Professional Documents
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TH E DO C TRI NE O F E DUCA TI O N .
jo li a m
r
(J E AN JPA UL F R I E DR I CH R I CH TE R .
P R EC ED ED BY
AN D
LO NDON : GE O R GE BE LL A N D S O NS , YO RK STRE E T,
C O V E NT GA RDEN .
LO N D O N
R E PR X N T E D F R O M ST E R EO PLAT E S
-
BY W LL A M C LO WE S A ND
I I SO N S , LI M I T E D
S T A M F O D S TR EE T AN D C H AR I N G C R O SS
R .
P R E F AC E
TO TH E
O R I GI N A L TRAN SL ATI O N O F L E V AN A .
perfect that they may leave al l care fo r it to watch over onl y that
o f the lo w er ? I f there b e much o f cr i m e—the ack no w ledged
consequence o f ignorance— among the masses is there less o f ,
E ngl ish taste The earl y part indeed m a y cause many to cl ose
.
,
, , .
The Transl ator thi nks it right to add that he has occasional l y
omitted or compressed a few sentences w here the general
, , ,
This d iscretion has how ever b een very sparin gly used an d in
, , ,
L I V E RP O O L , 1 8 4 8 .
PR E F A C E TO THI S E DITI O N .
In this edi tion the passages all uded to above have been
,
PRE F A C E TO TH I S E DI TI O N
BI O G R A P H Y
A U TO B I O G R A P H Y .
LE V A N A ;
F I R S T F R A G ME N T .
CR A P . 1 . I mpo r t an ce of E du c at io n
II . u r i ur e
I n a gu a l D sc o s a t t he J o hann eum P a ul hn u m -
o r P r o of t ha t E d uc a t o in
e ff c t s l t tl e i e
III . r
I mpo tan ce of a io n
E du c t
vii i C O N TE N TS .
S EC O N D F R A G M E N T . m ax
CH AP I S pi ri t an d Prin c i pl e of io n
E du ca t
l
.
II . To di sc o v er an d to a ppre ci a t e t he I n divi du a i ty of
t he I d ea l Ma n
II I . O n t he S pir it o f t he A ge
IV . R eli gio us E du c at io n
TH I R D F R A G M E N T .
V . Mu sic
VI C o m m an ds , P ro hibit io ns P un ishmen ts . a nd C r yi n g
V II . P un i s hm en t s
VI I I . S cre a ming an d C ryin g C hi l dren
of
F O U R TH F RA G ME N T . O N F E MAL E E DU CA TI O N .
CHA P . I .
II . O n the Des ti n at io n o f t he F em al e S ex
I II . N a t u re o f G ir l s
IV . E du ca t io n o f G i r l s .
F I F TH F R A G ME N T .
S I X TH F R A G ME N T . ON THE MO R AL E DU CAT
ION OF BO YS .
CR AP I . .
II . Tru t hfulness
III . io n o f t he A fi ec ti o n s
E du c a t
IV . S u ppl em entary A ppen di x to Mo ral E d uca t io n
C O N TE N TS . IX
S E V E NTH F R A G ME N T . pm
IV . Devel o pment o f Wi t
V . Devel o pme n t o f R e flec t i o n , A b st rac tio n a n d Sel f
,
E I GH TH F RA G ME NT .
NI N TH F R AG ME N T, or Key s to n e
-
BI O G R A P H Y .
“ ”
b u t that he was poor and pious in a high d egree .
which could hold its own against the ills of life Paul s
. .
’
’
A bout two years after Paul s birth his father rec eived a
clerical appointment at J o d itz a village not far d istant , ,
b ooks and eagerly read such literature as fell into his hands
This consisted mainly of a few theological books of his
father s — o f which he understood not a word — a nd some
’
’
It was in Paul s thi rteenth year that his father received
what promise d to be a better living in S chwarzenbach —o u
t he S aale-
For the boy this was a decided gain
. He re .
*
his fi r st attempts at composition .
l i fe .
BI O GR A PH Y . xi ii
2 . H I GH SCH OO L — F R I E N DS —
. . FI RST L I TE RA R Y E F F O RTS .
1 7 7 9— 1 7 8 1 .
, .
We rner the kind old R ector of the school and V olkel the
*
s light and i n s i
g n i fi c a n t in themselves wer e bitter and
painful for a s ensitive disposition such as his .
Vo l l x ii i
. t he l as t n a m ed a ppe ars t o b e the earl ier i n d ate
. .
x vi BI O G R A PH Y .
took copious extracts from all the books that he read the ,
“
books of a later perio d To have my life s history I
,
’
S pinoza s Divinity
’
Man b e if he were n o t immortal
,
-
.
”
m e n c e d the s e b ooks for E x ercises in Thinking in which ,
e xtracts ,
although he expre ssly d enied that they ha d
a n y value for other people The fi r s t volum e begins in
.
a n Impossibility
” “
Is the Worl d a p erp etuum mo bi le ?
,
”
F o o ls i
a zd Wi se Men , B l ackhea ds a nd G en i uses .
e asily detected .
1‘
The Blockhead is a being t o b e pitied ; o n e whos e
i ntellect never g rasps more than a small n umber of ide a s ;
a nd who e n shrouded in deep darkness is n ever illumined
, ,
b
xv i ii BI O GR A PH Y .
has gone only a few steps from the gate ha s not yet lost
his way ? The F 001 is on in front bu t he has left t he ,
“
Many a one thinks himself pious when he calls the
‘ ’
world a vale of misery Bu t I t hink he would be
.
‘
more so if he called it a valley of j oy G o d will be .
’
'
B EA U TI E S : The
lan g u age of the feelings is not ever y
where misrepresented the descriptions of natural scenes
,
part his external life at this time was far from favourabl e
,
III . U N I V E R SI TY L I FE . G RE E NLA N D L A WS UI TS .
1 78 1— 1 78 4 .
are di erentf
f I get a dinner for 1 8 pfennigs
.
*
And .
'
. .
A bo u t t w o pe n c e .
1 C o ll e ge fees .
I A bo u t 2 1 88 . .
B I O G R A PH Y .
“
Herr Ki rsch of Hof travell ed with u s to L eipzig H i s
’
.
-
L ater he wr ites
’
The R e c t o r o f h i s sc ho o l .
E i n en Ti sc h ha ben l i t to ha ve a ta ble, i a t o ha ve a fr ee di n n er
. . . .
I t i s c u st o m a r y fo r fa m il i es to in vi te po o r s t u de n ts w i t h w ho m the y
a r e a c q u a i n t e d , t o d i n e w i t h t he m o n a fi x ed d a y in ea c h w eek d uri n g
t he i r re s i d en ze a t the Un i versity .
BI O G R A PH Y . X X V
, ,
s pite of this he does not dare fre ely to deny any dogma ,
E ngli h by M R o gl e r
s . . I have made it a rule in my
stu d ies only to follow those which I fi n d most agreeabl e
and fo r which I a m the least u n fi t t e d and which I already ,
’
jus t by thi s that you earn your bread is the pitiab l e
o bj e c t i n raised in reply I know nothing in t he world
-
.
by which one coul d not earn one s bread I will pass over
’
not only for the most exte n sive rea d ing but also for t he ,
“ ” '
”
t o N atural Philosophy and History an d others for ,
‘
f Theology also a
,
book for W itty I d eas R em a rks etc , , .
,
”
A mong these was ( i n 1 7 8 1 ) The Pra ise of S tupid ity .
“
li t erary r e m a i n s l
A mong others a r e
.
ae
A theism and
”
Fanaticisms Compare d ; S tray Thoughts on G rea t
” “
Men ; Full Information about the Ba d Foolish Un , , .
V iew fro m W hich the D evil D eath and the Painter view ,
”
L ife .
w rites t V ogel
You pro b a bly know t hat I a m poor ; but this you
probably do not know that my poverty i s not alleviated
‘
,
’
by an y one O n e must fi r s t by mean s of money give one s
.
, l st ed
. vo ls .
—
lx i i v
. .
X X X BI O G R A P H Y .
Put all this together and you will kno w my posi t ion
, .
‘
occurred to me one day I w ill write books in order t o ,
”
The Praise of S t u pi di t y a s already mentioned d i d not , ,
reach its goal the press, But R ichter did not su ffer him
.
a t Berlin in 1 7 8 3 .
fe w words is as fo l lo w s :
For reasons of his own R ich t er chose to dispe n se wi t h
the di scomfort and ex pense of collar a n d cravat as also o f ,
”
scarcely hope ever to break i t The followi n g circu l ar
.
J P F R . . .
“
that again a satirical one the S elections from the,
”
Devil s Papers b u t his life now at L eipzig was fa st
’
“
A gladdening and enchanting time was that of my
you th and one to which I ever l ook back with yearning ,
”
s now of the e x ternal .
IV . TUTO RS H I P . TH E I NV I S IBLE L O DG E . 1 7 84 — 1 7 9 2 .
w
”
s erious or o i he b oarded up for Si eben kas his
, ,
Herr von O ertel was far from being a genial man nor ,
“ ”
him sketching the outline of his L evana while bringing ,
His energy and activity a t this time are truly ast onish
ing. Besi d es instructing these seven children in ele
mentary kno w ledge of all kinds a n d superintending their ,
-
,
a s k myself ,
dost thou send a G erman novel for thi s -
, q ,
a n d how a world lies between our short sleep and dream and ,
for one thinks of all other thi ngs which one will fi n i sh
I a m not now in good enough spirits to be clear .
_ . . .
.
,
1 7 92— 1 8 24 .
, ,
n o w his fi r s t object .
With t he m i s i bl e L odge
y he had entered on hi s
r
“
Hesperus begu n in S eptember 1 7 9 2 was fi n i she d in
, ,
“ ”
J une 1 7 94 S i e be n kas was commenced in the mean
.
”
time and the groundwork to Titan was also laid
, .
”
“
Quintus F i x l e i n with its jocular and touching a p
,
“
of its Pre fa ces and the A nnihil a tion
, At the same .
s o n a ll
y acquainted with Herd er K nebel E insiedel and , ,
’
prospec t of making R ichter s acquaintance By S chiller .
”
i n flu e n c e of J a c o bi and Herder whose Metakritik he read
over with him in manuscript his interest in philosophy ,
Bi o o n A PH Y . x xx
p uliar
ec w e apons of humour and s at ire ; against Fi c ht e
”
he directed his Cl a ms F i chtzn a
' '
”
improvise d on the piano before the court .
”
dedicate d his Titan upon which he was now engaged to
, ,
“
t he four sisters u pon the t hi one a n d a third that he ,
line the second dau ghter of the O ber tmbun alr a th Maier
’
.
,
”
reading and working The s i x volumes of the Titan
.
,
“ ”
a lso the second comic appen d i x to Titan A b out thi s .
“ ”
the Biographical Diversions and then write Sieben “
,
’ ”
kas Marriage with N atalie and aft er that nothi n g bu t
,
"
Diversion s was intended as a companion novel to Titan ,
“ ”
the L evana w e fi n d hi m next writing on political
,
s u bjec t s .
’
His admiration for N apoleon s greatness struggled fo r
s om e tim e w ith h i s patriotism For humanity he would .
BI O GR A PH Y . xl i
ha ve sacr i fi ce d hi s n at i o n ah t y
but when the conqueror
s howed himself the enemy of both R ichter no l onger ,
” “ ”
with the more serious Twilight and the Peace and
”
L ent S ermon s he warned admonished and soothed ,
th e m .
\
gi ves ten angels the balance against one hundred d evils
_
.
“ ”
The A utumn Flowers published in 1 8 1 0 is a collection
, ,
art and have alas ! b een only too proper now I will give
, ,
”
aside and he began immediately the S elina a work ,
A U T O R I O G RA PH Y
-
.
A U TO B I O G R A P H Y .
FI RS T L E CT UR E .
WO N SI E DE L— BI R TH — G R A N D F A TH E R .
ea rliest ,
freshest time of day namely at 1 3 0 A M but , , . .
B 2
4 JE A N P A UL F l tl E D R l C H R I C H TE R .
with his name for any pun to be quite stale to him which , ,
all are now out of the world who saw my entrance into i t .
, ,
re a d er m u s t k n o w t h a t a G erm a n gy m siu m o r h i g h s c ho o l ha s na , ,
T i S d P ri m s T h c l a ss es ar ra n g e d
Q u a u
r t s , er t u s c n s , e u e u are
, a .
i n t he in er se o r d r ; t he fi r st c l a s s o r P r i m a b e in g t he h i ghes t
v e , , .
u e r s, a n d so o n .
—
Tr .
Q
A U TO BI O GR A PH Y . {J
But for the present we will let the hero and subject o f
these historical lectures lie unh ee ded in the cradle a n d o n
the mother s breast and sleep long enough— from the long
’
,
fully think over the sowing for the morrow His sch ol .
o
bread and b eer fare more than this — with perhaps a littl e
- -
"
assuredly have got a few more sc r aps a n d halfpennies i i
he had b een promoted say to the post of country clergy , ,
when they exchange the school gown for the priest s gown -
’
, ,
,
-
a 1 important posi tion one for which the rectorate the town, , ,
when fate has led me out o f d ark hours into b righter and
I can too hold fi r m to my belief in thy blessing in a
, ,
, ,
a ch,
as a s o called A lu mnus (poor scholar) ; for when a
-
his cloth and money for which talent and clerical worth
,
not quite too late in life R iches fetter talent more than
.
money have had much money in his youth Fate does with
,
.
A UTO BI O G R A P H Y . 9
poets as we do with
,
birds— i t
darkens the warbler s cage ’
more erect himself as the youth and carry his b urd ens ,
already needs the rest within it of the world he can use only
the present a n d but little future for now he has no more ,
, ,
open his eyes once more and gaze on the old stars and ,
has done the most important part for the next as well as
this worl d— i i ; i n the evening he looks forward to his ,
’
O nly one singl e error on my father s part may be laid
to the charge of poverty namely that he s a c r i fi ced , ,
,
a
appear as hi s own cellar master and ste w ard yet one d oes -
,
’
neighbour to poetry dwelt i n my father s ministerial ,
o rc hest a l b a n d
r .
A U TO BI O G R A PH Y . 11
The a n .
generated in bravery .
p 52 , t he H u ssit e s ha d l a i d w a st e t he w ho l e o f t he l a n d a o ve
.
to w n .
w a s m o re o g ht a ft er i n l a t e r l fe t ha n he c ared t o b e
s u i .
A U TO BI O G RA PH Y . 13
ascent has alr eady begun and we have the pleasure in our
,
Yea rs Wa r
’
.
14 J EAN PAUL F RI E DRI C H RI C H TE R .
SE C O ND LE CT UR E .
E MBR A C IN G TH E PE RI O D F R O M TH E l sr O F A UG US T, 1 7 65, TO
TH E 9 TH or J A NU A R Y , l 7 7 6 — J ODI TZ — VI LL A G E Y
I D LS.
hood and gi rl s frock The Saale which took its rise like
’
.
, ,
bo y O lympiads
-
.
Berlin and V ienna are not prou d of this ; for if they were ,
,
16 J E A N P A UL F R I E DRI C H R I CH TE R .
and alleys .
, But .
w ri t t e n
( not without right ) in real gold letters the contents ,
s t oppe s which w ere stu ffe d into small air holes bore d in
‘ -
’
much fe n d er o t a bird s nest t han of a whole colony of
’
see the children over the way sailing into the h a r bour which
was close d t o me B u t sti ll I ha d left to me the lit tle by
.
I .
18 J E A N PA U L F R I E D R I C H R I C H TE R .
his part .
a n d who would break out into joyful tears over any little
t ange are some which may occur than those of the hea d
s r ,
S unday .
, ,
more and how easily If the b ody did not yet the spirit
,
.
,
world .
Th e r i n m sc r e S un da y i s t he s ec o n d S u n d a y i n Le t A s p e o p le
'
e z e n .
n t ha t d a y a r e t o r ec al l th e su fi e r i n gs o f C hr i s t s o he r e t he p p i ls a r c
'
o , u
to r ca ll to t he i r m em o rie s t he l es so n s w hic h t he y h a ve l e ar n e d — TR
e .
0 2
'
20 JE AN P A UL F R I E DR I C H R I C H TE R .
the same mis t ake regard less of all corrections so often that
, , ,
a
, , ,
a rithmetic ,
astronomy and orthography —with all thes e ,
/
for books in this intellectual S ahara E ach one was .
like many another open one was seldom open except when ,
6 i s t A mericans fo r a E uropean .
”
remember a plural word Co n fede r i r t e which occurred, ,
, ,
,
’
themselves .
I n the same way our hero threw himself into the art of
painting also ; man y a mounte d Potentate sat or rather ,
red bricks the rounded slate pencil and the splen did
, ,
,
-
A rgus ears -
When the schoolmaster pla y ed the church
.
o , ,
,
-
,
1 e t hi n
g else but i t until he had d iscovere d a b etter one ;
b i t the poet on the other han d ac t i n more generously
, ,
i r
,
"
sophy — though there w a s also a secon d word orient ,
round sunned — A ll
-
a n d yet it sees a n d repro d uces an A ll
? _
was brought down from the heights of his stu dy ups tairs ,
silence the b rook by the ice the village by the snow ; but ,
,
-
.
feminine portion .
