Professional Documents
Culture Documents
PASHMINA, KASHMIR:
. BAND.HIN/, RAJ.ASTHAN:
. .
• They are oo.t~urfi..il
··•·.. .
sari_s.arid odhni dyed by tie and dye process
. . . · Colour:S:
' .
yeJlow,
. :
red, blue~. green and . black
.
• · Designs ~re_ ~ccepte·d - of Persian origin and depic\ incident~ _from Hindu
mythology
. PATOl:A, GUJARAT:
• S'ecti.o ns of warp and weftyarns are tied first to achieve prefixed design
knowr} as. lkpt d:esig~ _
•· Sing,le·'fkats-wat;p:,yanrrsi-s,He-dyed- and'inte:rweaved.with weft yarns
• Double t kats -b:ot h warp:,and ·w;e;ft are,:ti·e :- dyed and -positioRed in such a way
that-b:oth weft and war.p,reinfor~e-,eacfu:._oth'EH;- at the resist dyed pfac~ to
achteve·a ·Saree d esig:n -""""·CaUeci·as: Tie-and '. dye w.e ave
•· -Pochafop-a-lH handloomS:are'-.ma-c:te•-in-.;.coUan:, .sHk and cotton silk mix
MOLAKALMOORU( KARNATAKA:
KASAVU, KERALA:
KASH/DA KASHMIR/EMBROIDERY:
PHUtKARI;.P.UNJA8:
. .
CHAMBARDOMA:LS:
• · Roomals of Chamba, a state in the Himalayan range .
• Roomal:- square. pjece ofcotton material
/ • Motifs: figures, flowers, leaves
• Material: very fine and of delicate texture
• . Stitch: double
. satin
. stitch
. . h.t nd a wrong s1.d e
• Chamba
· roomal does not have
. af rig. aamythological
· story or a 1egen d
• Central representation - scene rom ·
.- '
r
KUTCH, GUJARAT:
• The art was taught to the Mochis (shoe makers) who came from Sindh
• Embroidery is pictorial and originaC the mirror work and interlacing stitches
are used
• Embroideries of Kutch, Sindh and Kathiawar are very similar and identical
• Motifs: flo'ral, peacocks, animals, birds, trees, Persian influence can be seen
• Fabrics: cotton and silk
• Colours: white, indigo, blue, crimson, red, green and yellpw
• Stitches: chain, herringbone, interlqdng, darning and bu"tton hole stitch
KASU:TI
_. . .. f
;K'r:R. ,ll'I JI.,.. AiO.:-A •
H . -fY.~ JRn:11• # .
Mater-iaJ: han;d woven cloth of dark colour usually black cotton or silk,red
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