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Segher, Hercules, etcher, influence of, on Rembrandt, 63
Séguier, Chancellor, patron of Charles Le Brun, 229, 230
Settignano, Desiderio da, carver of the Gianfigliazzi arms, on their
Florentine palace, 28
Seuter and Townley, engravers, 52
Seventeenth and Eighteenth Century British Engravers, and their work,
V. and A. Museum Exhibition, 194
Sforza, Francesco, first Duke of Milan, his daughter and her husband,
338
Shah Abbas, Persian art during period of, large survival of MSS. of,
144
Shah-Alem II., and his library, 143
Shah-Jehan, Emperor of Hindustan, and his love for literature, 143
Shah-Rokh, son of Timur Bey, art in Persia during his reign, 143
Shakespeare, the First Folio, The Geographical Distribution of, F.
Rinder, 335
Sheepshanks Collection of proofs of the Landseer school of engraving,
(N. Art Library), shown at the V. and A. Museum Exhibition, 199
Sheridan, Mrs., model of Sir J. Reynolds for painting of Charity and
the Virgin in the Nativity, (Normanton), 212
Short, Frank, fine work of, in mezzotint, shown at the V. and A.
Museum Exhibition, 199
and Miss C. M. Pott, catalogue and exhibition of Engraving and
Etching processes, arranged by, V. and A. Museum Exhibition,
199
Siddons, Mrs., portrait of, as Tragic Muse, by Sir J. Reynolds,
(Westminster), copy, by the Duchess of Buckingham,
(Normanton), replica by Reynolds, (Dulwich), 224
Siena, Communal Library of, extracts from the ‘Ricordi’ of
Baldovinetti found in, 24
paintings by A. Vanni still extant in, see Vanni, passim
Silver:—
Chalice, Mediaeval, from Iceland, in the V. and A. Museum, H. P.
Mitchell, 70
from Sorö, Denmark, H. P. Mitchell, 357
The Plate of Winchester College, P. Macquoid, 149
Cup with cover, gilt, presented by a Marquis of Winchester, 156
Ecclesiastical; Two Chalices and an Alms Dish, etc., 162
‘Election Cup’ presented by Warden More, 150, 155
Hanap, or Tall Standing Cup, 162
Rose-water Dish and Ewer, parcel-gilt, presented by Radolphus
Henslowe 155
parallels owned by Lord Newton of Lyme, 156
Rose-water Dish, presented by Dr. George Rives, 161
Standing Cup and cover, presented by Hugh Barker, 16,
Standing Salt, bequeathed by Michael Bold, 161–2
Standing Salt, gilt, 156
Steeple Cup and cover, gilt, 162
Sweetmeat Dish of tazza form, 156
Tankard and cover, presented by John Bolney, rare shape of, 161
Tankard with lid, parcel-gilt, Commonwealth period, 162
Simon, J., of Berlin, paintings by Gerard David owned by, parts of a
Triptych, 39
Simone, see Martini, Simone
Sisamnes, the unjust judge, in painting by Gerard David, Judgement of
Cambyses, 36
Siva, Svastika the supposed emblem of, 43
Six Collection, Amsterdam, paintings by Jan Vermeer in, 55
Sixtus IV., Pope, Bongianni Gianfigliazzi one of the Florentine orators
sent to, on his election, 28
Sky and Sky God, Svastika the supposed emblem of, 43
Slip ornament, Staffordshire pottery, 68, 69
‘Slip’ in pottery making, a definition of, 66
Smith, Portrait of the Artist, ascribed (erroneously) to Rembrandt, 52
Smith, C., The Exhibition of Greek Art at the Burlington Fine Arts
Club, 236
‘Solace of Song,’ remarkable illustrations to, by Harvey, engraved by
W. T. Green and others, 299, 306
Solario, The Authorship of a Madonna by, letter, B. Berenson, 114
Solon, L., The Lowestoft Porcelain Factory, and the Chinese Porcelain
made for the European Market in the Eighteenth Century, 271
Soma, son of Rishi Atri, legend of, and connexion of with a Buddha,
354
Soma tree (date palm or hom,) as the Tree of Life, 350, 353
other theories concerning identity of, 353
juice of, how prepared, its uses, and allusions to it in the Rigveda,
354
Somerley, Hampshire, The Collection of Pictures of the Earl of
Normanton at, M. Roldit; I. Pictures by Sir Joshua Reynolds, 206
Soorgh, Hendrik, possibly the painter of the picture attributed to
