Professional Documents
Culture Documents
This topic outlines some of the most prominent research into child development and learning as it
relates to the ESL classroom. The theories covered here range in scope from those dealing with
developmental changes associated with age (Jean Piaget); physiological, psychological, and social
needs that must be met in order for learning to occur (Abraham Maslow); theories of social learning
(Lev Vygotsky, Albert Bandura); taxonomies of learning, questioning, and skills development
(Benjamin Bloom, Roger Saljo); theories of language acquisition and mental grammar (Stephen
Krashen, Noam Chomsky); as well as relevant insights into the biological aspects of learning from the
field of neuroscience, particularly brain development as it pertains to language. This is by no means a
comprehensive discussion of all related theory, but it will give you a good overview of the leading
developmental, psychological, social, and biological theories of learning and development. The intent
here is to provide you with an understanding of the underlying forces that affect every child as they
struggle to make sense of the world around them, both in terms of direct learning in the classroom and
their own physical and psychological development.
Physiological Needs
Physiological needs represent the basic biological necessities for survival. These include air, water,
food, sleep, and warmth. When these needs are not satisfied, children may experience pain, illness,
irritability, or discomfort. In extreme situations, a severe deprivation of any of these needs could result
in death. While such a morbid situation is unlikely to arise in most classrooms, it is worthwhile to note
as it illustrates the overwhelming imperative of meeting these needs before all else. Suffice it to say, if
physiological needs are not sufficiently addressed it will be difficult, if not impossible, for a student to
concentrate on school work and learning a second language.
Safety Needs
Safety needs represent the establishment of stability and security. These include shelter, order,
structure, stability, and personal security. These needs are primarily psychological in nature and are
typically addressed by a stable and safe home environment. A disruptive or dysfunctional home affects
personality and behavior at school. Students have difficulty concentrating on tasks or completing
assigned homework in such an environment. Furthermore, children whose safety needs are not met
cannot relax into any feeling of love and belongingness while they are stunted by fear and concern for
their own safety and well being.
Love and Belonging Needs
Love and belonging needs are central to the essence of humanity. All humans have an innate desire to
belong and be a part of something greater than themselves, be it a family group, social network, friend
circle, or team. Along with the need for social interaction and acceptance, children must feel that they
and their thoughts and actions are valid. Depending on the age of the child, he or she will seek
belongingness and love, in varying degrees, from family, teacher, or peers. It matters less the form that
the sense of belonging takes, so long as the driving need is met. Students who feel isolated and
unloved, either at home or at school, will often rebel, act out, seek attention, or otherwise disrupt the
learning in the classroom. Some will simply withdraw and may be very hard to encourage, especially in
an environment as demanding as a second-language classroom. It is difficult enough for children
learning a new language to gain the confidence to speak, but it is nearly impossible if they feel
ostracized or unloved in their general, day-to-day interactions.
Esteem Needs
Esteem needs fall into two categories: self-esteem and other-esteem. People need both. Children (and
adults, of course) need a sense of mastery, achievement, and independence in order to meet their need
for self-esteem. This feeling of competence and ability is necessary for further development and a sense
of psychological well-being and confidence. In addition to these internal notions of esteem, children
need to feel that they are held in high esteem by others. They require the acceptance of their peers and
must feel that they are valued members of the group and held in sufficiently high regard. Students who
have high self-esteem are generally more confident and more willing to take risks in a second-language
classroom. This self-assurance is essential for language mastery. If students are too shy to practice, they
will never sufficiently reinforce their language skills to attain fluency.
Self-Actualization
Self-actualization needs are, in the words of Maslow himself, “the desire to become more and more
what one is, to become everything that one is capable of becoming."[1] Once all other needs have been
met, children may now begin to realize and fulfill their own potential. This process of self-actualization
is, of course, a life-long process, but it is the pinnacle of psychological wellness attained by all too few
people in this busy, dangerous, and demanding world.
The importance for educators to understand Maslow’s Hierarchy of Needs is simple: in order to expend
sufficient energy to learn new material or develop a new skill, the child’s basic survival, safety, and
belongingness needs must be met. It is important to recognize this schema when considering the
reasons why a student may under-perform on an assignment or fail to do a required task. In essence, it
is logical that other factors may be influencing a student’s performance in class, and teachers should at
least be aware of humanist theories such as Maslow’s Hierarchy of Needs when attempting to get to the
root of behavioral or academic problem.
“The zone of proximal development defines those functions that have not yet matured but are in the
process of maturation, functions that will mature tomorrow but are currently in an embryonic state.
These functions could be termed the ‘buds’ or ‘flowers’ of development rather than the ‘fruits’ of
development.”
- Lev Vygotsky (published 1978)
In classroom practice, Vygotsky envisioned the zone of proximal development as forming part of an
overall strategy that aimed to facilitate student learning rather than direct it. The central function of a
teacher should be to act in a “How can I help you?” capacity. Teachers should account for the upper
limits of the students’ zones of proximal development and teach toward those limits so that the students
can extend their range of understanding with appropriate support. Encouragement should be offered at
every step along the way, with an aim toward building self-sufficiency and overcoming hesitation and
shyness. Students must be comfortable in the classroom and should be given positive feedback on their
progress as often as possible. More-skilled peers can be used as teachers, just as the teacher can play
the role of a more-skilled peer. There should not be a stark division between the teacher and students as
the classroom is most effective when it is a collaborative, cooperative environment. It is also important
that all instruction be placed in a meaningful context. Nothing is as successfully learned as that which
is meaningful and engaging to the student.
Albert Bandura
Albert Bandura, considered by many to be the most eminent psychologist of his time,
developed the concept of modeling in his theory of social learning. This concept fits
nicely into Vygotsky’s themes of the zone of proximal development and the more
knowledgeable other. The more knowledgeable other can be anyone who is able to
assist the student in learning a new task or skill.
For Bandura, learning involves a process of modeling. Anyone who knows more than
the student about a given topic or skill can be used as a model for learning. Like
Vygotsky, he saw that humans learn best when they learn from one another. This is done
through observation, imitation, and the modeling of desirable behavior. Much of Bandura’s work
centers around aggression and the propensity for violence, but the notion of the more knowledgeable
other has a significant role in classroom learning and cognitive theory as well.
Developed during his study of psychology at the University of British Columbia and during his Ph.D.
studies at the University of Iowa, Bandura’s social learning theory is seen by many as a bridge between
behaviorist and cognitive learning theories. It explains human behavior and learning in terms of the
continuous reciprocal interaction between cognitive, behavioral, and environmental factors. His theory
illustrates that people are not only the product of their environment, but that environment is also a
product of the people. This is to say that, for example, a teacher can attempt to foster an environment
that is conducive to learning, but the students in the classroom play an equal role in creating the
conditions for such an environment. Originally, this concept was used to show how criminal and
delinquent behavior grew out of the interaction between like-minded individuals, and how, in a sort of
feedback loop, they would encourage each other to greater and greater acts of delinquency. However,
this same feedback cycle has since been applied to the more positive circumstance of a well-
functioning learning environment.
Certain conditions are necessary for effective modeling of desired behavior to occur. Bandura identified
four conditions: attention, retention, reproduction, and motivation. All four must be present for
active learning to take place. He recognized observational (passive) learning, but saw it as only the first
step in the process of observation, imitation, and modeling.
Bandura’s Four Conditions for Learning
Attention
In order to learn anything, the learner must be paying attention. A sufficient share of cognitive
resources must be directed toward the behavior or skill that is to be modeled and learned. Anything that
impairs attention, be it drowsiness, hyperactivity, environmental factors, discomfort, hunger, or
distraction, interferes with the learning process. The model itself must be attention-grabbing as well. So
in a language classroom, the teacher must be dynamic, engaging, and relevant in order to hold the
students’ attention.
Retention
Students must be able to retain what they have paid attention to. If they cannot remember what they
just saw or did, then it is impossible for them to learn from it. However, retention and memory involve
more than simple regurgitation. Internalization and personalization are necessary for real integration of
the new knowledge. Actions, behavior, manner, and style are also articles of retention. An effective
model illustrates all aspects of what is to be learned and does so in a way that is easy for students to
recall. Mnemonics, rhymes, songs, and repetition are all tools that can be used to aid retention.
Reproduction
Students must also be able to reproduce what is being modeled. It is ineffective to be engaging and
memorable if the subject matter or skill demonstrated is beyond the capacity of the learners. Practice is
key to any reproduction. It is not necessary that the students be able to reproduce the modeled behavior
perfectly the first time; in fact, that would demonstrate that the material was not sufficiently above their
level as to constitute real learning. Mistakes will be made, but with time and rehearsal, students should
be able to replicate the modeled behavior and language. The key factor for the teacher to consider is
whether or not what is being taught is within the students’ zone of proximal development.
Motivation
There must also exist a reason to imitate. This is driven by motivation. Motivation can be internal
(personal drive, goals, a desire to succeed, etc.) or external (rewards, good grades, praise, etc.), but it is
a necessary factor for learning to occur. This can be as simple as students’ natural tendencies to model
after more fluent peers, or even previous positive experience with successful modeling and imitation.
Whatever the driving force, students must have some motivation to reproduce what they have observed.
Teachers can facilitate motivation by giving regular progress reports and positive feedback on students’
learning and skill development, as well as praise and rewards.
Roger Saljo
As Benjamin Bloom identified different levels of understanding, Roger Saljo, a
Swedish professor of education and educational psychology at the University of Gothenburg, identified
five conceptions of learning through polls of learners.
Saljo asked learners of all ages to assess their own understanding of what learning entails. He then
arranged these five conceptions into a hierarchy based on the depth of understanding necessary for each
definition of learning.
Saljo’s hierarchy of student views on learning breaks down as follows[2]:
1. Learning brings about an increase in knowledge. It is the acquisition of information or
“knowing a lot”.
2. Learning is memorizing and the ease of associated recall. It is the storing of information that
can later be reproduced.
3. Learning is about acquiring facts, and developing skills and methods that can be used as
necessary. It is the ability to use information appropriately.
4. Learning is about making sense of information, extracting meaning, and relating information to
everyday life. It involves relating subject matter to the real world in a meaningful way.
5. Learning is about understanding the world by reinterpreting knowledge. It is understanding
through evaluation, reassessment, and using knowledge in new ways.
Saljo found that students with limited life experience (typically younger students, but not always) tend
to view learning as an external, quantitative process as in steps 1-3 above. The role of the teacher here
is to connect this externally motivated learning to internally motivated notions of function, usage, and
general application. The teacher should work to give students an understanding of the applicability of
what they are learning and not just inundate them with facts and new information. Lessons and the
classroom environment should be developed in such a way as to foster an internalization of the learning
process. This can be difficult with young children who have not yet gained the life experience to help
them connect what they are learning to the broader world, but all teaching should be done in such a
way as to link knowledge with its relationship to the world. Students respond best when they
understand the usefulness of what they are learning.
