You are on page 1of 3

Durga saptashati pdf english

Durga saptashati english pdf free download.

Durga saptashati english translation.

Durga saptashati english translation - (pdf). Durga saptashati english pdf. Durga saptashati 700 slokas in english. Durga saptashati path vidhi in english. Durga saptashati argala stotram lyrics in english.

Durga saptashati english book. Durga saptashati english lyrics. Durga saptashati chapter 12 english.
Durga saptashati in english from gita press pdf. Durga saptashati in english chapter 1. Durga saptashati english transliteration. Durga saptashati lyrics in english pdf.
Durga saptashati mantra in english.

© 1996-2014, Amazon.com, Inc. or its affiliates Durga Saptashloki or Dura Saptha Sloki is a collection of seven shlokas from Devi Mahatmyam or Durga Saptashati, which is a sacred text containing 700 verses describing Devi as the primordial force behind the creation of the Universe. Get Sri Durga Saptashloki in English pdf lyrics here and chant it
with devotion for the grace of Goddess Durga Maa.

Durga Saptashloki in English – durgā saptaśhlōkī śiva uvāca dēvī tvaṁ bhaktasulabhē sarvakāryavidhāyini | kalau hi kāryasiddhyarthamupāyaṁ brūhi yatnataḥ || dēvyuvāca śr̥ ṇu dēva pravakṣyāmi kalau sarvēṣṭasādhanam | mayā tavaiva snēhēnāpyambāstutiḥ prakāśyatē || ōṁ asya śrī durgā saptaślōkī stōtramantrasya nārāyaṇa r̥ ṣiḥ, anuṣṭup chandaḥ,
śrī mahākālī mahālakṣmī mahāsarasvatyō dēvatāḥ, śrī durgā prītyarthaṁ saptaślōkī durgāpāṭhē viniyōgaḥ | Devi Mahatmyam Durga Saptasati Chapter 1 dēvī māhātmyam śrīdurgāyai namaḥ atha śrīdurgāsaptaśatī madhukaiṭabhavadhō nāma prathamō'dhyāyaḥ asya śrī pradhama charitrasya brahmā ṛṣiḥ mahākāḻī dēvatā gāyatrī
Chandaḥ nandā śaktiḥ rakta dantikā bījam agnistatvam ṛgvēdaḥ svarūpam śrī mahākāḻī prītyardhē pradhama charitra japē viniyōgaḥ dhyānaṃ khaḍgaṃ chakra gadēṣuchāpa parighā śūlaṃ bhuśuṇḍīṃ śiraḥ śaṃṅkhaṃ sandadhatīṃ karaistrinayanāṃ sarvāṃṅgabhūṣāvṛtām yāṃ hantuṃ madhukaibhau jalajabhūstuṣṭāva suptē harau
nīlāśmadyuti māsyapādadaśakāṃ sēvē mahākāḻikāṃ ōṃ namaśchaṇḍikāyai ōṃ aiṃ mārkaṇḍēya uvācha 1 sāvarṇiḥ sūryatanayō yōmanuḥ kathyatē'ṣṭamaḥ niśāmaya tadutpattiṃ vistarādgadatō mama 2 mahāmāyānubhāvēna yathā manvantarādhipaḥ sa babhūva mahābhāgaḥ sāvarṇistanayō ravēḥ 3 svārōchiṣē'ntarē pūrvaṃ
chaitravaṃśasamudbhavaḥ surathō nāma rājā'bhūt samastē kṣitimaṇḍalē 4 tasya pālayataḥ samyak prajāḥ putrānivaurasān babhūvuḥ śatravō bhūpāḥ kōlāvidhvaṃsinastadā 5 tasya tairabhavadyuddhaṃ atiprabaladaṇḍinaḥ nyūnairapi sa tairyuddhē kōlāvidhvaṃsibhirjitaḥ 6 tataḥ svapuramāyātō nijadēśādhipō'bhavat ākrāntaḥ sa