Adriaen Brouwer, Guildhall, 1903., Interior with Figures, 56
Sophia, daughter of Casimir III. King of Poland, her daughter’s portrait
by Dürer, 289
sister of Casimir, Margrave of Culmbach, 290
Sorö Chalice, The, (from Denmark), H. P. Mitchell, 357
Soung-Young, (a Doctor of reason), cited on the Tao-sse of China, 47
Spain, paintings by Adrian Isenbrant sent to, 326
Spedale di S. Paolo, Florence, ‘ricordo’ in, relating to Baldovinetti, 22
locale, ornaments, and original use of, 23
the Pinzochere of, 24
Spedale di S. Maria Nuova, that of S. Paolo united with, 22
Spiral Scroll, The, and the Svastika, 48
Städel Institute, Frankfort, painting by Botticelli in, resemblance of
details in, to those in painting by G. David, (Bruges Museum), 36
Staffordshire Pottery Ware, Early, illustrated by pieces in the British
Museum, R. L. Hobson, 64
Stanhope, Hon. Mrs., see Falconer, Miss
State, the, of a sculptured Head of a Girl from Chios, recently shown at
the Burlington Fine Arts Club, Rodin cited on, letter, J. Marshall,
376
Statue, Marble, by Pilon, La Charité, 90
Steen, Jan, painting by, Guildhall, 1903., Portrait of Himself,
(Northbrook), 56
Steevens, George, price paid by, for first folio Shakespeare, Martin
Folkes copy, 1756., (Rylands Library), 336
Stothard, T., illustrations by, to the ‘Voyage of Columbus,’ 299
sepia drawing by. for an illustration, 305
Strange, E. F., British Engraving (Exhibition of), at the V. and A.
Museum, 194
Sir Robert, engraver, work by, in V. and A. Museum Exhibition, 194
Strassburg Museum, paintings attributed to Memlinc owned by, shown
at Bruges, 1903., ascription controverted, 35
Strong, Mrs., Exhibition of Greek Art organized by, 236–55
comment on the exhibits by, ib.
Strozzi, Filippo, portrait of, in Baldovinetti’s frescoes, 170
portrait by Titian with landscape background, (Berlin Gallery), 285
Suavastika supposed symbol of the Autumnal Sun, 44
Sufis of Sultan Husein Mirza, MSS. of the Life of, repetitive
decorations of, 135
Sultan Husein Mirza, the Sufis of, MSS. of the Life of, repetitive
decorations of, 135
Sultan Mirza Ulugh Beg, see Ulugh Beg
Sun, Autumnal, the Suavastika supposed emblem of, 44
Sun God, Sun and Sun Chariot, the Svastika supposed emblem of, 43
Sun-worship, association of the Lotus with, Goodyear cited on, 350
Sung period of Chinese art, rarity of relics of, 205
Sunnà of Mohammed, laws of, as to art, 132, 135
Susanna of Bavaria, wife of Casimir, Margrave of Culmbach, patroness
of Dürer, in a lost picture by him, 290
possibly the Lady of Portrait by him owned by Mr. Heseltine, ib.
other (medal) portraits of and of her second husband, ib.
Svastika, The, 43
absence of, from Phoenicia, 47
absence of, alleged, in Babylonia and Assyria, 47
as an auspicious sign, and always ornamental, 43
on breach of gun taken at Taku Fort, 47
in the Bronze Age, 47
as the emblem of Agni, 43
fecundity, 43
the female, 43
Hindu gods, 43
Jupiter Tonans and Jupiter Pluvius, 43
Thor of the Scandinavians, 43
evolution of, from the Lotus, according to Goodyear, 354
in footprints of Buddha on Indian mountains, 43
Hittite origin or, Sayce on, 47
introduction of, into Cyprus, Carthage and North Africa, Richter’s
views as to, 47
in relation to the Lotus, 43, 48
in relation to the Nature gods. 43
oldest known Aryan symbol. 43
origin and symbolism of, theories concerning, 43
on Persian coins of Arsacide and Sassanide dynasties, 44
Phallic meaning attributed to, 43
probably a development of the Chinese characters C. h. e, 44
in Thibet. 44
traceable in household appointments, house-irons, etc., 48
universality of, the basis of all decorative design, 43
use and name of, among North American Indians, 43–4
Wilson on, 43
 his discovery of, on Assyrian coins and those of Alexander the
Great, 47
Sydney, N.S.W., first folio Shakespeare at, and its donor, 336
Sykes, Colonel, on Tao-sse of China, 47