Both Bloom and Saljo saw learning and understanding as hierarchies. The two theorists approached
their research from different sides of the same coin, and came to very similar, related conclusions. They
studied how people view the process and intent of learning, and how people’s learning leads to
understanding. When brought together, their theories show that each level of understanding influences
people’s perception of what it means to learn, and each level of learning prompts people to seek a
deeper, more complete understanding.
Monitor Hypothesis
The monitor hypothesis represents a sort of bridge between language acquisition and learning. Formal
teaching creates a “monitor” in the minds of language learners. This monitor screens what is being said
or written and signals when a mistake is made. As learners develop their language skill and knowledge
of grammar, the monitor begins to parse their words as they are uttered. This is a useful function, but
can fall prey to over- and under-use.
Over-users of the monitor can become so concerned with creating perfect utterances that their speech is
broken and hesitating. A certain degree of risk must be taken, and making mistakes is a natural part of
language learning. Students who become flustered and apprehensive about speaking because of
excessive concern over making a mistake are generally monitor over-users. Teachers should create a
non-threatening environment where risk-taking and experimentation are encouraged to help students
overcome this apprehension and worry. Students need to push their boundaries to allow their
burgeoning language skills to flourish.
Under-users of the monitor can end up producing gibberish because they are not paying enough
attention to the correctness of their grammar or pronunciation. While it is unproductive to focus too
heavily on absolute correctness, it can prove equally disastrous to pay no attention at all to form or
grammar, which can result in nonsensical attempts at communication. However, not all under-users are
being lazy in their approach, nor are they just too eager to blurt out a response to monitor the
comprehensibility of their utterances; many under-users have simply not learned the rule or rules
sufficiently to effectively monitor their own production.
In most ESL classrooms, there is a mix of acquisition and learning happening. Language that is
unconsciously acquired forms the basis for fluency, while consciously learned language functions
primarily as an editor in the form of the monitor. An optimal monitor user allows language to flow
freely and only enables the monitor function at appropriate times. The monitor is an appropriate tool
during formal speech, when writing, or when practicing a new or difficult construction; however, once
new language has been sufficiently practiced, the monitor should step aside and allow communication
to proceed uninhibited. As in all language learning, conveying meaning is more important than perfect
construction, and students should be encouraged to internalize this concept.
Input Hypothesis
More recently, Stephen Krashen began to prefer the term “Comprehension Hypothesis”, but still
considers “Input Hypothesis” to be acceptable, so this term has been retained here for consistency with
the bulk of the literature on the topic.
The input hypothesis deals primarily with language acquisition, and as such, it is most applicable to
children as their brains are most open to unconsciously acquiring language. In order for any language
to be acquired, the input must be comprehensible. This is to say that the incoming language, be it
speech or writing, must be of a level that is understandable but slightly above what the learner is able to
produce. If the input is fully comprehensible and equivalent to or below the student’s level of
production, then no learning will occur. Krashen argues that learners will progress along the natural
order so long as they are challenged by language that is one step above their own level. For a learner at
level “i” of understanding, comprehensible input at level “i+1” will result in language acquisition.
A second component of this hypothesis is that there is typically a period of silent absorption for
language learners in which they observe and listen but are not inclined to participate in the new
language. Anyone who has learned a second language or has experience with second language learners
will know that the level of language that can be comprehended is always above what can be produced.
Teachers of new students of English should not be discouraged if the students are reluctant to
participate during the first few lessons. A combination of shyness, insecurity, and a general lack of
usable skill can prevent students from speaking. Once they become more comfortable and feel
confident that they understand a few words or phrases, students will begin to participate so long as the
classroom environment is welcoming and non-threatening.
Teachers must understand their students’ level of ability and grade their own language accordingly. But
keep in mind that it is not helpful to communicate exactly at the students' level. Teachers should
communicate at a level slightly above that of their students while ensuring that the language is
comprehensible. When you see their eyes glaze over and blank stares all around, it is a good indication
that the language you are using is no longer comprehensible to the students!
[1] Noam Chomsky, Language and Problems of Knowledge – The Managua Lectures, page 174.
Myelin is an electrically insulating sheath that forms around axonal nerve fibers. Early in life, this
sheath is quite thin throughout most of the brain, allowing for a great deal of what is termed “neural
plasticity”. This plasticity enables the developing brain to easily create new connections and neural
pathways, modify existing pathways, and dismantle unused connections. This creation and dismantling
process is extremely important in creating efficient neural networks that facilitate functions, thought,
and activity. There is a trade off, however. Thin myelin sheaths result in low signaling strength and
speed along the axons. So while the brain can make new connections easily, these connections are not
very strong or efficient. Increased insulation from myelin sheaths improves signal strength, speed, and
efficiency. In young children, as the brain is developing, plasticity is paramount. The brain is
continuously creating and dismantling neural networks as new stimuli are encountered and response
strategies are tested. As the brain matures and response strategies are proven successful, these neural
pathways are solidified with increased synaptic connections and further reinforced and improved
through myelination.
The brain is not physically mature until at least 10-12 years of age, which coincides with Piaget’s final
stage of development: the Formal Operational stage. However, refinements to the brain’s internal
structure continue even after it has matured. The process of creating and reinforcing new connections
continues throughout life, but is markedly slowed after childhood, particularly in areas relating to
language.
Due to the way the brain grows and matures through the neural connection and reinforcement processes
outlined above, the critical period for developing true native-like phonology (pronunciation and
phonetics) begins to decline around age 6. For morphology (inflection) and syntax (word order), the
critical period usually ends around age 15. However, exposure to different phonological,
morphological, and syntactic systems early in life can provide a working model to incorporate later
systems. That is to say, learning multiple languages early can facilitate later language learning and
phonological adaptation. However, the critical periods remain strong guidelines as neural pathways and
connections are created and reinforced in the brain, and the connections are bolstered through the
process of myelination.
The brain is best described as a neural network. It processes information, but it also interprets that
information and develops and assesses strategies for dealing with the world. Information is brought in
through the senses and processed. As outputs and responses are performed successfully and correctly,
they are reinforced in the brain and learning occurs. This can be as simple as a baby reaching for a
favorite toy and successfully grabbing it, or as complex as an actor successfully memorizing and
reciting a long soliloquy. It is this natural patterning and reinforcement mechanism that allows students
of language to apply new rules as they learn. However, because of the reinforcement system, young
students typically do not apply generalized rules; rather, they approach each situation as novel until a
sufficient store of experiences has accrued, at which point rules may become generalized. This is
supported by research showing that students learn irregular past-tense verb forms at roughly the same
rate as they apply the “verb + ed” rule, at least until enough instances of “verb + ed” are reinforced to
allow the brain to intuitively recognize a generalized pattern. Once this generalized pattern is
internalized, it will often be over-used, leading children to create words such as “knowed” and “goed”.
However, this does not mean that such errors are necessarily a bad thing. They demonstrate a limited,
but sound, understanding of English grammatical convention. This over-generalization is an indication
that the child’s mind recognizes that there is a general rule in play, and it is only a matter of time and
refinement until it is used correctly and appropriately.
Most students will go through a period of exchanging one error for another as they develop their
understanding of the language step by step. Each error, or shift in the kinds of errors, should be
assessed by the teacher as either a positive step forward, which should be encouraged while helping the
student to further refine the rules and structure in play, or a negative step backward, which may require
more intensive, direct intervention to limit the regressive change. It is important that incorrect learning
is not allowed to be reinforced in the brain, otherwise fossilization can occur. Fossilization is the
process of strengthening and solidifying incorrect language. At a neurological level, it is the synaptic
reinforcement and increased myelination of inaccurate solutions to linguistic problems, and as such, it
can be very hard to undo.
[1] Harry J. Jerison, "Paleoneurology and the Evolution of Mind”, Scientific American, January, 1976.
Topic 2: Language Acquisition and the
Developing Child
Late Elementary (Ages 10 - 12)
Students of this age are well versed in the ins and outs of the
school system, so they fully know what is expected in a
classroom environment. Of course, that doesn’t mean they won’t
push the boundaries of acceptable behavior, but they’ve been in
school long enough to know how it works. By age 10, children
are well into the Concrete Operational stage of development and
have a good, logical grasp of the world. They lack some of the
subtler understandings that come with increased age,
experience, and development, but they have lost the “magical”
thinking of their younger years. They are still able to acquire
language through Exposure, Motivation, and Opportunity, but
new linguistic structures now require some effort of study and
practice to be internalized. Students who are first encountering
English at this age will need to spend some time and effort
learning the language, unlike their younger counterparts who
will absorb the language through simple immersion. This is not
to say that language acquisition is no longer a factor as it
remains a powerful force for picking up a new language;
however, greater effort is required on the part of the student if
they are beginning to learn a second language in late elementary
school.
As mentioned previously, the onset of puberty coincides with an increase in abstract thinking ability
and a move to the Formal Operational stage of development; however, it also coincides with a decline
in the mind’s plasticity and the correlated decline in the relative ease of language acquisition. Children
in the later portions of this age-range are able to perform more complex mental operations but will need
to put more effort into studying a second language. It is around this age that formal grammar can begin
to be taught, provided the students are of sufficient linguistic ability to understand the concepts.
However, grammar teaching should always be secondary to vocabulary and conversation skills. It’s not
that grammar should not be taught, but an emphasis on grammar teaching can be de-motivating for
students and can also lead to a tendency to overuse the monitor function as they become overly
concerned with grammatical perfection. But at this age, with sufficient background in the language,
students can begin to dissect the language to understand it more deeply. Sentence diagramming,
identification of the parts of speech, and changing sentences from statements into questions are all
some examples of the types of grammar teaching that can be beneficial.
Peer approval is becoming more important by this age. Students in late elementary school still seek
approval from the teacher, but they are also establishing social networks among their classmates. These
social networks tend to be fairly fluid and transient as the children test out new relationships. It is
important for the teacher to be aware of the increasing importance of peer approval and to avoid
alienating or ostracizing children who may be taking their first tentative steps toward forming their own
social identities. Class cohesion and inclusiveness are on the one hand becoming more difficult to
achieve and maintain, and on the other hand becoming more important for a well-functioning
classroom. Group and team activities can help build bonds among the students, particularly if the
members of the groups are shuffled periodically. Class-wide rewards are also useful in bringing the
students together. Younger learners have difficulty comprehending the impact that their actions may
have on the group at large, but by this age students can understand that they are part of a whole.
Rewarding the entire class for good behavior can bring the students onside with you and with their
classmates.