mahābhāgastaistadā prabalāribhiḥ 7 amātyairbalibhirduṣṭai rdurbalasya durātmabhiḥ kōśō balaṃ chāpahṛtaṃ tatrāpi svapurē tataḥ 8 tatō mṛgayāvyājēna hṛtasvāmyaḥ sa bhūpatiḥ ēkākī hayamāruhya jagāma gahanaṃ vanam 9 satatrāśramamadrākṣī ddvijavaryasya mēdhasaḥ praśāntaśvāpadākīrṇa muniśiṣyōpaśōbhitam 10 tasthau
kañchitsa kālaṃ cha muninā tēna satkṛtaḥ itaśchētaścha vicharaṃstasmin munivarāśramē 11 sō'chintayattadā tatra mamatvākṛṣṭachētanaḥ 12 matpūrvaiḥ pālitaṃ pūrvaṃ mayāhīnaṃ puraṃ hi tat madbhṛtyaistairasadvṛttaiḥ rdharmataḥ pālyatē na vā 13 na jānē sa pradhānō mē śūra hastīsadāmadaḥ mama vairivaśaṃ yātaḥ
kānbhōgānupalapsyatē 14 yē mamānugatā nityaṃ prasādadhanabhōjanaiḥ anuvṛttiṃ dhruvaṃ tē'dya kurvantyanyamahībhṛtāṃ 15 asamyagvyayaśīlaistaiḥ kurvadbhiḥ satataṃ vyayaṃ sañchitaḥ sō'tiduḥkhēna kṣayaṃ kōśō gamiṣyati 16 ētachchānyachcha satataṃ chintayāmāsa pārthivaḥ tatra viprāśramābhyāśē vaiśyamēkaṃ dadarśa saḥ 17
sa pṛṣṭastēna kastvaṃ bhō hētuścha āgamanē'tra kaḥ saśōka iva kasmātvaṃ durmanā iva lakṣyasē 18 ityākarṇya vachastasya bhūpatēḥ praṇāyōditam pratyuvācha sa taṃ vaiśyaḥ praśrayāvanatō nṛpam 19 vaiśya uvācha 20 samādhirnāma vaiśyō'hamutpannō dhanināṃ kulē putradārairnirastaścha dhanalōbhād asādhubhiḥ 21 vihīnaścha
dhanaidāraiḥ putrairādāya mē dhanam vanamabhyāgatō duḥkhī nirastaśchāptabandhubhiḥ 22 sō'haṃ na vēdmi putrāṇāṃ kuśalākuśalātmikām pravṛttiṃ svajanānāṃ cha dārāṇāṃ chātra saṃsthitaḥ 23 kiṃ nu tēṣāṃ gṛhē kṣēmaṃ akṣēmaṃ kinnu sāmprataṃ kathaṃ tēkinnusadvṛttā durvṛttā kinnumēsutāḥ 24 rājōvācha 25 yairnirastō
bhavā~ṃllubdhaiḥ putradārādibhirdhanaiḥ 26 tēṣu kiṃ bhavataḥ snēha manubadhnāti mānasam 27 vaiśya uvācha 28 ēvamētadyathā prāha bhavānasmadgataṃ vachaḥ kiṃ karōmi na badhnāti mama niṣṭuratāṃ manaḥ 29 aiḥ santyajya pitṛsnēhaṃ dhana lubdhairnirākṛtaḥ patiḥsvajanahārdaṃ cha hārditēṣvēva mē manaḥ 30
kimētannābhijānāmi jānannapi mahāmatē yatprēma pravaṇaṃ chittaṃ viguṇēṣvapi bandhuṣu 31 tēṣāṃ kṛtē mē niḥśvāsō daurmanasyaṃ chajāyatē 32 arōmi kiṃ yanna manastēṣvaprītiṣu niṣṭhuram 33 mākaṇḍēya uvācha 34 tatastau sahitau vipra tammuniṃ samupasthitau 35 samādhirnāma vaiśyō'sau sa cha pārdhiva sattamaḥ 36 kṛtvā tu
tau yathānyāyyaṃ yathārhaṃ tēna saṃvidam upaviṣṭau kathāḥ kāśchitchchakraturvaiśyapārdhivau 37 rājōvācha 38 bhagavṃstvāmahaṃ praṣṭumichChāmyēkaṃ vadasvatat 39 duḥkhāya yanmē manasaḥ svachittāyattatāṃ vinā 40 mamatvaṃ gatarājyasya rājyāṅgēṣvakhilēṣvapi jānatō'pi yathājñasya kimētanmunisattama 41 ayaṃ cha
ikṛtaḥ putraiḥ dārairbhṛtyaistathōjghitaḥ svajanēna cha santyaktaḥ stēṣu hārdī tathāpyati 42 ēva mēṣa tathāhaṃ cha dvāvaptyantaduḥkhitau dṛṣṭadōṣē'pi viṣayē mamatvākṛṣṭamānasau 43 tatkēnaitanmahābhāga yanmōho jñāninōrapi mamāsya cha bhavatyēṣā vivēkāndhasya mūḍhatā 44 ṛṣiruvācha 45 jñāna masti samastasya jantōrvṣaya
