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OE N C .
4596
T HE
S T O RY O F SA M S O N
A ND
IT S P LA C E IN T HE R E LIGIO U S
D EV EL O P M E N T OF M A N K IN D
P AU L C AR US
C HIC A G O
T HE O P E N C O U R T P U B LIS HIN G C O M P A NY
LO ND O N AG E NTS
K IG A N P A U L , T R E NC H, T a i
'
mm m Co LT D
,
TAB LE OF CO N T EN T S .
P A GE
[
T H E P R O BLE M O F T HE SAMSON S T O RY .
I n t r o d u ct i on .
R o s k o ff a h d S t e i nt h a l .
T h e P rob l e m o f O r i gi n a l i t y
'
'
.
The R om a n c e o f A l e x a n d e r .
T h e L oca li z at i on o f M y t h s .
Hehre w Lite r a t u r e a n d It s R e d a c t o r s
'
fl
.
,
.
Th e S i n in He b r e w L i t e r a t u r e .
The D a t e o f t h e S am s on E p i c .
T HE HI S T O R I C A L B A C K GR O U N D ,
The P a g a n i s m o f Da n .
S h a m a s h a n d S a m s on .
D a g on o f P h i l is t in e sthe .
Ya h ve h S t r on g e r t h a n D a go n .
Fi s h D e it ie s .
D a gon a Go d of A g r i c u l t u r e
, .
The S y mb ol o f t h e F i s h .
B ee l z e b u l a n d B ee l z eb u b .
T HE HO M E O F T HE S A M S O N LE GE N D .
Bet h S h em es h .
The V a ll e y .
M a h an e h -
Da n .
T ibn eh and A l
sc a o n .
Et a m and Le h i :
Ga z a .
S AM S O N S ’
B I RT H .
The B i bl i ca l A cco u n t .
The Hol y M e n of t h e S e m it es .
The K id O ffe r i n g .
iv T HE ST O R Y O F SA M SO N .
P AGE
T h eop h ani e s
Th e M ea n n i g of Na z i r .
G e nt i l e Na z ir is m .
T h e E t y m o l og y of Na z a r e n e .
Th e No mad L i fe of I s r ae l .
SAM S O N S ’
LIF E . T HE B I B L I C AL ACCO U NT .
Sam s on s
’
M riga r a e and Wh a t F o ll ow e d .
S am s on Ca r r i e s O ff t h e Gat e s of Ga z a .
S am s on an d De l ila h .
S A M S O N S A D V E NT U R E S ’
.
T h e T w e l ve La bo r s .
T h e Lio n an d t h e Be e .
The Fox e s w i t h F ir e b r a n d s .
Sem l
e e an d Dido .
S am s on in Hi d i n g .
The J a w- B on e o f an A ss .
Th e Gat e s of Ga z a .
T h e We b O f D e l i l a h .
S a m s on s S e v en B r a i d s
’
.
T h e O n e Ey e d O n e -
.
S am s on s
’
D e at h
S O LA R M Y T HS .
My t h i ca l T ra i t s of the S am s o n S t o r y .
T h e Nu m b e rs S e v e n , T h i rt y , an d T we l v e .
He rc u l e s an d He rac l e s .
I z d ubar t h e He l p e r .
T h e T w e l v e T a bl e t s of t he I z d u ba r E p i c .
I z d uba r an d Im m o r ta l ity .
S am s o n an d He r a c l e s .
DE AT H A ND RE S U RR ECT I O N O F T HE S U N .
P rot ot y p e C h r ist
‘
S am s on a of .
The P h oen i c i a n M e lk a r t h .
Th e D y in g God .
O si ris .
S am s on s
’
T om b .
Wh y th e R e s u r re c t i on of S am s o n Wa s S upp r e s s e d .
TAB LE O F CO NT E N T S . v
P A GE
Th e R e d a c t i o n of the S am s on S t o r y .
C on c l u s i on .
A PP E ND I X .
Myt h o p oei c E r u d i t i on . By G e o r ge W . S h aw . 1 61
Ho w Hi s t o r y Is T r an s fi g u r e d by M
yt h A R e p l y b y t h e . A ut hor . 1 64
S h em es h a n d S a m s on B y G e or g e W S h a w
. . . 1 73
LI S T OF I LL U S T R AT I O N S .
P AGE
Th e P h oen i c i a n S a m son , F r o n t is p ie ce .
The B r oo k S o r e k .
V in e C o v e r e d T r ee
-
.
Al e x a n d e r F i g h t i n g w i t h B e a s t He a d e d M e n -
.
Al e x a n d e r a n d t h e M on s t e r s .
F a n t a s t i c R e p r e s e n t a t ion s of th e Adv en t u e s r of Al e x an d e r t he
G re at . 1 1
R u i n Ne a r B a a l B e k —
. 20
Th e G r ot t o o f P a n a t t h e S ou r c e of the J o rd a n . 23
A s sy r ia n F i s h P r i e s t —
. 29
A F i s h S a c r a m en t . 29
A F i s h D e it y .
30
B ab y l o n ia n F i s h D e i t i e s .
31
A B a b vl on ia n F i s h Go d .
33
C h r i s t a s a F i s h o n t h e R oo d .
35
C h r i s t i a n S y mb ol s on a Co r n e l ia n S e a l .
35
S y mb ol s on a Lam p F o un d in t h e C a t a c o m bs .
35
Ga z a as S e e n fr o m the V a ll e y .
38
B e t h Ha n i n a in t h e V a ll e y .
39
Upp e r W a d i E s S a ra r
-
.
40
S h r ine of We l i S h am
the at .
41
S it e of A n ci e nt Z o ra h .
42
Rui n s of T ibn e h : S it e of T im n at h .
44
Ga z a .
46
In t h e O u t s k i r t s of Ga z a .
47
He b r on .
48
V iew of He b r o n fr o m Ad am
’
s O ak .
49
S ite of the Gat e s of Ga z a .
50
th e P a s t T h i s c o l o s s a l s t a t u e o f M e l k a r t h w a s fo u n d in Cy p r u s a n d is n ow
.
'
e M u s e u m a t C on s t a n t i n o p l e .
L I ST OF I LL U S T R A T I O N S . vi i
P AGE
The A i i
n n u n c a t on o f Sam s on s
’
B i rt h . By R ub en s .
T h e B u r h in g B us h . By S c h n o r r vo n Ka r o l s fe l d .
T h e S t i ll S m a ll V oi c e .
The V a ll ey of Na z a r e t h .
Sam so n s
’
D r u d g e ry
Sam s on a n d t he L io n . By R a p h a e l .
Sam s on s
’
M
r r i a g e F e a s t By R e m b r a n d t
a . .
S a m s on S l a y i n g t h e P h i l i s t i n e s B y S c h n o r r V on K a r ol s fe l d . .
S a m s on C a r r i e s O ff t h e G a t e s o f Ga z a
S a m son a n d D e l i l a h By D o r é . .
D e l i l a h s T r e a c h e r y By S c h n o r r v on Ka r ol s fe l d
’
. .
“
M a d e Fa s t w i t h S h a ckl e s By M a x Kl e in
”
. .
S a m s on s D e a t h By D o r é
’
.
Iz d u ba r a n d t h e L i on .
L i on a n d B e e : M i t h r a i c P l a q u e .
D i d o on t h e Py r e B y F e rd K e l l e r
. . .
P e r s e u s w i t h M e d u s a s He a d ’
.
B e l M e r o d a c h F i g h t i n g T i a m a t w i t h S i c kl e S w o rd .
B e l M e r o d a c h F i g h t i n g T i a m a t w i t h T h u n d e rb o l t s .
S i l v a n u s w i t h S i c kl e .
K r on os w i t h a S i c kl e S w o rd -
.
W a t e r F l o w i n g fr om t h e Ja w —B on e B y G u i d o R e n i
'
. .
”
D on k e y Hea d e d Go d on t h e C r os s : S p ot t cr uc ifi x
-
.
D i on y s u s on the A ss .
C h ri st J e ru s a l e m
’
s En t ry I n t o .
Th e G a t e s o f He a v e n O p e n e d t o S h a m a s h .
Th e B ab y l o n ia n P r ot ot y p e o f t h e P i ll a r s o f He r a c l e s .
S u n - Go d w i t h S e v e n R a y e d Ha l o -
S a m s on s D ea t h B y S c h n o r r v on K a ro l s fe l d
’
. .
I z d u ba r S t ru gg l i n g w i t h t h e O x .
T h e T w e lv e Lab o r s o f He r ac l e s .
M e lk a r t h o f t h e P h oen i c i a n s .
D eat h T ak i n g Aw ay S em l
e e i
w t h t h e T h u n d e rb o l t of Z eus .
He r a c l e s E n t e r i n g t h e D r a go n .
L i on —Ki ll i n g Her o o f K h o r s a ba d .
S i e g fr i e d and D r a g on
the .
Iz d u ba r C on q u e r i n g t h e L i on .
Iz d u ba r S t r a n g l i n g a L i on .
T H E ST OR Y O F SA M SO N .
P AGE
The Adv e nt u re s of I z d u ba r .
I z d u ba r and Ea b a n i .
S it n a p is h t im , the B ab y l o n ia n No a h .
I z d u ba r and A
d Ea ra -
.
T h e Fa rn e s e He r a c l e s .
E gy p t i a n E mb l e m o f t h e S u n .
T h e A s c e n t o f He r a c l e s t o O l y m p u s .
D e s c e n t o f D i on y s u s t o Ha d e s .
S i e g fr i e d s D ea t h B y He r m a n n He n d r ic h
’
. .
C h r i s t s En t r y I n t o J e r u s a l e m By D o r é
’
. .
S a m s on s D e a t h
’
.
Ea st e r M orni n g By F r a A n g e l i co
. .
TH E P R O B LE M OF T H E S A M S O N ST O R Y .
I NT R O D U C T I O N .
y
be a myt h Th e s e cir cumstanc e s mad e m e r e consid e r m y
.
d e nc e I fi n d t ha t t h e ca s e i s v e r y in s t ruc t iv e b e cau s e it
,
A n a r t i c e o f h is e n t i t
l l d P e ri o d xo d u s pp e a r e d
1
e Th e of the E a in Th e
M om
'
s t fo r A
p ri , 1 906 l .
2
q u ot at i on s h a ll s u ffi c e : De r V e r s u c h S a m s on a l s d e n p h o n i is c h e n
O ne z
He r a kl e s d e n S o n n e n got t z u e r kl ar e n sc h e i t e r t a n k o n k r e t e n E i n e l h e i t e n
, , ,
z
un d d e n l o k a l e n u n d n a t i o n a l e n M ot iv e n d e r S a g e B r oc k h a u s K o n v e r s a
”
.
,
. . .
2 THE STOR Y OF SA M SO N .
Mr
’
Shaw s chall e ng e i s t h e imm e diat e caus e of t h e
.
j e c t in t h e pr e s e nt e ssa y h as b e e n a g e nuin e pl e a su r e to
,
- -
,
3
book on t h e N a p ol e on m y t h Y e t if on t h e oth e r hand
.
, , ,
t ha t it s h i s t orici t y i s w e ll e s t abli sh e d I t i s t ru e a s M r .
,
“
Shaw r e marks t hat t hink e rs a r e b e coming mor e anxious
,
”
t o fi n d h is t or y in m y t h but on e r e ason w h y our cri t ics
,
a f t e r a p e riod o h yp e r cr i t i c i sm IS g l v e n m t h e coun t e r
-
,
5 My t h
Nap ol e on Chi c a go : Th e O p e n Cou r t P ubl i shi n g
!
Th Co
’
e . .
, 1 90 5
.
4 T HE STOR Y OF SA M SO N .
s un l ik e ) m a y h av e l iv e d ; t ha t h e m a y hav e b e e n bor n
a f t e r t h e fash ion d e scr ib e d i n t h e bo o k of Judg es ( chap t e r
xi ii ) t ha t h e m a y fr e qu e n t l y on account of variou s lov e
,
RO S KO P F A ND S T E I NT H L A .
e s t a n t t h e olog
y at t h e U niv e r si t y of V i e nna who in 1 8 60 ,
1
D ie S im s on s s a g e m a c h i h r e r E n ts t e h u n g , F or m a nd B e d e u tu n g , u nd der
He r a c l e s M y t h u s L e ip s i c : 1 860
. .
T HE P ROB LE M OF T HE S A M SO N STOR Y .
5
”
h e allud e s t o t h e m a s impossibili t i e s and incr e dibili t i e s
“ ”
wh ich in l e g e nds a r e a ma t t e r of c our s e e x c u sing t h e m ,
“
wi t h such words a s ( pag e 67 ) T h e saga do e s n ot car e
for t h e cr e dibili t y of t h e r e pr e s e n t e d e v e n t s or r e l a t e d
”
i t e ms . He acc e p t s Samson s n a z ir d om h i s h e roi sm and
’
, ,
“ ”
h is d e a t h as fa c t ic e l e m e n t s b u t t ha t i s all so fa r a s
, ,
“
I can s e e ; for h e sa y s T h e l e g e nd ( S a g e ) e l e va t e s t h e
,
.
th u s t h e l e g e nd fi n d s no di ffi c u l t y in t h e s t rang e ignoranc e
of D e l ilah who ough t t o hav e known t ha t S amson wa s a
N a z i r and ough t t o hav e b e e n familiar wi t h t h e m y s t e ri ous
qu a l i t y of hi s hai r ( pag e R o s k o ff go e s so fa r as to
“
conc e d e t ha t t h e sid e r e al r e l a t ion p e rm e a t e s t h e e n t i r e
S amson saga ( p b u t h e cla ims tha t t h i s pagan
.
“ ”
f e a t ur e of it ha s b e e n ov e r c om e by t h e id e a of Yahv e h .
’
R os k o ff s conc e ssions gran t t h e whol e ca s e and so t h e b e
lie v e r s in t h e h is t orici t y of Samson can hardl y claim h i s
au t hor i t y for a d e nial of t h e m yt h ical charac t e r of t h e
s t or y T h e Yahv e h id e a i s to h im t h e saving e l e m e n t
.
2
rigi n a l r e a d s : fa k tzs c h e M om p age
'
Th e o e n te , 39 .
6 T HE S T OR Y OF SA M S O N .
“ ”
h im e sp e ciall y for calling S amson t h e h e ro of pra y e r
(p 7. 0 ) w h o pra y e d to Yahv e h and whom Yahv e h h e lp e d ;
id e al iz e t h e h e ro of t h e J e w s in a w a y to suit h i s p e r sonal
pr e f e r e nc e s ? Though S t e in t hal i s p e rhap s mor e a t hom e
in t h e fi e l d of compa ra t iv e folklor e b e ing on e of t h e found
,
T HE P R O B LE M L
O F O R IGINA IT Y .
b e ing told and r e t old will b e mor e and mor e localiz e d and ,
Who i s right ?
No l d e k e , B e i t r a g e zur Ge s c h i c h t e d e s A l e xa n d e r -R om ah s , V i e nn a , 1 890 ;
an d M e i s sn e r , A l e xa n d e r u n d Gil g a m e s c h , L e ip s i c , 1 894 .
THE PROB LE M OF THE S A M SO N S T OR Y .
9
V I NE -C O VE R E D TR EE .
rat e d in t o t h i s romanc e .
ALEXANDER F I G H T I NG W I T H A S T -HEAD ED
BE M EN.
A L EXAND ER A ND T HE M O N S T ER S .
I P
FANTA S T C RE RE S ENTAT O NS O F T HE
I AD V ENT U R E S OF A L EXAN D ER
T HE G REAT .
493 0
12 T HE STO R Y OF S A M SO N .
’
R omanc e s of Al e xand e r which g o und e r t h e nam e of a
‘
“
In t h e sam e w a y it has com e to l ight th at t h e stor i e s
of a c e r t ain C t e sia s about S e mi rami s h av e mad e u s e of t h e
sam e ma t e rial and that in g e n e ral all l e g e nds of t h e cla s
,
T HE LO C A LIZ A T IO N O F M Y T HS .
m e nt in R ie h m s H a n d w or t e r bu c h d es B ibl is c h e n A l t er
’
( .1 Chron i i
.
52 .
t ru t h t hat t h e O d y ss e y r e fl
’
e c t s t h e m y t h of t h e sun s migra
x
>< 1
>< x
><
HEBREW LI T E R A TU R E A ND IT S R ED A CT O R S .
c e ntral P al e s t in e .
1
2 Kin gs xxi -xx n .
16 T HE STOR Y OF SA M S O N .
T h e gr e a t r e pr e s e ntativ e l e ad e r of t h e e xil e d J e ws a t
Bab y lon wa s Ez e ki e l who tog e th e r wi t h h i s follow e r s , ,
row puri t an sp ir it
, .
God c on c e p t 1on
—
.
T H E S U N IN HE B RE W LI T E R T U R E A .
( x ix 4 6)
-
.
2
La t e r a dd i t i o ns to J an d E are d ig
es nat e d by J
2
an d E , or if t h e y are
r e d a c t o r s g l o s s e s RI a n d R A fu s i o n o f u a c a n d E ph r a i m i t i c w ri t e r s is
’
E
. J d i
i n d i ca t e d b y t h e c om b i n a t i on o f b ot h l e tt e r s J E a r e d ac t i on o f t h e t wo s o u r c e s
'
is m a r k e d R I T h e w ri t i n g s o f t h e Pri e s t l y Co d e a r e som e t i m e s a l s o m a r k e d
E
.
P C
. . A ll t h e s e a bb r e vi a t i on s a r e c u rr e n t in m o d e r n t h e o l o gi c a l l i t e r a t u r e a n d
u n iv e r s a ll y u n d e r s t o o d .
T HE P R OB L E M OF T HE SA M S O N STOR Y . 17
b e r t h e brid e groom
, ,
F rom on e en d of h e av e n h e s e t s ou t ,
1—
Tran s l at e d by W e l l h au se n in t h e P o l y c h r om e E ditio n . Do dd M d
, ea
Co .
, Ne w Y o r k .
18 THE STO R Y OF S A M S ON .
a f t e r al l in h i s g e n e r al t h e or y t hat t h e Gr e e ks a r e ind e bt e d
t o t h e S e mi t e s ( not e xac t l y t h e J e ws ) for som e e ss e ntia l
T HE D AT E O F T HE S AM SO N EP IC .
in t h e fi n a l r e daction .
’
That t h e stor y sp e aks of I sra e l s oppr e ssion by t h e
Phili s t in e s and r e pr e s e n t s Samson a s a saviour of hi s tr ib e ,
T HE P RO B L E M OF THE SA M SO N S TOR Y . 19
1
>< a
><
THE P A GA N I S M O F DA N .
er n p l a c e of I s ra e l
'
. _-
1
in t h is paragraph :
Thi s s t or y i s wi t hout qu e stion v e r y old I t r e lat e s
, , .
1
P o l y c h r om e E d it i o n B o ok o f J u dg es , p . 88 .
T HE H I ST O R I CA L B A C K G R O U N D . 21
,
“
m ad e of e l e v e n hundr e d sh e k e ls of silv e r and it con t inu e d
t h e r e a s long a s t h e hous e of God at Shiloh T h e pagan .
6 ; x vi ii 3 ; J oc h xv i 2 ; xvi i i 1 3 ; a n d J u g e s i 22
l . . . . an o l d n a m e o f Bet h e
d . l
fo r w h i c h h e h u s t h e a n a o go u s t e r m in t h e A r a i c l a u d , m e a n i n g a s y u m ,
d l b l
“
a n d if h e is righ t , it w ou e xp a i n w h yld ot h c i t i e s , D a n a n d B e t h e ] , c o n t a i n
l b
in g t h e t w o m a i n s a n c t u a ri e s o f a n c i e n t I s r ae , a r e c a e Lu z , fo r Lu z w oul ll d ld
n o t b e a n a m e b u t a n a pp e a t iv e t o e n o t e a c i t y t h e t e m p e o f w hi c h w a s
ll d l
a n a c n ow e g e
k p ac e o f r e fuge
l d d l .
22 T H E ST ORY OF S A M S ON .
A r e mini sc e nc e of t h e t r ib e of D an i s s t ill pr e s e rv e d in
“ ”
t h e mod e rn T e l e l Kadi for K a d i wh ich m e an s
, j udg e
i s no t h ing but t h e Arabic t ransla t ion o f t h e H e br e w D a n .
T HE H O LY O A K O F T EL EL K A DI T HE A N C I E N T S I TE O F DA N .
49 3 3
SH AMA S H A ND S AM S O N .
1
The nam e 5 h a m s h on whos e B aby lonian form i s S h a
2 “ ” “
m a s h a h u i s d e r iv e d from s h a m a s h sun and m e ans sun , ,
” “ ”
lik e or sola r j us t a s t h e H e br e w form D a g on f t h e
,
‘
“ ” 4
a d e r iva t iv e from d a g fi sh m e aning an ything that b e
, ,
longs to t h e na t ur e of a fi s h .