, ,
’
men from their toil s and troub les to the lan d of quiet a n d
d reams . A fter a pleasant wa t ching for the moonrise o i
the tallow candle un d er the kitchen —door our large room ,
he
t room a n d before our noses b y means of the bu t ter
,
ca es .
-
.
,
-
com b ats with the wolves i n which at one time the danger ,
a n d uniform a b ove u s .
chasing away the dream s The next morning all fear was
m
.
,
.
and the Cross were his shield against the whole ghostly
universe Many a chil d phy sically very timi d displays at
.
, .
courage against the visi ble as that never reaches the d epth ,
t hunder clap -
war or the fi r e a larm ma d e me only
, ,
-
N o t by r e fu t a t i o n or It i e s t e r i a n a n d Wa g
‘
imagination ?
the country fall for various reason s into one l dyl The
, .
bring fresh scenes upon the stage We poor chi l d ren shut .
,
, .
love
The cow bells remained for a lon g time the R a m des
-
still his old heart s bloo d woul d stir and bo i l if these soun d s
’
-
“
were again wa i ted to him They are ton es he woul d .
,
say ,
“
b rought b y an o l i a n harp out o f the far far ,
a s for W ha t h l a c ks e .
A UTO BI O GR A pm . 33
he or much more his eye was d riven eight miles from the
, ,
with him for love of the dear village he ha d left and had
, ,
, ,
whole being into the eye only She d i d not say a word .
-
.
1 . D
34 J E AN PA UL F RI E D RI C H R I CH TE R .
heart words and that no one shall appear more bea utiful
-
,
only the marks left nothing else ; she herself was pl ain
,
c hurch all w as bright enough for the long win d ows inter ,
a plea s ure which chil d ren always like to carry and Paul
, ,
,
’
, , ,
the distance enh anced b y the paren t s and the little friends
, ,
and his brother could slip out behind their mother s back ’
while she was d eep in her business and get over the yard
d oor (to which was attache d a bell ) to hunt some of the
forbid d en game of the vi llage i e bu t t er fli es grundels ,
. .
, , ,
the same time with the left on the key board b ome
'
that.
long strides .
s
,
when his father was out take his hymn b ook a n d g o forth
,
ation since it was the resi dence of the patron of the J oditz
,
, ,
a n d d escribed .
*
a journey as Hof and Hollan d messenger in times of
pecuniary want ; at these times he ha d to u s e his wit i n
n e g o c i a t i n g loans with his gran d father ; so too in t he , ,
e mba rr a ssmen ts — TR .
A UTO BI O G R A PH Y . 41
the b est anti dote for his absurd physical training which , ,
village chil dren and the poor are fortunate in this that ,
chil than a
d K i r mess
*
village surely a J ahr m a r k t town ,
from outsi d e w ith the curling tongs a n d the tight scre w ing ,
. n
not kno w him in the street but not one of all these la di e s
, ,
then .
tones contai n whole worl d s for the heart t hey are souls ,
”
for the soul The notes of the higher octaves perhap s
.
,
Idy l just the autumn which can lead to n o thing else but
snowy paths But an imaginative b eing like Paul enjoys
.
t ion the w inter with its homeliness and the s pring with
, ,
, ,
are sketche d out a n d enjoye d those plans for the yet di s tant
spring journeys and spring pleasures : in the spring itself
- -
-
.
raise his four feelers into the air like four bu t t er fly wing s ,
, ,
, ,
m ight not get out— instea d of the smoke Win dows were .
n owhere spare d and one might say that the castle con ,
b o w win d ows
-
How small a n d i n s i g n i fi c a n t must t he
.
, , , .
AUTO BI O G R A P H Y .
which one can water from the win dow ; the good domes
tic fool can sit quite contente dly in a close carriage and
“
look round at the si d e pockets and say A beautiful quiet -
,
, , ,
-
.
climb the hazel bushes after the nuts A fter a little time .
JE A N PAUL F RI E D R I C H RI C H TE R .
, ,
himself with all his outward activi ty has had for many
years to veil a similar feeling In both cases it is only a . .
who gave them For as soon as Paul had seen with his
.
them on the table ; the E d en fragr ance and E den splen d our
were gone brushed away and the every day flo w er b ed
, ,
-
deities t o them .
’
turns fell this t ime to R ichter s patroness who had lon g
, ,
o v e r i she d pastor
p .
love and joy could not keep back from my father the news
of his goo d fortune but told him straight out a n d even , ,
I . E
50 JEA N P AUL F RIE DR I C H R I C H TE R .
”
paternal fi el ds .
from his loved and loving parish whi ch for many years ,
, ,
the S aale where un doub te dly the curt ain goes up a few
-
habitants whom I will now thank are long since gone like
, ,
”
and that warfare may pass by them at a distance .
i n fo rm ed i n Theo l o gy an d A n a t o m y, w a s w it t y a n d acut e in m in d ,
an d was no uri s hed en ti r e l y by t he mi lk o f hi s nurse .
52 JE A N PAUL F R I E DRI C H R I C H TE R .
THIR D LE CT U R E (WITH TH RE E S U PP L E M E N TS ) .
PP E R
’
LO R D S SU .
,
-
and two big ones O pposite were two large bri dges and t he
.
‘
Colloquia into Cornelius and it was successful
,
’
.
s uddenly coul d a n d ha d to do .
translation lesson (he was the only Heb rew scholar in the
s chool ) the rector ha d a printe d translation lying by his
,
for the scholars by win d ing his way like a screw — the
, ,
, .
a n d n o t hin g , — fo r exa m p l e, P r a i s e o f I n d u s t r y,
”
I m po r ta n c e o f
Y o u t h, t h e ric he s t , m a t ur e s t hea d c o u l d h ar d l y ha t ch a n yt hin g l i vi ng
”
.
O e s
t h r u bj e c ts g i n , t
a a o o b r o d
a , a s
“
C o mpar i so n o f t he H ero es of ~
AUTO BI O G R A P H Y . 57
l ei sur e
and a knowle d ge of youth would sit himself down ,
A n t 1 qu 1 t y “
Weighin g o f th e O l d F o r m s o f R e l i gio n , a r e o st 1 i ch
e gg s o n w hic h t he p u p 11 w it h t o o sh o r t w i n gs si ts a n d b r o o d s 1 11 va in
,
ma kin og n o n e w a r m b u t hi m s el f B e t w ee n t hes e t wo kin ds are the
.
be t t er o n e s, 1 i o h l n sen su o u s a n d hi s t o 1 i c a 1 m a te1 i a l , s u c h a s De sc r i p
t i o n o f a C o n fi a g r a t i o n , o f t he L a s t Da y , o f t he De l u ge Pro o f o f i t s
N o n un i ver s a l i ty f
’
-
58 JE A N PA U L F R I E DR I C H R I C H TE R .
readi ng .
was a fool and fle d from the curate at the same time that
I conti nued to love him I was still very pleased to a c t
.
60 JE A N P A UL F R I E DR I C H R I C H TE R .
e e de d ‘t
i Hurrie d ly a s a thief I fi r s t gave her my
p r c .
,
me ?
The stream of wor d s coul d n o t m ar my para dise for ,
does it not bloom to this very day even to this pen and ,
forth from i t ?
It was as I have said the fi r st kiss and at the same
, , ,
fire .
that I stood before her like the J udas —tree which prod uce s
i t s blossom s w i tho u t t he inte rvention o f branches an d
0
62 J E AN P AUL F R I E DR I C H R I C H TE R .
JO KE WI TH TH E R E CTO R .
, ,
o f the organist
) he burst forth
, with his exposition and ,
dimly and some time afte rward s of the recall of the paper .
too a n d the mai d en with all their hery impulses have less
,
way to the highest moral purity than that which the man ,
co loured stone .
a n d n motion
i E ven during the long sermon the heart
.
all metals remain at the top the gol d alone sinks L ife -
.
,
I
66 JE A N PA U L F R I E DRI CH R I CH TE R .
quiet serene sabbath when for the fi r st time the great old
, ,
this earth and all anger ; but from this one S abba i h I hope
I have gathered together a whole year of Sabbaths or a m ,
TO H E R M A J E S T Y},
CAROLI NE , Q UE E N OF BAVARI A .
,
W I TH
TH E PR O F O UN DE ST R E SPE CT O F
THE A U TH O R .
Mo sr G R A CI O US Q UE EN
TH E author woul d co nsecrate L E VA NA to mo t h ers by you r
royal name — as the banners which a princess has worke d
receive fresh victorious power .
recollections .
woman s honour —
’
the sun which gently warms a n d dries
,
Your Majesty s ’
J BAN PA UL 11 s R I CH TER
'
. .
72 JE A N PA U L F R I E DR I C H R I C H TE R .
[ P R E F A 0E ,
save d the nature of chil dren Base d ow was his intel l igent .
fe s t e d .
] LE VA NA . 73
, ,
her in d ivi duality of character may all the more rea dily
d iscover protect revere and cherish the dim manifest a
, ,
J E A N PA UL F B . RI CH TE R .
BA IBE U’ ‘
I H, Ma u 2 , 1 8 06 .
S E CO N D E D .
J 77
A UTH O R S PR E F A CE TO S E CO ND
’
E DI TI O N .
a n d Halle .
library fi li bu s t e r s .
a t contrary roads .
,
smc o m) E D .
) LE VA NA . 81
have given the m a good d eal more space and room for
play by clearing away earlier sheets of transcen dentalism
, .
Certainly for education the char acter 1 8 the true elemen tal
,
, ,
1. G
82 N PA UL RI C H TE R } (P RE F A C E
‘
JE A l R I E Dk I C H .
J E A N PA UL F a RI CH TE R .
"
BAI RE L TH
‘
,
2 1 “ N o vember , 1 8 1 1 .
84 JEA N PA UL a n mcn RI C H TE R .
[ F RA G . 1 .
the d eeper the sea the more precipitous the coast ; — yet
,
, , ,
§ 3 .
CHA PTE R II .
; OR ,
PR O O F TH A T E DU CA TI O N E F F E CTS L I TTLE .
§ 4 .
'
.
88 JE A N PA U L 1011 1 1111 11 o R I C H TE R .
[ F RA G . 1
an
y thing else tha n a mirror of himself be it a fla t a , ,
l a nders a n d Quakers ?
A n d the further one looks back through past ages to the
hoary nations of antiquity the fewer sch o ol books and ,
a l l the more was the man lost in the state ; all the less
youth (as a whole city cri ticises the spirit of the whole
c ity ) . O nly alas ! every o n e believ e s himself to stan d so
,
CH AP . IL
] LE VA NA . 89
s pirit of the age have for the most part represented the
c olossi move only the more eas i ly alo n g the old iron ,
fi el d !
The pro t ec ting s ai nt o f the N ean o l i tan s agains t V es t i ns .
92 JE AN PA U L r m s nm c n R I C H TE R .
from the pin eal gland as the lo d ging place of the high ,
could not spare her pupil a sin gle one of his animal “
‘
k Pe r m i t retur n : a n d since we have easily asked
us to
whether a man may be more effec tually moved by a
thousa nd outward foreign words than by a b ill io n of his
own inward ones let u s not be very much as toni s hed if
,
, ,
/
many illusions ! If a great man have gone through a n y
o n e educational establishment he is ever after explaine d ,
than to make their phys i cal image into their more perfect
mental one and consequently to varnish over this copy
,
.
,
,
) r humanity
X .
o ur s
roved ru e t ha t we e ff ect little or nothing by education 1
/
p t t 5 , , .
JE A N PA UL a n R I C H TE R ; F R AG . I .
q
-
,
t u r e t o h O pe
the opposite ; the school
'
Z ,
’
7
“
N on e of all my hearers of whom I a m the nearest c an
have forgotten that at the commencement I asked why
, ,
, ‘
has fled from the other not merely in deed but be yond , ,
13 .
A r t 1 59
. .
98 JE AN PA UL F RI E DRI C H RI CH TE R .
[ FB A G 1 ..
shop less truly school library and our school purse yea
,
-
,
-
,
provision .
the proud request : That the d esk from which the third
master and music teacher as well as myself have to pro
, ,
teachers F i a t J— Dzx i !
’
i mporta nce .
1 00
4
J E AN P AU L F RI E D RI C H R I C H TE R .
[ E ma 1.
,
-
inj urious state all the more because though books may b e
, ,
, ,
a visi ble moon that once tumb le d from its pure ether d own
t o the earth — a n d so there is in intellectual E urope far
, ,
a higher thr one and his crown s ines over a wi der plain ;
,
17 .
L ibraries and two yearly book fairs— not inclu d ing the
,
-
man is like the negro born white and only coloure d black
, ,
his J u das meet Too little attention has been pai d to this
.
The re are men who can remember far back to this b oun d in g
1 04 J E AN P A U L F RI E DR I C H R I C H TE R .
[ F R AG . 1 .
an d turn the heart that little worl d yet like all balls r e
, , ,
p o l e s t h
fi
club one dining table one work table one house are in
, , , ,
20 .
SE CO ND F RAG ME NT .
C R AP . IS pi r i t a n d P ri n c ipl e o f E duc at io n,
. 2 1 — 24 C R AP I I ‘ . .
3 6— 3 8
.
CH A PT E R I .
by itself .
without past and without future begi nnin g l n the year one , ,
,
-
23 .
, .
with the i d eal man because b oth are equally pure and ,
i
and i n flu en ci n
g the child b y things rather than by me n b y .
marked individuality .
24 .
A n d so indee d it is
,
E very one of u s has within hi m
,
.
i nnocen ts w e n t a ft er l i fe .
112 J E AN P A U L F R I E DR I C H RI C H TE R .
[ F RA G . 11 .
s pecies .
26
27 .
neither the dew d rop nor the mirror nor the ocean r e fle c t
-
, ,
the sun in all its greatness but they each represent it round
,
and bright .
1. I
1 14 J E AN P A U L F R I E DR I C H R I C H TE R
[ F G
‘
. R A . 11
u s than a fi r st .
y
of rendering the I objectively subjective that is in the , ,
, , .
,
indivi duality .
moral and intellectual powers into one soul and like the ,
l
.
prudent .
of the countenance .
30 .
THIRD CH A PT E R ,
O N THE S PI RI T O F TH E A G E .
31 .
?
on e
Further : is not every spirit of t he a ge less changing
t han flying — indee d alrea d y flo w n ; what might be more
, ,
them in space .
32 .
For man is feeble and poor : his star rea ding of the future -
his own life as the new year s eve of time and also lik e
-
’
, ,
their cl o t hi n g in to l a ge fa l se brea st s
r .
O H AP . L E VA NA . 1 21
ing over themse lves but over others and those who suffer
from the mental falling sickness of the French philosophy
-
Ty r t aeu s l
that G o d in the commencement appeared to
,
’e
, ,
Fra nce which could for a short time o b serve a total eclipse
,
Tyrtaeus de A ppa r i t i o n e D ei c 1 7 , . .
1 22 JE A N PAU L [ F R AG
“
F R I E DRI C H R I C H TE R . . 11 .
,
1 24 J E AN PA UL F R I E D R I C H R I C H TE R . [ F RA GL 1 1 .
35 .
fat e when both are to be healed at once only one cure and
, , ,
fast days imp rov e the one battle—fi el ds and cen turies of
-
,
’
J o hn s day although both conduct into new seasons of the
,
y ear .
of des i re like the brute the madman the sick and each
, , , ,
wea kest thing ; but not that energy of will which was most
nobly disp l ayed in Sparta and R ome— i n the S toa and ,
exti n g u ish the vulgar praise of the various tiger spots and -
.
C HA P . 1v .
] L E VANA . 1 25
love than for opposition can only attain a free clear spa ce
, ,
behind the lattice work of b ones and its tender ner ves ,
a r e di fii c u l t to fi n d .
CH A PT E R IV .
REL I G I OU S E DU CA TI O N .
level S ince we now sen d all our children out into a town
.
The mid dle ages had along with moral churchyards full ,
’
t e m pl a t i o n of the soul s fi r s t Friend who abun d antl y ,
and angel ?
38 .
like the sun i n the da y time seems only like the key stone -
,
-
l . K
1 30 JE A N P AU L F RI E DR I C H R I C H TE R .
! F R AG . 11 .
in men the i deal is ol der than the real — that so the child
,
is nearer the highest than the lowest for that lies in him ,
o r a du a l l
y down from i t a n d then after w ards r ises a gain
,
132 J E AN PA U L F R I E DR L H RI C H TE R .
IF R AG . II .
the Most Holy take d eeper root than 1 n the m ost holy age
of innocence or that which shall have eternal i n flu en c e
, ,
of 1 eason a n d mo 1 a l i t
i n
g y of a very opposite name ) does ,
l he S a fe ty a nd E xi g e n c y C r eed
’
.