By late elementary age, most children are very familiar with the school system. This can be good and
bad. On the good side, students fully know what is expected of them while they are in school. They are
used to homework, tests, and appropriate behavior for the classroom. However, school can also have an
institutionalizing effect that begins to manifest around this age. What this means is that as students
come to understand the mechanics of testing, grades, and scholastic achievement, they can begin to see
the classroom as something of an office or workplace where tasks are completed in order to gain
rewards (good grades being the most obvious reward). This approach to learning typically results in an
over-emphasis on knowledge retention to the derogation of deeper levels of understanding. Learning
that occurs in this context is rarely carried over to practice beyond its successful recitation for tests and
assessment, and it often remains at the first or second (Knowledge or Comprehension) levels of
Bloom’s Taxonomy of learning. To be proficient in a second language, an Application level of
understanding is crucial, otherwise the student will not have a deep enough grasp of the language to be
able to use it successfully in an unstructured situation.
The problem with much classroom learning is that many new skills are not learned in what Bandura or
Vygotsky might call a “community of authentic practice”. Instead, children develop in a school culture
that does not emphasize the connection and transfer of knowledge to its use in the outside world. What
is learned in the classroom tends to stay in the classroom unless it is demonstrated to have a real-world
application. This issue is endemic in many school systems around the world, and it carries over to
language classrooms as the students become accustomed to this mode of learning and scholastic
achievement. It is therefore of great importance to make the classroom environment as authentic and
contextualized as possible. Create role plays and simulations that mirror real situations that the students
might encounter in an English-speaking country or with native English speakers. Ideally, you can have
them practice speaking and interacting in real situations or environments. This can be difficult if the
students are of a very low level of competency or if there are not many English speakers in the area, but
if it is possible, it can be a great way to connect what is learned in the classroom to the broader world.
Even if field trips to interact with English-speakers at a local store or restaurant are not possible, you
can arrange to have your students interact with other English teachers in your school to give them some
authentic practice. Send students on errands to retrieve things for you, or have them ask another
English teacher a question and report the answer. Do it naturally and seemingly as a spontaneous event
so the students do not have time to become nervous or apprehensive. Of course, it is always a good idea
to check with the other teachers before disrupting their classes or break time, and it is also helpful to
quickly review some of the language the students will need when you send them out on an errand. Just
a simple review of how to ask to borrow something would be sufficient. The authentic practice gained
through unstructured interaction with a native English speaker will go a long way toward reinforcing
the language skills practiced in the classroom.
Another way to help students see the applicability of what they are learning in the classroom to real
environments is to involve them in the lesson planning process. This approach is based on the
Communicative Method and the idea is to treat the classroom as a collaborative environment, similar to
the apprenticeship model propounded by Lev Vygotsky. Rather than the teacher assigning tasks from
the top down, the students are involved in generating the types of language they will practice. This
requires the students to be of a certain level of competence in the new language, but it can be quite
successful if they are sufficiently proficient in English. The students, with teacher assistance,
brainstorm some situations and contexts where they feel English might be valuable and useful. They
should try to think of situations that are immediately applicable to their own lives, rather than simply
thinking of other scenarios they’ve practiced in English class before. The intent is for the teacher to
help the students learn what they want to learn. This does not remove the teacher from the lesson
planning process, nor does it eliminate the need for more structured learning; however, by involving the
students in their own learning, the language is given an element of authenticity that it might not
otherwise carry.
Late elementary age students can be very enjoyable to teach. They are becoming more competent in
everything they do, and while learning a new language may not come as effortlessly as it does for
younger students, they are still able to acquire language quite rapidly. They have the increased
confidence and ability that comes with being older students, but they are generally quite manageable as
they have not yet begun the rebellious phases of boundary-testing that mark adolescence. They are still
focused on the teacher and seek approval and praise, but at the same time they are developing a sense
of themselves. As they do so, they create goals and objectives that can be harnessed to drive them to
practice new skills (such as a second language) until they have mastered them. They are beginning to
see the role that they can play in their own growth and development, and will often have a strong desire
to do things right and see projects through to completion so long as they are sufficiently motivated to
learn.
Grab Bags
Crazy Walks
Pick a Card
Simon Says
Moving Memory
Gone Fishin’
Telephone
Hot Potato
Pictionary/Charades
Other Games
Rhyming (words with the same end sounds, such as pair, bear, share, and care) and alliteration (words
that begin with the same sound, the boy’s big blue beach ball, for example) are two ways to develop
and practice pronunciation and phonemic awareness; songs often make use of rhyme and can be a fun
way to practice these skills. The idea behind using rhyme and alliteration is to illustrate to students that
although two words may differ in only one sound, they carry a different meaning. If the sounds that
differ do not exist in the students’ native language, then it will take some practice for them to be able to
tell the words apart.
Isolation activities focusing on minimal pairs are another way to practice phonemic awareness.
Isolation activities involve saying a set of four or five words where one of the words is different from
the rest. A minimal pair is a pair of words that differ in only one sound, such as “luck” and “lock” or
“fry” and “fly”. Here the speaker must clearly enunciate each word and the listener must correctly
identify which word was different from the rest. For example, student A might say, “lock lock luck
lock,” and student B must identify that the third word, luck, was unlike the rest. To focus on developing
listening skills, the teacher can read the words to the class and each student should try to identify the
mismatched word. To focus on developing pronunciation skills, each student can take a turn reading the
words and the teacher and other students can pick out the word that is different. This can be a
challenging, but fun, activity.
As with many things pertaining to language learning and language acquisition, the younger your
students are, the less time you will need to spend on specific practice and drill. Very young students
will gain more from being immersed in English and having to communicate in the new language than
they will from repetitive drill and formal study. As the students get older, however, more and more
effort must be put in to learn new linguistic skills, and this includes not just pronunciation, but the
correct identification of the sounds they hear. If they cannot hear and distinguish the sound aurally, then
they will not be able to reproduce the sound consistently or accurately in their
Phonics is based around teaching the sounds of the English language and connecting those sounds to
their representative letters. It is a combination of teaching the alphabet (graphemes) and teaching
phonemic awareness. Phonics has had its share of controversy, most notably in the 1980s with the
“whole language” movement in many school systems in the English speaking world. Whole language
teaching emphasizes the whole word, rather than its component letters. In its pure form, students
receive very little direct instruction on connecting letters to sounds in whole language teaching. Instead,
they are shown words in context with the idea that they will connect the whole written word to its
meaning, much like speech is learned. It would seem, however, that the innate mechanism for learning
spoken language does little to aid in the learning of written language. Exposure, motivation, and
opportunity are sufficient to acquire spoken language, but direct teaching seems to be necessary to
develop reading skills. Part of the controversy over whole language versus phonics teaching stems from
concerns over the development of literacy and a love for reading. Phonics teaching is often seen as
monotonous, and the reading passages generally associated with it are sometimes considered dry and
irrelevant. The concern many educators have is that using uninteresting drills to teach reading could
turn some students off of reading in general. While phonics as a method does little to address these
concerns, as a purely functional approach it works very well, and for this reason it is well suited to ESL
teaching. The idea behind phonics is that students should be taught letters and sounds together to help
them to quickly learn to read. The key to effective phonics teaching is to present those letters and
sounds in a way that is relevant, meaningful, and engaging to students.
Phonics relates phonemes to graphemes, digraphs, trigraphs, and so on. Each sound is linked to the
letters that represent that sound in the language. In addition to single sounds, students learning phonics
should also be taught clusters. A cluster is a string of two or three consonants, each with a distinct
sound, that flow together. Some examples of clusters are br, fl, fr, sp, st, str, etc. In standard phonics
teaching, students would be taught to sound out each of these individual sounds. So, for example, the
word “strong” would be broken down as “s-t-r-o-n-g”, and the students would practice making each
individual sound as they combine them to pronounce the word. Eventually, these letters would be
blended into a cluster (“str”) and a trigraph (“ong”), so students need only break the word into two
parts. “Strong” would be sounded out as “str-ong”. Since both “str” and “ong” are always pronounced
the same way and appear in several other words, there is no need to break each one into its component
letters. Once they are familiar with the phonemes and graphemes of the English language, students
should be taught to recognize and pronounce clusters and multi-part graphemes as units. The idea is
that by first teaching students how each of the approximately 44 different sounds in English is created
and combined, they will have a much easier time recognizing and reading words.
Synthetic phonics is becoming the favored compromise between whole word teaching (analytical
phonics) and simple alphabetical teaching. Analytical phonics focuses on teaching whole word
recognition with an emphasis on the initial letter/sound. So, students are exposed to the letter “c”, for
example; then, they would be shown a number of common words that begin with “c” (cup, cat, can,
cow, etc.). The students would then develop a mental list of words that begin with “c”. Later they
would study ending letters, eventually combining these lists to develop sight recognition of many
different words. This works well for short and easily recognizable words, but begins to break down as
more complex vocabulary is encountered. With time and experience, readers will develop sight
recognition on their own; however, the danger of teaching it as a strategy is that it creates an initial
guesswork response that is not always accurate. New readers have neither the vocabulary nor the
practice necessary to quickly, easily, and accurately recognize on sight all of the words they know.
Conversely, purely alphabetical teaching can slow readers down as they unnecessarily concentrate on
each individual letter. Synthetic phonics bridges this gap by teaching students to look for clusters of
sounds and to blend them smoothly to form the whole word. This provides for a reading skill that is
more transferable than analytical phonics and more efficient than sounding out words letter by letter.
Most research supports teaching new phoneme-grapheme combinations at a rate of about six per week.
At this rate, students should be able to recognize all of the phonemes used in spoken English within
about two months. Of course, many phonemes can be represented by multiple graphemes (for example,
the words though, row, toe, and go all end with the same sound, but each “oh” phoneme is written
differently). It will take some time and practice for students to come to recognize all of the different
ways sounds can be represented by letters in English. As they learn new phoneme-grapheme
associations, students should be shown how these combinations transfer to other, similar words. For
example, the rime “ould” could arise during teaching as a part of the word “could”. Teachers should
take this opportunity to show how “ould” also appears in “would” and “should”. A rime is part of what
defines a “word family”; that is, words that share an integral letter combination (for example, the rime
“at” links cat, hat, bat, mat, etc.). Rime differs from rhyme in that rimes are always spelled the same,
whereas two words may rhyme without sharing any letters in common (blew and through, for
example).
Any new phonics information taught, whether it is a new grapheme, phoneme, or rime, should be
reinforced quickly and frequently. Once a new letter or sound is taught, show the students how that
letter or sound appears in other familiar words. For example, if they have recently learned the
phoneme-grapheme “ing”, then illustrate how this construction appears in such words as ring, bring,
thing, sing, wing, etc. In the process, you will be subtly introducing other graphemes that they will
study (br, th, s, and w, in this example). Over the course of a week, you should aim to teach and
reinforce about six new phoneme-grapheme combinations, depending on the amount of teaching time
you have with your students each week. After six to eight weeks of teaching and reinforcement, your
students should have the tools to be able to decipher and read words that they have never encountered
in writing before. Once they are comfortable blending phonemes to sound out new words to read them,
and segmenting words into the appropriate graphemes to spell them, they will be able to use these tools
to tackle unfamiliar words they encounter in future study.
