basketball

skills
five fundamental
skills
DRIBBLING
PASSING
SHOOTING
 dribbling
DRIBBLING IS THE PROCESS BY
CONTROL DRIBBLE
WHICH A PLAYER HAS TO MOVE
THE BASKETBALL AROUND THE SPEED DRIBBLE
FAUGET UNIVERSITY, 2018
COURT. THIS IS DONE BY CROSSOVER DRIBBLE
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CONTINUOUSLY BOUNCING THE BEHIND THE
consectetur BACK DRIBBLE
adipiscing elit. Mauris
BALL BETWEEN A PLAYER'S BETWEEN LEGSat
consequat DRIBBLE
tortor id
HANDS AND THE FLOOR. DYNAMICullamcorper.
DRIBBLE
 dribbling
CONTROL DRIBBLE IS USED AGAINST
DEFENSIVE PRESSURE. DRIBBLE THE
BASKETBALL NEAR THE BACK KNEE
WITH YOUR BODY TURNED TO THE
SIDE. KEEP THE DRIBBLE LOW AND
COMPACT, BELOW YOUR KNEES. HOLD
OUT NON-DRIBBLING ARM IN FRONT
OF YOUR BODY TO PROTECT THE BALL
FROM DEFENDERS: 'ARM BAR.
 dribbling
SPEED DRIBBLE IS TYPICALLY USED
WHEN THE DRIBBLER IS AN OPEN COURT
AND HAS TO TAKE ADVANTAGE OF TIME
WHILE KEEPING GOOD CONTROL WITH
THE BALL AND HIS BODY. BECAUSE THE
PLAYER ISN'T GUARDED HEAVILY, HE
ISN'T FORCED TO PROTECT THE BALL
EXCESSIVELY. THIS GIVES HIM A GOOD
CHANCE TO MAKE FASTER DRIBBLING
WHILE ACHIEVING SOME DISTANCE.
 dribbling
THE CROSSOVER MOVE IS A WAY OF
FAKING OUT OTHER BASKETBALL
PLAYERS BY RAPIDLY SWITCHING THE
BALL FROM ONE HAND TO THE OTHER
AND CHANGING DIRECTION OF TRAVEL.
FOR EXAMPLE, A BASKETBALL PLAYER
MIGHT BE DRIBBLING THE BALL IN THE
RIGHT HAND HEADING TOWARD THE
BASKET WITH DEFENSE PLAYERS
SURROUNDING HIM.
 dribbling
THE BEHIND-THE-BACK DRIBBLE BEGINS
AS THE OUTSIDE LEG IS BACK AND JUST
BEGINNING TO MOVE FORWARD, AND THE
BALL NEEDS TO BE DRIBBLED ALL THE
WAY OVER TO THE OPPOSITE HAND. THE
KEY TO AN EFFECTIVE BEHIND-THE-BACK
DRIBBLE IS TO CONTINUE MOVING
FORWARD RATHER THAN JUST DRIBBLING
SIDEWAYS.
 dribbling
BETWEEN LEGS: YOUR FOOT IS ABOUT
TO TOUCH THE FLOOR, GUIDE THE BALL
THROUGH THE SPACE THAT YOU'VE
CREATED BETWEEN YOUR FEET. WHILE
THIS IS HAPPENING, PLACE YOUR LEFT
HAND BEHIND YOU—YOUR PALM FACING
YOUR BACK—READY TO CATCH THE BALL
AFTER ITS PASSED THROUGH.
 passing
PASSING IS THE OTHER OPTION
TO MOVE THE BALL AROUND THE
BOUNCE PASS
FAUGET UNIVERSITY, 2018
COURT ASIDE FROM DRIBBLING.
GOOD PASSERS CAN CREATE
CHEST PASS
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EASY SCORING CHANCES FOR OVERHEAD
consectetur PASSelit. Mauris
adipiscing
THEIR TEAMMATES, LEADING TO PUSH PASS at tortor id
consequat
ullamcorper.
MORE POINTS.
 passing
BOUNCE PASS - THE
PASS IS THROWN TO
THE FLOOR SO THAT
IT BOUNCES TO THE
INTENDED RECEIVER.
 passing
CHEST PASS: HOLD BALL IN BOTH
HANDS, CHEST HIGH. STEP FORWARD,
EXTEND YOUR ARMS AND SNAP YOUR
WRISTS TO THROW THE BALL IN A
STRAIGHT LINE TO YOUR TEAMMATE'S
CHEST. FINISH WITH YOUR ARMS IN
FRONT, CHEST HIGH. USE WHENEVER
POSSIBLE BECAUSE IT IS THE MOST
ACCURATE PASS.
 passing
OVERHEAD PASS: THIS IS A TYPE OF
PASS IN BASKETBALL WHERE THE
PLAYER HOLDS THE BALL OVER THEIR
HEAD WITH BOTH HANDS AND THEN
TOSSES THE BALL TO A TEAMMATE.
THIS TYPE OF PASS IS COMMONLY
USED WHEN THE PLAYER NEEDS TO
MAKE A STRONG AND FAR PASS.
 passing
PUSH PASS: THE PUSH PASS IS USED
MOST OFTEN WHEN CLOSELY GUARDED.
THIS PASS IS SIMILAR TO THE CHEST
PASS, EXCEPT YOU PUSH WITH ONE HAND
WHILE TAKING A STEP TO CREATE SPACE
FROM YOUR DEFENDER. TO COMPLETE A
PUSH PASS: PUSH THE BALL WITH ONE
HAND TOWARD YOUR TEAMMATE'S CHEST
AREA OR SHOOTING POCKET.
 sHOOTING
SHOOTING IS THE SKILL THAT
INVOLVES DIRECTLY SCORING JUMP SHOT
POINTS. THIS REQUIRES MOST FAUGET UNIVERSITY, 2018
LAY UP SHOT
PRACTICE TO MASTER. THE Lorem ipsum dolor sit amet,
FURTHER FROM THE HOOP, THE HOOK SHOT
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MORE DIFFICULT THE PROCESS SETconsequat
SHOT at tortor id
OF SHOOTING BECOMES. ullamcorper.
 shooting
JUMP SHOT: A SHOT
IN BASKETBALL MADE
BY JUMPING INTO THE
AIR AND RELEASING
THE BALL WITH ONE
OR BOTH HANDS AT
THE PEAK OF THE
JUMP
 shooting
A LAY-UP SHOT IS MADE
FROM SHORT RANGE BY A
PLAYER ON THE MOVE TOWARD
THE BASKET. THE PLAYER
MIGHT UTILIZE THE
BACKBOARD IF THEY
APPROACH THE HOOP FROM AN
ANGLE.
 shooting
A HOOK SHOT IN BASKETBALL
IS A SHOT ATTEMPT WHERE A
PLAYER SWINGS HIS OR HER
ARM SIDEWAYS IN A HOOKING
MOTION WITH THE BALL
USUALLY OVER THE SIDE OF
HIS OR HER HEAD.
 shooting
SET SHOT: A SHOT WITH TWO
HANDS FROM A POINT
RELATIVELY DISTANT FROM THE
BASKET, IN WHICH A PLAYER
STANDS STILL AND SHOOTS THE
BALL USUALLY FROM CHEST
LEVEL.