Harpers Bazaar India - Oct Nov 2023

OCTOBER-NOVEMBER 2023, `200
DELENG/2014/59909
HIGHLIGHTS
from
fall FASHION
The New Free-Spirited

Fashion Icon
SAMANTHA
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LILY JAMES
OCTOBER-NOVEMBER 2023
Samantha is slowly paving her

way into Hindi-language
cinema after tasting enormous
success in the Telugu and Tamil
film industries.
50 Baroque & Roll

51 Tricky Business
52 Why Don’t You...
54 Bold Simplicity
56 Lighten Up
58 Elevate Your Style
59 Soft Touch
60 Timeless Appeal
64 “Couture Is A Creative
Indulgence” — Shahab
STYLE Durazi
35 Lush Haven 68 2 Become 1
46 Soak It All In 74 Fashioning Dreams
47 Bare-It-All 76 Celebrate In Style
48 Foal Play 82 The Allure of Leather
49 Fall in Love 84 Style News
On the Cover
Samantha is wearing a masculine blazer and straight leather pants from the F/W 2023 Collection,
holding a Petite Malle Bag, all Louis Vuitton.
Photographer: Sushant Chhabria. Stylist: Divyak D’Souza. Assistant Stylist: Kriti Baid. Hair: Daksh Nidhi. Make-up: Avni Rambhia.
20
‘Thinking actor’,
‘unconventional’, ‘risk-taker’
are just some of the terms that
are used to describe Shahid
Kapoor, our Bazaar India Man
cover star. But he is a lot more
than that.
ACCESSORIES BAZAAR VOICES 154 Double Duty

90 Keep Me Company 128 Age Is Just A Number 156 Bazaar Buzz
97 Carried Away 161 Out of The Green
99 Blue My Mind BAZAAR AT WORK
101 Boot Up For Fun! 142 Behind The Frames of BAZAAR MAN
Dreams 186 Fashion’s Leading Man
WATCHES & JEWELLERY 188 All The Femme
103 Whispers of Refinement TALKING POINTS
110 The Slow Life 150 A Mirror of Collective FASHION
116 Shining Brighter Identity 191 Romantic Goth
118 Make A Statement 152 An Era Defined 202 India To The World
120 High Time 153 On My Playlist 208 Fashion’s Second Chance
22
extend your international limited warranty
for up to 8 years on panerai.com
OCTOBER-NOVEMBER 2023
214 Show-And-Tell
218 Ready, Set, Show
222 Gucci’s Seoul
BEAUTY
227 Rising Sun
232 The Scent of You
234 Blending Beauty With
Well-Being
236 Beauty’s Terrific Trinity
238 “Beauty Is A Universal
Language That Goes
Beyond Borders” —
Francois Nars
240 Beauty News
TRAVEL
251 A Jamaican Adventure
256 Confessions of
A Shopaholic
260 How Bazaar
Small screen, big wonder. Sobhita

Dhulipala speaks to Bazaar India on
finding her feet, walking towards her
goals, and now sprinting to success in
her cinematic journey.
24
Chairman & Editor-in-Chief
AROON PURIE
Vice Chairperson
KALLI PURIE
SALES AND PUBLISHING
Chief Operating Officer (Lifestyle Division)
Editor
and Publisher SAKSHI KOHLI
RASNA BHASIN
Senior General Manager KAMALINEE CHATTERJEE
Senior General Manager MARY MEHRUNNISA
Managing Editor
Senior Manager Sales POOJA ARORA
SMITA TRIPATHI
Senior Manager Sales RAJEEV DUBEY
Manager Sales MOHIT SEHGAL
Contributing Editor
Manager Sales MIHIKA NIRANJAN VASWANI
SIMI KURIAKOSE
SALES AND OPERATIONS FASHION & FEATURES

Senior General Manager (National Sales) DEEPAK BHATT
Features Writer PRIYANKA KATHURIA
General Manager (Operations) VIPIN BAGGA
Junior Writer RIA SINGH Bvlgari
Deputy General Manager (North) RAJEEV GANDHI
Junior Fashion Stylist PALAK VALECHA B.Zero 1
Deputy Regional Sales Manager (South) S PARAMASIVAM
Jewellery Editor ANKITA MALHOTRA bracelet in
Senior Sales Manager (East) PIYUSH RANJAN DAS
Contributing Writer SHUBHANGI JINDAL rose gold
and
CONSUMER MARKETING SERVICES
ART diamonds,
Deputy General Manager (Operations) price on
G L RAVIK KUMAR Art Director MANDEEP SINGH
Asst Art Director SATENDER SHARMA
request
HEARST MAGAZINES INTERNATIONAL Chief Designer VINEET SINGH
President of Hearst Magazines International Video Editor MANAV PUROHIT

JONATHAN WRIGHT Video Editor SANJANA BHALERAO
SVP/Global Editorial & Brand Director
KIM ST. CLAIR BODDEN ADMINISTRATION
Global Editorial Director, Luxury Brands Editorial Co-ordinator SHALINI KANOJIA
ELÉONORE MARCHAND
Editorial Assistant POOJA SINGH
INTERNATIONAL EDITIONS
Arabia, Australia, Brazil, China, Czech Republic, France, DIGITAL
Germany, Greece, Hong Kong, Indonesia, Italy, Japan,
Digital Editor SONAL VED
Kazakhstan, Korea, Latin America, Malaysia, Netherlands,
Qatar, Saudi, Serbia, Singapore, Spain, Taiwan, Thailand, Digital Assistant Editor (Entertainment) ADIT GANGULY
Turkey, Ukraine, United Kingdom, United States, Vietnam Digital Copy Editor TANVI PAREKH
Digital Features Editor STUTI AGARWAL
Digital Senior Features Writer AKANKSHA NARANG
Digital Features Writer MITALI SHAH
Digital Features Writer SARAH KHALKO
Social Media Executive TANMAY DINESH ASHAR
Social Media Executive RISHIKA MUKUL SHAH
IMAGE: COURTESY THE BRAND.
VOLUME 9 NUMBER 23
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26
EDITOR’S LETTER
F
ashion, a realm where magic breathes life India. Secondly, our genuine desire to bring the best
into dreams, has been one of the greatest of global fashion to you—whether it’s the latest trends
loves of my life. It transcends mere or stories worth sharing.
beautiful attire and accessories; it’s a Our cover star, Samantha, needs no introduction; she’s a
harmonious fusion of art, science, and a booming breath of fresh air, radiating stardom like no other. After
billion-dollar industry. My journey in this world conquering the South Indian film industry and surmounting
began as a 17-year-old ‘fashion blogger’, and today, life’s challenges, Samantha is not just the girl next door; she’s
I find myself crafting this Editor’s letter, turning my bold, she’s brave, and she’s here to stay!
ultimate fantasy into a stunning reality. Diving deeper into the issue, we delve into the global
Dreams do materialise, showcasing the power of fascination with ‘The Beckham Documentary’ and chronicle
chasing one’s aspirations. Who would’ve thought that the the sartorial journey of the fashion power couple, Victoria
girl who once celebrated Nicolas Ghesquière liking her and David Beckham. We’ve also engaged in enlightening
Instagram reviews would now be adorning our cover star conversations with six women who defy age with their
in his creations? Nicolas played a pivotal role in making impeccable style, expressing themselves through their
my first collaboration with Louis Vuitton a reality. Today, sartorial choices.
it’s fitting that we collaborate with them for our Big Shahab Durazi, a prominent figure in Indian fashion,
Fashion Cover. reveals his subtle work approach and his knack for avoiding
The inspiration for this issue, our Big Fashion the media glare while creating a significant impact.
Issue, stems from two key factors. First, the recent Introducing ‘Streaming Beauty’, as we’ve coined her,
culmination of global fashion weeks, including Sobhita Dhulipala shares her journey and how she’s become
one of the most stylish figures in town. And then, there’s
Bazaar Man, Shahid Kapoor, a true rebel at heart. But there’s
more to discover—we shine a light on Fashion’s Leading
Man, exploring the evolution of men’s style and the rise of
a new male style icon.
Our spotlight also turns to Indian designers showcasing
their creations worldwide and those at home who are
redefining upcycling. The world of fashion is always in
motion, offering endless excitement.
With the festive season on the horizon, our celebrations
style guide has you covered—whether you aspire to be
trendy or classic, we’ve got your back!
Lastly, as we immerse ourselves in the joy of celebrations,
I encourage you to be the reason someone believes in the
goodness of people—kindness is undeniably cool!
EDITOR Love and Light,

HARPER’S BAZAAR INDIA Rasna
ON R A SN A’ S R A DA R
FROM LEFT: Solferino satchel bag, Saint Laurent, `2,43,000; Climax liquid eyeliner,
Nars, `2,250; Tank Française watch, Cartier, ` 8,15,779 approx; Linda Evangelista Photographed by Steven Meisel, Phaidon Press, `9,998
28
Bazaar
CONTRIBUTORS
D E VA N S H I NISHANT
TULI RADHAKRISHNAN
AKANKSHA Photographer
Stylist
K A M AT H
“Fashion is a powerful form of “So, fashion, to me, is a profound
Freelance Journalist
PRAACHI
self-expression , imagination, form of self-expression and a
R A N I WA L A visual dialogue that encapsulates
and art that transcends boundar- “Fashion, to me, is a deep-dive
Freelance Journalist emotions, and identities. It’s a
ies. It is a language through into studying and understanding
which I communicate my how people live — now, in the personal canvas that allows me
“Fashion is about more than just to convey my story, mood, and
clothes. It’s a powerful tool of emotions and aspirations by future, or even in the past.
curating visual experiences that Clothes, designs, and fashions, personality. In embracing
expression. It’s a way to say fashion, I find a unique language
something about yourself, your narrate a story. I believe that can tell you so much about what
fashion connects us to a larger makes up the lives, thoughts and of creativity and
personality, your culture and individuality—a space where
heritage, your mood. And above cultural zeitgeist. It is a medium preoccupations of a society and
that empowers us to experiment, its people. And that, to me, is artistry and personal narrative
all, it’s a way to inject joy into converge to create something
our lives.” take risks, and push boundaies. priceless knowledge.”
A dynamic and ever-evolving truly meanigful.”
tapestry of creativity, culture,
and personal storytelling.
Furthermore, for me, fashion has
the ability to create a connec-
tion—a universal language that
celebrates traditions, cultural
diversity, societal influences, and
who we are.”
BARRY
SUHANI
RODGERS D I V YA K
SINGH
Freelance Journalist D’SOUZA
Deputy Editor,
India Today Stylist
“Fashion has perpetually served
Suhani Singh has a weakness for as an escape for me. Coming of “To me, fashion is not just about
Indie brands and handloom age in Kolkata, it provided a clothing and trends, but a way to
exhibitions. When she isn’t on the platform not only to explore and express one’s unique style and
‘Gram’ hunting for ingenious express my sexuality through the personality. It’s a form of
designs, she is arranging her lens of fashion in music, film, and self-expression, confidence and
IMAGES: COURTESY THE CONTRIBUTORS
SUSHANT
ever-expanding sari collection CHHABRIA television, but also to realise that in many cases, empowerment.
by colour. fashion shouldn’t be daunting; It’s the collective aesthetic
Photographer
instead, it should be a source of choices we make; be it in the
“I don’t follow fashion, its my empowerment.” clothes we wear, the movies we
livelihood. As a photographer watch, the music we listen to, or
my job is to make fashion look the art we patronise. All of these
good, regardless of what comes choices reflect our personal ethos
out of its revolving door.” and creativity.”
30
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Bazaar
STYLE
Dress, Annakiki;
leather gloves,
Paula Rowan.
36
LUSH HAVEN
Give your thriving wardrobe a stylish boost with relaxed tailored pieces,
feminine dresses, and polished sets, accented with strong shoulders.
Photographed by KATE MARTIN

Styled by LAURY SMITH
Text by AI LIM
Jacket, shirt, and

shoes, all Prada;
earring, Nomis
Jewelry; ring,
Emefa Cole
Bazaar
STYLE
Jacket and trousers,

both Roksanda;
leather gloves (just
seen),No. 21; earrings,
Misho; necklace,
Mejuri; boots, Tod’s
Top, skirt, gloves,
and belt, all
Versace
Bazaar
STYLE
Jacket and
trousers, both
Edward Crutchley;
top and belt, both
Tod’s; ring, Shaun
Leane; shoes,
Molly Goddard
Top, Simone Rocha
from Matches;
trench and sneakers,
both JW Anderson;
earrings, Misho;
socks, Falke
Bazaar
STYLE
Top, trousers,
and shoes, all
Ferragamo; ring,
Emefa Cole
Jacket and trousers,
both Stella
McCartney;
tights (under
trousers), Falke;
earrings, Misho
Bazaar
STYLE
Dress, Del Core;

ring and ear cuff, both
Nomis Jewelry
Jacket, Givenchy
Hair: Alex Price

at Frank Agency
Make-up: Barrie
Griffiths using NARS
Assistants: Pablo
Gallegos and Coline
Anglard
Location: The
Mansion, Cirencester
Park, Gloucestershire,
South West England.
Wish
CELEBRATING
PHOTOGRAPH BY THE BRAND. TEXT BY: PRIYANKA KATHURIA

70 YEARS OF AN ICON
The Gucci Horsebit 1953 loafer’s timeless silhouette and
exceptional craftsmanship continues to inspire
generation after generation.
Gucci Horsebit 1953 loafer,

Gucci,price on request
2
4
Saaksha & Kinni
Dolce & Gabbana
5
IMAGE COURTESY: THE BRANDS. COMPILED BY SHUBHANGI JINDAL
BARE-IT-ALL
Deme by Gabriella
Boudoir no longer belongs only in the

Itrh
bedroom—from catwalks to catnaps these

lingerie-inspired pieces are too chic and
sexy to be confined to the sheets.
1. Egret Crystal Strap Dress, Rotate Birger Christensen, `29,900. 2. A Leaping Maiden, Theater XYZ, `1,290. 3. Cami Maxi Dress, Victoria
Beckham, `240,700. 4. Midnight Moods, Āroka, `15,900. 5. Dori Cross Huggie Drops, Shop Lune, `6,000.
47
Lust
Scarf in vintage
Silk, Hermès, price
on request
PHOTOGRAPHY: EFRAIM EVIDOR. STYLING: IMOGENE LEGRAND.
FOAL PLAY
Is this a love story? This playful,
colourful Hermès scarf tells the
charming tale of an equine meet-cute.
1
4
PHOTOGRAPH: GETTYIMAGES.COM. IMAGE COURTESY: THE BRANDS. COMPILED BY PALAK VALECHA.
Trove
5
FALL
IN LOVE
Diffuse the understated elegance of
grey with shades of oxblood that can
KNWLS
help grant visual warmth and

refinement to your look this season.
1. Double-breasted blazer in wool and cashmere, Max Mara, ` 1,01,300 approx. 2. Evening Bag, Chanel, `4,49,000 approx. 3. Puzzle
Edge mini textured-leather shoulder bag, Loewe, `1,67,000 approx. 4. Co-Axial Master Chronometer 36mm, Omega, `11,80,800.
5. Twist One Handle BB, Louis Vuitton, `3,40,000. 6. Harleigh Pleated Wool Maxi Skirt, Ralph Lauren, `1,65,400 approx.
7. Earrings, Anu Merton, `6,100 approx.
49
Must
BAROQUE
& ROLL
Step up—quite possibly onto the
dance floor—in Ferragamo’s
engraved and embellished heels.
Sandals,
Ferragamo,
price on request
PHOTOGRAPHY: EFRAIM EVIDOR. STYLING: FERNANDA TRONCO
1 2
3
8
7 4
Valentino
6
TRICKY 5
IMAGE COURTESY: THE BRANDS. COMPILED BY PALAK VALECHA.
BUSINESS
Unconventional but effortlessly
sophisticated—this audacious trend is
an upgrade to your modern formal wear.
Strike a balance between relaxed
and refined.
1. Men’s houndstooth double-breasted jacket in black/white, Alexander McQueen, `2,55,000 approx. 2. Striped double-breasted blazer,
Amiri, `2,16,400 approx. 3. Novan knee-length shorts,Nanushka, `83,400. 4. Navy blue suiting fabric shorts, S&N By Shantnu Nikhil,
`8,500. 5. Wool linen slim fit tailored jacket, Burberry, `1,59,700 approx. 6. Indigo block printed cotton sartorial jacket, 11.11, `33,000.
7. Cotton straight-leg shorts, AV Vattev, `68,500 approx. 8. Flaaxs, Ted Baker,`6,000 approx.
51
WHY...LevelDON’T YOU...
up at HAPPY hour?
Match your arm candy to your
CITRUSY cocktails for added ZEST.
By RIA SINGH
Bags, Louis
Vuitton, price on
request
REFINE
...YOUR FALL
WARDROBE DEVOUR
The denim midi and maxi skirts are ...EUROPEAN AND
quintessential fall staples. They smoothly JAPANESE CUISINE AT GIGI
transition from warm to cold weather, pair A culinary sensation, Bandra’s latest
them with cozy sweaters or stylish restaurant offers a delectable fusion of
blouses and voila! Go for casual or two cuisines with 6,000sq ft space
dressed-up fall looks as seen at redefining the dining experience.
Marine Serre and Conner Ives
Fall 23 collections.
LISTEN
...TO THE DESI CRIME PODCAST
A lot of true crime is centered around
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about Delhi dons and Karachi murderers? This
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Pakistan, Nepal and other brown communities.
....THE WOMAN IN ME BY
BRITNEY SPEARS
This book is a brave and ashtonishgly
moving story about freedom, fame,
motherhood, and survival of one of the
greatest performers in pop history. Britney
illuminates the importance of a woman
telling her own story, on her own terms.
COMPILED BY RIA SINGH. IMAGES: GETTYIMAGES.COM.
WATCH
....THE
MARVELS
A sequel to 2019’s
Captain Marvel,
this movie is
Marvel Cinematic
Universe’s ode to
its female
characters.
53
Bazaar
STYLE
3
2
1
10
6
Burberry
BOLD
SIMPLICITY
7
A delicate gold necklace, hoop
earrings, or a slim bangle can elevate
your white shirts to a whole new level
of sophistication.
1. Baseline Short Sleeve Polo, Fila, ` 5,900 approx. 2. Diamond Bracelet in 18KT gold, Legend Amrapali, `16,500. 3. Scattered Diamond
Necklace, STAC, `38,300. 4. Compact Popeline Blouse, Valentino, `1,48,900 approx. 5. Charu Zero 7 ring, IVAR, `2,24,600 approx.
6. Organza Flower Andie Shirt, Kate Spade, `29,900 approx. 7. Big Celestial Discs with Small Hoops, Shop Lune, `12,500. 8. Allover
Scarf-Tie Shirt, Versace, ` 1,89,700 approx. 9. White poplin bow-tie shirt, Moonray, `8,900. 10. Sirena Mini Hoops, Misho, `8,755.
54
Bazaar
STYLE
1
4
6
Gestuz
LIGHTEN
UP
In need of something perfect for casual
and formal occasions? Incorporate
the softness of butter yellow into
5 your wardrobe.
1. Sainte top, Malie, ` 18,000. 2. Large Hop, Bottega Veneta, `3,65,800 approx. 3. Pearl Hoop Studs, The Line, `27,500.
4. Lime Yellow Cascade Cami dress, Moonray, `19,900. 5. Hortensia leather mini bag, Wandler, `38,704 approx.
6. The Suede Pony Ballet, Polo Ralph Lauren `38,890. 7. Adara Clutch, Cult Gaia, `33,000 approx.
56
Bazaar
STYLE
1
3
7
4
Giorgio Armani
ELEVATE
YOUR STYLE
Want to make a statement? Consider
the understated elegance of an
all-white outfit. With the right choice
of shades and confidence in your step,
you’ll be turning heads in no time.
1. Vertebrae Symbolic Shirt- Off White, Margn, ` 7,990. 2. De Coeur Polo, Ami, `17,492. 3. Rockstud Calfskin Pouch, Valentino, `1,12,300
approx. 4. CD Diamond Regular Jeans,Dior, `1,70,000. 5. Serpentine Cotton Hoodie, Capsul, `8,500. 6. Lunettes de Soleil, Versace,
`23,700 approx. PRX Powermatic 80 35mm, Tissot `68,800 approx.
58
1 2
3
6
4
Dior
5
IMAGE COURTESY: THE BRANDS. COMPILED BY SHUBHANGI JINDAL.
SOFT
TOUCH
Giorgio Armani
Combine warmth and style with these

ultra-chic, comfortable and vibrant knits to
Etro
effortlessly transition from AM to PM.
1. Le Cardigan Macio, Jacquemus, `70,300 approx. 2. Argyle Intarsia-knit cardigan, Acne Studios, `49,200 approx. 3. Ami de Coeur
wool cardigan, `49,900 approx. 4. Logo embroidered woven bucket hat, Prada, `59,900 approx. 5. Le bonnet, Jacquemus, `12,500
approx. 6. Grid-pattern V-neck cardigan, Lacoste, ` 37,400 approx.
59
Bazaar
STYLE
Double-breasted
floral-print silk
trench coat,
Dries Van Noten,
`2,62,324 approx
TIMELESS
APPEAL
n the continually shifting fashion landscape,
replete with trends and micro-trends, the
trench coat has maintained its significance as
an emblem of a unique historical era—World
War I. It was a time of profound
transformation, challenging established social
hierarchies, military paradigms, and even fashion
norms. However, much like any enduring piece of
clothing, the trench coat’s longevity is rooted in its
utilitarian origins, which have provided a canvas for
creative experimentation.
Archetypes belted
leather-trimmed
cotton-blend poplin
trench coat, ALAÏA,
`4,10,665 approx
The TRENCH coat

has witnessed many
ITERATIONS over the
years, but its enduring
LEGACY is rooted in
its PRACTICALITY.
By BARRY RODGERS
60
THE LEGACY
While the history of the trench coat did not
commence on the silver screen, it did gain
prominence there, as costume designer
Maxima Basu, who has worked on films
such as Dangal, Bajirao Mastani, and
Padmaavat, among others, points out: “The
trench coat’s cinematic history is deeply
rooted in Western noir films, where its
stylish presence added an element of
mystery and charisma to the dark and
enigmatic characters that often inhabited
the frame.”
The trench coat’s roots extend back to
the early 19th century. It’s worth noting
that in 1615, the Spaniards were already
using latex to create waterproof materials,
and in 1496, Christopher Columbus
brought back natural rubber balls from the West
Indies. But it was Charles Macintosh, a Scottish
chemist, who, while searching for a use for
the byproducts of the coal gasification process, MOVIE MAGIC
discovered that the distillate obtained from tar could The trench coat, however, underwent a shift as the
dissolve rubber. years rolled by, often being used as a symbol to
Macintosh’s ingenious idea involved applying liquid depict self-assuredness on the silver screen. Who
rubber onto a woolen fabric and then sandwiching it can forget Audrey Hepburn’s iconic look in Breakfast
with another fabric, resulting in a waterproofing at Tiffany’s, which was pivotal in elevating its status
effect. He patented this water-repellent fabric in 1823 as a fashion statement? Or Meryl Streep in Kramer
and soon transformed it into a garment known as the vs. Kramer, where the trench is synonymous with
‘Mack.’ This innovation was designed for individuals confident women, serving as a visual representation
who led active lives involving activities like horseback of their character traits and roles in various
riding, fishing, and various outdoor pursuits. narratives. Or even the gorgeous black leather
Then, in 1853, John Emary, a tailor based in Mayfair, trench worn by Catherine Deneuve in Belle du Jour,
made use of the technological advances of the time to which was designed in 1967 by Yves Saint Laurent.
create a more breathable rubber coating for an Throughout the years, the fashion staple has seen
enhanced raincoat. He named his company various iterations, each contributing its unique
Aquascutum. A few years later, in 1856, Thomas mark to the trench coat’s legacy. Among these is
Burberry, a tailor from Hampshire, established his the single-breasted twill trench, notably
eponymous company. He made a groundbreaking popularised by Ralph Lauren before the turn of
contribution to the world of outerwear by inventing the millennium. This design boasts discreet front
Burberry’s gabardine fabric in 1879, which remains fastening, a gracefully pointed collar, a functional
one of the most durable and breathable materials storm f lap, and a belt, all encapsulating the timeless
employed in outerwear to this day. elegance of the original style.
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STYLE
A PERENNIAL FAVOURITE
On the f lip side, the introduction of the double-
breasted wool trench coat has brought forth a modern,
minimalist, and effortlessly chic silhouette while
paying homage to its military origins. Many iterations
of this style have been meticulously crafted using fine
wool blends and were frequently available in rich
navy or black hues. They retained classic elements
such as the front gun f lap, storm f lap, and shoulder
epaulettes, which serve as a tribute to the trench coat’s
historical roots. This particular style was reimagined
by fashion houses like Ferragamo and Alexander
McQueen during the 1990s.
Trims, buttons, and fastenings on a trench coat also
offer an insight into the garment’s quality and
craftsmanship, effectively acting as distinctive
accessories. Additionally, most coats also come with
an extra piece of fabric extending across the upper
back, commonly referred to as a storm shield. Mostly
featured in Burberry coats, its purpose is to enhance
water runoff from the shoulders, improving the coat’s
functionality in adverse weather conditions.
When it comes to double-breasted trench coat
styles, an extra fastening positioned at the front of the
collar, just below the chin, is typically incorporated.
This fastening can be secured to allow the trench
coat to be worn like one would a scarf, serving as a
practical defense against inclement weather.
Moreover, the inclusion of additional D-rings on the
belt is meant for securing equipment, even though in
today’s context, it is improbable that one would use
them to hang a phone.
THE INDIAN CONTEXT

In the early aughts, in the realm of the arts, the public
perception of trench coats remained inf luenced, to a
certain extent, by the depictions in film and television,
much as it was during the 20th century. Back home,
too, the trench coat came to symbolise Westernisation
and its impact on the informed Indian through
movies. Kolkata-based journalist Arshia Dhar says it’s
interesting to note how the trench coat can symbolise
power and control for female characters, citing the
roles played by Rani Mukherji in the 2006 film Kabhi
Alvida Naa Kehna, where she has an extra-marital
affair with Shah Rukh Khan’s character and Aishwarya
Rai Bachchan’s character in Ae Dil Hai Mushkil, who
is seen wearing a beautiful black trench coat.
Fashion stylist, costume designer, and co-founder
of Happiness Within, Akshay Tyagi, believes that the
trench coat has always been a great statement piece to
shoot editorially in India. “It’s aspirational because
very few regions in India allow us to whip out the
62
trench coat. Most Indian women prefer a jacket or a Appliquéd belted
shawl,” he says, adding the garment highlights the checked cotton-
complex interplay between fashion, culture, and gabardine trench
coat, Burberry,
identity in the context of India. ` 3,22,641 approx
THE EARLY AUGHTS