Much has been made in this module of the desirability of exposure and immersion to create an
environment conducive to language acquisition. While it is true that direct teaching can interfere with
spoken language acquisition, particularly for very young students, the same does not hold true for
reading. The brain may be wired to acquire and decode language, but this ability does not transfer to
written language. Direct teaching is necessary for students to learn to read and write. However, this
teaching should not come at the expense of communicative interaction. Students should be given as
much opportunity as possible to express themselves verbally as they acquire the new language.
Reading and writing teaching should center around words that the students already know. When
teaching students who are new to the language, initial vocabulary teaching should be verbal and
students should not be asked or expected to read or write words that they have not learned to say.
Phonics is a way to connect the words that students already know how to use in a verbal context to their
written representation.
Literacy may seem like something that is beyond the realm of an ESL teacher’s responsibility.
However, it is the duty of any educator to instill a love of reading and to encourage students to read as
much as possible. This is good for students in general, but exposure to different kinds of English
reading materials is especially important for ESL students. Needless to say, a certain degree of
proficiency with written English is necessary before beginning any sort of comprehensive literacy
program with your students, but once they are able to read on their own, you should introduce them to a
wide variety of genres and writing formats.
As a language teacher, you will be expected to encourage your students to use the language they are
learning. One of the easiest ways to do this is to give them interesting reading materials to take home.
Obviously, whatever materials you select will have to be carefully graded not only for your students’
abilities, but also for their age and interests. Books that will engage a 6-year-old student are not likely
to hold the attention of a junior high school student, and vice versa.
Reading questions cover three distinct skills: skimming, scanning, and intensive reading. Skimming
questions involve the gist or main idea of the article or story. Some examples of skimming questions
would be, “What is this story about?”, “Where does this story take place?” or other similarly broad
questions. The idea behind skimming questions is that the student must have a broad understanding of
the themes and general content of the story or article. This requires students to understand enough of
what they have read to pick out the setting, general themes, and major points. Writing a summary or
plot outline are both good skimming exercises that are more comprehensive than simple questions.
Scanning questions involve specific details such as figures, dates, or particular details. Some examples
of scanning questions would be, “When was Benjamin Franklin born?”, or “How many iPhones did
Apple sell in 2008?”. Scanning questions don’t require the student to understand the story holistically;
they need only be able to identify keywords and pick out specific facts and details. Teachers should
show students some common keywords and identifiers that can help them answer scanning questions
and pick out specific details from a piece of writing. One obvious marker to keep an eye out for is the
use of numerals. Generally, numbers indicate a date or other figure and these can help students to
quickly pick out particular information. However, you don’t want your students to simply pick out all
of the numbers in a text, so create some questions that require them to read more carefully to find
selected details. Certain genres and styles of writing lend themselves more readily to scanning. Reports
and summaries are two examples of writing that can be quickly scanned to glean important details, but
be sure to expose your students to a wide variety of writing styles and formats. They should be able to
use their scanning skills to pick out important information in any text they encounter.
Intensive reading questions are much more in-depth and will often require the students to give their
opinions or draw upon outside knowledge for comparison or illustration. Some examples of intensive
reading questions would be, “How did the main character change from the beginning of the story to the
end?”, or “Should young children be allowed to play video games?”. These kinds of questions require a
thorough understanding of the text and will often necessitate a re-reading of the material, perhaps more
than once. Until your students are familiar with answering intensive reading questions, you may have
to walk them through the process of reading a text to understand the whole. Many younger students
will look for the most direct answer and may miss the bigger picture that you are asking for. Warming
them up with skimming and scanning questions is a good idea before moving into more intensive
reading questions. The first few times you ask this type of question, it is not a bad idea to do so with
familiar texts that you have discussed as a class. Once your students understand the format of intensive
questions, they should be able to transfer that skill to new texts from any genre.
These three types of questions all involve different reading skills. Any reading material for intermediate
or higher level students should contain questions that cover each skill. Due to the depth required for
intensive reading questions, usually only a few such questions would be asked for any given article or
story. Skimming and scanning questions, on the other hand, can be asked in abundance. Just be sure not
to inundate your students with too many “find the number” type questions. You want them to absorb
and understand the material as a whole, not merely know how to look for specific answers.
There are two broad categories of reading that should be addressed in the classroom. The first
is intensive reading. Intensive reading, like intensive questioning, involves in-depth study of the given
materials. Generally, the teacher will select an article, story, book, or essay, and the class will read it
together. This provides an excellent opportunity for students to see vocabulary used in an authentic
context, and it is a useful way for them to learn new words.
The second type of reading, and the basis for literacy programs, is extensive reading. Reading
extensively involves reading for pleasure, reading outside the classroom, and reading a wide variety of
materials and styles. Teachers can facilitate extensive reading by providing varied, interesting, and
entertaining reading materials in the classroom, as well as by encouraging students to read outside the
classroom. Book clubs, class magazine subscriptions, and rewards for reading a certain number of
books or stories per month can all encourage students to read extensively. It is important to include
both fictional and non-fictional reading materials, as well as examples of different writing styles such
as short stories, menus, print ads, dialogues, reports, newspaper articles, and even comics! The
important thing with extensive reading is simply that the students read as much as possible. Since the
reading material for extensive reading will not necessarily be assigned by the teacher or created
especially for ESL learners, teachers should set some time aside each class or each week for students to
ask any questions they may have about what they are reading. It is helpful too for teachers to have a
selection of material that they have already gone through to check for appropriateness (both in terms of
age and level), and that they have taken the time to identify difficult vocabulary and provide suitable
definitions or assistance for students to discern the meaning of new or unfamiliar words. Graded
readers, and other books specifically designed for young children and ESL students, can be of great
benefit in encouraging extensive reading and general literacy. Ask your school director or check a local
English-language bookstore to see if they can order you a set of books for young ESL students. Books
specifically designed as reading texts for ESL students will typically contain vocabulary lists,
definitions, and questions about the stories or articles contained within. There are three categories of
questions used with reading materials, in addition to vocabulary recognition and definitions.
Even though you will be an ESL teacher, once your students are of intermediate level and above, it is a
good idea to begin to encourage general literacy in English. Not only will this expose students to varied
material and a wider vocabulary, it will also give them a sense of accomplishment as they see that they
can, in fact, read materials written entirely in English. Be there for support and encouragement as
reading in a foreign language can initially be a daunting undertaking for young students, but once they
realize that they are able to read in English on their own, they will gain a tremendous sense of mastery
and accomplishment.
Introduction to Textbooks
Whether you are new to teaching ESL or have years of experience, textbooks are an invaluable
resource. Textbooks are vital in facilitating the learning process; however, they should not be used as a
crutch. To get the most out of them, teachers should build upon the framework they provide with their
own ideas and materials. This approach will keep students engaged and help them meet their learning
goals.
Topic 4: Textbooks
Choosing a Textbook
Choosing a Textbook
Ideally, a textbook for a course should be chosen while the curriculum is being developed, to ensure
that the book aligns well with the goals and objectives for the course. Oftentimes, however, language
teachers are provided with an existing curriculum and asked to choose an appropriate book as
supplementary material.
Whether you find yourself in a position to select a course book for curricula in development, or to
choose a textbook to supplement an existing curriculum, there are a number of common criteria that
should be considered. While there are various ways to approach the process of reviewing textbooks, H.
Douglas Brown's Teaching by Principles (2007) suggests the following be used as a set of guidelines[1]:
1. They should correspond to learner's needs. They should match the aims and objectives of the
language program.
2. They should reflect the uses (present or future) that learners will make of the language.
Textbooks should be chosen that will help equip students to use language effectively for their
own purposes.
3. They should take account of students' needs as learners and should facilitate their learning
processes, without dogmatically imposing a rigid "method."
4. They should have a clear role as a support for learning. Like teachers, they should mediate
between the target language and the learner.
Other factors to consider include author/publisher reputation, logistical factors (price, auxiliary aids,
workbooks, etc.), routines that students will become accustomed to, and teachability, especially with
regards to the usefulness of the teacher's edition.
Furthermore, in How to Teach English, Harmer provides a checklist that can be used when comparing
the books under consideration to see how they compare with each other[2]:
Possible areas for Possible questions for coursebook analysis
consideration
Price and availability How much does the coursebook cost? Will students have to buy extra
material (workbook, etc)? Are all the components (coursebook,
workbook, teacher’s guide, audio, etc.) available? What about other
levels? Is this good value for money? How much does the whole
package (with all the components) cost?
Add-ons and extras Apart from the workbook, what other extras are offered with the course?
Are there Internet sites with extra material (exercises, texts, etc), or with
‘meeting places’ for users? What else does the publisher offer to support
the course? What value should we place on the extras that are available?
Layout and design Is the book attractive? Is its design appropriate for (a) the students, and
(b) the teacher? Does the design of the book make it easy to follow?
Instructions Are the instructions clear and unambiguous? Are they written in
language that the students will understand? Can the coursebook be used
by students working on their own, or is a teacher necessary to show them
how to use it?
Methodology What kind of teaching and learning does the coursebook promote? Is
there a good balance between study and activation? How do the authors
appear to think that people learn languages and do we agree with them?
Syllabus Is the syllabus appropriate for our students? Does it cover the language
areas (grammar, vocabulary, functions, pronunciation, etc) that we would
expect? Do we and our students like the sequencing of language and
topics, etc? Does the coursebook build in a feeling of progress?
Language skills Does the coursebook have the appropriate balance of skills? Is the skills
work really designed to promote the skills (e.g. writing-for-writing, not
writing-for-learning)? Are there possibilities for both study and
activation in the skills areas? Are the skills activities likely to engage
students?
Topics Does the book contain a variety of topics? On balance, are the topics
appropriate for the kind of students who will be using the coursebook?
Are topics likely to engage the students?
Cultural appropriacy Is the material appropriate for the cultural situation that the students are
in? Do the texts contain cultural insensitive material? Are the activities
appropriate for the learning culture? Is the coursebook unprejudiced in
the way it deals with different custom, ethnicities, races and sexes?
Teacher’s guide Does the coursebook have an accompanying teacher’s guide? Is it easy
to use? Does it explain things clearly? Does it offer alternatives to the
coursebook activities? Does it have all the answers that teachers and
students need? Does it provide differentiated activities for fast and slow
learners?
When selecting materials for children, it is particularly important to consider the presentation and
delivery style. Do they have pictures? Do they employ an attractive color scheme? Do they use
relatable characters that will be enticing to young learners? Do they include fun-sounding audio/video?
Do they incorporate exciting games and engaging warm-up activities?
Finally, the instructor should consider how much of the curriculum will use teacher-created materials to
supplement the text, or if the course book will be the main source of content. Personalizing the
activities, games, handouts, and so on to ensure the materials are as suitable as possible for the target
audience can be motivating for teachers and students alike. If the course book will be the primary
resource for lesson planning, it will be especially important to ensure the selection process considered
as many of the above-listed criteria as possible.