] 1 30
)
AP L E V ANA
a
CH
o
. 1v . .
church but rarely for you might as well take them to hear
,
temple and sho w them the holy place of their el ders If you
,
.
, , , , ,
F R LE DR I C H R I C H TE R . F RA G . 11 .
s ermon on the mount with all its sub divi s ions When .
teachers thus convert all the highest ends into new mean s
and ways that is to say ba c kw a y s do they not spiritually
, ,
-
, ,
of His symbols 9
Does not the higher spirit require again
a higher sym b ol ?
L e t the eye of the pupil even where he only see s outer
,
n arratives,
of the Bible the b est Christian religious
d oct r ine is the life of Christ ; and after that the su ffer
, ,
Holy Writ .
comes pub licly before the altar a n d acts with all the rights
of an ind ependent being in this never—recurring time
when the dawn of life suddenly breaks into the morning
r ed
,
and thereb y announces the newness of love and of
nature ; there is no b etter priest to lead a n d accompany
t he young soul with dancing and great joy to the high
altar of religion than the poet who annihilates a mortal
,
TH I RD F RA GME NT .
CR AP . I . Digr essio n u po n th e b e g in n i n g
E duc at io n of Ma n an d o f .
39— 4 2 C H A P I I J o y o u s n e ss o f C hi l dr e n ,
. . . 4 3— 4 5 CHA P I I I . .
61 — 6 3
. .
CHA P V I I P u n ishm en t s, 64 , 6 5 C H A P V I I I P a s
. . . . . .
CH A PT E R I .
TH E BE G I N N I N G OF E DUCA TI O N .
’
like its father s or its grandfather s cannot lie in the
’
‘
The two life chains of the parents are somewhat
-
little has yet been done for the races of the comin g worl d
( except in the case of horses sheep and canary birds ) not
,
for a cradle rather than for the child l n the cradle — how
the connexions of the sex es of years of months of hours
, , , ,
prescribe for all with its cold ever d uring hand laws
,
-
,
o far in j u s t i fi c a t i o n of this
g .
’
institute where on the mother s si d e all the spiritual
,
pain as d is to rtion .
mother .
-
,
[ FR A G . 111 .
m u s 1 c 1 a n s ear
’
.
birth time almost b eyon d the age of chil dhood for the
-
, ,
co mes reason .
H e l l e r w i th hi s w ea k e ve s : P o pe an d S w ift w it h un mu si c
’
146 J E AN PA U L F R I E DR I C H RI C H TE R .
[ F RA G . 1 11 .
CH A PTE R II .
E
TH E J O YO USN S S O F CH I LDRE N .
,
‘
from i t n e w b1 r t h .
45 .
not only of the taste but als o of the ear a n d the eye : a ,
action to action .
,
-
, ,
for which chil dren have long to wait together with the ,
,
C HA P . LE V ANA . 149
manhood but even then the love of eating was only the
co nsequence and companion of deeper sensual pleasures ,
but the chi l dren do then leave them their other E gyp t ian
fle sh—pots before their j ourn eying forth into the desert ‘
sugar or honey prizes for the end urance of the most strokes
on the hand ; but he di d it sel dom .
l
Mary and the poet Tasso never wept as c hi l dr en .
’e
P er ts c hen s C hu r ch H isto ry
’
.
'
1 52 JE A N P AU L F R I E D RI C H R I C H TE R .
[ FR A G L1 11 .
o nly plays the game does not really act and feel i t that is
, , ,
, ,
, ,
e i i in
i n t he t hi n g , bu t m er e ly b e c a u s in
m ta t o fa ll s m o s t e a di l y w t h r i
i
t he m e n ta l mpu l se s o f l fe i P o ba bl y t he m o n k y, l k e Dr Mo n o s
r e i r
’
. .
in
n e r vo u s p a t e t , o l y n i i e r n e ve e
m t at s s t a g mo m n t s , c o mp l so ly a n d u ri
fr o m We a kn ess .
CH A P . LE VA N A . 1 53
48 .
49 .
fancy can bud hun dred leaved roses For not merely to -
.
’
working fancy every A aron s rod b lossoms A s the E lysian .
in poetry ?
N ever forget that the games of chi ldr en wi th inani m ate
playthi ngs ar e so i mportant b ecause for them there are
o nl y li ving thi ngs : (a d oll 1 8 as much a human b eing to
a chi l d as a b aby is to a woman a n d also b ecause to them
every word is a reality I n beasts the body alone plays
.
,
therefore the happy bei ngs ani mating every thi ng sur , ,
-
o r of a watch from whi ch the works are removed It is ,
”
not alive .
chil d can more clearly paint the in d ivi dual being than
the reader or author can in the all—emb racing generality of
poetry may be exalte d into historic groups ; for i nstance
,
, ,
like subjects .
51 .
however say that for chi ldren in their early years I know
, ,
clean and suited for both sexes than what everyone has ,
p ainting It is to boys
. what water i s to girls Ph i lo .
the new b orn earth : at least they are to the child gigan
-
53 .
the
f
uture laurels a n d tree of knowledge grow in the
play groun d The b ishop A lexan d er consi dere d those
-
.
i x ri
I t i s a fa mi l ar e pe en c e th at w h n o n e l ght s a s a ma n e i on
i
o bj ec t s o f c h ldho o d a ll seem s m al l e r a n d sho t ; fo r t he me a su , r er re no t
i
t he th n g s , ha s g r o w n l o n ge r .
C HA P. L E V ANA . 1 6]
pray and b less G o d for a little night and can dle light -
.
—and not apparent— and every evening put away into one
place — a n d for twins let the same piece b e doub led as for ,
boy a n d the girl r un climb throw build bear heat and col d
, , , ,
.
too li ttle .
en d
(freedom ) is itself a game ; and then the open air .
must soon exchange for the more correct one — the open
as ther . But let not the teacher after the work also order
and regulate the games ! It is decidedly better not to
recognise or make any order in games— not even mine ,
its weight .
CH A PT E R IV .
’
CH ILDR E N S D N CE S A .
55 .
’
balls or most prais e chil dren s d ances ! The former
,
56 .
57 .
affect ions and the min d that metrical order which reveals
t he highest and regulates the beat of the pulse the step
, ,
this eye and heel pleasure ; that chil dren with chil dren ,
”
late This last part appears in the hr s t e dition I should
. .
,
CH A PT E R V
MUSI C .
o f his own heart with the same voice which always speaks
,
unwearied by soun d .
wish him to do it for his children and the mother for him ,
a n d them .
60 .
C H A P TE R V I .
A
CO MM N DS , PR O H I BI TI O N S , PU N I SH ME NTS , A N D CRYI NG .
61 .
not beli e ve with the former that the parental w ill can
, ,
guidan ce .
t hat the man for the most part like the warrior says only
, , ,
i o a t i o n a n d exclamation
g Wa s there ever in history an
.
strangers little more than hum hum and that very low
, , ,
1
gn o r an c e .
the chi l d into a neat cork S wiss model of our A lps (as
Pfy fi er does t he lofty mountains ) ; a n d thence it is also
'
and with our school chal k draw and lengthen the bro ad
-
stroke before the b eak of the poor hen so that she may ,
, ,
,
a n d merit I will d o s o
. .
But what you desire is not his ob e dience but his inclina , ,
his sho r t sighted eye all right and stea diness is con
-
CHA PT E R VII .
PUN I SHM E N TS .
64 .
mothers stri ke their own child ren the harder because they
see strangers do i t — o r because they cry too much— o r
because they are too silent Is it more our subjection .
the cane roun d which ours must twine like tame snakes
, ,
[ F R AG . 11 1
c hi e fl
y reference to the past a n d behin d which as R ous
’
, ,
future by which the chil d else the echo of the present anni
, , ,
and so treating their chil dren like their husb an ds fall easily ,
with their activity gla dly divi ding itself into little part s
, ,
a n d because they unlike the man who sets the stem round
’
, ,
a bout thirteen yea rs old and the boy fourteen this later , ,
I N
J E AN PA UL F RI E D R I C H R I C H TE R .
boy must digest his pain without water a girl may have ,
We may di
vi de children s hurts or crying at hurts ’
, ,
i nto four like the four feelers of a snail with which they
, ,
“ ”
me , V ery common advice for I reply But of very , ,
”
rare accomplishment The unaltered course of old coun
.
68 .
i ron chains knows not how to b ear the order of the iron
, ‘
the require d gift But heavens ! has one then never seen
, .
,
”
i p li c i t ) of the el er theologians a n d their ex pression
m a d ,
6
believes man more read ily about the distant a n d the vast
— a bout former centuries a n d quarters of t he glob e than ,
Who u n d e rstoo d r
t he eby the fa t h i impart ed to ch ildren an d
h eath en s i n the ho u r o f d ea th .
C HA P . IX .
] m V A NA . 185
JE AN PA UL F RI E DR I C H R I C H TE R F RA G . 111 .
shows that he has seen the moral d eity face to face and
there is perhaps no higher moral gr a t i fi c a t i o n on earth
, ,
72 .
O N PH YSI CAL E DU JA TI O N .
compoun d e d .
,
”
Mothers less atten d e d to than in the huts of peasants
a n d beggars There one sees many little pale creatures
.
e arth ; the open air makes them rosy sooner than the sun
does the apple .
with all their powers for the advantages of fresh air ; all ,
, ,
necessitous so l itu d e she may any day enter your ser t ice
, .
‘
Certainly I d o not o fi er myself as security against any
mental pois oning by her morals and ca re any more than ,
1 90 J E AN PA UL F R I E DR I C H R I C H TE R .
[ F R A G .
1 92 I
'
AN P A UL
’
JE F R I E DR I CH R I C H TE R . F RA G . 11 1 .
nee d ed ?
With regard to animal foo d most people say— Wait till ,
excite or pro duce hunger (is there any t hirst juice for
thirst with i t s few spoonfuls is not s u ffi c i en t — when
d ilute d and surroun d ed by a b ottle of wine a n d a plate of
s oup as.a grain of arsenic by oil — to dissolve a S tyrian
, ,
r ue 1 — a ssists it in d igestion
g .
will not take their food sugar (as distinct from con,
a r m the child aga i nst all the two and thirty winds a n d - -
s torms of l ife .
1 94 J E AN PA U L F R I E D R I CH R I CH TE R .
[ F RA G . 11 1 .
an
prohi bite d —I
) put him to fli ght by the child ren of t he '
,
‘
girls to drink beer longer than boys but alw ays ; unless ,
t he champagne beer .
,
\
Tr a vels , vo l iii 11 1 9 . . . .
1 96 I
?
JE A N PA UL FR I E DR I C H RI C H TE R . F RA G . 11 1 ;
cise is the t hird non con ductor of frost The new eulogists
-
. .
the latter Do not let any apar tments for child ren be col d
.
,
along with them all the corn s cold feet thin ten d er soles , ,
.
,
always repres ente d with bare feet If his foot grow i nto .
,
APPE N DI X ] LE VA NA . 1 97
, , ,
, ,
paradise of innocence ?
In ancient G ermany where our ancestors tasted t he ,
in the sun like a fruit from which the leaves have been
remove d S o many chil d ren s games are O lympic and
’
.
p 578
. .
'
2 00 JE AN P AUL F R I E DRI CH R I C H TE R .
[ F R Ad 11 1 .
be formed for this and the body which can inhabit all
, ,
feather bed
I a dd to the above remarks that parents in physical ,
-r
m a k e himsel f m c i e c o m fo rt a bl e , an d ro ll e d hi m se l f a sm a l l p i ll o w o u t
o f th e sn o w Wha t sa id hi s fa t her ( Si r E v a n C am ero n ) , w i l l yo u be
.
”
,
so w o m a n i s h a n d ki c k e d w it h hi s fo o t t he s n o w p i l l o w a w a y fr o m
u n d er h i s hea d — A h o ur ide al w o u l d be t o r i va l o nl y t he so n o f S i !
.
E va n C am e ro n .
APP E ND I X ] LE VA NA . 201
a stonished at the boldness with which any n o docto r and -
,
both lotto and lottery at once both the gre at prize and ,
that fi ft h in or d er !
Whenc e comes this absurd pretension to the art o f
healin g among women a n d— let u s include ourselves
a mong other human b eings myself for instance ( who se ,
"
,
pl i e st , j o nk j
,
a ck
pud di n g barber a n d d a me
,
-
, , .
202 JE A N PA U L F R I E D RI C H R I CH TE R
L
‘
. F RA G . 111 .
give her his han d The b loo d fearing eye of women would
.
-
’
Meanwhile as no woman s mind will s u fi er itself to be
,
’
,
204 J E AN P A UL F RI E DRI CH R I C H TE R .
L
E BA O H 1 11 .
also just as soon for weeks together let them dig like a
, ,
fro m scarlet fever : and this not that they become well ,
P S
. If you shoul d have purchased Dr Marshall s
. .
’
WHI CH TH E A UTH O R BE S F OR A G TU TO R .
i nfa n tu m— have this great fault that they shine bril liantly .
reader consents .
’
to the Spirit of L aws S ince at every university there are
.
, ,
2 06 J E AN PA UL F RI E DRI C H RI CH TE R .
[ A PPE ND . TO
.
, ,
worms ?
Heavens ! how is it that I always fi n d something goo d
i n books on e d ucation and so sel d om anything of it in ,
— for m a n l
h ate those living aversions to little ones
i
,
secrate every thing for the young even the swa ddling ,
he also teaches i t .
JE AN F R I E DRI C H R I C H TE R A PPE N D TO
~
. . .
bo xes .
that too well ) I must retire with a longer nose and not
much shorter ears ; for your present fi gu r a t i v e style
(since in heaven or U ranus you are near the greatest
o bjects and worlds—Jupiter and Hell — and have them to
inspire you ) must b e totally d i fferent from any other even ,
1
Mela nge d hi sto i re de V i gn euel —
. ’
Marvi ll e .
t r msr '
vo n ] 5 L E V ANA . 2 09
, ,
voice all kind of inau d ible matter bet w een the particle s .
lose a syllable .
’
word attache d ?
What else are most lessons to chil d ren — as most men s ’
a ttention ?
You now know what ki n d of a spiritual father I the ,
’
o nly speak of t he tutor s soul His bo d y may just as well . .
I. P
210 J E AN AU L [ A P PE Nn
r
P FR I E DR I CH R I C H TE R . ro
'
an d , moreover at such a di tance for light and heat
,
s ,
t ec t i n
g d eity Pallas was might perhaps i n flu en ce you , .
m y fi r s t chil d .
said about that star — its double name indeed says two , ,
-
especially the star possesses this excellent qual ity (and
many others) that it occupies a very perfect position in the
heaven n either too far from the sun nor too near the
, ,
from Hesperus .
e arth a n d that only when the sun has not yet risen
, or ,
no w ,
when islands are hurle d there come but stones tomb , ,
’
s pring storm than the snow fall of age
. A s true as -
.
man .
parts .
’
“
I exclaim You are the man for me (i f not indeed
, , , ,
’
learn languages is to thro w away one s money in buying
beautiful purses or to learn the L ord s Prayer in all lan ,
’
’
‘
1 a gree with all my heart 1 said he boldly
,
‘
So .
branches of k n o w l e dg
oi
- antiquity of heral d ry & c a n d the d octrines of natural
, , .
i
V ag a s Ot n ss i t g
a o N u n di n a P a v e n t i a C a r n e a fi“ Coul d
, , , ,
chil d might at one time have his sub lime tutor at another ,
they might not all run into one another a n d the poor
chil d stan d there like a stupid angel who knows nei ther ,
assured that were the good G ellert stil l liv ing I would
, ,
F O U R TH FR A G ME NT .
A
O N F E M LE E DU C A TI O N .
7 6— 7 8 C H A P I I I N a t ure o f Wo m en P ro o f o f t he i r
_
C hild ren , . . .
,
e d m i P f — 86 O H AP I V E d u ca tio n o f
p r o n a t i n g ur i t y o H e a r t § 7 9 ,
. . .
G ir l s i n r eg a r d t o R e a s o n a bl e n e ss , 8 7 , 8 8 ; t o P u ri ty o f H e a rt a n d
L o v e o f t heir o w n S ex , § 8 9 ; to G en t l en ess , a n d t he Te n d e n c y t o
F e m a l e P a ssio na t en e ss 90 ; t o E c o n o m y o f L ivin g, a n d D o m e s tic
,
C H AP T E R I .
”
Honourable and dear sir ! (I was thus to put the
a ddress to me into her own m outh lest the joke should be
continued ) I confess before G o d a n d yourself that I a m
a poor pedagogic sin ner a n d have b roken many commands ,
carrie d out any one principle for a month but only for an ,
F R I E DR I C H R I C H TE R . R AG . I v.
o nce refused ; and that prec sely at two seasons the mos t
i
,
heart ?
A t other times I have indeed (and that consoles me )
,
blame who d islikes that excee dingly and says Chil d ren
, ,
[ F R AG . I Vc
of the honeymoon .
against i t .
,
Q H AP . L ] L E VANA . 22 1
person .
s taring !