5
T h e H e br e w form for Samson i e Sh i74w h on i s la t e r
‘
, . . .
, ,
of D an .
“ ”
H e nc e t h e t e rms D an and Samson m a y b e r e ga rd e d
a s e qu ival e n t T h e wor sh ip of Shamash in D an i s prov e d
.
7
T h e B ab y lonian S amson i s call e d I zduba r and t h e ,
’
word A h iz d u ba r i s e xplain e d in Ros c h e r s l e xicon ( I I
— — —
“ ”
77 )6 a s D ivin e Judg e of Ear t hl y Th ings wh ich prov e s ,
D A GO N O F T HE P H ILI T INE S S .
1
31 m; 21 2m » a
m;
5
11 p 6
Iz d u ba r is in it s c u n e i fo r m w ri t i n g n ot ph on e t i c , a n d
7
Th e n am e so th e
pr on u n c i a t i on is s t i o u t fu It is e xpl a i n e in a fr a gm e n t , c op i e
ll d b l . d d by G
Pi n c h e s , a s Gi lg a m e s h .
T HE H I ST O R I CA L B A C K G R O U N D . 25
S amson w e r e mas t e r s of t h e t e rr i t or y wh e r e t e n t e d t h e
trib e s of Judah and Dan T h e Phil is t in e s w e r e n ot S e mi t e s
.
d e e p gul f t ha t l a y b e t w e e n t h e t w o rac e s Th e S e mi t e s .
t h it e s a s Cr e t an s .
— —
,
Y A H V E H S T R O NG E R T H AN D A GO N .
1 Sam v . I ff
. .
“
And th e P h ili s t in e s took t h e a rk of God and brought ,
it from Eb e n e z e r un t o Ashdod .
“
Wh e n t h e Ph ili s t in e s t ook t h e a rk of God the y ,
“
And wh e n t h e y of Ashdod a ros e e arl y on t h e mor row ,
h i s plac e aga in .
in Ashdod un t o t h i s d a y .
“
B u t t h e hand of t h e Lord wa s h e av y upon t h e m of
Ash d od and h e d e s t ro y e d t h e m and smo t e t h e m wi t h
, ,
T h e Ph il is t in e s s e n t t h e ark t o Ga t h and t h e nc e to ,
a s w e r e ad in 1 S am v i 1 1 5 : .
,
-
“
And t h e ark o f t h e Lord wa s in t h e co un t r y of t h e
“
Phili s t in e s s e v e n mon t h s .
“
And t h e Ph ilis t in e s call e d for t h e pri e s t s and t h e di
vin e r s sa y ing Wha shall w do o e a rk of e Lord
, , t e t t h t h ?
t e ll u s wh e r e wi t h w e shall s e nd it t o h i s plac e .
“
And th ey sa id I f y e s e nd awa y t h e ark of t h e God of
,
“
Th e n sa id t h ey W h a t shall b e t h e tr e spa ss o ffe r ing
,
“
Wh e r e for e y e shall mak e imag e s of y our e m e rods ,
“
Wh e r e for e th e n do y e hard e n y our h e arts a s t h e ,
awa y t ha t it m a y g o .
“
And s e e i f it go e t h up by t h e w a y of his own coa st
,
“
And t h e m e n did s o ; and t ook two milch kin e and ,
e m e rods .
“
And t h e kin e t ook t h e s t ra ight w a y to t h e w a y of
B e t h sh e m e sh and w e n t along t h e highwa y lowing a s t h e y
, ,
“
And t h e y of B e t h sh e m e sh w e r e r e aping t h e ir wh e at
ha rv e s t in t h e vall e y : and t h e y li f t e d up t h e ir e y e s and ,
“
A n d t h e cart cam e in t o t h e fi e l d of Joshua a B e th ,
sh e mi t e and s t ood th e r e wh e r e t h e r e wa s a gr e a t s t on e :
, ,
“
And t h e L e vit e s t ook down t h e ark of t h e Lord and ,
and p u t t h e m on t h e gr e at s t on e : and t h e m e n of B e th
sh e m e sh o ffe r e d burnt o ff e r ings and s a c r ifi c e d s a c r ifi ce s
”
t h e sam e d a y un t o t h e Lord .
m e sh .
FI SH I
D EIT E S .
40 2 7 AS Y S R IA N FI S H P R I E ST
-
. A FI SH S AC RAM ENT . 2 1 00
wa s sacr e d t o t h e god E u t h e t hi rd m e mb e r of t h e gr e a t
,
e ar t h and wa t e r .
( C h m h. a r m eh , p .
9 e.d M ai S
, y nc e llus p 2 8,) and
. r e ads
thus
“
In t h e fi r s t y e ar ( o f t h e world ) t h e r e app e ar e d r i sing
,
A FI SH DE TYI .
’
t ha t of a fi s h b u t b e low t h e fi s h s h e ad wa s a s e cond h e a d
,
“ ”
fish . How e v e r in spit e of it s popular acc e p t anc e wh ich
,
1
P rof e s sor S a y c e call s a t t e n t ion t o a s e al of cr y stal of
t h e s e v e n t h c e ntur y B C pr e s e rv e d in t h e Ashmol e an
. .
,
t ha t w e sh oul d r e a d D a g a h ins t e ad of D a g on .
2
Cf Eus e
. bi us, P r cep E v a ng
. .
, 1 . 6 .
T HE H I ST O R I CA L B A C K G R O U N D .
33
He say s :
“
Dagon i s popularl y suppos e d t o hav e had t h e form
of a fi s h t h e origin of t h e b e li e f b e ing a d e riva t ion of
,
“ ”
t h e nam e from t h e H e br e w word d a g a fish Bu t t h e r e .
A B A B YL O N IA N F I S H GOD .
49 59
W r on g l y iden t ifi e d w i t h D a g on .
“
T h e d e ciph e rm e nt of t h e cun e iform t e x t s ha s inform e d
u s who r e all y wa s t h e F i sh god som e t im e s d e pic t e d upon
—
p r e m a c
y . Thus a na t iv e e t y molog y wa s found for t h e
nam e a s t h e fragm e n t s of S a n c h u n ia t h on pr e s e rv e d by
,
“
Thi s will e xplain t h e cur iou s tr e spa s s o ff e r ing that -
‘
wa s mad e b y t h e Ph il is t in e s to t h e God of I s ra e l F iv e .
’
gold e n mic e that ma r t h e land w e r e among t h e o ff e r
. .
‘ ’ ‘
wa s look e d upon a s e ss e ntiall y t h e Lord of hosts a man ,
’
of wa r and a s such h e wa s t h e an t agonist of t h e agr i
,
T HE S YM B O L O F T HE F I SH .
ism of t h e G e n t il e r e l igions .
T h e old La t in prov e rb S i d u o f a c ia n t id em h on e s t id e m ,
”
i e
. . I f t w o do t h e sam e it i s n ot t h e sam e i s t ru e in
, , ,
I
C HR S T A S A FI SH O N T HE R OO D .
Fr om a fr e s co in t h e Ca t a com bs .
C HRIS I
T A N S YM B O L S ON A CO R S Y M B O LS O N A L AM P F O U ND IN
3 20 7 N E L IA N S EA L . T HE C A T A C OM B S 3 2 09
r e ligiou s s ig n ifi ca n c e of t h e fi s h i s a qu e e r instanc e .
s e l f i s fr e qu e n t l y r e pr e s e nt e d a s a fi s h or a dolph in in t h e
ca t acombs Th e s e pic t ur e s w e r e mad e af t e r t h e pr e c e
.
B EELZE B U L A ND B EELZ E BU B .
( o r B e e lz e bul ) ha s po si t iv e l
y b e e n chang e d in t o a nam e of
t h e d e vi l in t h e Ne w T e stam e nt But such i s t h e fa t e of .
r e mov e r of fl 2
ie s b e cau s e according to a local l e g e nd h e
had dr iv e n awa y a dang e rous swarm of fl i e s from O l y m
“
p ia ; and Cl e m e nt of Al e xandria m e n t ion s t h e cul t of Z e u s
the fl
”
kill e r in El i s ( P r o t r e p t I I 3 )
8
-
y .
,
Th e En g li h tr l i rea d s B e e lz e bu b ( c p M a tt x 2 5 ; 24 a n d
1
s a n s at o n . . . x11 .
27 ; M a r k i ii . 22 ; L u k e xi 1 5
.
-
18 f
.
) b u t t h e v e r s i on B e e lz e bu l i s b et t e r e st a b~
l is h e d in t h e o rigi n a l G r e e k .
2
Z e bs d wé uv w s ,
THE H I ST O R I CA L B A C K GR O U N D .
37
B ET H S H EM E S H .
, ,
unc e r t a in.
T HE V ALL E Y .
U PP ER W A DI ES -S A RA R .
,
2 “ ”
out with t h e sam e consonants a s Z ir a h ‘
horn e t Both
, .
l nn fla s
yq
THE HO M E OF T HE SA M SO N L E G E N D .
41
( 3 «
words a r e d e riv e d from t h e sam e roo t Z a m to l a y low ,
”
to cas t iga t e .
4
T h e m e aning of t h e nam e Esh t aol i s doub t ful bu t ,
“ ” “ ” “
wh ich m a y m e an t o d e mand t o a sk for or t o b e
, ,
”
hollow and i s c on n e c t e d i n t h e form e r s e ns e wi t h t h e
,
G
nam e S h a u l ( i e Saul ) and in t h e la t t e r s e ns e wi t h
, ,
“
Sh e ol 7
t h e p it i e t h e habi t a t of t h e d e ad
, . .
,
.
S H R I NE O F T HE WELI S H AMA T .
I n t h e Wadi E s - Sara r ,
n e ar t h e s it e of t h e anci e nt Z o
rah i s a M osl e m hol y plac e on a h ill wh ich r i s e s 3 57 m e t e r s
,
ov e r t h e l e v e l of t h e M e di t e r ran e an wh e r e a l i t t l e sh rin e
,
8
i s sacr e d t o t h e w e l i Shama t possibl y a corrup t ion of t h e
,
Th e wo r d wel i
8
m e an s s a in t .
42 T H E ST OR Y OF SA M SO N .
MAH AN EH -
DAN .
M ahan e h D an m e an s
-
th e
camp of t h e trib e of Dan ,
”
of Ki rj a t h J e ar im ( i e
-
, .t h e ci t y of t h e woods probabl y
.
,
I
S TE O F A N C I E NT Z O RA H .
’ 10
Samson s fath e r wa s call e d M anoah wh ich m ay e i t h e r ,
11 “
b e d e r iv e d from N oah m e aning r e st with t h e p r e fi x
,
2 “ 1
m a ; or from m a h a h t o p r e s e n t a gi f t
, I t i s al so a t own .
T IB NE H A ND A S C AL O N .
coa st of t h e M e di t e rran e an .
3 1
Ascalon b e long e d t o t h e t e rri t or y a ssign e d t o t h e lot
9
S e e E n c B iblica,. s . v .
, M anah et h i t e s an d
“
M ah ane h Da n .
10
mm ;
m
m : 12 m
m
Th e B i bl i ca l A hk
s l
e on b
m pe s )
‘
.
44 T H E ST OR Y or SA M SO N
of J
’
u da h ,
but its conqu e st ( Judg e s i 1 8 ) wa s onl y t e
. mpo ;
RUIN S AT T IB N E H ! I
S TE OF T I M NAT H .
2 Sam i 2 0 ; Je r X X V 2 0 ; xlvi i
. . .
,
Ascalon surviv e d t h e
,
hi s si s t e r Salom e .
é c h a l o t t es .
by a h e ap of ruins .
ET A M A ND LE HI
.
’
t own i s not a s grand a s t h e cl e ft in t h e vall e y of Is h m a in ,
GAZA .
I
V EW O F HEB R O N F R OM A A HAM S
BR
’
OA K
.
i
z ant ne, can be s e e n T h ey stood ori g inal ly in som e old
.
“
It i s a w e ll known fac t t hat t h e S amson s t or y mak e s
—
Th e J e b e l e l M un t ar a t t h e sou t h e as t of t h e ci t y i s point e d
-
ou t t o d a y a s t hi s h ill
-
T h e loca t ion of t h e ol d ci t y ga t e
.
T HE B IBLIC A L A C COU N T .
’
M oor e s t ran sla t ion :
S am B ir t h
’
s on s .
“
t h e woman and said t o h e r :
, Thou art bar r e n and hast
born e no ch ild ; but t hou shalt conc e iv e and b e a r a son .
1
Th e in d e nt e d p a s s a ge h a s b e en a dd e d by a De ut e r onom i st ( D ) , wh o
h e r e v e n t s h is i n d ign at i o n at t h e p a gan s pi ri t of s om e fea t u r e s of t h e st o ry
wi t h out ot h e r w i s e i n t e r fe ri n g w i t h t h e t e x t.
’
SA M S O N S B I RT H .
53
, ,
“
Th e n M anoah b e sough t JH V H a n d said : I pra y th e e , ,
.
, ,
“
sa y ing t o him : T h e man who cam e to m e t h e o t h e r d a y
”
ha s app e ar e d t o m e .
,
“
cam e t o t h e man M anoah sa id t o him : Art t hou t h e man
,
wh o spok e to t h e woman
”
He answ e r e d : I a m
“
.
“
Th e n M anoah sa id : N ow wh e n t hat which thou dost ,
h i s mod e of li f e
An d t h e M e ss e ng e r of JH V H r e pl i e d to M anoah : Le t
t h e woman avoid all t hat I bad e h e r ; s h e mu st not e a t a n y
produc t of t h e Vin e and l e t h e r not drink win e or o t h e r
,
2
Th e i t a l i c i z e d p a s s ag e is a c om m e n t a dd e d by a l at e r s c ri b e o r r e d act o r
o f Eph r a i m i t i c s c rip t u r e s He r ec o gn i e s S a m so n s d ivi n e m i s s i on b ut b e a r
’
. z ,
in g in m i n d t h at h e a c c om p l i s h e d n o t hi n g s p e a k s o f it a s a b e gi n n i n g o f
“
”
d e l iv e ri n g I s r a e l fr om t h e Ph i l i s t i e s
n .
54 T H E STO R
.
Y OF SA M SO N .
An d M anoah sa id t o t h e M e sse ng er of J HV H : Le t u s
”
p r e s s t h e e t o s t a y and l e t u s pr e par e th e e a k id
, .
JH VH fi
T HE A NN U N C IA T I O N or S AM S O N ’
S I
B RTH .
By R u b en s .
An d M anoah sa id t o t h e M e s s e ng e r of JH V H What
i s t h y nam e that if t h y pr e dic t ion com e t ru e w e m a y
?
”
honor t h e e .
T h e M e s s e ng e r of JH V H an sw e r e d h im : W h y d os ‘
r
t hou i nqu r ei m ff
y nam e s e e ing it i s in e abl e
,
?
3
S o M anoah took a kid [ and t h e c e r e al o ffe ring ] and
o ff e r e d it a s a burnt o ffe ring on t h e rock t o JH V H t h e
-
,
3
Th e t w o br k ac ete dp as sa ge s are p os t -
Exi l ic g lo s ses .
56 T H E STOR Y OF SA M S O N .
e vi l in fl u en c e s .
4
T h e main thing of int e r e st i s t h e part
wh ich hol y m e n r e pr e s e n t ativ e s of t h e d e i t y or of t h e
, ,
“ ‘ ’
T h e hol y m e n and t h e r e l igiou s sh e iks ca st out e vil
sp irits Wh ich r e s e mbl e clos e l y t hos e about whom w e r e ad
,
tim e of Ch ri st .
“
Th e r e a r e c e r t a in sa ints t hat h av e almost t h e pow e r s
of ph y s ician s a s sign e d to t h e m Som e of t h e m would s e e m .
“
As ba rr e nn e ss i s cons id e r e d almost t h e gr e at e st di s
grac e that can b e fall an O ri e ntal woman and girl s a r e
’
“
O n e of t h e most con sp icuous c a s e s w a s r e lat ed to m e
'
F o r fu r t h e r e t a il s o f P r o fe s s o r C u r t is s s w o r
d k l igi on
4 ’ “
s ee Th e R e of
Pr ot o S e m i t i s m in Th e O p e n C ou r t, Vo l X V III, p p 42 1 ff
-
”
. . .
i e , Pr oph e t D a vi d
5
. . .
’
SA M SO N S B I RT H .
57
t e ach e r of a Gr e e k school in S a fi t a wa s pr e s e nt at t h e
pa ym e nt of such a vow Wh e n t h e silv e r plac e d in t h e
.
or thr e e gold pi e c e s .
“
Som e tim e s a woman in h e r a rd e nt d e si r e for a son
, ,
r e ady s a c r ifi c e d t hr e e sh e e p .
“
Th e r e can b e no qu e s t ion that barr e n wom en a s t h e ,
y e a r 6 2 1 B C . .
”
Th e w o r d s h ol y do i te in He b r e w K a d e s h ) d riv d
“
and so m ( are e e
fr om t h e s am r oo t ka da s h w hi c h p r p r
“ ”
e , m ea n s t o s e a ate, to set a a t .
2 K i ngs xxi i i 7
7
. .
58 T H E S T OR Y OF SA M SO N .
S a y s Cur t i ss :
S o fa r a s t h e y a r e not impos t e rs th e y a r e m e n whom ,
“
In a c e rtain famil y in N e b k t h e wif e a p e r f e ctl y r e ,
M r F r az e r in Th e Gol d en B ou g h ( pag e 1 47 ) sa y s
.
“
Wom e n a r e taugh t to b e l i e v e that t h e h igh e st bli ss
for th e ms e lv e s and t h e i r famili e s i s t o b e obtain e d b y
y i e lding th e ms e lv e s t o t h e e mbrac e s of t h e s e b e ings in
'
”
form and app e ti t e of tru e humanit y .
8 ’
proph e t i s a fool t h e man that h ath t h e spi rit i s mad ;
,
, ,
9
Ge n . xxi x 26 . .
SA M SO N S B I RT H
’
.
59
” 10
proph e t s
T HE K ID O F F ER ING .
’
The stor y of Samson s conc e p t ion i s v e r y r e al i sticall y
t old and it s occur r e nc e p e rhap s n ot in on e ca s e onl y but
, ,
of h is wi f e i s gr e a t l y pl e a s e d wh e n s h e m e e t s t h e s t rang e r
,
sa y s :
“ ‘
T h e phra s e F e e d t h y kids in t h e answ e r of t h e lov e r
’
, ,
‘ ’ ’
Vi sit of t h e husband T h e brid e r e main e d a t h e r fa t h e r s
.
‘ ’
hous e and t h e husband vi sit e d h e r th e r e According to
, .
1 S am xix . 2 1 -24 .
60 T H E STOR Y OF SA M SO N .
la t e r origin wh ich m a y or m a y n ot b e s o y e t th e r e i s no
, ,
T HE O P H A N I E S .
b e worth wh il e to r e p e at h e r e for t h e b e n e fi t of r e ad e r s
not v e r s e d in r e c e nt r e sults of th e ology a fe w w e ll known ,
—
h
T e mos impor t an t t h ophan i s r e lat e d in t h e third
t e y
chap t e r of Exodu s wh e r e Yahv e h app e ar s t o M os e s in t h e
bush which burn e d wi t h fi r e and t h e bush wa s n ot con
“
2
”
sum e d .
H e r e God r e v e al s t o M os e s h i s nam e Yahv e h
wh ich wa s r e gard e d wi t h so m uch a w e t ha t l at e r g e n e ra
tion s c e as e d t o pronounc e it and in r e ading t h e scriptur e s
T HE BU RN I N G BU SH .
By S c h n o rr v on K a ro l s fe l d .
“ ”4
substitut e d for it t h e word a d on aj f i e m y Lord But . . .
“
God could n ot call h ims e lf m y Lord and so t h e rabbi s ,
2m s uT m
m
S i nc e th e Y a hv e h was lw rea d a h r e e v ow e l s
d o n ai the t
4 ay s
na m e a ,
of fi d d on d j
.
( s h o rt n e s s of v owe l a s 6 t h e n 6 a n d fi n a ll y t h e b r o a d (1 ) w e r e
m n re sul t
, ,
w r xt t e n un d r e the i n e fi a b l e t e t r a g r am , w h i c h pr o d uce d t h e fo r m
:
62 THE STOR Y OF SA M SO N .
Yahv e h mu st b e an ol d S e mi t ic d e i t y a s t h e word
app e ar s in a n c 1e n t B ab y lonian nam e s such a s Ya v e il u ’
-
6
m e n t ion e d by D e l itzsch A m on g t h e I sra e l it e s its u s e w as
.