Topic 4: Textbooks
Popular Textbooks
As discussed in the Online Component of your Oxford Seminars TESOL/TESL/TEFL Certification
Course, the curriculum you follow will most likely have a corresponding course book. While simply
following a textbook from beginning to end fails to make use of the dynamics of the classroom, it is
much easier to modify a well-structured, pre-existing lesson from a course book to suit the interests and
needs of your students than it is to develop a curriculum from scratch. Textbooks can be a valuable tool
in creating and supplementing lesson plans for classes. As most series include books of similar styles,
arrangements, and activity routines for multiple levels, many schools prefer to use the same series of
books as students progress through the levels.
Throughout this chapter, examples of different textbooks will be used to show the common elements of
ESL textbooks for young learners and how to get the most out of them.
To provide a balanced view of the ESL textbook market, eight books from four different publishers will
be presented:
1. Oxford University Press
• English Time by Susan Rivers and Setsuko Toyama
• Let’s Go by Ritsuko Nakata, Karen Frazier, Barbara Hoskins, and Carolyn Graham
2. Cambridge University Press
• Super Minds by Herbert Puchta, Günter Gerngross, and Peter Lewis-Jones
• Level Up by Diana Anyakwo, Diane Anyakwo, Sarah Dilger, Stephanie Dimond-Bayir, Lucy
Frino, Caroline Nixon, Sue Parminter, Colin Sage, Melanie Starren, and Michael Tomlinson
3. Pearson
• Backpack by Mario Herrera and Diane Pinkley
• New Parade by Mario Herrera and Theresa Zanatta
4. National Geographic Learning
• Our World by Diane Pinkley, Gabrielle Prtichard, Rob Sved, Kate Cory-Wright, and Ronald
Scro
• Look by Gregg Schroeder, Katherine Bilsborough, Steve Bilsborough, Rachel Wilson, Daniel
Barber, Rob Sved, Katherine Stannett, and Mary Charrington
This is by no means an exhaustive list of ESL textbooks or providers. There are plenty of other
textbooks out there. These books are focused on in this module to show you examples of popular and
well-designed ESL textbooks aimed at elementary age children. If you needed to prepare prior to going
overseas, these books would give you very useful teaching material to work from. These books were
also chosen due to their prominence in a variety of ESL markets, their ability to show the different
philosophies on ESL textbooks, and to show the differences between book series created by the same
publisher
Below is a summary of the popular textbooks for teaching young learners, listed above, as written by
the publishers:
English Time
English Time develops students' speaking, listening, reading, and writing skills through
art, stories, conversation, and games. The wide range of activities appeal to every child,
no matter what their learning style. 'Conversation Time' gives your students the
opportunity to produce language in a way that resembles 'real life' communication.
'Practise Time' and 'Review Time' enable them to practise this skill further through fun
pair-work and group activities. The stunning scenes in the Student Book, beautiful storybooks, wall
charts, and picture and word cards, captivate children, particularly visual learners, and help them to
explore new language in a fun and stimulating way. Each interactive picture is accompanied by
challenges for your students to complete, such as finding the hidden objects. This helps them to engage
with the new material so they remember the target vocabulary and grammar more easily. What's more,
regular reviews with cartoon-like stories and checklists with 'I can' statements give students and parents
the opportunity to monitor their progress while the Teacher's Book has individual unit, midterm, and
final tests.
Source: https://elt.oup.com
Let's Go
Millions of children have learned to speak English through the trusted methodology of
Let's Go. This popular textbook series is able to get children talking from the very
beginning with conversation, as well as question and answer practice. The Let's Go series
teaches each language pattern step by step and repeats it with plenty of practice which
leaves every child feeling 'I can do it!' It uses children’s natural skills through music and
movement with the acclaimed Carolyn Graham’s fabulous songs, chants and drum tracks
– so they will remember the language and build their fluency. The lessons are systematic,
clear and so involving that everyone knows what to do and no child is left behind.
Source: https://elt.oup.com
Super Minds
Written by a highly respected author team, Super Minds, a seven-level course for young
learners, has been carefully crafted to help your students achieve their full potential.
Whilst exploring social values, the course methodically enhances your students' thinking
skills and creativity. Engaging characters accompany learners on their journey, each with
special powers. As the students grow, so do the characters, and new faces are introduced
every two levels.
Source: https://www.cambridge.org
Level Up
Much more than an English course, Level Up builds all the skills students need to face
life, learning and assessment with confidence. Its student-centered approach fosters
collaboration while activities based on real-world skills and situations make learning
engaging and fun. Join Jenny and Jim on the adventure of a lifetime! Level Up creates a
mindset of continuous improvement through a combination of embedded missions and
traditional assessment: It inspires collaboration and develops social skills through
motivational, real-world challenges. It creates resilience through learning skills and life
competencies embedded in literature lessons. Level Up grows with students with higher levels
reflecting the developing interests of today’s young learners. The books also include plenty of phonics
work, grammar support and revision helps learners take their English to a higher level.
Source: https://www.cambridge.orgl
Backpack
Millions of children around the world have learned English using BACKPACK! Based on
the tried and proven methodology, this course is a communicative program based on
cross-curricular content and task-based activities. With a robust teacher resource and
assessment program, teachers love teaching English with Backpack. Backpack is the
proven seven-level course for young learners of English that offers a communicative
program based on cross-curricular content and task-based activities. The new edition
of Backpack incorporates the latest trends and up-to-the-minute technology.
Source: https://www.pearson.com/
New Parade
New Parade is a seven-level, communicative language program, that features Total
Physical Response (TPR), rhymes, songs, chants, pair work, cooperative learning, and
hands-on projects. Each level of New Parade contains the following components: A
Student Book, Workbook, Teacher's Edition, Audio Program, Picture Cards, Posters, and
Video with an 8-page Video Guide. Student Books feature perforated tear-out Little
Books in each unit to read in class and to take home for extra-curricular reading. With
controlled vocabulary in the books, students will gain success and confidence in applying
what they know as they read. The Little Books cover a range of genres and illustrations or photography
styles.
Source: https://www.pearsonelt.ch
Our World
Our World is a balanced four-skills series with age-appropriate National Geographic
content that motivates and excites young learners of English and helps them use English
as a tool to learn about and interact with the world. Perfect for the content-rich
classroom, Our World has everything students need for a balanced, four-skills curriculum, key grammar
instruction, and important 21st century skills practice and cross-curricular exposure.
• National Geographic video inspires and motivates young learners
• Our World Readers encourage reading for fun, and bring storytelling into your classroom
• Grammar support is flexible and varied with instruction and practice through the Workbooks,
Grammar Workbooks, videos, and Lesson Planners
• Additional phonics instruction and support is provided through Our World Phonics and ABC
• Free online activities and support are available for teachers and learners at myNGconnect.com
Source: https://eltngl.com
Look
The world is an amazing place. Get up close with Look, a seven-level series for young
learners of English. See something real with amazing photography, authentic stories and
video, and inspiring National Geographic Explorers. Help learners make connections in
English between their lives and the world they live in through high-interest, global topics
that encourage them to learn and express themselves. With short, fresh lessons that excite
students and make teaching a joy, Look gives young learners the core language, balanced
skills foundation and confidence-boosting exam support they need to use English
successfully in the 21st century.
Topic 4: Textbooks
Core Elements of ESL Textbooks for Young Learners
The children's textbook series presented previously tend to contain a number of similar core elements
for each level, including, but not limited to:
• Student Book
• Teacher's Book
• Workbook
• Storybook
• Audio CD/Digital Content
• Video/DVD
• Picture/Word Cards
• Tests
• Classroom Presentation Software
Student Book
The student book(s) accompanying a children's textbook series typically contain a number of themed
units or chapters, with corresponding vocabulary, grammar points, readings, and activities to practice
writing, listening and/or speaking skills.
For example, Level Up 1, targeted to young learners at the Common European Framework levels A1 to
B1, features 10 units titled, respectively: Our new school; All about us; Fun on the farm; Food with
friends; Happy birthday!; A day out; Let's play!; At home; Vacation time; and Review unit.
Each unit introduces the unit's mission, or learning outcomes, along with a set of relevant vocabulary,
sounds and spelling, grammar points to cover, cross-curricular aims, specific language skills to focus
on, and ends with grammar, phonics and writing practice.
Teacher's Book
The teacher's book covers the same units, in the same order, as the student book, but with specific
instructions on how to go over the learning outcomes, conduct the warm-up, have the students self-
assess, introduce the activities, and even differentiate instruction for stronger or less confident students.
The teacher's book also outlines the necessary materials for the unit, provides answer keys for the
activities, and identifies the page numbers to direct learners to in the student book and workbook.
To demonstrate how a unit is presented in a teacher's book, we will look at Level Up 1, Unit 4, which is
available for viewing on the Cambridge University Press website. The theme of this unit is "Food with
friends". For use in the warm-up of first lesson of the unit, the teacher's book starts out by directing the
teacher to bring a blanket to class, if possible, with some food (or food flashcards) and make a picnic
on the floor. While setting the food items on the blanket, the instructor should model each word and
have the pupils repeat after several times. The teacher is then instructed to play the associated video for
the lesson to introduce the topic, instruct the students to turn to page 44 of their student book, point to
the empty plate in the picnic photo, and ask the students to draw their favorite food on the plate. The
teacher can then tell each student the name of the food they have drawn. The teacher is then instructed
to show the digital "Mission" poster and go over how they will accomplish their "Mission" of
organizing a picnic by the end of the unit. Next, the teacher is to go through the unit goals with the
students in their workbooks so that they can review their "Mission" goals at the end of each lesson
("Mission" stage). To end the lesson, the teacher is instructed to put the numbers 1 to 5 on the board,
put a picture of a picnic under one, and flashcards for juice, apple, bread and chocolate under the
others. Finally, the instructor is to call out the words and encourage the students to give the correct
number for each vocabulary item. The teacher's book continues on with similarly-styled instructions for
the following lessons in the unit.
As teacher's gain experience with the series being used, they are less reliant on following the specific
directions of the teacher's book and tend to be able to introduce or incorporate the textbook activities as
it suits their own lesson plans. Regardless of the educator's experience level, the teacher's book is
always a valuable resource to be able to go back to for ideas and inspiration throughout a unit or term.
Workbook
A workbook accompanies the student book, and is usually filled with practice problems for which
answers can be written directly into the book. The workbook covers tasks related to the syllabus and
are used for solving extra problems students have already studied in the textbook.
Workbooks are also popular because they are typically lighter than textbooks, which makes it easier to
bring the book home to finish homework.
Storybook
Many coursebook series for children include, as the name suggests, books of stories or even short
novels, for students to practice their English reading. ESL storybooks commonly include vocabulary
study sets to prepare for the potentially challenging words learners may encounter while reading,
bolded words with definitions, picture cards, and questions to answer about the reading. If such
activities are not included within the storybook itself, they are often found in the accompanying student
book or workbook.
