written by E. L. Blanchard for Covent Garden,
December 1865, and for Drury Lane December 1874, and December
1885.
Alcestis, the Original Strong-minded Woman; being a most shameless
misinterpretation of the Greek drama of Euripides. By Francis Talfourd.
Strand. July 4, 1850. H. Farren, W. Farren, Compton, Miss Adams, and
Mrs. Leigh Murray (as Alcestis).
Alexander the Great, In Little. Burlesque. By Thomas Dibdin. Strand.
August 7, 1837.
Alfred the Great. Historical extrav., by R. B, Brough. Olympic. December
26, 1859.
Alfred the Ingrate, by Wentworth V. Bayly. T. R. Plymouth. May 8, 1871.
Alhambra, Burlesque. By Albert Smith. Princess’s. April 21, 1851.
Ali Baba, burlesque-extravaganza, by H. J. Byron. Strand. April 6, 1863.
Ali Baba à la Mode. By R. Reece. Gaiety. September 14, 1872. J. L. Toole,
Miss E. Farren.
All about the Battle of Dorking; or, My Grandmother. By F. C. Burnand and
Arthur Sketchley. Alhambra. August 7, 1871. Published by Phillips,
Regent Circus, London.
Ali Baba; or, The Forty Naughty Thieves. T. R. Birkenhead, May 14, 1883.
Alonzo the Brave; or, Faust and the Fair Imogene, by F. C. Burnand. Written
for the A. D. C., Cambridge, and first performed on May 20, 1857. It has
since been acted in London.
Alonzo ye Brave and ye Fayre Imogene, by Sam H. Harrison. Alexandra T.
Liverpool. April 2, 1876.
Alonzo and Imogene; or, The Dad, the Lad, the Lord, and the Lass, by W.
W. Bird. T. R. Richmond. April 17, 1869.
Amoroso, King of Little Britain. By J. R. Planché. Drury Lane. April 21,
1818. This was Mr. Planché’s first attempt, and the success it achieved he
modestly ascribed to the excellent acting of Harley, Knight, Oxberry, G.
Smith, Mrs. Orger and Mrs. Bland. Amoroso was not included in Mr.
Dillon Croker’s edition of Planché’s works, by the Author’s special
desire, it being considered by him as a work of scarcely sufficient
importance.
Amy Robsart. Burlesque. By Mark Kinghorne. T. R. Norwich. May 10,
1880.
Æneas; or, Dido Done. By H. Such Granville. T. R. Cork. March 2, 1868.
Anne Boleyne. Burl. By Conway Edwardes. New Royalty. September 7,
1872.
Another Drink. Burlesque. By Savile Clarke and Lewis Clifton. Folly. July
12, 1879.
Antigone. A Classical Burl. By H. R. Hand. (Who died under very
melancholy circumstances in 1874.) Oxford: T. & G. Shrimpton.
Antony and Cleopatra; or, His-Tory and Her Story, in a Modern Nilo Metre.
By F. C. Burnand. Haymarket, November 21, 1866. Mr. & Mrs. Charles
Mathews, Compton, Rogers, Clark, & Miss Fanny Wright.
Antony and Cleopatra. Burl. By J. F. Draper. Royal Hall. Jersey, December
16, 1870.
Area Sylph; or, a Footboy’s Dream. A burlesque upon the “Mountain
Sylph,” by “Miss Betsey Fry.” English Opera House.
Ariadne; or, the Bull, the Bully, and the Bullion, A Classical Burlesque. By
Vincent Amcotts. Oxford: T. & G. Shrimpton, 1867.
Ariel. Burlesque fairy drama. Founded on The Tempest. By F. C. Burnand.
Gaiety, October 8, 1883.
Arion; or the Story of a Lyre. By F. C. Burnand. Strand. December 20,
1871. H. J. Turner, Edward Terry, Harry Paulton, Misses Rose Cullen,
and Topsy Venn.
Arline, the Lost Child. By Best & Bellingham. Sadler’s Wells. July 23,
1864.
Arrah-na-Brogue. By A. C. Shelley. Sadler’s Wells. October 25, 1865.