TAKU Fort, the Svastika, obviously Chinese, found on breech of gun

taken at, 47
Tamerlane, see Timur Bey
T’ang dynasty of Chinese rulers, rarity of art relics of, 205
Tangye, Sir R., donor of first folio Shakespeare to Sydney, N.S.W., 336
Tankards, etc., see Silver Plate
Tao-sse sect of China, (see also Tirthakar), 47
Tapestry, designs for, by C. Le Brun, Chasses de Méléagre, History of
Constantinople, Jupiter allaité par le chèvre Amalthée, Mars et
Venus, Les Muses, 230
high warp, manufactory of, established by Fouquet at Maincy, 230
Tara, wife of Brihaspati, mother of a Buddha, by Soma, 354
Tattooing, the Swastika used in, in Thibet, 44
Tau Cross, ivory, found at Alcester, (B.M.,) 200
Teapot, hard porcelain, Chinese in decoration, marked ‘Allen,
Lowestoft,’ (V. and A. M.), 277
Temperament in native Dutch art, 51
Terborch, G., paintings by, Guildhall, 1903., Portrait of a Lady and
Portrait of a Young Woman, 56
Terra-cottas, see Ceramics
Tewkesbury Abbey, frescoes on roof of, by T G. Parry, 117
Textile Arts, see Lace, Oriental Carpets, Tapestry, Weaving, etc.
Thibet, connection of the Svastika with, 44
Tirthakar sect in, derivation of name, 44
Thiem, A., owner of painting attributed to Memlinc, B. V. M. and
Child, (Bruges, 1902.), 35
Thomas, Mr., on the Svastika and the Jain Tirthankara, 44
Thomond, Marchioness of, niece of Sir J. Reynolds, sale of her
pictures, 1821., the foundation of the Normanton collection, 211
Thor of Scandinavia, the Svastika supposed emblem of, 43
Thunder-gods, the Svastika probably emblem of, 43
Times, The, view of, as to correct attribution of Le Commencement
d’Orage, Guildhall, 1903., (Lady Wantage), 60
Timur Bey, (Tamerlane), 132
as art patron and author, 143
and his successors, art in Persia during reigns of, 143
Timurid art in Persia, 143
of Khorassan, Chinese influence on, 143
Mosques of Samarcand, ogival doorways of, and art associations of,
139
Tirthakar sect of Thibet synonymous with Tao-sse of China, 44
Tirthankara, the Jain, the Svastika one of their devices, Max Müller
and Thomas on, 44, see note
Titian, (Tiziano Vecellio), Portrait of the Empress Isabella by, G.
Gronau, 281
his commission from Charles V. at Busseto, Aretino cited on, 281
his inferior model, 281–5
his success, ib.
visit of, to, Augsburg, confusion caused by his references to his
work there, 281
his adoption of landscape backgrounds, 285
his influence on subsequent portrait painters, ib.
portrait by, of Giacomo Doria, owned by J. Wernher, letter on, from
G. de Pellegrini, 267
Tizio, cited on the Altarpiece by Vanni in S Stefano, Siena, 310
and on his work for the friars minor of S. Francesco, 315
Tleson, Kylix signed by, shown at the Burlington Fine Arts Club
Exhibition, 255
Tocqué, Jean-Louis, paintings by at the Louvre, chiefly official
portraits, 344