Video/DVD
Level-appropriate interactive videos are promoted as fun and exciting ways to engage students in the
topic of the day, as part of a warm-up activity, and to reinforce classroom work. The videos, whether
online or DVD, often include a video guide that offers teaching tips, and videos to watch are referenced
directly in the student and/or teacher books, as well as video scripts. The National Geographic series
boast colorful and action-packed videos of nature and the world around us intended to inspire and
motivate young learners.
Picture/Word Cards
Flashcards, displaying pictures and/or printed words, are useful resources to help in teaching and
reinforcing the vocabulary being studied in each unit. They can also be good supplements to memory
games, matching activities, spelling or pronunciation bees and variations of popular children's games
such as Go Fish, Pictionary and Bingo.
Tests
While ESL instructors for young learners should have the skillset to develop their own assessments as
part of lesson, unit, and term planning, a good course book series will feature a variety of tests intended
to determine if the students have indeed retained the intended content from the chapters/units studied.
The Super Minds series, for example, features the "TestGenerator" software which contains
customizable Unit and End of Term Tests (both standard and more challenging versions), as well as
ready-made Skills Tests that help prepare students for the Cambridge English tests. This package
provides teachers with opportunities for regular testing and self-evaluation of pupils throughout the
term. The English Time series, on the other hand, includes checklists with "I can" statements which
give students and parents the opportunity to monitor progress, while the teacher's book contains
individual unit, midterm, and final tests, providing a thorough testing package to assess student
progress, as well as areas for improvement and further study. The two examples above demonstrate
how different authors may incorporate assessment into their published works, and why it is especially
important to analyze the testing component of any series under consideration to see if and how it will
correlate to the testing schedules of your existing or developing curriculum.
Topic 4: Textbooks
Adapting Textbook Lessons
Despite all the thorough analysis that likely went into choosing the right textbook for a course, when
turning to the book for use in a lesson, teachers sometimes find activities not particularly well-suited to
the specific level, topic or needs of their students on that day.
Chapter 11 of Harmer's How to Teach English, which you used in the in-class component of your
Oxford Seminars TESOL/TESL/TEFL certification course, provides a number of good strategies for
how to use a textbook if the current chapter doesn't work well with your scheduled lesson. For this
section of the module, read Harmer's advice on "Adding, adapting, and replacing" coursebook materials
on pages 147-152 of How to Teach English[1]. If you no longer have access to this book, don't worry
about it. The main concepts are covered on this page. Below are some questions to consider:
Can the teacher omit a lesson from the coursebook?
Show
What should an instructor do if they find the textbook lesson too boring, controlled, or
offering limited opportunity for students to use what they are learning?
Show
What other strategy can instructor's employ if they find the lesson boring, the invitation
sequence too predictable, or they simply want to deal with the material in their own
way?
Show
What should a teacher do if they find the textbook lesson better not used, but feel the
need to cover the same basic concepts to meet curricular aims?
Show
Following in the style of Harmer in Chapter 11 of How to Teach English, next we will give some
examples of how textbook lessons can be added to, adapted, or replaced, depending on the context.
For the purposes of this exercise, let's imagine Oxford Seminars graduate Yusuf, who is teaching 30-
minute classes to young learners in Mexico, works in a school that uses New Parade 1 by Mario
Herrera and Theresa Zanatta as the coursebook for his level A1 (beginner) students.
Adding
When beginning to teach Unit 1, My Class, Yusuf follows the coursebook and starts with a warm up
song, followed by a game for classmates to learn each other's names, and a "Look. Listen. Sing."
activity to practice colors. Now look at the picture below[2]:
In the next class, Yusuf planned to cover the "Read. Point. Say.", "Listen and Circle." and "Draw and
answer." activities on pages 4-5 of the text, to study numbers and classroom vocabulary. There is
nothing wrong with these pages of the book. The pictures are bright, warm, and even include the
engaging pink hippos Homer and Hanna who guide readers through the text. But Yusuf feels the class
should start with a warm-up (engage) activity, and he also wants to get them thinking about the vocab
the students will be using in this lesson. He decides to add a game to the start of the class which will
both be a fun way to get students thinking about the day's topic, and a good way to re-teach some of the
vocabulary they will need to use. Yusuf breaks the class into two groups and explains that he will shout
a word, and the first team who has a member find the object he shouts will get a point. The team with
the most points at the end wins. He then demonstrates how the game will work by shouting "Table",
running to touch the table, and giving himself a point on the board. Yusuf proceeds with the game by
shouting the other words they will be studying that day: desk; chair; book; pencil; marker; backpack. It
takes a few examples for all of the children to really catch on, but by the end of the game they all seem
to have had a lot of fun, and should be fairly prepared for the "Read. Point. Say." and "Draw and
answer." activities to follow.
Adapting
Sometimes you may find that, overall, the activities in a unit are a relatively good fit for the students'
level and needs, but there is something that could be improved about the lesson to make it even better.
For example, Yusuf was quite pleased with how the young learners progressed through Unit 2, May
Family, in New Parade 1. They seemed to do well with building upon the English counting skills they
had learned previously, and really enjoyed sharing about their families when Yusuf added to the content
by asking students to draw and count the members of their own families as a supplemental activity. He
felt that the assessment section might not be challenging enough for the class, however, as they seemed
to be fairly well versed in the English alphabet at this point. Now look at the picture below [3]:
As you can see, the "Find the way." alphabet maze is somewhat challenging, as it requires participants
to remember the order of the alphabet in order to reach the end. The "Listen. Count. Circle." assessment
requires students to use their listening skills, which is still very much a developing skill at this level.
But Yusuf feels he should really adapt the "I can." activity to more accurately assess what beginner
students can do in terms of using the alphabet. Yusuf decides to turn the assessment into a game by
writing all the letters of the alphabet on the board, in no particular order, then pointing his yardstick at a
letter and calling out a student's name to ask what letter he is pointing at. He asks each student five
letters, and sets the expectation for at least four correct answers out of five. He tells the students that
those with the most correct answers will win a prize.
Think about some additional adaptions you could make to the "I can." speaking assessments to make
them more challening, yet engaging and accurate, for the level.
Replacing
In the following example from Unit 3, My Body, Yusuf is unexpectedly required to use his coping
strategies for dealing with Coulrophobia – fear of clowns. He can't omit the lesson altogether, as the
students are expected to learn all the body parts featured in this unit, so he decides to replace any
activities involving clowns with a suitable alternate. As one example, take a look at the picture
below[4]:
Instead of having his pupils complete the "Listen and color." activity on page 24, Yusuf prints out a new
coloring sheet of a monster with red eyes, blue ears, a green nose, a purple mouth and yellow hair, and
recites the colored body parts to the class for them to complete the activity. In doing so, Yusuf is able to
replace the activity and have the students reinforce their knowledge of relevant vocabulary without any
anxiety-inducing interaction with clown content. Considering the plethora of clowns permeating the
remaining pages of the unit, Yusuf decides to replace the whole textbook unit with teacher-created and
alternatively-sourced activities and exercises to ensure the same vocabulary and language skills are
learned.
Topic 4: Textbooks
Summary
Textbooks can be useful for any teacher; however, they are especially useful for new teachers. They
clearly outline the material that needs to be covered in any particular lesson and provide supplementary
activities to support the goals of the lesson. Beyond individual lessons, textbooks provide organized
units to allow for a teacher to plan out longer periods of time. Until a teacher has a feel for their
students’ learning style and pace, textbooks provide a reliable template to cover topics in sufficient
detail. Using a textbook allows for parents to follow their child’s progress and is a tangible resource to
provide to school administrators. The aim of this unit has been to demonstrate that while textbooks are
a valuable resource, they should be used as a guide to support your own ideas and methods. It may be
tempting to rely on a textbook, but students will get more out of a balanced approach that includes your
input in conjunction with their textbook.
The textbooks that were mentioned in this unit provide a snapshot of what is available for young
learners as they start to learn English. However, there are countless other series to choose from across
the spectrum of age and ability. As students progress, textbooks diverge into specific areas such as
reading, writing, speaking, and listening. This means that you do not have to follow a book series
through to the bitter end. You can mix and match based on what you feel is the best fit for you and your
students. In addition, quality can vary between books in a series. The best way to evaluate a book is to
get a copy for yourself. Publishers and bookstores will often provide sample copies to schools upon
request.
Ultimately, a good textbook supports both teachers and learners. It will free you up to refine your
teaching style and develop engaging lesson plans. For students, textbooks provide an easy point of
reference for what has been studied and what is coming up next. As long as you choose your textbooks
carefully and plan your lessons in conjunction with the texts, you give your students the best chance of
success.
Choose a theme or topic (e.g. sports, animals, occupations, emotions, etc.) and create flashcards
containing words and/or pictures of things that fit your chosen topic. Place all of the students’ names in
a hat and draw one at random. Have that student select a flashcard and describe what is on the card.
The rules are that there can be no gesturing and no spelling of the word. The student must describe
what is on the card using words only. The other students try to guess what the student is describing.
This can be done in teams or as individuals. Set a time limit to keep things moving, and don’t be afraid
to offer assistance or pass on a particular card if the students are really stuck. Points are awarded for
correct guesses as well as accurate descriptions. So, for example, if the first student accurately
describes an animal so that another student is able to guess that it is a kangaroo, then both students get
a point. Since giving an accurate description is the more difficult task, you can opt to give more points
to the student describing what is on the card. Then the student who correctly guessed can take a turn
describing a card, or you can select another student at random.
Once the content of a card is correctly guessed, write the word on the board. After all of the cards are
finished, the students can try to guess the topic or theme for the cards to gain a class reward. The more
individual cards they guess, the easier it will be to guess the topic or theme!
2. Word Chain
Arrange the students in a circle or in lines. Choose a student to go first. This student says an English
word and the next student to go must say another word that begins with the last letter of the previous
word. For example, a chain using animal words could progress as follows:
tiger → rhino → ostrich → hen…and so on. To make the game more challenging, the teacher can
specify a category or theme for the words, such as animals (as in the example above), nouns, verbs,
places, etc. Just ensure that the topic is broad enough to have sufficient words as to be playable.
Divide the class into groups. Each group elects one member who will secretly be the focus of the
activity. The students in each group are given a large piece of paper and red and green markers. They
must describe the selected person using the green marker for things that are true, and the red marker for
things that are not true.
To make this activity more challenging and more communicative, have each group ask (in English, of
course) their elected member a series of questions about his or her likes and dislikes. Likes are then
written in green while dislikes are written in red. After a set time has elapsed, the teacher gathers all of
the large pieces of paper and puts them up on the board in random order. The students then have to
guess whose likes and dislikes are written on each piece of paper. Obviously those students who were
elected do not get points for guessing their own list, but they should still participate so that the other
students cannot narrow down who was elected. This variation is best done with students who have had
some time to get to know each other.