“
al so Z e baoth i e [ Lord o
, i ] t h
. e s t ar r.
y H,os t s but wh e n ,
call e d I s ra e l t h e th r e e nam e s w e r e id e n t ifi e d t o m e an on e
,
r e v e al e d h ims e lf to M os e s Je t h r o s son in l aw ,
’
- -
.
Yahv e h sa id un t o M os e s ( E x V i 2 . .
“
I a m Y H V H and I app e ar e d un t o Abraham unto , ,
J H V H wa s I not known to t h e m .
E l S h a dd a j 7
as w e ll a s Eloh im is a plu ral form d e
, ,
8 “ ”
r iv e d from s h a d strong and i s commonl y t ransl a t e d
, ,
“ ”
God Almigh t y Th e sam e word slightl y m odifi e d a s
.
“
( singu l ar s h e d ) d e no t e s pagan d e iti e s and i s
9
s h e d im
“ ”1 1
t ransla t e d in t h e S e ptuagint by d e mon s .
in g a m on g p e op l e q ua i n t e d w”i t h He b r e w t r a d i t i on s in t h e m on s t r ou s
u n ac
com b i n a t i on o f t h e w o r d J e h ov ah T h i s q u e e r w o r d fo r m a t i o n is o f co m
“
.
p a r a t iv e ry r e c e n t o rigi n fo r it d o e s n o t o c c u r a n y w h e r e b e fo r e t h e R e fo r m a
,
t i o n a n d w a s i n v e n t e d in t h e s ix t e e n t h c e n t u r y by Pr ot e s t a n t B i bl e t r a n s
l a t o r s w h o k n e w en o u gh He b r e w t o r ea d t h e l et t e r s a s t h e y w e r e w ri t t e n ,
b ut n o t e n o u gh t o u n d e r s t a n d t h e m e a n i n g o rigi n a n d h i s t o r y o f t h e wo r d , .
T h e fi r s t p a r t o f v e r s e 1 4 i s ob vi o u s l y a g l o s s w h i c h h a s b e e n i n s e r t e d
5
i n t o t h e t e x t C f A r n ol d s T h e D ivi n e Na m e in E x o d us III
. .
’ “
in t h e ,
J ou r n a l o f B ib li ca l Li t e r a t u r e , X X IV , P t . 2 .
C hi c a go Th e O p e n C ou r t P ubl i s h i n g
6
B a be l a nd B i b le , p . 1 50 ff
. : Co .
7 ‘
BL R
Z
‘ L’ 3 W2} 9 E
‘
Ti}
1° “
W? da gu é vt a .
64 T H E STOR Y OF SA M S O N .
to M os e s ( E x xxxi ii 2 0 )
. .
“
Thou canst not s ee m y fac e ,
”
for t h e r e shall no on e s e e m e and l iv e How e v e r to show
.
,
and t hou shalt stand upon a rock : and it shall com e to pas s ,
T h e pa s sag e r e ads
“
An d it cam e t o pa s s by t h e w a y in t h e inn that t h e ,
h im .
“
Th e n Z ipporah too k a sha rp ston e and cut off t h e for e ,
“
S o h e [ J H V H ] l e t h im [ M os e s ] g o z th e n s h e said
A bl ood ly husband thou a rt b e caus e of t h e circumci sion
, .
SA M SO N S B I RT H
’
.
w e r e d e ni e d by t h e D e ut e ronomi st ( D e ut iv S t il l . .
“
form b e cam e o ffe n siv e and so t h e words m e s s e ng e r of
,
” “ ”
Yahv e h w e r e substi t ut e d for Yahv e h Th i s Vi e w i s .
“
wa s Yahv e h hims e lf who spok e to h e r I n t h e sam e
’
“ ”
w a y t h e ang e l of Yahv e h app e ar s to Gid e on ( Judg e s
“
Vi 22 ) but h e calls h im Yahv e h Eloh im
. .
13
Yahv e h .
, .
,
3 2 3 5 e s p ec i a ll y 3 5 t o b e c om p a r e d w i t h xx iv 1 3 ; J u d g e s xi 1 5 ; vi 1 1 24 ;
- - -
, . .
,
c om p a r e e s p e c i a ll y v e r s e s 1 1 a n d 20 F
f D i ff e r e n c e s b e t w e e n Y a hv e h a n d h is
.
a n g e l a r e m a d e in Ge n xx iv 7 40 ( c om p a r e v e r s e s 27 an d
. .
, Num xxii . .
3 1 ; J u d g es xi i i 8 ; 2 S a m ue l xx iv 1 5 1 7
. .
, .
66 THE
'
ST OR Y OF SA M SO N .
, .
T HEM E A N I N G O F N AZ I R .
T h e ch ildr e n of I s ra e l w e r e invad e r s of P al e s t in e T h e .
1
civil iza t ion a s pagan and unnatural Th e y l iv e d in t e n t s .
divini t y of na t ur e .
1
For xp l an at i on ”o f t h i s m o st i m p o rt a n t p oi n t
e see the a ut hor s
’
a rt i cl e
Y a hv e h a n d M a n i t o u Th e M om s i IX p 3 82
, , , . .
2 3
W T3 ( Th e pr o n u n c i a t i o n of T i s de )
1
‘
7 1- 1
.
.
A M SO N S B I RT H 67
’
S .
G ENT I LE NA Z IR IS M .
”
on T h e S y rian Godd e ss t hat t h e p e opl e in H i e rapolis
of S y r ia a r e a ddic t e d t o a cus t om wh ich i s o t h e rwi s e also
known to hav e obtain e d in T r oiz en e of Argol i s in Gr e e c e .
“
Lucian sa y s ( la st chap t e r o f D e D ea S yn ) : Th e r e
i s a law of t h e T r oiz e n ia n s according to wh ich no y outh
nor Vi rgin i s allow e d to mar r y un t il th e y hav e s a c r ifi ce d
t h e ir hair to H ippol y t us and a simila r cu stom pr e va il s
,
of t h e donor i s e ngrav e d .
”
shorn h i s h e ad in C e nch r e a for h e had a v ow ( Acts
xvii i. and t h e sam e incid e nt i s m e ntion e d of four
m e n in anoth e r pa s sag e in Acts ( xx i .
ha ir wa s ca rri e d up by t h e d e va s t o t h e s ky wh e r e it form e d
t h e cons t e lla t ion of t h e
“
Ha ir kn ot call e d in our a s t ron ,
“ ”
om
y t h e h air of B e r e nic e H e r e t h.e prac t ic e of cu t t ing
’
on e s ha i r in tok e n of r e nouncing t h e world i s p r e suppos e d
a s g e n e rall y pr e val e nt in I ndia and an e xplanation i s n ot
d e e m e d n e c e ssar y .
anci e nt s a c r ifi c e of t h e hai r .
T HE ET Y M O LO G Y OF N AZA R E N E .
*
T h e wo rds Na Ca p m zé g an d Na p a Zog a re us e d i n t r c h ng bl y in t h
e a ea e G os pe l s
7 2 T H E ST OR Y OF S A M SO N
“ ” “
m e an s gua rdian or pro t e ctor and t h e u s e of t h e ar ,
“ ”
t ic l e , J e su s t h e N azar e n e indicat e s t hat it i s a titl e j ust
,
“ ”
a s much a s J e su s t h e S aviour Wh e th e r or n ot t h e
.
“ ”
titl e h a h a aa r ya t h e guardian wa s id e n t ifi e d in t h e tim e
,
T HE NO MAD LIF E O F I S RA EL .
‘
Th e Ar am a c i u r d i n a ri l y ch an ge s
o in t h e He b r e w to g an d th e l ett e r
h a vi n g t h e p r on un c i at i on o f t h e G e r m an 3, b i ng
e the s h a rp t s , is h e re t ran s
c r ib e d b y a G e r m a n 3 .
SA M S O N S B I RT H
’
.
73
1
a s e sp e ciall y acc e p t abl e t o Yahv e h and t hos e pious J e ws ,
who in la t e r da y s wi sh e d t o l iv e t h e i d e al l i f e of t h e i r a n
c e s t o r s t ook a v ow n o t t o h av e t h e i r hai r shorn and call e d
, ,
th e ms e lv e s N azi rs .
1
F o r fu r t h e r d et a ils s ee th e a ut h o r s a r t i c l e Y a hv e h
’
an d M an i t ou Th e
M om
'
s t, IX, p 13 1
. .
S AM S O N S ’
LI F E .
T HE B I B L I C AL A CC O U N T .
M a r r ia g e w h a t F ol l ow e d
’
S am s on s a nd .
“
and mo t h e r : I hav e s e e n a t Timna t h a woman of t h e
”
Ph il i s t in e s ; now t h e r e for e g e t h e r for m e t o b e m y wif e
, , .
1
B u t h i s fa t h e r [ and h i s mo t h e r ] r e mon s t ra t e d wi t h h im :
“
I s t h e r e n ot a woman among t h e dau gh t e r s of t h y kin s
m en , or in all m y p e opl e t hat t hou mus t g o and t ak e a
,
”
wi f e among t hos e unci rcumci s e d Philis t in e s P
“
Bu t S amson an sw e r e d h i s fath e r : Ge t t h i s woman
’
for m e ; s h e pl e a s e s m e .
Th e b r ack e t d
e wo r ds are p o st —
E xi l i c a dd i t i on s , acc o r d i ng to Pr o fe s so r
M oo r e .
SA M SO N S L I FE
’
.
75
j [ y]
*
a n d m ot h e r , to T imna t h ; and wh e n th e cam e t o t h e
S AM S O N A ND T HE O
LI N .
By R a ph a e l .
Th e r y o f t h e k i ll i n g o f t h e l i on i m p l i e s t h a t S a m son w e n t d o w n a l o n e
st o
t o h is b ri d e whi c h i n d i cat e s t h at h is fat h e r d i d n ot a c c o m p a ny h im on t h e w ay
, .
7 6 T H E STOR Y OF SA M SO N .
He sai d
O ut of the e a t e r ca m e s o m e t h in g to e at ,
u s h i t h e r t o impov e r ish u s
2
Th e on l y p o i bl
d r t d i n g o f t h p r e s e nt t e x t i t h t wh e n t h e
ss e un e s an e s, a
Phi l i t i
s w h w f r i d bl
nes sa S o o w ( oco r d i g t o l xx
m a b c e e am s n as or ac n , e aus
th y w r
e fr i d f h i ) t h y pp oi t d t h i r t y p i l g
e e a a o m rds t
, t h at h e
e a n e s ec a ua o s ee
did no m i h i f I t h rigi l t o ry o t h
sc e . n t r ry S
e o o h e t hi r t y
na s , n e con a , am s n c os
youn g Phi l i t i s hi co s p n i o t o t k t h e p l e w hi h i
ne s a s mordi ary ns a e ac c n an na
m a rri g wo ld h v b
a e fi l l d b y h i ow k i n
u a e n n d f ri n d
een G F M oo r e
e s n sm e a e s — . . .
SA M SO N S
’
L I FE .
77
’
SoSamson s wi f e hung on him wi t h t e a r s and sa id :
,
pl ain e d it to m e .
7 8 T H E STOR Y OF SA M S O N .
mo t h e r and shall I t e ll t h e e
,
B ut s h e hung on h im w e e p ing t h e s e v e n da y s th at t h ey
k e p t t h e f e a st and on t h e s e v e n t h d a y h e t old h e r b e caus e ,
He r e pli e d '
If w i t h m y h e i fe r y e d i d n ot p l ou g h ,
Y e h a d n o t fou n d ou t m y r i ddl e I t r ow , .
T h e n t h e S p ir i t of IH V H ca m e m ig h t ily u p on h im and
h e w e n t d ow n t o A s h ke l m t , a n d k ill e d t h ir ty of t h e m , a nd
’
But Samson s br id e wa s giv e n t o t h e comrad e who had
b e e n h i s br idal compan ion .
Af t e r a t im e a t t h e s e ason of wh e a t ha rv e st Samson
, ,
“
Th e n S amson said to th e m : In th i s ca s e I shall not
b e to blam e i f I do t h e P h ilistin e s an inj ur y .
Th e i t al i c i z e p as sa ge is c on s i e r e by Pr o fe s s o r M oo r e a a t e r a
d d d i l dd
4
t i on. It i n t e rr u p t s t h e c o n t e x t a n d c o u e a s i y b e om i t t e
ld Pr ofe s so r M oo r e
l d .
s ay s : A s h e on is t w o a y s j o u r ne y fr o m T i m n a t h , o n t h e s ea -coa s t It h a s
k l d .
b e e n c o n j e c t u r e , w i t h m u c h p a u s i i i t y , t h a t t hi s r a i
d l bl is t h e a ft e r t h o ugh t o f
d
a n e i t o r t o w h om
d it s e e m e u n e co m i n g t h at S a m s on s h o u
d b r un a w a y w i t h ld
ou t p a y i n g a w a g e r It h a s n o c o n s e q u e n c e s in t h e fo o w i n g s t o r y ll
”
. .
80 T H E S T OR Y OF S A M S ON .
“
W i t h t h e j a w b on e o f a n a s s
—
Ia s sa i l e d m y a s s a i l a n t s ;
W i t h t h e j a w b on e o f a n a s s
—
Ha v e I s l a i n a t h ou s a n d m e n .
S AM S O N S LAY I N G T HE P HI L I S T I NE S .
By S c h n o rr v on K a r ol s fe l d .
R amath -
l e hi An d h e wa s v e r y t h ir s t y and call e d to
.
,
“
J H V H : Thou ha s t giv e n t h y s e rvan t t h i s gr e a t Victor y ,
wh ich i s in L e h i t o t h is d a y got t h e
( H e nc e t h e spr ing ,
,
nam e En h a kk or e )
- .
j udg d I sra l in t h e da y s of t h e Ph il i s
S amson e e
5
t in e s for tw e n t y y e ar s .
C a r r i es 0 75
5
the Ga t es o f Ga za
S a m s on
.
harlot and w e nt in to h e r Wh e n t h e Ga z e a n s w e r e
.
t old
,
49 4 2
S A M SO N
C A R R I E S OF F THE G AT E S OF G ZA A .
h w n about and l y
tha t S amson wa s com e th i t h e r [ t e y e t a
,
,
and t h n at midnigh t h e
B u t S amson l a y ill midnight
t ; e
t
ros e and laid hol d of t h e doo rs of t h e cit y ga ande t h e
,
5
Th e i n d ent e d p a s s a g e is a D e u t e r on o m i
c g l oss ,
82 THE ST OR Y OF SA M S O N .
S am s on a nd D e l il a h .
“
S o D e l ilah ask e d S amson : T e ll m e I pra y th e e what , ,
“
1n t h e inn e r apartm e nt . Th e n s he said to h im : T h e Phil
”
is t in e s a r e upon t h e e Samson l
, B u t h e snapp e d t h e bow
s t r ings a s a s t rand of t ow snap s at t h e br e a t h of fi r e ; so
t h e s e cr e t of h i s s t r e ng t h was n ot di scov e r e d .
“
Th e r e upon D e li l ah said t o S amson : Lo t hou ha s t ,
”
would l e av e m e and I should b e l ik e a n y o t h e r man
, .
S AM S O N A ND D E L I LAH .
By D o r é .
DE L I L A H ’
S T R EA C H E R Y .
5 04 7
By S c h n o rr v on K a ro l s fe l d .
‘
Th e n s h e said to him : How canst thou s ay : I lov e
’
t h e e wh e n t hou dos t n ot c on fi d e in m e ?
, Thr e e t im e s now
t hou ha s t ch e a t e d m e and ha st not told m e wha t mak e s
t h y s t r e ng t h so gr e at.
An d a s s h e b e s e t h im e v e r y da y wi t h h e r importuni t i e s ,
a r e l igious vo t ar y ; i f m y h e ad w e r e shav e d m y s t r e ng t h ,
to h e r bringing t h e mon e y wi t h t h e m
, .
spor t b e for e t h e m .
M ADE F A S T W I T H S H A C K L E S .
5 01 8
By M a x K lein .
88 T H E S TOR Y OF SA M SO N .
“
Th e n S amson p ra y e d t o IH V H : O Lord JH V H r e ,
’
h i s fa t h e r s famil y cam e down and t ook h im u p and w e n t ,
t omb of h i s fa t h e r M anoah .
[ He had j udg e d I sra e l tw e nt y
y e a r s ]
SA M S O N S A D V E N T U R E S
’
.
T HE T WE L V E LA B O R S .
3 )
0 t h e t w e lv e labor s of S amson a r e a s follows :
t h e u s e of a n y w e apon .
Judah and h id e s in t h e cl e f t of t h e Cl i ff E t am .
mul t i t ud e s of h i s e n e mi e s .
“
rop e s but h e snapp e d t h e rop e s o ff f rom h i s a rms l ik e
,
t h r e ad .
1 2 F inall y S amson b e t ra y s t h e s e cr e t of h i s s t r e ng t h
.
,
’
son s car e e r in t o t w e lv e adv e n t ur e s wh ich would mak e
t h e i r numb e r agr e e w ith t h e t w e lv e labor s of H e racl e s
and t h e t w e lv e mon t h s of t h e y e a r but it i s r e markabl e
,
T HE L IO N A ND T HE B EE .
’
Som e f e atur e s of S amson s adv e ntur e s a r e not e worth y .
b r a t e d a s t h e sl a y e r of t h e l ion .
9 2 T H E S T OR Y OF SA M SO N .
“
an anci e nt r iddl e to propound t h e paradox Wh e n or ,
”
wh e r e can hon e y b e found in a l ion P An d t h e answ e r ,
“
alluding to t h e d e e d of t h e sun god would b e z In t h e —
,
com e s t o pa ss t hat
“
O ut of t he ea t e r c o m e s s om e t h in g to eat ;
And ou t o f th e s ou r o n e c om e s s om e t h ing s we e t .
e r en c e s .
T HE F O X E S WITH FI R EBR A N D S .
a s w e ll a s t h e r e d bligh t of wh e at .
O vid F es t i I V 67 9 f ) t e ll s t h e s t or y of a p e a sant of
, .
3
punish e d in t h e C e r e alia a s abov e m e n t ion e d .
’
son s fox e s wi t h fi r e brands and t h e i r R oman coun t e rpar t s —
S E M ELE A ND D I D O .
1 1 6 di e s in t h e awful pr e s e nc e of Z e us An d i f S amson s ’
, .
wi f e i s bu rn e d t og e t h e r wi t h h e r fa t h e r s famil y it i s qui t e ’
and bu rn h e rs e l f on t h e p y r e a s a Vi c t im of h e r lov e .
3
F or d et a i l e d r e fe r e n c e s an d fu r t h e r i n fo r m a t i on o f k i n d r e d p r a c t i c e s
es p e c i a ll y t h e w o r s hip o f R o b igo in t h e gr o v e o f R ob igo a l s o t h e B oeo t i a n ,
s t o r y o f t h e d o g K e p h a l o s a n d t h e T e u m e s s ia n fo x a n d t h e R om a n c u s t om ,
o f s a c ri fi c i n g y o u n g d o g s o f r e d c o l o r a t t h e t i e o f t h e d og s t a r o t h e r oa d
m -
n
t o N om e t u m s e e L Pr e ll e r s R o m l s c h e M y t h o l og i e 3 r d e d i t i o n by H Jo r
’
n , .
, .
d a n B e r l i n 1 883 Vo l II p p 43 ft
, , , .
, . .
a g m H is t GK c d M u e ll e r I 1 97 ; a n d J u s t i n u s X V III 6 Com p a r e
1
. .
, .
, , ,
W R S m i t h s R e l zg on o f t h e S e h i it e s ( L on d on
.
. . z p 3 74 , , . .
94 T H E STOR Y OF SA M SO N .
DIDO O N T HE P YRE .
By F rd
e . Ke ll r
e .
9 6 THE ST OR Y OF S A M S ON .
’
tion of Samson s h iding w e woul d sugg e st that t h e sun
,
T HE JA W -
BONE OF A N A S S .
It i s no t e wor t h y t ha t t h e nam e
’
a ss s j aw bon e in -
’
S A M S O N S A D VE N T U RE S .
97
Gr ee k ( i e . .
, Oh u g h a t h os
) i s giv e n‘
to a promontor y at
t h e south e rn e n d of Laconia a s S t rabo informs u s ( VI I I , ,
5,
1
, p
. and w e m a
y a ssum e tha t h e r e too t h e nam e , ,
P ER SEUS WI T H ME D U S A ’
S HEA D .
”
call e d sickl e sword of t h e anci e n t dr agon kill e rs B e l
- -
1
ovofiy ua Oos ,
9 8 T H E STOR Y OF SA M SO N .
B EL M E RODA C H F I G H T I N G T I A M A T W I T H S I C K LE S W O RD .
B EL M E RODA C H F I G H T I N G T I A M A T W I T H T H U N D E R BO L T S .
