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THEODORE PRESSER CO.
1712 CHESTNUT STREET
PHILADELPHIA

DESIGN COPTIUOHTBD
NUMBER 67 PRICE .75
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THEODORE PRESSER CO.

1712 CHESTNUT STREET
PHILADELPHIA

Design Copyrighted
Printed in the U.S.A.
 HAROLD B. LEE LIBRARY
BRIGHAM YOUNG UNIVERSITY
PROVO, UTAH
 THE LAME PRINCESS
A FAIRY STORY.

No. 1. Playing in the Garden. No. 7. The Magic Stream.

One would have thought that living in the King's palace with a The Princess soon forgot her troubles, however, in her interest in her
garden full of flowers to play in every day would be enough to make any new surroundings. The old witch was busy stirring a huge kettle full of
one happy, particularly when the King was a good King and happened to something that smelt like camomile and thyme boiling in sap. The room
be your father. But Princess Alice was not happy. There was nothing was full of suffocating steam that set the Princess coughing, and the witch

that money could buy or love could invent that was not hers for the asking, suddenly commenced to howl in the most terrifying way. Then, all of a
except one thing. The princess was lame, and no doctor in the kingdom sudden, she seized the Princess and held her high over the kettle in the
could make her able to walk or run like other children. The best she — —
steam, and then dropped her splash in the midst of everything. But
could do was to run a few steps, then limp a few steps, then run on again. to Alice's surprise, she found that it was not hot a bit. She went down,
It is thus we find her playing in the garden one lovely summer day. and down, and down, until suddenly she felt that she had arrived in a
stream of cold water. She opened her eyes, and found herself sitting in a
No. 2. The Royal Review. brook that welled and bubbled around her. It was broad daylight.

She had not been playing very long before the Lord High Chancellor
came out to inform her that her father, His Majesty the King, commanded No. 8. The Happy Princess.
her attendance in the Throne Room. She went at once and washed her As soon as she had scrambled out of the water, she was conscious of
face and hands (for she was a clean little princess), and soon found her-
an entirely new sensation. "Why," she said to herself, "I feel as light
self in the presence of the King and Queen, and a throng of courtiers.
as a feather. " And straightway she began to dance as she had never
"Daughter," said the King, "this is a most important occasion. It is danced in her life before. All her lameness had vanished.
for the good of the realm and the maintenance of the state that you
should marry. We have therefore sought out a Prince who is worthy of
the honor of being your husband. Behold!" And as the King said this No. 9. The Horns of Elfland.
the trumpets blared forth and a most noble Prince stepped forward and Very soon, however, the Princess grew tired,and lay down to sleep
took the Princess by the hand. He led her proudly to the window where amid the flowers that sprinkled the green grass at her feet. The murmur
they beheld the troops marching past in review. of the stream mingled with her dreams, and it seemed to her also that she
heard the faint echo of the horns of Elfland.
No. 3. The Court Ball.
That night there was feasting and dancing, and it was agreed that No. 10. Disappointment.
the Prince was the most noble youth in the room. Owing to her lameness,
When she woke up, there was another surprise in store for her. She
however, poor Princess Alice was unable to take part in the dancing, and
found herself back boat exactly where she had started from. The
in the
of course the Prince couldn't dance unless she did. Every now and then
moon was still shining on the placid river. As she came to herself, Prin-
she saw his eyes glisten as if he too wanted to join the gay throng, and
cess Alice realized that her adventures were nothing but a dream. She
she could have wept for very shame. At last, when he wasn't looking,
had been sleeping in the moonlight. As soon as she realized this, she
she slipped away from him, determined to get away and cry for a little
guessed right away that the magic stream was part of the dream also, so
while. As she made her way out the band struck up a merry dance.
that she was not cured of her lameness after all. Poor Princess Alice be-
gan to cry now in real earnest.
No. 4. On the River.
But instead of going up to her room to cry, Princess Alice wandered
out to the moonlit terrace. The night was soft and cool, and the moon
No. 11. A Scamper by Moonlight.
shone clear in the starry sky. The little girl thought she had never seen After a while, Princess Alice remembered that it is not at all
little

such a wonderful night. She wandered down to where the river slid by behaving a royal lady to cry over things one cannot help, so she dried
like