Portrait of Dame Danger, recently acquired, 343–4
Tod, Colonel, on the date of introduction of Buddhism into Thibet, 47
Toft ware, a name for slipware, its origin, 69
Tomb of Francis I. of France, designed by Delorme, work of Pilon and
other sculptors on, 95
Henri II. of France and Catherine de’ Medici, executed by G. Pilon,
95
Tommé, Lucca di, painter, 310
Tone in Dutch painters ancient and modern, 51
Toscanelli, Paolo da Pozzo, astrologer, portrait of, in Baldovinetti’s
frescoes, 169
Tournay Museum, painting by John van Eecke owned by, Vision of S.
Bernard, (Bruges, 1902.), 332
Treadwin, Mrs., the late, Honiton lace revival by, 95
Tree of Life identified with the Lotus by Goodyear, 350
types and distribution of, 353
and Lotus, in Oriental Carpets, 349
Trees and Plants identified with the Tree of Life, 350, 353
Trepperel, Gaston Phoebus hand-printed by, 8
Turenne, Marshal, campaign of, in the Netherlands, 12
Turkestan, Timurid MSS. in, better executed than similar MSS. in
Persia, 144
Turkey, lack of legislative protection for ancient buildings in, 3
Turkish skill in miniature painting, 132
Turner, Charles, Mezzotint by, shown at the V. and A. Museum
Exhibition, The Water Mill, after Callcott, 199
Turner, J. M. W., as an illustrator, 306
illustrations by, to Rogers’ ‘Poems,’ (N. G.), 300
struggles of, with his steel-engravings, 294
and Barrett, resemblances of their work as illustrators, 306
and Goodall, illustrations by, to ‘Datur Hora Quieti,’ 300
Tuscany, Pietro Leopoldo, Grand Duke of, union of the Spedale of S.
Maria Nuova and S. Paolo effected by, 22
Two Alleged Giorgiones, H. Cook, 78
Italian Bas-reliefs in the Louvre, A. Michel, 84
Pictures in the possession of Messrs. Dowdeswell, Adoration of the
Magi and Dormition of the B. V. M., probably French XIV. cent.,
89
Type, Greek, A New Fount of, (Proctor’s ‘Otter’), 358
Types of the Tree of Life, 353
Typography, see Greek Type
Tyrol, Archduke Ferdinand, Duke of, Codex MS. 616 of Gaston
Phoebus presented to, by Bishop Bernard of Trent, 12
Landsknechte of Charles V. of Germany recruited from, 12

UFFIZI GALLERY, painting by unknown artist, Florentine School, early

XV. cent. in, Triptych, Madonna and Child, with Angels and
Saints, 131
painting by unknown artist, School of Cimabue, in Altarpiece of St.
Cecilia, 118
Ulugh Beg, grandson of Timur Bey, astronomical tables drawn up by,
143
astronomical MS. copied for, at Samarcand, strongly marked
Chinese influence in, 144
United States of America, general provision of legislative protection
for ancient buildings in, 3
Upper Ossory, Earl of, his second wife, Miss Anne Liddell, painted by
Sir J. Reynolds, (Normanton), 223
Urbino, Duchess of, Portrait of, by Titian, believed to be the first in
which he employed landscape background, 285
Guidobaldo, Duke of, meeting of, with Charles V. at Peschiera, 281