Arson Nicki, a United States-based digital content
creator and fashion commentator, adds to this: “Iconic
characters like those from the Matrix movies or Castiel
from Supernatural have contributed to our enduring
association of trench coats with individuals embarking
on serious missions. In the present day, characterised
by the increasing casualisation of fashion, especially in
a post-lockdown world, the trench coat has found its
place in a wider array of settings and occasions”.
This evolution is reminiscent of jeans, adds Arson,
another iconic garment initially popularised for its
practical utility. “People have become more
comfortable with reimagining and deconstructing the
trench coat due to its remarkable recognisability.
Consequently, it has become a versatile wardrobe
piece that can be dressed up or down, thus enhancing
its adaptability and longevity in contemporary
wardrobes,” he adds.
Double-
breasted belted
MODERN ITERATIONS cotton-canvas
trench coat,
Now, however, the trench coat is witnessing a slight
Bottega Veneta,
departure from its more practical style. On the Spring- `3,62,994 approx
Summer 2024 runways, the trench coats maintained
their loosely tailored form, often characterised by
dropped shoulder seams and sleeves that extend beyond
the wrist. “What truly caught my attention this season
was the emphasis on cinching these trench coats tightly
at the natural waistline. This shift is noteworthy at the Notably, there has been an emergence of sleeveless
moment as it diverges from the previously mentioned trench coats that bear a striking resemblance to
relaxed silhouette trend. This particular styling choice oversized vests with lapels, says Arson. “These
was evident across several collections, such as Stella particular sleeveless renditions were prominently
McCartney, McQueen, and Alaïa,” says Arson, adding featured in collections from renowned fashion houses
that while trench coats still predominantly appear in such as Gucci, Peter Doe, and Burberry. Speaking of
neutral tones, there were occasional departures into Burberry, it would be remiss of me not to acknowledge
more adventurous colour selections. “I observed the their consistent incorporation of dropped waistlines in
use of dark red shades in coats presented by Dries Van their most recent collection. While I wouldn’t classify
Noten, Hermès, and a herringbone-patterned coat this as a prevailing trend or a common theme across
featured in the Bottega Veneta show,” adds Arson. The other fashion shows, it is worth noting that anyone
incorporation of unconventional textures to elevate keen on staying updated with the evolution of trench
simple silhouettes was also visible in a green Gucci coats should closely follow Burberry. The pioneering
trench adorned with sparkling fringe, Simone Rocha’s and popularisation of the original gabardine trench
black coat embellished with sequin details, and Diesel’s coat is deeply ingrained in the foundation of their
innovative use of shredded denim. House codes,” he says. Q
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STYLE
“COUTURE IS
A CREATIVE
INDULGENCE”
In a one-on-one interview
with BAZAAR INDIA,
SHAHAB DURAZI,
a prominent figure in
the world of INDIAN
FASHION, discusses the
significance of HAUTE
COUTURE, the sources
of inspirations for his
collections, his avoidance
of the MEDIA, and
much more.
By VINOD NAIR
64
HB: There have always been talks about the
impending ‘death’ of haute couture. How do you
see this situation?
SD: “I disagree. Haute couture drives designers to
explore and experiment with multiple mediums and
this creative space will continue to inspire future
generations of designers to tweak and twist couture for
commercial leverage. As I see the number of couture
brands grow exponentially, I can only applaud and
admire the relevance couture lends to the current
Harper’s Bazaar: The words ‘couture’ and ‘couturier’ contemporary space of design universally.”
are some of the most loosely used words in fashion HB: What inspires you when you do your
journalism in India. Your views? collections?
Shahab Durazi: “I view couture in two parts: the process SD: “Fabric! It is the medium I use to translate my
and how this process is navigated to create the end product. narrative and give it a physical form closest to my
It is imperative that the creator comprehends the intrinsic vision. I love fabrics and always look forward to using
importance of both, the process he pursues and the different fabrics, to achieve shapes, forms and flows.
product he creates. Couture is a creative indulgence that is Every artist relies on a strong medium for expressing
unique from inception to end. The entire gamut of her/his vision. There can be no better way to translate
techniques employed should involve a thought process of one’s design language except with the use of the
the highest technical order and right medium.”
the end product should endorse HB: For many years, you
creative and technical excellence. chose to remain away
Unfortunately, in India, the term from the glare of the
couture is used irresponsibly and media. What made you
casually. It has come to be shy away from the media?
synonymous with bridal wear, SD: “I am an extremely shy
voluminous silhouettes, and person, although some of this
indiscriminate surface ornamen- has changed marginally over
tation. Couture cannot be the past decade. My absence
indiscriminate...it should be from the limelight is a true
clever and sharp. Mediocrity is reflection of my personality.
unacceptable. The ability to Most times this has worked
command attention through the against me for more reasons
simplest designs executed than one. In today’s
painstakingly using labour- competitive world, where
intensive techniques is couture. I fashion is ruled by public
always opine,‘quality is disciplined appearances, marketing
creativity’, and for me this sums up the essence of couture.” strategies, and networking, my reticence has been a
HB: What according to you is haute couture? And drawback. Having said this, I always believe in expressing
how would you categorise your collections? myself only when needed. I put myself out there only
SD: “Haute couture is the marriage between technique when I have an interesting or innovative narrative. I am
and design that allows the creator to explore his creative of the opinion that one must speak only when required
potential without any hurdles. In fact, I often say anything and allow one’s work to do the talking.This philosophy
devoid of compromises sums up couture. It is the creative has held me in good stead. It is gratifying to see an
journey for a designer that truly marks his technical audience who attends my shows to view my craft and
prowess to present his vision without any compromise. It not much else. It is this love for my craft, my faith in my
is the highest order of creativity wherein the end result
aligns precisely with the physical manifestation of what
was once just a vision, a thought, or a theory. It extends
beyond the ordinary into a realm of unbounded
recklessness. It is the language of love, a labour of love that
encompasses beauty beyond reason.”
65
Bazaar
STYLE
design philosophy and my undeterred journey of
self-realisation that has me shying away from the
spotlight, only to continue doing what I believe in,
irrespective of the response.”
HB: You are someone who even shies away from
fashion runways and very rarely does shows. Do
you think fashion business can be successful with
few or no runway shows?
SD: “I did a show last year after a hiatus of 12 years.
Unfortunately, our industry believes if one’s work isn’t
seen on the catwalk, then the brand has discontinued
operations. This is further detrimental if the designer is
low-key and shies away from public glare. This has been
the case for me and in hindsight I realise visibility is
imperative, crucial to business and growth. However,
there are other platforms available today that can be
explored, social media being one of them. A presence on
social media handles does help create awareness but the
importance of a live show cannot be discounted. The
whole experience of viewing the collection in a live
presentation can be surreal.”
HB: Looking back, are there any things that you
would like to change given a chance?
SD: “I never look back. If I do, it is only to see how far I
have come and I keep moving forward. I am opposed to
living in the past. I believe in the present and how we
can address our present to build a better future on a
personal and professional level.”
HB: Who are your fashion icons and how inspired
are you with their works?
SD: “I absolutely adore the work of Giorgio Armani! In
my opinion, he is the greatest fashion designer the world
has seen. His work transcends time and his philosophy
encompasses the contemporary lives of men and women
who buy into his vision and adorn his legacy in their
daily lives. Other noteworthy stalwarts are Alexander
McQueen for his impeccable tailoring and Maria Grazia
Chiuri at Dior for her immensely tasteful take on the
brand’s lineage and her unique and universal treatment
of the brand’s DNA.”
HB: Evasive yet successful and more importantly,
very respected for your work. How did you
manage this?
PHOTOGRAPHS: GETTYIMAGES.COM.
SD: “I simply stayed true to my craft and let my product

speak for itself. I made a concerted effort not to succumb
to market pressures to leverage the commercial viability
of my designs for gain. I painstakingly pursued a path of
precision and quality.”
HB: What is your opinion on the young generation
of Indian fashion designers?
SD: “The current crop of young designers are extremely
talented, focused, aware, and inspiring. They infuse fresh
blood into an industry that’s reeling under complacency
66
demand by allowing film personalities to infiltrate a
creative space that should be the prerogative of fashion
designers and in doing so they are doing a huge disservice
to fashion and the industry. They need to see the larger
and mediocrity. Young talent today has a pulse on the picture and channelise their resources to build brands
needs of the industry and what’s amazing is they nurture and add value to them. Instead, they are sidelining fashion
their strengths as designers to adapt to the evolving and talent, relegating it as incidental to the presence of
growing market sphere.” Bollywood. I have seen this repeated year after year and
HB: You are known for your strong reservations there is no change in sight.” Q
with the concept of ‘showstoppers’ and Bollywood
on the fashion runway…
SD: “The continued presence of Bollywood on fashion
ramps has detracted and discounted the business of
fashion and shifted focus from trade to entertainment.
In 1999, I collaborated with Longines to present a new
collection that was used to launch the Dolce Vita line of
watches. Aishwarya Rai [Bachchan] had been signed on
as the brand ambassador and the title sponsors invited
her to walk the ramp to create a photo opportunity to
gain mileage for their brand. This was the first-ever
showstopper Indian fashion had seen. I consented to this
not realising it would trigger a trend that would hijack
fashion ramps relegating craft to the sidelines. I have
always opposed showstoppers but have been told I have
had Aishwarya Rai and Arjun Rampal as showstoppers.
This was viewed as hypocrisy but it must be noted that
both Aishwarya and Arjun were invited by the title
sponsors to walk. I concurred with this because both
Aishwarya and Arjun were very successful fashion
models before they stepped into the world of films.
Both had worked extensively with me and shot for my
brand over the years. Both understand the brand
language and have added value to it rather than take
away from it. It is this synergy between them and the
brand that worked favourably for all. Subsequently, with
the passing of time, designers started following this
template and it has snowballed into a trend that threatens
the seriousness that fashion deserves. The only star on
the ramp should be the designer and his craft. Designers
should not piggyback on the popularity of a film star to
attract eyeballs. Sponsors are pandering to popular
“The current crop of young

designers are extremely
talented. They infuse fresh
blood into an industry that’s
reeling under complacency
and mediocrity”
67
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STYLE
How does the LONGEVITY of a RELATIONSHIP
determine a couple’s SARTORIAL choices? In the
case of VICTORIA and DAVID BECKHAM, it has
only helped CEMENT their status as a FASHION
power COUPLE.
By BARRY RODGERS
et’s rewind to 1997, when a young man

1999
One can’t easily forget the couple’s bold choice of
crosses paths with a young woman. The
coordinated bright purple outfits designed by Antonio
young woman feigns an interest in
Berardi for their wedding reception. The couple
football as a means to strike up a
openly acknowledges this unconventional decision in
conversation with the aspiring
their recent Netflix documentary, Beckham. Victoria’s
footballer. Their connection blossoms
satin fishtail gown with a strapless bodice and David’s
into a romantic relationship, and soon, they find
double-breasted blazer along with flared trousers will
themselves thrust into the limelight, becoming a
go down as an odd but memorable choice. And then
favourite subject of the paparazzi. They embody the
there’s the matching all-black Gucci biker jacket
classic tale of a sports star dating a musician. However,
coordinated looks they donned.
what truly sets apart the journey of Posh and Becks is
their remarkable ability to use fashion as a means of
expressing not only their commitment to each other 2000
but also their determination to present a united front The couple fearlessly forged their own path in fashion,
to the world. particularly in the early aughts. They demonstrate that
the unconventional combination of black and brown
1998 can be a daring yet successful style choice. David
sports a patent leather trench coat, while Victoria dons
One year into keeping the public guessing about the
a brown velvet ensemble that includes a strapless
status of their relationship, David finally takes the leap
bodice and matching pants. Surprisingly, this pairing
and proposes to Victoria. The couple decides to share
somehow works.
the news with the world, appearing in coordinated
all-black outfits. Posh Spice, in particular, opts for a
fur-trimmed leather jacket and a black turtleneck. 2001
This also marks the first of 15 engagement rings that Staying consistent with their choice of colour palette,
David will present to his wife throughout their the couple opts for matching all-black outfits at a
marriage, featuring a dazzling three-carat marquise- music awards show, embracing the Y2K style. Victoria
cut diamond set in yellow gold. effortlessly exudes sensuality in a crop top and low-
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70
rise flares, while David, sporting a newly shaved head in
a somewhat rebellious gesture, considering the simmering
tension with Manchester United manager Alex Ferguson,
rocks a paisley print blouse and velvet trousers, topped off
with a large cross pendant.
2003
At the MTV Movie Awards, the couple decided to make
a change by donning all-white ensembles. This period
coincides with a time when David and Posh were
experiencing some discord due to his move to Real
Madrid. Posh, who didn’t particularly relish her time in
Spain, wears an embellished corset gown with crystallised
trim, complemented by metallic heels. In contrast, David
opts for a white suit, pairing it with distressed brown boots
and multiple layered diamond chains, creating a striking
contrast. According to Asha Saxena, a counsellor based in
New Delhi, when couples are going through turbulent
times, coordinating their outfits with matching colours
can serve as a means to project an appearance of normalcy.
2005
Throughout the majority of the 2000s, Posh could
frequently be seen in outfits featuring shiny and silky
materials, while David consistently favoured a more casual
look, often opting for graphic tees and a beanie. It’s
intriguing to observe how they steadfastly maintained
their distinctive personal styles, especially in their casual,
off-duty attire.
2011
Fast-forwarding eight years to the wedding of Prince
William and Kate Middleton (the Princess of Wales),
Victoria, who was pregnant with her daughter Harper,
exuded regal elegance in her maternity fashion. She
graced the occasion in a navy A-line dress from her
eponymous fashion brand, which she had founded in
2008. A special shoutout is due for her choice of the satin
fascinator. On the other hand, David maintained his
impeccable style by opting for a Ralph Lauren ensemble
featuring a knee-length suit jacket. Their fashion choices
mirror a certain maturity while still upholding their status
as a power couple.
2018
For Prince Harry and Meghan Markle’s nuptials, the
Beckhams decided to sport navy once again. But despite
opting for a similar colour palette, the duo’s looks definitely
came with a modern update. David kept it clean in a gray
and black three-piece suit accompanied by a pair of shades.
Given that men are traditionally required to wear ‘morning
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STYLE
dress’ to a royal wedding, with the dress code typically
comprising a single-breasted suit jacket in black, navy,
or gray, featuring tails at the back, this look is right on
the money. Wearing one of her own creations, Victoria,
who had now come into her own as a designer, sported
a caped navy look with a matching hat and veil
complimented by bright red pumps.
2019
It had become evident by now that the Beckhams were
setting their own style rules. The refinement of Victoria’s
collections by now had translated into chic choices, like
the complimentary look that the duo wore to a gala at
the National Portrait Gallery in London. While David
kept it classic in a silk lapel tux and bowtie, Victoria gave
us her version of evening wear with a voluminous white
long-sleeve blouse paired with baggy black trousers over
tights and a dash of colour via neon fuchsia pumps.
Just a few months before the event, the couple kept it
casual yet chic, with David in a white tee, jeans, and a
beige coat (an updated take on his style from the early
aughts, where he would regularly sport white tees and
denim). Victoria’s penchant for sharp tailoring is evident
in a silk cream shirt with a chain pattern from her own
line and a sleek black blazer.
2022
The couple showcased their ability to pull off colourful
ensembles as well. Departing from their typical
monochrome palette, David and Victoria appeared
ready for spring in Paris, embracing the then-current
dopamine trend. Victoria donned a green dress with an
asymmetric neckline coupled with bold red peep-toe
boots. This marked a significant departure from her
usual attire of trademark blazers and silk blouses.
Meanwhile, David’s light blue suit, complemented by
trainers and the Dior Saddle bag, was a more understated
choice, yet it had a maximal impact.
2023
The pair made an appearance in Paris during fashion
week earlier this year, both dressed in textured outfits.
Victoria was seen wearing lime corduroy flared high-
waisted trousers, which were from her own collection.
She paired these with a lilac roll-neck jumper, creating
a stylish reinterpretation of 70s fashion. To complete her
look, she carried a lime tassel bag. David, on the other
hand, made a bold fashion statement with a tan velvet
suit, offset by a turquoise blue roll-neck jumper and a
purple scarf. This daring combination marked one of
the riskiest fashion choices we’ve seen from him in quite
some time. Q
72
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STYLE
FASHIONING
DREAMS
SABYASACHI’s journey from ‘NAMASTE MICKEY’ to his new A/W 2023
collection REINVENTS India’s global LUXURY narrative.
By PRIYANKA KATHURIA
74
I
t is not every day that you come across a contributes to a worthy cause. It is an absolute honour
collaboration that transcends borders. Enter to represent India amongst such an eclectic and
Sabyasachi Mukherjee, a man who needs no accomplished group of creatives from all across the
introduction. His recent collaboration with world. I always say, for culture to be relevant it needs to
Disney for its 100th anniversary—in support of the be dynamic. And for me, initiatives like this don’t just
Make-A-Wish foundation—has led him to create celebrate Disney’s incredible legacy of creativity and art,
‘Namaste Mickey’, a masterpiece that marries India’s but also champion so many creatives,” he shares.
rich heritage with the As a designer, Sabyasachi has blurred
iconic Disney the lines between couture and ready-to-
character, Mickey wear with his new A/W 2023 collection.
Mouse. “I wanted to The collection is made with a single
bring our two worlds purpose—using fine craftsmanship to
together through craft modern heirlooms that stand the
‘Namaste Mickey’. test of time. “I started out as a ready-to-
The inspiration came wear designer back in the early 2000s,
from India’s miniature when I was active at the New York
paintings and heritage Fashion Week, Milan, and so on. Over
crafts and one of the years, I kept bringing back elements
Disney’s most iconic of the clothes I made back then. But it is
characters. The piece is only over the last two years that I have
painted by the been able to share my larger vision for
Sabyasachi Art Found- ready-to-wear. I believe today’s
ation [an organisation consumers want to buy less but buy
that provides safe space better. This collection is about bringing
for under-privileged in the dynamism of easy dressing with
artists to practise their heirloom quality
art and make a living ‘Namaste products. It is a very
through it as well] and Mickey’ personal one for me; it
created by
embroidered by the Sabyasachi truly reflects my mission
artisans from Sabyasachi’s ateliers. In the Mukherjee for Indian crafts and how
artwork, Mickey Mouse is portrayed in it fits into global
traditional Indian attire and jewellery, wardrobes.”
against the backdrop of the iconic Taj Sabyasachi says that
Mahal, surrounded by tropical flora and the deconstructed tweed
fauna—a coming together of the east and west,” that he created using
says Sabyasachi. Indian embroidery and
These characters, he explains, were his patchwork techniques
childhood companions, inspiring him to with heritage zardozi,
envision a world beyond his immediate recycled nylons, and
surroundings. His vision was elegant but simple: tulles with the finest of
to encapsulate a touch of the enchantment that wools is one of his
Disney has crafted over the years, imbibing it favourites. “I think the
with distinctive elements of his own brand. To him, pieces that feature this hybrid craft are definitely some
the work is more than just a piece of art...it symbolises of my favourites, where I have really pushed the
India’s creative talent.“I like to think ‘Namaste Mickey’ envelope—using ancient heritage crafts with fabrics
brings a bit of India into this incredible initiative. It is made with cutting-edge modern technology.”
about sparking magic, nostalgia, and joy, even as it Lastly, he says that having spent a substantial part of
the last two decades in New York, strolling through
“I do believe, today’s Times Square, he couldn’t help but notice that none of
the gleaming screens showcased India. The realisation
consumers want to buy less that India, with such a rich history of luxury, had not yet
made a substantial mark in the global luxury markets
but buy better.” was a source of concern for him and a narrative he aims
—Sabyasachi Mukherjee to change. Q
75
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STYLE
CELEBRATE
PHOTOGRAPH: BHANU PRATAP SINGH RATHORE.
IN STYLE
This FESTIVE season, amp up your GLAM
quotient with our pick of the TRENDIEST
accessories and outfits.
76
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77
Bazaar
STYLE
Starry
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The Attico, `21,056 approx earrings,
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crystal-embellished
satin shoulder bag,
Benedetta Bruzziches,
`1,51,114
Triple Heart 110
crystal and
silk-satin
pumps, Mach &
Mach, `54,125
approx
78
18-karat white
Medusa gold, diamond
crystal mini and enamel
bag, Versace, bracelet,
`4,12,377 Kamyen,
approx `5,89,069
approx
Begum glass
crystal-embellished pvc
slingback pumps, Amina
Muaddi, `1,15,179 approx
Striped sequined
georgette bomber
jacket, Ashish,
`20,04,77 approx
The royals
gold-tone crystal Floral mirage
bracelet, handcrafted platform
Roxanne Assoulin, heels, Arpita Mehta X
`12,773 approx Sko, `24,500
Statement
earrings, Vrk
By Khanna
Jewellers,
price on
request
Tarun Tahiliani
Sculpture leather and

jacquard bucket bag,
Valentino Garavani,
`3,39,747 approx
Faux
pearl-
embellished
sequined
chiffon
midi skirt,
Balmain,
`4,22,743
approx
79
Bazaar
STYLE Numisma
citadel
earrings,
Aulerth X
Shivan &
Narresh,
`21,500
Crystal-embellished
velvet slingback
pumps, Tom Ford,
Locò small checked
`2,42,970 approx
crystal-embellished
leather shoulder bag,
Valentino Garavani,
`4,78,619 approx
Toy leather-trimmed
crystal-embellished
mesh pumps,
Penelope Loewe, `2,17,315
metallic approx
crinkled-
leather
clutch,
Chloé,
`3,76,390
approx
Olivia medium
crystal-embellished
Chessboard
suede tote, Khaite,
crystal-embellished
`3,80,018 approx
silver-tone clutch, Judith
Leiber Couture,
`3,82,274 approx
Smoking crystal-
embellished resin
cuff, Saint Laurent,
`97,545 approx
Manish Malhotra
Sundance 140
crystal-embellished metallic
leather platform sandals,
Aquazzura, `2,22,597
80
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Bazaar
STYLE
THE ALLURE
OF LEATHER
Bazaar India speaks to MARIA SOLE
FERRAGAMO, granddaughter of the
legendary Italian shoemaker Salvatore
FERRAGAMO, about her love for leather
jewellery, her brand SO-LE STUDIO,her
INSPIRATION, and a lot more.
By VINOD NAIR
Harper’s Bazaar: Born as the granddaughter of the especially during summers. I was always looking forward to
legendary Salvatore Ferragamo, what was your that time of the year, for me it was like spending time in
childhood dream career? wonderland—being surrounded by creativity, materials of
Maria Sole Ferragamo: “To become an artist, a painter all kinds and beautiful products. Each time I would move
or a singer!” from one department to the other, from preparing the
HB: How was it spending time at the Ferragamo leather for the shoes to packaging—it was such a big
factories while growing up? learning experience.”
MSF: “I was raised in a culture of craftsmanship and HB: You studied architecture from Politecnico di
creativity. Very early on, I started making jewellery for Milano and then Master of Arts with specialisation
family and friends, discovering my great passion. At the in jewellery from Central Saint Martins, London.
same time, I started interning at the family manufacturer. From architecture to jewellery designing, how did
All of us from the family interned there at some point, that happen?
82
MSF: “Architecture and design were my passion from an HB: Where do you source your raw materials from
early age.They still play a huge part in the way I design and and what are the kind of leather pieces that you use
make my pieces. But during the course of my studies, I to make your leather jewellery?
realised that all my creations were somehow miniature MSF: “From luxury manufactures around Tuscany, I use
buildings, never full-scale projects. That’s when I realised both off-cuts as well as headstock from fashion houses.
jewellery design was more prominent in my life. I conceive These come in batches of a few skins for each type of
each SO-LE STUDIO piece of jewellery as an organism, as leather, quantities that would be too little for the big brands
a building living on the human body. Therefore, I apply to use, but are more than enough for me. Actually, they
those same principles I’ve learnt while I was studying at allow me to give value to scarcity and play with multiple
Politecnico to my jewellery, it’s really a mindset, a process limited editions.”
that translates into visible elements throughout my work.” HB: From the design view point, what inspires you?
HB: What got you interested in leather jewellery? MSF: “Architecture plays a huge part in the way I design
MSF: “Leather is a material I was acquainted with at a very and make my pieces. I constantly get inspired by geometrical,
early age. I grew to love and repetitive patterns, at all
respect it, as a living, scales. It can be the scale
breathing material. Using of a building, as a tile on
leather into jewellery the floor. I am also
making has been the inspired by the more
foundation of SO-LE organic geometry I find
STUDIO. I first started in nature as well as optical
playing with these leather art and anything that
off-cuts, and I loved mostly invites you to look
the idea of translating the deeper, as it doesn’t
2D leather sheet into a 3D seem—at first glance—
sculpture using geometrical what it really is.”
patterns applied onto the HB: How are the
leather with a cutting press. surfaces treated and
Then by rotating, pressing, embellished of your
expanding these sheets, I jewellery?
create 3D sculptures. Using MSF: “I tend to look for
leather allows for lightness, those leather remnants
comfort and affordability that already have a
which are key principles of metallic finish. So, this is
SO-LE STUDIO.” just the way I find them.
HB: How did the idea In some cases, for
of upcycling discarded finishings such as crystal
leather pieces and effect or iridescent effect,
making luxury jewellery I apply it on the leather at
out of them come a secondary stage,
about? working with a manu-
MSF: “I like to challenge facturer who specialises
the idea of what a luxury in this process.”
object is and what HB: Is all SO-LE
principles guide an STUDIO jewellery
industry. Jewellery is handmade?
defined by a certain set of MSF: “All of our
rules where preciousness jewellery is definitely
means high value mineral very artisanal, with none
or precious metal such as being identical to the
gold. Even though they are other. I use machines and
made of leather, my pieces look like precious jewellery as technology where it can enhance the process and support
I play with sparkly and shiny finishes, so in my case, the human hands, but the human touch remains crucial in
preciosity comes from the craftsmanship and the design, those irreplaceable parts of the making process; it gives soul
the rest is a trompe l’oeil [visual illusion].” and uniqueness to our pieces.” Q
83
Bazaar
STYLE
A DASH OF COLOUR!
Elevate your sneaker
game with Christian
Louboutin’s new must-
have sneaker Astroloubi—
which is 20 percent
lighter than all its leather
counterparts! It is a bold
90’s street-style inspired
silhouette borrowing the
aesthetic of the era’s
iconic basketball and
skate sneakers. Each
iteration comes in an
exciting mix of materials
and textures such as
calfskin leather and soft
suede.
THROWBACK
Gucci’s 2023 Fall/Winter
FASHION All you need to shop, see, and read this season
NEWS
collection showcases a series of signature
silhouettes in ready-to-wear and spotlights
the latest archival reprisal—the Gucci Horsebit
Chain bag. The bag, introduced twenty years
ago, updates the original with a double shoulder
strap, padded leather, shearling, and contrast-
leather variations. Carry it by hand or on the By Ria Singh
shoulder, the bag encompasses the beauty
of a certain era which is always
contemporary.
CARRY THE GAME

Rooted in story telling and nostalgia, Art-chives,
India’s artisanal lifestyle brand unveils ‘The Keeper’
collection on the eve of World Cup Cricket 2023.
The release is an ode to the religion, that is,
cricket—a sport that transcends all boundaries. The
pieces are made in India and are designed in Paris,
with vibrant and playful motifs of cricket in blue and
orange. In the true spirit of sport meets style and
athleisure, these totes are chic, playful and a nod to
the Indian cricket team – the Men in Blue.
84
HOMECOMING!
HAVING OPENED
ITS FLAGSHIP
STORE IN
LONDON’S
CHARMING
NOTTING HILL
AREA IN 2012 AND
HAVING
PRESENTED THE
MOST DESIRABLE
CURATION OF
ASIAN FASHION IN
THE UNITED
KINGDOM, AASHNI
SHAH EXPANDS THE
FOOTPRINT OF
AASHNI +CO WITH
THE LAUNCH OF ITS
INDIAN FLAGSHIP
STORE AT MUMBAI’S
KALA GHODA.
CHAMPIONS
OF ELEGANCE
Marrying futuristic design
with innovative craftsmanship,
The Rabanne H&M collaboration
draws on the iconic 1960s creation
of the house’s late founder Paco
Rabanne. The collection takes
SEASON’S MUST-HAVE revolutionary, dance-floor designed
style to a new dimension, blending
Bottega Veneta once again iconic chainmail and glittering sequins.
weaves its timeless allure into the Spanning womenswear, menswear,
essence of fashion. As we enter accessories as well as a home décor
the new season, our wardrobes capsule with H&M Home, the
definitely call for something! collection will launch in selected
Presenting the brand’s Fall/Winter stores and online on 9
collection, which offers November 2023.
immaculate pieces like the
sophisticated silver heels to golden
accents and pastel bags, specially
designed to create a formal yet
chic statement this fall season.
85
Bazaar
STYLE
ALL ABOUT THE CRAFT

Celebrating artistry and artisanal craftsmanship,
Manolo Blahnik’s new project, ‘The Craft’
spotlights the meticulous process behind each
iconic shoe, with the focus on the brand’s
commitment to quality. This will allow the
consumer the opportunity for an intimate look at
the skilled artisans and their dedication to
TWO TO TANGO perfection, revealing the magic that goes into
creating every Manolo Blahnik masterpiece. ‘The
When brands with parallel legacies Craft’ beautifully encapsulates the essence of
span multifaceted cultural mixes, handmade luxury in the world of footwear.
then a love of craft and an ideology
of glamorous rebellion takes birth.
For autumn/winter 2023 the two
creative houses, Jean Paul Gaultier
and Jimmy Choo, one emblematic of
London, and the other
quintessentially Parisian—are
exploring sexuality, rebel elegance,
and couture craftsmanship.
GODS & MORTALS