’
r e fle c t i n
g on my anger The R omans did wisely
, when
they wrote the initial l e t t e r o f the wor d signi fying man
’
inverte d to in dicate woman .
” ’
t o forgive me my sins in G o d s stea d In wh i ch case I .
her futu re si ns , .
22 2 JE A N PAUL F RI E DR I C H R I C H TE R .
l F R AG I V. .
§ 76 .
SE C O N D CH APT E R ,
sees and educates his chil d ren for an hour or two must be ,
§ 77
’
o nl y marks full stops in the chi l d s l ife the w ife com m as ,
”
e xclaim Mothers be fathers 3 a n d
, Fathers b e
, ,
”
mothers ! for the two sexes perfect the human race a s ,
g arment b ut the,
very instrument of instr u ction and
education Towns a n d countries have female names and
.
,
,
e
y o u then
,
negle c t the fairest
,
time for work i ng purely an d
cH A P . LE VA NA . 225
fly to you even from their father can you not watch over ,
, .
,
2 28 J E AN PA U L F R I E DR I C H R I CH TE R .
[ FRA G . I v.
two selfs ; a woman but one and need s another to see her ,
, ,
both headlong .
81 .
L ove is the life spirit of her spirit her S pirit the law
-
,
woman who coul d demand from the S toic sage indi fference
,
this bridal dower of love not as men often think that they , , ,
time love the four quarters of the world and her own child ,
prob ably arises from this very fact that among b oys and ,
girls sent at the same age to school though the lat ter
, ,
mature sooner they yet retain their play pers ons longer -
S ee 83 .
2 32 J E A N PA U L F R I E DRI C H R I C H TE R .
[ F RA G . I V.
and the author that now for a few pence which he d oes
, ,
cooker and the hus band regards the wife as the b arn a n d
outer she d of his household goo d s H e is far m ore created .
for her than she for him : she is for physical what he is
for mental posterity Fleets a n d armies prove the dis
.
e n sa bl e n e ss of women ;
'
bloom .
animal king d om that the male shows his greatest cou rage
,
s aves not for self but for her chil d ren ; love of t r i fles ;
love of talking ; the gentle voice and many things whi ch ,
we blame .
“
But it may be objecte d to this view of woman s
,
’
v irgin heart resign all for the sunrise of life for the fi r s t
,
,
-
the mai den thi s worl d joined with the next Who then
, .
, ,
narrow present who has emb odied all those d reams which
,
, ,
-
, ,
86 .
happiness .
CH A PT E R I V .
E DUCA TI O N O F G I R LS .
The last is prob ably the most spiritual school for obtai ning
clearness of i d eas patience and circumspection to which
,
hero so ab ove the mother does the human bein g rise pre
, ,
order to be preserved .
late but not too soon ; and the G ermans of Tacitus pre
,
in many battles .
, ,
.
,
, ,
y our daughters .
husbands retain the love of your wives and you are raise d
,
very early age you may cover with a coloure d veil many
imaginary fears : for instance you may tell a ch i l d that ,
B
.
24 2 J E AN PA U L F R I E D RI C H R I C H TE R .
L F RA G . I V.
89 .
, ,
con duct of the worl d which regard s the errors of men but
as the chicken pox which leaves few or no marks behin d
-
remem b rance .
alarm at our sex that pru dish abuse of a sex from which
every one must make an exception in favour of her father
a n d her husb and There is a kind of bad unspiritual
.
,
, .
, , .
after warm rain by their own native force For this very
, .
’
S omewhat better than girls b oarding schools are day -
take the part of the s ufferer not of the beast of prey but , ,
Clarissa .
”
calumniation or the doing to d eath by ev il tongues
, ,
“
S hould we not then seriously exclaim , O h ! mother , , ,
90 .
not bringing cure may yet possibly avert the evil will
, ,
’
P a ssionateness in a woman s soul is often found united
with all the o v er flo w i n g fulness of a deep noble heart y e s
even with predominant gentleness and a ffection —and y et
,
a n d all who love or are loved by her into the most irre ,
m edi a b l e misfortunes .
Charles the Tw e l fth ha d sent forth all her men at the cal l ,
husban d s .
lab our not lab our a n d exercise ; for that spinning while
,
for the higher classes who must refr esh themselves from
doing nothing by doing little easily converts the pattern ,
1 S u mar ak o i f s To ur i n t he C ri me a
' '
J E A N PA UL F R I E D RI C H RI C H TE R .
[ FR AG . IV .
’
than man s is less o bvious even i n crabs o f which t he -
female has much the fewer legs un d er its tail— than in the
human foe t us it s elf for the boy be gins to move in t he
,
, ,
92 .
R ome who was also the god d ess of corpses among these
,
so ,
I should merely be lost in astonishment that the
women— for the thing is practicable as Humb o l d t and ,
. . .
, ,
for ins tance the i d eal of the sculptor otherwise than after
,
up a n d down ?
Ye holy women of G erman antiquity y e knew as little
of an ideal heart as of the circulation of the pure blood
which flu s he d and warme d you when you said I do it for ,
93 .
n ew -
schools of philosophy who instead of a clearly defi n e d ,
for a princess .
whi ch only con ducts from one past age i nto another For .
steal s too much time from the hus b and and childre n
therefore it is usually a lost art .
I. S
25 8 JE A N PAUL F RI E DR I C H R I C H TE R .
[ F R AG . I V.
them .
p o s el
y employed I wish that for this. end an octavo
volume full of foreign words wi th an explanatory ency ,
o uter one spre ads out sentiments as snaring nets for the
. .
CHA R L E VA N A . 26 1
rest .
RI C H TE R . . Iv
well as afterwar d s of the rea der— neither thi nks any more
about himself In a sea fi ght no N elson is vain ; in a
.
-
ones .
’
Do not permit nurses la d ies mai d s and such like locu sts
,
-
,
, , ,
] 265
'
CH AP . 1v . LE V A NA .
,
n
honey moon into a resol ute honey hunting bear who will
-
,
-
,
, .
have bribed and won joy and her husb and and her , ,
children .
weeps for love and the irrepressi ble tears mirror the who l e
,
gentle heart !
Wherefore ye mothers do not merely su ffer but assis t
, ,
A l ex a b A l ex li b I c 24 . . . . :
J E AN PA UL F RI E DRI CH RI C H TE R .
[m a Iv .
First j u st l
, y For woman is appointed to be the V esta o r
.
,
cha p t er .
. (JH A P . LE VANA . 2 69
CH A PT E R V .
,
,
y ou
.
.
,
gla dly sit to herself and paint herself in the living copy
o f her daughter ? A n d why d o the simple priests at the
a ltar only pray that princesses may become happy mothers ,
c hil dren
But my goo d la d y I hope you will not carry too far tha t
, ,
(p er haps from fla tt er
y) as original tr a its as pi uant a n d
q ,
2 72 J E AN PA UL F RI E DR I C H R I CH TE R .
[ m a I V,
rea lly do not like to think how the health of royal persons
must b e undermined b y things whi ch they prob ab ly drink
every d a y ; ha d I an heredi tary prince royal I should
al most lose my senses with anxiety !
I shoul d wish you to allow my The o da to read more
E nglish than French b ooks a n d more G erman than both , .
, ,
, , , ,
V a rr o .
I I
27 4 J E AN PA UL F R IE DR I C H R I C H TE R .
[ F R A GL I V .
perishes ere she herself dies nee d s more than a man does , , ,
woman could more easily close for ever her mouth than
her heart .
, ,
CH AP v . . L E VA N A . 277
make but very little show with i t but then one can ju d ge ,
wi nds blow tha n behind the low hull of the ship a 1 e only ,
, ,
si s t o r i l c o u n c i l l o r i n Bres la u Pri nc el y an d di ea m
L
N w c
o o n a -
.
l ike tr n m u t a t i o n w i tha l
a s .
2 78 J E A N PAUL FR I E D R I C H RI CH TE R .
[ F R A G .
-
IV .
lab oured for abo ut half a year if it have not been pro duced ,
, , , ,
to do hon our a t the same time to both rank and sex and ,
remain standing .
Writ t en in 1 8 05 .
rm a
28 0 JE AN PA UL F R I E DR I C H R I C H TE R .
I . Iv
hea rt ; this will co mpen sate her for all her sac r i fi ce s : a
chil d s love is more certain than a husband s
’ ’
.
more surely in her hand than does the tutor of a pri nce
for t he latter is relieved and removed and his succes sors,
, , ,
i nto errors .
( 281 )
F I F TH F RAG ME NT .
CH A PT E R I .
O N TH E E DUCA TI O N O F A PRI N CE .
O N TH E E DU C A TI O N O F P R I N C E S , A DDR E SS E D TO MR . A DE LH A R D,
’
P RI N CE S TU TO R A N D PR I V Y C O U N C I LLO R .
Ba i r e u t h, O c t 1 , 1 8 05
. .
of a pupil .
richest bear all the rest which time heaps on him I cann ot
, ,
’
c a n be nothi n g grea t er i n a woman s eyes A s the em peror .
C R AP . L J LE VANA . 285
’
the crown can comman d when he will twelve children s , ,
’
It were also d esirable if kings chi l dren could associate
with their equals in the school room ; — I mean if there -
eq uals ; the heir to the thro n e sits in the room alone with
his tutor Princes only learn the art of war with an
.
“
country which a courtier ad dresse d as V ous Monsieur
, ,
”
Chien though in former times the term monsieur was
,
himself .
, , ,
weakness of age .
. .
, . .
I , U
290 JE A N PA UL F RI E DR I C H R I C H TE R .
[ F RA G . v.
prince like his po s ition in the state is the only one of the
, ,
is not merely the fi r st serv ant of the state but its very ,
, ,
‘
all the forces nor as a minister of foreign a fi a i r s nor as
, ,
“ ”
princes is but a passive council of fi v e hun dred ; and
even goo d may only be done a n d published by permission
of the subjects .
for art —as Fred erick the G reat ha d a genius for govern
,
the laws of art even in the midst of his cruel ties and
*
,
, ,
He o be ye d t he o r c he s t ra r e g u l a t i o n , n eve r to
-
si t d o w n , t o ha v e no
i
oc cas o n fo r po c ke t ha n dk e r c hi ef o r Spi tto o n , &c
a
. Ta c A n n
. . xi v . 15 .
1
’
Al ex . ah A le x . iii . 21 .
294 JE AN PA UL FR IE DRI CH RI CH TE R .
[ FR A G . v.
l
p fi ed in Frederick the G reat
i There is a wi der prospect .
-
, , ,
o
“
I woul d rather gir d on my armour than m ake laws .
quickly gaine d .
with gunpowder .
But how can a young prince ever behold the dark side
of the glittering form of war that hellish stream which ,
all wise men and poets cursing war the last ghost a n d ,
great that little misdeeds never reach thy ears and great ,
ami dst the screams and discord exchanging all his plan s ,
’
of life for a few moments i n dulgence and lawless freedom ,
’
lower R ome s free spirit sank the more wi l d ly and ,
the best soldiers were those who love d plun der and
violence ; and G eneral Fischer has a dded to these vaga ,
How col dly d oes one walk in history ove r the countless
battle fi el ds which fil l the ea rth with b e ds of death !
-
longest and bravest war and the only one which admits ,
sowed the steep cli ffs which b ound the mighty ocean
with balmy spice plants ; which in Cato the younger
love d and b ewaile d his b rother with all a woman s ten der ’
C hristian .
, , ,
3 04 J E AN PA UL F R IE DR I C H RI C H TE R .
[ F R A G . v.
es s ential .
month to month the cost of the new tri u mphal arch es for
fresh vic t ors there is nothing more rare than an honour
,
B a i r eu t h J a n n ary 1 8 06 , .
A n t B ull
. . 0 . 30 .
32
£ .
J E AN P A U L F R I E DR I C H R I C H TE R .
[ F R A G . v .
quen tly a king can choos e whether he will all day kill
o r make alive The s c eptre should not be a rod o f
.
f rm of a lily
o It i s easier like the tragic Cr e bi ll o n
.
, ,
a llegory
*
.
or we ddings .
J P F . . . R .
P o s ts cr i pt .
—A s
there was no post this letter to you , ,
a mere waste of paper and ink and says I have only for ,
“
prince and t utor H e asked me to teach him what u se
.
”
Truly not ha d ! said I
,
for by this means the ,
.
,
is my friend
,
1 02 .
“
our former position that woman does not divide and
,
”
contemplate hers e lf as man d oes we might de d uce the ,
1 03 .
Hence the latter expects his boys to resemble the Iroq u ois ,
1 04 .
d e fi a n c e i s something
,
Woun d s got i n the street a e
.
t
’
the e the schoolmaster s r o d al s o lets blood ;
"
H om . i v 2 97. .
3 14 J E AN P A U L F R I E DR I CH R I C H TE R I E B AG v1 ;
'
'
. .
able metho d !
How c a n the torture system of the punishing police so -
a chil d s ear eve n more caref ully than his eye The ear is
’
. .
not even in love — does fancy push its creative and ruling
power so far as in fear C hi ld ren else religiously be .
,
lie v ing all their parents say anxiously d esire the word ,
fear less what has alrea dy hurt them than what their
parents either by look s or w or d s have mentioned with
, ,
“ “ '”
L o o k l f or even
’
exclaimin g in the night L isten ,
, ,
, ,
’
fear a n d courage ; b u t t he parent s fear is doubled in t he
child ; for where the giant tre mbles the dwa rf must surely
fall
.
p of
ea r a n c e much su f
f ering as if there were
, so much t o
lose in life that he could even lose himself : at most let
him only point out a gloomy future but not anxiety con ,
only to see its domestic cowar dice not its pu b lic courage , .
1 05 .
—
as the l i o n fi but by saying more truly “
What i s i t ? ,
u i she d and put to fli ght b y one honest man with his son s
’
q
help We pursue the routed army for a little d istan c e
.
,
, ,
, ,
1 06 .
, ,
J E AN P A U L F R I E DR I C H RI C H TE R . R A G . VI .
t hen to take or to do i t
, A n d never command any thin g .
'
tw we .
no t hing is ma d e master
,
The manner in which t he .
which ennob les him Those who are o b e d ient only fro m
.
’
O nly great o bj ects can worthily occupy a b oy s heart ;
a n d what e x cep t knowledge can fi l l it be t ter than the
, ,
3 24 J E AN P A UL F R I E DR I C H
'
R I C H TE R
-
.
[ F R A G . v1 .
holi d ay .
, ,
i n fla m m a b i li t y of his passions ,
resem bles that metal in
connection with sulphur at whose touch the hot bar of ,
,
CH AP . L J L E VA NA .
a balance
A s with the strength so it is with the light whi c h ,
, ,
stupid savage let him see that the true inner fi r e of the
,
1 08 .
t he sky .
, ,
one .
to b e a n d to the i d ea of G o d
,
.
come in the late season of life has been but a late growin g ,
-
his spring time With what else than the brea d cart of
? -
thing .
CH A PT E R II .
TR U THF ULN E SS .
fT
1 09 .
RU TH F U LN E SS — I
mean the fact of speaking truth
intentionally and even to the injury of self— is less
,
110 .
L ying ,
that devouring cancer of the inner man is more ,
A nton *
tells u s that lying is originally d erive d from
to lie z e to b e prost r ate probab ly in reference to t he
'
. .
, ,
a bject slave who d are raise neither body nor min d L ying .
a n d stealing
(which ,as an acte d lie
,
d eprives of honour ,
-
.
,
H is to r y o f t he G erm a n N a ti o n i 6 6 , . .
r S c hm i d t s H is t o ry o f t he G e r ma n s vo l i v
’ ’
. .
,
I C o l q uhoun . G ro s i er .
3 32 JE A N PAU L F R I E DR I C H R I C H TE R .
[ FR A G . V I.
m ent of the soul is opened by the mouth and its last will ,
is ren d ered invisi ble by the single blast of a lie for one ,
a gains t others .
112 .
, ,
C HA P . LE VANA . 3 33
hope ; if the b ird or the dog have gone away they will ,
sa
y without any further reason It will come back again
, ,
.
i n the case of child ren b efore whose little ken time and ,
re se n t s w hic h a d o rn t he C hr i s t m s t ee — TR A N s a r
p . .
'
1 F o r t he t u e l i a r sel do m j o k e s a n d t he t r u e Wi t d o es n o t li e fr o m
r , ,
T
a , .
,
i m Cla r as C e n t i i 3 8
'
. . .
,
34 J E AN P AUL F R I E DR I C H R I C H TE R .
[ F RA G . VI .
l ast and nob lest fruits of truth ? How m uch you err i s
proved by the fact that lying chil dren— all other circum
.
113 .
ke ep his word .
which serves the min d worse than the stomach into the ,
planning for some one you love The clear sky of child .
”
i n a b ility to u t ter an imme diate and d ecisive no .
.
,
FE A F . LE VANA . 3 37
you ab out all things but especially for and agains t you
, ,
L Z
3 38 J E A N P AUL F R I E DR I C H R I C H TE R .
[ F R AG . vi .
X
a n d to make complimen t s to s trangers ) .
CH A PT E R III .