VAN AELST, Willem, painting by, Guildhall, 1903., Still-life Subject, 56

van Craesbeeck, Joost, possibly the painter of the picture attributed to
Adriaen Brouwer, Guildhall, 1903., Interior with Figures, 56
Van de Capelle, Jan, beauties and characteristics of his work, 60
paintings by, Guildhall, 1903., Off Scheveningen and Sea Piece, both
masterpieces, 60
painting by, River Scene, (N.G.), beauties of, 60
Van der Heyden, Jan, painting by, Guildhall, 1903., Landscape, (very
highly finished), 59
Van der Neer, Aart, painting attributed to, Guildhall, 1903., Moonlight
River Scene, doubtful authenticity of, 59
Van de Velde, Adriaen, painting by, Guildhall, 1903., Landscape with
Cattle, small and excellent, 59
George and his son John, portraits of, on Diptych, by Isenbrant, 326
Willem, paintings of, surpassed by some of van de Capelle’s shown
at Guildhall, 1903., 60
van Dyck, Sir A., (or Vandyke), influence of, traceable in painting by
Sir J. Reynolds, 223
influence of Titian on, 285
van Eecke or van Eeckele, John, paintings by, shown at Bruges, 1902.,
formerly ascribed to John van Eyck, Mater Dolorosa, (Bruges
Cathedral), locale of copies of the same, 332
Vision of S. Bernard, (Tournay Museum), 332
van Eyck, John, paintings formerly attributed to, one now ascribed to
Gerard David, Adoration of the Magi, (Brussels Museum),
Bruges, 1902., 39
another, now ascribed to van Eecke or van Eeckele, Bruges, 1902.,
Mater Dolorosa, (Bruges Cathedral), locale of copies of the
same, 332
van Goyen, Jan, favourite subjects in paintings of, 343
part of painting attributed to Frans Hals, possibly by, Van Goyen and
his Wife, Guildhall, 1903., 52
traces of his influence in paintings by Jacob Maris, 178
van Halewyn, Joan, and her husband, portraits of, on triptych, by
Isenbrant, 331
van Huerne, M., paintings by Isenbrant and others, presented by, to
Bruges Cathedral, 331
van Huysum, Jan, paintings by, Guildhall, 1903., Still-life Subjects, 56
Vanni, Andrea, F. Mason Perkins, 309
of Siena, painter, diplomat, and devotee, friend of S. Catherine of
Siena, date of his birth, share in revolution of 1368, etc., 309
characteristics of his style, 89, 309, 322
date of his death, 325
paintings by; Annunciation, (Count F. Chigi, Siena), 316;
Annunciation, after Simone Martini, (S. Pietro Ovile, Siena),
various attributions of, 321
Crucifixion, (fragmentary), formerly in the church of the
Alborino, (Istituto delle Belle Arte, Siena), 309, 321
Deposition from the Cross, (Berenson), 321
Frescoes, in bad condition, (S. Giovenale, Orvieto), 321, note
Seated Virgin and Child, (S. Francesco, Siena), usually attributed
to A. Lorenzotti, 315
Madonna, (church on Monte Nero, near Leghorn), 321, note
Madonna degli Infermi, (S. Francesco, Siena), attributed to Pietro
Lorenzotti, 310–15
Panels, Madonna and Child, (S. Giovanni della Staffa, Siena),
316
Virgin and Child, full-length, (S. Spirito, Siena), 316
Virgin and Child, half-length, (Chapel of SS. Chiodi, Siena),
usually attributed to Barna, 315–6
Virgin and Child, (priest’s house, next S. Pietro Ovile), 325
Polyptych, Altarpiece, (S. Stefano, Siena), 309
Portrait of St. Catherine of Siena, (S. Domenico, Siena), 309,
321
 Triptych, St. Michael between St. Anthony the Abbot and the
Baptist, (Siena Gallery), usually ascribed to Lippo
Memmi, 325
Virgin and Child, (Berenson), 316
presumptions as to his later and earlier artistic life, 325
one of his pupils referred to, ib.
