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12223
Review Article
Recent developments in the sensorial assessment of cosmetic
products: a review
A.-M. Pense-Lheritier
Professeur de formulation, Ecole de Biologie Industrielle, 13 bd de l’Hautil, 95000 Cergy, France
© 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie 465
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
466 © 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie
International Journal of Cosmetic Science, 37, 465–473
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
there were 17 products, which included gels, water-based nail pol- the product and the number of attributes, authors agree on a dura-
ish and nail lacquer [24]. tion that can range from 30 [4] to over 100 h. In fact, the panel
training and the final writing up of the attribute definition are
often combined in this step. Having a pre-existing referential with
Step 2: setting up the panel
clear and concise definitions allows saving considerable time.
Recruit enough panellists to have a robust statistical analysis of Once the expert panel trained and validated, the tests using the
the results. The number of judges comprising the jury usually var- quantitative descriptive sensory profiling method can be carried
ies from 10 to 20. There are no specific jury selection criteria (skin out. Ideally, the objective of this method is to give a detailed
quality: dry or greasy) as it is a product that is studied. However, description of the object without any hedonistic judgement. The
the panellists must not have any aversion to the product tested trained panel identifies the descriptive attributes that are then
[23]. quantified. So far, it remains the most performing technique to
accurately characterize the sensory dimensions of a product. Some
examples of its use can be found in some of the works on this
Step 3: building the lexicon and referential
subject, and Table II below presents some of the most recent
Create a list of terms with the panel that can thoroughly describe examples.
the product appearance, perfume or texture. Limit these descriptive When observing the examples given in Table II, it can be noted
terms to 15 or 20 that will complete the product universe lexicon that:
and select the products references. The quantitative descriptive sen- The sensory profile is carried out on raw materials to anticipate
sory profile cannot be carried out without a lexicon and a referen- on the behaviour in the formulated product [28]
tial. The lexicon serves as a attribute instruction manual, which Sensory profiles have been carried out for a certain number of
includes all the attributes used, their definition and how to assess cosmetic products. Besides skincare products, there is a growing
them (skin preparation, application zone [21]. The reference com- number of studies on make-up products and more specifically
piles a set of samples of the different materials that represent the lipsticks: generating a lexicon and reference [5], [32] or instru-
intensity range of the sensory perceptions belonging to the various mental correlation [29]. These studies are motivated by the sen-
sensory channels (tactile, visual. . .). This step can take hours or sory performance and comfort texture provided by each of these
weeks, as it is essential to obtain a consensus on the definition of products.
the attribute and on the reference chosen. However, existing refer- Marketing teams use the sensory profiling method as their com-
ences and validated methods can be used to save time on the prep- munication tool (soft as velvet) [31] or to define the consumer’s
aration of the lexicon and referential, for example Le Champ des preferences. In the latter case, the most classical approach is
Odeurs© by No€el Jaubert used in the perfume assessment [25] or called preference mapping, which links the results of a sensory
the Référentiel EBITouch© [26], which allow an efficient sensory profile carried out by expert panellists and the hedonistic assess-
assessment of skincare products. ment of these same products by a an expert panel [9].
There is an increasing number of instrumental correlation trials
between sensory attributes and metrological criteria. The results
Step 4: training and validating the panels’ performance
obtained generally show that there is a partial correlation that
Train the panellists on the attributes, their definition and their depends on the product universe tested [29]. An instrumental
application. Have the products assessed following standardized pro- technique is used to determine the physicochemical properties
tocols and pre-defined scales. Validate the panel’s performance in can lead to screening better adapted formulas while anticipating
terms of discriminating power and repeatability. The performance on the sensorial response. Although this method allows deci-
level of the descriptive panel and the quality of the data provided sions to be made faster, a panel is still required.
are vital for the marketing decisions or for research purposes. A
powerful set of tools is essential to monitor the panellist’s perfor-
mances and the panel’s performances on a whole. As the analysis Other uses of the classical sensory profile
of variance (ANOVA) is a very versatile statistic tool, it has been
Besides the alternative methods examined below, there are teams
the most widely used [27] for monitoring. Even though the train-
trying to use the sensory profile to assess cosmetic products in an
ing and validation time of the panel vary with the complexity of
Article Conclusions
A combined approach in characterization of an effective w/o hand cream: The sensorial qualities of emollients, that is the smoothness, stickiness and
the influence of emollient on textural, sensorial and in vivo skin performance thickness are correlated to the sensory qualities of the formulated products. [28]
Characterization of lipsticks by sensory and texture analysis: relationships with A significant breakthrough has been made to match make-up properties like
make-up benefits the greasy effect and, more expectedly, the hardness of a lipstick with instrumental
measurements [29].