EDUCA TI O N O F TH E A F F E CTI ON S .
1 14 .
mination .
34 0 JE A N PA UL F RI E DR I CH R I C H TE R .
[ FRA G . VI .
town How else can the chil d learn to love the world
.
chil dren tha t o t her chil d ren are ill brought u p I have -
.
“
The simple comman d Forgive the sinner means , ,
o r at mos t
, You are as good as Mary
, .
1 17 .
which alone t he goo d ness of our nature can u nfol d all its
love little nee d s here be printed b ecause I have alrea d y
,
”
printed much a b out i t ? Individuals yea whole nations , , ,
I n t he L i fe of S i e be n ka s B oo k I
. .
3 42 J E A N P A UL F RI E D R I C H R I C H TE R. [ F R AG . Vi .
from the one into the other but not when he is a party ,
success .
§ 118 .
.
,
less a heart ?
trees .
ing is l and of fles h : the lion comes like anger : the horse
fli es like victorious pride : little m a d sprites r e d green ,
, ,
,
.
won der drops from the clou d s in which the two s t rong ,
kille d a bird without any reason woul d just as rea dily kill
his father and the E gy ptian priest consi d ere d it impious
t o d es t roy any animal except for s a c r i fi c e These embo dy .
c o u r a ed ins t ea d of represse d
g (as some nations have b een
led to eat men from eating monkey s ) the hard necessity
of the case the careful ten d ing previously a n d the su dd en
, ,
poison it when man who now honours the mul t iform part ,
more sensi bly than the light whic h is lost in the blaze of
his own But if love be innate a n d if the heart be as
.
, ,
’
You may teach a higher than O vid s A r t of L ove by ,
’
of chil d ren less b y pictures of people s necessities than of
t he j oy produced by relieving them For the l ittl e hear t .
CHA P . L E VA NA . 34 9
warm .
good or harm
, These few wor d s sai d in a proper tone ,
.
,
CH A PT E R IV .
1 20
.
1 21 .
J u pi t e r .
of strange chil dren and indi fferent people have less e ffect
t han those of the persons they most respect — their ,
res idence .
The younger the chil dren are the more rapidly may
we pass before them from jest to earnest ; for they do so
themselves A ll their mo d es of going from one thing to
.
1 . 2 A
3 54 J E A N PA U L [ G
“
F RI E D RI CH RI C H TE R . FR A . VI .
are many more a n d for the most part they are close ly
collected round about the em b ryo ; even as failing age
sets them at wide intervals one from the other The leap .
, , .
, ,
’
S ince the history of hi s parents chi ldhood must have s uch
fresh a n d unceasing interest for t he child how great a ,
stories the impulse which shall carr y them over our cold
,
the way to the highest they lose the path ; just as Charles ,
*
a R upert ) s eated on the moon surrounded w ith none bu t ,
the children gaze upon the moo n and the re dness of the
e vening sky a won derful delight will gently fil l their
,
p ,
them nor yet the little stage where they are themselves
,
the actors — but t he opera house ? Does not the opera reveal -
V ide previ o us n o t es .
3 58 JE A N PA U L F RI E DRI C H RI C H TE R .
[ F RA G . vi .
11 the Z au b e r flot e
1
) like the union of a monkey and a nun
, ,
dance the dancer goes down the mid dle and up again
,
3 60 J E A N PA U L F R I E DR I C H R I C H TE R . r a n c} . v 1.
u
p by chance merely without rule irritated and appeas e d
, ,
1 26 .
, , ,
’
care both for a chil d s obedience and freedom is one of the
most d i ffi c ul t requirements of education The parental .
1 27 .
that the youth of those perio ds was better than the present
S carcely s o V ogel reckons amongst the incitements to
.
still less where boys are Boys d o harm to boys far more
.
about persons .
e .
'
3 64 J E A N P AUL F R I E DRI C H RI C H TE R .
[ Em a V1
wa
y . The author received his fi r st instruction in this
article of Christian faith after eighteen years study of ’
an answer .
’
In short if there be any time when one person s a i d i s
,
namely the head that is let him reserve for tha t season
, ,
the volcano but the lava pouring into this sea will merely
harden into a rock and the evil will be les s than t he
,
anxiety For out of all the yawn ing and dreaded pre ci
.
, !
a gra v e !
36 6 JE AN PA U L F RI E DR I C H R I C H TE R .
[ F R A G . VI I .
S E V E N TH F R A G ME N T .
CH AP . I . Mo r e ac c u ra t e
d e fi n i t i o n o f the desire fo r int e ll ec t ual
p ro gre ss , 1 28 C R A P I I S pe e c h a n d w r it i n g ,
. . . 1 2 9, 1 3 0 .
C HA P I I I A t ten t io n , a n d t he po w er o f a da pt i ve c o m bi n a tio n
. .
D e v e l o p m en t o f r eflec ti o n , a b s t r ac t io n , a n d s el f k n o w l ed g e ; to ge t her
-
t he mem o ry , .
CH A PT E R I .
DE V E LO PME N T O F TH E DE SI R E F OR
‘
ON TH E I N TE LLE C I U A L
P R O G RES S .
1 28 .
— ‘ "
ca ll painting seeing o r the intellectual powers but ,
with mind neither for the present nor the future who ,
, ,
reversed .
C HA PT E R 1 1 .
S P E E CH AND W RI TI N G .
the one last learned nor is one depen d ent on another but
, ,
of quicksilver ) a n d b y it no m ov e m ent ca n be o b s e 1 v e d
.
.
s i gn i fi e s a whole sen t en ce
- A village c hild is inferi o r to a
.
once and tha t within the child soon dies without the , ,
v el o m en t b
p y means of language to a foreign tongue ?
stand explain one half and thi s wi th the ass i stance of time
, , ,
- -
l ,
, j
a lr e ady carries hal f hi s world tha t of mi nd— t he ob e c t s ,
3 72 J E AN PA U L F R I E D M UH R I C H TE R .
[ AG
F R . vn .
. rn o n
g the great power s of education Certainly the .
.
, ,
the i deas We will not here lay too great stress on the
_
fact that the letters which S evi gn e wrote are much more
e legant than those she dictate d or that Montesquieu ,
whence many ded uce the curt style of his writings but it
i s certain that our representation is much more a mental
seeing than hearing and that our metaphors play far ,
, ,
JE A }: P A U L F R I E DR I C H RI C H TE R F RA G V 11
'
. . .
each line will be worse wri t ten than its pre d ecessor b u t
i f the copy change frequen t ly he will have a n e w source ,
this case novelty will exert its power over the attention
, ,
[ FR AG . vn .
1 32 .
, , ,
. R . vu .
’
There fore Pestalozzi s g i a du a l and luminous accumula
t ion of arithmetical and geometrical proportions is r ight : it
is teaching to carry an increasing weight like Milo s calf * ,
’
(v . c o m pl e te J P R ic ht er v o l ii 2n d edit i o n, pp 1 1 9, 1 2 0
w o rks o f . , . . .
}
upon reality .
“
i t thus : Popular authors do not permit their ideas t o
rule according to the choice of reason bu t accord ing to the ,
”
natural succession of birth A n d you might conclude i t
.
C H A PT E R I V .
DE V ELO PME NT O F WI T .
1 34 .
be cause its e fforts are easy and momen tary ; the mos t
useful becau se it compels the new machinery of ideas t
,
o
1 36 .
V i de m y Int r o d uction t o ZE s t he t i c s ii )
( , .
but d rive i t out —the air bag of the whale out of which -
,
-
t he concealment of the G reeks in the Trojan horse
was a living transmigration of souls — when calculations
b ecome longer logarithms must be ma d e of logarithms
,
d ucte d sou l s both into heaven and hell &c &c The , . .
'
, ,
‘
said — ,
“
G o d is the only perpetuum mobile ; — the Hun
g a r i a n s preserve both their wine an d their b eehives in t he
ear t h ; — Constantinopl e looks beautiful from a distance ,
S t ee ,
. .
, ,
sai d ,
E very night we are seize d with apoplexy bu t in ,
1. 2 0
3 86 JE A N P AUL F RI E DR I C H R I CH TE R .
[ F R A G . VII ;
himself .
“
A i r o f L evan a i n t he G6tti ger G el ehrt e A n ze ige
r e v ew e n -
,
”
a
li tera r y j o u rn al so ca l l ed an d s till publ i s he d a t G ot t in gen
,
.
388 JE AN PA UL F RI E DR I C H RI C H TE R .
[ FRAG . VII .
into the cita d el of the soul so that they may learn thence
,
1 38 .
the man of the worl d must l ook at once within and with
out unblin d ed by what is within unalarmed by wha t is
, ,
he himself move yet never alters the circle nor chan ges
,
i t s position
.
CH A P TE R V I .
140 .
so n g a n d t he ha w k hi s c un n i n g
. j us t a s a t a n e a rlier s ta ge ea c h lo ses
hi s na t ur e t hro ugh a de bi l i ta tin g w a n t o f sl eep .
3 90 J E AN P A U L F R I E DR I C H .
R I CH TE R .
'
L
FR A G . VII .
Homer in twenty one day s : but then these are books full
-
afte r the careful erection of the sca ffol ding we may begi n ,
141 .
hi m .
a l o u d every b o dy woul d t r
, y to remem b er t hem b u t unles s ,
. .
ca the ter
(al t ho u gh the last two are f oun d occasionally
more d i ffi c u l t than that of totally d i fferent
o nes. There are few age d men who re m ain at home a n d
are able to remember or relate the little c i r cu m s ta n ce s o f
t heir m onotonous life for a fortnigh t : by t he constant r e
currence of the daily echo the his t ory of their lives is as
m uch shortened as life itself is prolonged The history of .
can teach chil d ren to read or write the let t ers easily by
pointing out t heir resem blances and laying b efore t hem ,
the resem blance t ha t exi sts among them S e the old plan .
1 42 .
1 44 .
n .
, ,
p i o us m an , t he ric hl y gifted po e t .
3 98 JE A N P AU L F RI E D RI C H RI C H TE R .
[ F RAG . V III .
into subject and this again into that like the candle
, ,
and spring and sex and poetry the child regards poeti cal
, , ,
, , ,
.
, ,
, ,
.
,
CH A PT E R II .
147 .
p ,
in this case the youth may gla dly confoun d with the
,
E g to m a n y a o n e o f Wi el a n d s w he re i n t here i s o ft n n o thi n g
’
, e
G me k o u t t he sce n e a n d t he mo n th n a m e .
1.
4 02 J E A N PA UL 1 3 1 11 133 1 011
1
R I C H TE R . [ F B AG . v m
.
find . A n d th us t he ne w age i s lo s t to u s by t he w o un ds
o f beauty .
148 .
with ys‘
N I N TH F R A G M E NT,
KE Y S T O NE
-
.
1 49 .
1 50 .
151 .
1 52 .
”
all force d fruit say s then the good v e x ed father and I
, , ,
”
have lost my labour and my hope But if t he angry m an .
1 53 .
t a ge o u s ly resu m ed .
4 08 JE A N PA U L [ m
'
F R I E DR I C H R I C H TE R . F
a 1x .
school hours -
The devils removed into historic distan ce
.
’
Certainly a s regards children s su fferings we mus t
, ,
or,
as a novice in life s mysteries he like the ancient ’
, ,
logical fi gu r es or a so n a ta 21 qu a tr e ma i n s
,
A n d did he not
threa t en the rod to 1 7 07 children who did not receive
i t a n d m ake 7 7 7 kneel upon round hard p eas a n d 6 3 1
, ,
.
a n
y one ha d d on e this why did he not keep a n account o f
his blows like H au be r l e from whom alone we have to
, ,
J ournal ?
Bu t I fear most teachers only deserve the con
t e m p t u o u s su r name of C aes ar i u s fi who w a s called t he
Mai er .
4 10 JE AN P A U L F R I E DRI C H R I C H TE R .
[s m a 1x .
d rives the cattle away from wrong roads with much fewer
blows t han the children The receipt of four kreuzers .
repaid by pain
Isocrates wept from sham e to receive co llege fees ,
A l g Li t Z
. . e it un g . N o 2 67
. . 1 8 05 .
412
. J E A N P AU L F R I E DR I C H R I C H TE R . I F BA G . IX .
155 .
tem plate two fair world s his own y e t hidden a n d one left ,
child s pla ce but not every new friend into the friend s
’
,
’
most holy age a n d after the loss of their only father they
seek an a dopted one here below .
”
They stretch their hands upwards sai d she a n d kiss , ,
” “ ” “
them to u s A n d hark ! he said
. how the thunder ,
ren .
”
Which are the great children asked she who , ,
9 ” ”
are to be our two parents D ost t hou not see replie d ,
he,
how these angels sleep under the ear t h and t hen rise
Up from i t ? L e t u s fly quickly ! A n d the children
approache d nearer to the fla m i n g earth and said L ook ,
kis s u s !
They were born just as the world full of sins va n ished , , ,
Chi l dr en .
Ti re P u bl i s her s a r e n o w i ss u i ng I ke L i br a r i es i n a N E W A N D
M O R E A T TR A C T1 VB S T YL E O F B I N D I N G Tlze o r zlgzrza l
'
bi n di ng s end ea r ed t o m a ny bo ab l ov er s by a sso ci a t i o n w i ll s t i l l be -
p
bi n di ng , u n l ess t be co n tr a ry i s ex pr ess ly s t a t ed .
Wo r k:
/
N ew Vo l u me s br a n ches of
o f S l a n da m
’
i n {be v a r i ous
qf t k e o r ks co n t a i ned i n i t l .
l l o w i ng Vo l u mes as r ecen t l y i ss u ed o r n o w i n pr ep a r a t i o n
f o
Li ve s of t h e P o e ts E dite d by M r s N a pi e r 3 V o ls
’
Jo hn s o n s .
[ S ee 15 5 . . .
, .
N o rth Li ve s th e N o r th s E di te d by R e v D r
’
of v o ls
s . . .
Jesso pp .
3 .
[ S ee 13 7 . .
G oeth e s ’
F au s t . Pa r t I . The O rigin a l Te x t , w th i H a y w a rd
’
s Transl a tio n
and N o t e s, c a re fu ll y re v i s e d , w i t h a n I n t r o du c t i o n Bi bl i o g r a p hy , by C A Bu c h
a nd . .
K i n g s C o l le g e ,
’
he i m , Ph D . .
,
P r o fe ss o r of G e r m a n L a n g ua g e a n d L i t er a t u r e a t
L o n do n [ I n t lze P r ess
'
. .
A r th ur Y oun g
’
s T our i n I rel an d . E di te d by A . W . H u tto n , Lib r a ria n ,
N a t i o n a l Li b er a l C l u b .
[ P r epa r i n g
R i c ar d d on th e P i r nc i p l e s of o
P l i ti cal E c o nom y an d T axati on . E dit e d
w i th N o t es b y E . C K G o n n e r, M A
. . . .
, L e c t u r e r , U n i ve r s i t y C o lle g e , L i v e r p o o l .
[ I n t lze pr ess .
S ch op enh au er ay s
’
s E ss . S e l e c te d an d Tr a n sl a te d . By E Be l fo r t Ba x
. .
[ I n l lze p r ess .
E d ge w o r t h
’
s S t ori es fo r C hi l dr en With 8 . I ll u st r a t io ns by L S pee d . .
[ S ee 15 4 . .
R a ci ne a C o n c l u din g V o l u m e B
’
s Pl ys . S ec o n d an d . Tra n sl a te d by R . .
Bo s w e ll .
[ S ee 15 .
7 .
H o ffmann ’
s W o rk s . Tra n sl a te d b y Lie u t C o lo n e l E w in g .
-
. Vol II . .
[ I n the p r ess .
R h o ns ’
H a db o k s n o of G ame s . New e n l a rge d e d iti on . In 2 vo ls .
S ee f . 2 1 .
Vol I . .
—Ta bl e G a me s , b y M aj o r G e n e r a l D r a y s o n -
, R A . .
,
R . F G re e n ,
. a nd Be r ke l e y .
’
— C a r G a me s by D r W Bo le , ‘
es
11 . R , . . . F . G reen , Be r ke l e y , a nd Ba x t e r
, y ra .
H an d b o o k s e S p orts
’
B o hn s of A t hl ti c .
[ 3 v o ls r e a dy S ee 19 2 1 . . . .
By H o n .a nd R ev E L y t t e l t o n , H W \V i lbe rfo r c e , Ju l i a n M a r s ha ll , M a j o r S p e n s ,
. . . .
R ev .
J A A m a n Ta i t , W T L i n s ki l l , \V B Wo o dg a t e , E F Kn i g ht , Ma r ti n
. . . . . . .
C o bb e t t , D o u g la s A da m s , H ar r y V a ss a l l , C W A lc o c k , E T S a c hs , H H . . . . . .G r i ffi n ,
R G A lla n so n Wi n n , Wa lt e r A r m s t r o n g , H A C o l m o r e D u n n , C Phi ll i pps
. .
-
. . .
-
Wo lle y ,
F S C r es w e l l , A F Je n k i n
. . . . .