van Orley, Bernard, Notes on the Life of, W. H. J. Weale, 205
Valentine, reputed father of Bernard, 205
van Os, Jan, paintings by, Guildhall, 1903., Still-life Subjects, 56
van Pynbroek, Margaret, alleged mother of Bernard van Orley, 205
van Rijn, Rembrandt, see Rembrandt
van Ruysdael, see Ruysdael
Vasari cited on Baldovinetti, 22, 24
his methods of fresco painting, 169
his frescoes in the Cappella Maggiore of S. Trinita, Florence, and
their subjects, 170
on their early decay, 173
cited on the metal heads made by Verrochio, 84
cited on the preparation of frescoes, 167
‘Life of Stefano Fiorentino and Ugolino Sanese,’ by, 126
and others, error of, as to Bernardo Daddi, 125
Vassall, F., portrait of his daughter, Mrs. Russell, by Sir J. Reynolds,
(Normanton), 223
Vaux, Château de, works of C. Le Brun at, 230
Vecellio, Tiziano, see Titian
Vedas, the, story of Agni the fire God, and the origin of the Svastika in,
44
note concerning these books, 353
Velasquez, as a painter of dogs, 218
one of the few painters whose brushwork equals that of Frans Hals,
52
Veneziano, Domenico, use of oil by, in his frescoes, 169
Ventura, Bernardino di, pencil-maker, of Florence, 167
Veramin, see Ardabil and Veramin
Verard, Antoine, Gaston Phoebus hand-printed by, 8
Verino, Ugolino, reference to the Gianfigliazzi family in a poem by, 28
Vermeer, Jan, of Delft, a rare master, painting by, Guildhall, 1903., The
Cook Asleep, 55
other and finer works by elsewhere, ib.
Verrochio, possibly the artist of the P. Scipioni Bas-relief, views of
Bode and others cited, 84
statue by, David, resemblance between its mouth and that of the
above, 84
Versailles, works at, directed by C. Le Brun, 235
Verspronck, J., paintings by, Guildhall, 1903., Portrait of a Dutch
Lady, (Mrs. Stephenson Clarke), resemblance of his technique to
that of Hals, 55
painting probably by, Portrait of a Lady, (at Antwerp), ib.
Via dell’ Ariento, Florence, Baldovinetti’s hired house in, 23
Vianizzi, Giovanni di Ser Antonio, writer of the records of the
Pinzochere of S. Paolo, Florence, 27
Victoria and Albert Museum:—
drawings on the wood for illustration to Dalziel’s ‘Arabian Nights,’
etc., in, 305
Exhibition of British Engraving at, E. F. Strange, 194
frescoes in, by Sir F. Leighton, 117
New Acquisitions at:—
Mediaeval Silver Chalice from Iceland, H. P. Mitchell, 70
The Reid Gift, (MSS.), 74
Vienna Museum, paintings by Boels in, ascribed to Memlinc, 35
Modern Gallery, Pictures in the new, 375
Vierge, Daniel, and his style, 306
Vigne, Gace de la, see Buigne
Vincent, Sir E., Head of a statue by Polykleitos owned by, shown at
the Burlington Fine Arts Club Exhibition, 244
Vinci, Leonardo da, see Leonardo da Vinci
Ser Piero di Leonardo da, notary of Florence, engrosser of the
‘ricordo’ concerning Baldovinetti, 22, 23
Visconti, Bianca-Maria, second wife of Alfonzo II. of Aragon, 338
Vishnu, the Svastika probably an emblem of, 43
Vitry, Paul, Pictures recently acquired by the Louvre, Landscapes, (2),
by S. Ruysdael; Portrait of Dame Danger, by L. Tocqué, 343
Volpaia, Lorenzo dalla, astrologer, portrait of, in Baldovinetti’s
frescoes, 170
von Kaufmann, R , painting by A. Isenbrant owned by, A Donor and
his Family, with Protecting Saints, (Bruges, 1902.), 331
von Knebel, Hofrath Christian Friedrich, of Ansbach, lost votive
picture by Dürer once owned by, with portraits of the Margrave of
Culmbach and his Wife, 290
Vouet, Simon, early master of Charles Le Brun, 229