Delving into the intriguing space between the
tangible and the intangible, the Aether Leak
spring/summer 2024 collection by Kanika
Goyal draws its creative impetus from the
interplay of light and shadow, the hazy realms
of the unknown, and the transcendental link
between gods and mortals. The colour palette
of this collection gracefully transitions from a
brief haze of dusty pastels to the deep
mysterious shades of the universe.
86
VERSACE REIMAGINES HOUSE CODES
“Fresh and graphic. This is a Versace summer with colour and shine,
tailoring and soft draping,” shared Donatella Versace in the show
notes. Trust the Milanese heritage luxury house to put on an
evocative show by bringing its muses from every era. Kendall Jenner
opened the show in a duchesse mini dress with embroidered necklace
and supermodel Claudia Schiffer closed it in a Versace bias-cut
checkerboard metal mesh gown.
This season, Versace’s masterful extrapolation of sharp architecture
was evident in three-dimensional structured necklines, streamlined
collarless jackets, and the signature bustier. Twisted and knotted pieces
evoked the Spring-Summer 1995 Atelier Versace collection and lent a
contemporary spin to the House’s heritage by redefining the shapes of
dresses in transparent georgette and jersey. Versace denim had a
sartorial approach including metal mesh featured as inserts.
The predominant silhouette of the season was typically sharp and
clean. Leather accessories were the high point this season. The
signature Barocco, Greca, and Medusa were prevalent in three main
expressions. The Greca Goddess line has been expanded once again.
The unisex Athena tote bag took-on the Barocco in a chic and
elevated daywear form, while the heritage Medusa ’95 continued to
live in a new bag line. Also, meriting special mention were the shoes.
The Gianni Ribbon ballerina flat marked the first time that Versace
opened a fashion show with a pair of flat shoes.
By Manish Mishra
EYES
ON
ELEGANCE
Featuring vintage
inspired designs,
Sabyasachi and the US-
based eyewear manufacturer
Morgenthal Frederics, bring
ITALIAN STYLE
together the worlds of high
Rooted in design and timepiece fashion and luxury eyewear.
innovation, the new Luminor Due The line showcases intricate
Prada Re-Nylon collaboration by details, bold designs, and a
Panerai and Prada marks the coming
fusion of tradition and
together of two Italian names,
masterfully fusing aesthetics to
contemporary style—
create history that is stylish and elevating eyewear to a
functional. The watches’ slim, light new level of elegance
and sleek proportions that express and individuality.
urban Italian sophistication are
matched with exclusive straps crafted
from a regenerated nylon fabric.
87
Bazaar
STYLE
FOR KASHMIR,
WITH LOVE
Varun Bahl’s couture
showcase, named ‘A Love
Letter to Kashmir’ in
September, was the first
fashion show to happen in
Kashmir in nearly 40 years!
The decision to choose
Kashmir as a destination came
naturally to Varun as his
family hails from Kashmir.
Keeping his father’s love for
Kashmir alive, he was thrilled
to have this opportunity to
pay an ode to him, through
his designs. This once-in-a-
lifetime occasion was made
even more special, with the
presence of celebrities Huma
Qureshi and Saqib Saleem,
who closed the couture show.
ICONIC ANGELS
Giving a fresh and reimagined look to Victoria’s Secret’s classic
glamour and timeless iconography—the brand has launched their
new campaign: My Wings, My Way which includes the
dynamic and powerful cast from the Tour 23 like, Adriana
Lima, Abby Champion, and Colin Jones amongst others. The
campaign features the brand’s archival wings picked personally by
them inspiring a campaign that is a reflection of their individual
sense of creativity and style.
88
AVAILABLE AT STORES NEAR YOU
Agra | Ahmedabad | Amritsar | Bengaluru | Bathinda | Bhopal | Bhubaneswar
Calicut | Chandigarh | Chennai | Cochin | Dehradun | Delhi | Gurgaon | Hisar | Hyderabad
Indore | Jaipur | Jalandhar | Jammu | Karnal | Kolkata | Lucknow | Ludhiana
Mumbai | Noida | Panipat | Patiala | Pune | Raipur | Rohtak
Surat | Varanasi | Vadodara
ACCESSORIES
KEEP ME COMPANY
In search of fall’s sweetest companion?
Fret not! These bags might just be the
pieces that you’re looking for.
Peekaboo ISeeU
Petite, Fendi
Small Leather
Squeeze Top-Handle
Bag, Loewe
Bazaar
ACCESSORIES
Rockstud East-West
leather handbag, Valentino
Garavani
Cashmere Jacquard &
Gold-Tone Metal
Black & White, Chanel
Bazaar
ACCESSORIES
Prada Arqué leather

shoulder bag, Prada
Jamie Medium leather and
suede shoulder bag, Saint
Laurent by Anthony
Vaccarello
ASSISTANT
PHOTOGRAPHER Zermi
Ng
ASSISTANT STYLISTS
Euric Liew & Liew Shuk
Khuen
Special thanks to Haus
Living Concepts & Smuk
Living for the props.
Bazaar
ACCESSORIES
Black Lambskin
Embroidered with
Three-Dimensional
Flowers, Dior
IMAGES: COURTESY THE BRANDS. COMPILED BY: RIA SINGH.
Hourglass small Jewelled
glossed embellished
croc-effect leather tote,
leather tote, Alexander
Balenciaga, McQueen,
`2,07,400 `2,02,000
Embellished
approx approx
leather-trimmed
canvas-jacquard
tote, Versace,
`1,28,000 approx
Jodie mini knotted

intrecciato leather
tote,Bottega
Veneta, `1,94,000
approx
The Vanguard
Quartz bead-
embellished satin
shoulder bag, Clio
Peppiatt, `49,400
approx
CARRIED AWAY
Elevate your style with these covetable finds
Rockstud Alcove
textured-leather
that guarantee to complement your ensemble this season.
tote, Valentino Arco small
Garvani, `1,75,000 intrecciato leather
approx tote, Bottega Veneta,
`2,56,000 approx
Locò VLOGO small embellished
leather shoulder bag,
Valentino, `3,09,000 approx
Small tubular
leather tote
bag,Loewe, Mini rich leather-trimmed
`1,85,200 crystal-embellished faille
Nantucket shoulder bag, Gucci,
approx large woven `3,35,000 approx
leather
tote,Dragon
Diffusion,
`36,200
approx
97
Bazaar
ACCESSORIES
Alma BB Malletage
Leather, Louis Vuitton
18-karat gold
apatite earrings,
Pippa Small,
Double Bow `1,30,000 approx
crystal-embellished
denim pumps, Mach
& Mach,`78,000
approx
Le Bambimou
padded denim
shoulder bag,
Paula’s Ibiza Jacquemus,
leather-trimmed `80,000 approx
frayed denim
bucket hat,
Loewe, `42,000 Printed
approx cashmere and
silk-blend twill
scarf, Loro
Piana,
`1,28,000
approx
BLUE MY MIND
Set the tone for the season with these wardrobe
Meta
gold-tone essentials featuring playful textures and cool hues.
feather
earrings,Cult Gold-tone
Le Panier Soli
Gaia, bead earrings,
leather-trimmed
`12,000 Oscar De La
raffia tote,
approx Renta,`45,000
Jacquemus
`38,000 approx
Heure H 25mm
small stainless steel
and leather watch,
Hermès Timepieces,
`2,25,000 approx
Paula’s Ibiza
Balloon
Ruffles
leather-
trimmed
raffia NET Sustain
shoulder Woody small
Air Jordan 1 denim-
bag, Loewe, High OG
`1,15,000 trimmed raffia
sneakers, basket bag,
approx Jordan,`37,000 Chloé,`55,000
approx approx
99
Bazaar
ACCESSORIES
£1,200 Loewe
Astrilarge Botta high boots

and Astrilarge Booty ankle
boots, all leather, Christian
Louboutin
IMAGES: COURTESY THE BRANDS, COMPILED BY : PRIYANKA KATHURIA
Photography by Nuria
Serrano Production by
Claudia Laukamp
100
Grey Talia
Velvet
Boots, Saint
Laurent,
Rue Embellished `1,28,000
Glitter Chain-Mesh Beige Canvas
Toile Logo approx
Knee Boot, Michael
Kors `53,000 Boot, Valentino
approx Garavani,
`1,70,000
approx
Beige Reptile Print

Maroon Crystal Heel Boots, Stella
Embellishment McCartney,
Heel Boots, `1,24,000 approx
Gedebe,
`1,80,000
approx
BOOT UP FOR FUN!

Give this over-the-knee silhouette a try and walk into
winter with confidence.
White Le Cagole Blue Leather
Leather Boots, Crocodile-
Balenciaga, embossed Boots,
`2,78,000 Paris Texas,
approx `1,02,000 approx
Blue
Christine
Leather
Heel Boots,
Lace-up
Benedetta
thigh-high
Bruzziches,
boots,
`2,33,000
Dolce &
approx
Psyche Over Gabbana,
The Knee 95, price on
Jimmy Choo, request
price on
request
101
JEWELLERY & WATCHES
WHISPERS OF
REFINEMENT
In silence we find the truest of beauty.
Uncover the artful mastery of minimalism in
watches and jewellery, where less is more.
SET DESIGN AND FOOD STYLING: BARBORA GÁBOVÁ; PRODUCTION: PATRIK BUREŠ; ASSISTANCE: IVONA PETRUŽÁLKOVÁ.
La Grande Classique
steel watch, Longines;
Sesenta ring in yellow
gold with engraved
agate, Grassy
Timeless pieces of gold in its three star colours, spiced up—
though never overshadowed—by strokes of diamonds or
pearls, and with designs that work in any setting or occasion
as relevant today as they were yesterday.
Photography by SANTIAGO BELIZÓN

Styling by CLAUDIA LAUKAMP
Rose des Vents

necklace in yellow gold
with mother-of-pearl
and diamonds, Dior
Calatrava watch
7200R, Patek Philippe
Earrings and necklace in
HardWare link models in
pink gold, Tiffany & Co.
Noa bracelets in white
gold with pavé
diamonds, both Messika.
Bazaar JEWELLERY & WATCHES
Day-Date 40 mm
yellow gold watch with
Rolex president
bracelet
Hairstyling and Make-up: Helena
Liebanas (Cool Productions) Earrings and necklace from the
Production: Beatriz Martinez Velasco Serpenti Viper collection in
Photography Assistant: Angi Andreo white gold with pavé
Model: Tanya Ruban (Blow Models) diamonds, both Bulgari
Bazaar
WATCHES
1908 watch, Rolex;
Vases, Ard Artisans
THE
SLOW LIFE The attraction of the analogue watch lies in its power to stop
time. Shaped in the hands of master craftsmen, these watches
bring together tradition and innovation, the past and the
present. Every minute is valuable with them.
Photos SANTIAGO BELIZÓN
Editor CLAUDIA LAUKAMP
Panthere watch,
Cartier; Wicker
object, Javier S.
Medina
29
Bazaar
WATCHES
Calatrava watch,
Patek Philippe;
Glasses, Real Fábrica;
Vases, Hay
Premiere
Gourmette Chain
watch, Chanel;
cup, bowl and
clock plate, all
Casa Maricruz
Bazaar
WATCHES
Bulgari x LISA
Limited Edition
watch, Bulgari;
tapestry vintage
Elegant Collection
watch, Longines;
blanket vintage
Bazaar
JEWELLERY
Elegant Nova Diamond
Ring, Limelight
Diamonds, `42,085
SHINING
BRIGHTER
Lab-grown DIAMOND jewellery is not just
SUSTAINABLE and environment-friendly but
also an AFFORDABLE way of redefining
OPULENCE.
By ANKITA MALHOTRA
D
iamonds are considered a girl’s best
friend but when the same are available Juniper Ring,
for half the price, they become even Itara Jewelry,
`48,000
more precious. The jewellery industry
has been truly revolutionised with the advent of
lab-grown diamonds as an alternative to natural
diamonds. Created in cultivated environments by
replicating the conditions in which natural
diamonds are formed, synthetic diamonds cost a
fraction of their natural counterparts while being
IMAGE COURTESY: THE BRANDS.
visually and chemically identical to the latter. A host

of homegrown brands including Avtaara by
Anushikha Sanghvi Shah, DiAi Designs by Disha
Shah, Itara Jewelry by Shivika Poonglia, and
Limelight Diamonds by Pooja Sheth Madhavan
among others, offer a variety of styles—from tennis
bracelets, solitaire rings and eternity bands to
116
pendant chains to earrings and necklaces—in the lab-grown
diamond segment.
One of the major benefits of lab-grown diamonds is how
sustainable they are—such diamonds do not harm the earth
as they aren’t mined. Itara’s founder Shivika gives us an idea
of the same, as she mentions, “Traditional diamond mining
can permanently damage the environment due to rock
removal, habitat pollution, usage of vast
amounts of water and energy, and
dissemination of harmful pollutants that Always
the process involves.”
Quality control is yet another advantage
purchase
of synthetic diamonds. “Since lab-grown jewellery with
diamonds are produced under controlled
conditions in a laboratory, the quality stays
certification by
consistent resulting in better clarity and a recognised
colour in diamonds with fewer impurities,”
adds Pooja, founder of Limelight Diamonds.
lab, keeping in
However, what really makes lab-grown mind the colour
diamonds attractive especially to Gen Z is
their affordable pricing. “Lab-grown
and clarity as
diamonds have definitely picked up traction well as the cut of
over the last year and a half,” says
Anushikha—she launched Avtaara in
the diamonds
2018—adding, “People who always aspired
to procure diamond jewellery but could not because of the
high price point, are now buying lab-grown diamond
jewellery because of its affordability.While engagement rings
remain a hot seller for us, other pieces such as solitaire studs
and tennis bracelets are also classic favourites,” she shares.
So what should you look out for when buying lab-grown
diamond jewellery? “Always purchase jewellery with
certification by a recognised laboratory keeping in mind the
colour and clarity as well as the cut of the diamond as that’s
what gives the sparkle to the gemstone,” says Disha, founder
of Mumbai-based DiAi Designs. Disha also adds that she is
often asked about the resale value of lab-grown diamonds:
“I believe diamonds—whether lab-grown or natural—
unlike gold, should not be bought with the purpose of
investing.Their price fluctuates due to variations in demand
and supply.”
Looking to buy something trendy or even classic that is
perfect for the festive season as well as for daily wear all
while avoiding a dent in your wallet? Why don’t you give
lab-grown diamonds a shot! Q
Paradoxical Love Earrings,

DiAi Designs, `1,25,500
Disc
Pendant,
Avtaara,
`16,100
117
Bazaar
JEWELLERY
NADA GHAZAL FINE JEWELRY

(Left) The Arch Luck Stripe Big Ring and
(right) The Arch Self Love Stripe Big Full Ring,
price on request
Beirut-based jewellery designer Nada The Lotus Power

Big Earring, Nada
Ghazal creates a conversation between Ghazal Fine
precious gemstones and diamonds in 18k Jewelry, price on
gold to create stylish pieces. From necklaces request
to earrings, the brand crafts ornaments that
you can pair with pretty much everything.
Inspired by doors, domed arches and
keyholes, etc., the brand represents
movement, symbolism, and strength, and
offers standout pieces.
Available at: www.nadaghazal.com
ELHANATI
Sterling Silver & Black Diamond
Forest Collar, ELHANATI x Conie
Vallese, `57,546 approx
Handcrafted in Denmark, Elhanati by Orit

Elhanati was founded in 2011, drawing its
inspiration from the minimalistic lines
popular in Nordic countries and the mystical
energy and terrain of the Middle East. The
MAKE A
artisans use traditional craftsmanship skills to
carefully compose their one-of-a-kind
pieces using recycled 18k gold. Two Elhanati
creations are never alike, making every piece
of jewellery unique to you.
Available at: www.elhanati.com
STATEMENT
BAZAAR INDIA introduces you to
FIVE global JEWELLERY boutique
brands and their STRIKING collections.
By ANKITA MALHOTRA
118
YOSTER
Good Eyes Choker,
`60,820 approx
Founded by designer Hila Amar from Israel, Yoster blends

emotion, power, passion, and precision in every piece that they
craft in 92.5 sterling silver and gold-plated brass.Amar finds her
form of expression through conceptual landscapes featuring
sculptural silhouettes experimenting with different shapes and
forms.Through traditional wax casting techniques, all jewellery
pieces are hand-finished and plated in Tel Aviv. Transcending
through seasons,Yoster allows you to form a bond with your
pieces and feel empowered.
Available at: www.b-yoster.com
MINKA JEWELS
Minka 18ct Yellow Gold, Tanzanite & Pearl
Mermaid Hoops, `3,02,870 approx
Founded by Lucy Crowther in 2016, this London-based fine

jewellery house specialises in bespoke fine jewellery featuring
coloured gemstones set in 18k gold. Having studied gemology and
worked with late jeweller Munnu Kasliwal at the Gem Palace in
Jaipur, as well as in New York at his studio, Lucy had a specific vision
when she launched her own label.The renowned brand is celebrated
for its unique designs with brilliant colour gemstones. If you are
looking for classic and timeless accents, we recommend Minka Jewels.
Available at: www.minkajewels.com
NADIA SHELBAYA
Dichromatic ring, Nadia shelbaya,
price on request
Handmade in Copenhagen and inspired by jewellery designer

Nadia Shelbaya’s Egyptian and Danish background, the
eponymous brand invents jewellery representing Scandinavian
simplicity and vibrancy from the Middle East in 14k gold.
Though lightweight and travel-friendly, their intricate yet rustic
pieces include fancy embellishments and gems. Amp up your
overall ensemble with their abstract-shaped ornaments.
Available at: www.nadiashelbaya.dk Q
119
Bazaar
WATCHES
ongines, the esteemed Swiss

watchmaker, has long been
synonymous with tradition,
sophistication, and cutting-edge
craftsmanship. Recently, during
an exclusive interview with
Bazaar India at the launch of their latest
masterpiece, the Mini Dolce Vita watch in New
York, Matthias Breschan, the CEO of Longines,
shared insights into the brand’s philosophy, its
HIGH
rich heritage, and the captivating evolution of
its timepieces.
At the core of Longines’ philosophy is the
artful fusion of classic and sporty aesthetics. The
brand takes pride in presenting a diverse
TIME
collection catering to both men and women. In
an industry often characterised by extremes,
Longines stands out for its harmonious balance,
making it a favoured choice among watch
enthusiasts, as noted by Matthias.
A highlight of the event was the unveiling of
LONGINES delights with the Mini Dolce Vita, a timepiece that embodies
Longines’ unwavering commitment to heritage
the unveiling of the MINI and contemporary design. Drawing inspiration
from vintage aesthetics, this watch exudes a
quiet opulence that aligns with the current
DOLCE VITA, an epitome trend of seeking timeless pieces that reflect inner
and outer elegance. With its understated yet
of timeless elegance and exquisite design, the Mini Dolce Vita appeals to
those who appreciate authenticity and heritage.
PRECISION. In the ever-evolving realm of horology,
Longines remains steadfast in its dedication to
crafting timepieces that transcend fleeting
By R ASNA BHASIN trends. While the industry often succumbs to
120
ephemeral fads, Longines
focuses on creating
watches designed to
endure not only the
seasons but also the
centuries. Matthias
emphasised that the
brand’s devotion to
timeless style distin-
guishes it from its peers.
In an era marked by
shifting fashion trends
and luxury’s changing
landscape, Longines
remains committed to
the idea that a watch
should be a true
reflection of one’s character.
According to the CEO, the
most alluring timepieces
are those that authentically
convey the brand’s essence
and narrative, eschewing
artificial marketing
ploys. This
approach resonates
with consumers
who value substance over superficiality.
As Longines continues to evolve while
honouring its heritage, its unwavering dedication
to the art of watchmaking ensures its enduring
appeal to discerning enthusiasts worldwide. Each
timepiece bearing the Longines name
encapsulates a piece of horological history and
tradition, appealing to those who recognise that
genuine luxury is often silent, understated, and,
above all, timeless.
Additionally, the event offered a unique
opportunity to converse with Longines’ brand
ambassador, Jennifer Lawrence, who shared her
perspective on the significance of time in her
life. Her personal journey, marked by the birth
of her child, has shifted her perception of time,
instilling a deeper appreciation for the moments
that swiftly pass. Jennifer emphasised the
importance of punctuality and time
management in her life, stemming from her
early years and her commitment to respecting
the time and efforts of the numerous
professionals on a film set. It was only in recent
years that she began to contemplate the
significance of watches in her own life. Q
121
A HARPER’S BAZAAR PROMOTION
ONE OF A KIND
Championing the exquisite moments of life and breaking the barriers in bartending,
at Diageo Reserve’s World Class 2023.
S
tep into a world where every sip is an art, and
innovation flows freely. Welcome to World
Class—it is the harbinger of better, not more
on the backs of the premium spirits offered
by Diageo Reserve like Johnnie Walker, The Singleton,
Don Julio, Ketel One, and Tanqueray Nº Ten among
others. Recently Diageo Reserve conducted the 14th
edition of World Class, the biggest bartending competition
globally. All the cocktail enthusiasts look forward to this
prestigious event. Through World Class bartenders are
inspired, trained and supported to master cocktail
innovation and craftsmanship across 54 countries.
Delving into the details, World Class 2023 finals in
São Paulo brought together the best bartenders across
the globe to compete for the prestigious title of World
Class Bartender of the Year The competition brought
out unique cocktails which celebrated the diverse cultures
uniting to support the bartending community. A four-
day extravaganza, the event offered an immersive and
cutting-edge experience that captivated consumers
and industry professionals alike. It was an opportunity
to witness the world’s top bartenders craft out-of-the-
ordinary cocktails. Aashie Bhatnagar—who won the
National Finale at Leela Ambience, Gurugram, on the
2nd of July 2023—secured a place in the top 12 finalists
from across the globe—tasked with four challenging
rounds that tested them on various skill sets. The Diageo
Reserve brands and contests are laced in storytelling
and sparking conversations around sustainability,
innovation, craftsmanship and celebration.
Each challenge was not just testing skills but the ability
to tell a story that is akin with the purpose behind some
of the finest spirits that they have to offer. The competition
commenced with 54 contestants, each facing five distinct
challenges over a period of two days: The Singleton audience in the other rounds as well, with a lively
Disco where the aim was to take the judges and the demonstration of 1980s-style Bollywood disco dance
crowd on a multi-sensory disco journey. Don Julio- moves. Her artistry knows no bounds, as each
Classics Of The Future, which was a peek into the concoction had a unique story behind its inception.
future of what a classic tequila cocktail could become. Chief Business Development Officer Luxury Reserve,
One Step Beyond, in which the participants had to Craft Diageo, India, Shweta Jain, expressed her
create four serves that are suitable for four different excitement, stating, “Aashie’s achievement is a
occasions using Johnnie Walker Black Label— testament to her expertise and flair for the craft and
highlighting one of the flavour cues. Tanqueray, and immense talent within the Indian bartending community.
the Ketel One Challenge was the evaluations that took At World Class, we have created a worldwide ecosystem
place. These initial rounds served as a selection for that inspires people to drink better & create
the top 12 finalists, and Aashie made India proud by unforgettable experiences. Aashie’s victory showcases
being one of them. her individual talent and amplifies the burgeoning
The ultimate stage—’Flavours of Brazil’—assessed influence of the bartending community.”
the competitors’ skills in
va r i o u s a s p e c t s o f
mixology like agility, speed,
creativity, and finesse. It
started with crafting eight
caipirinhas, followed by a
Mystery Box challenge,
something we all love! And
lastly, presenting a flawless
martini. Simple, but
demonstrating the mastery
and expertise one has.
Aashie truly enhanced
India’s reputation by being
t h e f i r s t f e m a l e to
represent the country at
the global finals. Hold your
breath because this is not
it, she also won the
People’s choice award. Hey
journey was one of
passion, determination,
and immense hard work.
She commented that it’s
an absolute privilege and
she would like to share this
success with her community, those who have supported World Class India provides an extraordinary platform
her throughout. to achievers like her and other aspiring bartenders to
Her cocktails were a true testament to showcasing showcase their passion, skill, and knowledge of the
the Indian elements and her craft, taking the ‘Banta art of cocktail-making. The cocktail culture in India
Soda’ to Brazil, apart from including other ingredients has reached new heights, fuelled with innovation,
in an ingenious way such as beetroot and jasmine tea. sustainability, and incorporation of the local ingredients.
Aashie—hailing from Moradabad and currently #AGlassofWorldClass was truly the unmissable event
working in Pune’s Cobbler & Crew, charmed the of the year.
A HARPER’S BAZAAR PROMOTION
CELEBRATING A
DECADE OF LUXURY
At JW Marriott New Delhi Aerocity, grandeur transcends mere
aesthetics to become a way of life.
I
t was exactly ten years ago, in 2013, when a legacy of my father shines brightly through this
grand tale of luxury unfolded in the heart of milestone and partnership. I am grateful for the
the nation’s capital—JW Marriott New Delhi unwavering support of our guests, partners, and
Aerocity embarked upon a remarkable journey, the dedicated team that has made this journey
setting out to redefine opulence. Today this beacon possible.”
of elegance where luxury transcends mere JW Marriott not only redefined the very concept
aesthetics and becomes a way of life, celebrates of upscale accommodation but culinary adventures
its 10th anniversary. also became a central theme of their saga. The
Celebrating the extraordinary journey and the hotel’s culinary prowess has been a cornerstone
legacy of his late father Padma Shri Sushil Gupta; of its success, boasting an array of award-winning
Sandeep Gupta who is the Executive Chairman restaurants and lounges. To name a few, the Delhi
of Aria Hotels and Consultancy Pvt Ltd says, “The Baking Company delights guests with an array
of desserts, bread, bakery products, and the finest illy “Our guests in turn have taken care of our business
coffee; K3: New Delhi’s Food Theatre, is an all-day by choosing us as their preferred destination,” he adds.
diner that offers an unrivalled dining experience with Offering 509 rooms and suites, this hotel offers its
three kitchens presenting Mediterranean, Asian, and commitment to sustainability which includes setting
Indian cuisines—all crafted by a team of masterchefs; up an in-house water bottling plant and eliminating
and the latest crown being ADRIFT Kaya New Delhi, the usage of over 50 lakh plastic water bottles over
a Japanese Izakaya, brainchild of visionary Sandeep the last three years. JW Marriot also embraced the
Gupta, helmed by Michelin-starred chef David Myers. future in 2022 by installing an electric vehicle charging
Crediting, not just the splendid facilities or the elegant station, catering to eco-conscious guests, and the
ambience that defines their success; Sharad Datta, the brand achieved a pinnacle milestone by hosting G20
General Manager of JW Marriott New Delhi Aerocity delegates, including the Head of State of a country
also acknowledges the unwavering dedication of their solidifying its position as a top luxury hotel for
associates who have tirelessly taken care of their guests. prestigious events and dignitaries.
.I N
Follow www.cosmopolitan.in for