F or B O H N S S E L E C T LI BRA R Y, see p . 2 3.
4 B OH N S
’
LIBRA RIB S .
C E LL IN I ( B en v e n u t o )
by h i m s e l f
M e m o i r s o f,
Wi th N o t e s o f G P C ar p a m
.
.
.
".
COX E S
A u s t ri a
j HFi otmo r yt h o fF t h ed
r . e
H o u se o f
s
o u n a t i o n o f t he
Tra n s b y T R o s c o e
.
P o r tra i t . . . M o na r c hy by R ho do lph o f H a 13 sb ur gh t o
t he D e a t h o f Le o p o l d I I By
, 1 2 1 8 1 79 2 . -
S Wi t h C o n t i n ua t i o n f
.
C E R V A N TE G al a tea
'
. A Pas t o r a l Ar c h d n C p x e . . rom
R o ma n c e . Tr a n s b y G W . . .
J . G y ll . t he A c c ess i o n o f F ra n c i s I t o t he R e v o l a .
t i o n o f 1 84 8 4 P o r t r a i ts
Tr a n s by 4 v o ls
x em N o v el s
.
pl ar y
.
E
.
. .
W . K K e l ly
. .
C UN NI N G H A M’ L i v e s o f t h e m o st S
Don te de la Q ui x o Ma n cha . E m i n e n t Bri t i sh P a i n t e rs Wi t h N o t e s
Wi t h L oc k
.
M o t t eu x s Tr a n s l a t i o n r e v i s e d a n d 1 6 fr e sh L i v es by M rs H ea t o n
’
.
3 vo i s . . .
h a r t s L i fe a n d N o t es 2 v o ls
’
. .
D E P O E ’S N o v e l s a n d M i s c e l l a n e o u s
CH A U CE R P o e ti c a l W o r k s
’
S Wi t h . W o r ks Wi t h P r e fa c es a n d N o t es , i n
.
Wi th a
v
P o e ms fo r m e r ly a t tr i bu t e d t o h i m . c lu di n
g t ho s e a t t r i bu t e d t o S i r W S c o tt
a
. .
M e m o i r , I n t r o du c t i o n , N o t es , a n d G lo s P o rt ra i t .
7 v o l5
s .
s ar y , b y R Be ll I m pr o v ed e di t i o n , w i t h
P re l i mi n a r y E s s a y by R e v W W S ke a t , DB L O LM E S C o nst i tu ti o n o f E n g
. .
’
. .
an
.
M A P o r t ra i t 4 v o l s .
l d , i n w hi c h i t i s c o m p ar e d bo th w i t h t he
orm
. . .
R e p u bli ca n f o f G o v e rn m e n t a n d t he
C LA SSIC
TA L E S , c o n ta i n i n g R ass el as , o t he r M o n ar c hi es o f E ur O p e E di t . .
, w i th
V i c ar o f Wa ke fi e ld , G u ll i v er s Tra v e ls , a n d L i fe a n d N o t e s , by J M ac gr e g o r
’
. .
The S e n t i m e n t a l Jo urn e y .
DU NL OP S H i ’
st o r y of F i ct i o n N ew .
By H e n ry Wi lso n
C O L E R I D GE S T ) Fri d A S er i es E di t i o n , rev i sed
(S
’
. . en .
.
.
2 v o ls , 53 e a c h.
o f E s sa y s on M o r a ls , Po l i t i c s , an d R eli . .
gi o n Po r tra i t
. .
E DGE W O R TH S S t o r i e s fo r C hi l ’
/
A i d s t o R e fle c t i o n C o n f e s si o n s . dr e n . W i t h 8 I ll u s tr a t i o n s b y L Sp e e d . .
o f an I n u i r i n g q
S p i r i t ; an d E ssa y s o n
E L Z E ’S S h a k e s p e a r
F ai th a n d t he C m m Pr a y e r bo o k N ewo on -
.
e. S ee S za b esp ea n
E d i t i o n , r e v i se d E M E R S O N ’S W orks v o ls .
.
.
3
Ta b l e -T a l k an d O mn i ana . By Vol I . .
—E s sa y s , Lec tures , and Po ems .
V o l 1 1 —E n g l i s h Tra i t s , N a t u r e ,
T A she , B A
. . .
. . a nc
L e c t u r e s o n S h a k e sp e a r e a n d C o n d u c t o f L i fe .
o t he r P o e t s E d i t by T A s he , B A . .
V o l 1 1 1 — S o c i e t y an d S o l i t u d e —L e t t e r ‘
. .
.
C o n t a i n i n g t he le c t ur es t a k e n d o w n i n
. .
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Wa lle n s t e i n S T C o l e r i dg e . W i lli a m . . .
~
w i t h G o d , o r D e v o t i o na l M e di ta t i o n s fo r
T e ll S i r The o do r e Ma r t i n ,
. LL D . . E v e r y D a y Tr a ns by W Jo hn s t o n e , M A
. . . . .
S C HI LL E R a n d G O E T H E . C o rr e S ULL Y M em o i r s o f t h e Du k e o f ,
.
s p o n d e n c e b e tw e e n , fr o m P r i m e M i n i s t e r t o H e n r y t he G r ea t W i t h .
Tr a n s by L D o r a S c hm i tz
. 2 . . v o ls . N o t e s a n d H i s to r i c a l I n t r o du c t i o n 4 Po r .
tr a i ts 4 v o ls
S CHL E G E L (R ) L e c t ur e s o n t h e
. .
P hi l o so p hy of L i fe a n d t he Phi l o s o p hy o f TA YL O R S (B i s h o p J e r e m y ) H o l y
’
L a n gu ag e . Tr a n s . b y A J W M o rri so n
. . . . L i v i n g a n d D y i n g , w i t h P r a y e rs , c o n ta i n
T h e H i s t o r y o f L i t e r a t u r e , A n c i en t i n g t he Who l e D u t y o f a C hr i s t i a n a n d t he
a r t s o f D e v o t i o n fi tt e d t o a l l O c ca s i o n s
a n d M o d e rn
.
.
o r tr a 1 t .
T h e P hi l o s o p h y o f H i s t o r y Wi t h
TE N B R I N K — S c c B r i n k
.
M e m o i r a n d P o r t ra i t T r a n s by J B . . . .
. .
R o be r ts o n .
T H I E R R Y ’S C o n qu e s t o f E n g l a n d b y
M o d er n H i st o r y , L e c tu r es w i t h t he t he N o r ma n s ; i t s C a u s es , an d i t s C o n s e
e n ti tl e d C aesa r a n d A l e xa n d e r , a n d The q u e n c e s i n E n g la n d a n d t he C o n t i n e n t .
B e g i nn i n g o f o ur H i s t o r y Tr a n s la t e d by . By W H a z l i t t Wi t h sho r t M em o i r 2 Po r
. . .
L P ur c e l l an d R H Whi t e l o c k
. . . . t ra i t s . 2 v o ls .
E : s t h e t i c a n d M i s c e ll a n e o u s U L RI C I (D r ) S ee S M
-
pea r e
es
Wo r ks , c o n ta i n i n g L e t t e r s o n C hr i s ti an
. .
Ar t , E ss a y o n G o t hi c A r c hi t e c t u r e , R e V A S A RI Li v es o f t h e . n en t m o st E mi
ma r ks o n t he R o ma n c e P o e t ry o f t he M i d P a i n t e rs , S cu lp t o r s , a n d A r c hi t e c ts By .
dl e A g e s , o n S ha kS p ea r e , t he Li m i t s o f t he M rs J F o s t e r , w i t h s e le c t e d N o t e s Po r
. . .
Be a u t i fu l , a n d o n t he L a n g u a g e a n d Wi s t ra i t 6 v o l s , V O ] V I b e i n g an a ddi t i o n a l
. . . .
d o m o f t he I n d i a n s By E J M i l l i n g t o n . . . .
V o lu m e o f N o t e s b y D r J P R i c h t e r . . . .
S CHL E G E L W ) Dr a m a t i
W E RNE R S ’
Tem p l a t e i n C yp r u s .
(A . . c Art
Tr a n s by E A M Lew i s
and Li te ra t u r e By ] Bla c k Wi th M e . . . . .
W E SLE Y ,
. . .
m o i r by R e v A . .
J W . . M o rri so n . P o r t ra i t . t h e Li f e o f , a n d t h e R i s e
a n d P r o g r e ss o f M e t ho d i s m By R o b ert .
S C H U M A N N (R o b e r t ) , H i L i fe a n d
'
s S o u t he y P o r tr a i t 5s
W o r ks
. . .
By A R e i ss m a n n Tra ns by
W H E A TL E Y
. . . .
A L A lg e r
. . .
A R a ti o n a l I llu str a .
t i o n o f t he Bo o k o f C o m m o n P r a y er , be i n g
E a r ly Letter s T r a n sl a t e d b y M a y
t he S u b s t a n c e o f e v e r y t hi n g L i tu r g i ca l i n
.
H e r b er t “’i t h Pr e fa c e by S i r G G r o v e . .
a ll fo r m e r R i t u a l i s t C o mm e n t a t o r s u p o n t he
s u bj F ro n t i sp i e ce
SH AKE SPE A R E S Dr a m a t i c A r t ’
.
e ct . .
T he H i s t o ry a n d C ha r a c t er o f S ha ks pe a r e 5
’
Y O UN G (A r t h u r ) Tr a v e l s i n Fr a n ce .
Pl a y s By D r H U lr i c i
. Tr a n s by L . . . . . E di t e d by M i s s Be t ha m E d w a r d s . Wi t h
D o r a S c hm i t z 2 vo l s . . a P o r t ra 1 t .
H I S TO R I CA L A N D P H IL O S O P H IC A L L I B R A R I E S .
22 Vo l u m e: at 55 . ea cb . (5L per s et . )
E V E L Y N ’S D i a r y a n d C o r r e s p o n d JE SS S
E M em o i r s o f t h e C o ur t o f
’
d e n c e , w i t h t he P r i v a t e C o rr es po n de n c e o f E n g la n d u n d er th e S t ua r ts , i n cl u di n g t he
C ha r l es I a n d S i r E dw ar d N i c ho l as , a n d Pr o t e c t o ra t e 3 v o ls Wi t h I n dex a n d 4 2
. .
b e t w e e n S i r E d w a r d H y d e (E a r l o f C la r e n P o r tr a i t s (a ft er V a n d y ke , L e l y , & c .
d o n ) a n d S i r R i c ha r d Br o w n e E di t e d fr o m .
M em o i r s o f t h e Pr e t e n d e r s a n d
t he O ri gi n a l M SS by W Br a y , F A S
the i r A d he r e n t s 6 P o rt ra i t s
. . . . .
4 v o ls 4 5 E n gr a v i n g s (a ft e r V an dy ke ,
. .
Le l y , Kn e ll e r , a n d Ja mi es o n ,
N B - Thi s ed i t i o n c o n t a i n s 1 3 0 le t t e r s N U G E N T ’S (L o r d ) M e m o r i al f s o
Wi t h
.
fr o m E v e ly n a n d h i s w i fe , p r i n t e d b y p e r H a m p d e n , hi s P ar ty a n d T i m es .
m i s si o n , a n d c o n ta i n e d 111 n o o ther e d i t i o n .
Mem o i r 12 . P o rt r ai ts (a ft er V a n dy ke
a n d o t he r s ) .
P E PY S ’
Di
y a n d C o r r e sp o n d en c e
ar .
Wi th Li fe an d N o t es , by L o r d Br a y br o o ke .
S T RI C K L A N D S ( A g n e s ) Li v e s o f t h e’
4 v o ls Wi t h A p p en d i x c o n ta i n i n g a d
.
Q
u e e ns o f E n g la n d fr o m t h e N o rma n
d i t i o na l Le t t e r s , a n I n d e x , a n d 3 1 E u C o n qu e s t F r o m a u t he n t i c D o c u m e n t s ,
.
gr a vi n g s (a ft e r V a n dy k e , S i r P L e ly , .
p u bli c a n d p r i va t e 6 P o r t ra i t s 6 vo ls. . .
H o lbei n , Kn e l le r , & c )
N B — Thi s 15 a r e p r i n t o f L o 1 d Br a y
.
Li f e o f M ar y Qu e en of S co t s .
P o r t r ai ts 2 vo ls
. .
2
b r o o ke s fo u r t h a n d l a s t e d i t i o n , c o n t a i n i n g
’ . .
a ll hi s la t e s t n o t e s a n d c o rr e c t i o n s , t he Li v es o f t h e Tu d o r a n d S tu ar t
c o py r i g h t o f t he p u bl i s he r s . P r i n c es s e s . Wi t h 2 Po r t r a i t s .
PH IL O S O PH IC A L L I B RA RY .
(3l )
'
BA C O N S N o v u m O r ga n u m a n d A d
’
L O G I C , o r t h e S c i e n c e o f I n f er e n c e .
v a n c e m e n t o f L ea rn i n g Wi t h N o t es by . A P o pula r M a n u a l By J D e v e y . . .
J D ev e y , M A
. . .
BA X . A H a n d b o o k o f th e H i st o r y MI L L E R (P r o f e s s o r ) . H i s t o r y P hi l o
s o p hi ca ll y
I ll u s t r a t e d , fr o m t he F a ll o f t he
o f P hi l o s o p hy , fo r t h e u s e o f S tu d e n t s .
By E Be lfo r t Ba x , E d i t o r o f Ka n t s
’
R o man E m p i r e t o t he F re n ch R ev o lu t i o n .
Wi t h M e m o i r 4 v o ls 3 s 641 ea c h
.
P r o le g o m e n a
’ . . . . .
.
C O M TE ’S P hi l o s o p h y f t h e S ci en c es . o
A h E x p o s i ti o n o f t he P r i n c i p l e s o f t he
S C H O PE N H A U E R th e F o u r f o l d
on
R o o t o f t he Pr i n c i p le o f S u ffi c i e n t R ea so n ,
C ou r : dc P fi zl o s op lzze P o s i ti v e By G H
’ '
W 1 11 i n N a t ur e Tra n s fr o m
. . .
a n d o n t he
L e w e s , A u tho r o f The L i fe o f G o e th e
’ . .
t he G e r m a n
.
/
D R A P E R (D r J W ) A H i s t o r y o f
.
. . .
H E G E L ’
S
Ph i l o s o p hy o f H i s t o r y . By
S PI N O Z A ’ C hi e f W S ks
or Tra ns w i th
J Si br e e , M A
. .
M E lw es 2
.
I n tr o du c t i o n b y R H
.
. . . . v o ls .
K A N T ’S C ri ti
f Pu r e R ea s o nqu e o .
Vol I —
T ra c ta t u s Theo l o g i c o Po l i t i c us
By J M D M e i kl e o hn j —
-
. .
. . . .
P o l i ti ca l Tr ea t i se
P r o l e g o m e n a. a n d M e t a p h y s i c a l
.
F o u n d a t i o n s o f N a t u r a l S c i e n c e , w i th Bi o Vol 11 —I mp ro v e me n t o t he U n d er
—E thi c s—Le t t er s
. .
g ra p hy a n d M e m o i r by E B e lfo r t Ba x . . s t a n di n g .
P o rt r a i t .
10 B OH N S
’
LIBRA RIE S .
TH E O L O G I CA L L I B RARY .
BLE E K . I n t r o d u c ti o n t o t h e O l d .
u n d e r t he s u p er v i si o n o f R e v E V e n a bl es , . . . .
4 v o ls . .
R es i de n t i a r y C a n o n o f L i n c o l n 2 v o ls . .
PH I L O S T O R G I U S E c cl e si a sti
—
.
C H I L LI N G W O R TH ’
S R e li g i o n of
H i s t o ry o f S ee S as o m e n
.
_
.
P r o t es t a n ts .
33 . 6d .
S O C R A T E S ’ E c c l e s i a s ti c a l E l st o
C o mp ri s i n g a H i s t o ry o f t he C hur c h {1
E U S E BI U S . E c c l esi a st i c a l H i s t o r y C o n sta n t i n e , 3 0 5 , t o t he 3 8th y e a
o f E us e bi u s Pa m phi li u s , Bi s ho p o f C a s ar ea .
The o d o s i us I I W i t h S ho rt A c co u n t
Tra n s by R ev C F C ru se , M A Wi t h
.
. . . . . .
the A u t ho r , a n d se le c t e d N o t es .
N o t e s , L i fe , a n d C hr o n o l o g i ca l Ta bl es .
SOZ O M E N ’S E c c l e s i a s t i cal H i et o
Wi t h N o t e s , Pre fa t o ry
—
E V A G RI US H i st o r y . o f th e C hur c h A D.
.
3 2 4 44 0
-
.
.
S e e Tlw o d o r e t .
ma r ks by V a l e si u s , a n d S ho rt M e xn
To g e t he r w i t h t he E C C LES I AS T I CA L
H A R D W I C K H i s t o r y o f t h e A r ti c l e s
T 0 11 7 0 1? m
s r o n c w s , as ep i t o m i s ed
Pho t i us Tr an s by R e v E Wa lfo r d , M
.
o f R e l i g i o n ; t o w hi c h i s a dd ed a S e r i es o f
. . . .