gōcharē viṣayaścha mahābhāga yānti chaivaṃ pṛthakpṛthak 46 kēchiddivā tathā rātrau prāṇinaḥ stulyadṛṣṭayaḥ 47 jñāninō manujāḥ satyaṃ kiṃ tu tē na hi kēvalam yatō hi jñāninaḥ sarvē paśupakṣimṛgādayaḥ 48 jñānaṃ cha tanmanuṣyāṇāṃ yattēṣāṃ mṛgapakṣiṇāṃ manuṣyāṇāṃ cha yattēṣāṃ tulyamanyattathōbhayōḥ 49 jñānē'pi sati
paśyaitān patagāñChābachañchuṣu kaṇamōkṣādṛtān mōhātpīḍyamānānapi kṣudhā 50 mānuṣā manujavyāghra sābhilāṣāḥ sutān prati lōbhāt pratyupakārāya nanvētān kiṃ na paśyasi 51 tathāpi mamatāvartē mōhagartē nipātitāḥ mahāmāyā prabhāvēṇa saṃsārasthitikāriṇā 52 tannātra vismayaḥ kāryō yōganidrā jagatpatēḥ mahāmāyā harēśchaiṣā
tayā sammōhyatē jagat 53 jṅānināmapi chētāṃsi dēvī bhagavatī hi sā balādākRṣyamōhāya mahāmāyā prayachChati 54 tayā visṛjyatē viśvaṃ jagadētachcharācharam saiṣā prasannā varadā nṛṇāṃ bhavati muktayē 55 sā vidyā paramā muktērhētubhūtā sanātanī saṃsārabandhahētuścha saiva sarvēśvarēśvarī 56 rājōvācha 57 bhagavan kāhi
sā dēvī māmāyēti yāṃ bhavān bravīti kthamutpannā sā karmāsyāścha kiṃ dvija 58 yatprabhāvā cha sā dēvī yatsvarūpā yadudbhavā tatsarvaṃ śrōtumichChāmi tvattō brahmavidāṃ vara 59 ṛṣiruvācha 60 nityaiva sā jaganmūrtistayā sarvamidaṃ tatam 61 tathāpi tatsamutpattirbahudhā śrūyatāṃ mamaḥ 62 dēvānāṃ kāryasiddhyarthaṃ
āvirbhavati sā yadā utpannēti tadā lōkē sā nityāpyabhidhīyatē 63 yōganidrāṃ yadā viṣṇurjagatyēkārṇavīkṛtē āstīrya śēṣamabhajat kalpāntē bhagavān prabhuḥ 64 tadā dvāvasurau ghōrau vikhyātau madhukaiṭabhau viṣṇukarṇamalōdbhūtau hantuṃ brahmāṇamudyatau 65 sa nābhi kamalē viṣṇōḥ sthitō brahmā prajāpatiḥ dṛṣṭvā tāvasurau
chōgrau prasuptaṃ cha janārdanam 66 tuṣṭāva yōganidrāṃ tāmēkāgrahṛdayaḥ sthitaḥ vibōdhanārdhāya harērharinētrakṛtālayām 67 viśvēśvarīṃ jagaddhātrīṃ sthitisaṃhārakāriṇīm nidrāṃ bhagavatīṃ viṣṇōratulāṃ tējasaḥ prabhuḥ 68 brahmōvācha 69 tvaṃ svāhā tvaṃ svadhā tvaṃhi vaṣaṭkāraḥ svarātmikā sudhā tvamakṣarē nityē tridhā
mātrātmikā sthitā 70 ardhamātrā sthitā nityā yānuchchāryāviśēṣataḥ tvamēva sā tvaṃ sāvitrī tvaṃ dēva jananī parā 71 tvayaitaddhāryatē viśvaṃ tvayaitat sṛjyatē jagat tvayaitat pālyatē dēvi tvamatsyantē cha sarvadā 72 visṛṣṭau sṛṣṭirūpātvaṃ sthiti rūpā cha pālanē tathā saṃhṛtirūpāntē jagatō'sya jaganmayē 73 mahāvidyā mahāmāyā
mahāmēdhā mahāsmṛtiḥ mahāmōhā cha bhavatī mahādēvī mahāsurī 74 prakṛtistvaṃ cha sarvasya guṇatraya vibhāvinī kāḻarātrirmahārātrirmōharātriścha dāruṇā 75 tvaṃ śrīstvamīśvarī tvaṃ hrīstvaṃ buddhirbhōdhalakṣaṇā lajjāpuṣṭistathā tuṣṭistvaṃ śāntiḥ kṣānti rēva cha 76 khaḍginī śūlinī ghōrā gadinī chakriṇī tathā śaṅkhiṇī chāpinī