like molten silver, and there she found a boat nosing into a clump of reeds.
Almost without thinking she jumped aboard and went sailing down the
river in the magic shallop with never a regret for the Prince or the
people at the castle she had just left.
No. 5. The Witch's Greeting.
Very soon the boat ran aground, and the Princess found herself in
front of a cottage that seemed to be made of gingerbread. On the door-
step was an old lady, nodding her head and talking very rapidly to her-
self. As soon as she saw the Princess, however, she called out, " Come in,
come in, I've been expecting you for an hour." And the Princess felt
quite frightened as she knew she must be dealing with a witch-person.
But she was also very curious to go inside the gingerbread house, and since
she was a king's daughter, thought it beneath her dignity to seem afraid.
No. 6. Fairy Bells.
As the Princess entered the house of gingerbread, she found that her
beautiful ball-dress had vanished, and she was dressed in rags. She had
a curious feeling that she would never see all her friends again and she
felt quite sad. She seemed to hear a sound of fairy bells.
her eyes, and got out of the boat to go back to the palace. As soon as
her foot touched the shore, however, she realized that it was not a dream
after all. Oh joy! She was able to run and to dance like any other girl!
That part of her dream had really come true. Almost wild with joy she
ran back to the castle as fast as she could go.
No. 12. Happy Ever After.
They had missed her at the castle, and search parties were about to
go into the woods to look for her, fearing that she had been kidnapped.
The King, her father, was distracted, and what with trying to revive the
Queen with smelling-salts and to give the necessary orders, he was quite
beside himself. The Lord High Chancellor was in hysterics. The only
person who seemed to be able to take command of things was the Prince.
He was very pale, but very determined looking, and seemed to know just
what to do. Suddenly, however, there was a great shout, and the Prin-
cess came running into the courtyard which was all lit up with torches.
Explanations soon followed, and when it was found that the Princess was
cured of her lameness the general happiness knew no bounds. The dance
was resumed with ten times its former jollity, and there was no happier
couple in the world than the Prince and Princess.
 Twelve Melodic Studies
L. STREABBOG, Op. 63

PLAYING IN THE GARDEN

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 PRESSER COLLECTION
of Standard Studies and Classical Compositions
|"T IS the ambition of the publishers to make this collection supreme in accuracy, beauty, durability and economy. "Nothing
is better than the best" is the inspiration in the publication of this notable library of the indispensable literature of the art.

In ordering standard educational wor\s and albums be sure to specify "PRESSER COLLECTION"