D o c u me n t s fr o m A D 1 5 3 6 t o A D 1 6 1 5 . . . . .
Wi t h N o t e s a n d bri e f L i fe .
E d by R e v F P r o c t o r
. . .
TH E O D O R E T a n d E V A G R I U S .
to r i es o f t he C hur ch fr o m A D 3 3 2 t o
H E N R Y ’S ( M a t t h e w ) E x p o s i t i o n o f
. .
D ea t h o f The o d o r e o f M o p su es t i a ,
t he Bo o k o f Ps a l ms N u m e r o u s Wo o d cu ts . .
42 7 ; and fr o m A D. .
431 to A D . .
544 .
Mem o i r s .
PE A R S O N ( J o h n , D D ) E x p o s i ti o n
W I E S E LE R
.
S (K a r l y C h r o n o l o g l
.
’
E d i t by E Wa lfo r d , M A
'
o f t he C r e e d . . . .
S yn o p s i s o f t he F o ur G o s p e ls
.
Wi t h N o tes , A n a ly s i s , a n d I n d e x es .
Tra ns . .
R e v Ca n o n V e na bl es
. .
A N T IQ U A R IA N L IB RA R Y .
3 5 Vo ls . at 55 . ea ch. (81 . 1 51 .
per set . )
ANG LO S AX N C H R O N I C LE
- O S ee . C H R O NI C L E S o f t h e C R U S A D
B ede Co n t e m po r a r y N a rra t i v e s o f Ri c ha r d C t
—
.
A SS S
E R ’ Li f e o f Al f r e d S ee S i x 0 E . . . d e Li o n , by R i c ha r d o f D e v i z es a n d
C h r o n i c le s . fr e y d e V m s a uf ; a n d o f the C ru sa d e
B E D E ’S (V e n e r a b l e ) E c c l e s i a s t i c a l S a m t Lo u i s , by Lo r d Jo hn de Jo i mn
H i s t o ry o f E n g lan d To g e t he r w i t h t he . Wi t h Sho r t N o t es I llumi n a t e d F 1 0 11 .
A N G LO S X O N C H R O N I C L E
-
A Wi th N o t e s , .
p i ec e fro m an o l d M S .
S ho rt L i fe , A n a ly s i s , a n d M a p E d i t by . .
J A G i le s , D C L
. . . . .
D Y E R ’S (T P . T ) B r i ti s h P c p n l
. .
B O E TH I U S ’S C o n s o l a ti o n o f Phi l o C u s t o ms , Pr es e n t a n d P a s t A n A cc o
K i n g A lfr e d s A n g l o —
.
o f t he v a r i o us G a m e s a n d C us t o ms a
’
5 0 p hy Sa x o n V e r s
c i a t e d w i t h d i fi e re n t D a ys o f t he Yea r
.
si o n o f Wi t h a n E n g l i sh Tra n s la t i o n o n
.
'
o ppo s i t e p a g e s , N o t e s , I n t r o d uc t i o n , a n d t he Br i t i s h I s le s , ar ra n g e d a c c o r d i n g t o
G lo ss a r y , b y R e v S Fo x , M A To . . . . C a l en dar By t he R e v T F Thi se l
. . .
w hi c h i s a dd e d t he A n g l o S ax o n V er s i o n o f -
D ye r , M A . .
t he M ET R ES O F B O B I H I U S , w i th a fr ee
’ ‘
Tra n s l a t i o n by M ar t i n F Tu pp e r , D C L
E A R Y TR A V E L S I N P A L E S Tm
L
. . . .
BR AND S P o p u l a r A n t i qu i t i e s o f
’
C o m pr i s i n g t he N a rra t i v e s o f A m
E n g la n d , S co t la n d , a n d I r e la n d I llu s . Wi l li ba ld , Ber n a r d , S z w u lf, S i gur d , B
t r a t i n g t he O r i g i n o f o u r V u l g a r a n d P r o j a m i n o f Tu d e la, S i r Jo hn M a n u de n
v i n c i a l C u s t o ms , C e re n i es , a n d S u p e r D e la Br o c q u i er e , a n d M a u n dre ll ; a l l
s ti t i o n s By S i r H e nr y i l i s , K H , F R S
. . . . . . a br i d g e d Wi t h I n t r o du c t i o n a n d N o
.
F r o nt i s p i ec e 3 v o ls . . b y Tho ma s Wr i g ht M a p o f Je r u sa le .
I L L U S T R A T ED L I B RA RY .
A L LE N ’S (J o s e p h , R N ) B a t tl e s o f . . B IB B O N ’S C h r i s t i a n I c o n o g r a p h '
t he B r i t i s h N a v y R e v i s e d e di t i o n , w i th
. a H i s t o r y o f C hr i s t i a n Ar t i n t he M i d
I n d e x e s o f N a m e s a n d E v en t s , a n d 5 7 Po r Ages . By t he l a t e A N D i d r e n Tr . . .
'
t r a i t s a n d Pla n s 2 v o ls . . by E J M i lli n gt o n , a n d c o mp l e t e d,
. .
A dd i t i o n s a n d A pp e n di c es , by M a rg
S t o ke s 2 v o ls Wi t h n u m e r o u s I llu s t r a t i c
A N D E R S E N S D a n i sh F a i r y T a l e s
’ . .
.
a n d 1 2 0 Wo o d E n g r a vi n g s . A u r e o l e , a n d t he G lo ry ; R e p r es e n ta t i
a t t he P e r so n s o f t h e Tr i n i ty .
A RI O S T O ’
S O r lan do F u r i o so In . V o l I I The Tr i n i t y ; A n g e l s ; D ev
. .
E n g l i s h V e r se by W S R o s e Wi t h N o t e s . . . The S o u l ; The C hr i s t i a nS c he m e A pp .
a n d S h o rt M e m o i r P o rt ra i t a ft er Ti ti a n ,
.
a n d 2 4 S t e e l E n gr a v i n g s 2 v o ls . .
D YE R (D r T H .P o m p e i i : i ts B11
. .
B E C H S TE I N ’S C a g e a n d C h a m b e r i n g s a n d A n t i u i t i es q
An Acco un t o f .
H LE R S 43 C o lo ur e d P la t e s a n d Wo o d c u t s
. . fo r V i s i t o r s By T H . D y er , L L . .
N w l y 3 00 Wo o d E n g ra v i n g s, Ma p ,
Pla n 6d
B O N O MI S N i n e v e h a n d i t s P a l a c e s
’ .
.
The D i s c o v e r i e s o f Bo t ta a n d L a y a r d
R o m e : H i s t o ry o f t he C i ty , w
a p p l i e d t o t he E l u c i dat i o n o f H o l y Wr i t
I n t ro d u c t 1o n o n r ec e n t E x ca va t i o n s
.
7 Pi a t e s an d 2 94 Wo o d c u t s
.
E n gr a w ng s , F r o n t 1so 1e c e , a n d 2 Ma p s
o
.
BU TL E R ’S H u d i b r a s , w i t h V a r i o rum
N o t e s a n d Bi o g r a phy P o rt ra i t an d 2 8 .
GI L BLA S Th e A d v e n t u r e s
.
I llu s tr a t i o n s .
F r o m t he F re n c h o f Lesa g e by 5 111 01]
2 4 E n gr a v i n a ft er S m i r ke , a n d 1 0 E t
C A TT B R M O L E S E ’
i
i n g s by C ru i b an k i:
6 1 2 p a g es 63 . . .
gs a t H a d v en n
d o n H a ll R o ma n t i c Ta l e s o f t he O ld e n
.
Ti m e s Wi t h 2 4 S t e e l E n g r a v i n g s a ft er R I MM ’S G a mm e r G r e t h e l ; o r ,
m a n F a i r y Ta l es a n d Po p u lai S t o
.
C a t t e rm o l e
'
.
c o n ta i n i n g 4 2 F a i r y Ta l es By E d .
C H IN A , Pi c t o r i a 1 , D e s c r i p t i v e , a n d Ta y 10 1 . N u m e r o us Wo o d cu t s a ft er C
s ha n k a n d L u dw i g G r i mm
H i s t o r i ca l , w i t h s o m e a c c o u n t o f A va a n d .
t he Bu rm e s e , S i a m , a n d A na m M a p , an d .
n e a r l y 1 00 I ll u s t r a t i o ns .
H O L B E IN ’S D a n ce o f De a t h a
Bi ble C u t s . o f 1 5 0 S u bj ec t s ,
U p w a rds
C R A IK ’ S L ) P u r s ui t o f K n o w
(G . .
gr a v e d i n fa cs i m i l e , w i t h I n t r o d u c t i o n
l e dg e u n d e r D i ffi c u l t i e s I l lu s t r a t e d b y . D e sc r i p t i o ns b y t h e l a t e F ra n c i s D o
A n e c do t e s a n d M e m o i r s N um er o us Woo d . a n d D r D i bd i n. .
c u t Po r tr a i t s .
I N D I A , Pi c t o r i a l , D e s c r i p t i v e ,
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i n g s , a ft er Bi r ke t F o s t e r , & c .
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S TA R I J N G ’S (M i s s ) N o b l e D e e d s o f W E LLI N G T O N , L i fe o f . F ro m
Wo m en o r , E x a m p les o f F ama l e C o u ra g e , M a t e ri a ls of Ma x w e ll . 1 8 S t ee l
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o u s Wo o d c u t s . co lo u re d P la t es .
CLA SSICAL L IB RA RY .
TR A N S L A T I O N S F R O M TH E G RE E K AND L A TI N .
A CH I ESLL T A TI U S . S ee G r ee k A N T O NIN U S (M . A u r e li u s ) ,
R o m a n ces .
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t o ry o f R o m e d u r i n g t he R e i gns o f C o n A PU L E I US , fo C .
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b y H o w ar d Wi lli a m s , M A
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. M . A .
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Tr i n i t y C o l le g e , C a m br i dg e 2 v o ls . .
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a n d N o t e s b y Da w s o n W Tur n e r To S ma rt 5 M e t r i c a l V e rs i o n o f P hasd
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g e t he r w i t h t he M e t r i ca l V er s i o n by A bra .
ha m M o o r e Po r tra i t . .
H E O C R I TU S , B I O N , M O S C H U
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a n d Ty r t z u s I n P r o se , w i t h N o t e s a
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t e x t o f m o d e r n e d i t i o ns a n d t o the a bo v e H U C Y DI DE S . Th e P e l o p o n n e s i
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t r a ns la t i o n s , by A D a y , L L D . . .
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. . w i t h N o t e s , by R e v .
D a le Po r tr a i t 2 v o ls 3 s 6d ea ch
P L A U TU S S C o m e d i e s
. . . . . .
’
I n Pr o se , w i th .
TY R TE U S
'
N o t e s by H T R i l e y , B A 2 v o ls . . . . .
.
-
S ee Theocr zi us.
P L I N Y ’S N a t u r a l H i s t o r y . Tr a n s .
,
V IR GI L Th e W o r k s o f
. I n Pr o s .
w i t h N o t e s , by J Bo s t o c k , M D . . .
,
w i t h N o t e s by D a v i d s o n R e vi se d , w i .
and H T R i le y , B A
. 6 v o ls
. . . .
a dd i t i o n a l N o te s a n d B i o g ra p hi c a l N o t i c
P LIN Y . Th e
L e tt e r s o f P li n y t h e by T A Buc kle y , B A
. . Po r tr a i t 3s 6 . . . .
Yo u g n e r M e lm o t h s T r a n s l a t i o n , r e v i s e d ,
’
.
X E N O P H O N ’S W o r k s Tr a n s , w i . .
'
w i t h N o t e s a n d s ho r t Li fe b
, y R ev F C . . N o t e s , by J S W a t s o n , M A , a n d R e
q
. . . .
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. . . H D a le
. P o r tra i t I n 3 vo ls
. . .
C OL L E GI A TE S E RIE S A N D S CI E N TI F I C L I B R A R Y .
CO LLE G IAT E SE RI E S .
w i t h t he Te x t o f t h e O r i g m a l o n t he sa m e a n d S e l e c t e d fr o m t he b e s t C o m m e n t a t o r s .
p a g e , a n d E x p l a n a t o ry N o t es , by Jo hn
By D W Tur n e r . M A
. . C o l o ure d M a p . . .
A C ar l y le , M D
. P o r t ra i t . . .
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a
Th e P u r g a t o r i o P ro s e Tr a n s , w i th . .
a S y n c hr o n i s t i c a l Ta b le o f E v e n ts Ta b les —
t he O r i g i n al o n th e s a m e p a g e , a n d E x o f W ei g ht s, M ea s ur es , M o n e y , a n d D i s
p lan a t o ry N o t e s , b y W S D u g da l e .
ta n c e s —
a n O u t l i n e o f t he H i s t o ry a n d
“
G eo gr a p hy —a n d t he D a t e s c o m p l e t e d fr o m
. .
D O B R E E ’S A d v e r s a r i a (N o t es o n th e
By J T Whe e ler
.
la t e P r o f Wa gn e r 2 v o ls . .
N E W T E S TA M E N T (Th e ) i n G r e e k
.
D O N A L D S O N (D r ) T h e T h e a t r e o f
G r i esba c h s Te x t , w i t h t he R ea d i n g s o f
. ’
t he G re e ks W i th S u p pl e m e n ta r y Tr e a t i s e
.
M i l l a n d S c ho lz , a n d Pa r a lle l R e fe r e n c e s
o n t h e La n gu a g e , M e tr es , a n d P r o s o d y o f
.
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t he G r e e k D r a ma t i s t s N u m e r o us I ll u s
lo g i ca l Ta b l es Tw o F a c s i m i le s o f G ree k
.
By J W D o n a l d
-
.
t r a t i o n s a n d 3 P la n s
M a n u sc r i p ts 650 p a g es 3 5 6d
. . .
so n , D D
. . . .
. .
G O E T H E S F a u s t Pa r t I G e r m a n Te x t ,
‘
. .
or bo u n d up w i th a G re ek an d E n gl i s h
’
w i t h H a y w a r d s Pr o se Tr a n s l a t i o n a n d Le xi c o n t o t he N e w Tes ta m e n t (2 5 0 pa g es
N o tes R e v i s e d , w i t h I n t r o du c t i o n a n d
.
a d di ti o n a l , m a ki n g i n a ll
Bi bl i o g r a phy , b y D r C A Bu c hhe 1 m . . . .
The L e x i c o n s e pa r a t e ly ,
[ 1 71 t he P r es s ,
K E I G H TL Y S (T h o m a s ) M y t h o l o gy
E ’
TH U C Y D I D E S Ah A n al y s i s a n d .
o f A n c i e n t G r e e c e a n d I ta l y R e v i s e d by . S u mma ry o f Wi t h C hr o n o l o gi ca l Ta ble
.
D r L eo n har d S c hm i t z
. 1 2 P la t e s . . o f E v en ts , & c , by J T Whe el er . . . .
50 Vo ls
A GA SS
IZ a n d G O UL D
. at ea ch, ex ce
S C IE N TI F IC
.
pt i n g
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/
t zose ma r ked
LI BRA RY
al b er w zse.
B R I D G E W A T E R T R E A TI S E S
'
.
( 1 3 1 61 . . s et . )
.
C o m pa ra t i v e P hys i o l o gy . E n lar g ed by C o n t i n u ed .
D r Wri g ht
. VWt h I n d e x . a n d 3 00 I ll u s C h a l m e r s o n t h e A d a p t a ti o n o f
t ra t i ve Wo o dcu ts .
E x t er n a l N a t ti r e t o t he M o r a l a n d I n t e l
l e c t ua l C o n s t i t u t i o n o f M a n Wi t h Mem o i r
B O L L E Y S M a n u a l o f Te c hn i c a l
.
’
by R ev D r C u m m i n g
. . P o r tr a i t . .
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V a lu a t i o n o f t he v ari o u s N a t ur a l a n d t s Tr e a t i s e o n C h e m i s t r y ,
’
Pr o u
A r t i fi c i a l S u bs ta n c es e m p l o y e d i n t he A rt s M e t e o r o l o gy , a n d t he F u n c t i o n o f D i g es
a n d D o m e s ti c E c o n o m y , fo un d e d o n t he t i o n , w i t h r e fe r e n c e t o N a t u ra l Theo l o g y
w o rk o f Dr B o lle y E d i t by D r P a u l
. . . . . E d i t by D r J W G r i ffi t h
. . 2 Ma p s . . . .
1 00 Wo o d c u ts
m al
.
R o g e t ’s A n i an d V e ge t a b l e
Phy si o lo gy 4 63 . Wo o dcu ts . 2 v o ls . 6:
B RI D G E W A TE R TR E A TI S E S . ea c h .
Bel l (S i r
C h a r l e s ) 0 11 t h e H a n d ; Ki d d on t h e A d a p t a ti o n o f E x
i ts M e c ha n i sm an d V i ta l E n d o w m e n ts , a s t e rn a l N a tu re t o t he Phy s i c al C o n di ti o n o f
e v i nc i n g D e si g n P r e c ed e d b y an A cco u n t .