Terminology development and panel training for sensory evaluation of skincare The greasy and sticky items influence the Korean consumers’ degree of
products including aqua cream satisfaction [30].
Contribution of the sensorial evaluation of velvet fabric in cosmetic emulsions Many texture attributes are common to fabrics and cosmetic products and thus
to the sensorial universe allow a marketing communication in attractive sensory universes [31].
© 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie 467
International Journal of Cosmetic Science, 37, 465–473
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
468 © 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie
International Journal of Cosmetic Science, 37, 465–473
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
Sweet note
Rose note
Alcohol
jasmine note
Floral note
frequences for conterfeit
Bergamot note
Fresh
Soft
Strong perfume
Persistence of perfume
0 5 10 15 20 25 30 35
â
Figure 3 Histogram of the frequency in a pivot profile for a perfume and its counterfeit.
© 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie 469
International Journal of Cosmetic Science, 37, 465–473
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
1
Axe 2 (23,55%)
0.8 Spicy
Nature
Strong 5
0.6
Fruity
0.4
Cleanliness Holidays Candy
4
Acid 0.2 Sweet
Woody
Axe 1 (43,03%) 2
–1 –0.8 –0.6 –0.4 –0.2
0
0 0.2
3 0.4 0.6 0.8 1
Grand-mother
7 Childhood
–0.2
Fresh 1
–0.4
6 So
–0.6
Spring
Floral –0.8
–1
â
Figure 4 Factorial correspondence analysis of the results for a pivot profile realized on different perfumes.
470 © 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie
International Journal of Cosmetic Science, 37, 465–473
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
complex products such as perfumes, and also that given this fast tionnaire will be less selected. Consequently, it appears essential to
positioning, the pivotâ profile is perfectly adapted for studying com- present both the questions and the products randomly [47].
petitors in a product universe. However, the choice of the pivot
product when no mix is possible remains a sensitive issue in this
Step 3: results and analysis
method.
The questions selected are usually analysed by adding the number
of times the answer was selected. A multiple factor analysis (MFA)
Check-all-that-apply (CATA)
is then carried out on these answers to identify the connection
Today, the cosmetic industry wants the consumers to actively take between the terms and products and thus to obtain a sensorial
part in the descriptive assessment, and sometimes in the concep- map of the samples [48].
tion, of cosmetic products. Therefore, it is essential that the meth- A correspondence analysis can then be used to show how the
ods available allow the consumer to quickly qualify the products. samples and the CATA questionnaire terms are connected; to do
The check-all-that-apply (CATA) method was designed for consum- so, the factors similar to the main component analysis must be
ers rather than panellists [43]. Each consumer receives a question- extracted. The graph obtained represents the ‘distance’ between the
naire with attributes to choose from. Should the participants have categories. Thanks to this analysis, a sensorial map of the samples
to give a global grade to the each product in the study, further can be drawn up, and the similarities and differences between the
analyses should be considered (e.g. the preference modelling). samples and the modalities that characterize them can then be
These can then be linked to the buying intent, or even to an determined.
acceptability concept. The check-all-that-apply (CATA) method has only very recently
The method follows these steps: been used for the sensory assessment of cosmetic products, and the
Montevideo chemistry school (Uruguay) has published many stud-
ies with regard to this. In a study, sixty-nine consumers were pre-
Step 1: products and questions
sented with six emulsions formulated differently. For each cream,
This method is always applied for a same product universe. The the consumers gave an appreciation score and answered a forty-
number of products studied varies according to the consumers’ sen- two-question CATA questionnaire. The questions focused on sen-
sorial saturation (6–10). The way to generate questions is only sory, emotions and efficiency as well as on skin target or price posi-
slightly formalized. Hence, some authors only select the sensory tioning. Twenty-six of the questions were discriminating, thirteen
attributes with a trained panel and then present the consumers of which in the sensory category, hence demonstrating that con-
with them [44]. The consumers can also be gathered and the items sumers can discriminate products essentially according to their sen-
can be collected in a focus group approach. The consumers can sory attributes [49]. The same result was achieved in yet another
also generate questions in a preliminary free sorting characteriza- study with consumer-based methods: CATA questions and a con-
tion of the product universe [45]. ventional profile [45].Two consumer groups of fifty people tested
Sensory attributes: oily, greasy and sticky. six cosmetic emulsions formulated differently. With each method,
Emotions: well-being and pleasure. the differences in the consumer’s perception of the sensory charac-
Effect on the skin: dries the skin and moisturizes. teristics of the emulsions assessed could be detected.