The Ar-Rivals; or a Trip to Margate. Travestie. By J. M. Banero and A. D.
Pincroft. Avenue. June 24, 1884. Intended as a travestie of the famous
revival of “The Rivals,” at the Haymarket Theatre, by Bancroft and
Pinero. “The Ar-Rivals” was a failure.
The Ashantee War. Burlesque. By James Sandford; Alexandra Opera House,
Sheffield. May 25, 1874.
Atalanta; or, the Three Golden Apples. By Francis Talfourd. Haymarket,
April 13, 1857. Chippendale, Compton, Clark, Misses M. Wilton and M.
Oliver.
Atalanta, by George P. Hawtrey. Strand, November 17, 1888. W. F.
Hawtrey, T. Squire, and Misses Marie Linden and Alma Stanley.

Babes in the Wood, burlesque, by George Capel. Gaiety Theatre, Douglas,

Isle of Man, July 26, 1884.
Babes in the Wood. Burl.-drama, by H. J. Byron. Adelphi, July 18, 1859. J.
L. Toole, P. Bedford, Mrs. A. Mellon.
The Babes in the Wood, by G. L. Gordon and G. W. Anson. Prince of
Wales’s, Liverpool, April 16, 1877.
The Babes; or, Whines from the Wood, by Harry Paulton. Originally
produced at the Theatre Royal, Birmingham, June 9, 1884. Also at
Toole’s Theatre. London, Sept. 6, 1864, with Lionel Brough, Willie
Edouin, Miss Alice Atherton.
The Barber’s Trip to Paris, burlesque. Wolverhampton, February 28, 1876.
Beautiful Haidee; or, the Sea Nymph and the Sallee Rovers, by H. J. Byron.
Beauty and the Beast. Panto-opening by E. L. Blanchard. Drury Lane,
December, 1869.
Beauty and the Beast, by C. H. Hazlewood.
The Beast and the Beauty, or No Rose without a Thorn, by F. C. Burnand.
Royalty, October 4, 1869. Mr. F. Dewar, Misses Kate Bishop, M. Oliver
and C. Saunders. Published by Phillips, Regent Circus, London.
The Bee and the Orange Tee, burlesque, by H. J. Byron. Vaudeville.
The Beggar’s Opera, by John Gay. Originally produced in Lincoln’s Inn
Fields, 1728. Lord Byron called this a St. Giles’s lampoon.
Behind the Scenes, burlesque-burletta, by Charles Selby. Strand, September
12, 1839.
The Belle of the Barley-mow; or, the Wooer, the Waitress, and the Willian,
by H. T. Arden. Cremorne Gardens, Sept. 23, 1867. W. Corri, Miss C.
Parkes.
La Belle Sauvage, burlesque, by John Brougham. St. James’s, November
27, 1869. Mrs. John Wood, and Lionel Brough.
The Bells Bell-esqued and Polish Jew Polished Off; or, Mathias, the Muffin,
the Mystrey, the Maiden and the Masher. Theatre Royal, Norwich, March
13, 1883.
Belphegor Travestie, by Leicester Buckingham. Strand, September 29,
1856. H. J. Turner, J. Clarke, Miss Cuthbert, Miss Thirlwall.
Belphegor the Mountebank, by C. H. Hazlewood.
Billy Taylor, burlesque-burletta, by J. B. Buckstone. Adelphi, November 9,
1829.
“The Birds” of Aristophanes, adapted by J. R. Planché. Haymarket, April
13, 1846. J. Bland, Miss P. Horton.
Black-Eyed Sukey; or, All in the Dumps, burlesque-extrav., by F. Fox
Cooper. Olympic.
Black-Eyed Susan, the Latest Edition, by F. C. Burnand. New Royalty,
November 29, 1866. F. Dewar, C. Wyndham, Misses M. Oliver, N.
Bromley. This was afterwards revived.
Blighted Bachelors, burlesque, by Llewellyn Williams, Derby, August 29,
1881.
Blossom of Churmington Green, by F. Radcliffe Hoskins.
Blue Beard; or, Hints to the Curious, by J. H. Tully. English Opera House.
