01.01.

Shoe Modeling(1080p)
0:00
Place the shape on the Earth so that I have the tip left over and the leftover teeth, whatever is left over
I remove OKY and I'm going to start this way.

0:16
OK, let's cut this piece off. Look closely, huh? How do I get the oven in there? How am I going to start
this? Apparently it looks easy.

0:25
How am I going to do it.

0:28
We're also practice with practice, with practice, with practice we're going to achieve it here I'm going
to bring all, all the means so that there is no doubt, no wrinkle, get one of a card or the third reader or
whatever you want, because with this we are also going to remove many wrinkles. Well, I'm off to a
good start, I'm starting, mind you.

0:54
Start.

0:56The
way the strip is, I'm going to put it, well let it shape me perpendicularly, it's perpendicular, right? I'm
going to take the perpendicular line and show it to the order.

1:11
Just as it crosses.

1:14
Tabasco.

1:17
Here, once I have it here, I turn it over and first I'm going to flatten the part of the bow, the bow,
notice how I'm going to work a lot with my fingers, my thumb, I'm going to work a lot with it.

1:31
I start in the part of the arch from the bottom to the top, I go up, I go, I go that it remains, I mold it, I
mold it at the time that this is already very molded, mind you.

1:47 We've had a good time.

1:49 Everybody has done the same thing to me, don't try to turn the shape upside down, you want to
do this way.

1:55
This causes some wrinkles here that is very difficult and this is what we do, look closely, I have the
strip, what I do is give a little pull to the tip. I'm leaving, I'm going a little tug towards the tip.

2:13
Here I lower these folds, and now I have taken it away in a way, I have already taken it away.
2:20
That, that, that part that gives me that I don't want it to turn the wave, you see it, I take the index
finger of adhesive and the thumb. I start working on it to give shape to the body of the Horna.

2:38
yes, all right, notice, I take the tape.

2:46
I give it a little tug, a little tug and I press it to go, I'm out of phase with this or I'm out of phase 123
up to four times, I mean, I'm pulling to give it the shape. Notice how in the upper part it makes a
hollow, a hole each hole, here it is.

3:11
Yes, yes, you see, there is a gap here, and here also. Then there is generated water at the bottom, I
give it a little pull to say yes and I start to go down.

3:24Little
by little, little by little, little by little, little by little, and I'm left with the edge of the horn, right?

3:32Is
it easy now?

3:36
With the card, what I do is I don't go up everything, I don't go up like that fast, but I go little by little.
Little by little, little by little I'm going up a little bit, then another piece I'm going up, I'm going up and
notice how I'm eliminating that offer, I'm eliminating little by little I'm making this become smaller
wrinkles or smaller holes. In the end, it seems so.

4:06
Let's see, it's clear.

4:09Yes
, little by little, little, little, little by little, there I go, observe how I go? Little by little, little by little, little
by little, little by little, and I'll see it.

4:24I'm going to eliminate everything in the end and nothing more support.

4:29
Eating a card.

4:32
It's ready, here's a bar, this one supports me so that it fits well, well, well attached to the wave and is
well adhered to this.

4:44
Okay, good, good, good, okay, okay.

4:50
I'm Arthur, there's the leftover that you see in the picture. Well, be very careful with those razors.
Razors are dangerous. We're going to insert it into the EDGE of the gunwale, the EDGE of the terminal
and I'm removing the excess.
5:11
Yes, first forward and then back, here good, it broke.

5:17
Go, go back.

5:25
Sale.

5:30
There was talk of latism, you see.

5:43
Leftover, the toe doesn't split from the heel and now you see here I've got this line, I'm going to try to
put this strip.

5:52
¿What do you splinter me to?

5:55
About 10-12 mm.

5:59
Here it is seen then, then the splice they observe, the splice they observe. yes, look at how the splice
looks, you see it, OK? I'm going to flatten the splice first first, because if I want it, I want to form it. So
it goes up, first I brake the impinge and then from the same arc upwards I mold the furnace so that it
is molded, you see?

6:29
Yes.

6:31
Insurance.

6:34
Now I lift this, now I'm going to the back, first which is the easiest. This with my 2 thumbs, the 2
thumbs, I'm going to drag it or I'm pushing it back, right back, with 2 thumbs I'm going back.

6:51 I give him, I

give him I bend it and when he crossed to the inner side he was already there Government as just with
the 2 fingers, what I did was push.

7:04
Sure, yes.

7:07
He's done.

7:10
Now we're going to have the splice already marked here, look, see what I'm going to do here first.
7:18This
hole that I left here, so I'm going to shape it little by little from back to front is observed, are you
observing it? Look, notice how I'm going from back to front, I'm kind of closing it.

7:34
The masking offers me resistance and its sink.

7:38
So at that point I make a cut at the top, notice how I'm going from here, I'm cutting.

7:47
You can see the Cut down, yes, and from here I'm conforming again and it's going down easier to
resist again. I make another cut, which told them I was going to change that.

8:03
And it goes, it goes again, it offers resistance another cut.

8:09
And it's flat.

8:12
All with the fingers.

8:17
I'm going to the front as I did at the beginning with my index finger and thumb, I'm settling for it to
stay that way.

8:30
Right, yes.

8:46
Let's go for a little walk.

9:00
Se ve fácil, se ve bien, fácil.

9:06
Arthur.

9:08
Now let's see.

9:10
Here then deodorant to see above.

9:16
11.

9:18 I
ven him, I look.
9:23
2 strips.

9:27See
?

9:30.

9:34Didn
't you see? How easy then I was going to nose and the Cut is minor running in the Cut. OK the feed.

9:47
I put it lower.

9:54
I'll begin, look closely.

9:58
From toe to heel, I'm going down little little by little, little, little, little, little, little by little.

10:09As the inner side, I'm not going to occupy it.

10:14Can
you make some cuts to get this down?

10:21
And let it adhere.

10:25
Come on.

10:28
Yes.

10:31
Look.

10:33 I
give a lot of importance to the middle part of the wave was seen the fumous figure to center the UN,
OK, what am I doing here here? I'm making this make me a crease and this make me a crease. Here
I'm getting up this one as well that I make another fold here.

10:53
See those folds.

10:56
Yes, yes, yes.

10:59
OK, I make a diagonal cut diagonally shape one.
11:06
2 I get up.

11:10 And the bottom part

with the part that says the Cut I leave at the bottom and he mounts it on it so that it gives me exactly
the conformation of the order he was on his own, look alone, no one gives himself so much trouble,
it's just to lower this.

11:34
Don Rosano.

11:37 It's
listed.

11:44
is Arturo.

11:46
Yes.

11:51
Facilitated.

12:01
Shorter.

12:08
Always when they're done we have doubles to the tape so we remove it easier to come here.

12:17
I'm going to put it in to impale the second one, but I'm also going to take care of it.

12:24
I'm cradled, the top of it is covered.

12:31
Yes, well, we lift this one up and back through the Polish inner arch, excuse me, going from bottom to
top through the arch. Now I pick this one up and pull it out.

12:44
And I accommodate her to the.

12:48
To order.

12:52
Yes.