2607
t ion r e ads a s
*
Co m pa re th e a ut h o r s a rt i c l e
’
The F i ry
a Ta l e E l em e n t in t h e B i bl e ,
Th e M on is t , XI , 405, 500 .
1 00 T H E S T OR Y OF SA M SO N .
WATER F LO WI NG F RO M T HE JA W -
B ONE .
5 023
By Gu i do Ren i .
wi t h t h e thund e rbolt .
Guido R e ni wi t h h i s fi n e ar t i s t ic s e n t im e n t s t ill f e e ls t h i s
in t e rpr e tation wh e n in h i s pic t ur e of S amson qu e nching
h i s t hirs t from t h e drink t ha t cam e from t h e j aw bon e h e —
D iod or u s S ic u lu s ( IV 2 2 ) t e ll s u s t ha t wh e n H e racl e s
,
7”
73 h ””
7 33
W abs na n
1 02 T HE ST OR Y OF S A M S ON .
Wit h the b on e o f t h e kh a m or ( as s )
j aw —
A kh a m or ( h e a p ) t w o kha m or s ( h eap s )
,
-
W i t h t h e j a w b on e o f t h e kh a m or ( a s s )
-
Is l e w a t h ou s a n d m e n .
lat e s a s follow s :
M it d e m B a c ke n d e s P a c k e s e l s
E in P a c k, zwe i P a c k,
M it d e m B a c k e n d e s P a c ke se l s
E r s c h l u g ic h t a u s e n d M ann .
ou s l y a s follows :
Wit h theb on e o f a n a ss
j aw -
Ias s a i l e d m y as s a i l a n t s ,
5
W i t h t h e j a w b on e o f an a ss -
Ha v e I s l a i n a t h ou s a n d m e n .
Th ew e l l i s call e d e h h a q q or e t h e spring of t h e cr ie r ,
6
“ ”
wh ich l att e r m e ans par t r idg e and i s al so an e p ith e t of
th e a s s H i s formidabl e bra y ing i s consid e r e d p roph e t ic
“
’
In B ibl e folklor e B a l a a m s s h e a s s wa s e ndow e d with
,
-
ls
Th e fi r s t a n d s eco n d l i nes - ou
w ld be m o er l i t e r al as fo ll ow s
“
Wi th th e j aw — b on e o f a n as s
’
Im m as s n i g t h em in m as s e s .
Th e w o r d is l
a so t r an s l i t e r a t ed h a kk or e ; b ut t h e k - s o u n d is
s h a rp an d is c om m o n ly t r an sc ri b e d q .
1 04 T HE STOR Y OF S A M S ON .
t h e g e n e a l og y o f M ar y in wh ich t h e God of t h e J e ws i s
spok e n of a s a ss h e ad e d n ot in d e r i sion bu t a s a ma t t e r
—
, ,
of fact .
m e n t s on t h e a ss a s a s a c r ifi c ia l animal among t h e S e m
7
ites '
S ET H . S E T H A ND AN UBI S .
animal s it wa s s a c r ifi c e d or e a t e n in e xc e p t ional m y st e r i e s
,
-
.
Y e t wh e n w e hn d on e s e c t ion of S e mi t e s forbidd e n t o e a t
t h e as s wh il e ano t h e r s e c t ion e a t s it in a w a y wh ich t o
,
7
Th e R e l ig i on o f th e S e m i te s , p .
468 .
SA M S O N A DV E N T U RE S
’
S . 1 05
h e wa s originall y a S e mi t ic g od T h e a s s wa s a T yphonic
.
s t amp e d t h e fi g u r e of a bound a s s on t h e ir s a c r ifi c ia l
cak e s ( Plu t Is e t 0 5
.
, . .
“
T h e old clan nam e Hamor
-
he a ss among t h e ~
Canaanit e s in Sh e ch e m s e e ms t o c on fi r m t h e Vi e w that t h e
,
D I O NYSU S O N T HE A SS .
A nt iq ue te rra c ot t a of Att i ca .
I I N TO J E RU S A L E M
’
C H R S T S E N TRY .
49 4 0
E
‘
Fo r d e t a i s s ee t h e a u t h o r s a r t i c e on
l ’
l “
Anu bi s, S et h , an d Ch ri s t , t h e
”
S ig n ifi c a n c e o f t h e S p o t t c r uc ifi x , T h e O p e n C ou r t , X V , 65 fi '
.
1 08 THE S TO R Y OF SA M SO N .
1’
down to Tarik s tim e and should t h e qu e stion ar is e How
-
, ,
’
t o t h e ot h e r I n th i s w a y S amson s p e cul iarl y unprac t ical
.
e v e nt .
T HE WEB O F D E L I LA H .
i
,
“ ”—
son pull e d up t h e l oom w ith t h e w eb and w e m a y add
that D e l ilah s w eb wa s torn and fl
’
e w all ov e r t h e fi e l d s .
1
Th e p r e s e nt n am e Ge br al Ta r ik, or Gi b r a l t a r , m ean s R oc k of T a ri k .
1 1 1
A M SO N A DVE N T U RE S
’
S S . 1
will b e gon e .
S AM S O N S ’
S EV E N B A I D S R .
S U N-GO D WI T H E VE N RA Y E D HA LO
S -
.
M i t h r a i c M on u m a n d Et r li s c a n W a ll P a i n t i ng
-
e nt .
“ ”
X X 39 )
, h e of un shorn hai r which t ransla t e d in t o
,
’
H e br e w would m e an t h e N a zi r S amson s hair i s p u t u p .
'
e t M on u m e n ts
p 2
, 0 2 ) i s r e pr e s e n t e d wi t h s e v e n ra y s
.
,
“
traitr e s s D e l ilah i s s y mbolical and m e ans t h e w e ak e ning
”
or d ebili t a t ing on e F in a ll y S amson i s blind e d ( t h e sun
.
,
Danit e g e ograph y .
T HE O NE - E Y ED O NE .
e ve of Wodan i s t h e r e fl
.
ec t ion of t h e sun in t h e oc e an .
follows :
Ad on a i Ya h v e h
Re m em be r m e
An d s t re n gt h e n m e .
Ye a ! o n c e m o r e n ow
E l oh i m
1 12 THE STOR Y OF SA M SO N .
S AM S O N S ’
DE AT H .
”
h and of t h e P hi l i stin es .
S O LA R M YTH S :
M Y T HI C AL TR AI T S O F T HE S AM SO N S T O RY .
h ib it s c on fi d e n c e in t h e pow e r of Yahv e h .
h a q q or e and kh a m or ) a r e poor
,
.
’
Whil e t h e h e ro s cha ract e r i s obj e c t ionabl e for mor e
than on e r e a son and can scarc e l y b e consid e r e d r e ligiou s ,
N or t h e rn b e rs e rk e r ; and in th is condition t h e h e ro b e
’
com e s miraculousl y ir r e si s t ibl e Wh e n Samson s l ocks .
’
Yahv e h s app e aranc e i s so out of plac e in a boo k wh ich
has b e e n e di t e d by t h e pr i e sts of a p u r ifi e d monoth e i sm ,
T H E N U M B ER S S EVEN , T H I R T Y , A ND T W E L E V .
DEAT H T AK I N G AWAY S E M E LE
WITH T H E T H U N DER B O L T
O F Z EU S .
Et r u s c a n gl as s .
M ELK A RT H O F T H E H E RA C L E S E NT E R N G I THE
P H O EN I C I A N S . DR A GO N O
T HE L IO N A ND T HE D R AGO N .
L I O N-K I LL I N G HERO o r K HO R S A B A D .
S I EG FR I E D A N D T HE DR A GO N .
4 4 09
I Z DU BAR T HE H ELP E R .
1 37 1 b
y Smi t h and publ i sh e d b y Haup t in h is N i m r od
”
t h e d e c 1 s 1 on Af t e r a short h y mn in honor of ilu Iz du
.
-
1
lows :
“
O I zduba r pow e rful king j udg e of t h e e ar t h sp irits
, , ,
e ar t hl y ,
‘
R o sch e r
’
s Lex d g r
. . . u . 7 . M y t h , 11 , p 7 7 5
. .
SO LA R M Y T H S . 121
t h y hand ,
c id e s t t h e ir d e cisions ,
whos e godd e s s i s N N . .
,
I Z D U BAR I
CO N! U E R N G T HE O
LI N .
P roc e e d to j udgm e nt
R e mov e t h e dis e a s e [ from m y ] body .
Conqu e r t h e e vil
T h e e vil t hat in m y bod y [ ravag e s ]
H e r e upon t h e pr i e s t addr e ss e s t h e pa t i e n t sa y ing :
“
O n t hi s d a y t h e god ha s t ak e n compa s sion on t h e e .
I Z D UB A R ST R ANGL I NG A LI ON .
can not doub t t hat t h e B ibl ical N imrod con t ain s som e fe a
“
t ur e s of t h e I zduba r s t or y .Ei t h er on e i s a gr e a t hun t e r
1 24 THE ST OR Y OF SA M SO N .
T HE AD V E N T U R E S OF I Z D U BA R .
Fr om i
anc e n t m on um e n t s .
S O LA R r M YT H S . 1 25
( 4) s e iz e r of s e e d ( Jun e ) ( 5) fi r e t ha t mak e s fi re
( Jul y)
6
( ) t h e e rrand of I s t ar ( Augus t ) ; ( 7 ) t h e hol y al t a r
(
l
n der
( S e p t e mb e r ) ; ( 8 ) t h e bull l ik e f o u -
O ctob e r ) ; ( 9)
t h e v e r y cloud e d ( N ov e mb e r ) ; ( 1 0 ) t h e fa t h e r of l igh t
( D e c e mb e r ) ( )
; 1 1 abundanc e of ra in ( Januar y) ; ( )
1 2
T HE AD V E N T U R E S OF I Z D UB A R .
F r om i
a n c e nt m on u m e n t s .
add e d e v e r y six t h ye a r .
T hi s t r an s l t i on q ue ri e d P ro fe s s o r
‘
a is by S ay c e .
1 26 T H E S TO R Y OF SA M SO N .
x! t a u ru s .
3 .
( m a fu )
u kku )
4 .
f >
(p id
s .
ll ( cm ?
)
6 .
E1 ( sen ? )
»
7 .
s
; ( 21511 712114
)
a r a bu )
8 .
5 ( g
:
9 =l= (ea )
10 .
l A ( ; eu zu
) ca p e r .
u .
r e
(g ) u am p h ora [ a
q uarius ] .
°
( ezb
) p is c es
'
3 .
( I s. x iv 9 and
. Zach x 3) and so i t i s a ssum e d t hat th ey . .
cor r e s p ond t o A r ie s .
2
Eppi g nd St r an i r Z it h ift f A y i l g i V l V F c i c l
assm a e . e sc r ur ss r o o e, o .
, as e
4, O c t o b r
e 1 890 , p a ge 3 51 .
s
wam i . e .
,
“
th e r e a dy on e s ,
” “
th e b ut t r
e s .
4
B a by l on
'
A s t r on m m s ch e s aus .
1 28 T H E S TO R Y OF S A M S ON .
S IT N A P IS H T IM , T H E B A B YL O N IA N N O AH .
21 02
I Z DU BAR A ND I M M O RT ALI TY .
Th e en d
of S amson i s t h e ma in point in wh ich a com
pa ri son of t h e H e br e w h e ro with H e racl e s and I zduba r
br e a k s down for it i s cha rac t e r i s t ic of pagan sola r m y th s
,
I Z D UB A R A ND A RAD -
EA .
“
S it n a p is h t im and h e fi n d s t h e plan t wh ich h e call s a s an
,
”
old man h e i s chang e d into a y ou t h but by som e mi shap ,
h e los e s it aga in .
Th e Gr e e k s h ei r i d eas r i g h e r” w o r l d i l y t o th e
1
ow e t c on c e n n t h e ot m a n
E gy p t i a n s , a n d C h a r on l i a r e E gy p t i a n
“ ” “
so the n am e s an d E y s um . Th e
fo r m e r s i m p yl fe rr y l r E gy p t i a n A a l u t h e
”
m ean s —
m an and the at t e is t h e ,
F ld
i e s of th e B l e s t ,— l
a so s p e ll e d A aru .
1 3 0 T H E S TOR Y OF SA M SO N .
hi s lif e .
SAM SO N A ND H E R A C LE S .
a s w e ll a s h i s audi e nc e wh e n S amson fi n d s a pr e t e x t to
kill indiscr iminat e l y som e th irt y or a thou sand Phil i stin e s .
l
and P r od icu s r e gard e d h im a s an incarnation of divin e
,
X en .
, M em . II, 1 ; P l at o , Sym p .
, p . 1 77 B .
1 32 T H E S TOR Y OF SA M SO N .
“
H e racl e s a saviour and t h e son of Z e us sa y s : D o you
, ,
”
b e l i e v e t h e fabl e s of Homer P
H e racl e s i s call e d r e p e ll e r of e vi l l e ad e r
in t h e fra y t h e br ightl y victor ious ( n a u t i
o wm
’
m u os
) t,h e c e l e s t ial ( w g
) d e s t ro y e r of fli e s v e rmin , ,
7 51 775
S e n e ca sp eaks
of H e racl e s a s t h e id e al of t h e good
‘
of As ia h e sa y s ( D e B e n e fi I
, , ,
and w e r e in t e nd e d to t r y h im ( I Z e u s who is id e n t i, ,
t e tu s sa y s ( I I I ,
“
He k ne w that no man i s an orphan but th at th e r e i s ,
”
h e could liv e happil y e v e r y wh e r e .
D EATH A N D R ES U RR ECT I O N O F TH E SU N .
S A M S O N A PROT O TY PE O F C HR I S T .
O n t hi s d a y [ t h e bir t hda y of M i t h ra s ] al so t h e
,
wh i l st t h e h e ath e n w e r e bu si e d wi t h th e ir profan e c e r e
mon i e s t h e Ch r is t ian s migh t p e rform t h e ir hol y r it e s u n
,
”
di sturb e d . Ev e n in t h e da y s of P op e Leo t h e Gr e a t in ,
T HE AS C E NT OF H E RAC LE S TO OL YM P U S .
A i
n c en t v a s e pi c t u r e .
of t h e P hili s t in e s .
.
, ,
T HE P HCE N IC IA N M ELK A RT H .
’
god s s e l f s a c r ifi c e on t h e p y r e wa s s t ill c e l e bra t e d in t h e
-
“ ”1
h i s articl e S andon und S a r d a n a p a l .
Ev e r y m y t h of d e e p r e ligiou s s ig n ifi ca n c e ha s t h e t e nd
e nc y to chang e in t o saga or l e g e nd and will e v e n in fl u en c e ,
R h ei n M u s
1 2
. .
, S e r 1, Vo l III
. . .
10 5 A n t V III. .
, 5 3
. .
3
! uo t e d by Ah
t en, I X , 47 .
DE A T H A N D R E S U R R E C T I O N O F T H E S U N . 1 37
holocaus t s on a gr e a t p y r e bu t wh e n h e saw t ha t h i s
,
T HE D Y ING GO D .
of t h e g od .
t h e r e a r e t h i r t y t w o P rognos t ics
-
indica t ing t h e bir t h of
t h e Buddha W e quot e in t h i s conn e c t ion onl y a fe w t o
.
2
charac t e riz e t h e whol e cla s s :
“
A n imm e a surabl e light spr e ad t h rough t e n t hou sand
worlds ; t h e bl ind r e cov e r e d t h e i r sigh t a s i f from d e s ir e to ,
t h e y do n ot manufac t ur e t h e facts of t h e l if e of J e su s t h e i r ,
1
En u m r
e at e d in t h e D h a r m a S a m g r a ha .
2
I n t r o d u c t i on t o th e l a t a ka , I, 47 . 21 . T r an s l at e d by Wa rr en in h is
B u d d h is m i n Tr a n s l a ti on s , p .
44 .
1 40 THE STOR Y OF SA M SO N .
n o t pa r t ak e of t h e bl e ssings of hi s s a c r ifi c e .
W e do n ot s a y t ha t t h e li f e of J e su s e sp e ciall y h i s pa s
,
“
t hat h e
‘
t ook upon h im t h e form of a s e rvant .
concubin e s B u t a t t h e e n d of h y e da y s h e wa s s t ripp e d
.
”3
of h is roy al ins ignia scourg e d and h ang e d or cruci fi e d , .
4
g e sts a fur t h e r e volu t ion of a mor e anci e nt cus t om t ha t
,
h e av e n i s s a c r ifi c e d in h i s b e s t y e a r s and b e for e h i s ph y s
,
“
We mu st n ot forg e t t ha t t h e king i s sla in in h i s char
ac t e r of a god h is d e a t h and r e sur r e ction a s t h e onl y
, , ,
“
Wh e n t h e tim e dr e w n e a r for t h e king to b e p u t to
d e a t h h e abdica t e d for a fe w da y s during wh ich a t e m
, ,
p o r a r
y k ing r e ign e d and su ffe r e d in hi s s t e ad At fir st .
3
S ee J G . . Fr az e r , Th e Gol d e n B oug h, Vo l II, p p
. . 24 ff .
“
Ibid .
, 11, 2 40 Pf .
I42 T HE S T OR Y OF SA M SO N .
m e r e l y ac t e d on t h e s t ag e in a drama t ic p e rformanc e .
Ch ri s t i an i t y s t ill clings to it a s w e r e ad in H e br e ws ix 2 2
, . ,
“ ”
wi t hout sh e dding of blood i s no r e mi ssion .
ba rous c e r e mon y .
rall y e xplain e d .
Eas t e r s t or y .
t h e fi r s t d a y of sp ring wh il e h is r e su scitation to l i f e wa s
plac e d two da y s lat e r .
t h e pr i e s t announc e s t h e b e ginning of t h e f e as t w i t h t h e
“
words : T h e c e l e sti al fi r e ha s com e down from t h e clouds
t h e hol y candl e i s l it .
6
word s a leh a q wh ich in Engli sh v e r s ions i s commonl y
,
“
tran sla t e d t o mak e sport includ e s t h e m e aning of sing ,
F o r fu r t h e r p a rt i c ul a r s Ge s e n iu s He b r e w D ic it ion a ry Germ cd ,
7 ’
see s , an .
Vol . I I , p 61 5
. .
1 48 THE S T OR Y OF SA M S O N .
O S IR IS .
“
T h e cult of O si ri s t h e d e ad man d e ifi e d and t h e e a r
, ,
“
T h e var ious wav e s of r e ligiou s t hough t and f e e ling .
r up t e d
, mov e d t h e m b u t li t t l e Kings and pri e s t s from
.
1
for Tammuz wh ich t h e proph e t so bi t t e rl y d e nounc e s wa s
, ,
1
Ez e k i l viii
e . 14 .
1 52 T H E S T OR Y O F SA M SO N .
W HY T HE R E S U R RE C T I O N O F S A M S O N WA S S U P P R E S S E D .
“ ”
I t i s an an sw e r t o t h e qu e s t ion Is d e a t h t h e e n d of all ?
T h e l e g e nd of t h e d e sc e n t of t h e sun in t o O rcu s and h is
t r iumphan t r e t urn to lif e i s t h e good t idings that p rocla ims
t h e e t e rni t y of l if e and t h e r e markabl e s t ori e s of t h e a d
,
e c t e d in fai r y t al e s
T HE R E D ACT I O N O F T HE S A M S O N S T O RY .
1
e xplain e d pagan ins t i t u t ion s a s apos t ac y .
S uc h p a s s a g e s a s J u d g e s i i 1 3 o r i i i 7 ; iv 1 ; vi ii 3 8 e t c a r e o f D e u
1
.
, . . .
, .
t e r on o m ic o rigi n a n d it s e e m s t o m e i n d i c a t e o m i s s i o n s fr o m
, , t h e sou rc e s
w hi c h t h e p ri e s t l y r e d a c t o r s t i ll h a d at h is c o m m a n d Th e o rigi n a l so u r c e s
.
fr o m w hi c h h e d r e w h is a c co u n t w e r e n o t y e t p u r e l y m on o t h e i s t i c a n d m u s t
h a v e r e l a t e d h o w t h e I s r a e l i t e s w o r s h ip e d n o t o n l y m nw b u t a l s o B a a l a n d
As t a r t e O u r r e d act o r a sc ri b e d a ll t h e m i s fo r t u n e s t h at b e fe ll I s r a e l t o t h e
.
w o r s hip o f ot h e r go d s a n d h e s e l e c t e d w i t h pr e fe r e n c e t h e h e r oe s o f Y a hv e h
,
w o r s h ip fo r n a t i o n a l c o m m e n d a t i on
.
S e e t h e a u t h o r s a r t i c l e s Th e F a i r y T a l e E l e m e n t in t h e B i bl e
2 “
Th e
’
-
,
1 56 T HE STO R Y or SA M SO N .