Blue Beard, burl.-burletta, by J. R. Planché. Olympic, January 1, 1839. Mr.
J. Bland and Madame Vestris.
Blue Beard Re-trimmed. Park Theatre, July 9, 1877.
Blue Beard, from a new point of hue, by H. J. Byron. Adelphi, December
26, 1860.
Blue Beard Repaired, by H. Bellingham. Olympic, June 2, 1866.
Blue Beard, the Great Bashaw; or the Loves of Selim and Fatima, by H. T.
Arden. Crystal Palace, March 29, 1869.
Blue Beard and Fat Emma; or, the Old Man who cried “Heads,” by Frank
Green. North Woolwich Gardens, June 18, 1877.
Blue Beard and Son. Theatre Royal, Bath, March, 1880.
Blue Beard; or, the Hazard of the Dye, by F. C. Burnand. Gaiety, March 12,
1883.
Bluff King Hal; or the Maiden, the Masher, and the Monarch, Alexandra
Theatre, Sheffield, March 12, 1883.
The Blundering Heir, by Henry P. Lyste.
Bobadil il Chico; or, the Moor the Merrier, by F. C. Burnand.
Boadicea the Beautiful; or, Harlequin Julius Caesar and the Delightful
Druid. By F. C. Burnand. Pantomime for Amateurs, London, S. O.
Beeton, 1865.
The Bohemian G-yurl and the Unapproachable Pole, by H. J. Byron. Opera
Comique, Jan. 31, 1877, and Gaiety, August, 1877. E. W. Royce, Edward
Terry, Misses E. Farren and Kate Vaughan. Revived in 1884.
Bombastes Furioso, a burlesque tragic opera, by William Barnes Rhodes.
Haymarket, August 7, 1810. Mr. Mathews, Mr. Taylor, Mr. Liston, Miss
H. Kelly. This is a travesty of Orlando Furioso, “Distaffina,” is Angelica,
beloved by Orlando, whom she jilts for a young Moor named Medoro.
This sends Orlando mad, and he hangs his armour on a tree with these
lines beneath:—
“Orlando’s arms let none displace,
Save one who’ll meet him face to face.”
The Bottle Imp, burlesque. Grecian Saloon. 1852.
Bride of Abydos; or the Prince, the Pirate, and the Pearl. By Henry J. Byron.
No date. H. J. Turner, C. Young, Miss M. Oliver, Miss Swanborough.
The Brigand; or new Lines to an old Ban-ditty. By Gilbert A. à Beckett.
Haymarket, Dec. 26, 1867. Mr. Compton.
The Bronze Horse, grand spectacle, by Howard Paul, founded on Scribe and
Auber’s opera, Le Cheval de Bronze. Alhambra, July 4, 1881.
Brown and the Brahmins; or, Captain Pop and the Princess Pretty Eyes.
Founded on the Drama of “The Illustrious Stranger,” by R. Reece. Globe,
January 23, 1869.
Mr. Buckstone’s Ascent of Mount Parnassus. A travestie of Albert Smith’s
“Ascent of Mont Blanc” by J. R. Planché. Haymarket, March 28, 1853.
W. Farren, Braid, Buckstone, Mrs. Fitzwilliam.

Called Back Again, burl., parody of “Called Back” by Albert Chevalier. T.

R., Plymouth, July 13, 1885.
Called There and Back, parody of H. Conway and Comyns Carr’s play
“Called Back,” by Herman C. Merivale. Gaiety, October 15, 1884.
Calypso, Queen of Ogygia, by S. Brooks. Sadler’s Wells, April 15, 1865.
Camaralzaman and the Fair Badoura; or, the Bad Djinn and the Good
Spirit, by Henry J. Byron. Vaudeville, Nov. 22, 1871. Thomas Thorne,
and David James.
Camaralzaman, by F. C. Burnand. Gaiety, January 31, 1884. E. Terry,
Soutar, Squire, Misses E. Farren and P. Broughton.
Camberwell Brothers, by C. Selby. Olympic, April 12, 1852.
Capuletta; or, Romeo and Juliet Restor-i-ed. Anon. Boston, U.S. C. H.