Another variation of this game is to have each student create a list of likes and dislikes using red and
green markers as in the example above. Then have each student show the list they created to the class.
The other students then must ask why that person likes or dislikes certain things. Take note of some of
the more interesting likes and dislikes and hold a class vote find out how many students share the same
feelings. You can then go around the room and have each student explain why they do or do not like
goldfish, for example.
Have the students stand in a circle while you stand in the middle holding a ball. Ask a question to one
of the students and pass the ball to that student. If the student can correctly answer the question, then he
or she passes the ball back to you. If the student does not know the answer, he or she then passes the
ball to another student until someone can answer correctly. Repeat questions that the students had
difficulty with until they are answered easily and correctly. If the students are sufficiently confident and
able, they could take turns playing the role of the teacher in the center of the circle asking questions.
5. Moving Memory
Arrange a collection of objects or flashcards on a table that all of the students can easily see. Show
them the objects or flashcards for a predetermined amount of time (30 seconds to 1 minute should
suffice). After the time has elapsed, cover the objects or turn over the flashcards. The students must
then say where each object was in relation to the others. For example, “The flower is next to the cat and
above the umbrella.”
To add a challenge, you can move the objects around and students must then say the old location in the
past tense and the new location in the present tense. For example, “The tiger was between the elephant
and giraffe, but now it is above the snake and next to the horse.”
Place three bags at the front of the class. In the first bag, place cards with pictures of people on them
(or action figures/dolls if you wish and these are available). In the second bag, place cards or pictures
of places. In the third bag, place cards or pictures of actions. Each student must come up to the front
and withdraw one item from each bag (for example, pictures of a chef, a submarine, and the action,
sleeping). Then the students tell or write a story linking the person, place, and action. This can be a
simple sentence for lower level classes, or a short story for more advanced students. If you have
enough items for every student in the class to get one from each bag, then you can allow them to take
the items back to their desks to give them a visual starting point for their stories. If there aren’t enough
items to go around, allow the students to come up individually or in small groups to take a closer look.
7. Sliding Doors
Building suspense is a great way to get young students’ attention. One way to do this is to slowly reveal
something and have them guess what they’re being shown. For this activity, you will need some flash
cards or pictures. Hold up the flash card but cover it with a book, piece of paper, or some other opaque
object. Slowly slide the cover away and have the students guess what the picture or word is. If you are
using a picture, you can ask questions as you reveal the picture, such as “What color can you see?” or
“What do you think it is?” To assist your students, you can ask leading questions such as “What kind of
animal is it?” or “How many legs does it have?” These kinds of questions can help students make use
of adjectives and other descriptive words.
You can also use flash cards with words on them for this activity. This can be an engaging way to
practice letter and word recognition and also to connect words with their spelling. For low level or very
young students, reveal the word from left to right so it’s as if they are reading it. Once they are a little
older, or for a more challenging activity to use with slightly higher level students, you can reveal the
word from right to left, top to bottom, or bottom to top. If you’re particularly adept, you could reveal it
from the middle out. The idea is to keep them guessing. This kind of covert practice is a great way for
students to develop their word- and letter-recognition skills and will implicitly help them build their
sight reading ability.
8. Grab Bags
Grab bags are another way to build suspense. Bring in a bag filled with various items. If you have a
small class or small items, you could bring in a bag with enough items that each student can grab one.
For larger classes, or if it would be impractical to bring in an item for every student, you can randomly
select a few students to come up and withdraw an item. To make it even more interesting and engaging,
you could play a short game and allow the winners to come select an item from the bag. After the
students draw an item from the bag, have them identify it by name if they can, or describe it using as
many adjectives and descriptive terms as they can. This can provide some good practice using
descriptive words and phrases. Ensure that the items in the bag are related to your lesson in some way.
This kind of realia provides a concrete connection between the lesson and something concrete. For
example, if you are doing a lesson on foods, you could bring in a bag filled with fruits and vegetables.
The students must draw one item from the bag, say something about it (e.g. “This vegetable is orange,”
or “My fruit is round.”), and if they know the English word for it, they can say that to the class.
The grab bag can be used as a warm-up to introduce some vocabulary for the lesson, or it could be used
as a wrap-up at the end. Having a mystery bag filled with unknown items is a surefire way to get young
students’ attention. Just be careful that the bag doesn’t become a distraction. If you plan to bring in the
bag to get their attention, then reveal what is inside to conclude your lesson, it might be wise to put the
bag out of sight if you find that the students are paying more attention to the bag than they are to your
lesson. The grab bag can serve as an introduction as students each come up to withdraw an item and
say something about it, then later it can also serve as a closing exercise as the students return the items
to the bag and say something different about their item as they place it back into the bag.
9. Telephone
Telephone is a game commonly played in school or at summer camp. The students all sit in a circle or a
line if there is sufficient space. The teacher whispers a phrase to the student at one end and that student
then repeats the phrase to the next student in the line and so on. Each student may only say the phrase
once (or twice if the game proves too difficult). So if the next student couldn’t understand what was
said, then the message is likely to change. Even with native English speakers, this game can result in
some hilariously mistranslated phrases by the end of the line or circle. It is particularly useful for ESL
students because they must take extra care to pronounce the words accurately, and the student receiving
the message must listen very carefully to ensure that they understand correctly. With lower level classes
or very young students, the teacher may start with a relatively short phrase. With higher level classes
and older students, the teacher can use longer phrases or complete sentences. There is usually no need
to go beyond a single sentence or a couple of very short sentences. The intent of the game is not to test
short-term memory, but rather to practice pronunciation and listening skills.
To make the game competitive, or more practical for larger classes, divide the students into teams and
give each team the same phrase. The team that repeats the phrase most accurately at the end gets one
point. After a set time limit has elapsed or a predetermined score is reached, the team with the most
points wins!
Hot Potato is a fun way to put students on the spot. Bring a ball, or if you’re a literalist, bring an actual
potato (preferably not hot), and arrange your students in a circle. Ask a question to the class; then throw
the ball to a student. The receiving student must first answer the question correctly, and then ask their
own question to the class before throwing the ball to the next student to answer. They’ll have to think
quickly and pay attention because they won’t know who will have to answer next! If a student does not
know the answer, they can enlist the help of a classmate by tossing the ball to someone else. To prevent
students from simply refusing to answer and throwing the ball away any time they catch it, you can
limit them to 3 “life lines”. Give out points for correct answers and correctly formulated questions. You
can give out small prizes or other rewards to the students with the most points at the end of the game.
Crazy Walks is a fun game to play with young students. To start, choose some items or flash cards that
relate to the lesson you’re teaching. Show the items or flash cards to the students, and practice the
language associated with the items as it relates to your lesson objectives. Then, place the items at the
front of the class. You can set the items in plain sight, or you can mix them up and hide them in various
places. If you’re using flash cards, you can have them face up or face down, depending on the age of
your students and how challenging you want the activity to be. Place the students into teams and have
them stand at the back of the room. Choose a student to go first on each team, and these students must
then walk to the front of the room and pick up an item. However, it is not so simple! The students must
walk in a “crazy walk”. They could walk backwards, on all fours, shuffling sideways like a crab, or by
any number of inventive means of locomotion to bring them to the front of the room.
The game is a race, but the crazy walks help add an element of entertainment and difficulty. They also
work to slow the students down to keep them from running headlong into a wall as they race. For
fairness, the competing students should use the same crazy walk. Otherwise, one student’s crazy walk
could involve taking giant leaping steps and another’s could be short baby steps. Obviously this would
not be a fair race! Once the students have seen a few different crazy walks and are familiar with the
game, you can have them suggest some favorites to list on the board. Randomly select a crazy walk
from the list for each round of the game. Teachers should, of course, keep safety in mind when
approving students’ crazy walks.
If the students are shy or not particularly inventive with their crazy walks, the teacher can also pre-
select some crazy walks, teach them to the class, and then randomly assign a walk to each student when
it’s their turn to go. Generally, however, children have little difficulty coming up with their own crazy
walks, and they usually get a great deal of enjoyment out of this activity. After the teacher has
demonstrated the walk and all the students know what to do, the students then “race” with their crazy
walks to get a specified card (or item) from the front of the room. Once the students get to the front and
find the items, their teams call out to ask, “What is it?” The students with the items at the front must
then reply “It’s a ____!” before crazy-walking back to their teams. The first student back after the
question has been correctly asked and answered is the winner of that round! The question can also be
tailored to practice other language items such as the color, size, texture, etc., depending on the
objectives of the lesson.
This game is most obviously geared toward younger students, but it can certainly be used with older
children and even adults! Just be sure that the students are comfortable enough with one another to do
some crazy walks, and a good time should be had by all. To make the game a little more challenging,
the teacher can hide the items and then specify which item the student must find and pick up. Use it as
a warm up or a reinforcement activity for new vocabulary. You can expand the game to have each
student identify the item and also say something else about it to practice descriptive terms. Be creative
with the language requirements. As long as the students are crazy walking to the front of the room, this
game can be used to practice a wide range of language structures.
Merely adding an element of chance to an activity can make it more engaging for the students. Pick a
Card is a simple descriptive or question and answer activity. In it, the students draw a card from a deck
or a pile and must either answer the question on the card or describe or tell about what is on the card. If
you don’t have a set of flash cards, you can use a regular deck of cards and assign a question or picture
to each of the cards in the deck. This activity can be used as a fun way to practice new language, and it
is also a useful review before a test.
Board games are a typical rainy-day pastime, but how can you make them a communicative, English
activity? Well, for starters, you might want to consider making your own. Creating a board game takes
a little time and creativity, but it can be well worth the effort. The rules should be kept simple and
straightforward for ESL classes, especially with very young students. As with any activity, it is a good
idea to go through an example before beginning. Play a few rounds of the game for demonstration
before you start keeping score. Even if there is no score in the game and there isn’t really a definitive
“winner”, the students would still prefer that they get a chance to practice before beginning “for real”.
One very simple example of a board game that you can make and use in an ESL class is a simple
question and answer game. Create a board with a number of squares on it. The squares can be a simple
box around the outside of the board, or you can create any design you wish. Come up with some
questions and write these onto cards. You can color the squares on the board and assign a category to
each color, or you can just put all of the questions into one big pile. The target of the questions can be
explicitly linguistic (e.g. questions about adjectives, nouns, tenses, etc.), or they can be more implicit
and simply involve students using their language skills to answer questions about a variety of topics
(e.g. animals, sports, things in the classroom, etc.).