WAAGEN, DR., 60
cited as to the Annunciation attributed to Memlinc, (Prince
Radziwill), (Bruges, 1902.), 35
Walde, Muller-, see Muller-Walde
Wantage, Lady, painting formerly attributed to Rembrandt, owned by,
Le Commencement d’Orage, Guildhall, 1903., 60
panels by Gerard David owned by, 39
Waring cited on alleged absence of the Svastika in Babylonia and
Assyria, 44
Water-gods, Greek, and Hindu, Svastika the supposed emblem of, 43
Water-colour Paintings, see Drawings
Watts, G. W., drawings on wood by, for illustrations to Dalziel’s ‘Bible
Gallery,’ (V. and A. M.), 305
Wauters, A., cited on Bernard van Orley, 205
Weale, W. H. J., The Early Painters of the Netherlands as illustrated by
the Bruges Exhibition of 1902., 35, 326
Note on the Life of Bernard van Orley, 205
Weaving, evolution of the art of, 349
Weber, E., painting by J. Prevost owned by, Last Judgement, (Bruges,
1902.), 332
Werth, researches of, on Codex MS. 616 of Gaston Phoebus, 8, 12
Wertheimer, A., painting attributed to Giorgione, but to be ascribed to
Cariani, acquired by, ex Leuchtenberg collection, Adoration of the
Shepherds, 78
Westall, W., wash-and-pen drawing by, for illustration, 305
Westminister, Duke of, owner of painting by Sir J. Reynolds, Mrs.
Siddons as the Tragic Muse, 224
paintings attributed to Memlinc owned by, probably by L. Boels, 35
Wielant, Philip, and his wife, portrait of, on Triptych by Isenbrant, 331
Willett, Henry, armorial plate in Indo-European style, marked ‘Canton,
1791.,’ owned by, 277
William I., German Emperor, Berlin copy of first folio Shakespeare
bought by, 1858., 336
William III., deterioration of the acanthus design on plate in the reign
of, 161
William of Wykeham, founder of Winchester College, his arms and
outlay. 149
Wilson, Professor, cited on the Svastika as primarily an ornament, 43
on the Svastika on Assyrian coins and those of Alexander the Great,
47
Sir Matthew, former owner of painting by Rembrandt, Portrait eta
Lady, (Hage), 360
Winchester Cathedral, marriage of Queen Mary to Philip of Spain in,
150
 City, importance of, as one time capital of England, 149
College, The Plate of; P. Macquoid. 149
its founder, 149
visitors to, and their gifts of plate, 149–50;
inventory of plate of, temp. Henry VIII., 150
sequestration of the plate, temp. Edward VI., ib.
subsequent gifts of new plate to, 155
description of principal existing pieces, 155 et seq.
Marquis of. circ. 1682., Silver-gilt cup with cover presented by, to
Winchester College, 156
Windows, see Glass, Painted Windows, etc.
Woertz Museum, painting attributed to Memlinc owned by, (Bruges,
1903.), condition of, 35
Wolvesey Castle, visit to, of Henry VIII., 149
Woodburn, Samuel, marks affixed by, to Lawrence drawings, 286
Wood-carving, Burgundian Chest, (Bruges, 1902.), (Hospices civiles,
Aalst), 358
Oaken Chest of Ypres, 357
Woodcuts, newly acquired by the Print Room of the British Museum,
75
Woollett, William, and his school of engravers, work by, shown at the
V. and A. Museum Exhibition, 194
plate by, and by his pupils, Roman Edifices in Ruins, after Claude,
194–9
Works of Art belonging to Dealers, The Publication of, editorial, 5
Wrotham, Kent, slipware of, XVII. and XVIII. cent., 68
Wykeham, see William of Wykeham