Spencer, 1868.
Carmen; or, Sold for a Song, by R. Reece. Folly, Jan. 25, 1879. Lionel
Brough, Miss Lydia Thompson.
Caste, a burlesque version, see Fun, May 4, 1867.
Castle of Otranto, extravaganza, by Gilbert A. à Beckett. Haymarket, April
24, 1848.
Champagne, a Question of Phiz, by H. B. Farnie and R. Reece. Strand,
September 29, 1877. Harry Cox, W. S. Penley, Marius, Miss Lottie
Venne.
Chang-Ching-Fou, Cream of Tartar, by William Marten. Luton, April 11,
1864.
Charles II.; or, Something Like History, by Gilbert à Beckett. Court,
November 25, 1872.
Charmian and Badoura, by Charles Horsman. Theatre Royal, Edinburgh,
May 19, 1873.
Cheribel, burlesque, by Frank W. Green. Prince’s Theatre, Manchester, May
4, 1885.
Cherry and Fair Star, by Frank W. Green. Surrey Theatre, April 4, 1874.
Cherry and Fair Star, by C. H. Hazlewood.
The Children in the Wood; or, the Vengeance Dyer and the Pair of Dirty
Kids, Bijou T. Bayswater, March 1, 1875.
A China Tale from a Delph Point of View, by H. F. Mc’Clelland. T. R.,
Belfast, November 11, 1878.
Chrononhotonthologos: the most Tragical Tragedy that ever was Tragedized
by any Company of Tragedians. By Henry Carey. Haymarket, 1734.
Revived at the Gaiety, November, 1880. Of the author, Henry Carey, it
was said that “he led a life free from reproach, and hanged himself
October 4, 1743.”
Christabel; or, The Bard Bewitched, by Gilbert à Beckett, Court, May 15,
1872. Partly founded on Coleridge’s famous poem.
Chrystabelle; or, the Rose without a Thorn. Extrav., by Edmund Falconer.
Lyceum, December 26, 1860.
Cinderella, burl, extrav., by Albert Smith & C. L. Kenney. Lyceum, May
12, 1845.
Cinderella; or, the Lover, the Lackey, and the little Glass Slipper. By Henry
J. Byron. Strand, December 26, 1860. H. J. Turner, J. Rogers, Misses M.
Oliver, C. Saunders, and M. Simpson.
Cinderella in Quite Another Pair of Shoes, by Frank W. Green. Royal
Gardens, North Woolwich, May 20, 1871.
Cinderella; a Story of the Slip and the Slipper, by J. W, Jones. T. R.,
Leicester, October 3, 1878.
Cinderella. Panto-opening, by E. L. Blanchard. Drury Lane, December,
1883.
Claude Du Val; or, the Highwayman for the Ladies, by F. C. Burnand.
Royalty, January 23, 1869. F. Dewar, Misses M. Oliver & N. Bromley.
Published by Phillips, Regent Circus. London.
The Coarse-Haired Brothers burlesque, by C. W. Taylor. New York. 1852.
Cœur de Lion, Revised, and his Enemies Corrected, by John Strachan.
Strand, December 22, 1870.
Columbus el Filibustero, by John Brougham. Burton’s Theatre, New York,
December, 1857.
Columbus; or, the Original Pitch in a Merry Key, by Alfred Thompson.
Gaiety, May 17, 1869.
Ye Comedie of Errours, a glorious burlesque, by John F. Poole. New York.
No date.
Conn; or, Out of Sight, Out of ’Erin, by F. W. Green, Alexandra T.,
Liverpool, April 28, 1879.
The Congress; or, the Czar and the Minister. T. R., Dover, July 8, 1878.
Conrad and Medora; or, Harlequin Corsair, and the Little Fairy at the
Bottom of the Sea. A Burlesque Pantomime founded upon the ballet of
“Le Corsaire,” by William Brough. Lyceum, December 26, 1856. J. L.
Toole, Mrs. A. Mellon, & Marie Wilton. Also at the Crystal Palace, 1873.
Cooleen Drawn, by Martin Dutnall and J. B. Johnstone. Surrey T., October
14, 1861.