bāṇābhuśuṇḍīparighāyudhā 77 saumyā saumyatarāśēṣasaumyēbhyastvatisundarī parāparāṇāṃ paramā tvamēva paramēśvarī 78 yachcha kiñchitkvachidvastu sadasadvākhilātmikē tasya sarvasya yā śaktiḥ sā tvaṃ kiṃ stūyasēmayā 79 yayā tvayā jagat sraṣṭā jagatpātātti yō jagat sō'pi nidrāvaśaṃ nītaḥ kastvāṃ stōtumihēśvaraḥ 80 viṣṇuḥ
śarīragrahaṇaṃ ahamīśāna ēva cha kāritāstē yatō'tastvāṃ kaḥ stōtuṃ śaktimān bhavēt 81 sā tvamitthaṃ prabhāvaiḥ svairudārairdēvi saṃstutā mōhayaitau durādharṣāvasurau madhukaiṭabhau 82 prabōdhaṃ cha jagatsvāmī nīyatāmachyutā laghu 83 bōdhaścha kriyatāmasya hantumētau mahāsurau 83 ṛṣiruvācha 84 ēvaṃ stutā tadā dēvī
tāmasī tatra vēdhasā viṣṇōḥ prabhōdhanārdhāya nihantuṃ madhukaiṭabhau 85 nētrāsyanāsikābāhuhṛdayēbhyastathōrasaḥ nirgamya darśanē tasthau brahmaṇō avyaktajanmanaḥ 86 uttasthau cha jagannāthaḥ stayā muktō janārdanaḥ ēkārṇavē ahiśayanāttataḥ sa dadṛśē cha tau 87 madhukaiṭabhau durātmānā vativīryaparākramau
krōdharaktēkṣaṇāvattuṃ brahmaṇāṃ janitōdyamau 88 samutthāya tatastābhyāṃ yuyudhē bhagavān hariḥ pañchavarṣasahastrāṇi bāhupraharaṇō vibhuḥ 89 tāvapyatibalōnmattau mahāmāyāvimōhitau 90 uktavantau varō'smattō vriyatāmiti kēśavam 91 śrī bhagavānuvācha 92 bhavētāmadya mē tuṣṭau mama vadhyāvubhāvapi 93
kimanyēna varēṇātra ētāvṛddi vṛtaṃ mama 94 ṛṣiruvācha 95 vañchitābhyāmiti tadā sarvamāpōmayaṃ jagat vilōkya tābhyāṃ gaditō bhagavān kamalēkṣaṇaḥ 96 āvāṃ jahi na yatrōrvī salilēna pariplutā 97 ṛṣiruvācha 98 tathētyuktvā bhagavatā śaṅkhachakragadābhṛtā kṛtvā chakrēṇa vai Chinnē jaghanē śirasī tayōḥ 99 ēvamēṣā
samutpannā brahmaṇā saṃstutā svayam prabhāvamasyā dēvyāstu bhūyaḥ śṛṇu vadāmi tē 100 jaya jaya śrī svasti śrīmārkaṇḍēyapurāṇē sāvarṇikē manvantarē dēvīmahātmyē madhukaiṭabhavadhō nāma pradhamō'dhyāyaḥ āhuti ōṃ ēṃ sāṅgāyai sāyudhāyai saśaktikāyai saparivārāyai savāhanāyai ēṃ bījādhiṣṭāyai mahā kāḻikāyai mahā ahutiṃ
samarpayāmi namaḥ svāhā It looks like you're offline. Goddess Durga along with Sapta Matrika fighting Mahishasura and his armyDurga Saptashati which is also known as Devi Mahatmya and Chandi Path is a Hindu religious text describing the victory of the Goddess Durga over the demon Mahishasura. It is part of the Markandeya Purana, written
by sage Markandeya.The text contains Saptashata i.e. 700 verses and because of that the whole composition is known as Durga Saptashati. The seven hundred verses are arranged into 13 chapters. For ritual reading purposes a number of subsidiary texts are appended before and after of 700 verses. A ritualistic reading of Durga Saptashati is part of
the Navratri celebrations in the honor of the Goddess Durga. Durga Saptashati is significant composition to perform Chandi Homa which is one of the most significant Homa(s) done to gain health and to conquer over enemies. Chandi Homa is performed while chanting verses from Durga Saptashati. Total 700 Ahuti i.e. offering to Goddess Durga