the latest in fashion,
beauty, and celebrity news.
VOICES
BEING
UNSTOPPABLE
Bazaar India speaks to six women who are
not letting their age define them or their
sartorial choices.
Bazaar
VOICES
AGE IS JUST A
NUMBER
BAZAAR INDIA speaks to SIX WOMEN who defy
stereotypes and let their SARTORIAL choices be more about
INDIVIDUALITY and confidence rather than their AGE.
By SHUBHANGI JINDAL
ROZ K AUR
Stylist, Anthropologie a simple yet powerful message to women of all ages:
“Ageing is a gift, it’s a time filled with wisdom and
wonderful experiences that should be celebrated, not
T
racing back to her childhood in India, Roz’s concealed. My goal is to empower women to embrace
love for fashion emerged at a time when their individuality and live life to the fullest, free from
vibrant silk saris and exquisite jewellery the pressures of conforming to age-related stereotypes.”
were an integral part of her family As far as Roz’s fashion icons are concerned, her list is
gatherings. “I was mesmerised by the effortless grace as diverse as her own fabulous sense of style. “While my
with which my mother and aunts would get dressed for mother and aunts’ timeless elegance will always hold a
parties; it left an indelible impression on me and ignited special place in my heart, icons like Lauren Hutton
my sense of style.” Over the years, her approach to (model and actress), Kate Moss (model), and Diane Von
fashion evolved, but it retained a touch of androgyny. Furstenberg (Belgian fashion designer) continue to
“This transformation reflects the fusion of traditional inspire me with their impeccable confidence and
Indian influences from my consistent sense of self in their
upbringing with the fashion choices. Maye Musk (model
contemporary, global perspective “One of the biggest challenges and dietitian), with her incredible
I’ve embraced in my life’s journey, charm and sophistication, is
which I took along with me from we face in society is the lack someone I look up to and hope to
India to the United States,” says emulate in the future.”
the 56 year old. of representation of “One of the biggest challenges
The California-based stylist positive ageing” we face in society is the lack of
firmly believes that age- representation of positive ageing,”
appropriate dressing should says Roz. Embracing her fashionable
revolve around making you feel confident, regardless of self that remains rooted in India, she urges us to
your age. “I’m all about putting personal happiness and surround ourselves with a supportive community and
fulfillment above societal expectations. I want to inspire avoid unnecessary comparison. “The ultimate goal is to
people to embrace their unique journeys and reject the be true and content in your own skin—recognising the
notion that they need to attest to an ‘anti-ageing’ power and possibilities that come with ageing every
mindset.” Demonstrating the distinct charm of her step of the way.” In a world that often pressures us to
homeland in her sartorial choices, Roz hopes to convey conform to ageist stereotypes, Roz is a beacon of
inspiration. “Age should never be a limitation, but
rather be a source of strength and beauty. I want to fill
that gap and show women that style and self-expression
do not diminish with age, neither should they.”
129
Bazaar
VOICES
The Pune-born feels that ageism has become so
deeply ingrained in our society that we often fail to
recognise it. “Unfortunately, the term ‘ageing’ carries a
negative connotation. If only we could shift our focus
to the positive aspects of growing older.” To Ketaki,
being pro-ageist means accepting the changes that life
brings, both physical and emotional. “I like to think of
myself as fine wine, only getting better with age!”
Age-appropriate dressing, explains Ketaki, “is a
subjective concept, and varies
depending on cultural and
“Great fashion is all about finding regional norms.” For her, what
matters more is how one carries
what works for you and exuding a particular style. “Whether it is
a sari, a halter top, or a fitted
confidence in your choices” dress, confidence, grace, and
dignity are the key elements in
making any outfit work.” The
key to looking your best, according to Ketaki, is to find
silhouettes that enhance your natural features and
balance your proportions. “I personally prefer well-
fitted clothes that highlight my curves without revealing
too much skin. I often opt to bare my shoulders rather
than my legs because I find it more elegant.”
KETAKI PIMPALKHARE “Great fashion is all about finding what works for
you and exuding confidence in your choices,” shares
Model and Artist Ketaki.The fashion icons she looks up to are testaments
to that statement. “I admire Audrey Hepburn’s style for
her timeless elegance. While Sophia Loren’s confident
K
etaki’s (46) tryst with fashion began as a embrace of her buxom, curvy body exudes classic sex
natural extension of her lifelong passion for appeal, Maharani Gayatri Devi’s graceful disposition in
art: “For the past 25 years, I have immersed chiffon saris and vintage pearls resonates with my own
myself in the world of painting and historical style preferences.”
sculpting, allowing my creativity to flow freely.” Ketaki believes that while there are many factors
However, with digital innovations in these realms, the which are involved in identifying your own unique
photography major found her interest in art waning style, absolute comfort, and confidence only comes
away. It was then that a surprise introduction to the from accepting your body type, displaying a nonchalant
world of modelling came her way. “A dear friend attitude towards judgment, and being your unapologetic
introduced me to a modelling agency that was self. “Each person’s unique personality deserves to
recognised for their philosophy of showcasing Indian shine. Embrace your individuality, and let your
talent that defied conventions and embraced non- authenticity be your greatest fashion statement.”
conformity. Little did I know just how much I would
come to cherish this newfound experience.”
Ketaki has always been a fervent advocate of
authenticity—embracing her natural self and shying
away from altering her appearance throughout her
artistic journey. Therefore, the idea of colouring her
hair had not even crossed her mind. “When I was told
that my grey hair is my USP, it couldn’t get any better.
I have never been more confident about my greys and
my physicality over the last couple of years,” says
the artist.
130
Bazaar
VOICES
there was a gap in the market for a truly modern Indian
brand. This realisation was the driving force behind my
decision to start my own label,” mentions the 49-year-
old who founded her eponymous label in 2008.
In today’s era of heightened awareness and social
consciousness, Urvashi feels disheartened that ageism
remains a deeply entrenched issue that often goes
unaddressed. “Ageism is so
ingrained in our culture that
“One must dare to dream and we don’t even recognise it. It is
essential to recognise that
break the rules. Celebrate who older individuals possess a
wealth of experience, wisdom,
you are and never limit yourself.” and contributions that extend
far beyond economic metrics.”
She believes that it is crucial to
shift this narrative, particularly in a country like India
with its strong tradition of respecting elders.
When it comes to fashion inspiration, Urvashi looks
up to a diverse group of women who have made a
URVASHI KAUR mark through their style and substance. “My
grandmother, Prabhjot Kaur, was not only a poetess but
Fashion Designer also a freedom fighter and a symbol of elegance that
made her the ultimate style icon. I also admire Coco
Chanel’s fearless approach to fashion liberation, Iris
A
unique blend of experiences shaped Apfel’s age-defying style, and Indira Gandhi’s fusion of
Urvashi Kaur’s perspective on style and simplicity and power—the three women are celebrated
design. “Growing up in an army family, I not only for their sartorial choices but also for the
had the privilege of travelling extensively causes they championed.”
across India. These travels exposed me to the rich Urvashi’s approach is centered on inclusivity and
tapestry of India’s craft communities, and I gained a versatility: “My personal and brand aesthetics transcend
profound understanding of the country’s diverse art age boundaries, emphasising timelessness and
and culture. Later, my family moved to Algeria, individuality built on a narrative of inclusion,
immersing me in an entirely different cultural milieu.” mindfulness, and reinvention.” The celebrated fashion
These formative experiences instilled in Urvashi a designer’s distinct sense of style is a reflection of her
deep appreciation for different cultural traditions, truest self. “My choices and my designs are a testament
ethnicities, and identities, which, she shares, have to the fact that style is ageless, seasonless, and genderless.
become a recurring theme in her work. One must dare to dream and break the rules. Celebrate
“During my college years at Delhi University, I who you are and never limit yourself,” she concludes.
developed a passion for theatre and costume design,
which led me to work with a theatre company under
the guidance of the late Aamir Raza Hussain (theatre
director and actor).” Subsequently, Urvashi joined a
fashion label to learn the technical aspects of design—
from pattern-making to dyeing. It was during this time
that she had the opportunity to closely interact with
artisans, observing and studying their craft practices. To
further her fashion education, she enrolled at ESMOD
in Paris, where she adopted a more academic approach
to design. “Upon returning to India, I realised that
133
Bazaar
VOICES
back, she wonders why she didn’t pursue a career in
fashion, given her lifelong passion for it. “I still hold
onto the dream of creating my own clothing line
some day.”
In today’s era of wokeism, where calling out
someone for their colour or size is swiftly criticised,
ageism often goes unchecked. But the renowned
influencer feels grateful for not having felt its impact.
“No one has ever said anything to
“I’ve learned to embrace me about my age that I have been
sensitive about. On my 60th
my body, both its strengths birthday, I chose to reveal my age
on my Instagram page because I’m
and its imperfections, and proud of who I am and I’m living
my best life.”
I dress accordingly” Vinita shares that she has never
been dictated by trends when it
comes to dressing herself. “I have never resorted to
extreme dieting or skipped meals. I maintain a regular
workout routine, which I genuinely enjoy. I’ve learnt
to embrace my body, both its strengths and its
imperfections, and I dress accordingly.” Through her
distinct sartorial choices, she hopes to convey a
VINITA CHAITANYA
message to women of all ages: ‘Confidence is key.’
“My Instagram platform has given me the opportunity
Interior Designer to inspire others through my fashion choices. I
recently wore a chikankari pyjama kurta to a design
event in Paris, a first for me, and loved every bit of it.”
Vinita’s taste in fashion is primarily vintage with a
B
orn and brought up in the small town of mix of bohemian and country styles. She admires the
Munger in Bihar,Vinita Chaitanya was just a magnificent charm of Audrey Hepburn and finds
child when she first started harbouring inspiration in Anne Hathaway and Sharon Stone’s
dreams of fashion. “My mother used to get glamorous looks. With a distinct sense of style and an
matching dresses stitched for my sister and me. Once a innate talent to draw design inspiration from the most
year, we would travel to Mumbai, proudly donning mundane of things, the celebrated interior designer
these home-stitched dresses, to meet my fashionable believes that getting older has only boosted her
cousins. Since then, hand-me-downs from them have confidence. “I dress more stylishly and effectively
become a cherished family tradition. It seems like pre- now. My fashion journey has been a lifelong
loved fashion may have been a thing even back then,” exploration of self-expression and identity,” she shares.
laughs the 61 year old.
“After completing class 10, we moved to Bengaluru,
and I joined the Bishop Cotton school, where we
didn’t have a uniform,” Vinita recalls wearing a green
brushed cotton wrap skirt with a white shirt, a style
that the school eventually adopted for the uniform.
This was a testament to her fashionable origin.“During
my college years, I developed a penchant for junk
jewellery and was often seen wearing striking long
earrings. It was when I started working for my first
design job at the Oberoi Grand, Kolkata, that I began
wearing saris regularly.” To this day, Vinita believes she
can drape a sari perfectly within minutes. Looking
134
Bazaar
VOICES
which I would have welcomed more at the beginning
of my career,” says the 58 year old. However, she is glad
to have observed a positive shift in attitude towards
older individuals. “Our society is becoming more
welcoming and inclusive of older people.”
Being pro-ageist at her core, Archana acknowledges
that age should not limit one’s choices or define how
they should dress, behave, or contribute to society.
“Some women choose to embrace their laugh lines and
sagging skin while others opt for procedures to
maintain a youthful appearance.
“Age has allowed me to Likewise, some women may
choose to embrace their greys to
understand what truly suits me, define their personality—these
choices should not be stigmatised
freeing me from being a victim or shamed.”
Age, for Archana, has been a
of fleeting fashion trends” liberating journey, giving her the
confidence to make bold choices,
find her voice, and truly understand herself. “India is
saddled with social mindsets where women need to
question mindsets, and break out of the years of
conditioning to assert their own standing.” So, what
ARCHANA JAIN
story does the seasoned PR practitioner with over 30
years of experience aim to convey through her
Founder and Managing distinctive sartorial choices? “It is simple: find your own
style and aim to be timeless. It’s about seeking freedom
Director, PR Pundit from compromises and challenging societal norms,
owing to the same I’ve opted not to have children,
embracing my natural curly and now, grey hair. Age has
allowed me to understand what truly suits me, freeing
A
rchana started embracing her personal style me from being a victim of fleeting fashion trends,”
in the late ’90s, when she embarked on her she says.
entrepreneurial path, founding PR Archana aligns with the concept coined by American
Pundit—a homegrown lifestyle PR tech entrepreneur Gina Pell, who defines ‘perennials’ as
agency—in 1998. “At that time, I was in my early 30s, “ever-blooming, relevant individuals of all ages who
and I felt the need to project a mature and serious remain connected to the world, adapt to technology,
image to gain credibility with clients. To achieve this, I build diverse relationships, mentor others, and embody
started teaming up pearls with saris and incorporating qualities like passion, compassion, creativity, confidence,
business suits into my wardrobe, aiming to appear smart and collaboration.” That is Archana for the world. Till
and in control.” Throughout her glorious career, then, she advises us to throw caution to the wind and
Archana chose to maintain an understated style that celebrate the beauty of every stage in life.
leaned towards timeless elegance.
Over the years, the public relations professional has
witnessed a significant evolution in the fashion
landscape. “While society has become more aware of
the importance of inclusivity, it is striking that ageism
often remains unchecked. In a youthful country like
India, there is a growing acceptance of younger voices,
137
Bazaar
VOICES
There are a few icons who have left an indelible

mark on Bela’s timeless style journey. “Waheeda
Rehman stands out as my favourite muse, celebrated
for her timeless saris and pearls ensemble. She effortlessly
introduced silver into mainstream fashion, making it
appear both comfortable and chic. A true fashion
trailblazer, she exudes equal
charisma donning men’s clothing.”
Another icon she adores is Iris
“I firmly believe that I carry my Apfel, who is known for her
eccentricity and her artful blend of
clothes, and they don’t carry me” high-end and budget-friendly
pieces, who, Bela adds, lives by the
mantra “more is more, and less is
bore”. Rihanna’s bold sartorial
choices and eclectic fashion sense are also captivating
and inspirational.
“With age, I have gained wisdom and confidence...I’ve
never felt more at ease in my own skin than I do now,”
says Bela. She believes that ultimately, fashion should be
fun. “Be a disruptor, but do so thoughtfully. Focus on
BELA SAHGAL
one key accessory, colour, or trend, and highlight it.”
She advises women to dress according to the occasion,
Fashion Enthusiast experiment, but always consider how they carry a
particular outfit. “The key is to embrace ease,”
she concludes. Q
M
y childhood memories are filled with
the enchanting presence of my beautiful
aunts, who always adorned themselves
in exquisite saris, delicate pearls, elegant
bouffant hairstyles, and stylish dark sunglasses,” shares
Bela. Those early moments, she recalls, were her first
look into the captivating world of fashion. “As I grew
older and traversed the globe, my fashion sensibilities
evolved. I became an avid people-watcher, observing
what made individuals stand out in a crowd.” Age has
never been a barrier for Bela who has always embraced
her unique sense of style—she stands here today, self-
assured, mature, and entirely comfortable in her
own skin.
The concept of ‘age-appropriate’ dressing has never
held much sway for the 62 year old. “I have never let a
number dictate my attire; it is always been about what
fits flatter me. I firmly believe that I carry my clothes,
and they don’t carry me,” shares Bela. For her, dressing
with both comfort and confidence hinges on the
perfect fit. If something fits impeccably, it is a must-
have in her wardrobe.“To me, the timeless trio of black,
white, and denim is a fail-safe choice. These basics
should always find a place in your collection.”
138
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EXCLUSIVE
Follow www.bridestoday.in for
the latest in fashion, beauty and
celebrity news.
140
Embellished
patent-leather
slingback pumps,
Versace, `66,300
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Lipstick-
AT WORK Persuasive,
Estee
Lauder,
`3,600
Camera Flash
crystal-embellished
silver-tone clutch,
Judith Leiber
Couture, `4,69,000
approx
Panthère de Cartier
small 22mm 18-karat
gold watch, Cartier
Herrera, price on
request
Hop large intrecciato

leather tote, Bottega
Veneta, `3,09,200
approx
Eau de Soleil Blanc,

100ml, Tom Ford
A SHOT AT
Beauty, `27,200
SUCCESS
BAZAAR INDIA speaks to three
FEMALE fashion PHOTOGRAPHERS
to shed light on what it’s like being part
of and SUCCEEDING in a male-
dominated REALM.
18-karat white gold Celia leather gloves,

diamond tennis bracelet, Agnelle, `12,800
Anita Ko, ` 34,91,800 approx
approx
Mille Et Un
Lapins Scarf,
Hermès,
`42,500
Rectangular-frame gold-tone sunglasses,

Gucci Eyewear, `26,500 approx
Bazaar
AT WORK
Anushka Menon
It was as a 16-year-old pursuing a foundation course in arts, design and
communication in Australia that Anushka stumbled upon a photography
module and, in turn, realised the power in image-making. Anushka
(39)—she was born in the Indian capital but raised in Muscat—learnt
BEHIND
not just the nuances but also the range and scale of the art form in a
two-year professional course in collaboration with the International
College of Professional Photography (ICPP),Australia, at a Delhi-based
THE
college in 2003. While her love for fashion photography developed
during this time, her first paid job, she recalls, was with an Indian
FRAMES
magazine that onboarded her to shoot the profile of a leading Delhi-
based bakery’s owner. “By the time I graduated, I connected with
models, designers and was soon working on look books, campaigns,
OF
editorials, etc.”
In a male-dominated industry such as fashion photography, there is a
tight frame of challenges that the opposite gender faces, and Anushka—
DREAMS
she has moved to Goa from Delhi in 2016 and is now juggling two of
her passions, music and photography, as part-time professions—
mentions confronting a few and more.“Initially, language was a barrier
for me since I would mostly communicate in English. Also, working
with an all-male team can come about with its own set of
Three complications—some people don’t take you seriously or don’t want to
take orders from a woman. Of course, there were others who were
LENSWOMEN great...they recognised my talent. I also found a team that supported

me—I still have the same team I had 15 years ago,” she adds. The
business side of things wasn’t easy for her either: “I had to spend my
share the own money to create a portfolio.”
There is no rubric one can follow to be successful. Gender, however,
TRIUMPHS and can have a direct or indirect impact on personal progress no matter the
industry. “The pros and cons when I started out exist even today,
CHALLENGES probably subtler now,” shares Anushka. In hindsight, Anushka—she is

one of the two female Fujifilm ‘X’ Ambassadors from India—adds that
women do have an added advantage given the female gaze: “Women
they face inhabiting have a natural instinct and different approach to shooting—how we
converse with subjects and the way we view them is different from
an artistic expanse male photographers. I also feel females shoot females better.”
Was it difficult to work with creatives who were on the higher rungs
replete with beauty, of success? “When I started out, I wanted to be guided by someone
with experience. I approached at least five or six photographers in
Delhi, and later in Mumbai, but was rejected by them all.While it was
ART, commerce a challenge, it also motivated me to learn the ropes by myself. I don’t
know why I wasn’t taken on board: maybe they thought I wasn’t strong
and, above all, enough to carry equipment—though small, I was strong (laughs);
maybe they thought I’d no potential; or were intimidated. It took me a
FASHION. few years to prove my worth. Now, the same photographers tell me
what a great job I’ve done.” Ask her if there’s a set formula for female
photographers looking to break into the field, and she concludes,
By SIMI KURIAKOSE “Hopefully you have the support of your family or financial support as
it’s an expensive profession.To create your own space, remember to be
authentic. Seek help because there are people out there, including
myself, who are happy to mentor.You must also know the business side
of things; enroll in a course to be familiar with how things work. But
the rest you learn as you go along. I encourage people to follow their
dreams irrespective of what they want to become.”
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143
Bazaar
AT WORK
144
Manasi Sawant
Being raised in an artistically inclined family doesn’t guarantee thriving as a creative, but it definitely
helped Manasi Sawant—her mother, an art teacher, and her father, an artist, never restricted her from
following her dreams. In fact, Manasi was keen on becoming a dancer at one point, but later decided
to pursue a five-year course in commercial art from Sophia College for Women, Mumbai. It was only
during her final year in college that she discovered she has an eye for photography: “In my last year,
photography was one of the two specialisations I had to choose from. Coincidentally, I had just
received a camera as a gift from my father. Till then, photography wasn’t something I was even
interested in. But when I started becoming acquainted with the camera, I was often made aware that
I am skilled.”
The accolades she received for her novice attempts paved the way for her to give this hobby a
serious chance. However, once she graduated, she was unaware how to steer her passion for storytelling
through photography into a profession. Manasi then took the tried-and-tested route of joining an ad
agency, up until she encountered Ooty-based Light & Life Academy’s exhibition in Mumbai. “I
enrolled for a course at the institution, and specialised in fashion photography. However, I recall how
difficult it was working on my final project—an editorial fashion shoot that I had to put together. It
was tedious as I didn’t know many people from the industry. It was then that my HOD (Head of
Department) suggested I assist someone, and I apprenticed under photographer Farrokh Chothia for
two years. That is where the actual learning happened.” Post a solid tenure with the genius
photographer, Manasi started her career as an editorial photographer with an Indian fashion magazine.
The first day on set, she recalls, was overwhelming as she was shooting with some of the industry’s
most recognisable names: “It was special; the editor later appreciated my work and my five-page story
was expanded to 12 pages.”
Ask Manasi if her gender ever was a hindrance to her growth in the field, and she adds,“Everybody’s
experiences are different and I am sure people have faced it. I cannot comment if it is because of my
personality, but as far as I am concerned, I have never faced discrimination because of my gender. My
mentors and those I’ve worked with never treated me as a ‘female’ photographer. Even clients have
been extremely accepting—I was given opportunities while I was eight-months pregnant, and also
commenced shooting right after my child was two months of age.”
We probe into this again, and she remarks, “No matter what your gender is, if you’re not assertive,
anyone—from the light boys to clients—can take you for granted. When you’re a photographer,
you’re the captain of the ship, and if you’re not headstrong, things can fall apart. Put your point across
keeping the other person in mind. It is imperative to find midway as it’s a creative process.”
Given how sanguine Manasi is about the rise of women in this realm, we nudged her to share any
learnings she’d had that a female professional can keep in mind. Manasi concludes, “Trust your vision
and don’t be afraid to take risks. Also, get your techniques right so you can walk onto a set with the
knowledge of what you’re doing—because there are people putting their money on you to get this
right. Fashion shoots can be chaotic, but it is important to stay calm and think on your feet when
things don’t go as planned. Also, learn the business of photography. Most of all, remember why you
fell in love with photography in the first place, and enjoy the journey without taking yourself
too seriously.”
145
Bazaar
AT WORK
Apeksha Maker
As a mass communication graduate who majored in advertising from KC College of Arts, Commerce &
Science, Mumbai, Apeksha (31) was always “intrigued by the camera but never planned to be a professional
photographer as I didn’t know how I could develop this into a full-time career”. However, she decided to give
the profession a chance, and pursued photography at BV’s School of Photography, Pune—where she also met
her senior (currently her business partner),Vaishnav Praveen.“We knew we wanted to start something together
as we understood each other’s styles,” shares Apeksha, who co-built The House of Pixels—a photography
service based in Mumbai—with Vaishnav in 2016. Fashion photography piqued her interest over time.“Initially,
we started working backstage at Lakmé Fashion Week, and later, shot look books for designers. For me, getting
into fashion has a lot to do with working with Vaishnav—his work inspires me,” adds Apeksha, who currently
also enjoys directing fashion films. The duo’s first major gig was for Jayesh Sachdev’s fashion label, Quirk Box
with model (now actor) Sobhita Dhulipala. Was the experience overwhelming? “Not really,” she recounts,
adding, “We were lucky to find people who were ready to help us—and so we weren’t stressed on set. It was
a good experience.”
Suggesting that the entrepreneurial journey can be smoother (and less complicated) with a co-founder by
one’s side would not be an unwonted response from those helming companies. It was no different for Apeksha.
When asked if gender bias manifested at her place of work, Apeksha says, “At times, yes.When we’re [Vaishnav
and her] on a commercial set, at times, I feel people take a male photographer more seriously than a female
photographer.” She shares instances, citing casual inferences such as ‘are you from the styling or the make-up
team?’ she often hears from people: “I’ve been working with my lighting team for a while, and I have managed
to break the barrier there and there’s mutual respect. Even celebrities, brands, and models, etc., don’t care about
the gender of the talent. I find such issues with those in the corporate world—since I am a girl, I will
immediately be put into any department other than a technical one. I also feel a lot of people prefer talking to
men—and men are taken more seriously. Till the person doesn’t see you [a female photographer] in action on
set, there will always be a sense of doubt in their mind.” But that’s not all. Apeksha also shares how, at times,
providing basic amenities such as restrooms for women might not even occur as a thought to many: “I face
this often; these are basic facilities you should not have to ask for. I think since there’s a gender gap in the
industry, women face this issue.”
Would she agree that comfort (and empathy) is what influences the relationship between a photographer
and subject—and thus women might be more at ease when clicked by another woman? “In my opinion,
models have one of the most difficult jobs on set. I feel when shooting models, especially in fashion, it is
extremely important for the photographer to make them—irrespective of the gender—feel safe and
comfortable so that the subject communicates with the artist and their camera. That being said, I also think
that at times, (female) models might be more comfortable when shooting with female photographers.”
As we conclude the chat, we ask Apeksha to share her thoughts so as to encourage talented women who
might often be dissuaded to become photographers: “Be headstrong and know what you’re doing”. She signs
off adding, “Be technically sound without depending on anyone else.Your gender will blur out eventually as
long as you know what you want to express through your work.” Q
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. IN
Follow www.cosmopolitan.in for the latest in fashion,

beauty and celebrity news.
TALKING POINTS
EXQUISITE
BEYOND
EXPRESSION
Artist AYESHA SINGH on her unique DESIGN
LANGUAGE; singer ANKUR TIWARI on his
musical journey; filmmakers ZOYA AKHTAR and
REEMA KAGTI on their ability to tell stories that
PHOTOGRAPH: GETTYIMAGES.COM
matter and more.
Talking
POINTS
A MIRROR OF ART
COLLECTIVE history in New
IDENTITY
Delhi, she explained
that she looks at
architecture as a
specific inspection
In AYESHA SINGH’s design language, into history. Her
architecture speaks VOLUMES about the work usually
nation’s uniqueness, a rich MOSAIC of questions the
assumed
HISTORY, culture, and personal ambitions. permanence of
By PRIYANKA KATHURIA buildings and the
histories omitted
during
construction,
uring a brief conversation with Ayesha restoration and
Singh, co-founder of Art Chain India, I destruction. “Delhi has survived decades as the capital
was immediately struck by of various empires and the expression of
her remarkable ability to (This page) Skewed
a nation building exercise. One of my
structure her thoughts well, Histories, 2023, wood, first introductions to the city was my
mirroring the meticulous approach she takes variable dimensions at childhood home which was created to
Nature Morte; (Next
in her artistry. As we delved further into the page top) Hybrid
resemble the White House in DC in its
discussion about her recent exhibition Drawings, 2015-2023, façade and a form-equals-function box
‘Monumental Turns’ that focuses on the metal, four works with in the back with windows. The city
varying dimensions
interplay between architecture, power, and bears witness to evolving power
150
architectural elements that meld Indian and
European aesthetics is also promptly highlighted.
Additionally, the series pays homage to Sikh
heritage by incorporating arches reminiscent of
19th Century Mughal-inspired motifs. The
gallery’s main space hosts an immersive set-up
composed of eleven of these arches, inviting
viewers to contemplate the impact of time and
fluidity of history. There are two more viewing
rooms, where visitors will encounter ‘Hybrid
Drawings’—an optically perplexing ensemble
and ‘Frayed Continuum’—a mechanical marvel
housed within a scaffolding-like structure.
“I believe that art has the ability to record a
moment in history and often push against
dominant ideologies, which makes it a powerful
means for dialogue and record. In the past, I
have looked at the works of Phillida Barlow, Do
Ho Suh, Bani Abidi to name a few, who have
opened up ways in which scale, material and
dynamics and shifting ideologies where the desire for on-ground research can expand a practice,”
belonging is situated in new construction, renovation, and comments Ayesha. Q
erasures,” says the Delhi-born artist.
Elaborating on the research she undertook for the
successful implementation of this project she says, “I walked Hybrid
through the sites, spoke with the inhabitants of particular Amalgamation
(histo-futuristic),
buildings, read about their architectural histories, had 2023, graphite
conversations with architects who have spent years restoring on paper,
them, and dug into my own memories of interactions with 35.5x27.5 each
each chosen space. Each work had its own material
processes,” says the 32 year old.
The three sculptural installations at Delhi-based Nature
Morte art gallery—called Skewed Histories (2023)—is a new
series of works which was earlier depicted as a 2 ft tall
prototype to larger forms. However, in this exhibition, it has
been created in its life-size scale for the first time. At the first
glance of the installation one can witness the iconic horse-
shoe arch, a concept inspired by the Southern Gateway of the
Qutub Minar complex in Delhi. The entryway of 20th
Century homes in Old Delhi, blending Indo-Saracenic
151
Talking
POINTS
ART
A N E R A DE FI NE D
Sotheby’s to auction the collection of Emily Fisher Landau,
one of the greatest collectors of art of the 20th century.
Pablo Picasso’s portrait Femme à la Montre is being auctioned by
Sotheby’s in New York on November 8th and 9th as part of the the
collection of the late New York philanthropist Emily Fisher Landau.
Likely to be the biggest item sold from Emily’s estate, the Picasso has an
estimate in excess of $120 million. Painted in 1932, the painting is a
portrait of one of his famous subjects, the young Marie-Thérèse Walter,
known as Picasso’s mistress.
Emily born in 1920 and raised in Upper Manhattan loved art right
from the outset. Estimated to bring well over $400 million, 120
exceptional pieces of art will be offered for the sale. The collection will
feature seminal works by Jasper Johns, Willem de Kooning, Robert
Pablo Picasso, Femme à la Rauschenberg, Mark Rothko, Ed Ruscha, and Andy Warhol.
Montre, 1932, oil on canvas, 51
¼ x 38 inches. Estimate in
excess of $120 million
BOOKS
READING ADVENTURES
Escape into a different world through these reads.
A first-hand account Written in Japanese
of Mother Teresa’s between 1943-
last years exploring 1947, and translated
her dealings with into English only
worldly matters, now, this book is a
this book covers memoir of courage,
everything from the honour, and love
triumphs of ageing by a young girl
to her devotion to in the midst of
God.Teresa’s lessons World War II and
are here for all to India’s struggle for
share. independence.
Explore the essence
Unravelling spine- A warm and of India through
tingling tales heartbreaking story its street foods and
that blur the line of growing up in chaats.The author’s
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the supernatural, this book is about recipes take us on
this book offers a young girl who a cross-country
a collection of meanders through culinary adventure—
spooky and life, trying to make take your pick from
thrilling stories sense of work, pani-puri to jini dosa.
that will leave you friendships, love, This book covers
captivated. and sexuality. everything!
By Ria Singh
152
MUSIC
ON MY PLAYLIST
Bazaar India’s exclusive peek into Ankur Tiwari’s musical journey, creative
process and forthcoming ventures.
1- KITSE 2- PARWAANA
NYN MUSIC & MOHITO ANKUR TIWARI
3- SECRET 4- ZOO GIRL

FRED AGAIN & BRIAN ENO M.I.A.
Whether he is singing about love, loss, hope, or despair,