Corin; or the King of the Peaceful Isles. Queen’s T., Dublin, March 6, 1871.
The Corsair; or, the Little Fairy at the Bottom of the Sea, by William
Brough. Lyceum, December 26, 1856. J. L. Toole, Mrs. A. Mellon, Miss
M. Wilton.
The Corsican “Bothers”; or the Troublesome Twins, by Henry J. Byron,
Globe, May 17, 1869.
The Corsican Brothers & Co., by F. C. Burnand and H. P. Stephens. Gaiety,
October 25, 1880. E. W. Royce, J. Dallas, Misses E. Farren and Kate
Vaughan. (In this Royce’s burlesque of Irving was very comical).
The Corsican Brother-babes-in-the-wood, extravaganza, by G. R. Sims. T.
R. Hull, March 19, 1881, and Royalty Theatre, Glasgow, March 28,
1881.
The Coster Twin Brothers, by Frank Hall, Philharmonic, November 20,
1880.
Cox and Box, by Maddison Morton and F. C. Burnand, Music by Sir Arthur
Sullivan. Founded on “Box and Cox.”
Cracked Heads, by Arthur Clements and F. Hay, Strand, February 2, 1876.
Harry Cox, E. Terry, Lottie Venne.
A Cracker Bon-Bon for Christmas Parties, consisting of Christmas Pieces
for private representation, by Robert B. Brough. This contains King
Alfred and the Cakes, William Tell, Orpheus and Eurydice. With
Illustrations. Published by S. French, London and New York.
Crichton, burlesque, by R. Hartley Edgar. Charing Cross, August 30, 1871.
The Critic; or, a Tragedy Rehearsed, by Richard Brinsley Sheridan. Drury
Lane, 1779. “Sir Fretful Plagiary,” was intended as a burlesque of the
character of Richard Cumberland, the dramatist.
The Critick Anticipated, a Literary Catchpenny, dedicated to R. B. Sheridan.
London, 1780.
Cruel Carmen; or, the Demented Dragoon and the Terrible Toreador, by J.
Wilton Jones. Prince’s Theatre, Manchester, March 29, 1880.
Crusoe the Second, extravaganza. Lyceum, April 5, 1847. Mr. and Mrs.
Keeley, Alfred Wigan and Miss Dickinson.
Crystaline, by G. M. Layton. King’s Cross, March 6, 1871.
Cupid, Burlesque. Royalty, April 26, 1880.
Cupid, burl.-burletta, by Joseph Graves. Queen’s, 1837.
Damon the Dauntless and Phillis the Fair, by Charles Dryden. St.
George’s Hall,, December 28, 1869.
Dandyados, a Tragedy. A parody of “Bombastes Furioso.” See
“Transactions of the Loggerville Literary Society.” 1867.
Dandy Dick Turpin, by Geoffrey Thorn. Grand Theatre, Islington, October
7, 1889. Misses F. Leslie, F. Dysart, and Julia Warden.
Dan’l Tra-Duced, Tinker, by Arthur Clements. Strand, November 27, 1876.
The Dark King, burlesque, by C. H. Hazlewood.
David Garrick, burlesque, by Charles Colnaghi & E. Ponsonby. Criterion,
May 11, 1888. (Amateur.)
The Deep, Deep Sea; or, Perseus and Andromeda, by J. R. Planché.
Olympic, Dec. 26, 1833. J. Bland, J. Vining, and Madame Vestris.
Deep Red Rover, an O’Piratic Burlesque, by F. Hay and Westmacott
Chapman.
Delights o’ London, by Wallis Mackay, Horace Lennard, and G. L. Gordon.
Philharmonic, April, 8, 1882.
Der Freischutz; or, a Good Cast for a Piece, by F. C. Burnand. Strand,
October 8, 1866.
Der Freischutz; or, the Bill, the Belle, and the Bullet, by Henry J. Byron.
Prince of Wales’s, October 10, 1866.
The Desperate Adventures of the Baby; or, the Wandering Heir, by C. H.
Ross & A. C. Freer. Strand, Dec. 14, 1878.