through sacred fire are made during Chandi Homa. Durga Saptashati which is also known as Devi Mahatmya and Chandi Path is a Hindu religious text describing the victory of the Goddess Durga over the demon Mahishasura. It is part of the Markandeya Purana, written by sage Markandeya.The text contains Saptashata i.e. 700 verses and because of
that the whole composition is known as Durga Saptashati.
The seven hundred verses are arranged into 13 chapters. For ritual reading purposes a number of subsidiary texts are appended before and after of 700 verses. A ritualistic reading of Durga Saptashati is part of the Navratri (nine days of worship in the months of April and October) celebrations in the honor of the Goddess Durga. It is the base and
root of the Shakta tradition.The Devi Mahatmaya describes how Devi assumes many aspects, according to the tasks to be performed by her, sometimes sweet and tender, and at others terrible and devouring. Devi is the deluding power which binds man to the relentlessly moving wheel of samsara; she deludes even the wisest of men. Yet she is the one
who bestows liberation on the devotee who pleases her.
For the sake of the continuance of her divine play, she as avidya-maya, has veiled the truth from us and bound us to samsara. When she is propitiated through the practice of sincere devotion and self-surrender, she as vidya-maya, removes the veil and enables us to perceive the truth. The Saptashati refers to her as Mahavidya, Mahamaya,
Mahamedha, Mahasmriti, Mahamoha, Mahadevi and Maheshwari. She is Parabrahma-Mahishi, the queen and sovereign of all existence. Her compassion takes the form of aspiration in the aspirant, sadhana in the sadhaka, siddhi in the siddha. She is the truth behind thought, willing, feeling, understanding, action, name and form. It says (11:6):
“Vidyassamastastava Devi bhedah Striyassamastah sakala jagatsu Tvayaikaya puritamambayaitat Kaa te stutih stavyapara paroktih”Meaning : ‘Mother, all arts and sciences, all branches of knowledge, are your modifications, all women in the world are your manifestations.
You alone pervade the entire creation.’The conception of the Infinite as Mother is not a meaningless one.
The Riga Veda bears testimony to the fact that even in ancient times there existed the belief that the supreme ruler is the all-compassionate Mother. The conception of divinity as Devi, Durga or Sri, is not merely a theory but a practical way of life. The mother is the personality that appeals most to the human heart, whereas the father is perceived as a
hard taskmaster.
