You are on page 1of 9

Cambodia

The Skor thom (Khmer: ស្គរធំ) are Cambodian 2-headed barrel drums played with a pair of wooden
drumsticks. They typically have skin heads made from oxen, cows or buffalos, and are played in pairs.

The Skor thom (Khmer: ស្គរធំ) are Cambodian 2-headed barrel drums played with a pair of wooden drumsticks

Chapei Dang Veng is a Cambodian musical tradition closely associated with the life, customs and beliefs of the
Cambodian people.

The Chapei Dang Veng or chapey is a Cambodian two-stringed, long-necked guitar that is usually plucked. It
has two double courses of nylon strings.
The kong vong toch is a number of gongs that are attached to a circle-shaped rack, closely resembling its larger
relative, the kong thom. Both instruments belong to the percussion family of traditional Khmer instruments, along
with the roneat ek, roneat dek, and roneat thung.

The kong vong toch is a number of gongs that are attached to a circle-shaped rack, closely resembling its
larger relative, the kong thom.

The Takhe (behind) is the favorite kind of zither of the Mohori orchestra which is highly appreciated by
Cambodian.

The Takhe or Krapeu (meaning crocodile in Khmer) may be one of the most recent classical Khmer instruments.
The roneat dek (Khmer: រនាតដែក) is a Cambodian metallophone, comparable to the Roneat ek.

The Roneat Ek or Roneat Aek is a xylophone used in the Khmer classical music of Cambodia. It is built in the
shape of a curved, rectangular shaped boat.

Thailand

Pi Nai is a the miracle of Thai woodwind instrument. With the six hole fingering
while making more than 22 notes, the player required highly train for wind
controlling and circular breathing is common technique on this instrument.

Pi nai is sounded by an unusual quadruple reed of Bai tan, a form of palm. Its six holes faciliates a range of
twenty-two tones.
The ranat ek is a Thai musical instrument in the percussion family that consists of 21 wooden bars suspended
by cords over a boat-shaped trough resonator and struck by two mallets. It is used as a leading instrument in the
piphat ensemble

The ranat is a Thai traditional xylophone that consists of 21 or 22 wooden bars suspended by cords over a boat-
shaped resonator.

The taphon is a traditional drum of Thailand. It is barrel-shaped with two heads, and is played by the hands and
fingers of both hands, much like the more popular congas. Originally called the Sa Phon, the taphon is used in
the classical Thai wind-and-percussion ensemble called piphat.

The Taphon is a percussion instrument that is often found in a percussion ensemble called a piphat.
The Taphon has two heads, and is shaped like a barrel.
The khong wong yai is a circle with gongs used in the music of Thailand. It has 16 tuned bossed gongs in a
rattan frame and is played with two beaters.

The khong wong lek is a gong circle used in Thai classical music. It has 18 tuned bossed gongs, and is smaller
and higher in pitch than the khong wong yai.

Klong that (Thai: กลองทัด, pronounced [klɔːŋ tʰát]) are large barrel drums used in the classical music of
Thailand. They are played with large wooden sticks.

Klong that are large barrel drums used in the classical music of Thailand. They are played with large wooden
sticks. They are usually played in a pair and used in the piphat ensemble. Drums of this kind have also been
called klong chatri and klong túk.
INDONESIA

A gong is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal
disc that is typically struck with a mallet.

A gong is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal
disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning.
The suling is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble.
Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the
Philippines and Singapore

The suling is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble.

The angklung is a musical instrument from the Sundanese people in Indonesia made of a varying number of
bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are
tuned to octaves, similar to Western handbells.

Angklung is an Indonesian musical instrument consisting of two to four bamboo tubes suspended in a bamboo
frame, bound with rattan cords.
The saron is a musical instrument of Indonesia, which is used in the gamelan.
It normally has seven bronze bars placed on top of a resonating frame
(rancak). It is usually about 20 cm (8 in) high, and is played on the floor by a
seated performer.

The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze
bars placed on top of a resonating

The gangsa is a metallophone idiophone of the Balinese people of Bali, Indonesia. It is a melodic instrument
that is part of a Balinese gamelan gong kebyar.
The meaning of GANGSA is any of a class of Indonesian metallophones with a set of tuned bars that are struck
by a mallet or mallets.

You might also like