Ankur has a unique ability to connect with listeners on a
personal level. His songs cross boundaries of being mere
compositions, and are a heartfelt expression of his
innermost thoughts. A good example of that would be
the backstory of the song by his band, Ankur and The
Ghalat Family Jahan Tak Humein Yaad Hai, “It came from
anger. There was a supposed friend of mine who was
bitching behind my back...This really disturbed me and I
wrote this song—Jahan tak humein yaad hai tum the nahin,
bahaane tere hazaar the par tum the nahin [As far as I
remember you were not there, you had a thousand
excuses, but you were not there],” he shares.
he Belgium-born, Indian artist—Ankur Ankur has worked with music producer and
Tiwari is known for his distinctive work, recording engineer, Rohan Ramanna for his recently
which includes notable contributions to released album, Akela. “He captured the mood of what
films such as Ek Chalis Ki Last Local I wanted to express.” Some of Ankur’s current favourite
(2007), Slumdog Millionaire (2008), songs are: Ghummi Ghummi by Srushti Tawde, Zoo Girl
Finding Fanny (2014), and the much-awaited film, The by MIA, Secret by Fred Again & Brian Eno.
Archies. His creative prowess has helped him engineer So what’s next for Ankur? “I’ve got some intriguing
impactful stories through music that leave a mark on projects in the pipeline. There are a few songs I have
his audience. The singer-songwriter tells Bazaar India, collaborated on with The Islanders [American
PHOTOGRAPH (ANKUR): PRARTHNA SINGH
“I immerse myself in a mood and a feeling...it usually instrumental duo] for The Archies. Additionally, there’s
starts with me strumming something on my guitar and some exciting material featured in the upcoming
humming along with it. As I create a score for the movie Kho Gaye Hum Kahan. I am also actively
mood and feel, sentences start forming slowly, and working on the next season of Coke Studio Bharat.
verses start taking shape. Sometimes, music pulls the Furthermore, we are striving to unveil captivating
words and vice versa, and you lose yourself to the content through our label, Tiger Baby Records [co-
process. Most times when I wake up from this trance, owned by Zoya Akhtar, Reema Kagti and Ankur]. It’s
there is a song in front of me.” a genuinely exciting time.” Q
By Priyanka Kathuria
153
Talking
POINTS
oya Akhtar and Reema Kagti’s respective

filmmaking journeys started long before
they teamed up professionally. Right from
DOUBLE
their individual directorial debuts with
Zoya’s Luck by Chance (2009) and Reema’s
Honeymoon Travels Private Limited (2006)
to co-directing genre-bending hits such as Zindagi Na
DUTY
Milegi Dobara (2011), Dil Dhadakne Do (2015), Gully Boy
(2019) as well as the highly acclaimed digital series, Made in
Heaven (2019), the unstoppable duo has been an advocate
of powerful storytelling in cinema.
Zoya and Reema’s brand of uncoventional yet realistic
narratives—arguably ahead of its time in the early 2000s—
Filmmakers ZOYA AKHTAR has become far more palatable to mainstream Indian
audiences thanks to their production company, Tiger Baby
and REEMA K AGTI spill the Films, which they co-founded in 2015. Setting the tone for
beans on THE ARCHIES, experimental cinema, their films span across multiple
genres to dismantle patriarchal mindsets but never in a way
their ability to tell stories that that feels didactic.
Aiming to create a cinematic experience that is more
MATTER, and other exciting than what meets the eye, this duo has, time and again,
stripped away from the traditional filmmaking to bring
PROJECTS in the works. forth stories that are vulnerable, poignant, and relatable at
the same time.
By SHUBHANGI JINDAL
Harper’s Bazaar: How did the idea of creating the
Indian version of The Archies come to life?
Zoya Akhtar: I got approached by Netflix India and that’s
how the film came to us. They had leased the IP and The
154
Archies wanted their first
feature made out of India.The charge.Taking the example
owner of The Archies, John of Dahaad (2023), Reema
Goldwater, has a pretty special and I both love the crime
connection with India, and genre and what she very
we were meant to produce it. intelligently did was take
We wondered how we could that message and mix it
adapt it and still retain the with social reality—she
original essence of the beloved took a cat-and-mouse cop
comic, and what it meant to drama and came up with a
us growing up. way that says that the
HB: Characters from The system is the killer. So, it
Archies are iconic and starts off with a love of a
widely recognised, even particular kind of narrative
in the Western film space. we want to explore and
How have you brought then we go on to figure
about an Indian touch to out the story of our film.
it, and will it be any Reema Kagti: When
different from the you start writing a story,
adaptations we’ve seen you never think, ‘Oh! Let
before? me make a progressive
ZA: The adaptations that film’. You are more
we’ve seen in India before concerned with your
were completely reimagined core idea and theme, and
in the films both Reema and as you build it, a little bit
I have adored and grown up of who you are comes
watching like Jo Jeeta Wohi out. Your value system
Sikandar (1992), or Kuch Kuch Hota Hai will always reveal itself in your work.
(1998). So, this falls in the middle...it’s a HB: Is there a favourite movie
period. It is [made] keeping the original you’ve worked on together that
characters and tone in mind while taking you are extremely proud of?
you to an imaginary place called Riverdale. ZA: Dil Chahta Hai (2001) was very
The film is set in 1964 in Riverdale, personal. I was the first lady, Reema was
described on a railway sign as a ‘hill station,’ the second lady, and it was Excel
seen through the lens of the unique Anglo- Entertainment’s first film—the production
Indian community through which we draw house my brother, Farhan Akhtar co-owns
certain parallels like their love for music and food, with Ritesh Sidhwani. Many of our friends were
in terms of parties or dating, the way they are dressed, etc. working on it as well, and it was everyone’s first film...so
At the same time, we also plan to keep the fantasy of the it was very special to all of us.
comic book alive. HB: As female filmmakers, has it been hard to make
HB: You have been working together as your mark? Have you ever felt like you could have
collaborators for long. How do you manage to chosen an alternate career?
find a common vision to actually take an idea RK: Filmmaking is hard...it is a tough profession. However,
forward? speaking for both of us, the problem was not that we were
ZA: We met in our early 20s as assistant directors and women but only that we had a slightly more alternative bent
have been working together for decades now. One has to of mind compared to what was the norm 20 years ago.
be very lucky to have a creative collaboration that lasts. Breaking that stereotype was the real challenge.
Honestly, it is more of a ‘trust’ thing, I wouldn’t go ahead ZA: I’m sure sexism exists, and I am not going to pretend
with something if she [Reema] hasn’t signed off on it. it doesn’t. But I haven’t really dealt with it. I wanted to
And I think it’s vice-versa. make Luck by Chance (2009) and the struggle was about
HB: How important is representation to you? the kind of film I wanted to make, not the fact that I was
ZA: I don’t think we approach subjects as messages first.We female. We both have worked with big male stars who
are attracted to particular views and genres and that’s how have never questioned our ability, and luckily, we haven’t
stories are built, and through that, our worldview takes had that experience. Q
155
Talking
POINTS
GOURMET BLISS
Thinking about the sun, sea, and sand? Head to
the renewed Drift at The Westin Goa—where a
highly coveted in-water dining experience— ‘Fresh
off the Boat’ awaits you. Executive Chef Anirudh
Deshpande’s menu will treat you to fresh seafood
and signature cocktails. Offering jazz nights and
pool party events, this is where luxury and
relaxation converge.
A
HISTORIC
MOMENT
Uniting diverse styles and narratives,
Mumbai’s inaugural Art Fair is curated by
art visionaries and collectors. Set to take
place from November 16th to 19th at the
Mahalaxmi Racecourse, 53 leading galleries
from India and abroad will participate
to welcome a new era in the city’s art
landscape. The exhibition will highlight
Akara Modern, Jogen Chaudhary’s
evocative works and MF
Husain’s creations to name
a few.
BAZAAR A GRAND REOPENING
BUZZ
All that is trending in the culinary, art
A feel of the classic with an essence of the newness—
Disneyland Paris will unveil a grand reopening of its
iconic hotel on the 25th of January, 2024. And we cannot
contain our inner child! A luxurious immersive experience
celebrating beloved Disney’s royalty—VIP benefits, gourmet
and entertainment world. dining, children’s space, and world class hospitality awaits
By PRIYANKA KATHURIA you at this magical destination.
156
T O INDIA
NT N
E Tifli C
M proudly presents
R
TA
‘Yatra,’a distinctive
A
FT
ES
artwork gracing India’s new
Parliament building. Among the
SM
A T
eight remarkable installations one
can see Varanasi’s cultural heritage
ANSHIP
encapsulated in the Banarasi silk
brocade weaving and metal repousse.
The handwoven textile masterpiece
spans 96 inches and is crafted with
precision. The exquisite artwork
was commissioned by the
Dastkari Haat Samiti and
is open to viewers.
RUNWAY RADIANCE
“This Victoria Secret World Tour is an
official return of the spectacular VS era in the
form of a video documentary which also
SPILLING THE includes the runway show but with a
TEA beautiful twist. In my opinion viewers will
definitely be blown away with what the team
Explore over 100 signature has woven together,” says Aishwarya Gupta,
tea blends and curated a successful international model who donned
selections at the VAHDAM an elegant waist high wrap bodice and sheer
India experience store nestled skirt at the pink carpet event.“The waist
in New Delhi’s Khan jewellery was cherry on cake. I felt like a
Market. Launched recently, goddess and definitely stood out from all the
the tea boutique offers an other beautiful people on the pink carpet. I
engaging buying experience. mean a goddess doesn’t need wings.
A perfect place for tea Moreover, I felt so connected to my roots, to
enthusiasts and those who India because the styling was so different and
want to enjoy a warm cup of unique...” she describes.The streaming can
golden liquid, the place reflects be viewed on Prime Video. Her success serves
India’s spirit while promoting as an inspiration for aspiring models hailing
a global cultural exchange. from diverse backgrounds.
STYLE RENEWED
Kanika Ranka Adani, the founder of The Studio Project—
recently a part of Tira Beauty’s campaign launch—is a
Mumbai-based artist. She explores the fusion of fine arts
and fashion, customising luxury items and turning the
vision of her clients into wearable art. “I think the need for
environmental sustainability is the need of the hour. Often
a client brings to me a bag in practically pristine condition,
which they have used and outgrown, and instead of getting
rid of it, I paint on it giving it a complete facelift, and the
feeling of being new without purchasing a new product.
It makes the bag speak more of their individual style and
personality than the store-bought one,” she expresses.
157
Talking
POINTS
THE CROWN
SEASON 6
Netflix surprises fans by extending
The Crown for a sixth season,
deviating from the earlier plan to
conclude in the last season. The
first part returns on November 16,
while the second part, introducing
Prince William, Princess Kate,
and Prince Harry, airs on
December 14th.
INDULGE A CREATIVE
WITH A CHAMELEON
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THE NEW
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DELECTABLE
DELIGHTS
Exciting news from The Grammar
Room in Mehrauli, New Delhi—they
have introduced a tantalising new
food menu that emphasises on
innovation and quality. Don’t miss
their delightful winter dessert,
“The Cookie & Milk”, featuring
a signature choco-chip
cookie, with vanilla
infused milk. IT’S
TIME
FOR SOME
CONFESSION
Karan Johar was visibly moved after
watching Ranveer Singh’s and Deepika’s
wedding video on the latest Koffee with
Karan episode. The emotional moment
made the episode truly special as they
discussed their 11-year relationship,
with Karan Johar sharing a
heartfelt reflection as an
observer.
AN URBAN HAVEN
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celebrating indigenous flavours, global influences,
and culinary mastery.
A SOULFUL
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Zaeden, in collaboration with singer-songwriter Lisa
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in time for the season filled with joy and love.
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160
SO
Samantha:
OWNING
HER
STARDOM
Sleeveless
bodysuit with
tulle neckline
from the
F/W 2023
Collection,
LV iconic
bracelet, all
Louis Vuitton
So
BAZAAR
Getting to Know...
THE REAL
SAMANTHA
We are super troupers for this South Indian star, who is slowly
paving her way into Hindi-language cinema after tasting
enormous success in the Telugu and Tamil film industries.
Photographs by SUSHANT CHHABRIA

Styling by DIVYAK D’SOUZA
Text by SONAL VED
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Round shoulder
tube dress from the
F/W 2023 Collection,
Louis Vuitton
So
BAZAAR
Bubble Damier Trucker
Jacket, Flocked monogram
denim mini skirt, My LV chain
necklace, all Louis Vuitton
So
BAZAAR
hat Southern Indian films and subsequently
actors and cinema creators from the region
are gaining popularity across the medium has
been the headlining truth about the industry being in front of the camera goes, fortunately, I don’t use
for a while now. According to a report by the anything from my modelling days now, otherwise, I would have
Confederation of Indian Industry (CII), been an absolute disaster. I was bad at it when I started out. I
revenues from the South Indian film industry have doubled to sometimes, actually almost always, cringe or run to change the
`7,800 crore in 2022, from what they were in the previous year, channel when something of mine is playing on the TV because
making their total a chunky 52 percent of the annual revenue it’s so embarrassing that I was so bad at it.”
collected by the pan-Indian film industry. HB: From Raji in Family Man 2 to Aara in Kushi this
At the heart of this high-octane fraternity, Samantha stands year—how do you prepare for such varying roles that
tall. Spanning across four languages—Telugu, Tamil, Kannada, test the mettle of an actor?
and Malayalam, also referred to as Kollywood, Tollywood, S: “Sometimes you’re fortunate to work with visionaries, with
Sanda lwood, and Mol ly wood— people who are the best in the business,
Samantha has successfully dabbled with and sometimes the character they narrate
the first two. In 2021, she made her debut “Thirteen years later, I’m aligns with your vision. When both these
in Hindi OTT shows with Family Man still doing a whole bunch of things happen, there is magic on screen.
(Season 2), and is also starring in the So, in situations like these, everything
anticipated Citadel, not to be confused classes because I am eager goes right and you’re proud of the work
with the American show, starring you do, and you just hope that there is
Priyanka Chopra, Richard Madden, and
to learn. I think that’s my enough talent in you. It really makes you
Stanley Tucci. motto in life—to always want to be greedy for more.
Samantha has been relevant across her That said, it always feels like I’m just
roles, whether she is playing a sexy siren work harder to be better” starting out. Thirteen years later, I’m still
opposite Allu Arjun in ‘Oo Antava’ that doing a whole bunch of classes because I
had over a billion views or the girl next door in Aradhya with am eager to learn. I’m always looking to be better. I think that’s
Vijay Deverakonda. In an exclusive conversation with Bazaar my motto in life—to always work harder to be better. So I don’t
India, she tells us about dealing with challenges—personal and think that there’s any other process but working harder, and
professional, adopting a holistic approach towards life, what’s sometimes that translates on screen and sometimes it does not.
next for her, and more. Now I have to focus on delivering hits every single time and
making sure there are more hits than misses. I think that this
Harper’s Bazaar: Much like Hindi cinema’s favourite time that I’m taking away from films is giving me a lot of clarity
muse Deepika Padukone, you also dabbled with on picking quality over quantity and making sure that I don’t
modelling in the early stages of your career. Did you have too many misses anymore.”
always know that you wanted to be an actor? What did HB: With the Hindi spin-off of the American show
you learn from your time as a model? Citadel under your belt, and so much behind you, is there
Samantha: “I did dabble in modelling in the initial stages of a particular genre of cinema that you’re drawn to? How
my career, during college and for a little time after, but the focus do you choose your roles?
was always on education. I think every Indian household teaches S: “I love action and you will be seeing a lot of it with Citadel. It
its kids that the route to success is through education, so I, too, is an amazing genre, especially for a woman today; kicking a**
felt like I needed to study, which wasn’t so hard because I loved is always very cool. But I want to do everything—I want to be
studying. I was one of those students who enjoyed waking up at offered everything. I want to be challenged and I want to do my
4:00 a.m., ready to revise for the hundredth time on an exam best. Recently, I said I’m never doing love stories again, but I
day. On the contrary, my mother would tell me it’s okay to take don’t think I should run away from exploring complex roles and
it a little easy. So, I don’t think acting was ever an option. emotions on screen. So I am not restricting myself to a specific
I think modelling gave me a purpose at that point in time. It genre right now.”
was a hard time. Things weren’t easy at home and I couldn’t HB: What difference do you see between the Hindi film
study further. I was clueless and at a low point in my life with no industry versus the Tamil and Telugu industries?
plan. Modelling gave me a plan and purpose, a goal. As far as S: “I don’t think there’s a particularly different working style
in these industries, but the way I pick roles differs slightly.
Down south, I try to pick characters that have a more universal
appeal, because for a film to succeed there, we have to be
successful in all aspects, not just one. And sometimes you have
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Leather accent denim
mini dress, Louis
Vuitton
Assistant Stylist: Kriti Baid
Hair: Daksh Nidhi
Make-up: Avni Rambhia
to pick more mass-appealing characters. But with Bollywood,
I would like to explore characters that are more layered,
intricate, and nuanced.”
HB: You have garnered a following of over 30 million “I don’t care that my lows have been so
on Instagram. What has your relationship with social
media been like, and how do you deal with the
public; I’m empowered by them. I know
challenges of leading a life in the public eye while still I am going to fight with all I have...I
being your true self?
S: “It isn’t really easy, but I think I’ve hit a sweet spot in my hope people in a similar situations have
relationship with social media, because while I’m used to the the strength to keep fighting.”
trolling (there’s been so much of it throughout my career that
I’m used to it by now), I feel very lucky to have a large part of my
followers see me for who I truly am. It’s enormously fulfilling place and I might not have been able to crawl out of it. I’m strong
for me to be my true self, show weaknesses, strengths, and all of today and find reasons to laugh all the time. I have this
the in-between. Of course, ask me again in another week when acknowledgment that life is not just about me, which otherwise,
something I have said or posted incorrectly explodes and I especially as an actor, is hard, since you’re in this bubble, in a very
become the target for another trolling fest and maybe I’ll change selfish space. I think spirituality has helped me connect with
my mind, but as of now it’s sort of a sweet spot.” something that is larger than me.”
HB: You’ve been open about most parts of your life—the HB: From mind to body wellness, your workout videos
good and the bad—never giving in to the romanticised have been a major source of motivation for many on
idea of perfection. Is that something you consciously your social network. How do you manage to push
want your followers to take from you? yourself and stay consistent on days when you are
S: “When I hit an all-time low of, well, a failed marriage, and feeling demotivated?
my health and work were getting affected, it was like a triple S: “I have the best trainer, Junaid, who does not take no for an
whammy; boom, boom, boom. You know, people go down for answer and has been an enormous source of strength for me in
far less than what I endured for the last two years or so. During the last one and a half years. During this whole process there was
that time, I read about actors who have gone through health a lot of fatigue and I was lifting and moving 30-40 per cent less
issues and made a comeback, or suffered trolling or anxiety. And than what I was doing when I was healthy. I remember there
reading their stories helped me. It gave me strength to know that were many days when I wouldn’t be able to push in the gym,
if they did it, I can, too. and I would cry in front of him. He would pretend that he
It’s important to recognise that being a loved star in this nation couldn’t see me crying. Then he would be like, ‘okay, next set,
is an incredible gift; so be responsible for it, be honest and real, let’s go’. He doesn’t know how much that helped me. He’s been
and tell your story. And it’s not always about how many super an incredible motivator through this process and I can’t even
hits and blockbusters one has, how many awards have been won, begin to explain how my journey with fitness and the rigid
the perfect body, or the most beautiful outfits. It’s the pain, the physical routine has helped. It’s not just about looking good. It’s
hardships, the lows. I don’t care that my lows have been so public, about enormous willpower, mental strength, focus, and this
I’m actually quite empowered by them. I know I am going to incredible belief in yourself.”
fight with all I have, and I hope that people who are in a similar HB: Earlier this year, you said you planned on taking a
situation, also have the strength to just keep fighting.” break from acting. What are you prioritising at the
HB: You’ve exposed your followers to a deep, spiritual moment and what is next for you?
side of you. What according to you is a holistic approach S: “When I went down last year, I didn’t get to move out of my
to life? house for a good amount of time. I promised myself that once I
S: “I was telling my friend, ‘when everything fails, that’s where felt better I would take a break, I would travel, I would live a
it all begins’, and I think my journey with spirituality began little. Because 13 years of not taking a break, running a race that
when everything else failed. For someone who wasn’t no one knows who’s winning and then also, winning what
particularly religious or couldn’t even sit still for a minute in exactly. Because once you get one blockbuster, you just want a
meditation, I have really come a long way. It’s not a quick fix. bigger blockbuster and another best actor award. It’s never
It’s not like popping a pill and making your problems go away, ending. So I think taking this break also proves a point to myself
but if you invest in this path, it can be hugely beneficial. If I did that I’m not looking for external validation.
not have this path, I would have probably gone to a really dark I’m really glad that I have made that switch and am prioritising
experiencing life a little, living in the moment, and getting time
to spend with people I love. And I know this is only going to
make me a better actor. Experiences are the best teachers and
they show in your performance.” Q
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So
BAZAAR
Faux fur coat, Rhycni;

Semi Precious
Doublet Earrings,
Golden Window
Jewellery; Paloma
Loubinthesky Clutch,
Christian Louboutin
STREAMING
BEAUTY
Small SCREEN, big wonder. Our cover star
SOBHITA DHULIPALA speaks to
BAZAAR INDIA on finding her feet,
WALKING TOWARDS her GOALS, and
now SPRINTING to success in her
CINEMATIC journey.
Interview by SONAL VED

Photographs by NISHANTH RADHAKRISHNAN
Styled by KSHITIJ KANKARIA
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So
BAZAAR
Pearl Frost Saree Set, Geethika
Kanumilli; pearl necklaces,
Divya Chugh; diamond chains
and dangler earrings, both
Joolry; Movida Sabina Sandals,
Christian Louboutin
“Over the course of my journey, having worked in
multiple languages and a mixed bag of films, it's
certain that OTT platforms have given me the fuel
and the opportunity to hold my own on screen."
met Sobhita Dhulipala on a weekend, exactly a week away from when the next season of
her OTT series was to be out. I remember seeing her and thinking,“I don't know about the
show, but Sobhita’s symmetric jawline, defined collarbones, and athletic poise, are definitely
made in heaven”. Her character Tara Khanna, has been spoken about more than any of her
former roles (Isha Khanna in Bard of Blood or Neha in Ghost Stories), mainly for her
incontrovertible performance and the plot’s strong relatability for anyone who has attended
a tawdry Delhi wedding.
From the subjects that the series and her character tackle—skin whitening, dowry, domestic
abuse, sexual identity, cast infidelity—you know Sobhita wants to be a thinking person’s actor.
The plot, though, comes a close second to why Sobhita was much talked-about at the
Bazaar cover girl meeting. Her sartorial choices in Made In Heaven are a character of their
own, just like Balli Sehrawat’s physique was, in another Netflix series, Class. Fashion girls will
agree—if there is one wardrobe they’d want to raid after Nalini Vishwakumar’s (played by
Poorna Jagannathan) in Never Have I Ever, it would be Tara’s. From a peach Torani sari, the
houndstooth patterned suit, an archival Sabyasachi floral bodycon that became her revenge
dress, to the silver Raw Mango drape, Sobhita’s character drops looks as swiftly as South Delhi
aunties chug scotch at sundowners in the south of France.
In an exclusive interview with Bazaar India, she speaks about what beauty means to her,
how her work is instrumental in shaping her as a person, and more. Excerpts from our
conversation with this OTT star.
Harper’s Bazaar:Your stellar performance in Made in Heaven propelled you into

mainstream success, and you’re now considered a 'mainstream actor'. What are
your thoughts on the impact that OTT has had on the entertainment industry at
large and your journey with it?
Sobhita Dhulipala: “I’ve been told that my career trajectory is dotted with unconventional
triumphs and for that I’m immeasurably grateful. I started work as an actor in what you call
indie films/art house/parallel cinema and whatnot. It certainly was a fantastic source of
learning and propelled me to embrace the craft of acting more than anything. Over the course
of my journey, having worked in multiple languages and a mixed bag of films, it’s certain that
OTT platforms have given me the fuel and the opportunity to hold my own on screen. It’s
been fantastic and inspiring.”
HB:You recently turned show-stopper for Rohit Gandhi and Rahul Khanna at the
India Couture Week.What are your thoughts on celebrities turning show-stoppers
for fashion shows? How important do you think the collaboration is for both the
brand and the celebrity?
173
So
BAZAAR
SD: “Honestly, I don’t understand the nitty-gritty of what goes on behind the scenes in terms
of trade. As far as my participation goes, I try to put the spotlight on the outfit and its
craftsmanship whenever I hit the ramp. It is the right thing to focus on.”
HB: Speaking of show-stopping—there is a notion of 'conventional beauty'.You’ve
opened up about labels and judgments that were thrown at you. How has your
definition of beauty and body, and your relationship with the same evolved over
the years?
SD: “It 100 percent has! A lot has to do with how we perceive ourselves, and my opinion of
myself goes through constant change. I’m definitely in a healthier place as far as self-image
and self-esteem are concerned. I respect this gift of beauty and get on with the rest of life with
what I as an individual, as a storyteller, and as a human being can bring to the table.”
HB: We’ve seen a wave of celebrities like Malaika Arora, Athiya Shetty, Deepika
Padukone, Alia Bhatt, Sonam Kapoor, and so many more become the face of
various beauty brands. If you were to represent a brand, what is the kind of voice
you would want to bring to it? What would go into your selection of it?
SD: “Beauty is quite a large segment and it encompasses multiple categories like hair, skincare,
make-up, perhaps perfumes, etc. I, for one, would be delighted if I could share my personal
voice with my associates and collaborate on shared ideas of what a modern Indian woman
could be. It’s important to carry our individuality, dimension, and personality with us wherever
we go.”
HB: In many ways, your Instagram exhibits who you are—versatile, creative,
unfiltered and authentic. What has shaped your sense of aesthetic, personal style,
and a need to be open and honest on your feed?
SD: “In a nutshell, my visual language may have been shaped by my experiences of pain and
pleasure.They sometimes come together too.Thank you for the kind words, although I often
wonder if I should completely get off Instagram!”
HB: From your role in Made in Heaven to that in Ghost Stories—you’ve often
portrayed complex characters that reflect realism and intense emotions. Have these
roles helped you understand your identity as a woman better? How do you detach
from such intense characters?
SD: “I’m immensely fortunate to have played parts that are multidimensional, relatable, and
have depth, as well as roles that needed me to be glamorous and confident.And because I was
offered these parts from a young age, it pushed me to mature sooner. It made me more
empathetic and allowed me to commit to my interest in spiritual studies, theosophy, poetry,
solo travel, etc., and apply their learnings at the workplace.These things made me softer, which,
to me, is another word for stronger.”
HB: Tell us about your next project.
SB: “I’m in the process of figuring out my next projects. I’m anticipating the release of a film
this year, and the release of Monkey Man, my Hollywood debut. Exciting times lie ahead!” Q
"I respect this gift of beauty and get on with the rest of life with
what I as an individual, as a storyteller, and as a human being
can bring to the table"
174
Hand embroidered
bodysuit, Ritu Kumar;
neoprene thigh slit gown,
Ozeqo; vintage doublet
earrings, Golden Window;
Pyraclou Espadrilles,
Christian Louboutin
175
So
BAZAAR
Zergul Embroidered Jacket,

Ritu Kumar; faux fur coat,
Rhycni; Semi Precious Doublet
Earrings, Golden Window
Jewellery; Mariza Is Back Gold
Heels, Christian Louboutin
Victorian Collared Tulle Dress,
That Antiquepiece; net skirt, Hair and Make-up:
Shehla Khan; Noor Diamond, Mitesh Rajani. Fashion
Mortantra; diamond neck Assistant: Karishma
chains, Joolry; solitaire zircon Diwan. Hair and Make-up
necklace, Karnika Jewels, Assistant: Nitu Tamang.
Super Jolly Queen Sandals, Editorial Coordinator:
Christian Louboutin Shalini Kanojia.
Follow @bazaarindia on
INSTAGRAM
for the latest in fashion, beauty and celebrity news.
MAN
REBEL
Blazer, T-shirt,
Zegna; neck
chain,
Alexander
McQueen
AT
HEART
‘Thinking actor’, ‘UNCONVENTIONAL’,