EA ST E R M O RN N I G .
By F r a A n ge l i co .
wor r y and no d e a t h
, .
a r e t ru e t h e y can n o t b e e vil
, for t h e t ru t h i s of God
,
from t h e dros s .
”
Bl e ss e d be t h e God of Truth !
A P P E ND I X .
in t h e i n t rod u ct o r y p a ge s o f t h i s v o l u m e , w as th e i
o cca s o n o f
the p re s e n t i n v e s t i ga t i o n o f t h e S a m s on s t o r y . It a pp e a r e d p a r t l y
i n T h e O p e n C ou r t , p a r t l y in Th e M o m is t a n d c on s i s t s o f t w o c o m
,
m u n ica t io n s by M r . G eo r ge W S h a w o f G en e s e o I ll i n oi s a n d on e
.
, , ,
e d it or ia l re p ly by t h e au t h or of t h i s b ook .
M YT HO P CEIC ERU D I T I O N .
BY GEO . W . S HA W .
T h e r e is a t en d e ncy in s om e l ve h i st ory i nt o m in ds to re so
m yt h . T h o s e w h o i n d u l g e it a r e n ot h a l f e d u ca t e d v i s i on a r i e s b u t ,
ge n e ra ll y s e r i ou s t h i n k e r s a n d s om e t i m e s p r o fou n dl y l ea r n e d In .
t h e c r u c i bl e s o f t h e i r a n a l y s i s s t r a n g e c om p o u n d s a pp e a r Hom e r .
c e a s e s t o e x i s t a n d is r e p l ac e d b y a c y c l e o f r h a p so d i s t s
, The T ro .
j a n w a r b e c o m e s a s o l a r m yt h W i ll i am T e ll d .i d n o t fi g h t a t M o r
ga r t e n S t o u t o l d J u d g e S a m s o n w a s n o t a J e w i s h S h O p h e t b u t
.
,
t h e s un h is h a i r t h e s u n b ea m s
—
, .
“
A ll is i ll u s ion : n a u g h t is t r u t h .
A a ll y l ogi ca l p g w i ll s u s p e n d on e t h e ory S om e m y t h
s m e t m o e *
.
o f a fo r m e r a g e o r r e m o t e r a c e m a
y f u r n i s h a n a n a l o g y c o n fi r m a t o ry
o f a n ot h e r Ha v i n g b y t h e i r m e t h od s r e s o l v e d t h e fa c t s o f h i s t o r y
.
i n t o m yt h s t h e se s a v a n t s a r e a t o n e c on fr on t e d w i t h t h e q u e s t i o n
,
h ow s uc h m y t h s o r i gi n at e d Ha v i n g n o d i r e c t e v i d e n c e o f fa c t s
.
w h i c h p r ob a bl y n e v e r occu r r e d b u t a r e c on fi d en t l y a s s u m e d t h e y , ,
a r e l e ft t o c on j e c t u r e t h e i r c a u s e s I m a g i n a t i on s v a r y a n d e a c h
.
,
i n q u i r e r is fr e e t o e l a b o r a t e h is o w n h yp ot h e s i s .
R a w A m e r i ca n s a n d fa n a t i ca l w om e n m a y p a r t i c i p a t e in s u c h
“
ne s w i th W W a s n ot S a m s o n s t r o n g l i k e He r c u l e s ? Wa s
)
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n o t He r c u l e s i d e n t i c a l w i t h t h e Ph oen i c i a n B a a l ? E rgo S a m s on w a s a s ol a r ,
m an , 1 e. t h e s un
.
, S a l t a t o r y l o gi c i n d e e d ! b u t w h o c a n p r e v e n t m e n fr o m
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a rg u i n g t h u s i f t h e y c h o o s e ?
1 62 T HE S T OR Y OF S A M S ON .
c on t o r v e r s i e s b u t d o n ot b e g i n t h e m
, T h ey or i g i nat e in t h e m i n d s
.
o f s c h o l a r s a n d p r o fe s s o r s .
T h e m o s t a m u s i n g d i s p l a y o f fu t i l e e r u d i t i on w i t n e s se d by t h e
ni n e t e e n t h c e n t u r y w a s t h e a tt e m p t t o c l a s s t h e T ro j a n w a r a m on g
sol ar m yt h s . It h a d fo r it s c h a m p i o n n o l e s s a s c h o l a r t h a n M a x
M ii ll e r No r w a s t h e i d ea r e l i n q u i s h e d e v e n a ft e r S c h l i e m a n n h a d
.
b r o u g h t o u t t h e v a l u a bl e s o f P r i a m s T r e a s u r y a n d s h o w n t h e h y e
’
s ca t h e d w a ll s o f h is c i t a d e l .
Wol fi s t h e o r y o f t h e a u t h or s h i p o f Hom e r w a s s u pp or t e d by
’
a n a m ou n t o f l e a r n i n g r a r e l y s u r p a s s e d T h e r e is a r e a s on fo r t h e s e
.
fo ll i e s o f t h e w i s e .T h o s e w h o com m i t t h e m a pp l y i m p r a c t i ca bl e
r u l e s o f e v i d e n c e a t fi r s t a n d e n d in a m a z e o f con j ec t u re s F o r e x .
a m p l e l e t t h e r u l e b e a d o p t e d ( a s it s o m e t i m e s i s ) t h a t n o fa c t i s
,
t o b e a cc e p t e d u n l e s s a tt e s t e d by a n ob se r v e r F a c t s o f r ec en t oc ‘
c u r r e n c e c a n o ft e n b e t h u s s h o w n a n d s u c h p r oo f is o f t h e h i g h e s t
,
or d e r . A ft e r t h e l a p s e o f a ge n e r a t i on s u c h e v i d en ce is u n at t a in
a bl e b u t t h e w r i t t e n s t a t e m en t s o f a n o b s e r v e r m a
, y r e m a i n A fe w .
ge n e r a t i on s m o r e a n d t h e s e h a v e d i s a pp e a r e d bu t q u ot a t i on s from
, ,
t h e m m ay r e m a i n .A t i m e c om e s a t l a st w h e n a fa ct c a n n e i t h e r b e
s h ow n by a c on t e m p o r a r y a u t h o r n o r fro m , on e w h o h a s e v e r s ee n
a q u o t a t i o n fr om a c on t em p o r a r y Le t t h e fa c t b e t h e n c on s i d e r e d a s
.
u n a tt e s t e d a n d u n w o r t h y o f s e r v i n g a s a b a s i s o f a n y c o n c l u s i on It .
s t i ll a pp e a r s h ow e v e r t h a t m en h a v e b e l i e v e d in t h a t fa c t W h y
, , .
d i d t h e y b e l i e v e ? T h e n a t u ra l c on c l u s i on t h a t t h e y b e l i e v e d in t h e
fac t b e ca u s e it w a s a fa c t b e i n g r e j ec t e d an d a m o r e sa t i s fa c t o ry e x
,
p l a n a t i on d e m a n d e d a n y con j ect u r a l e x p l a n a t i on m ay b e p r e s e rv e d
, .
Th e m e t h o d s a d o p t e d a r e p a r a ll e l w i t h t h o s e o f t h e G r ee k a u t h or s
w h o s ou g h t t o a c c ou n t for t h e s t or i e s o f g o d s a n d h e r o e s T h e re .
w a s t h e h i s t o r i c a l t h e o r y o f Eu e m e r u s : t h e g o d s w e r e m e n a n d
w om e n . T h e a ll e g o r i c a l m e t h od w a s fa v or e d b y P l a t o a n d t h e N e o
P l a t on i s t s : t h e god s w e r e h u m a n q u a l i t i e s p e r s on ifi e d .
T h e r e w a s a l s o t h e e l e m e n t a l t h e ory o f He r ac l id e s : t h e g o d s
we r e e l em e nt s or h e a v e n l y b od i e s .
O u r m o d e r n m y t h op oei c a ca d em i c i a n s i n c l i n e a t p r e s e n t t o t h e
l a t t e r t h e ory T h e s o l a r m yt h is a fa vor i t e r e c ou r s e G r e a t m e n
. .
h a ve t o e n c ou n t e r e n m i t i e s a n d o pp o s i t i on Com p a r i s on o f s u c h a
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m a n w i t h t h e s u n s t r u gg l i n g w i t h t h i c k c l ou d s n o w b u r s t i n g fo r t h
,
in b r i g h t n e s s a n d a n on s e t t i n g in g l oom p r e s en t s a n a ll e gory t oo
ob v i o u s t o b e i g n o r e d Th e m e t a p h o r h a r d e n s i n t o a t h e o r y ; t h e
.
t h eo r y i n t o a s s e r t e d fa c t A s i m i l a r p roc e s s r e s u l t i n g in t h e p r o
.
d uc t i on o f a n ot h e r su pp os e d m y t h g i v e s t h e p ro fe s s or o f t h e s c i “
1 64 THE STOR Y OF S A M S ON .
HO W HI S T O R Y IS T R A NS F I G U RED BY M YT H .
RE PLY B Y T H E A U T H OR .
Mr . G e or g e W . S haw
’
s i l
a rt c e h ar M yt h o p oei c E r u d i t i on c
a c t e r iz e s t h e t e n d e n c y o f m o d e r n c r i t i c i sm t o r e s o l v e l e ge n d a r y
t r a d i t i on s a n d p oe m s i n t o m y t h a s a m e n t a l d i s e a s e o f s c h o l a r l y
,
m in d s a s fo ll i e s o f t h e w i s e a n d I t a k e p l ea s u r e in p u bl i s h i n g it
“ ‘
, ,
b e c a u s e it is t h o r o u g h l y o pp o se d t o m y o w n v i e w s fo r I t oo b e , , ,
l on g t o t h e c l a s s o f p e o p l e c en s u r e d by M r S h aw for b e l i ev i n g t h at .
Hom e r d i d n o t e x i s t a n d is t o b e r e p l ac e d by a c y c l e o f r h a p s o d i s t s ;
“
t h e T r o j a n w a r i s a s o l a r m y t h ; W i ll i a m T e ll d id n ot fi g h t a t M o r
ga r t e n ; s t ou t o l d J u d g e S a m s on w a s n ot a J e w i s h S h 0 p h e t b u t t h e ,
”
h is h a i r t h e s u n b ea m s M y m ot i v e in p u bl i s h i n g M r S h a w s
’
—
s un , , . .
c o m m u n i ca t i on i s n o t m e r e l y fo r t h e s a k e o f t h e p r i n c i p l e a u d l a t u r
e t a l t em p a t s b u t m a i n l y b e ca u s e it c on t a i n s a g e r m o f t r u t h w h i c h
,
is n ot a l w a y s b u t fre q u e n t l y o v e r l oo k e d by s c h o l a r s o f c r i t i ca l t e n
, ,
d e n c ie s .
Wh e n M r S h a w c h a r a c t e r i z e s t h e t r e n d o f m o d e r n a n a l y s i s o f
.
h i s t o r y by t h e d e v i c e A ll is i ll u s i on : n a u g h t is t r u t h h e is m is
“
,
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,
t a k e n a t l e a s t s o fa r a s t h e l ea d i n g s c h o l a r s in t h e d om a i n o f h i g h e r
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c r i t i c i s m a r e c on ce r n e d T r a d i t i on s b e t h e y ev e r s o m y t h o l o g i c a l i f
.
, ,
t h e y a r e g e n u i n e a r e m u c h m o r e c o n s e r va t i v e t h a n t h e y m a y a pp e a r
at fi r s t s i g h t T h ou g h t h e T r oj a n w a r m a y b e a t a n g l e o f l e g e n d s
.
re fl e c t in g t h e s o l a r m y t h t h e Ho m e r i c n a r r a t i v e i s a ft e r a ll b a se d on
,
a c t u a l o cc u r r e n c e s T h ou g h W i ll i a m T e ll n e v e r e x i s t e d in S w it z e r
.
l a n d t h e r e m u s t h a v e e x i s t e d m a n y W i ll i a m T e ll s n ot o n l y in
, ,
S w i t z e rl a n d b u t a ll o v e r t h e w o rld T h ou g h t h e B i bl i ca l a c c ou n t
.
o f S a m s on s d ee d s
’
l ik e t h e t w e l v e l a b or s o f He ra c l e s is t h e ec h o
, ,
o f a n a n c i e n t s o l a r e p i c w h i c h g l o r ifi e s t h e d e e d s o f S h a m a s h in h is
m i g r a t i on s t h ro u g h t h e t w e l v e s i g n s o f t h e z o d ia c t h e r e m ay h ave ,
b e e n a He b r e w h e r o w h os e d e e d s r e m i n d e d t h e I s r a e l i t e s o f S h a
m as h , a n d so h is a d v e n t u r e s w e re t o ld w i t h m o d ifi ca t ion s w h i c h
n a t u r a ll y m a d e t h e so l a r l e g e n d s c l u s t e r a b o u t h is p e r s on a l i t y .
A c r it i c a l i n v e s t i gat i on i n t o h i st ory t e a c h e s u s t h a t t h e a ct ua l
fa c t s a r e m o r e s a t u r a t e d w i t h m yt h o l o gy t h a n w e a r e a wa re .
S m e t i m e a g o w e r e p u bl i s h e d in T h e O p e n C our t a n i n g e n i ou s
o
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sa t i r e o f M P é r es w h o p r o p o s e d t h e p roo f t h a t Na p o l e on t h e G r e at
.
,
d i d n o t e x i s t b u t w a s s i m p l y a s o l a r m y t h a n d M P é r é s s s t y l e is a , .
’
c l e v e r i m i t a t i on o f t h e a r g u m en t s e m p l oy e d by t h e h i g h e r c r i t i cs
M P é r é s s Pr o of o f t h e Non E xi s t e nc e o f Na p o l e on J u l y 1 903 It
* “ ’
—
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h a s b e e n i n c o rp o r a t e d in fu ll in H R Hy a m s s l i t t l e b o ok Th e Na p o le on M y t h
’
. .
,
C hi c a go : T h e O p e n C o u r t P u bl i s hi n g C o 1 90 5 .
, .
A P PE NDI X . 1 65
un d er wh os e bl e i nve s t i g at i on m a n y h i s t or i ca l fi g u re s a re s e e n t o
a
b e c e n t e r s for m y t h i ca l a cc r e t i o n s .
A l t h ou g h t h e a n c i e n t t r a d i t i o n s o f R o m e o f G r e e c e a n d a l s o , ,
o f I s r a e l a r e fi l l e d w i t h l e g e n d it is r e m a rk a bl e h o w m u c h o f a c t ua l
, ,
fa c t is r eco r d e d in t h e m .
B i bl i c a l t r a d i t i on s h a v e in on e s e n s e b e e n fu ll y v e r ifi e d b y t h e
B a by l on i a n e x c a v a t i o n s T h e y s h ow t h a t oc c u r r e n ce s s u c h a s a r e
.
r e c o r d e d in t h e m a c t ua ll y t oo k p l a c e b u t t h e s t a t e m e n t s in t h e s e v
,
e r a l b o o k s o f t h e O l d T e s t a m e n t a r e n ot s i m p l y n a r r a t i v e s o f t h e
fac t s b u t s t or i e s o f eve n t s a s t h e y a pp e a r e d t o t h e c h i ld r e n o f I s ra e l
a t t h e t i m e w h en t h ey w e r e w r it t en T h e y a re o n e s i d e d a n d a r e
.
n o t h i s t o r i ca l in a s t r i c t se n se o f t h e w o rd t h e y a re h i s t o r ic a l on l y
in s o fa r a s t h e y a r e e c h o e s o f a c t u a l e v e n t s t h e n a r r a t i v e b e i n g ,
m o d ifi e d b y b e l i e fs o f t h e i r a u t h o r s .
T h e s a m e is t r u e o f T r oy a n d Hom e r Th e w o rd Ho m e r m e a n s
.
” “
a r r a n ge r co m p il e r f a n d a n y o n e w h o is fa m i l i a r w i t h t h e
’
or ,
Hom e r i c e p i c s k n o w s t h a t t h e s e v e r a l s o n g s a r e n ot w r i t t e n b y t h e
,
s a m e h an d . T h e y a re t w o g r e a t c om p i l a t i on s a n d w e m u s t a s s u m e
t h a t t h e a n c i e n t r h a p s o d i s t s s e l e c t e d w i t h p r e fe r e n c e t h e m e s m o r e
o r l e s s c l o s e l y r e l a t e d t o t h e S i e g e o f T r oy a n d t h e a d v e n t u r e s o f
O d y s se u s . T h e y m a y h a v e c om p o se d ot h e r s on g s w h i c h a r e
l o s t bu t w h e n a t t h e t i m e o f P i s i s t r a t u s t h e Hom e r i c r h a p s o d i e s
,
w e re r e d ac t e d i n t o t w o g r ea t e p i c s t h e Il ia d a n d t h e O d y ss ey t h e
, ,
m o s t ob v i o u s d i s c r e p a n c i e s w e r e r e m o v e d w h i l e a l l t h o s e m a t e r i a l s
t h a t d i d n ot fa ll in w i t h t h e g e n e r a l p l a n w e r e d oo m e d t o o bl i v i o n .
No w it is s t r a n ge t h a t t h e e x c a v a t i on s o f S c h l i e m a n n s e e m t o v e r i fy
t h e Ho m e r i c s t o r i e s fo r S c h l i e m an n d i s c o v e r e d a n c i e n t o r n a m e n t s
,
a n d w e a p on s s u c h a s a r e d e s c r i b e d in Hom e r a n d b e l i e v e r s in t h e
,
l e t t e r o f Hom e r r e j oi c e d a t t h e fac t a n d d ec l a r e d t r i u m p h a n t l y t h a t ,
a ft e r a ll , Hom e r m u s t b e b e l i e v e d in ; b u t u n fo r t u n a t e l y fo r t h e s e
,
e n t h u s ia s t s S c h l i e m a nn s e x ca v a t i on s p r o v e t oo m u c h fo r h e e x
’
, ,
c a v a t e d n o t o n l y on e c i t y o f T r oy b u t s e v e r a l c i t i e s w h i c h a r e b u i l t
,
o n e u p on t h e t o
p o f t h e o t h e r p r o,v i n g t h a t t h e s i e g e o f T r o y a n d t h e
c o n q u e s t a n d b u r n i n g o f t h e c i t y h a d n ot t a k e n p l a c e o n c e b u t s e v e r a l
,
t i m e s ; a n d s o w e s ee t h a t h i s t o r y m u s t h a v e r e p e a t e d i t s e l f a n d t h e ,
m y t h o l o gy t h a t o v e r l i e s t h e t r a d i t i on o f on e t a l e m a y h av e s u i t e d
a ll o t h e r s o f t h e s a m e k i n d If a m yt h e m b o d i e s a g e n e r a l t r u t h
. ,
t h e m y t h w i ll h n d v e r ifi ca t ion in h i s t o ry w h en e v e r ev e n t s o f t h e s a m e
k i n d h a pp e n n ot on c e b u t r e p e a t e dl y for t h e m yt h s t a n d s fo r t h e
, ,
t y p e a n d t h e t y p e is r e a l i z e d in e v e r y co n c r e t e i n s t an c e .
Even t s r e p ea t t h e m s e l v e s a n d t h e s e v e ry r e p e t i t i on s a r e m o s t l y
,
1 66 T HE S TO R Y OF SA M SO N .
i n c or p ora t e d in m yt h s A s w i ld a n i m a l s u s e t h e s a m e t r i c k in c at c h
.
in g t h e i r p r e y a n d t h e s e v i c t i m s t ry t h e s a m e m e t h o d s o f d o d g i n g
,
t h e i r e n e m i e s s o m e n b e i n g e n d o w e d w i t h a d e fi n it e p s y c h o l og i ca l
, ,
o r ga n i s m w i ll n a t u r a ll y a c t in a t y p i ca l w a y
,
U n d e r s i m i l a r con .
d it ion s t h e i r s e n t i m e n t s t h e i r w or d s t h e i r a c t i on s w i ll b e s i m i l a r
, , .
We r ea d fo r i n s t a n c e in t h e r e p or t s o f t h e R e v o l u t i on a r y Wa r t h a t
, ,
Na t h a n Ha l e e x c l a i m e d w h e n l e d t o e x e c u t i o n : W h a t a p i t y t h a t
“
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I h a v e on l y o n e l i fe t o sa c r ifi c e for m y co u n t r y ! W it h a s im i l a r
en t h u s i a s m Ka tt e a c om p a n i on o f P r i n c e F r e d e r i c k o f P r u s s i a ( l at e r
,
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o n ca l l e d t h e G r ea t ) c r i e d a t t h e m om e n t o f e x ec u t i o n w h i c h h e
“
s u ffe r e d fo r t h e s a k e o f h is r o a l fr i e n d A n d i f I h a d a t h ou s a n d
y ,
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l i ve s I w ou ld g l a dl y g i v e t h e m u p fo r yo u ! Th e sa m e s e n t i m en t
e n s ou e l d the J a p a n es e h e r o M a s a s h ig é w h e n h e d e c l a re d ,
at th e
“
m om e n t of d ea t h I p r a y t h a t I m a y b e b orn se v e n t i m e s
, t o d ie
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for m y i m p e r i a l h ou s e ; an d h e fo u n d a foll ow e r in C o m m an d er
Hi ros e w h o se l a s t p oe m w r i tt e n s h or t l y b e fore he d ied a h e ro s
’
d eat h b e g i n s w i t h t h e l i n e
, ,
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Ye a , se v e n l iv e s fo r m y l ov e d l n d a .
i i d e n c e s a re n a t u r a l
Th e s e co n c an d c an eas ily be m u ltip lied .