M an .
3 s 6d . .
o f t he A u th o r s D i s co v e ri es i n t he N er vo us
’
S y st e m by A S ha w N u m e r o us Woo dcu ts
C A R P E N TE R ’S (D r W B ) Z o o l o gy .
. . .
. . .
Ki rby
t h e H i st o r y , H a b i ts ,
on A S y s t e ma t i c V i e w o f t he S tru c t ur e , H a
a n d I n s t i n c t s o f A n i ma l s Wi th N o t es by . b i t s , I n s t i n c ts , a n d U ses o f t he p r i n c i pa l
T R y m e r Jo n es
. 1 00 Wo o d cu t s 2 v o ls . . . F ami li es o f t he A n i ma l K i n g d o m , a n d o f
t he c hi e f F o r m s o f F o ss i l R e ma i ns Re
B u c k l a n d s G e o l o gy a n d M i n e r
.
v i s e d b y W S D a lla s , F L S
’
N um e ro us
Wi th A d d i t i o n s by P r o f O w en ,
. . . . .
a l o gy . .
Woo dc u ts 2 v o ls . ea c h . .
P r o f Phi l l i ps , a n d R Br o w n
. M emo i r o f . .
Te x t V o l I I 9 0 la r g e p l a t e s w i t h le t t er
. . . h o my , a n d H o ro l o gy A F o pu . ar E x po
p r e ss . si t i o u . 1 8 1 ‘Wo o d cu ts .
’
18 E GE N S L I B R A R I E S .
C A R P E N TE R S
’
W orks .
—C tm t zn we d
'
. J U K E S -B R O W N E ’S S t u d e n t ’s H a n d
b o o k o f Phys i c a l G eo lo gy By A J
V e ge t a b l e P h y s i o l o gy a n d S y s
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t o t he Kn o w l e dg e o f P la n t s R e v i se d b y
.
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.
m al R e v i s e d E di Br o w n , B A , o f t he G e o o ml
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A ni P h y si o l o g y . . .
ti on .
3 00 Wo o dc u t s 6s . . S urv e y o f E n g la n d a n d Wa l es i th .
n u m e r o u s D i a g ra ms a n d I llu s tra ti o n s 6s . .
C H E V R E U L 0 11 C o l o u r C o n ta i ni n g
'
. T h e B u i l d i n g o f t h e Br i ti s h
t he P r i n c i pl es o f H a r m o n y a n d C o n tr a s t I s la n ds A S tu dy i n G e o gr a phi ca l E v o l a
.
o f C o l o ur s , an d t h e i r A pp l i ca t i o n t o t he ti on By A J Ju k e s Br o w n e , F G S .
-
. .
7 s éd
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Ar ts ; i nc lu d i n g P ai n t i n g , D e c o ra t i o n , .
Ta pes t ri es , C ar p e t s , M o sa i cs , G la zi n g , K N I G H T’S
P r i n t i n g , L e t t e r pr e s s (C h a r l e s ) K n o w l e d g e I s
S tai n i n g , C a li c o Po w e r A Po p u la r Ma n u al o f P o li t i ca l
Pr i n t i n g , M a p C o l o u ri n g , D res s , La n d
.
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sca pe a n d F lo w e r G a r d e m n g , & c Tra n s
.
LI LL Y
. .
In tr o du c ti o n t o Astr o l o gy
by C M ar t e l S e v er a l Pl a t es . .
Wi t h 2 G ra mm a r o f As t r o l o gy a n d Ta bles
. .
.
i n C o lo u r s , 7 s 6d
M A N TE LL ’S
. .
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BN N E M O S E R S H i s t o r y o f M a g i c
’
. cur s i o n s t hro u g h t he I s l e o f Wi g ht a n d
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. . a l o n g t he D o rse t C o as t . N u m er o u s Woo d
o f t he m o s t r e m a rka b l e a n d b e s t a u t he n t i c u t s a n d G e o lo g i c a l M a p .
ca t e d S t o ri es o f A p p ar i t i o n s , D r ea ms , P e t r i f a c ti o n s a n d t h e i r T e a c h
S e c o n d S i ht , Ta bl e Tu rn i n g , -
and S pi r i t i n gs . H a n d bo o k t o t he O r g a n i c R e ma i n s
R a pp i n g , c 2 v o ls . . i n t he Br i t i s h M u s eu m N u m e r o u s Woo d .
cu t s 65
t o A str o n o m y .
. .
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’
on W o n d er s G e o l o gy ; o r , a o f
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us e N n m ero u s Wo o d c u t s
. 3 s 6d . . .
me na A c o lo ur e d G e o lo g i c a l M a p o f
.
E n gl an d , P la t es , a n d 2 00 Wo o d cu ts 2
B O GG S (J a b e z ) E l e m e n t s x p er i
.
’
of E
v o ls 7 s 6 d e a c h
m en ta l a n d N a t u r a l P hi lo s o p hy Be i n g
. . . .
S C H O U W ’S E a r t h , P l a n t s , a n d M a n
.
an E as y I n t r o d u c t i o n t o t he S tu dy o f .
M e cha mc s , P n e u ma t i cs , H y dr o sta t i cs , P 0 u la r P i c t u r es o f N a t ur e A n d Ko .
b e l s S ke t ches fr o m the M i n e r a l Ki n do m
'
H yd r a ul i c s , A c o u s t i c s , O p t i cs , C a l o r i c, .
E le c t ri c i ty , V o lta i sm , a n d M a gn e t i s m .
Tra n s by A H e n fr e y , F R S
. C o o n red
. . . .
Ma p o f t he G e o gr a phy o f Pla n ts
4 00 Woo dcu ts
.
.
S M I T H ’S (P y e ) G e o l o g y a n d S c r i p
H UM D T S 0 0 8 11 1 0 5 ; o r , S k e t c h
’
B O L t u r e o r , t he R e la t i o n be t w e e n t h e S c r i p tur es
o f a P hy s i ml D es cr i p t i o n o f t he U n i v er s e .
a n d G e o l o gi ca l S ci en c e Wi th M e m o i r . .
T rans by E C O t t e, B H P a u l , a n d
Y
. . . .
T S C l a s s i fi e d S yn o p s i s o f
.
’
W S D al l as , F L S P o rt r a i t 5 v o ls . . . . .
S A N L E
t he P r i n c i p a l Pa i n t er s o f t he D u t ch a n d
. .
3 s 6d ea ch , e x c e p t i n g v o l v ,
. . .
F l e m i sh S c ho o ls , i n c l u di n g a n A cc o un t o f
.
P e r s o n a l N a r r a t i v e o f h i s Tr a v e l s s o m e o f t he ea r ly G e rma n M as t ers By .
i n A m e ri c a d ur i n g t he y ear s 1 7 99 1 80 4 -
.
G e o r g e S ta n le y .
Tr an s , w i t h N o t es , by T R o s s 3 v o ls S C h e s s W o r k s — S ee
’
. . . .
S T A U N T O N .
V i ew s o f N a t u r e ; o r , C o n t e m
p l a ti o n s o f t he S u bl i m e P he n o m e na o f K D T E x p er i m en t a l
’
S T O C H A R S
C r ea t i o n , w i t h S c i e n t i fi c I llus tra t i o n s .
C he mi st r y A H a n db o o k fo r t he S tu dy
.
T ra n s by E C O t t e . . . .
o f t he S c i e n c e b y s i m p l e E x p er i me n t s .
E di t by C W H ea t o n , F C S N 11
j
. . . . . .
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’
m er o u s Wo o d cu ts .
o r , S t u d i es o f t he P hy s i ca l P he n o m e n a o f
UR E ’
S (D r A ) C o t t o n M a n uf a c t u r e
N a tu re By R o b e rt H un t , P r o fes s o r a t
. .
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.
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t he S cho o l o f M i n e s .
a t e d ; w i th a n I n t r o d u c t o r y V 1e w o f i ts
J OY C E S fic ’
Di a l o gu e s
S ci A enti .
a m p a ra t i v e S ta t e i n F o r e i gn C o un t r i es .
F a mi li a r I n tr o d u c t i o n t o t he A r t s an d R e vi s e d by P L Si mm o n ds 1 50 I ll us
. . .
S c i en c e s F o r S c ho o l s a n d Yo u n g Peo p l e tr a t i o n s 2 v o ls . .
P hi l o s o p h y o f M a n u fa c t u r e s ,
. .
N um er o u s Wo o d c u t s .
o r a n E xp o s i ti o n o f t he S c i en t i fi c , M o ra l ,
J O Y C E ’S I n t r o d u c t i o n t o t h e A r t s a n d C o m m e rc i a l E co n o my o f t he F a c t o r y
and S c i en c es , fo r S c ho o l s a n d Yo u n g S ys t e m o f G rea t Bri ta i n R e v i s e d by .
P eopl e : D i v i de d i n t o L es so n s w i t h E x P . L S i mm o n ds
. N u m er o u s F i gu r es . .
a l m na n o n ues t i o n s Wo o dcu ts 3 s 6d
Q . . . . 800 pa g es 7 1 6d . . .
’
20 B OH N S L I BRA R I E S .
P R O V B RBS , H a n d b o o k o f Co n . S YN O N YM S A N TO N Y M S ; an d
t a i n i n g a n e n t i re R e p u b l i c a t i o n o f R a
’
y s Ki n dr e d W o r ds a n d t he i r O ppo s i t e s C
C o l le c t i o n , w i t h A dd i t i o n s fr o m F o r e t gn
,
l e c t e d a n d C o n t r a s t e d by V a n C . .
L a n gu a g es and S a y i n gs , S e n t e n c es , S m i th, M A 55 . . .
M a x i m s , a n d Phr as e s 55 . .
A P o l y gl o t o f F o r ei gn Co m W R I G H T (T h ) —S ee D i c t zana fy
'
. .
p r i s i n g F r e n c h, I t a l i a n , G e r m a n , D u t ch ,
.
S pa n i s h, P o r t u gu e se , a n d D a m sh Wi t h .
E n g l i sh Tr a n s l a t i o n s 55 . .
/
N O V E LI STS LI BRA RY
’
.
1 at 35 . pt i t ( 1 85 6d per “
. ng zo 5e . 2 . . . t
J
B O R N S O N ’
S A r n e a n d t h e F i sh e r F IE L D IN G ’S J o s e p h A n d r e w s a
L as s i e Tr a n s l a t e d fr o m t he N o r s e w i t h
. hi s F r i en d M r A bra ha m A da m s W . .
a n I n t r o d u c t i o n by W H Lo w , M A
’
. . . . R o s c o e s Bi o g r a p hy C r u i ksha n k? I ll .
/
'
t r a l zo n s
Yo u n g
.
B U RN E Y S
’
E v el i n a ; o r, a
Am
’
el i a R o sc o e s E d i t i o n , r ev i s
L a d y s E n t ra n c e i n t o t he Wo rl d
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C r u zks za n k s
' ’
I l l us t r a t i on s
. .
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' . .
. .
d u c t i o n a n d N o t e s by A R E lli s , A u t ho r . .
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li n g R o sc o e s E d i t i o n
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’
.
. . C r u i ksba n
I l l u st r a ti o n s 2 v o ls .
Wi t h
.
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N o t es by A R E ll i s . . . 2 v o ls .
G R O S S I ’S M a r c o Vi sc o n t i . Tr a
by A F D . . .
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M AN Z O NI Th e B e t r o t h e d be
'
. .
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.
Tr a n s l a t e d b y
Tr a n s la t i o n o f ‘I P r o m e ssi Sp o
.
' a
E m i ly Ba l d w i n a n d P a u l i n a D r 1 v e r .
N u m e ro u s Wo o d cu t s 1 vo l 55 . . .
B BE R S’ E gyp ti a n Pr i n c e ss. Tr a n s .
S T O W E ( M r s 11 B ) U n c l e To . .
-
.
b y E m m a B u c hhe i m .
C a b i n ; o r , L i fe a m o n g t he L o w l y 8 f .
p a g e I ll u s t r a t i o n s .
A R TI S TS ’
L IB RA RY .
9 Vo lu m es at Va r i o u s P r i ces .
(2 l 85 6d f er
. . . s et .
)
B E L L (S i r C h a r l e s ) Th e A n a t o m y .
H E A T O N ’S C o n ci se H i sto r y
a n d P hi l o so p hy o f E x p r es s i o n , a s C o n Pa i n t i n g New E di ti o n , re vi s ed
.
n e c t e d w i t h t he F i n e A r t s
5 5 I ll u s t r a t e d . . . W C o sm o M o n kho u s e 5 5
. . .
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L E C T U R E S O N P A I N TIN G b y
.
A r m o u r fr o m t he E ar l i e s t P e r i o d By R o y a l A c a d e m i c i a n s , Barry , O p i e , F us
.
Z J Au u te
De m m i n Tra n s by C C
g s Wi t h I n t r o du c t o ry E ssa y a n d N o te s
-
. . . .
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R Wo r n u m P o r t ra i t o f F us c li
. .
. .
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. . . .
. .
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b y Ba x t e r J V r a y .
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V o l 1 1 1 — B o x i n g , b y R G A l la n s o n
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F e n c i n g , by H . A . C o l m o re D u n n .
MO RP H Y ’
S G am es o f C h ess, b e i n
Vol . IV .
— S lca t i n g b y D o u g la s
A da m s ; , t he M a t c hes a n d bes t G a m e s p la y e d by t h
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c i a t i o n F o o t b a ll , by C W A l c o c k . . . a na l y t i ca l N o t e s by J L ew e n t ha l Wi t h . .
Vol . C y c l i n g a n d A t hl e t i c s , b y
V .
H H G r i fii n ; R o u n d e rs , F i e l d Ba ll , Ba s e
. . S TA UN TO N ’S C h e s s -P l a y e r ’s H a n d
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u o i t s , S ki t t l e s , & c , b y J M . . . bo o k . A P o p u lar a n d S c i e n t i fi c I n t r o
W a lke r , M A , A s si s t a n t M a s t e r Be dfo r d
. . d u ct i o n t o t he G a m e , w i t h n u m er o u s D i a
G ra mm a r S c ho o l [ I n t he fi r ms . .
g ra ms 55 .
Vol V I . .
—G y m n as t c s , i by A F Je n ki n . .
C h e ss Pr a xi A S u p pl e m e n t t o t he s.
C l u b s a n d D u m b b el ls , -
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a n d A F Je n k i n . . .
[ Zn l b e p r ess .
m o s t i m p o r t a n t m o de rn I m p r o ve m e n t s i n
Vol V I I .
—R i d i n g ,
D ri v i ng , a nd S t a b le t he O p e n i n g s ; C o d e o f C he ss L a w s an d
M a n age m e n t . By W . A . Ke r r , V C , a nd
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p y s Ga m e s A n n o ta t e d . .
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an db o o k s o f Games . N ew C h e s s - P l a y e r ’s C o m p an i o n .
Vol I TA BLE G A M E S
Ma tc h w i t h M S t Ama n t , a n d a S e lect i o n . .
. . .
o f O r i g i n al P r o bl e ms D i a gr a ms a n d C c
C o n ten ts w i th Po o l , P y ra —B i lli a r ds , .
lo u r e d F r o n t i sp i e c e 55
m d s , a n d S n o o ke r , by M aj o r G e n A W
. .
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D r a y so n , w i t h a p r e fa c e by C h e ss To u r n a m e n t of 1 851 .
W J P e a l l— B a g a t e l l e , b y B e r k e l e y ’
. A C o ll e c t i o n o f G a m es p la y e d a t t hi s c e l e
C he s s , by R F G r ee n —D r a u ght s , Ba c k
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. . b ra t e d as s e mbla g e Wi th I n t r o du ct i o n .
g a mm o n , D o m i n o e s , S o l i t a i re , R e v e r s i , a n d N o t es N u m er o us D i a gr ams
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BO H N S CH E A P SE R IE S .
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We a l t h, R e li g i o n & c & c . . .
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g r a p hy E d i t e d by J S pa rk s
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Sn ow I m a ge, an d O t he r Ta l es .
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on Men a n d Ma n n e r s Thr e e P a r t s . .
p r i s e b e y o n d t he R o c k y M o u n t a i n s .
Pla i n S p e a k er O p i n i o ns o n Bo o ks ,
W o l fe r t ’
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(C h a r l e s ) E ssa y s o f E li a
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t he A g e o f E l i z a b e t h, c hi e fl y D ra m a t i c . t he A u t ho r .
TH E NE W WE B STE R .
AN E N TI R E L Y NE W E DI TI O N .
r es et i n n ew typ e f r om beg i n n i ng l o ,
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2 1 1 8 PAGE S . 3 500 I LLUSTRATIONS .
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Web st e r i s t he S ta n d a r d i n t h e U S . . G o ver n m e n t Pr i n t i n g O ffi c e .
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Th e on ly A u th o r i sed a n d C o mp l e t e E d i t i o n.
L O N DO N : GE O R GE BE L L A N D S O N S .