‘risk-taker’ are just some of the TERMS that
are USED TO describe SHAHID KAPOOR,
our BAZAAR INDIA MAN cover star. But
he is a LOT MORE than that.
Interview by SUHANI SINGH
Photographs by NISHANTH RADHAKRISHNAN
Styled by CHANDANI MEHTA
The Lotus Power Big Earring, Nada
Ghazal Fine Jewelry, price on request
Aviator Reverse,
Ray-Ban; neck chain,
Alexander McQueen;
vintage leather jacket,
Dolce & Gabbana;
ripped denims, Yves
Saint Laurent
Bazaar
MAN
Shirt, Nikita Mhaisalkar;

trousers, HP Su Misura;
neck chain, Gucci;
Aviator Reverse,
Ray-Ban
Sunglasses, Ray-Ban
Reverse Wayfarer; all
black look, Zegna;
neckchain, Alexander
McQueen
183
Bazaar
MAN
ou can’t stop me from being who I want to be,” says Shahid Kapoor. He is talking about his 18-year-old
self who fought with his mother, kathak dancer-actress Neelima Azeem, so that he could ride a motorbike.
It’s a decree that he swears by till date. Shahid Kapoor, now 42, won’t be deterred. Raj Nidimoru of Raj
& DK fame, who directed him in Amazon Prime series Farzi, calls him a ‘thinking actor’. “He doesn’t
look it,” he says. “He’s that student who pretends he has not studied for the exams and then goes on to
top it.” It’s why Shahid can essay one of the most divisive protagonists in Hindi cinema in Kabir Singh and
do it with such conviction that it goes on become one of biggest hits of 2019. Surprising audiences has
been essential to Shahid’s longevity. “You should always have unpredictability as a performer,” he says.
“Even if the audience likes you, give them a visceral experience, a compelling experience and shock them.”
Shahid sees himself as “unconventional” rather than a risk-taker. Back in 2021 when news spread that
he’d be doing a web series it was touted as a bold move especially for an actor who had recently enjoyed
his biggest theatrical success. For Shahid though embracing OTT was “an obvious, simple choice” and
one that he took much before the pandemic wreaked havoc. In fact Covid-19’s impact on the entertainment
industry and the proliferation of streaming platforms during that turbulent period only validated his
decision. Says Shahid, “For me it was as simple as if Mathew McConaughey can do a True Detective after
winning an Oscar, then why are we making such a big deal? If I am watching it [OTT content] so much,
then why am I not doing it? If I am inspired and the content is good, wherever it comes out the audience
will feel that and enjoy it.”
It’s a gamble, or an ‘unconventional’ move, that’s paid dividends for Shahid. A recent Ormax Media
report stated that Farzi (Amazon Prime Video) was the most-watched SVOD series of not just 2023 but
of all time. If that wasn’t music to Shahid’s ears, he had more reason to celebrate as Bloody Daddy (JioCinema)
was ranked as the most-watched film on streaming thus far. Is Shahid enjoying the career high? “I don’t
like to feel high because it’s a float-y feeling and you are not connected to reality,” he says. It’s the kind of
statement only Shahid Kapoor is likely to make.
Shahid Kapoor is an outlier in the Hindi film ecosystem. Firstly, if you saw him at that famous Karan
Johar house party, you should know he didn’t drink—he is a teetotaler. He did smoke for a few years until
he became a father and quit to lead by example. He is also a vegetarian. He finds bike-riding therapeutic,
taking off on Sunday mornings when the traffic in the city comes to a still or riding with his friends—actor
Kunal Kemmu, filmmaker Raja Menon, younger brother Ishaan and businessman Suved Lohia. He likes
to meditate.While many actors from his generation have married within the industry, Shahid opted for
an arranged marriage, tying the knot with Mira Rajput, an outsider who shares the same spiritual faith as
him. Shahid has belonged to the industry and yet in many ways, he hasn’t. Son of talented actor Pankaj
Kapur, best known for his work in parallel cinema of the 1980s and beloved Doordarshan shows, Shahid
charted his own journey in Bollywood.
Before Shahid Kapoor became Shahid Kapoor that made millennial girls blush, he was the baby-faced
guy who adorned a white cloth around Aishwarya Rai in Taal, danced behind Karishma Kapoor in Dil
Toh Paagal Hai and appeared in a Pepsi commercial with Shah Rukh Khan, Kajol and Rani Mukherjee.
Did he ever know back then he was destined to be doing what they did? “I am a pragmatic guy. I like to
have a vivid imagination but with that comes hard reality because I come from a basic background, I have
seen how life is—it is tough,” he says.
His parents, Pankaj Kapur and Neelima Azeem, parted ways after five years of marriage. Shahid was
raised in New Delhi by his mother and maternal grandparents. He was eight when he first faced the camera
to do a TV show.
When Neelima decided to try her hand at acting and moved to then Bombay, the initial going for the
10-year-old was tough. Joining a class of 22 children who had known each other since kindergarten, he
was alienated.“Children can be very mean,” he says.“I knew it wasn’t right and that it shouldn’t happen
to anybody.” Since then he has a disdain for bullies and cliques. Dancing became his escape; it helped he
was good at it. A fast riser in Shiamak Davar’s troupe, he made heads turns with his feet.With adulation,
his confidence grew. Soon ads started coming his way. By his late teens, Shahid was earning money.“I was
the elder son and my mindset was that I don’t want to burden my single mother,” he says.“I grew up much
184
faster and I am proud of it. Mom was always the man of the house. She still is the strength behind me and
Ishaan [younger brother].”
Shahid was also aware of and in awe of his father’s thespian prowess who had earned a fan following for
his work in TV shows like Karamchand, Zabaan Sambhalke, Bharat Ek Khoj and Office Office and acclaim for
indie titles like Jaane Bhi DoYaaron, Kamla Ki Maut and Ek Doctor Ki Maut.“I’d tell my dad.‘Aap commercial
cheezein nahi kar rahe [You are not doing commercial films], do more movies, you are being choosy’,” recalls
Shahid with a laugh. He assisted him in shows like Mohandas B.A.L.L.B but getting his talented father to
teach him acting was harder than he imagined. After years of nagging, Pankaj finally did a workshop for
his son. He also recommended Shahid get lessons in the art from Naseeruddin Shah. Pankaj Kapur though
wasn’t the sort of actor-father who’d give his child’s career a push by putting in a word among filmmaker.
Says Shahid,“He’d say, Make your own mistakes and find your own path, that will make you the man who
sustains over a period of time. Apne mehnat se seekho [learn from your hard work], earn your place.”
Shahid would have to learn the hard way. Only 21, he was cute and enthusiastic to be in the movies. He
was also aware that he was “one amongst the many” aspirants.“I learned what I am doing while I started
doing it,” he says. “You discover and do things you are not sure about.There’s a learning curve.” After
making an impression in his debut, Ishq Vishk, he struggled to find parts that would see him other than a
young guy romancing and dancing. “For the first five to six years I was like ‘What do I do? Where do I
get to do what I really wanted to do?’ says Shahid. His role model then was Aamir Khan who wowed “by
doing unconventional stuff which was commercially loved”.That opportunity finally came his way with
Imtiaz Ali’s Jab We Met. It was a role passed on by others but Shahid tapped into the vulnerability and
internal conflict of a young man who seemingly has everything. In turn audiences saw a whole new side
of Shahid, one that’s understated and yet so effective.
It was a quiet, mature performance but it was Kareena Kapoor’s spirited act that was the talk of the town
and won the awards.Within the industry though Shahid the actor had made an impact. He soon got a call
from Vishal Bhardwaj who offered him not one but two parts in Kaminey.With it Shahid embarked on a
path where he shunned the nice guy image he had earned and began exploring the grey shades. “I felt
people are a lot more interesting when they have a little bit of everything in them,” he says. “I am ok if
audience says great performance but a terrible character rather than other way around.” More lately though
he feels the weight of his oeuvre.When a neighbour asked which film of his can his child see, Shahid
thought long and hard and could only come up with – Jab We Met.The others including Kaminey, Haider
and Udta Punjab are all A-rated.
There’s one more reason why 2023 is special for Shahid—he completed 20 years in movies. During it
he has seen the entertainment industry evolve—multiplexes overtook single screens, international studios
entered the fray, streaming platforms vied with cinemas for eyeballs, pan Indian films became a phenomenon
and social media made actors put a lot of themselves out there.A new generation emerged who subscribe
to the notion that being seen is being relevant. Shahid doesn’t belong to that pack. He understands that
enigma is a vital component for longevity. Says the actor, “The question to ask is what are you here for?
100m sprint or marathon? You have to know.”
Shahid knows the answer to that. Does he know what it takes to survive in the film industry for this
long? “A very thick skin and a real passion for what you do. Don’t give a s**t to what people say,” the reply
comes promptly. He has learned to shun the noise of cynics and be what he wants to be. “Greatness lies
in performance,” he says. He won’t blow his own trumpet; he doesn’t mind if others do it when it’s merited.
“My mantra is always 'Sachin’s bat does all the talking’,” he says.“With icons, people talk about them; they
don’t talk about themselves.” Q
“You should always have unpredictability as a performer.

Even if the audience likes you, give them a visceral
experience, a compelling experience and shock them”
185
Bazaar
MAN
(From left)
Ranveer
F
Singh act: Menswear is extremely exciting right now.You
and Vijay just have to read the global (and local) headlines
Varma
alluding to menswear’s era of exploration for proof.
‘The tie is dead!’, ‘The suit is back!’, ‘Saying yes to
the dress’,‘Styling your new skirts over trousers’, are just some
of the cues for a menswear revolution.And then there are the
recent extensions into menswear from womenswear
designers—think Simone Rocha’s voluminous peplum tops,
sheer jackets and louche trousers for men, Molly Goddard’s
frothy tulle seen on Harry Styles and Erdem’s florals for men
(that are certainly groundbreaking). Meanwhile, at the
spring/summer 2024 womenswear shows earlier this year in
September, menswear and what men wore on the front row
(including Taylor Zakhar Perez, Usher and Austin Butler)
deserved an entire trend category of their own.
In India, too, a new sartorial male has been on the rise. Its
roots, of course, remain firmly in the country’s rich royal
history of men adorning themselves in flowing silhouettes,
embroideries, as well as jewellery and gems throughout
history. “The Indian man has a very refined sense of colour,
style, and proportion,” says Varun Rana, writer and fashion
commentator. “If you look at the country’s very long and
rich history of menswear—whether it is royal costumes,
traditional costumes, or religious/occasion-led costumes, or
those for traditional/folk performing arts, they have a deep
link with dress.” Today, the new icons of fashionable dress
include a flamboyant and dandy Bollywood male pin-up.
Ranveer Singh,Vijay Varma, Karan Johar, are all examples
of men with a refined palate for fashion. While Ranveer, a
self-proclaimed dandy, often openly talks about borrowing
his mother’s diamond solitaire earrings,Vijay has embraced a
more modern interpretation of the dhoti skirt (by the label
FASHION’S
LEADING MAN
(CELEB IMAGES) GETTYIMAGES.COM. IMAGES: COURTESY THE BRANDS
An easy ELEGANCE, a FLAMBOYANT

flourish, a return to HERITAGE and roots—
the new male fashion icon is SUMMONING a
menswear RENAISSANCE in the country.
By AKANKSHA KAMATH
186
Rishta by Arjun Saluja) on several occasions for
the red carpet. It’s easy to write that off as the
stylist’s behind the scenes’ call, however,Vrinda
Narang, Vijay’s longtime personal stylist is
quick to point out— “Vijay often dons the
dhoti at home, and we wanted to showcase his
love for it as a silhouette.”
Increasingly, men are looking to Instagram
and beyond to create their own fashion mood
boards riddled with a new take on accessories,
jewellery, prints and patterns, and an openness
to explore. Musician and actor, Moses Koul,
last seen in Netflix’s Class, is a prime example
of generation next’s keenness to blur the binaries in fashion. “My style is an (Clockwise from top
amalgamation of everything I’m consuming at any given point—be it music, left) Moses Kaul; A
model in Eka’s creation;
movies or literature. Added to this concoction is social media and e-commerce Menswear from Antar-
that have played a pivotal role in making clothing and style accessible,” he explains. Agni which won the
Nikhil D, co-founder of Feat. Artists, a casting agency spotlighting the South International Woolmark
Prize in 2017
Asian male through their roster of models that include representation from
Nepal, Pakistan, India and Sri Lanka, sees media and fashion industry milestones
as a key catalyst for the evolution in menswear. For instance, Sabyasachi’s
New York store launch was a pivotal moment that illustrated a new Indian
man’s aesthetic leaning towards meticulous tailoring inflected with Indian
embroideries.“The Indian shopper is now buying Indian brands as compared
to only wearing luxury brands from Europe and the West. Typically,
they would only buy Indian designers for occasions like weddings or
festivals. But now, they have more to choose from for everyday
luxury as well,” he says, citing a cohort of menswear brands that are
using handmade textiles and techniques, promoting regional
crafts and communities.
A perfect example of a brand that found the desire for down-
to-earth menswear in the market, is the label Antar-Agni by
Ujjawal Dubey, which also won the International Woolmark
Prize in 2017. “When we started, there were hardly any
menswear brands, especially in India,” explains Ujjawal of his
decision to make ‘alternative’ clothing at that time. “Now,
menswear has become a serious segment… And men are
becoming more ready to try something individualistic, subtly
experimental, and not just being homogenous in the crowd,”
he says.
Rina Singh, the creative director and founder of Eka says that
when they started doing menswear in 2021, it was a very unique
proposal for India. “We were doing broader shoulders and
armholes that are slightly bigger, making the whole shape roomy
on the body, and yet taking the shape of the body that carries the
clothes,” she says. For Eka, it was important that the textiles they
offer, such as hand-woven cottons and linens, breathed on the
body, providing the perfect comfort loungewear.
Today, there is a surge in menswear designers from the country,
leaning into natural fabrics for menswear or adding a layer of craft
and embroidery to immaculate tailoring and pattern-making.“The
best part is that this is a market that is nowhere near saturated, and
there is endless work to be done,” Ujjawal says, summing up the
menswear opportunity and overarching sentiment in the country. Q
187
Bazaar
MAN
ALL THE
FEMME An injection of
WOMENSWEAR codes
into the REALM of
MENSWEAR is making the
latter CHICER than ever.
By JEFFREY YAN
H
alf a century ago, Yves Saint Laurent created his iconic Le Smoking
and changed womenswear forever. The menswear-inspired tuxedo
was first a scandal, and then quickly a sensation. Now, his successor,
Anthony Vaccarello is channelling that contrarian spirit and doing the
inverse—applying the language of Saint Laurent’s womenswear into menswear.This
meant silk and chiffon blouses, giant pussybows, floor-sweeping coats, and
vertiginously heeled boots. For years, Saint Laurent menswear has felt like, if not an
afterthought, then just a commercial continuation of the skinny rock-god aesthetic
put in place by Hedi Slimane. It wasn’t until Vaccarello tapped into the inherent
femininity at the heart of the brand that his menswear finally clicked.
Vaccarello isn’t the only designer who has sensed this shift in the air. The interesting
thing is that it’s the world’s biggest brands and most established designers who are
keying into this new, more feminine mood for menswear. It’s almost a given that young,
indie, and/or queer designers— your Ludovic de Saint Sernin’s and Palomo Spain’s—
will push the boundaries of gender and identity in fashion; but big brands, by the very
nature of their businesses, which need to appeal to the widest possible audiences, have a
tendency to not rock the boat so much. This season, in menswear at least, that has
been upended.
At Dior Men, Kim Jones is best known for merging streetwear with high fashion, and for
translating Christian Dior’s language of French couture into menswear. For fall/winter 2023,
he focused less on the street and more on the couture. His suits were soft and fluid, with
gently nipped-in waists, draped lapels and the occasional flowing train. There were skirts and
skirt-like shorts. Despite these feminine accents, the collection never read as anything other
than menswear. At Fendi, Silvia Venturini Fendi referenced her own youth, spent dancing
nights away at Studio This translated into a collection filled with disco-ready one-shouldered
tops, scarf dressing, and a generous dose of rhinestones and crystals. All of it made for one of
Fendi’s most interesting menswear outings yet.
At Dolce&Gabbana, that bastion of virile Italian in Saint Laurent masculinity, Domenico
Dolce and Stefano Gabbana by Anthony Vaccarello. looked to their own repertoire of ultra-
188
precision suiting Right: Bad from the ’80s and ’90s, and adapted it for a 2020s
Bunny in Jacquemus context. The duo took their signatures and cinched,
sculpted and whittled them into volumes that evoked their sensuous
womenswear. As a result, the clothes were the freshest and most fashion-forward
they have looked in years. Sarah Burton of Alexander McQueen was inspired
by McQueen’s time on Savile Row. Hence, her starting point of razor-sharp
tailoring, to which she applied the dissection and subversion that are the House’s
core qualities. Some of the suits were fashioned into bustier-like forms; others
were sliced open like the cut-out dresses she showed in her women’s collection.
At LOEWE, Jonathan Anderson
wanted to achieve purity of line.
The shapes he showed were
reminiscent of mid-century couture,
but stripped of fuss and stuffiness—
and shown on male models—they
looked almost radical.
The most electrifying thing about
this new movement is the fact that it
doesn’t ignore the old gender binary
of yore. It’s not about erasing
boundaries completely—the way
Alessandro Michele used to do it at
Gucci—and putting boys and girls
alike in the same flowy dresses. The
aforementioned collections are still
very much rooted in the classical
codes of menswear—suits and tuxes,
and the like. The womenswear
touches are subtle—a cowl neck
here; a pussybow there. The
intention is not to make men look
effeminate, but to push the aesthetic
limits of what’s often thought of as

traditional masculinity. There is a
reason why most of the models
chosen by these designers fit your
mental image of a typical hunk.
At this point in our cultural
moment, you kind of expect
a Troye or a Timothée to play
around with gender-coded
clothing—it’s a far more
powerful visual when
you see Bad Bunny in
a backless blazer with
a flowing floral stole, or
Manu Rios in a plunging silk
IMAGES: GETTYIMAGES.COM
blouse. They still very much look

like symbols of manliness, but they
also represent a far more tender
vision of masculinity. And we could
all use a little more tenderness. Q
.IN
Follow www.cosmopolitan.in for

the latest in fashion,
beauty and celebrity news.
FASHION
ETERNAL LOVE
IN THE
SHADOWS
Explore the allure of romantic gothic style, where
passion and mystery intertwine.
MODEL: ARADHANA BURAGOHAIN. FASHION ASSISTANTS: SHUBHAM JAWANJAL, CHAITANYA BALWANT AND AMRIN JAMAL.
HAIR: VIRJA MEHTA. MAKE-UP: KRISANN FIGUEIREDO. PRODUCTION: STUDIO LITTLE DUMPLING.
Dress, Prada;
earrings, Ranjana Khan
Bazaar
FASHION
Photographs by RAÚL TOVAR

Styling by ERIN MCSHERRY
Earrings, Area
Earrings and
Erickson Beamon;
stockings, Falke
Bazaar
FASHION
Complete look, Burberry
Dress and earrings,
both Giambattista
Valli; shoes,
Gianvito Rossi
Bazaar
FASHION
Dress, Thom
Browne; earrings,
Mignonne Gavigan
Coat, Chanel; shirt, Max Mara;
underwear, Dolce&Gabbana; skirt,
Bibhu Mohapatra; earrings,
Erickson Beamon; neck
accessory, Emporio Armani;
shoes, Gianvito Rossi
Bazaar
FASHION
Dress and gloves,

Max Mara; choker,
Erickson
Beamon;shoes,
Versace
Coat, top, and skirt,
all Versace; socks,
Wolford; earrings,
Erickson Beamon;
shoes, Tom Ford
Bazaar
FASHION
Coat, turtleneck,
and earrings, all
Schiaparelli; skirt,
Dundas
Dress, underwear,
gloves, and shoes, all
Dolce&Gabbana;
earrings, Paris by
Debra Moreland
Model: Sarah Brannon for

Supreme. Make-up: Mayela
Vazquez. Hairstyle: Martin
Plascencia. Nails: Ana Lozano for
Ancamaga. Fashion Styling
assistant: Alexis Ayala.
Photography Assistant: Hector
Gonzalez, Anna Braun, and Felipe
Loza. Post: Maria Yushchenko
Bazaar
FASHION
IMAGES: COURTESY THE BRANDS
Ara
Lumiere
INDIA TO
THE WORLD
INDIAN designers are taking over
RUNWAYS in major FASHION capitals
of the WORLD.
By PRAACHI RANIWALA
I
n many ways, this has been the year of Indian fashion.
While our centuries-old craftsmanship has been the
backbone of international fashion houses for decades,
it’s only now that India is finally stepping out of the
sideline to claim its place in the spotlight. Marrying
history with contemporary relevance, it is a poetic story of
old meets new to preserve and further our design heritage.
From the landmark Dior Pre-Fall 2023 show in Mumbai
this March to Indian designers opening stores around the
world and being worn on international red carpets, the
collective movement is one that positions our sartorial
language as ‘made in India’ but made for the world.
Another big shift has been fashion week showcases by
homegrown designers in major fashion capitals of the
world—thereby, turning around the definition of Indian
design and bringing a modern rendition of the country’s
craft legacy to a global stage. Bazaar India speaks to a few
of these runway stars as they pave the way forward for the
India story.
RAHUL MISHRA
The New Delhi-based designer’s journey is one of many
firsts—the first Indian designer to win the Woolmark
Prize in 2014, and also the first to showcase at Paris Haute
Couture Week in 2020. Rahul, who is also a regular on
Paris Fashion Week’s official ready-to-wear calendar, used
the platform to launch his new RTW label called AFEW Sketches by Rahul Mishra
Rahul Mishra with Reliance Brands this September.
203
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FASHION
India for the world: Rahul wants Indian fashion to create
a fresh narrative and aesthetic that goes beyond the western
perspective, embodying the distinctiveness of India.
Staying rooted: “I don’t want Indian fashion to become
so westernised that it loses its connection to its roots,” says
Rahul who feels clothing from India should always carry
that unmistakable Indian-ness while striking a balance with
global sensibilities.
Looking ahead: Conceptualised by Rahul and his wife
Divya, AFEW is deeply rooted in their DNA. “We wanted
to create something that’s not only serious and fashion-
forward, but also a reflection of how we envision modern
India,” he says.
K ANIK A GOYAL
Kanika Goyal’s neo-luxe contemporary wear marries bold
tailoring with street edge and whimsical embroideries.
2023 marked her third outing at New York Fashion Week.
Is there a moment that stands out from the experience?
“Being part of the ‘Runway X by Afterpay’ programme at
NYFW as one among eight designers redefining the future
of fashion was special,” says the designer.
India for the world: “Indian fashion reflects our growing
cultural and economic power. It’s rooted in tradition but
not restricted by it,” feels Kanika.
Busting myths: Kanika does not want Indian fashion to
be perceived as a cheap imitation of western fashion. “The
perception that India is just about colourful clothes and
traditional embroideries needs to change,” she adds.
Global bestsellers: Kanika’s graphic bombers and shirts,
hybrid deconstructed coats, denim pieces, embellished
everything and colour-blocked dresses are popular across
India, USA, Canada, Japan, Europe, Russia, Australia and
the Middle East.
FALGUNI SHANE
PEACOCK
The husband-wife duo’s list of celebrity patrons is teeming
with A-listers. Think everyone from Beyoncé and Kim
Kardashian to Priyanka Chopra Jonas. This September,
Falguni and Shane Peacock took to New York Fashion
Week to showcase their collection ‘2.0’ that married edgy
Dhruv Kapoor
street wear with the glamour of demi couture. One of the

show’s biggest talking points—having celebrated stylist Law
Roach on board as the creative director.
Turning point: “Dressing Fergie for her FIFA World Cup
performance in 2010. She then went on to wear the brand
on many occasions,” reminisces Falguni.
204
Kanika
Goyal
Bazaar
FASHION
Vaishali S
Falguni Shane Peacock
Looking ahead: With a huge demand for their Global bestsellers: Her corded dress and textured
traditional, prêt and contemporary wear in the USA capes are a hit in the USA, Saudi Arabia, the UK, and
and the Middle East, the duo is focused on opening the Middle East.
international stores. As well as reaching a wider
audience in South Korea and Japan.
Global bestsellers: The bejewelled and feather
jackets, printed kaftans, and dresses.
MAYYUR GIROTRA
A strong following within the diaspora community
encouraged Indian occasion-wear designer Mayyur
DHRUV K APOOR
Girotra to partake in the first-ever South Asian New
York Fashion Week last year. This year, he returned to
Be it his logo sweatshirts, tie-up shirts or co-ord sets, the Big Apple for a collaboration with Google and New
Dhruv Kapoor’s is a label cool kids around the world York Pride 2023. “The move to establish a significant
flock to. After multiple presentations in the Italian presence in the United States has been a strategic one,”
capital over the years, he became the first Indian with reveals the designer.
a menswear show at Milan Fashion Week in 2022. India for the world: “Our craftsmanship and
Dhruv’s appeal lies in his gender- and generation-fluid techniques are revered worldwide. Indian fashion is
contemporary wear that has patrons across the USA, now impossible to overlook. Our rich culture,
the Middle East, Japan, Europe and China. techniques and innovative designs are universally
Breakthrough moment: “It was losing one contest appreciated,” says Mayyur.
that turned out to be the biggest win for us. Because Busting myths: Pigeonholing Indian fashion into
one night later, we received a surprising email from stereotypes like excessive embellishments or relentless
Milan inviting us to showcase at Milan Fashion Week,” maximalism needs to end. “It can be sleek, minimalistic
reveals the designer. and refined, defying conventional expectations too,”
India for the world: Dhruv wishes for the world to he feels.
understand that India is not only a mass-production What’s next: After a standalone store in New Jersey,
country, but has skilled craftsmen that can match or Chicago is next on the horizon for him.
surpass qualities from giant couture houses.
Busting myths: “I’ve found buyers are often
concerned about delivery timelines and quality when
working with Indian brands. I don’t want us to be
perceived as lazy or unorganised,” he adds.
ARA LUMIERE
Philanthropist Kulsum Shadab Wahab, executive
director of Hothur Foundation, founded Ara Lumiere
to empower acid attack survivors by showcasing their
VAISHALI S
skilled workmanship with accessories and clothing.
“Fashion is a profound tool for empowerment and
A couture brand from Mumbai, Vaishali Shadangule social impact. It has the power to challenge stereotypes
has taken her signature wearable art made using Indian and societal norms,” she says of the brand’s core values.
weaves to fashion weeks in Paris and Milan. In 2021, The brand has been part of multiple presentations at
she became the first Indian female designer at Paris Milan Fashion Week.
Haute Couture Week. She showed at Milan Fashion Milestone moments: Winning the CNMI Sustainable
Week in the same year too. “India has the strongest Fashion Awards in Milan last year that recognises
heritage and the best workmanship that all top Houses brands using fashion as a tool to better lives and the
use. We need to bring back design in our fashion, not environment.
only embroideries and bling,” she feels. India for the world: “Indian fashion is evolving,
Milestone moment: Being invited by the Paris Haute modern and diverse. It shouldn’t be limited by
Couture Committee to showcase at the event. She was stereotypes but celebrated for its innovation and
the only Indian designer with a physical presentation dynamism.”
that year. Looking ahead: Ara Lumiere is in the midst of
Looking ahead: “Paris now knows my couture. I launching a prêt line and also a festive collection,
want to give them easy access to the Vaishali S thereby, creating more job opportunities for the women
experience with a store in the city,” says Vaishali. who work with them. Q
207
Bazaar
FASHION
PÉRO—ANEETH
ARORA
The brainchild of designer Aneeth Arora,
Delhi-based label Péro is committed to creating
art in the form of garments with utmost love
and passion—the show they put up at the
recently concluded Lakmé Fashion Week x
FDCI is a great example. Péro—synonymous
with handmade, vivacious and high-spirited
clothing—has embraced the concept of
sustainability in its overall functioning.“I started
Péro with a conscious decision that we will
make our own fabrics, which is where the
entire philosophy of handmade luxury and
handmade couture started,” shares Aneeth,
adding, “We put in so much effort in making
the textile, and it’s the same effort that we put
in crafting our pieces as well.” The idea of
upcycling is also one that has now become a
pivotal part of Péro’s journey. “People would
usually come back to us with their pieces—
even when there’s wear and tear, we’d be happy
to repair it for them. That is how we started
upcycling; we mend our own pieces with love
and give it back to the consumer,” she says. Each
season, the brand introduces a unique upcycled
piece to their collection, one that keeps both
technique and textile at the forefront. Even the
fabric scraps are repurposed through recycling.
This dedication is extended to their new home
line as well, with quilts being the hero of the
product range. Aneeth concludes, “In a way, we
create heirloom pieces as they are not restricted
to a particular season.”
FASHION’S
SECOND CHANCE
BAZAAR INDIA spoke to five
brands that have mastered the art of
UPCYCLING.
By PRIYANKA KATHURIA
208
RKIVE CITY—RITWIK
KHANNA
New Delhi-based designer Ritwik Khanna
launched his brand Rkive City in 2022. The
brand specialises in denim due to its universal
appeal. “It [denim] is like a simple language
that everybody speaks. And because our entire
motive was to promote post-consumer textile,
it was the easiest conversation starter,” shares
Ritwik, who was introduced to the world of
textiles from when he was young.While Rkive
City is often associated with denim upcycling,
it is also committed to introducing the concept
of circularity and repurposing other materials
across silhouettes. “We have an IP called
‘Repair’: the consumer can bring in their old
pair of pants, denims, and more—which
otherwise would have been discarded. And we
repurpose them into a new garment, a bag,
etc.,” he explains. “We have a vision board
called ‘Rkive City 2050’, which is essentially
about how we wish to include circular systems
into our research and design to further allow
people to not just buy from us but also return
their old goods to us to be created again. We
have an atelier right behind the store [in Delhi’s
Dhan Mill Compound] where people can
bring their old/to-be-discarded pieces once a
week,” he says. Ritwik believes in collaboration
for the upliftment of communities. “We are
collaborating with the Princess Diya Kumari
Foundation in Rajasthan to help upskill
women in embroidery, block printing, stitching,
and sewing.We have joined forces to empower
women, offer employment opportunities to
them, and aid in refining their textile waste
management practices,” he signs off.
209
Bazaar
FASHION
like hoodies, capes, and pants, paying homage to the