We r ea d for i n s t a n c e in a n a r t i c l e
, , b y Ge n M M . T ru m b u ll on
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T h e Va l u e of D oub t in t h e S t u d y of Hi s t ory ( Th e O p en C a m t ,
1 888 1 , 7 1 6)
S om e t i m e ago d I n d i a n c h i e f in t h e W e s t e rn
t h e r e wa s a n ot e
c ou n t ry , b y t h e n a m e o f S p ott e d T a i l— h e i s n ow fo r t u n a t e l y in , ,
t h e h a pp y h u n t i n g g r ou n d s w h o w a s e n g a g e d in c on t r o v e r s y w i t h
—
t h e U n i t e d S t a t e s G o v e r n m e n t a b ou t h is r e s er v a t i on o r r a t i on s or
. , ,
s om e t h i n g ; a n d t h e S e c r e t a r o f t h e I n t e r i or s e n t w o r d t o h im to
y
c o m e t o W a s h i n g t on a n d p re s e n t h is c om p l a i n t in p e r s on
,
To t h is .
i n v i t a t i on t h e n obl e s on o f t h e fo r e st re p l i e d t h a t if h e n e e d e d ,
s om e t h i n g o f t h e S e c r e t a r h e w o u l d o t o h im ; if t h e S e c re t a r y
y g
w i s h e d a n y t h i n g o f h im l e t h im com e t o h im , Caes a r t e ll s u s in h is .
C om m eh t a m es t h at o n a c e rt a i n oc c a s i on h e s e n t t o A r i o v i s t u s
’
, ,
Ki n g o f t h e G e rm a n s an d r e q u e s t e d a n i n t e r v i e w w i t h h im
,
A rio .
»
“
y is t u s r e t u r n e d t h i s a n s w e r S i q u i d i p s i a Caes a r e O p u s e s s e t s e se
, ,
ad eum y en t u r u m fu i s se ; s i q u i d i ll e s e y e l it il l u m a d s e v e n i r e ,
”
op o r t e r e , w h i c h i s t h e v e ry s am e an s w e r t h at S p ot t e d T a i l s e n t t o
t h e S ec r e t a r y o f t h e I n t e ri o r A n e w s p ap e r c r it i c in Ne w Y o rk
.
t h e r e u p on a cc u s e d S p ott e d T a i l o f p l a g i a r i z i n g from t h e s p e e c h o f
A rio v i s t u s ”
.
Wh i l e t y p i c a l i n s t an ce s occ u r i n d e p en d en t l y in t h e s am e w ay ,
1 68 T HE STOR Y OF SA M SO N .
n am ed He l e n h a v e b een the b e t w ee n
'
w om an m ay c au se of a w ar
G reece an d T r oy ! O d y s s e u s is t h e sun in h is m i g r a t i on , wh o eh
c ou n t e r s i n n u m e r a bl e a dv e n t u r e s a n d d e s c e n d s i n t o t h e u n d e r w o rld ,
w h e n c e h e r e t u r n s u n s c a t h e d t o t h e d om a i n o f t h e l i v i n g ; y e t t h e r e
m a y h a v e l i v e d a n a d v e n t u r o u s c h i e f o f I t h a ca na m e d O dy s seu s , ,
w h o r o a m e d a l l o v e r t h e w o rl d a n d ca m e h om e a ft e r a n a b s e n c e o f
t w e n t y y e a r s a n u n k n ow n b e gg a r
, .
It is n ot u n c o m m on t h a t t h e s a m e d i v i n i t y b e c om e s d i ffe r e n
‘
t ia t e d in t h e c o u r s e o f t i m e in t h e d i ffe r e n t r ol e s w h i c h h e a s s u m e s
a n d t h e d i ffe r e n t w a y s in w h i c h h e is r e p r e s e n t e d T h u s t h e sam e .
fe s t i v a l o f t h e d y i n g a n d r e s u r r e c t e d g od t r a n s l a t e d i n t o C h r i s t i a n
l i fe b e c om e s in c h u r c h r i t u a l a n Ea s t e r m a s s ; in c h u r c h c u s t om s ,
t h e m y s t e r y p l a y ; a n d in p o p u l a r l i fe t h e c a r n i v a l w i t h it s r o ll i c k i n g
,
s p i r it
. T h e i r c om m o n o r i g i n is s c a r c e l y r e c og n i z a bl e w h e n w e s ee
t h e s e t h r e e d i ffe r e n t i a t e d fo r m s w h i c h t h e y h a v e a s s u m e d in t h e
c ou r s e o f t i m e S h a m a s h h a s b e c om e t h e g o d o f j u s t i c e a n d a l s o
.
t h e r oa m i n g a d v e n t u r e r W e h e r e r e p r od u c e t h e t w o b e s t k n ow n
.
m o n u m e n t s in w h i c h S h a m a s h i s w o r t h i l
y r e p r e s e n t e d b y B a b y l on i an
a r t i st s . T h o u g h I z d u b a r a s w e ll a s He r a c l e s S a m s on a n d k i n d r e d , ,
fi g u r e s a r e d i ffe r e n t in c h a r ac t e r fr o m t h e d ig n ifi e d g o d o f j u s t i ce ,
w e k n o w a ft e r a ll t h a t b ot h c on c e p t i on s t h e s u n g o d a s j u d g e
, , ,
-
a n d t h e s u n i g o d a s a w a n d e r i n g h e r o h a v e b e e n d i ffe r e n t i a t e d f r o m
on e a n d t h e sa m e d i v i n i t y .
A s t o T e ll w e h a v e t o s t a t e t h a t n o fa m i l y o f t h a t n a m e ca n b e
,
t r a c e d in S w i t z e rl a n d a t or b e fo r e t h e t i m e o f t h e S w i s s s t r u gg l e
for i n d e p e n d e n c e a n d t h e s t o r y o f T e ll s fa m ou s s h ot a t t h e a pp l e
’
on t h e h ea d o f h is c h i ld is m e n t i o n e d fo r t h e fi r s t t i m e in a c h r o n i c l e
w r i tt e n in 1 470 i e a b ou t t w o c e n t u r i e s a ft e r t h e a l l e g e d o c c u r
, . .
,
re n c e f
<|
B u t w h i l e t h e r e i s n o fou n d a t i on in S w i s s h i s t o r y for t h e
t a l e o f T e ll w e a re fa m i l i a r w i t h s i m i l a r s t o r i e s a m on g t h e No r s e
, ,
t h e D a n e s a n d t h e S a x on s j
, W e c a n s c a r c e l y d ou b t t h a t t h e l e g e n d
‘
is a l a s t r e m i n i s c e n c e o f h u m a n s a c r ifi c e s w h i c h w i t h t h e p r o g re s s ,
o f c i v i l i z a t i o n w e r e g r a d u a ll y a b o l i s h e d a n d o
, n e for m in w h i c h t h e ,
a b o l i t i o n o f h u m a n s a c r ifi c e s w a s e ffe c t e d c o n s i s t e d in a r i t u a l a c
In t h e s o-c a e We is s e E a c h o f t h e
ll d Ar c hiv e s of O wab l d en , 1 47 0 ; an d in
t h e C h r o n i le o f M e c o l hi r
R u s s , 1 482 T . h e r e is fu t e rh r a Te ll b ll d
—
a a , an d
fi n a l l y in T s c h u d i s C h r o n i c o n He lv e t i c u m fr om Wt ll l r ry
’
att e the s to was
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ut ili d
ze by S c e h i ll r
in h is fa m ou s am a dr .
1 S a x o Gr a m m a t ic u s te ll s th e Te ll st o ry To of k” o, th e E dd f Egi l
a o ,
an d a n ol d g l i s h b a ll a d o f W i ll i a m
En It w o u o f C l ou d e s l a y
ea m . ld l d t e oo
fa r t o e xh a u s t t h e s u b j e c t b u t a t r a v e l e r s r e p o r t e v e o f d i s t a n t A r bi giv
’
, a a n es
u s i n fo r m a t i o n o f a u s t om in w h i c h a p e r s o n i s o ffe r e d a s a s a c r ifi c e un t il
c ,
a s k i ll e d m a r k s m a n l 1b e r a t e s t h e V i c t i m a ft e r t h e fa s h i o n o f T e ll s s h ot
’
.
A P PE NDI X .
1 69
S H A M AS H , T H E S U N GO D,
-
E N T H RO N ED IN O
H IS H O LY O F H L I E S .
1 70 T HE STOR Y OF SA M S O N .
co rd i n g t o w h i c h t h e vi ct i m was c on se c ra t e d to d ea t h b ut w a s g i ve n
a c h a n c e o f e s ca p e t h r ou g h the h e r oi s m or s k i ll o f a v o l u n t a r
y sa
H A M M U RA B I B E F ORE S H A M AS H , T H E GOD O F LA W .
W h i le we p os i t i v e l y k n o w t h a t T e ll is n ot an i
a n c e nt S wi s s
n am e we m ay b o ldl y s ay t h at the s to r ie s of T e ll d i d n ot b u t m ig h t
,
-
as w e ll h a v e h a pp e n e d a s n ot , fo r h i s t o ry re p eat s i t s e l f a n d w h e r e ve r
1 72 T H E S T OR Y OF SA M SO N .
i l
a rt c e t h at a pp e a r e d in t h e l oca l G az et t e un d er pi
t h e c a t on A n A ct
of Va n d a l i sm .
The in c id e nt wa s cl o s e d fo r ou r h i st or y for
fa r m er but n ot fo r ,
a c e n t u r y a ft e r w a rd a p oe t i c a l s t u d e n t a n d a c o ll ec t o r o f fo lkl o r e
l e g e n d s w h e n l ook i n g o v e r t h e ol d h l e s o f n e w s p a p e r s h a pp e n e d t o ,
c om e a c ros s t h e l i tt l e a r t i c l e w r i t t e n in c o n d e m n a t i on o f t h e v a n
d a li sm o f o u r fa r m e r He w e n t t o t h e s p ot fou n d t h e s t on e m a d e
.
‘
, ,
a r e p o r t t o a l i t t l e c i r c l e o f h is fr i e n d s , fou n d e d a fo lkl o r e s o c i et y ,
c o ll e c t e d m on e y fo r t h e r e s t o r a t i o n o f a n c i e n t m on u m en t s a n d h a d ,
t h e s t on e r e p l a c e d a t t h e c r o s s r o a d s w h e r e it h a d b e e n a h u n d re d
y ea r s b e fo r e T h e r e t h e m on u m e n t s t i ll s t a n d s a t l ea s t s o I a m t o ld
.
, .
W h i l e l e g e n d s m a y b e w ov e n o f t h e fl im s ie s t s t u ff w e m u s t b e
w a r e l e s t w e c o n d e m n t h e s t o r y o f a n e x t r a o rd i n a r y e v e n t s i m p l y
b eca u s e it s e e m s t o r e fl e c t m y t h i ca l i n c i d e n t s L i fe is c a s t in d e fi n it e .
m o ld s d e t e r m i n e d b y t h e e t e r n a l l a w s o f t h e u n i v e r se a s w e ll a s t h e
p s yc h i c c on s t i t u t i on o f m a nk i n d W e w i ll s e l ec t a m o s t s t r i k i n g
.
i n s t a n c e fr om c o n t e m p o r a r y h i s t o r y M r M on c u r e D C on w a y in . . .
d i s c u s s i n g t h e s i t u a t i on in F r a n c e w i t h r e fe r e n ce t o th e D r ey fu s t r ia l ,
is s t r uc k w i t h it s m a n y fe a t u r e s w h i c h m i g h t i n d i ca t e a s y m b ol i c a l
m ea n in g a n d s o h e w r i t e s n o t w i t h o u t a n i r on y w h i c h w i ll u n
,
d ou b t e dl y b e a pp r e c i a t e d by M r S h a w : * .
W e r e t h e D r ey fu s s t o ry t ra n s l a t e d fr om a n e w l y —fou n d p a p y ru s
I m i g h t a t t h is m om e n t b e w r i t i n g a n e s s a y t o p r o v e it a s u n a n d —
storm m yt h Th e M i t h r a i c t h r e e foot e d S u n ( D r e i fu s T) ob s c u r e d
.
- —
,
by t h e Ea s t e r n Ha z e ( E s t e r h a z y ) a n d h e ld in p r i s on b y t h e A b r i
-
,
m a n i c t w o fo o t e d s e r p e n t o f l i e s d e u x p a tt é s ) on t h e
‘ ’
-
( Du P a t y =
,
D e v i l s I s l a n d [ s i t u a t e d in t h e d i s t a n t w e s t ] is l i b e ra t e d a t c ock
’
, ,
c r o w ( G a ll i fé t e ) o n t h e e v e o f t h e a u t u m n a l e q u i n o x
-
W h a t c ou ld .
b e c l e a r e r ? O f c ou r s e I s h ou ld m e r e l y s m i l e a t a n y s c h o l a r s c r e d u
l ou s e n ou g h t o s u pp os e t h a t a n yt h i n g s o i m p o s s i bl e a s t h e D r e y fu s
ca s e c o u ld a c t u a ll y o c c u r .
M a n k i n d w i ll a l w ay s i nt e rp re t t h e fac t s of l i fe in t h e l i g h t of
t h e i r c o n v i c t i o n s a n d b el i e fs W h e re ve r a g re at p e r s on a l i t y r i s e s
.
i n t o p r om i n e n ce s t or i e s w i ll b e t o ld o f h im w h i c h m a y h av e h a pp e n e d “
t o c h a r a c t e r s o f t h e s a m e t y p e o f by g on e a g e s T h i s is t h e r ea s on .
w h y t h e s a m e a n e c d ot e s a r e t o ld o f C aes a r o f C h a rl e m a g n e o f F re d , ,
e r i c k t h e G r ea t a n d o f G r a n t a n d t h ey w i ll b e t o ld o f g rea t g e n e ra l s
, ,
of the a ge s to c om e .
S e e M r Co n way s a r t i c e Th e I o a n d t h e I
.
’
l d l d ea l of the F r e n ch R e~
p ubl i c , Th e O p e n C ou r t , 1 900, V o l I V , p p 1 3 -1 4 . X . .
TTh e t rip o o f P yt h i a in D e ph i is s a c r e t o p o
d l d A ll o .
A P PE NDIX . 1 73
In ou r l i g i ou s l it e r at u re we h nd t h e sam e m i x t u r e o f fac t
re
a n d fa n cy T h e r e i s m o r e h i s t or i c a l t ru t h in t h e h i s t o r y o f B u dd h a
.
,
o f J e s u s a n d o f M u h a m m e d t h a n m a y a pp ea r a t fi r s t s i g h t j u d g i n g
, ,
f r om t h e m i r a cu l o u s a d o r n m e n t s o f a ll r e l i g i ou s t ra d i t i on A s iv y .
c e a l t h e r ea l fa c t s o f t h e l i v e s o f r e l i g i o u s l ea d e r s W e ca n b e s u r e .
t h a t J e s u s G a u t a m a S i dd h a r t h a a n d M o h a m m e d w e r e rea l p e r s on s
, , ,
b u t t h e p e op l e w h o l ook u p on t h e m in fa i t h c o r e l a t e t h e a c t s r e l a t e d -
of t h em w i t h t h e ir h i g h e s t r e l i g i ou s i d ea l s o f t h e C h r i s t t h e B u dd h a , ,
a n d o f t h e P r op h e t Th e C h r i s t i a n G o s p e l s a re n o t s i m p l y n a rra
.
t i y e s o f t h e l i fe o f J e s u s b u t t h e y a r e t h e s t o r y o f J e s u s a s t h e C h r i s t ,
e m b o d y i n g a n c i e n t t r a d i t i o n s n ot on l
y o f t h e J e w i s h n ot i on o f a
M e s s ia h bu t m an y ot h e r k i n d r e d h op e s ; t h e y e c h o t h e e x p ect a t i on s
o f t h e p e o p l e w h o w e r e p r e p a r e d fo r t h e c o m i n g o f a S a v i ou r T he .
C h r i s t i d ea l e x i s t e d b e fo r e j e s u s T h e J e w i s h M e s s i a h c on ce p t i on
.
h a d b e en m od ifi e d a n d d e e p e n e d by t h e P e r s i a n d o c t r i n e o f M i t h r a ,
t h e y i r g i n b o r n V i c e r oy o f G o d s k i n g d o m on e a r t h t h e B a b y l o n i a n
’
—
,
M a r d u k t h e Con q ue r or o f D ea t h a n d m e d i at or b e t w e e n God t h e
,
F a t h e r a n d m e n a n d a l s o t h e w or ld r e s i gn i n g B u ddh a o f I n d i a
, ,
-
.
Wh e n J e s u s w a s a c c e p t e d by His d i sc i p l e s a s t h e M e s s i a h t h e C h r i s t , ,
a l l t h e m o s t i m p o r t a n t n ot i on s an d h o n o r s o f p r e v i o u s k i n d r e d fi g
u r e s in t h e d om a i n o f b o t h h i s t o r y a n d m y t h o l o gy w e r e t r a n s fe r r e d
u p on a n d a t t r i b u t e d t o t h e g r e a t G a l i l e a n .
Th e p i c t u r e o f J e s u s in t h e Ne w T e s t a m en t is n ot s t r i c t l y h is
t or ic a l b u t it c on t a i n s h i s t o r i ca l fa c t s
, It is t h e s t o r y o f J e s u s t h e
.
,
Na z a r e n e a s i n t e rp r e t e d by t h o s e w h o b e l i eve d t h a t h e w a s t h e
,
C h r i st.
P . C .
S HE M E S H A ND S AM SON .
BY GEO . W . S HA W .
Hi st ory m ay b e a n d o ft en is acc om p an i e d by m yt h s T h e ob
, , .
j ec t o f t h e h i s t o r i a n w h o a i m s a t t r u t h i s t o fre e fac t s fr om t h ei r
m y t h i c a l a s s oc i a t e s .T h i s p roc e s s is a n a l yt i c .
M yt h s a r e s e ld om u na s soc i a t e d w i t h h i s t ory T o d e t e rm i n e .
h o w m u c h o f a s t or y m a i n l y m yt h i ca l is t r u e is a p r oce s s o f a m o r e
, , ,
s y nt h e t i c c h a ra ct e r . It p r o d u ce s n e w t r u t h w h i c h l a y h i dd e n in r u b
b i s h o f e rro r a n d e ve n fi n d s v a l u e in t h e r u bb i s h
, .
1 74 T H E S TO R Y OF SA M SO N .
T h e fi r st p roce s s is d e s t r uc t ive , d u ct e d w i th t h e
l
a n d , u n e s s c on
u t m o s t c a r e m a y l ea d t o n e g a t i on o f fac t s
, T h e s e con d p r oc e s s is
.
c on s t r u c t i v e, b u t u n l e s s w i s e l y c a rr i e d on l e a d s t o t h e fo r m a t i on
o f ra s h t h e o r i e s B ot h t h e s e m e t h o d s a r e a pp l i e d t o a n c i e n t h i s t ory
. .
Th e fi r s t a n d ea s i e s t h a s h a d it s d a y o f p r e v a l e n ce : Th e s e c o n d a n d
h i g h e r s h ou ld s u c c e e d it If I r i g h t l y a pp r e h e n d t h e d r i ft o f a r c h aeo
.
l og i ca l t h ou g h t t h i n k e r s a r e b e c om i n g m o r e a n x i ou s t o h n d h i s t o ry
,
in m yt h s t h a n t o d e t e c t m y t h s in h i s t o ry
, .
In t h e k i n d n ot i c e o f m y a r t i c l e on m yt h op oei c e r u d i t i on w h i c h
t h e E d i t o r h a s i n s e rt e d I t h i n k I s e e m or e e v i d e n ce o f t h e fi r s t
,
m e t h o d o f t h o u g h t t h a n o f t h e s e c on d .
I a m fa r f r om d e n y i n g t h e i m p or t a n t p a r t w h i c h m yt h s p l a y in
T r o j a n o r He b r e w h i s t o r y Th e g o dl i k e h e r oe s o f t he I l i a d if
.