Even a subtle philosopher cannot dispense with the conception of Shakti, for he is essentially an embodiment of power, and has love for power. The highest intelligence and the most speculative metaphysics is only a manifestation of jnana shakti and is not outside the range of Shaktism.Durga Saptashati is a significant composition to perform Chandi
Homa which is one of the most significant Homa(s) done to gain health and to conquer over enemies. Chandi Homa is performed while chanting verses from Durga Saptashati. Total 700 Ahuti i.e. offering to Goddess Durga through sacred fire are made during Chandi Homa.Durga Saptashati Path VidhiIn the morning, after taking a bath and finishing
one’s daily worship or other rituals, one should sit on an asana facing North or East and try to evoke a state of concentration and devotion.The paath (reading) is most effective when done with firm faith, devotion and correct pronunciation.
During the time of reading, one should try not to talk, sleep, sneeze, yawn or spit, but read with complete concentration on Devi in the form which appeals to one. One should not stop in the middle of a chapter. It is good to place the book on a stand, preferably a copper plate.At the beginning and end of each chapter, bells may be rung.Before starting
the paath, affirm the purpose for which you are performing it – make a resolve, sankalpa, and perform worship of Devi.Navaratri is an ideal period for the paath of Durga Saptashati; however, in the other months, Tuesday, Friday and Saturday are considered auspicious days of the week for beginning the reading. The ideal days of the lunar calendar
are ashtami (eighth day of the moon), navami (ninth day of the moon) and chaturdashi (fourteenth day of the moon).The Saptashati may be read daily and completed in seven days in the following manner of division of chapters.Day One: first chapter.Day Two: second and third.Day Three: fourth.Day Four: fifth, sixth, seventh and eighth. Day Five: ninth
and tenth.Day Six: eleventh.Day Seven: twelfth and thirteenth.This is the traditional rule. It is believed that whatever sankalpa the Saptashati is read with, will be fulfilled. Since Shakti is the basis for all iccha (desire), jnana (knowledge) and kriya (action), one cannot stay out of the realm of Shakti. An individual is but Shakti, and hence one can have
everything through the worship of Shakti. The reading should be in the following order:Devi SuktamDevi KavachamArgala StotramKeelakamRatri SuktamDevi MahatmyaKshama PrarthanaDevi SuktamThe eight verses of the Devi Suktam were composed by Vak, daughter of Maharshi Ambharin, and are from the Rig Veda (10th mandala, 10th anuvaka,
125th sukta).
These shlokas express the truth realized by Vak, who identifies herself as Brahma Shakti, and expresses herself as eleven Rudras, eight Vasus, twelve Adityas and all the devas who are sustained by her and she is the source, substratum and support of the whole world.Devi KavachamConsisting of 61 verses, Devi Kavacham is in Markandeya Purana.
This kavacham (armour) protects the reader in all parts of the body, in all places and in all difficulties.
Every part of the body is mentioned and Devi, in different forms, is being worshipped.Argala StotramHere, Rishi Markandeya tells his disciples in twenty-seven inspiring couplets about the greatness of Devi. She has been described in all aspects and names and at the end of each shloka, prayer is offered to Devi for material prosperity, physical fitness,
fame and victory.KeelakamHere also, Rishi Markandeya tells his disciples in sixteen shlokas the ways and means of removing obstacles faced by devotees while reading Devi Mahatmya. Reading of Keelakam brings blessings of Devi, spiritual harmony, peace of mind and success in all pursuits.Ratri SuktamThe eight shlokas here have been taken from
the Rig Veda (10th mandala, 10th anuvaka, 127th sukta). Devi is described as the all-pervading Supreme Lord of the universe appearing in Omkara. Ratri means ‘she who fulfils our prayers’.Devi MahatmyaThe text is divided into three parts:Prathama (first)Madhyama (middle)Uttara (final)The first chapter describes the glory of Maha Kali, the second,
third and the fourth chapters glorify Maha Lakshmi, and the last nine chapters from the fifth to the thirteenth glorify Maha Saraswati.Kshama PrarthanaIt is the concluding prayer to Devi seeking pardon for any errors that may have been committed during the paath or otherwise.

You might also like