XERXES, the Apadana of, and its art, 139

Ximenes, Cardinal, type cut by order of, the Alcalà fount, 358

YARKAND Rugs, the pomegranate as the Tree of Life on, 353

Yez-de-jird the Third, last of the Sassanian kings overthrown by the
Mahomedans, 47
Ypres, The Oaken Chest of, 357

ZENDAVESTA, note concerning, 354

Zeus, the Svastika supposed to be an emblem of, 43
Zmigrodski on the derivation of the Suavastika, 44
❧ INDEX OF ARTISTS AND WORKS
OF ART ❧

ALBARELLI, Italian, see Ceramics

Altarpiece, by A. Baldovinetti, painted for the Cappella Maggiore, S.
Trinità, now in the Florentine Academy, Trinity, with Saints, 29
Aquatint, coloured, by Stadler, The Hôtel de Ville, Louvain, after S.
Prout; (V. and A. M.), 203
Armorial Bearings, (Shields), of the Doria family, (in text), 268

BAGG, engraving by, after E. Isabey, Ship During Storm, illustration to

Curmer’s ‘Paul et Virginie,’ 307 (3)
Baldovinetti, Alesso, painted glass window, designed by, in S. Croce,
Florence, with figures of God the Father and St. Andrew, 25
paintings by, Altarpiece, Trinity, with Saints, formerly in S. Trinità,
now in the Florentine Academy, 29
Patriarchs, Abraham, Noah, Moses and David on the Vault of the
Cappella Maggiore of S. Trinità, Florence, 171
Barret, G., drawing by, for an illustration, Landscape, 301 (3)
Bartolozzi, F., drawing by, for an illustration, Cupid with a Tragic
Mask, 298 (3)
Bas-reliefs:—
by Agostino di Duccio, Virgin and Child, with Saints and Cherubs,
in the Louvre, 88
Greek, Burlington Fine Arts Exhibition, Fragment of the Frieze of
the Parthenon, (T. D. Botterell), 236
 School of Leonardo da Vinci, Bust and profile in helmet and armour,
inscribed ‘P. Scipioni,’ in the Louvre, 88
Book-illustrations of the Later Nineteenth Century, five plates, 295,
298, 301, 304, 307
Bosboom, Jan, painting by, The Archives at Veere, (J. C. J. Drucker),
Dutch Exhibition, Guildhall, 179
Boule, André Charles, Furniture by, Marquetry Bureau, and Bookcase,
234
Bronzes:—
Greek, Burlington Fine Arts Exhibition, Amphora Handle,
(Wyndham Cook), Mask of Sea Deity, (Salting), Mirror-cover,
(Taylor), 247
Plaque, (Wallis), 245
Statuettes, Aphrodite, Nude, (Loeser), Aphrodite with Torch,
Seilenos Crouching, (Taylor), Sick Man, (Wyndham Cook), 245
Bruges Museum, painting by Gerard David in, The Judgement of
Cambyses, 2
Brussels, Seals of the Gilds of Bakers, Barbers, and Butchers of, (in
text), 190, 191
Burgundian Wooden Chest, XV. cent., richly carved, (Hospices civiles,
Aalst), 361
Burlington Fine Arts Club, Exhibition held by, see Greek Art
Busi, Giovanni, see Cariani

CARIANI, (Giovanni Busi), paintings by, Madonna and Child, (G.

Salting), 79
The Sempstress Madonna, (Corsini Gallery, Rome), 81
Carpets, see Textiles
Ceramics (see Terra-cottas):—
Early Staffordshire Ware, (slip-ware, etc.), Dish, Tygs, Cups, Cradle,
Jug, Lantern, etc., illustrated in text, XV. figs., 64–9