,
s h o w n in h i s t o r i ca l c o s t u m e w ou ld n ot e x c i t e o u r w on d e r
,
T h ey a r e .
s c a r ce l y m o r e e x a gg e r a t e d h o w e v e r t h a n G od fre y a n d h is k n i g h t s
,
“
in t h e 1m m o r t a l p oe m o f T a s s o ; a n d I c an s ee n o m o r e r ea s on t o
d o u b t t h e S i e g e o f T r oy t h a n t h a t o f J e r u s a l e m ; or t h a t t h e w o r ld s ’
un r i v a l e d p o e t g a v e a c o r r ec t ou t l i n e o f fac t s occ u r r i n g on t h e s h o r e s
o f t h e He ll e s p o n t .
I w i ll n ot h o w e v e r e n t e r h e r e i n t o a v i n d i c a t i on o f t h e p e r
, ,
s on a lit y o f Ho m e r o r t h e u n i t y o f h is p oe m s o r o f t h e t r u t h o f t h e ,
t r a d i t i o n o f T e ll I b e l i e v e s c h o l a r s a re r e t u r n i n g t o t h e i r a ll e g i a n c e
.
t o b ot h Ho m e r a n d T e ll .
B u t I w i ll d i s c u s s for a m om en t t h e v i e w o f t h e E d i t o r a s t o
”
J u d g e S a m s on fo r t h e d ou bl e r e a s on t h a t I b e l i e v e it t o b e t h e
,
p re v a l e n t op i n i on o f s c h ol a r s a n d a m c on fi d e n t t h a t it is e rron e ou s
, .
T h a t vi e w i s t h u s e x p r e s s e d
T h ou g h t h e B i bl e a c c o u n t o f S a m s o n s d e e d s l i k e t h e t w e l v e
’
,
l a b o r s o f He r c u l e s is t h e e c h o o f a n a n c i e n t s o l a r e p i c w h i c h g l o r i
,
h e s t h e d e e d s o f S h a m a s h in h is m i g r a t i on s t h r o u g h t h e t w e l v e
,
s i gns o f t h e zod i ac t h e r e m a , y h a v e b e e n a H e b r e w h e r o w h os e d ee d s ,
r e m i n d e d t h e I s r a e l i t e s o f S h a m a s h a n d s o h is a d v e n t u r e s w e r e t o ld
,
w i t h s u c h m o d ifi c a t io n s w h i c h n a t u r a ll y m a d e t h e s o l a r l e g en d s
”
c l u s t e r a b o u t h is p e r s on a l i t
y .
I c on t e n d t h a t t h e r e n ot on l y m a y h av e b ee n b u t ac t u a ll y w a s , .
a m a g i s t r a t e o f t h a t n a m e a n d t h a t n e i t h e r h is n a m e n o r c h a r a c t e r
, , ,
n or d e e d s h a d a n
, y c on n e c t i on w i t h t h e B a b y l o n i an S h a m a s h or a n y ,
t e n d en c y t o r e m i n d a n y o n e o f h im S am s on s a pp ea ra n c e in t h e l i s t
’
.
o f S h o h e t s is p r i m a
p f a c i e e v i d en c e o f h i s e x i s t e n c e a s a m a n T h e .
“ ”
v e rb S ha m a s h , t o s e rv e o n l y o cc u r s on c e in t h e B i bl e
,
In D a n . .
v ii. IO it is m e t w i t h in t h e P i h e l o r i n t e n s i v e fo r m d e n ot i n g v ig ,
1 76 T HE STOR Y OF SA M SO N .
b u t b e ca m e a g od o f l e g i s l a t i on a n d ga v e t h e s a n c t i on o f h is o r a c l e
,
t o t h e l a w s o f L yc u r g u s A p oll o r os e in t h e He ll e n ic m i n d t o a p o
.
s it ion a l m o s t e q u a l t o t h a t o f Z eu s h i m s e l f S h e m e sh l a c k e d t h e .
c e l e s t i a l b ea u t y a n d g r a c e o f t h e g o d o f l i t e r a t u r e o f m u s i c a n d o f , ,
s on g b u t a pp e a r s in t h e m o r e i m p o s i n g a tt i t u d e o f t h e j u d g e o f a l l
,
m an k i n d r e w a r d i n g v i r t u e a n d p u n i s h i n g vi c e
,
.
A p oll o w a s n ot w it h ou t t h a t fu n c t i on bu t it wa s n ot s o p rom ,
in e n t a s in t h e ca s e o f S h e m e s h .
Wh a t is t h e r e in t h e c h a r a ct e r or a ct s o f S a m s on t o ca l l t o m i n d
t h e g r ea t a n d v e n e r a bl e g o d o f t r u t h a n d j u s t i c e ? He w a s a s h op h et
o r r e g u l a t o r a n d h is d u t i e s e m b r a c e d t h o s e o f a j u d i c i a l c h a r a c t e r
,
w i t h ot h e r d u t i e s In t h i s h e d i d n ot d i ffe r from t h e ot h e r s h 0 p h e t s
.
,
n o r is t h e re a n y i n d i c a t i on t h a t h e e x c e ll e d a n y o t h e r p e r s on o f h is
c l a s s in a n y d e p a r t m e n t o f h i s d u t y His p r om i n e n t c h a r a c t e r i s t i c
.
w a s h is p r o d i g i ou s s t ren g t h A s S h e r e A fg h a n e n c ou n t e re d a n d
.
s l e w b a r e h a n d e d a r oy a l B e n g a l t i g e r s o h e c ou ld re n d a l i on
-
, As .
a m a n a t e v e r y bl o w s o h e co u ld p i e rc e a h o s t i l e a r r a y o f P h i l i s t i n e s ;
,
b u t h e s h o w s n o s i g n o f s u p e r i o r i n t e ll i g e n c e His m a i n t r a i t wa s .
a n i r r e s i s t i bl e p e n c h a n t fo r t h e d a u g h t e r s o f t h e P h i l i s t i n e s He w a s .
s i m p l y a s t ou t se n su a l m a n w i t h s o m e h u m o r a n d s h r e w d n e s s b u t
, , ,
o f s m a ll m e n t a l c a l i b r e .
T o a w o r s h i p e r o f S h e m e s h it w ou ld h a ve s e em e d g ros s i m p i e t y
t o c om p a r e s u c h a m a n w i t h t h e g r ea t g od o f t r u t h an d j u s t i c e A .
d m i r i n g a h e r o w o u ld n o t h a v e c om p a r e d h im
J e w a t o a h e at h e n
d i v inity .
It h a s b e e n s u gge s t e d t h a t n e a r t h e s c e n e o f S am s on s c a r ee r
’
w a s B e t h S h e m e s h a n a m e d e n ot i n g t h e s i t e o f a san c t u a r y o f t h e
‘
g od . How e v e r t h a t m a y h a v e b e en t h e w or s h i p o f S h e m e s h h a d ,
c ea s e d t h e r e in t h e t i m e o f t h e J u d g e s for w e h n d t h e B e t h s h e m it e s ,
r e c e i v i n g t h e a r k w i t h j oy a n d s a cr ifi c e s o n it s r e t u r n fr om c a p t iv
it y .
( 1 S am . vi .
T h at i c a l e l e m en t s a n d e x a gg e ra t i on oc cu r in t h e s t ory of
m yt h
S a m s on is n ot d e n i e d .
It c o n t a i n s a s t r i k i n g in s t a n ce o f t h e s u p e rs t i t ion w i d e s p r e a d
a m on g p r i m i t ive m e n t h a t y o u r e n e m y a c q u i r e s a fa t a l 1n fl
, u e n ce ove r
y ou b y ob t a i n i n g s om e o f y ou r h a ir S a m s on s p ow e r o f r e s i s t a n c e
’
.
van i s h es w h e n h e is s h orn .
A P PEN D I X . 1 77
Th e m y t h i
c a l a n d e x a gg e ra t e d p or t i on s of t he r ive
n a r at , h ow
ev e r bea r
, no i m p re s s l ri sm n o r o f S h em e s h who ha d ce a se d
of so a ,
t o b e a m e r e s un g o d a n d b e c o m e l i k e A p o ll o a d i s t i n c t p e r s o n
-
, , ,
m a n y c e n t u r i e s b e fo r e t h e p e r i o d o f t h e J u d g e s .
W e h ave in S a m s on a n h i s t o r i ca l m an a va l i a nt t h ou g h u n wi s e
—
a n d u n suc ce s s fu l c h a m p i on o f h is p e o p l e .
F ro m Th e M om
’
s t, Jan , 1 907 .
1 80 T H E STOR Y OF SA M SO N .
D an , m e an s j u d ge , 24 ; P a ga n i s m G a za 45 fff; G a t e s o f 8 1 f
, , .
, 1 07 .
o f, 2 0 11 ; S t e i of 22 . Gi b r a l t a r Na m e o f 1 08
, , .
D a ri u s , 1 02 . Gi l gam e s h 24 11 , .
Da t e of S am so n e pi c , 18 . Go d o f t r ut h 1 58 , .
Da u d N by , e , 56 . G os p e l w ri t e r s 1 3 8 , .
De l i l h 82 11
a , , 1 40 ; M ean i n g o f, 1 1 0 ; Go s sa m e r 2 1 09 , , .
Web o i , 2, 84, 1 08 . G r a p e Na z i r 67
, , .
D e i t z s c h , 62
l . Gy p s i e s I s ra e l i t e s l i k e 73
, , .
De l g u e, 1 27 .
D e u t e r o n om y , 1 4 . Ha i r C ut t i n g
, t h e , 68 ; sac e r d to th e
D e v o t i on o f p a g a n s , 1 50 . s u n -g od , 67 .
Di do , D ea t h oi, 93 ff . Ha ir k n ot c on s t e ll a t i on , 69 .
Dio Ch r y s o s t om , 1 36 . Ha l e Na t h a n 1 66
, , .
D io d o r u s , 1 08 . Ha m i l c a r , 1 3 7 1 67 , .
D i on y s u s , 3 5 . Ha m m u r a b i 1 9 1 1 9 ; b efo r e S h a
, ,
Do r é , G u s t a v e , 1 45, 1 46 . m as h , 1 70 .
D r a g on and th e li o n, 1 1 7 . Ha m or S ee kh a m or. .
D r e y fu s , 1 7 2 . Ha n i n a , 3 9 .
D y i n g g o d, 1 3 7 . Ha u p t , P a u l 59 1 20 , , .
He b r e w l i t e r a t u r e 1 4 PE , .
Ba b i an , 1 26, 1 29 . He b r on 48 49 ; 5 1 82 ,
-
, .
Ea st e r ri t u a l 1 46 , . He n d r ic h He r m a n 1 3 9, , .
Ea t i n g t h e g o d 1 42 ff , . He r a c l e s , a s e rv an t 1 40 ; , an d He r
E b e r s G e o rg 47
, , . l
c u e s, 1 19 ; an d S am s on , 1 1 9, 1 30 ;
E l S h a d da j , 62 . an d the li
ros s i ng
on , 1 17 ; c the
E l ij h a , 63 . oc ea n 1 29 ; O ri e n t a l o rigi n o i
, , 18 ;
E l hi
o m , 62 . Pi ll a r s o f 1 08 ; t h e i d e a l 1 3 2
, , .
El y i s um , 1 29 11 . He r c u l e s a n d He r a c l e s 1 1 9 , .
E n cy c l op e d ia Bi b l ica , 13, 43 . He r o d 44 , .
E n Na
a ara, V i ll g a e o f, 69 , 7 1 . He r o d ot u s 1 02 1 3 6 1 3 7 , , , .
En d r W i t ch
o , o f, 1 53 . He s p e ri d e s App l e s o f 1 29 , , .
En h a q q o r e , 45, 8 1 ; M ea n i n g o f, 1 02 . Hi d i n g S am s on in 95
, , .
pi
E ct et us , 1 32 . Hi e r a p o l i s 68 , .
Eppi n g a n d S t r a s s m a i e r 1 26 , . High e r C ri t i c i s m 1 58 , .
Es S a r a r 3 9
—
, . Hil p r e c h t 1 63 , .
E s h t a o l 40 41 88 , , , . Hi r o s e 1 66 1 67
, , .
Et am T h e c l i ff 45 7 9
, , , . Hi s t o ri c i t y Loc a l , co o l ri n g i
m a n a rg
Eu s e b i u s 1 8 30 , , . u m e n t o f, 38 .
E v a n s H R 1 3 45 1 64 11
, . .
, , , , . Hi s t o r y in m y t h 3 , 4 , .
E e k i e l 1 6 63
z , , . Ho ff m a n , G , 95 . .
E ra 1 6
z , . Ho l y m e n 55 ff , .
Hom e r , 1 09 1 65 1 67 , , .
F l hi
a c on or s c i kl e -s
wo rd , 98 . Hon e y 7 6 ; fo un d in a
, l i on W h e n , is ,
Fi r i m c u s , 1 46 .
92 .
Fi h d iti
s e e s , 29 ; Ic h t hy s , 3 6 ; S ac r a Ho s e a , 58 .
m e n t , 29 ; Sym b l o of th e, 34 .
F x
o e s, R om an c u s t o m of c h as i ng , 92 ; I b rah i m Pash a , 45 .
T h r e e h un d r e d 7 8 , . Ic h t hy s ,
“
fi sh ,
”
36 .
F r a e r J G 58 1 41
z , . .
, . Im m o rt al i ty and , I z d ub a r , 1 28 ; of
F r e d e r ic k t h e G r e a t 1 2 , . s un h e r o
-
1 52 , .
I N DE X . 181
I n d r a, 95 . M i t h r as , 1 23 , 1 3 3 .
M ix t u r e o f fa c t an d fa n cy , 1 7 3
’
Is h m a in , 39, 45 . .
I z d u b a r , 24, 122 , 1 23 ; a n d im m o rt a l M o or e G , . F 20 , 52 , 7 4, 1 02 , 1 1 0 .
it y , 1 28 ; e pi c , 1 23 ff ; . the h elp e r , M om
'
s t, Th e , 1 n .
, 2 .
1 20 . M os e s s ee s th e b k p rtac a s of Y a hv e h ,
64 ; Y ahv e h a pp e a r s t o , 61 ; Y hv e h
a
Ja w—b on e of an a ss, 79 80 , 96
-
. co n v e r s e s w i t h 63 f ; , . Y a hv e h
J b l
e e el -
M un t a r
’
, 51 . so u gh t t o k i ll 64 , .
J e h o v a h O rigi n , r d 61 f o f t h e wo , . M ull e r O 1 3 6 1 62 , .
, , .
J e r e m i a h 62 , . M un c hh a u s e n 1 4 , .
J e s u s o f Na a r e t h 1 49 ; e n t ry i n t o z , M y t h in hi s t o r y 3 8 ; l oc a l i e d 8 , , z , , 12 .
J e r u s a l e m 1 44 ff , . M y t h op oe i c E r u d i t i o n 1 61 ff 1 64 , .
, .
JH VH S e e Y a hv e h
. .
J o r d a n S o u r c e s o f t h e 22
, , . Na p ol e on , 1 , 1 2 , 1 64, 1 67 .
J os i a h K in g 1 5, , . Na z a r e n e , Et y m o o l gy of the wo rd ,
J u d a s 1 40 , . 69 , 7 1 ; Pa u l a ri n g l e a d e r —
o f, 71 ;
p e rh a p s Na i r s z , 71 .
K a t t e , 1 66 . Na a r e t h 69 7 1
z ,
-
.
Kha m or , P un on , 101 . Na i r A p o ll o a s
z , , 1 09 ; G ra p e , 67 ;
K id o ffe ri n g , 54, 7 8 ; S ig n ifi c a n c e o f, M e an i n g o f 66 ; , Sam s on a ty pi c a l ,
59 f . 67 .
K ronos w i t h a i kl e
s c -
s wo rd , 99 , 1 00 . Na z ir is m , G ent i l e , 67 .
N a z o r e a n S e e Na z a r e n e . .
Le hi , 45, 80 ; Ra id of Phi l i s t i n e s Ne h e m i ah , 1 6 .
u p on , 79 . Ni b e l u n g S a g a 1 2 , .
Le o t h e G r eat , 1 34 . Ni m r o d , 1 22 , 1 23 .
Le s h e m , La i sh ca ll de , 21 . Not h i n g P a r t i c u l a r , 1 7 1 .
Li on b e e , 90 ; an d t h e
an d d r gon
a ,
1 1 7 ; S am s on a n d t h e , 7 5 . O ann e s, 30 f .
Li n sa , 21 . O d a k on a n d D a g o n , 3 1 .
L oc a l co o l ri n g , 1 17 ; m a n i a rg u m ent d
O y s s e u s , 1 4, 1 68 .
of t h e h i s t o ri c i t y 3 8 , . O n e -e y e d , S u n -g o d is , 1 10 .
Loc a l i z a t i on o f m y t h s , 8, 12 . O ri en t a l o rigi n o f He r a c l e s , 18 .
L o r d s s u pp e r 1 43
’
, . O s i ri s , 1 2 , 1 48- 1 50 .
Lu c i a n 68 , . O v id , 92 .
Lu t h e r 1 2 , .
P a ga n t r a d i t i on , S am s on sto ry r e l i c
M ah an e h D a n , 42 f -
. o f, 1 1 3 .
M a n a oh , 52 , 53 ; D e riv a t i on o f, 43 ; P a ga n s D e v ot i o n o f 1 50
, , .
W i fe o f, 66 . P a ga n i s m d ig n i fie d 1 57 ; o f D an
, , ,
M a r d uk , 1 55 . 20 ff ; s u p e r s e d e d by
. Ch ri s t i a n i t y ,
M a sa s h ig é , 1 66, 1 67 . 1 59 .
M a s s in h on o r o f a s s, 1 0 6 . P a t ri c k S t 3 7 .
, .
M e i e r E 1 02 , .
, . P a u l a ri n g l ea d e r o f t h e
,
-
Na z a
M e lk a r t h , R e s u rr e c t i on oi, 1 36 . r e n e s 7 1 ; V ow o f 68
”
, , .
“
M e s s e n ge r of Y a hv e h ”
su b t it s ut e d P e is a n d e r , 1 30 .
fo r Y a hv e h , 65 . P e n i t ent i al p sa l m s, 1 50 .
M e s s e n ge r of JH V H , 52 -
55 . P er es S a t i r e o f
, , 1 64 .
M i cah t h e , E ph r a i m i t e , 20 . P e r s e u s 97 98 , , .
1 82 T H E S T OR Y OF SA M SO N .
Pi ll a r s o f He r c u l e s 1 08 ; T h e
, , t wo Sc i ence n ot a h um an i v e n t i on
n , 1 58 .
b r a e n 1 07
z , .
S em i ram i s , 95 .
P l u t a r c h 1 07 , .
S e n e ca , 1 3 2 .
P o l y c h r o m e B i bl e 1 7 n 20 n , .
, .
, 7 4, S e rv a n t s , He r a c l es, S am s on , an d
1 02 , 1 1 0 .
Ch ri s t a s, 1 40 .
Pr e ll e r , L, . 1 8, 92 , 93 n . Se v e n , 1 14 ; b ow - s t ri n g s 1 1 5 ; b r a i d s , ,
P r o d ic u s , 1 30 .
83 , 84, 1 08 , 1 15; r ay e d h a l o o f
-
P s a l m s P e n i t en t i a l
, , 1 50 .
s u n - g o d , 1 09 .
P s y c h e 1 52 , .
S h am as h , Ha m m u rab i
1 70 ; th e s u n -g o d , 1 69 .
Ra , t h e s u n - g o d , 1 48 f .
S h am at , Wel i , 41 .
Ram at h l e hi-
, 80, 96 . S h a vi n g t h e head , 68 .
Ra ph a e l 75 , .
S h aw, G e o rg e W , .
, 1 , 2 , 1 61 H .
, 1 64 .
R ec h a b i t e s 7 3 , .
S h im s h on , 24 .
R e d ac t o r o f t h e S a m s o n l e g e n d 1 54 , .
S ic h a r b a s , i . e . S ic h a r ba a l, 9 5
, .
R e l igi o n Co m p a r a t iv e 1 58 ; w i ll r e
, ,
S ic kl e - s wo rd , 97 , 98 .
m ai n 1 59 , .
S ic u l u s , D io d o r u s , 101 .
R e n i G u i d o 1 00 1 0 1
, , , .
S i e g fri e , a n d t h e
d dr g a on , 1 1 8 ; Deat h
R i ddl e o f S a m s o n 7 6 ; S o l ut i on o f , ,
o f, 1 3 9 .
91 .
Sim e on the Sty l it e , 1 04 .
Ri eh m , E . C A . .
, 13 .
S in ai, M o u n t Y a hv e h ,
’
s r e s i d e n ce , 63 .