PIANO METHODS AND STUDIES

VoL Price Vol. Price VoL Price
BERENS, H. 203 —
Op. 821 160 Eight-Measure Studies 1 .00 17-18 The Same. Books III and IV. Lower Me-
176 Op. 61—New School of Velocity. Complete . . $1 .25 156 Op. 823—The Little Pianist (Easy Exercises in dium Grade Each 1 .00
1 The Same. Book 1 50 Progressive Order from the Very Beginning) 1.00 The Same. Books V and VI. Me-
72 Op. 70 — 50 Without Octaves
Studies 1 .00 157-158 The Same in 2 Books Each .60
19-20
dium Grade
Higher
Each 1.00
2 Op. 79 —20 Studies Without Octaves (Prepara-
—
238 Op. 824 Practical Time School. 4 Hands 1.00
KUNZ, K. M.
tory to Op. 61) 75 218 Op. 849— 30 Etudes de Mecanisme 75 14—200 Short Two-Part Canons (Leefson). 1.00
148 Op.
BERTINI, H. DIABELLI, A. LE COUPPEY,
70 Op. 29—25 (Preparatory
Studies to Cramer 253 Op. 125— The First 12 Lessons,. 50 216
F.
Op. 17— The Alphabet. 25 Easy Studies 75
Studies)
Op. 32 — 25 Intermediate
75 68 Op. 149—28 Melodious Studies in 5 Notts. 4 211 —
Op. 20 L'Agilite. 25 Progressive Studies 75
258
95 Op.100— Easy 25 Studies
Studies 75
75
Hands 75 97 —
Op. 26 15 Studies (Preface to Cxerny Vekxaty) 1 .00
DORrNG, C. H. LEMOINE, H.
BTEHL, A. 214 Op. 24—School of Octave Playing 75 21 Op. 37—50 Juvenile Studies 75
321 Op. 7 —50 Easy Melodious Studies 75
DUVERNOY, J. LOESCHHORN,
3 Op. 30 —The Elements of Piano Playing 60
—
B.
—Melodic
A.
142 Op. 44 —Easy and Progressive Studies. Book I .60 7 Op. 120 Ecole du Mecanisme
Precede Cierny Velocity)
(15 Etudes to
75
122-123
2
Op. 38
Boob
and Progressive Studies
Each .60
275-276 The Same. Books II and lit Each .60
8 Op. 176—Ecole Primaire. 25 Easy Studies 60 85-86 Op. 52— Melodious Studies. 2 Books. Each .60
BIRKEDAL-BARFOD, L. 25 Op. 65—Studies for the Development of Technic
144 Op. 8— Studies for the Left Hand Alone 60 GURLITT, C. and Expression. Complete 1 .00
288 Op. 50—24 Melodious Studies 75 22-24 TheSamein3 Books Each .50
BRAUER, FR. 125 Op. 82—100 New Exercises for Young Players. 29 Op. 66 —
Etudes Progressive. Complete 1 .00
96 Op. 15— 12 Preliminary Velocity Studies 75 Book 1 75 26-28 TheSamein3 Books Each .50
BURGMULLER, F.
231 —
Op. 83 Easiest Studies in Velocity. Complete .75 132-134 Op. 67 —
Studies for More Advanced Pup Is.
229-230 The Same in 2 Books
4 —
Op. 100 25 Easy and Progressive Studies 7*
115 Op. 117— Pirst Lessons
Each .50
50
3 Books
73-75 Op. 84—60 Melodious Practice Pieces.
Each .50
1 13 Op. 105—1 2 Brilliant and Melodious Studies ... .75 3
251 Op. 130— 35 Etudes Faciles
101 —
Op. 139 18 Characteristic Etudes to follow
131 Op. 141— Schoo lof Velocity for Beginners
75
75
Vols
36 Technical Studies
Each .60
1.00
Op. 100 (Leefson) 75
HABERBIER, B. LOW, JOSEF.
CHOPIN, F. 245 Op. 53, 59— Etudes Poesies 1 .00 265 Op. 281—Melodious Octave Studies
244 Op. 10 and 25—27 Etudes (Sternberg) 1 .50 75
261 Op. 10— 12 Etudes (Sternberg) 75 HANON, C. L.
54-55 Teacher and PupiL A
Practical Course in
Four Hand Playing. 2Book» Each .75
262 Op. 25—12 Etudes and 3 New Etudes (Stem- 152 Virtuoso Pianist. 60 Exercises. Complete.... 1.75
berg) 1.00 159 The Same. Book 1 60 MACDOUGALL, H. C.
169-170 The Same. Books II and III Each .75 77-78 Studies in Melody Playing. 2 Vols Each 1 .00
CLEMENTI, M.
166 Gradus ad Paraatsum (Tausig) 1 .25 HELLER, S. MOSCHELES, I.
9 Op. 45—25 Melodious Studies 1 .00 119 Op. 70— 24 Characteristic Studies. Complete.. 1.50
CONCONE, J.
Op. 24— 25 Me odic Studies 60
10 —
Op. 46 30 Progressive Studies 1 .00 117-118 The Same in 2 Books Each 1.00
5 11 Op. 47—25 Studies for Rhythm and Expression .00
219 —
Op. 25 15 Studies in Style and Expression 75
1
PACHER, J. A.
114 —
Op. 30 20 Studies for Cultivation of the Sing-
82
HERZ, H.
and Exercises
116 Op. 11—6 Octave Studies 50
ing Tone 75 Scales 75 PISCHNA, J.
171 Op. 31— 15 Etudes de Style 75 260 60 Progressive Studies
268 Op. 37—24 Brilliant Preludes 60
JENSEN, A. 1 .50
83 Pischna, Der Kleine (Wolff).
105-107 Op. 32— 25 Etudes. 3 Books Each .60 Introductory to
CRAMER, J. B. 60 Exercises .60
KOEHLER, L.
PLAIDY,
175 50 SelecteJ Scudies (Von Bulow) Complete . . 1 . 50
12 Op. 50 — 20 First Studies 60
L.
317-320 The Same in 4 Books Each .60
90 Op. 60 — Studies in Parallel Motion 60
84 Technical Studies 1.25
CROISEZ, A. 89 Op. 85 — Progressive Studies in Passage Playing 1 .00
30
8CHMTTT, A.
16A—Preparatory
93 Op. 100— First Book of Melodic Studies 75 120-121 Op. 128— New School of Velocity. 2Bokso Op. Exercises (5 Finger Ex-
Each .75 ercises) 50
CUR WEN, MRS. J. SPENCER. 206 Op. 151 —
12 Preparatory Lessons 60 8CHULZ F. A.
296 Pianoforte Method (1st Step). With Duets for 13 Op. 157— 12 Little Studies 60 88 Scales and Chords in all the Major and Minor
Teacher and Pupil (Kinross) 75 290 Op. 163 —
Elementary Studies 60 Keys
CZERNY, C. 14 Op. 190 —
Very First Exercises 60
SCHWALM,
50

