I came across this piece of public art while wandering around after school one day.

It occupies a
huge window at the end of a street, and the highly saturated blue background makes it stand out
even when it's already a little dark. The color of the two faces in the main body of the image is so
close to the tan wall next to it that it's a bit confusing to see from a distance what it's made of. Is
it relief, spray paint, or mural? It is only when the viewer gets closer that one realizes that the
work is based entirely on a flat surface, with no protrusions, and that the paint creates the visual
illusion of a three-dimensional work.

Starting with the subject matter, unlike most of the other rounded, soft-lined faces I've seen, the
creator has outlined the edges of these two faces with very hard lines, thus making them more
angular. The transitions and borders of the different shades of paint on the faces make the
depiction of their features look like polished wood that has been cut into small pieces and put
together. The lines at each intersection of light and dark on these two faces are treated like real
carvings in a wood sculpture. The rough, dense material of the wall with small protruding
particles as the medium of painting has a texture of native wood mechanism, which shows the
two faces more vividly detaches them from the flattening, and gives people a sense of density
and heaviness.

The expressions on the two faces are also unique. The overall expression on the left face looks
more playful. One eye is calmly closed the other has a slightly drooping eyelid. If you stand in
front of the painting and admire it at a level angle you will find yourself locked in its gaze - a gaze
that is not hostile, so loose that it doesn't seem to care. It's as if he was taking a nap before you
arrived, heard your footsteps, and raised his eyes to see who was coming. You didn't disturb him
and he didn't mind your proximity, except that when you walked over to him, the moment he
opened his eyes and met yours, you made a brief connection. The corners of his mouth turned up
slightly as if to tell you: Hey, my companion is still sleeping, please don't disturb him. That's when
your eyes turn to the other face in the lower right corner. His eyes are naturally closed and in a
relaxed state, as if he is entering a peaceful dream.

A little above this face is the bee that breaks the peace of the picture. It was blue all over, not the
color of a normal bee growing in real life. Its wings were not clearly outlined, and it appeared to
be flapping as if it had suddenly rushed into this image, splitting the stability revealed by this
image. Its head is turned toward the face on the left, and if its line of sight could be drawn, it
would be seen to be looking into the eye on the face on the left side of the picture - e xactly the
eye that is looking directly at the viewer.