Ro m an c u s t om of c hasing fo x e s , 92 .
S it n a p is h t im , 1 2 7 , 1 29 .
Ro s k o tt G , us t a v , 4, 5 7 89 , 90 , , , 115 .
Sm ith, W . B .
, 7 1 , 72 .
Ru b s P
en , . P .
, 54 .
Sm i th W , . Ro b rt e s o n , 1 04, 1 20 , 1 3 6
Sna k e s of St . P a t ri c k , 37 .
S a c aea n fe s t iv a l , 1 41 , 1 44 .
So do i t m e, 57 .
Sam o s at a , 68 .
S ol t i n
u o of ri ddl e , 91 .
S am s on , a se rv an t , 1 40 ; a Na z i r , 67 ; S p ot t c r uc ifi x , 1 03 .
an d He r a c l e s , 1 1 9, 1 30 ; an d l i on ,
S p ot t e T a i d l p l gi ri i g fr a a z n om A ri o
75 ; Bi rt h o f, 52 ; D ea t h o f, 1 12 ; y is t u s , 1 66 .
in h i di g L a st p r ay e r o f 1 1 0 ;
n , 95 ; ,
S t e i nt h a l , H 6 .
, , 7, 1 3, 60 , 9 5, 1 3 0
Li fe o f ( t h e B i bl i ca l a c c ou nt ) ,
S t ra bo , 97 .
74 ff ; M a rri a ge o f 74 ; p l ay i n g t h e
.
,
S t ra s sm a e i r , E ppi n g a n d, 1 2 6.
l u t e 1 47 ; p r ay e r fo r w a t e r 1 0 1 ;
, ,
S um e ri a n s , 72 .
p r e s um a bl y s on o f Y a hv e h 66 ,
S u n , in t h e p s a l m s 1 7 ; o n e ey e d 1 1 0 ; ,
-
,
pr o t ot y p e o f Ch ri s t 1 3 4 1 47 R e s , , ,
R e s u rr e c t i o n o f t h e 1 3 3 ; w o r s hip , ,
u r r e c t io n o f s u ppr e s s e d 1 52 ; R i d , ,
B eth S h em e sh p l ac e o f 38 , .
d l e o f 7 6 ; S e v e n B r a i d s o f 1 09 ;
, ,
s t o ry a t orso
, 1 55 ; s t o r y r e l ic of , , T ac i t us, 1 04 .
p a g a n t r a d i t i o n 1 1 3 ; Th e n a m e , , T am m u z , 1 53 , 1 54, 1 55 .
2 4 ; T om b o i 1 51 ; T w e l v e l a b o r s , Tel A m a rn a ta bl e t s , 24 .
o f 89 ; t y p ifi e s t h e a r c h a i c n o t t h e
, T el el Ka di , 22 .
l a t e r p u r e r fa i t h 1 1 8 ; V i s i t s h is , Te ll W i ll i
, am , 1 64, 1 68 , 1 7 0, 1 7 1 .
w i fe 7 8 , . T h e o ph a n i e s 60 ff , .
S a r danapa l us 1 36 , . T h e ot o k o s 1 50 , .
S a u l a m on g t h e p r o ph e t s 59 , . T hi r t y 1 1 4 , .
S ay c e , A . H, . 2 -
3 34 . T i am a t 98 , .
Und e r the fl
in u e nc e of t h e wo rk of N i l s s on , B u r b a n k , a nd ot h e rs
p ri n c i p l e 0
, th e
s e l e c t i on h a s , of l a t e c h a n g e d it s m e a n i n g in p ra c t i c e i n t h e s a m e s e n s e in w hi c h i t i
,
c h a n g i n g i t s s ig n ifi c a n c e i n s c i e n c e b y t h e a d o p t i o n o f t h e t h e o r y o f a n o rigi n o f s p e c i e
b y m e a n s o f s u dd e n m u t a t i o n s . T h e m e t h od o f s l ow i m p ro v e m e n t o f a gri c u l t u r a l v a ri e
t i e s b y r e p e a t e d s e l e c t i o n 15 l o s in g i t s r e l i a b i l i t y a n d i s b e i n g s u p p l a n t e d b y t h e d i s c o v e r
o f t h e h igh p r a c t i c a l v a l u e o f t h e e l e m e n t a r y S p e c i e s w hi c h m a y b e i s o l a t e d b y a s in g l
,
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, ,
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d o e s n o t p r o d u c e n e w u n i t c h a ra c t e r s ; it is o n l y t h e c m b i n a t i o n o f s u c h t h t a re n e w
- o a
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u
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,
- .
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t h e fu r t h e r d e v e l o p m e n t o f p r a c t i c a l b r e e d i n g a s w e l l a s o f t h e d oc t ri n e o f e v o l u t i o n
T o g i v e p roo f o f t hi s a s s e rt i o n is t h e m a i n a im o f t h e s e E s s a y s .
T h e r e s u l t s o f N i l s s o n h a e b e e n p u bl i s h e d o n l y i n t h e S w e d i s h l a n g u g e ; t h o s e o
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.
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o f m u t a t i o n h a v e b e e n e m b o d i e d i n a G e r m a n b oo k D i e M u t a t i o n s t h e o ri e ( 2 v o l s
“ !
Le i p s i c V a t
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, p .
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S om e o f t h e m h a v e b e e n m a d e u s e o f i n t h e d e l i v e ri n g o f l e c t r e s a t t h e U n i v e rs it ie
u
o f C a l i fo r n i a a n d o f C h c a g o d u ri n g t h e s u m m e r o f 1 906 a n d o f a d d r e s s e s b e fo r e v a ri o u s
i
a u d i e n c e s d u ri n g m
y v i s i t t o t h e U n i t e d S t a t e s o n t h a t oc c a s i o n In o n e o f t h m ( l l D
. e . .
t h e m a i n c o n t e n t s h a v e b e e n i n c o rp o r a t e d o f a p a p e r r e a d b e fo r e t h e A m e ri c a n Phi l o
s o p h i c a l S oc i e t y a t t h e i r m e e t i n g i n h o n o r o f t h e b ic e n t e n n a r y o f t h e b ir t h o f t h e i
fo u n d e r, B e nj a 1n i n F ra n k l in , A p r i l , 1906 .
T HE O P E N C O U R T P U B L IS HING CO 1 3 22 Wa b a s h A ve C h ic a go
Sp a ce a nd Ge om etr y in
t h e Li g h t 0 ! P h y s i o l og
i c a l , P s y c h ol og i c a l a n d
P h y s i c a l In q u i r y By .
Dr E rn s t
. M
h E m e r i t u s P ro ac ,
U n i v e r s i t y o f V ie n n a
fe s s or i n t h e .
F r om t h e G e r m a n b y T h o m a s J .
M c C or m a c k P r i n c i p a l o f t h e
,
L a s a l l e -P e r u T ow n s h i p H i g h
S c h oo l 1 906 . C l ot h g i l t t op
.
, .
Pp . 1 43 . ne t .
In t e s e e s s a y s o fe s s o M a c d is h Pr r h
c u s s e s t h e q u e s t on s o f t h e n a t u r e ,o r ig in ,a n d i
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hr
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o nts of e ph i l g
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h t i s s e u on t h e s u e c t f o m a l l o n t s o f vi bi d e w c om ne ,
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s t n c tn e s s a n d ec s on
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en e s s at lea st l v li l
ea e tt e to be d ir d es e .
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e a o f t h e a st use y et i p r m r r h
o ta n t e se a c e s o f m e t a
g e om et ry .
Th e vo c a t i on 0 1 M a n B y Jo h a n n G ot t l ie b F i c h t e
. T ra n s l a t e d .
by W i l l ia m S m it h , L L D R e p r i n t E d i t i on
. . W i t h b i og r a p h i c a l i n t ro .
d u c t i on b y E R i t c h i e , P h D 1 906 P p 1 8 5 C l o t h , 7 5C n e t P a p e r , 250 ;
. . . . . . .
m a i l e d , S1 C ( l s 6d )
. . .
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p o r t a n c e o f F ic h t e s p o s i t i o n in it s d e v e l op m e n t His i d e a l i s m w a s t h e b e s t e xp o s i t i on
’
.
o f t h e l o gi c a l o u t c om e o f K a n t s s y s t em in on e o f it s pri n c ip a l a s p e c t s w hi l e it w a s
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a l s o t h e n a t u r a l p r e c u t s r o f He g e l s phi l os o ph y B u t t h e i n t ri n s i c v a l u e o f F ic h t e s
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w ri t i n g s h av e t o o o ft e n b e e n ov e r l oo k e d His l o ft y e t hi c a l t o n e t h e k e e n n e s s o f h is m e n
.
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t i on t o e v e r y i n t e ll ig e n t r e a de r O f al l h i s m a n y b o o k s t h a t b e s t a d a p t e d t o e x c i t e a n
.
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i n t e r e s t in h is phi l o s ophi c t h o u gh t is t h e V o c a t i o n o f M an w hi c h c on t a i n s m an y o f h is ,
m os t f r u i t fu l i d e a s a n d i s a n e x c e ll e n t e x a m p l e o f t h e s pi ri t a n d m e t h o d o f h is t e a c hi n g .
By P au l C a ru s . I l l u st r at e d . 1 9 06 . Pp . 1 00 . B oa r d s , l h b a ck
c ot , 7 Se n et .
( 35 . 6d . net .
)
P aul C a r u s t h e a u t h o r o f T h e R i s e o f M an a n e w b ook a l on g a nt h r op ol ogi c al
, ,
l i ne s u ph o ld s t h e d ivi n i t y o f m a n fr om t h e s t an d p o i n t o f e v o l u t i on
,
He d i s c u s s e s t h e . .
an t hr op o i d a p e s t h e r e l i c s o f p ri m i t iv e m a n e s p e c i a ll y t h e Ne an d e r t h a l m a n a n d t h e
(
, ,
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, ,
ri s e n t o a high e r l e v e l n ot by cu nn i n g an d fe r oc i t y bu t on t h e c on t r a ry by v i r t u e of h is ,
n obl e r q ua l i t i e s .
T HE O P E N C O U R T P U B LIS HING C O 1 3 22 Wa b a s h A ve . . C h i c a go
Es s a y o n t h e Cr e a ti v e
Im a g i n a t i on B y P r o f T h . . .
R i b ot T r a n s l a t e d fr o m
. the
F r e n c h by A H N B a r on , F e l . . .
l ow i n C l a r k U n i v e r s i t y 1 906 . .
C l ot h , g i l t t op P p 3 57 . . .
net .
( 7 s 6d n e t ) . . .
I m a gi n a t i on i s n o t t h e p o s s e s s i on
o n l y o f t h e i n s pi r e d fe w b u t is a fu n c
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t i o n o f t h e m i n d c o m m o n t o a l l m e n in
s o m e d e gr e e ; a n d m an k i n d h a s d i s p l a e d
y
a s m u c h i m a gi n a t i o n in p r a c t ic a h l ife a s
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g , ,
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p a i n t i n g p o e t r y a n d s o n g T h i s is
, .
t h e c e n t r a l t h o u gh t in t h e n e w b o o k o f
T h R i b o t t h e w e ll k n o w n p s y c h o l o gi s t
.
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m od es tly enti tl e d A n E s s ay o n t h e
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of
p s y c h o l ogy w hi c h h a s o ft e n b e e n d is
cu ss e d ,b u t p e rh a p s n e v e r b e fo r e in a
t h o r o u gh l y s c ie n t ifi c m a n n e r A l t h ou gh .
t h e p u r e l r e p r o d u c t iv e im a in a t ion h a s b e e n s t u d i e d w i t h c on s i d e r ab l e e n t h u s i a s m from
y g
t i m e t o t i m e t h e c r e a t i v e or c on s t r u c t iv e v a ri e t h a s b e e n g e n e r a ll n e l e c t e d a n d i s
, y y g
p o p u l a r l y s u p p os e d t o b e c o n fi n e d w i t h i n t h e l i m i t s o f e s t h e t i c c r e a t i o n .
Ol l l '
Ch i l d r e n Hi n t s fr o m P r a c t i c a l E xp e r i e n c e fo r P a r e n t s a n d
.
Te ac h e rs B y P au l C a ru s
. P p 207 ne t ( 45 6d ne t ) . . . . . . .
In t he l i tt l e b oo k O u r C hi l d r e n P au l C a r u s o ffe r s a u n iqu e c o n t ri b u t i on t o p e d a ,
g og i c a l l t e r at u r e W i t h o u t a ny t h e o r e t i c al p r e t e n s i on s it is a s t r on g d e fe n s e fo r t h e
.
i .
righ t s o f t h e c hi l d d e a l i n g w i t h t h e r e s p o n s i b i l i t i e s o f p a r e n t h o o d a n d W i t h t h e fi r s t
, ,
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t i o n a n d g u i d an c e E a c h d e t a i l is fo r c e fu ll y i ll u s t r a t e d by i n fo r m a l i n c i d e n t s fr o m t h e
.
a u t h o r s e xp e ri e n c e w i t h h i s o w n c hi ld r e n a n d h i s s u gg e s t i o n s w i ll p r o v e o f t h e gr e a t e s t
’
p o s s i bl e v a l u e t o y ou n g m ot h e r s an d k i n d e rg a r t n e r s Hi n t s a s t o t h e fi r s t a c q u a i n t an c e .
w i t h a l l b r a n c h e s o f k n o w l e d ge a r e t o u c h e d u p o n m a t h e m a t i c s n a t u r a l s c i e n c e s fo r —
, ,
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, .
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h y g i e n e a n d s i m i l a r p r obl em s
, .
Yi n C h i l l We n
T h e T ra c t o f t h e ! u ie t W a y W i t h E xt ra c t s fr o m
, .
t h e C h in e s e c om m e n t a ry T r a n s l a t e d b y T e it a r o S u z u k i a n d D r P a u l . .
C a ru s 1 906 P p 48
. 250 n e t . . . .
. T hi s is a co ll ec t i o
r l i n j u n c t i on s whi c h a m on g t h e Chi n e s e is s e con d
n of m o a ,
p e rh ap s on l y t o t h e K a n Y i n g P i e n in p o p u l ar i t y a n d y e t s o fa r a s is k n o w n t o t h e
—
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p u bl i s h e r s t hi s is t h e fi r s t t r a n s l a t i o n t h at h a s b e e n m a d e i n t o a n y O c c i d e n t a l l an gu ag e .
It is n o w i s s u e d a s a c o m p a n i o n t o t h e T a i S h a n g K a n Y i n g P i e n a l t h o u gh it d o e s
’ ’
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n o t c o n t a i n e i t h e r a fa c s i m i l e o f t h e t e x t o r it s v e r b a t i m t r a n s l a t i on T h e o rigi n a l .
c o n s i s t s o f t h e s h o r t t r a c t i t s el f w hi c h i s h e r e p r e s e n t ed
, o f g l o s s e s a dd e d by c o m m e n ,
t a t o r s w hi c h fo r m a l a rg e r p a r t o f t h e b oo k a n d fi n a ll y a n u m b e r o f s t o ri e s s i m i l a r
'
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t o t h os e a pp e n d e d t o t h e K a n Y i n g P i e n w hi c h l a s t h o w e v e r i t h a s n o t s e e m e d w o r t h
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w hi l e t o i n c l u d e in t hi s v e r s i o n T h e t r a n s l a t o r s n o t e s a r e o f v a l u e in j u s t i fy i n g c e r
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t a i n r e a d i n g s a n d e xp l a i n i n g a ll u s i o n s a n d t h e b oo k i s p r o vi d e d w i t h a n i n d e x ,
The .
fr o n t i s pi e c e a n a r t i s t i c o u t l i n e d r a w i n g b y S h e n C hi n C hi n g r e p r e s e n t s W e n C h a n g
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o n e o f t h e high e s t d ivi n i t i e s o f C hi n a r e v e a l i n g h i m s e l f t o t h e a u t h o r o f t h e t r ac t ,
.
T h e m ot iv e o f t h e t r a c t i s t h a t o f p r a c t i c a l m o r a l i t y T h e m a xi m s giv e d e fi ni t e .
i n s t r u c t i o n s in r e ga r d t o d e t a i l s o f m an s r e l at i on t o s o c i e t y b e s”i d e s m o r e ge n e r a l ”c om ’
,
m a n d s o f u n iv e r s a l e t hi c a l s ig n ifi c a n c e s u c h a s Liv e in c o”n co r d F o r g iv e m al i ce an d ,
“
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D o n o t a s s e r t w i t h y o u r m o u t h w h a t y ou r h e a r t d e n i e s
“
.
p l a te s . Pp B oa rd s , 7 50 n e t
. 135 . 1 906 . .
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.
h i s p a r t i c u l a r u t t e r a n c e s in r e g a r d t o re l i g i on w i t h a v i e w t o d e t e rm i n in g ,
s i g n i fi c a n c e o f h i s t h o u g h t fo r r e l i g i o n a n d i n c i d e n t a l l y h i s p e r s o n a l
a t t i t u d e t ow a r d i t By E l m e r E l l s wo rt h .
P o w e l l A M , P h D P r o fe s s o r o f , . . . .
,
P h i l o s o p h y i n M i a m i U n i v e r s i t y 1 906 . .
P p x i , 3 44 ne t ( 7 5 6d ) . . . . .
S pi n o z a h a s r e ga r d e d fo r c e n t u ri e s
b een
a s t h e m o s t r a d i c a l phi l os o ph e r y e t h e h a d a ,
r e v e r e n t i a l a tt i t u d e t o w a r d r e l igi o n an d pr om
in e n t t hi n k e r s s u c h a s G o e t h e l o ok e d u p t o h im
a s t h e i r t e a c h e r in b o t h m e t a ph y s i c s a d r e l igi o n n .
P r o fe s s o r E E P o w e ll o f M i a m i U n iv e r s i ty
. .
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l ig io n s e t fo r t h by a c p e t e n t h an d a n d a c om , ,
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,
r e a l l o v e o f h is s u b j e c t a n d h a s i n d e e d a c .
c o m p l i s h e d it w i t h s u c c e s s .
Ar i s tot l e on Hi s P r e d e
C C S S O IS . B e in g t h e fi r s t b ook
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f r om t h e t e x t o f C h r i s t ,W i t h i n t r o
d u c t i on a n d n o t e s B y A E . . .
T ay l o r , M A , F e l l ow o f M e r t on
. .
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P r o fe s s or o f P h i l o s o p h y in M 0
Gi l l U n i v e r s i t y , on t r e a l Pp M . .
1 60 C l ot h , 7 50 n e t
. P a p e r , 3 50 .
p os t p a i d .
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b y A r is t o t l e h i m
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p r k r g h pp r
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t o f t h e m o s t e c e n t e s e a c e s in Gr k phi l phi l l i r r
ee oso ca t e at u e ,
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v l ri l pr vi h gh pi hi ri l ri i i
’
th e s tot e s ac c o un t o f e o u s t ou t as a ec e o f sto ca c t c sm .
Z a r a t h u s h t r a , P h i l o, t h e A c h a e m e n id s and Is r a e l .
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.
, in t h e U m v e r s it y o f
O x fo rd . 1 906 P p 460
. C l ot h g i l t t o p
. .
, . ne t .
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.
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o b t a i n b e t w e e n o u r o w n r e l igi o n C h ri s t i a n i t y i n c l u d i n g it s s ou r c e s in t h e O l d T e s t a
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m e n t s c rip t u r e s a n d t h e Z e n d av e s t a o ffe ri n g t h e r e s u l t s o f h i s l a b o r s in a n e w b oo k
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Z a r a t h u s h t r a Phi l o t h e A c h a e m e n i d s a n d I s r a e l a T r e a t i s e u p o n t h e An tiq u i t y a n d
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,
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.
l o g i c a l R e s e a r c h fo r R e l i g io n , E m b o d y i n g t h e m o s t i m p o r t a n t C r i t ic i s m s
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’
. .
i ol o g y i n t h e U n i v e r s i t y o f B e r l i n T r a n s l a t e d from t h e Ge r m a n
. P ro .
fu s e l y i l l u s t r a t e d 1 906 . P p x v , 240 . ne t. . .
”
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, ,
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p u bl i s h e d b y T h e O p e n C o u r t P u bl i s h i n g C om p a n y m a k n g a s t a t e l y v o l u m e o f 255 , i
p age s
T HE O P E N c o e . P U B LIS HING 00 . 13 22 Wa b a s h A ve C h i c ag o
Hin t s fro m P ra c t ic a l E xp e r ie n c e for
P a re n t s a n d T e a c h e r s B y P a u l C a r u s .
Pp . 207 . n e t .
(4 8 . 6d . n e t)
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P l C r u s offe r s a u n iq u e c on t ri b u t io t o p e d a
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’
n m u e e en, n
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g of c h ild k I of n o b k in w i h ch t h is s o uc h lHI NG ll
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