BACK ALLEY BODEGA— country’s rich cultural heritage. For Ankit, upcycling is a
ANKIT DUGGAL crucial component to the entire process. “While we
source fabric for our more classic, single-tone garments
“Sustainability in fashion does not need reinvention, it from high quality export surplus, we reuse our printed
needs adoption,” says Ankit Duggal—a musician-turned- fabrics as much as possible. If something doesn’t sell as
designer, and the founder of Back Alley Bodega, a Goa- much as we expect, we find ways to use the same fabric
based brand that recognises street culture’s impact on as a new garment in the next season,” he explains.
fashion and embraces the raw, rebellious spirit of Technology plays a pivotal role in his journey. “I didn’t
alternative culture. “I want the brand to quite literally be go to design school, so a lot of what I know about
a ‘Back Alley Bodega’—a place where you can find designing and making clothes, I learnt online.Technology
something unique. We want our clothes to be a part of helps me design new pieces, plan shoots, and even set up
how you express yourself to the world, representing all my website and inventory for every new collection,” he
the elements of your personality that make you, ‘you’.” says. Ankit believes in forging partnerships that leave a
The brand effortlessly blends traditional Indian weaving positive imprint on the community. The brand recently
techniques such as ikat with contemporary silhouettes collaborated with Skate Life Goa (a community of
skateboarders who regularly work to promote
skateboarding in Goa) for their new
collection called ‘Artful Rebellion’.
“Currently, I am working on a new
collection for women. We also have
exciting collaborations with
musicians, artists, and skateboarders
from across the country; will be on
tour for pop-ups; and exploring the
possibility of setting up more retail
spaces outside of Goa,” he concludes.
210
see an increase in demand for sustainable clothing options
NO GREY AREA— ARNAV in India and other regions,” says Arnav. The Chennai-
MALHOTRA based brand embodies the ethos of zero waste. “We
introduced a bomber jacket in our recent collection,
How do consumers respond to upcycled fashion? “The ‘Ether’—it is crafted from the scraps from our first
younger generation, in particular, is driving this change collection; we’d taken various prints from those scraps
with their increasing concern for the environment and and woven them together into a single fabric, which was
their desire to make ethical fashion choices. The future then expertly stitched to create the final
holds promise for the expansion of sustainable fashion as piece,” he explains.
consumers become more conscious of the planet and In pursuit of a circular fashion economy, and taking it
their choices,” shares Arnav Malhotra, founder of No beyond just being a buzzword, Arnav and his team are
Grey Area—a brand that emerged from a desire to prioritising eco-consciousness across the lifecycle of
redefine Indian clothing. It symbolises the modern their products. From avoiding synthetic fabrics to
Indian generation with fluid sartorial identities, the reducing carbon footprint and repurposing fabric
complexities that come with it, and above all a significant remnants, the goal is to witness a shift by leading the way.
step towards a sustainable future.“The Indian market can Providing sound advice to budding designers in this
be testing because many consumers may not be willing space, Arnav shares, “For anyone looking to start their
to pay the premium price associated with it. However, as own sustainable fashion label, my main advice would be
awareness continues to grow and more sustainable to not just talk the talk but walk the walk. Keep learning
options become available at various price points, we will and questioning because fashion is always changing.”
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Bazaar
FASHION
K ARDO—RIKKI KHER
“The first show I did in New York was in 2014. Buyers loved the
collection, thought it was made in Japan, and when I said it was
from India, they walked away,” says Rikki Kher, describing his
most memorable moment while building his menswear label
Kardo. “Our inspirations are the artisanal textiles and crafts of
India. Our mission is to celebrate Indian textile craft by creating
unique and original menswear. The aim is to work with artisanal
communities that create a circular economy in their own region,”
he shares, adding that it is important for the brand to have a low
environmental impact. In the world of fashion, where trends
change with seasons, Rikki focuses on timeless craftsmanship, and
ensures that the talents of the artisans are appreciated and the
community is supported. “If you take a
sample from an artisan, you have to
give them the bulk order, not try and
source it cheaper from somewhere else.
You have to pay artisans a fair price and
on time.They are not selling something
in a bazaar! These are craftspeople with
unique skills. They should be
compensated properly. If you support
the artisans, they will support you
back,” he says. Kardo also uses the
technique of upcycling in their
collections. “We upcycle all our textile
waste in some form (for example, we
use it as patchwork).We also collaborate
and work on a number of textiles with
Paiwand Studio—a Noida-based
company that specialises in upcycling
textile waste into handloom fabrics.—
each season,” says Rikki.The brand has
also collaborated with BioDye,
Maharashtra, for natural dyeing of all
yarn and fabric. Rooted in the rich
textile tradition—the brand’s Gond
hand-painted jackets on handloom
denim were standout pieces from their
A/W23 collection—technology is also
important to Rikki’s label,“Technology
helps us manage our growth and
improves our efficiency for everything
from our e-commerce website to our
online digital wholesale showroom and
our integrated back-end production
platform,” he says. Q
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FASHION
DRAPED
DELIGHTS
Banofi + Studio Beej
Naeem Khan
Structured drapes that meld the
standardness of an ensemble like a sari
with new-age precision are now not just
breaking traditional barriers but also
changing how we wear (and view) this
Raw Mango
iconic silhouette. These meticulously

Tarun Tahiliani
tailored outfits bring new angles, lines,

and forms to the timeless sari, further
enhancing its appeal.
SHOW-AND-TELL Here’s an assortment of the most captivating styles from across runways that are
redefining the fashion landscape both on home turf and globally.
Compiled & Text By PRIYANK A K ATHURIA
214
SHEER
PERFECTION
Designers such as Supriya Lele and Amit Aggarwal
embraced transparency, creating ethereal looks
with strategic layering using sheer fabrics—
organza, tulle, chiffon, and others. This trend offers
a delicate blend of sensuality and sophistication
while adding a touch of playfulness. Leaving room
for experimentation, the material is also being used
to fabricate whimsical accessories.
Stella-McCartney
Supriya Lele E
Bibhu Mohapatra
Amit Aggarwal
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FASHION
THIGH’S
THE LIMIT
Daring cuts and thigh-high slits breathed new life
into dresses, skirts, and even trousers this season
at runways across the globe. Designers offered a
range of options to cater to various aesthetics and
occasions—you’d find a thigh-high slit on
everything from contemporary lehengas and
bohemian dresses to extravagant gowns.
Geisha Designs
Paulmi and Harsh

Not So Serious by Pallavi Mohan
Aseem Kapoor
216
Coperni
Ralph Lauren
METALLIC
MARVELS
Eye-catching and reflective, metallics—glimmering
gold and bold silvers—have become signature
Anish Malpani
statements this season. Metallic accents can be

infused into daily-wear pieces, evening attires,
Tom Ford
footwear, belts, and jewellery. Be it on the red

carpet or the streets, one will find an encouraging
mix and match of metallics with fabrics such as
denim for a balanced approach.
217
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FASHION
READY,
SET,
SHOW
For FASHION
month,
DESIGNERS
on GLOBAL
runways showed
a season that
was filled with
ANTICIPATION
and
EXCITEMENT,
but also fail-safe
CREATIVITY
PHOTOGRAPHS: GETTYIMAGES.COM
and future-proof
WARDROBES.
By AK ANKSHA K AMATH
Gucci
Prada
EARTH TONES
Marsala and shades of sand, soil and muddy browns, as
well as nudes and fuss-free flesh pinks, made up a large
chunk of the colour wheel this season, especially at Saint
Laurent and Maximilian Davis’s Ferragamo. Neutral
territory is what designers were aiming for—alluding,
perhaps, to a collective world mood for peace.
SUMMER LEATHER
Leather, but make it summer. Perhaps more appropriate
for the trans-seasonal months (do those even exist
anymore?) of March and April before diving into summer
followed by high summer, the leather trend is perfect for
staying warm but feeling light. Creators of the buttery-soft
leather dresses at Hermès and Bottega Veneta were
certainly thinking of keeping ventilation open in the
fabric, with cut-outs in the bodice and the back.
Ferragamo
METAL MAGIC
YSL
No one can forget the moment Naomi Campbell shed a

tear as she walked Sarah Burton’s last show for Alexander
McQueen.The dress (a silver-foil toned fringe dress that
hile climate change may be swooshed as she walked her iconic stance) and that
causing delayed summers and moment will remain forever engraved in our minds.
fluctuating weather, fashion is Meanwhile, at Prabal Gurung, sharp, shiny objects came in
still soldiering on. Fashion the form of handkerchief hem dresses in burnished
catwalks around the world’s mermaid colours. Mowalola—London’s most-talked
key cities turned into about new designer (who counted Kanye West and Bianca
forecasters— giving us a six-month preview of what is to Censori as front-rowers), served up gleaming silver dresses
come.This fashion month in particular carried heavy hearts and Versace gave us everything with just a little bit of
(Sarah Burton at Alexander McQueen said goodbye after sheen on top.
25 years of working for the brand) and new beginnings
(Sabato De Sarno started his first day on the job at Gucci
and with it showed us his vision for the Italian luxury FEATHERS AND FRINGES
house). And in keeping with the world’s changing The ‘lightness of being’ theme, continued with feathers
temperatures gave us drop-waist hemlines, leather for that added flounce to clothes.Who better to illustrate this
summer, black and white as the reigning palate, and a whole than Casey Cadwallader at Mugler who brought a third
spectrum of shiny objects to catch the light. Here’s a dimension to clothes with mechanic fans that flew
breakdown of what we saw for spring/summer 2024. feathers on clothes into a frenzy as models walked by.
Another trend bringing movement and dimension to
clothes was fringe—not just on the edges but everywhere,
SHEER dancing and directing the flow of a model’s walk. Case in
The most prominent designer to show-off the transparent point? Neelam Gill in a deep red dress, fringed for
trend this season was Miuccia Prada and her army of fantastical effect.
sheath dresses. In varying colours of sky-light blue, cake-
icing pink, mint-leaf green and a bride’s-veil white,
models walked fast and with purpose as their gazar dresses
whisked in the wind. Several designers looked to sheer as
a trend to evoke lightness and comfort. Undercover’s Jun
Takahashi created viral moments for Instagram with his
glow-in-the-dark sheer dresses, while Simone Rocha
inserted hers with roses.
219
Bazaar
FASHION
Alexander McQueen
Bottega Veneta
Prabal Gurung
Hermès
220
BLACK AND WHITE
The existence of colour in clothes, or in this non-colour,
did not mean that creativity had to take a backseat. In fact,
designers showed how black and white can be
chameleonic. At Balenciaga, black took new forms—
from baggy pantsuits to wedding dresses. Bring out the
summer whites. But make them anything but boring. In
varying lengths and layers, designers looked to white for
inspiration. At Wales Bonner, the non-colour existed in
the form of a pearl-layered net on top of a white-on-
white look, overlaid with a white trench. At Vivienne
Westwood, it took more of a classical shape, with nostalgic
corsetry on a dress with imaginary bustles.
JEWELLERY
Balenciaga
In jewellery, the bangle is back, earrings no longer need to

match (in fact, make them as diverse as possible), and long
chains (circa mid-aughts) come layered and wiry thin.
SHOES
How do you make the biggest splash on your first day
on the job? Gucci’s new creative-in-chief has the answer.
Flatforms that mean business were the designer’s final
flourish to every look on the runway. Meanwhile, at
Chanel, a longing for summer escapes meant swimsuits
and flip-flops with only sarongs to match. At Erdem
and Simone Rocha, shoes were the extension of the
garments with bows and embellishments dripping from
clothes to shoes.
BLUE MOOD
That Yves Klein blue that took over London’s Bond
Street for Daniel Lee’s first outing at Burberry was seen
on clothes and shoes at the show too. But it also landed
on every other designer’s mood board, from Isabel Marant
to Givenchy, where the blue hue brought brightness to
several looks. A blue mood also came in the form of
denim, stitched into apron dresses or tapered into denim
and jackets.
NET
Balenciaga
Balenciaga
Netting—of the fishnet, lacework or cut-work variety

was seen everywhere from Chloe to Lanvin, and
Valentino.What it does is bring a fanciful aesthetic and
lightness to clothes, to let the sun and air in. As the heat
rises and summers get scorching and weather apps fail to
predict the next peak temperature, designers turn to
clothes to make them habitable, adaptable and agile in the
face of climate change.
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FASHION
GUCCI’S SEOUL
Juxtaposition of HISTORICAL and
CONTEMPOR ARY was at the core of the CRUISE
2024 collection.
By RIA SINGH
From left to right: American actor, Blake Lee; American actor, Dakota
Johnson; CEO of Gucci, Marco Bizzarri; South Korean singer-
songwriter, and composer, IU; Bollywood actor Alia Bhatt
elebrating 25 years since Gucci opened their store in South Korea, The Gucci Cruise
2024 collection honoured the seamless merging of the Italian luxury brand with South
Korean culture which is gaining popularity, majorly, through K-Pop. Held at the
ceremonial courtyard of the 14th century Gyeongbokgung Palace located in the heart
of Seoul on 16 May, the collection reflects a century-old creative legacy evolved by
designers and artisans of different backgrounds—who interpret the House’s codes
through their individual and cultural gazes.The collection is a study of the global urban wardrobe invigorated
by the inimitable instinct for fashion expressed on the streets of Seoul and echoed across the globe. Silhouettes
in the show—evocative of Gucci in the late 1990s—expressed the colour palette of the 2010s. Every
garment and look reflected a form of hybridisation. For example, to counterbalance the band’s bourgeois
Bazaar
FASHION
‘streetwear’ archetype, the Cruise Show came with a

twist—like bouclé skirt suit, silk blouse, and kitten heels,
were spliced with sportswear like scuba wetsuits which are
often worn by fervent windsurfers and jet-skiers in the Han
River, [river in South Korea] a niche community sport that
gained popularity amongst stressed Seoulites post Covid-19.
The hybridisation inspired a study of deconstruction—
detachable sleeves became accessories while zips enabled
trousers to expand in shape, the bomber jacket transmuted
into an evening skirt, the biker jacket elongated into a coat,
and the sculptural lines informed A-line dresses and diverse
styles featured silk bands with bows, drawing inspiration
from traditional local garments. The Gucci Web—the
House’s signature brand—adorned pieces in super-
magnified form; hyper-sensory biomorphic motifs by the
South Korean artist Ram Han [known for her fantasy
paintings], animated the collection.
The show also put a spotlight on the exquisite accessories.
Bags, for instance, had an intensified expression.The leather
Gucci Horsebit Chain bag made an appearance in a narrow
shape, evoking the memory of a debossed leather men’s bag;
minimalist Gucci bags from the archive were re-interpreted
in colourful scuba and ornamental adaptations; the rounded
trapezoid Horsebit Chain bag rememerged in iridescent and
precious leather.A sensibility of Club Kids [a group of young
New York City dance club] was evoked in cyber goth
stomper boots.
The show was a harmonious collision of two worlds,
reaffirming Gucci’s commitment to cultural exploration and
the universality of fashion. Q
The
Skateboard
Bag displayed
at Gucci
Cruise 2024
FOR THE EXCLUSIVE
A L L T H E I N S P I R AT I O N
Visit BridesToday.in for all the beauty, fashion,
and planning advice for your Big Day
BEAUTY
RISING SUN
Make-up and hairstyles that invite you to take risks this season. Warm tones and contrasting
colours on the skin that perfectly complement the daring shapes of a dazzling hairstyle.
Photographs by JESÚS VILLANUEVA
Creative Direction and Fashion Styling by ALEX FAVELA
Bazaar
BEAUTY
Blouse, Alfredo
Martínez
Bazaar
BEAUTY
Complete look,
Mayorca
Model: Melissa Ochoa for Capital Model.

Make-up: Daniel Alvarado.
Hairstyle: Athenea Lombardi.
Production: IX Studio.
Bazaar
BEAUTY
THE SCENT
OF YOU
In an exclusive conversation with Bazaar India, CHRISTINE NAGEL, head
perfumer at HERMÈS PARFUMS talks about her journey as a
PERFUMER, the striking notes of the new TUTTI TWILLY D’HERMÈS
and the inspiration behind the perfume.
BY TEAM BAZAAR INDIA
Harper’s Bazaar: You have been a perfumer for long.

What made you select it as a profession? Could you
please take us through your journey?
Christine Nagel: “It’s quite difficult to summarise my life’s
journey and passion in just a few sentences. But the main
thing to know is that I discovered my calling relatively late,
through the emotion and indescribable pleasure that
fragrances evoked in those around me. Then I couldn’t rest
until I had become a perfumer, constantly learning,
experimenting and perfecting my knowledge. I wasn’t afraid
to take risks. And some wonderful encounters have marked
my life. And I must say that the best of these was the most
recent: my encounter with Hermès. Hermès’ values are full of
humanity, freedom and diversity. They nourish my everyday
work and creativity. And I’m exactly where I should be!”
232
HB: Ginger as a spice has many virtues. Why did you select it as the primary
note for Twilly?
CN: “I worked with ginger to satisfy my unbridled love of its flavour. The explosion
of fresh ginger notes gave me the boldness I needed to use it abundantly,
unreservedly, for the first time in Twilly. But ginger has a multitude of facets: it’s
spicy in Twilly Eau Poivrée and candied in Twilly Eau Ginger. I really thought I’d
explored every aspect of it. But then I discovered ginger blossom, in a totally
unexpected way—hearing a pastry chef talking about his passion for ginger
piqued my curiosity and set off the urge and the very idea for this new composition.
The blossom tastes undeniably like ginger, but with a softer, gentler flavour that
is perhaps more refined. Once I’d found it—and that wasn’t easy—I reconstructed
it in my mind from a floral perspective, and ended up with something that was as
surprising as it was exciting.”
HB: The combination of ginger and lychee is a bit unusual. Who did you have in
mind when you were perfecting this perfume?
CN: “I only work with what I love, and I love lychee. Its hard shell protects its sweet
flesh full of water, which trickles out willingly when bitten into. Its fruity, rose-like
scent and its fleshy, tender and full-bodied aspect is a wonderful metaphor for
these young girls, who I find so inspiring. Though I don’t create for a fixed, pre-
defined kind of person—because the fragrance exists in itself and not in relation
to its destination—I do imagine a vibrant and joyful personality.”
HB: Tutti Twilly shares a story of sisterhood. How does the fragrance capture
that?
CN: “Perhaps more than the notion of sisterhood that had guided me until then,
while I was creating it, I thought of the generations of young girls that come one
after another—an endless story to which we ourselves, our mothers and our
daughters all belong. These unique yet somehow similar stories are brimming
with paradoxes, with insouciance and discipline, with lightness combined with a
keen sense of the issues of the future, with pure joy and meaningful choices.
These stories are so inspiring through time.”
HB: What was the main inspiration behind the Tutti Twilly collection?
“The boldness of youth is a major source of inspiration for me. Like its predecessors,
Tutti Twilly is inspired by the young girls of today, these creative and mischievous
young girls whose femininity is emerging and who like to play with convention. As
a tribute to their youthful spirit, their love of doing and undoing, of being
themselves and reinventing themselves, I wanted to offer a new twist, a different
expression of Twilly that reveals the timeless facet of their personalities.”
HB: How would you describe it for your virtual audience, given that a lot of the
perfumes are bought online without actually testing them?
CN: “I would say that Tutti Twilly is a joyful and colourful combination of smooth
and gentle ginger blossom, the fruity, rose-inspired scent of lychee with its
tender, sensual undertones, and enveloping musk. Harnessing the power and joy
of being a woman at that brief but intense time of life when anything is possible,
it offers a carefree attitude and infectious happiness.”
HB: What emotions does the fragrance evoke in you?
CN: “Fragrance is and remains the sense with the strongest link to emotion
because each scent tells a story and opens up a particular imaginative world, but
although we are all made in the same way, everyone feels a different emotion in
the presence of the same scent. A scent moves us because we have smelled it
before. It takes its place in the library of scents that we create from the moment
we are born. I express my own vision of a story in fragrance, and this is the very
nature of artistic work, seeking to trigger emotion, to feel and give pleasure.” Q
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BEAUTY
BLENDING BEAUTY
WITH WELL-BEING
In an EXCLUSIVE interview with BAZAAR INDIA,
NAYANTHARA discusses the INSPIRATION
behind her newly launched BEAUTY brand—9Skin.
She also shares personal SKINCARE tips, along with
INSIGHTS into her CINEMATIC projects.
IMAGES: BY THE BRAND
By PRIYANK A K ATHURIA
234
for workouts, hydration, my family, and some me time which
includes my skincare routine which is super important to me.”
ETERNELLE HB: What are your future plans for the brand?
- Anti-Aging
Serum; 9Skin; N: “The future for 9Skin involves expanding our product line
`1,499 with sustainable and eco-friendly options.We aim to continue
empowering individuals to embrace their unique beauty.”
HB: Share a memorable experience while prepping for
Jawan and what were your feelings on collaborating
with some leading names in the industry?
N:“Prepping and shooting for Jawan was intense but it pushed
me beyond my comfort zone and I love it when I can really
achieve what I am asked to. Collaborating with the talented
cast and crew of Jawan was an enriching experience. Working
with leading names in the industry elevated the project,
creating a synergy that reflected in the final product.”
HB: Any upcoming movies that you are working on?
N: “While I can’t reveal all the details, I’m excited about
upcoming projects that explore diverse roles. The
announcements are going to be super exciting. Q
Harper’s Bazaar: What inspired you to
launch your own beauty brand and
what does the name signify?
Nayanthara: “Launching 9Skin was a
natural progression for me. I’ve always
been passionate about skincare, and the
name signifies the comprehensive care
the brand aims to provide, embracing the
nine dimensions of well-being.”
HB: What unique products and
features can consumers expect that
would set it apart from other beauty
brands?
N: “9Skin is unique because it integrates
Ayurveda with modern skincare. Our
products are rooted in natural ingredients,
offering a holistic approach to beauty
that sets us apart in the market.”
HB: Could you share some personal
skincare tips and routines that
influenced your brand’s offerings?
N: “My personal skincare routine
emphasises simplicity and consistency,
which influenced the brand’s offerings. I
believe in the power of natural ingredients
and wanted to share that with my
audience through 9Skin.”
HB: What does self-care mean to you
and how do you incorporate that in
your busy schedule?
N: “Self-care, to me, is about balance. It’s
about doing the things I love the most.
For me its work and family and the
biggest joy is to find that right balance
amidst our busy schedules. I make time
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BEAUTY
Beauty’s TERRIFIC TRINITY

KAREENA Kapoor Khan, KIARA Advani and SUHANA Khan, in an exclusive
interview with Bazaar India, talk about their fondest MEMORY of MAKE-UP,
their SKINCARE regime, what BEAUTY means to them, and more.
By ADIT GANGULY
P
eople perceive beauty differently and with time, Harper’s Bazaar: What do you want to represent
their definition of the term also evolves—from a through this campaign?
thing on the outside to a more from-the-within Kareena Kapoor Khan: “Tira stands on the fundamentals
concept. The same holds true for three very of being true to yourself. I resonate with this because
beautiful women from cinema—Kareena Kapoor Khan, I have also always lived by it.”
Kiara Advani, and Suhana Khan—each of who represents Kiara Advani: “For me, beauty has always been about
a unique version of beauty. Little wonder,Tira, in its vision self-expression and self-love. I loved that one of Tira’s core
of being the leading beauty destination for accessible yet pillars is about allowing people to tread on the journey of
aspirational beauty, got them together to be the faces of its self-exploration and reminds them to embrace their own
first-ever campaign #ForEveryYou. unique version of beauty.”
In an exclusive chat with Bazaar India, the trio celebrated Suhana Khan: “I am thrilled to work with a brand that
the role of beauty and shared details on their go-to beauty challenges the traditional meaning of beauty and focuses
products, their beauty icons, the things about beauty that on the whole “you do you” mindset. At Tira, there are no
their job taught them, and more. rules and everything is about finding your own version of
what is beautiful.”
HB: What were the very
first things that you learnt
about beauty in the film
industry?
KKK: “I learnt to keep my
skin hydrated, adhering to a
disciplined skincare regimen,
and embracing the less-is-
more approach.”
KA: “I learnt that beauty is all
about well-being. Learning to
prioritise self-care practices
can significantly impact your
appearance and overall health.”
SK: “I learnt about the importance of sleep!”
HB: What’s your first and fondest memory of make-
up?
KKK: “One of my earliest and most cherished memories
related to make-up involves experimenting with my
mother’s lipstick and kohl when I was a child.”
KA: “As a kid, I used to sneak my mom’s skincare products
and was often caught with my fingers in tubs of cold creams
or playing with perfumes.”
SK: “Sometimes when I visited my dad on set, I would be
mesmerised by the make-up van and make-up artists.
Make-up vans were my equivalent of candy stores.”
HB: Take us through your beauty and skincare SK: “Illuminating primer, mascara, and lip gloss.”
regime. HB: Are there any beauty trends or hacks you
KKK: “Staying well-hydrated is crucial. I follow the simple love?
routine of cleansing, toning, and moisturising, with special KKK: “I love wearing lots of highlighter, so I always add
attention dedicated to moisturising. I keep a sunscreen it onto the high points of my face—my cheekbones,
handy at all times.” brow bone and the bridge of my nose.”
KA: “I have a strong affinity for homemade facial and hair KA: “I love the glazed donut skin trend. It makes my
treatments using natural ingredients. Often, I create skin look glossy, shiny, and hydrated.”
concoction drawing inspiration from age-old recipes from SK: “I love the clean girl make-up look—it is my vibe!”
my grandmothers and mother. Also, sunscreen is key! I’ll HB: What is your go-to make-up look?
never skip it.” KKK: “I could never go wrong with some kohl, a hint
SK: “I love fun additions like eye patches or a face mask to of cheek tint and a lip balm.”
my basic skincare routine. But consistency is key—I’ll KA: “I am fond of a radiant and dewy base, coupled
always stick to my OG routine, too.” with subtly defined eyes and glamorous lips.”
HB: Has your definition of beauty changed over SK: “My go to make-up look is the no make-up look.
time? A subtle base, some mascara and a pink lipstick, and I’m
KKK: “I have evolved from viewing beauty as something good to go!”
that transforms you into another person to realising it HB: Who have been the beauty icons who have
actually is something that enhances your true self and makes inspired you over time?
you confident in your own skin.” KKK: “Growing up, I was inspired by my sister Karisma
KA: “I have always felt and still believe that beauty is an Kapoor and my mom, Babita. I didn’t just pick up beauty
inside-out job. When you feel confident, happy and secrets from them but also learnt that being comfortable
comfortable, you look the same way on the outside.” in one’s skin is the first step to feeling beautiful.”
HB: Which have been the go-to beauty products that SK: “My icon has always been my mother. She has
you’ve stayed loyal to for a very long time? maintained a disciplined skincare routine throughout
KKK: “Lipstick, kohl and mascara.” her life. She has not only shared her self-care rituals with
KA: “Brow liner, blush on, and highlighter.” me but has also passed down her wonderful genes.” Q
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Bazaar
BEAUTY
“Beauty is a universal
language that goes
BEYOND BORDERS”
In conversation with BAZAAR INDIA, iconic make-up artist and the creator of
NARS Cosmetics, FRANÇOIS NARS, talks about the brand’s LAUNCH in India, its
cult-favourite products, and his BEAUTY values.
By MITALI SHAH
Harper’s Bazaar: What are your earliest memories of