71 100 Easy and Progressive Lessons (First Instruc- 289 Op. 210 —
Children's Album 75 255 Daily Exercises
R.
1 .00
tion in Piano Playing) 75 168 Op. 218— Children's Exercises and Melodies .60 . .

69 —
Op. 139 100 Progressive Studies Without 124 Op. 242—Little School of Velocity 60 SPINDLER, F.
Octaves 1.00 31-32 Op. 249— Practical Method. Books I and II. 151 Op. 131 —Juvenile Study Book for Beginners . . .50
126 Op. — Short
261 101 Exercises in Passage Playing 1 .00 Each 75 8TAMATY, C.
6 Op. 299—School of Velocity. Complete 1 25 223 The Same. Book III 75 25 Op. 37—Melody and Technic 25 Easy Studies 1 .00
33 The Same. Books I and II Combined 1 .50
The Same. Book 1
80 50
34-35 Op. 300—Practical Piano SchooL 2 Books.
STREABBOG, L.
163-165 The Same. Books
—School of Legato and
II to IV Each .50 67 Op. 63 — 12 Very Easy and Melodious Studies. 75
199 Op. 335 Staccato. Com-
1.25 KOELLING, C.
Each 1.00
112 Op. 64 — 12 Easy and Melodious Studies 75

200-201
plete
The Same in 2 Books Each 75 246 Major and Minor Studies, Exercises and Preludes . 75 VETTER H,.
217 Op. 337—40 Daily Studies 1 .00 52-53 Op. 366— Teacher and Pupil. 30 Melodious 183 Op. 8—24 Melodic Studies 75
202 Op. 365—School of the Virtuoso 1 75 Study Pieces. 4 Hands. 2 Vols Each 1 .00 VOGT, J.
127 —
Op. 453 110 Easy and Progressive Studies 1 .25
KRAUSE, A. 154 Op. 145—24 Octave Studies of Medium Diffi-
162 Op. 553—6 Octave Studies 50 2— 10 Trill Studies culty 75
110 —
Op. 599 First Pianoforte Instructor 75
98
99
Op.
Op. 5—10 Studies of Moderate Difficulty
75
75 WAGNER, E. D.
79 —
Op. 636 Preliminary School of Dexterity 75 185 Op. 45—First Instruction Book. Book I 1 .25
174 Op. 718— 24 Studies for the Left Hand 60 KRUG, D. WIECK,
136 Op. 740— The Art of Finger Development.
2.00
81 Op. 75 —Technical Exercises 50
155 PianoStudies
F.
75
Complete
91 The Same. Book 1 50 KUHNER, C. WOLFF, B.
137-141 The Same. Books II to VI Each .50 15 School of Etudes. Book I. Lower Elementary 83 Der Kleine Pischna (Introductory to Pischna
235 Op. 802— Practical Finger Exercises. Complete 1 .25 Grade 1/00 60 Progressive Exercises) 60
232-234 The Same in 3 Books Each .60 16 The Same. Book II. Higher Elementary Grade 1 .00 146 Op. 118—Short Octave Studies 60

A Complete Catalog listing the Piano Studies and Methods, Piano Albums (Solo and Four Hands), Organ, Violin, Vocal Wor\s, etc. in the

Presser Collection will be mailed on request.

THEODORE PRESSER CO. Publishers PHILADELPHIA, PA.