Devil’s Violin, by B. Webster. Adelphi, May 9, 1849. Wright, O. Smith, Paul
Bedford, Madame Celeste, Miss Woolgar.
Diana; or, the Goddess of the Moon. Masonic T., Lincoln, October, 1882.
Dick Turpin the Second, by W. F. Goldberg. Gaiety, May, 1889.
Dick Whittington and his Cat-astrophe, by James Horner. Alexandra T.
Walsall, June 16, 1884.
Dick Whittington; or, an old story re-told, by C. G. Dyall.
Dido, burlesque by F.C. Burnand. St. James’s, Feb. 11, 1860.
Dinorah under Difficulties, by W. Brough. Adelphi, Nov. 7, 1859, J. L.
Toole.
Discreet Statues; or, the Water Carrier of the Alhambra, by Charles
Penruddocke. Performed at Compton Park. January 9, 1874.
Doctor Dulcamara, by W. S. Gilbert. St. James’s.
Dr. Faust and Miss Marguerite; or, the Young Duck with the Old Quack, by
R. J. Martin and E. A. P. Hobday. Queen’s T. Dublin, August 24, 1885.
Dolly and the Rat, or the Brisket Family, an operatic parody on “The Maid
and the Magpie.” Duncombe, 1823.
Domenico, the Vile’un, by Leigh Thomas. Assembly Rooms, Camberwell,
April 26, 1872.
The Domestic Hearthstone; or, the Virgin Maiden’s Vengeance, a Terrible
Tragedy in One Act, by John Smith. (A Richardsonian Melo-drama.)
Don Carlos; or, the Infante in Arms, by Conway Edwardes, T. R. South
Shields, Aug. 6, 1869. Vaudeville, April 16, 1870. Honey, Thorne, Miss
Nelly Power.
Don Giovanni; or, a Spectre on Horseback, by Thomas Dibdin. Surrey
Theatre, 1817.
Don Giovanni, by J. C. Brennan, T. R. Greenwich, March 11, 1872.
Don Giovanni in Venice, Operatic extravaganza by R. Reece. Gaiety,
February 17, 1873.
Don Giovanni M.P. Princess’s Theatre, Edinburgh, April 17, 1874.
Don Giovanni, Junr; or, the Shakey Page, more Funkey than Flunkey.
Greenwich, May 17, 1875.
Don Juan, Burlesque, T. R. Bradford, Nov., 22, 1870.
Don Juan; by Henry J. Byron. Alhambra, Dec., 22, 1873.
Don Juan, Junior, by the Brothers Prendergast. Royalty, November 2, 1880,
E. Righton, Miss Kate Lawler.
Don Quixote, burl., by J. M. Killick. Cabinet, Oct. 28, 1869.
Done to-a-cinderella; or, The Drudge, the Prince, and the Plated Glass
Slipper, by Fawcett Lomax. Theatre Royal, Exeter, September 12, 1881.
Dora and Diplunacy; or, a Woman of Uncommon Scents, by F. C. Burnand.
Strand, February 14, 1878.
Douglas Travestie, by William Leman Rede. Adelphi, Feb. 13, 1837. O.
Smith, J. Reeve, Mrs. Stirling.
The Dragon of Hougue Bie; or, The little Prince’s Tour, by J. F. Draper.
Royal Hall, Jersey, Dec. 8, 1871.
Dulcamara; or, the Little Duck and the Great Quack, by W. S. Gilbert.

East Lynne, burl., Birmingham Theatre, Sept. 16, 1869.

East Lynne; or Isabel that was a Belle. Theatre Royal, Coventry, November
10, 1884.
Edwin and Angelina, by Miss Walford. Gallery of Illustration, May 6, 1871.
Effie and Jeannie Deans Burlesque, by C. H. Hazlewood.
Elbow Shakers, by F. Fox Cooper. Adelphi.
Elizabeth; or, the Don, the Duck, the Drake, and the Invisible Armada, by F.
C. Burnand. Vaudeville, November 17, 1870.
Enchanted Horse, by Albert Smith and C. L. Kenney. Lyceum, December
26, 1845.