Application: cream for greasy skin and eye contour. To conclude on the CATA method, it is powerful enough to
Product positioning: luxury and cheap.. allow distinctions between products at a sensory level but also with
regard to the other quality attributes perceived. However, its main
limitation is that it establishes citation frequencies rather than clas-
Step 2: assessing the products sifications or intensities. As with all the methods carried out with
consumers, more assessors are required for the CATA than for a
In this assessment method, the consumers are monadically presented
sensory panel.
with the products (singularly in succession). They usually assess the
hedonic aspect and then select the items presented in a table
(Table IV) that best characterize the product, without any notion of Conclusion
scale (figure. . .). There are generally between 20 and 40 questions.
In this increasingly competitive innovation context, the cosmetic
The number of questions and their order seem to have an impact on
industry has tried to implement a product design process that
the product assessment. This should be taken into account as it may
integrates the users’ expectations [50]. The sensory qualities of a
otherwise create a bias [46]. Furthermore, the studies relating to
product are essential today and consequently sensory analysis
these questionnaires show that the respondents can only focus at the
methods are being used more and more. As of the 1980–1990s,
beginning, which implies that the attributes at the end of the ques-
cosmetic companies implemented the sensory assessment to vali-
date the formulation of cosmetic products. The discriminating
methods, such as the triangular test [51], support the ingredient
Table IV Example of CATA questionnaire for a skincare product substitution problematic. With the quantitative descriptive profile,
the global sensory specifications of a product can be determined
and these can be verified against the market expectations [8].
Intense odour Rich touch Day cream
The alternative methods presented in this article are being devel-
oped to allow faster sensory positioning and earlier screening of
Aqueous touch Leaves my skin greasy Floral odour the prototype products. With these methods, the consumers’ per-
Leaves my skin soft Luxurious cream Night cream ception can also be integrated in the upstream process. All these
methods have advantages and inconveniences. The advantage of
© 2015 Society of Cosmetic Scientists and the Societe Francßaise de Cosmetologie 471
International Journal of Cosmetic Science, 37, 465–473
14682494, 2015, 5, Downloaded from https://onlinelibrary.wiley.com/doi/10.1111/ics.12223 by Cochrane Philippines, Wiley Online Library on [04/10/2023]. See the Terms and Conditions (https://onlinelibrary.wiley.com/terms-and-conditions) on Wiley Online Library for rules of use; OA articles are governed by the applicable Creative Commons License
New sensory methods A.-M. Pense-Lheritier
flash profile is to provide a product map in a very short time, tion of cosmetic products. This method involves a set of diversified
but the main inconvenience is that it not suitable for large num- sensory tools, which allow a reasoned methodological choice and
bers of products because of saturation effect. Pivot© profile also products better adapted to the needs. Therefore, the sensory assess-
allows to obtain a sensory map very quickly, but the critical ment methods will be used earlier and thus support the projects
point is the choice of the reference product which has to be very more efficiently.
central in terms of sensory characteristics [52]. CATA is very
simple to understand for the assessors, but the main limitation is
Acknowledgements
that the analysis is performed on nominal data less powerful
than quantitative data [12]. I would like to thank Irene Bacle, Lise Dreyfuss and Bertrand Thuil-
Sensory assessment allows the various teams involved in the lier for their trust and their careful proofreading. A very warm
innovative projects, that is marketing, R&D and quality, to adopt a thank you to Varunah Khednah for her professionalism on the
common method dedicated to creativity, development and produc- English version of this document.
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International Journal of Cosmetic Science, 37, 465–473