beauty and how did it shape NARS?
François Nars: “My mother and my grandmothers introduced
me to the world of beauty. When I was six or seven, I began to
notice that I was surrounded by really gorgeous women in my
family. My grandmother was very artistic and inspiring. She
did her make-up beautifully—it was fascinating to watch her
apply eyeliner and paint her lips with vibrant red lipstick.”
“However, my love for natural-looking make-up comes from
my mother. Even though she never wore a lot of make-up, she
always looked so elegant and striking. She was very fond of
blush—never left the house without it.”
HB: Beauty is controlled by trends that change in the
blink of an eye. How do you manage to keep NARS so
fresh throughout it all?
FN: “I don’t follow trends. I don’t think about what would be
trendy in the next one or two years. I aim to create products
that will have a longer life span than that.”
238
HB: We are so thrilled NARS is coming to India,
can you tell us why did you make this decision now
and who will your target audience be here?
FN: “I am delighted and deeply honoured to launch
NARS in India. India’s rich culture and beauty traditions
have always been a great source of inspiration for me. The “You blush naturally in response to a certain
brand’s decision to launch in India is driven by the emotion, and I wanted the names to be tied to these
country’s rising beauty consciousness, including the emotions, some of which might have a slightly more
consumers’ increasing investment in beauty. India’s provocative or sensual undertone.‘Orgasm’ happened
celebration of individuality and the growing demand for to be one of those names.”
premium beauty products that allow for HB: Tell us three rules of thumb
self-expression without boundaries is what that a brown-skinned person
primarily drives this decision.” should follow while choosing
HB: You introduced your line in 1994 their make-up products.
with 12 lipsticks; why did you choose FN: “Beauty is global. It’s a universal
to start with lipsticks? language that goes beyond borders,
FN: “It happened so naturally; I could have cultural boundaries, and skin tones.
started with 12 eyeshadows, but I have There are no rules. Women should
always believed that lipstick is the most wear what they want.”
iconic make-up accessory in any woman’s HB: Do you plan on launching
make-up bag. It has the power to instantly any products that will specifically
transform your look, and its appeal remains cater to the needs of the Indian
timeless.” skin tone and texture?
HB: The Orgasm Blush is famous not FN: “I am always inspired by the
only for its beautiful pink hue but also unique beauty of different skin tones
for its name, how did you come up and textures. My goal has always been
with that? to create make-up products that are
FN: “When I created the Orgasm Blush, the inclusive and celebrate the beauty of
name actually came to me before the colour itself. With everyone.While I can’t reveal specifics around future
NARS blushes, I wanted to give names that would evoke product launches, you can certainly expect me to
emotions and sensations. I had an array of names in mind continue to explore and develop products that cater
that were inspired by pleasure, passion, and various to a wider range of skin tones and textures, including
feelings.” those specific to India.”
HB: If you had to choose, what three NARS
products would you have on you at all times
and why?
FN: “My choices would include: Light Reflecting
Moisturizer to lay the foundation for a radiant
complexion, Soft Matte Advanced Perfecting Powder
for on-the-go touch-ups, and Afterglow Lip Balm in
Clean Cut for effortless lip care.”
HB: Who have been your biggest muses
throughout the years?
FN: “So many women have inspired me throughout
the years. Among them, my mother holds a special
place as my initial muse. Her influence continues to
be a big source of inspiration today.”
“However, my muses extend beyond my personal
circle.You can witness the profound influence of these
extraordinary women in my recent documentary,
titled Unknown Beauty: François Nars.” Q
NARS Cosmetics will be available at select Shoppers Stop
and Sephora stores across the country and also online on their
respective websites .
239
Bazaar
BEAUTY
(On this page ) Squalane + Vitamin C
Rose Oil, Biossance, ` 7,300; Lip Sleeping
Mask in Gummy Bear & Sweet Candy,
Laneige, `1,420
GLOSSY
AND FLOSSY
Want to carry just one stick of gloss and still
look glam? Try the all-new glossy and flossy
trend. A subtle application of the sheer liquid on
your eyelids, cheekbones, and lips can make you
sizzle instantly. Looking like a million bucks has
never been easier. With the perfect stick of
gloss, you can now have a sparkling
glass-like-finish and groove to the beat of
your own radiant rhythm. Go ahead,
give this trend a shot!
BEAUTY
All that's fresh in the world of beauty right now
NEWS
BIOSSANCE BLOOMS IN
SEPHORA
The Squalane + Vitamin C Rose Oil
from Biossance is here to shake up
your skincare routine. Brightening,
firming, and hydrating are the strong A SWEET SERENADE FOR
suits of this oil. The Damascus rose YOUR LIPS
Fond of candies and gummy bears but also mindful
petal extracts present in the formula

along with Chios crystal soothes and about your weight? Fear not, as Laneige introduces an
revitalises the skin, leaving behind a innovative line of lip sleeping masks in delightful candy
natural fragrance. The final step to your flavours, allowing complete indulgence without the guilt.
daily beauty ritual, this will lock in all the Enrich your lips overnight with ultra-hydrating
moisture and deliver that much-in- ingredients such as murumuru seed butter while
demand glowing complexion. enjoying the playful aromas of the sugary blends.
240
Nutritious 2-in-1 ZEN IN A BOTTLE
Foam Cleanser,
Estée Lauder
Tap into the bamboo breeze with a tranquil green
`3,200 LIGHT AS A CLOUD tea essence. Sparkling citrus nuances with the
Your passport to clarified skin, soothing power of cucumber are sure to uplift you
Estée Lauder’s latest Nutritious on a dull day.The soft woody flavour combined
2-in-1 Foam Cleanser is a facial with musk and rich resin will keep your mind
wash which doubles as a weekly calm and free.Violet leaves and syringa are
purifying mask.The vegan unique additions to this perfume and they will
formula effortlessly lathers to not disappoint!
wash away excess oil and
Green Tea Bamboo Eau de
minimise the appearance of Toilette, Elizabeth Arden,
enlarged pores. `3,525/100ml
A ROSY CONCOCTION
BY NASO
The aromatic Acqua Di Rosa will
transport you to a relaxing vacation
with every spray. Let the pure water
seep into your pores and benefit
your skin with the unparalleled
properties of the Indian rose. Get
rid of all the pollutants that have an
adverse effect on your skin texture
and hygiene.This wonder water in
a bottle has got you covered!
Acqua Di Rosa,
Naso Profumi,
`1,250 Kumkumadi
Youth & Radiance
Revitalising
Facial Oil, Kama
. . .
Ayurveda
OVE S `7,495/30ml
A R L
BAZA
FEEL LIKE A
GODDESS
WITH
BURBERRY
Containing hints of vanilla,
this lavender-perfumed spray
offers an exotic scent that is
worth investing in. Keeping AYURVEDIC ALCHEMY
you fresh for hours, while you Kama Ayurveda presents an overall skin
are on your feet, the pleasant rejuvenation secret infused with timeless botanical
fragrance is a saviour for all infusions. This unique potion is a mixture of saffron,
before a meeting or a date night. lotus and Indian madder. The facial oil is suitable for
This perfume is a must-have in all skin types and works as a barrier against ageing,
Goddess Eau de Parfum, your bag at all times!
Burberry `10,800/100ml
dark spots, and helps with getting an evenly toned
skin. A timeless product, this one is for keeps!
241
Bazaar
BEAUTY
A NOURISHING
(On this
page) Multi- BLEND
Correctional
Face Oil, Gunam
A combination of 14 potent plant oils and
Beauty `3,000; extracts—Gunam’s Multi-Correctional Face
Lash Sculpt Oil is a nourishing formula that provides
Lengthening
& Volumizing
optimal nutrition for all skin types. Providing
Mascara, deep hydration, it also works on healing the skin
Anastasia from within. Packed with omega fatty acids,
Beverly Hills,
`3,350 (10 ml)
vitamins, and antioxidants, it is sure to leave
your skin feeling much healthier.
THE MINGYU MAGIC

K-pop boy band—SEVENTEEN’S
Mingyu is the new global face of
Innisfree. Embodying a dynamic identity,
his positive spirit perfectly aligns with the
brand value— as the rebranding mirrors
its pursuit of a cleaner and healthier
beauty. He will represent Innisfree’s value
and high-efficiency products to customers
in India and overseas.
LANCÔME X LOUVRE
This limited-edition collaboration draws
inspiration from nine sculptures and the
aesthetics of the Louvre Museum. Featuring
ambassadors like Zendaya, Aya Nakamuram,
Amanda Seyfried, and He Cong, the make-up and
skincare collection aims to redefine contemporary
beauty through art and history.
Kayali Elixir
| 11 EDP,
`10,300/100ml;
(left) Mona
Kattan
SCULPT AWAY
Introducing Anastasia’s new lengthening and

volumising mascara, which promises to deliver an
extension-effect with every coat.To top it all, it is
smudge-free, clump-free, and effortless to apply.The
formula contains no nasties and is suitable even for
people with sensitive eyes.
242
A SIGNIFICANT MOMENT FOR SHISEIDO
The partnership betweenTamannaah Bhatia and Shiseido marks a A SYMPHONY OF
pivotal moment in both the beauty and entertainment industries. SCENTS
Her appointment as the brand ambassador is a perfect fit for Café Rose by Tom Ford, crafted by master perfumers,
Shiseido’s inaugural independent boutique store in the country. is an olfactory journey. It opens with a blend of rose
and dark coffee, evolving with rose and ylang
ylang— offering an unforgettable allure.The bottle is
also rose pink in colour and exudes sophistication,
inviting you to indulge in refined sensuality.
Café
Rose,
Tom Ford,
Price on
Request
PURE
SEDUCTION
Givenchy’s Irresistible Eau
de Parfum was launched in
2020.Three years later the
Maison has introduced a
new edition—Red
Velvet—reflecting a
desirable facet. It embodies
the power of blackcurrant
and Tunisian neroli for
POORNA X RANAVAT
Poorna Jagannathan has recently been named as
those juicy notes, unfurling
the brand ambassador for Ranavat—a beauty brand
a new wave of tenderness
founded in 2017 by Michelle Ranavat. The brand
and sensuality.
encapsulstes the Ayurvedic traditions that Michelle
Irresistible Rose Velvet Eau grew up with, reflecting her South Asian heritage.
De Parfum,
Givenchy, `13,500/80ml
The collaboration is a significant step in advancing
South Asian representation on a global level.
243
Bazaar
BEAUTY
‘Eau De Beaute
Rosamelis’,
Embryolisse,
`1,695/200ml GREEN LUXURY
The iconic French pharmacy The collaboration of Kaia X Kastoor, unmasks four
beauty brand, Embryolisse, exquisite ittar blends, inspired by oudh, patchouli,
reveals its new skin superstar. and citrus orange blossom.The theme is ‘Fursat’—a
Called Eau De Beaute concept that embodies a state of leisure, celebrated
Rosamelis, it is a fresh rose, deep through the craft of plant-based distilled ittars, urging
hydration facial toner, that us to embrace the wonders of nature.
refreshes, revitalises, and fixes
make-up for a fresh and radiant
complexion.
Kaia X Kastoor,
`2,500/single,
`4,650/combo
FROM ROOT TO TIP

Revive &
Restore Hair Experience the power of the
Growth Duo, Hair Fall Therapy Shampoo
Justhuman,
`2,499
and Burgeon Hair Growth
Serum from Justhuman, that
work in synergy to combat
hair loss, nourish the scalp,
and stimulate growth of
stronger hair.
COSMIC CRUSH
Treat yourself to a
dramatic lip
transformation with
A BURST OF
Too Faced advanced ENERGY
plumping technology, Victoria Beckham’s all new
packed in this slender perfume, SanYsidro Drive,
gloss bottle. Delivering showcases the healing power of
an intense and fragrance with saffron, rose, and
immediate effect, the amber. It captures the essence of
cosmic crush lip California with an intense rush
injection also hydrates of passion fruit and pink peony.
and nourishes the lips Mirroring her transformative
to make it soft and journey to California, it comes
dewey. The sparkling in a vintage-inspired bottle
glitter shade is your that reflects Southern
go-to for the festive California’s warmth.

season.
Lip Injection Maximum San Ysidro Drive Eau de

Plump Cosmic Crush, Too Parfum,Victoria Beckham
Faced, `2,550 Beauty, Price on request
244
IT’S A HAIR DAY
Aavrani—the ayurveda-inspired skincare brand founded by Rooshy Roy, joins forces
with Lilly Singh to introduce a new hair-care line in spring 2024. Renowned for its
skincare, the brand is now set to expand its reach with this Sephora-bound collaboration.
BIOLOGIQUE RECHERCHE
Harper’s Bazaar: What is your best 3 shades to provide coverage for the
Eye Care
selling product and why? Concealer N°1, eye contour while offering treatment
Dr. Philippe Allouche: Lotion P50: a Biologique against dark circles, puffiness and fine
Recherche,
gentle exfoliating lotion that re- Price on
lines. There is also the newly launched
balances the pH, exfoliates, removes request Masque Caviar.
dead cells and hydrates at the same HB: How is Biologique suited for
time. We are celebrating the 50th Indian skin and hair?
anniversary of this iconic product.
Some of our clients call it magic in a PA: We consider the skin in its
bottle. physiology and select the best
products for our client’s needs. We
HB: Tell us about the inspiration have products to target acne, pigmen-
behind choosing Bangalore as a tation, dehydration, pollution and so
location for the flagship? the same values and approach to
skincare. on, which are perfectly suited to
PA: For many years, India has always Indian skin. We offer the same
been an important country and HB: Please share insights on the approach to body and hair treatments.
partner for Biologique Recherche. We new product range, treatments and I personally feel Biologique Recherche
decided to open a flagship in other exciting upcoming news. is a global brand . What I love about it
Bangalore as a token of our strong PA: Biologique Recherche started a few is that it’s not made for skin types of
partnership with Dr. Varshini with years ago a new line of tinted serums, any kind or a specific colour or
whom we are already working in and we just increased our approach by ethnicity but rather skin instants,
Hyderabad and Chennai. We share launching our new eyecare concealers: which are purely concern based. Q
Compiled by : Priyanka Kathuria
245
STRENGTH STARTS INSIDE
DISCOVER HEALTHY HAIR OLAPLEXINDIA
STRENGTH STARTS INSIDE
OLAPLEX NO. 4D
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A JAMAICAN ADVENTURE
An intergenerational journey of heritage and exploration, as a family connects
with Jamaica, their ancestral home.
Bazaar
ESCAPE
SPIRIT OF PLACE
The author DIANA EVANS travels to JAMAICA
PHOTOGRAPHS: GETTYIMAGES.COM
to introduce her children to their paternal

HERITAGE, and finds herself SWEPT away by the
island’s music, cuisine, and NATURAL BEAUTY.
252
onwards, over rocky terrain where the water rushed, past
quiet swathes of banana trees and silvery coconut palms. It
was a world away from the concrete thunder of London.
Here we were at last, in the place across the sea that was also
home, more distantly.We had come by night, arriving at the
airport in Kingston just as its indigo blanket was falling,
then travelling three hours by road to Portland in the
north-east of Jamaica.We took on dark hills and mysterious
steeps, circling around bush-lined bends leading into little
towns where people were out in the streets, music playing
from the bars and corners (Leona Lewis, Beres Hammond,
Sizzla). It’s always an adventure arriving somewhere at
night, the way it closes around you with its secrets and
quiet threat, guarding the surprise of morning, a gift, an
unveiling. And what a gift it had been—waking on a
Sunday at the luxuriantly tranquil music-oriented Geejam
Hotel in the hilly district of San San, with a view from the
balcony of lush green palm fronds and the Caribbean Sea.
There comes a point, in the raising of children of mixed
heritage, and if their parents are so inclined, when a
question emerges, or perhaps an imperative. When will
they see it, that land? When
will they walk the soil and
feel the air of the other
place, where their
grandparents came from in
the Sixties, arriving on
British shores to work and
make new lives? My
children are lucky enough
to have two of the world’s
mightiest cultural super-
powers in their blood:
Nigeria and Jamaica.We had
already made it to Nigeria a
few years earlier when I had
taken them with me to a
book festival in Lagos. They
are now aged 17 and 12, so
it was high time for them to
see Jamaica, the setting of
their grandfather’s rural
childhood stories of fishing,
climbing trees and collecting
coconuts and ripe mangos
from their branches, instead
T
here we were one day on a river, my daughter of paying for them on overpriced import from Tesco. The
and I, gliding along the Rio Grande in a raft Rio Grande is one of Jamaica’s major rivers (there are well
made of bamboo, with cup-holders by the seats over 100 in total), and the Blue Mountains, named for the
and a spray of pink flowers in the centre and mist that cloaks them, are the highest of its ranges (nearly
the Blue Mountains in the distance. On a second vessel, a half the island rests 1,000 feet above sea level).The country’s
little further on, were my son and his father, similarly 14 parishes spread west-wards from Portland and Saint
bathed in a rippling pastoral peace while our boat captains Thomas, through Clarendon and into the rugged Cockpit
plunged their long oars down to the river floor, surging us Country, to Hanover and Westmoreland, with the city of
253
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ESCAPE
Montego Bay on the north-west coast and less populous those decades ago is in the parish of Saint Mary, a region
Negril on the western tip receiving much of the year- that has spawned a roster of notable Jamaicans, including
round tourist influx. Portland is a quieter affair, comprising the musicians Lady Saw, Capleton, Beres Hammond, Tanya
the dreamy turquoise bay at Frenchman’s Cove, the magical Stephens and Ninjaman. It was raining as we crossed the
Blue Lagoon, which offers an ethereal swimming parish border on a Wednesday afternoon, with crowds of
experience, and the pretty, charismatic capital city of Port clouds dropping into the valleys, making the buildings look
Antonio, with its colourful houses ascending on the hills brighter by contrast. There is either a church or a bar
and the bustle of shops and local eateries (Piggy’s Jerk seemingly on every other block in this, the third-largest of
Centre and the popular fast-food chain Juici Patties). One the Caribbean islands.
of the most delicious meals we had while on the island, Here were the roads along which our children’s
though, was at M10 Bar & Grill in Kingston, not far from grandmother had delivered groceries to Ian Fleming on a
the Bob Marley Museum on Hope Road. Think rich and bicycle when she was a girl, at his Golden Eye estate in
spicy curried
goat with
traditional rice
and peas,
luscious fried
chicken and
saltfish fritters,
all a much-
relished treat
after the
extensive tour
of the museum,
which was
home to Marley
for six years
before his death
in 1981. Reggae
being Jamaica’s
superpower and
my family
household’s
common music,
we were glad of
the chance to
see the interior
remnants of his
legendary Tuff
Gong recording
studio, the
guitars and
haloed vinyls
along the walls, and to stand in the sunlit brightness of his
veranda, where he would hang out with his 12 children in The Rio Grande is one of
a giant hammock stretching the length of the room. With
just one day of our trip to spend in Kingston, we finished Jamaica’s major rivers and the
this excursion with a visit to another nearby historic
building, Devon House, a mansion once home to Jamaica’s
Blue Mountains, named for the
first Black millionaire George Stiebel—its green lawns and
grand architecture have been cited by National Geographic
mist that cloaks them, are the
magazine as the best place in the world to enjoy ice cream highest of its ranges
(which is indeed pretty good, as endorsed by the children).
The village my partner’s parents left to come to England all
254
Oracabessa, 10 miles east of
Ocho Rios. Here were the
breadfruit and red-flecked
ackee-trees and the coast-
line they had heard about,
and within which those 14
James Bond novels had been
written. Situated just a short
drive from the village, the
signature Golden Eye hotel
was the perfect place to stay
while in Saint Mary. Vastly
expanded from the idyllic
Fleming villa itself (what
writer could not write 14
novels in such a place?), it is
now a sprawling,
multidimensional resort of
lagoon, swimming pool and
sandy-bay waters, containing
acres of space yet still
maintaining an under-stated boutique feel. The hotel also to the bottom, bathe a little in the sea stretching out from the
has a spa offering massages that can only be described as foot of the falls, and then climb back up. Onwards through
transcendental, and the cuisine is outstanding (golden Saint Ann and Trelawny and Saint James, we reached the
dumplings with ackee for breakfast, mouth-watering latter’s capital Montego Bay, where we stayed in an ocean-
croissant and bakery selections, and possibly the best roast front suite at the magnificent Half Moon, a top-rated resort
beef and pumpkin rice I have ever tasted). It was an with imperious palms stretching into the upper blue, and
emotional experience for my partner going back to see equally blue bicycles on which guests can get around the
family members and connections he hadn’t laid eyes on in enormous 400-acre expanse.The beaches and vistas here are
25 years—a half-brother, old friends of his father’s.With the stunning, perfect for paddle-boarding, kayaking or simply
noon October sun blazing down on the main road running liming in the heat, and it would have been easy not to leave
through the village, the children got to meet this new this paradise but for a high-octane excursion to the local
distant uncle of theirs, to sit in his self-built house and eat Chukka adventure centre for horse riding in the sea and
chicken patties in his backyard. It filled us with a special ziplining. A spookier adventure, less popular with the
kind of joy to witness them being taken around the village children, was a night tour of the Rose Hall Great House, a
being introduced to shopkeepers and extended relatives, to former plantation in which abhorrent sketches of slavery and
watch them standing outside their grandfather’s school colonial history are brought to life, evoking a palpable sense
building that is now a church, see the house in which he of sadness and fury. A final experience to return home with
was born, and sit for a while on a stool outside the was a visit to the Rastafari IndigenousVillage in the Montego
convenience store. It felt like some meaningful osmosis was Bay hills, which was recently converted to accommodate
being facilitated, that they might hold on to this memory residential retreats. We were shown how to cook food on an
and it could feed them and in turn be fed by yearnings in open fire, the making and playing of drums, and how to gain
their futures, a possible desire to return, to sense this sustenance and healing from the land, both spiritual and
geographical blood connection and be grounded by the physical. Altogether, this was an unforgettable trip, stirring a
weight and positivity of it. A piece of a jigsaw had been plethora of complex feelings and new awareness, and a desire
gently inserted into place. to return soon to explore Jamaica further. The memory that
En route to Montego Bay for the last leg of our trip, we will stay with me most of all is of swimming out alone into
stopped at the famous Dunn’s River Falls and Park, one of the ocean in the early morning as far as I could, with the
the country’s most treasured attractions, to which people cool light on the surface and the sea warmth wholly wrapped
flock non-stop to climb a 180-foot waterfall, its spilling around me. The floor of the earth was just below, a little
cataracts generated by slippery deposits of travertine rock of frightening at first, unfurling into wonder, and very silent.
varying shapes and sizes, some of them so large they have to This was an unforgettable trip, stirring a plethora
be clambered over (water shoes necessary!). When we of complex feelings and new awareness, and a desire to
reached the top, the only thing to do was to go back down return soon. Q
255
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ESCAPE
CONFESSIONS
OF A
SHOPAHOLIC
A look at some of the most iconic retail
stores across the globe that bring to
you the best of high fashion—enough
to make you shop till you drop!
By SHUBHANGI JINDAL
GALERIES LAFAYETTE,
PARIS, FRANCE
F
or most travellers, a regular summer escape is all
about scenic strolls, fancy dinners, and spirited No trip to France is complete without indulging in a
GETTYIMAGES.COM
BOSE
conversations about the city’s thriving architectural much-needed retail therapy session at the bucket-list-
PHOTOGRAPHS:BIKRAMJIT
and cultural landscape. But if there’s anything tourists worthy Galeries Lafayette home to a number of haute
love more than this, it is a shopping spree in the most iconic couture and ready-to-wear brands.A symbol of Parisian
luxury boutiques where fashion, culture, and hospitality elegance, this 125-year-old luxury store features
PHOTOGRAPH:
converge.We bring to you a selection of the most legendary stunning art nouveau-style architecture while also
stores from across the globe that fulfill every fashion offering panoramic views of the city—the perfect way
connoisseur’s needs. Remember: Life is short, buy the dress. to end a long day of shopping extravaganza.
256
HARRODS,
LONDON, UK
Synonymous with excellence and a truly
unique sense of magic—Harrods originally
started as a one-room shop until it moved
to Knightsbridge, becoming the city’s
biggest and most celebrated retailer. The
grand building spans over 1.1 million sq ft
showcasing a breathtaking range of
products with six floors of retail space full
of long-standing history and legacy—the
British royals once shopped there.
Establishing its luxury reputation around
the world, the store has become a visitor
destination in its own right.
FASHION
QUADRILATERAL,
MILAN, ITALY
Located in the heart of the fashion
capital of the world, the Quadrilatero
della moda aka Fashion Quadrilateral
boasts the best of high fashion, sparkling
with glossy boutiques and luxury
designer brands. The district takes its
geometrical moniker from the four
main thoroughfares that surround it—
Via Monte Napoleone, Via Manzoni,
Via della Spiga, and Corso Venezia.
Every inch of this area is an endless
succession of those signature luxury
names; think Armani, Versace, Alberta
Ferretti, Dolce & Gabbana, Prada,
Fendi, Louis Vuitton, Chanel, Bottega
Veneta, Gucci, Bulgari, Cartier and
what not.
257
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ESCAPE
RODEO DRIVE,
LA, CALIFORNIA
Home to the world’s leading designer fashion houses
and one-of-a-kind luxury boutiques, Rodeo Drive
is the nexus point blending heritage and savoir-faire
with modernity and innovation. The crown jewel of
Beverly Hills comprises three iconic, palm-dotted
blocks within the Golden Triangle scattered with
multiple renowned stores and hotels that are
synonymous with old Hollywood glamour. For a
glimpse into the alternate reality of the ultra-rich,
Rodeo Drive is your ultimate LA shopping guide.
NEIMAN MARCUS,
MIAMI, FLORIDA
Neiman Marcus is a larger-than-life
department store that stands as a
testament to luxurious womenswear
and goods. Founded in 1907 by Herbert
Marcus, his sister and brother-in-law,
Carrie, and A.L. Neiman, the store
introduced French sophistication and
rich opulence to America. Deep in the
heart of nowhere, this iconic
establishment made luxury, actual and
aspirational, accessible to everyone.
Whether you’re shopping for your
wedding gown or just the best ready-
to-wear straight from the runways,
Neiman Marcus is a legend in its
own right.
BERGDORF GOODMAN,
NEW YORK, US
A designated New York City landmark, Bergdorf
Goodman is a pinnacle of eclectic style, impeccable
service, and old-school glamour. Founded in 1899
by French tailor Herman Bergdorf, the legendary
establishment is a treasure trove of high-fashion
designer labels, with an uber-luxe homeware
section, a bridal atelier, and a pastel-hued restaurant
with views of Central Park.
SHINSEGAE,
SEOUL, SOUTH
KOREA
The first to introduce the
concept of a department store to
Korea, Shinsegae is the largest
and oldest retailer founded in
the 1930s. Positioned as a luxury
symbol, this grand building
features the finest of fashion,
from up-and-coming designers
to the world’s top luxury labels.
The store offers a holistic
experience as a venue that mixes
shopping with arts, culture and
timeless legacy. Q
259
How
BAZAAR
The February
2002 cover
of Harper’s
Bazaar US
B A C K I N B U S I N E S S . . .
Baring confidence.
Backless outfits, often a canvas of allure and self-assuredness, have held timeless elegance throughout
the ages as they don’t rely on overt exposure to command attention.This sense of
THE FEBRUARY 2002 COVER OF HARPER’S BAZAAR US.
confidence has been the vision of Harper’s Bazaar since the start, as is evident in this Harper’s
Bazaar US 2002 cover which artfully balances sensuality and restraint, reflecting the power of mystery
and leaving a lasting impression.This sense of style—often indicative of both vulnerability and
strength—signified a rebellion against traditional constraints in the 1920s, transitioning to the 1930s
Hollywood era which saw backless gowns as a symbol of elegance and sensuousness.The
1960s unleashed an avant garde spirit with bold cutouts and daring silhouettes, echoing an age
of revolution. It is interesting the way fashion enables patrons to define their own
individuality, live on their own terms. Let this be your reminder to bring the power of fashion
back in your life and awaken the unspoken charisma that awaits to be unleashed. Q
By Ria Singh
260
To Get
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OCTOBER-NOVEMBER 2023, `200

The New Free-Spirited

Samantha is slowly paving her

50 Baroque & Roll

ACCESSORIES BAZAAR VOICES 154 Double Duty

Small screen, big wonder. Sobhita

SALES AND OPERATIONS FASHION & FEATURES

HEARST MAGAZINES INTERNATIONAL Chief Designer VINEET SINGH

President of Hearst Magazines International Video Editor MANAV PUROHIT

IMAGE: COURTESY THE BRAND.

EDITOR Love and Light,

EXCLUSIVE COMBO INR 350 250

Photographed by KATE MARTIN

Jacket, shirt, and

Jacket and trousers,

Dress, Del Core;

Hair: Alex Price

PHOTOGRAPH BY THE BRAND. TEXT BY: PRIYANKA KATHURIA

Gucci Horsebit 1953 loafer,

Dolce & Gabbana

Boudoir no longer belongs only in the

bedroom—from catwalks to catnaps these

help grant visual warmth and

PHOTOGRAPHY: EFRAIM EVIDOR. STYLING: FERNANDA TRONCO

Combine warmth and style with these

effortlessly transition from AM to PM.

The TRENCH coat

THE INDIAN CONTEXT

THE EARLY AUGHTS

SD: “I simply stayed true to my craft and let my product

“The current crop of young

et’s rewind to 1997, when a young man

Tequila crystal-embellished resin and

Sonam Kapoor in Arpita Mehta

Bon Bon metallic

Sculpture leather and

mirrors the famed palaces of the glorious Vijayanagar Empire.

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+91 63669 20434 COORG HAMPI KABINI BOTSWANA WWW.EVOLVEBACK.COM

CARRY THE GAME

ALL ABOUT THE CRAFT

GODS & MORTALS

Prada Arqué leather

IMAGES: COURTESY THE BRANDS. COMPILED BY: RIA SINGH.

Jodie mini knotted

IMAGES: COURTESY THE BRANDS. COMPILED BY: RIA SINGH.

Astrilarge Botta high boots

IMAGES: COURTESY THE BRANDS, COMPILED BY : PRIYANKA KATHURIA

Beige Reptile Print

BOOT UP FOR FUN!

Photography by SANTIAGO BELIZÓN

Rose des Vents

visually and chemically identical to the latter. A host

Paradoxical Love Earrings,

NADA GHAZAL FINE JEWELRY

Beirut-based jewellery designer Nada The Lotus Power

Handcrafted in Denmark, Elhanati by Orit

Founded by designer Hila Amar from Israel, Yoster blends

Founded by Lucy Crowther in 2016, this London-based fine

Handmade in Copenhagen and inspired by jewellery designer

ongines, the esteemed Swiss

Follow www.cosmopolitan.in for

There are a few icons who have left an indelible