The mechanics of the game can be as straightforward as rolling some dice and advancing that many
squares, then answering a question. If the students successfully answer the question, then they can roll
again. If they cannot answer the question, they must try again on their next turn before they can roll
again. You can add any variation you wish to the game to make it more challenging and interesting. It is
often a good idea to start with a simple version of the game, and then move to something more complex
once the students have the hang of it. It is quite likely that they will be familiar with the basic
mechanics of games involving dice rolls and moving pieces around a board, but you should still take
the time to demonstrate how the game is played to ensure that they know what to do.
Children love stories. If you think back to your days as an elementary and pre-school student, story
time likely provides some prominent and fond memories. Not only are stories an imaginative escape,
the narrative structure also helps children incorporate new information. Human brains are very adept at
organizing information that is provided in a narrative context. In this activity, you will provide the
setting, context, characters, and initial plot arc, but your students will have to continue the tale and
carry it to a conclusion. Create a story if you are so inclined, or take one from a book, magazine, or
newspaper. Present the first two thirds of the story, then hand it off to your students. This is best done
as a writing activity so that the students have time to organize their thoughts, but you can incorporate
speaking and pronunciation by having them read their completed tales to the class.
Print off copies of the portion of the story that you will read together as a class. Read the story to the
students as they follow along; then ask them to identify any words they are unfamiliar with. You should
go through the story yourself beforehand to identify any vocabulary you think they may not know or
that may be used in a different context than what the students have encountered before. Once you’ve
gone over any new vocabulary, have the students take turns reading from the story to practice their
reading and pronunciation skills. After reading through the story as a class, discuss some of the
important plot elements, the setting, and the characters in the story. Write these on the board so that the
students have an easy reference when they begin continuing the story on their own. Spend some time
on the discussion to be sure that every student understands what has happened in the story up to this
point, then send them off to finish the tale!
Once the students have written an ending to the story, have them edit and proofread their work. Be
available to assist them with this part of the process, but avoid the temptation to rewrite sections for
them. Guide them to the correct spelling, grammar, and syntax, but don’t do it for them. After they have
had a chance to finalize their drafts (the writing and/or editing may be a homework assignment,
depending on the time available), have the students present their stories to the class. Allow them to be
creative in the direction they take the story, but insist that they maintain some continuity with the
original story. They can incorporate plot twists and even some new characters, but it must be a
continuation of the story, not an entirely new tale.
This activity can be modified to suit any ability level from high-beginners through to very advanced
students. Obviously you will have to tailor your expectations to suit the level. If you’re teaching
beginners, a few sentences should suffice and the original story should be proportionately short as well.
With more advanced students, you can expect several paragraphs or even a few pages! For added
interest, you can have the students illustrate a key scene or create a cover page for their stories, but the
focus, as always, should be on the language.
This game is best played with smaller classes or with larger classes divided into small groups of about
five or six students. It is a good activity to practice vocabulary and word recognition. First, select a
story, passage, or article to read. Go through it and select vocabulary, actions, events, characters,
expressions, or any other words or phrases from the story. Write or draw these onto cards. To begin the
activity, spread out the cards on a desk or table and begin reading. As you read, the students must grab
the corresponding card as they hear the word or phrase in the story. If you’re playing with a larger
group, it is a good idea to create two or three of each card so that the students have a greater chance of
grabbing one. Once the story is done, the student with the most cards is the best angler! To add an
element of challenge, you can create cards with words or events that do not occur in the story. Penalize
students who grab these cards by counting them as -1 points or something to that effect. To be
successful at this activity, the students must listen attentively and must recognize the written words or
pictures quickly so that they can “catch” the cards before their classmates.
This activity can be modified to focus on any aspect of the language, whether it’s a particular element
of grammar, specific categories of nouns or actions, or almost anything else. To begin, identify specific
words, parts of speech, sounds, phrases, or whatever else you would like to focus on. Tell the students
that they will be listening for what you have selected, and they must count how many times they hear
the target language as you read a story or play a recording. It is best to keep the activity focused so that
the students are not overwhelmed. Choose one element to concentrate on for each time they listen.
Once you’ve finished the story or listening passage, have the students submit their counts of the target
language they heard. You can assign points for correct tallies or partial points depending on how close
they were. Once you’ve collected their counts and assigned them scores, return the papers to the
students and listen again. Tell the students whether they were under or over in their tallies and have
them check their answers during the second listen. You can then take the average of their two scores to
determine a winner, or you can leave it as a non-competitive exercise. This activity is good because it
can be modified to suit a lesson on almost any element of the language, from categories of nouns such
as “animals”, to grammatical elements such as “past tense verbs”, and everything in between.
17. Pictionary/Charades
These two games are similar in intent but different in method. Both are guessing games and are a fun
way to practice vocabulary. First, come up with some objects, actions, emotions, or expressions that
you would like to practice in the game. Write these on cards and put the cards into a hat, bag, or other
receptacle. This game is best played as a team game, but it can just as easily be played as a class-wide
activity. Choose a student or team to go first. For Pictionary, that student must select a card at random
and draw whatever is on the card on the board. If the student does not recognize the word or is unsure,
you can go someplace private and explain before beginning. As the student draws, the other students try
to guess what is being drawn. Charades is very similar, except rather than drawing, the students must
act out what is on the card. This can be challenging and entertaining for students and teacher alike!
Remember that the point of these games is to practice English vocabulary and questioning, so ensure
that all students are speaking English at all times and require that all guesses be in the form of a
complete statement or question (e.g. “It’s a zebra!” or “Is it an airplane?”).
There are really two separate activities here. One involves word recognition and finding target
language, the other involves putting words and sentences in the correct order to practice syntax and
sentence structure. Word searches are simple puzzles that involve students searching for words hidden
in a jumble of letters. The target words can be provided in a list, or for an added challenge, the students
can be required to answer questions to find out what the target words are. There are a number of online
puzzle generators that can make creating word searches very easy for teachers.
Scrambles can be word-based (anagrams) or sentence based. To start, create some sentences that
demonstrate a particular component of language (they might contain a number of adjectives and
adverbs, for example). Then mix up the words and have the students put them into the appropriate
order to form grammatically correct sentences. You can group some words together to ensure that there
is only one correct answer for each sentence; otherwise, students could use the same words to create a
number of grammatically distinct sentences (statements versus questions, for example). To assist lower-
level students, you can leave the first word of the sentence capitalized and include the end-mark
punctuation with the last word. Or, if you wish to make it more of a challenge, you can leave these cues
off. Scramble activities can help students learn to recognize common word sequences, such as how
adjectives are ordered in English. For example, adjectives are typically ordered as number, size, then
color in English (“He saw two big, blue trucks”; not, “He saw blue two big trucks.” Be sure to test your
scrambles a few times yourself to ensure that there are not a multitude of possible correct answers.
Revise the sentences so that there is only one correct order for each.
Simon Says is a very common, enjoyable childhood game. It is also a great way to practice imperative
sentences, actions, and parts of the body. If you are unfamiliar with the mechanics, the game is quite
simple. The teacher or some other class leader stands at the front of the room. All of the students stand
facing the leader who then gives instructions such as, “Touch your toes,” or, “Hop up and down.” The
catch is that students must not perform the action unless the instruction is prefaced with “Simon
says…”. If a student either performs the wrong action or performs an action that was not preceded by
the words “Simon says”, then that student is out. To make the game trickier, the leader can say one
action while doing another. The students have to do what was said, so if they are not listening carefully,
they can be caught following along with the leader. For example, the leader could say, “Simon says
raise your hand,” while scratching his nose. Students who scratch their noses are eliminated because
they did not follow the verbal instructions! With any game that involves elimination, be sure to keep
things moving quickly and have something for the eliminated students to do so that they do not become
bored and disruptive.
Boggle
Boggle involves a collection of six-sided dice with letters on each side. These are in a plastic tray that
is shaken to mix up all of the letters. Players then compete to connect the letters to form as many words
as possible. Words must be at least three letters long, and the letters must be touching one another in a
chain. This is a fun game to practice word recognition, spelling, and for students to demonstrate their
vocabularies. Points can be assigned per word, or on a scale depending on the length of the word. Since
the dice and tray are rather small, it is best played in small groups unless the classroom is equipped
with a projector or other device to make the letters easily visible to everyone.
Guess Who
Guess Who is a great game for practicing questions and descriptive terms for people. Hair color and
style, eye color, clothing, and accessories such as eyeglasses and hats are all some of the language that
is practiced while playing this game. It is designed as a two-player game, but can be adapted for team
play. Each player or team has a set of pictures of people of various descriptions. Among these people,
one is “it”. By asking questions, the players attempt to eliminate possible answers to narrow down who
they think “it” is. They can ask yes or no questions such as, “Does your person wear glasses?”, “Is it a
girl?”, “Does she have black hair?”, and so on. The teams take turns asking questions and eliminating
possible people until they feel confident to take a guess as to who the other team’s chosen person is.
The first team to guess correctly wins!
If you don’t have the game itself, you can create your own version of Guess Who by drawing or cutting
out pictures of people with various hairstyles, clothing, and accessories. Both teams must have identical
pictures to work from, so you will need two copies of each in order to play the game. Once you have
the pictures you will be using, glue them to some cards that the students can flip over when they
eliminate possible answers. You can also use scenes from picture dictionaries such as the Oxford
Picture Dictionary that can be found at any major bookstore.
Scrabble
Scrabble is another game for practicing spelling and vocabulary. Players are each given seven random
letter tiles. More common letters are worth a few points, while rare or harder-to-use letters are assigned
up to 10 points. The players must spell words using their available letters, but they must also connect
their word to one of the words already spelled out on the game board. As the game progresses, the
board comes to resemble a crossword puzzle. After spelling out a word, the player then draws the
number of letters used from a bag or box so that there are always seven letters on hand. This game can
be challenging for beginner students who don’t have a store of longer words in their vocabularies. In
some cases, the teacher may have to participate to try to spread out the board to give students a place to
connect their words.
Appendix: Games, Activities, and Lesson Plans
Final Word on Games, Activities, and Lesson Plans
Teaching English to young learners can be one of the most challenging and rewarding experiences an
ESL teacher can have. Children are ready learners and pick up new languages with remarkable facility
when they are young. As they get older, children develop more complex thinking ability and begin to
consider the language in more logical ways. Along with this logical development, older children and
adolescents can begin to use the language to express themselves in literary and scholarly forms. As
their cognitive abilities increase and they begin to realize the many versatile uses of spoken and written
language, older children will desire to know more of the intricacies of the language. While teaching
adolescents brings its own set of challenges, helping these budding adults to learn a language that may
prove instrumental in the achievement of their life goals can be a tremendously rewarding experience.
Younger or older, teaching English to children is a great opportunity that any ESL teacher should be
proud to embrace.
With what you have learned throughout this module and in your Oxford Seminars TESOL/TESL/TEFL
Certification Course, you are well prepared for the road ahead. You have been exposed to the leading
cognitive, developmental, and language acquisition theories, and you have seen how these theories are
applied in the classroom. You have learned the specific skills that are taught in ESL classrooms, as well
as the most popular and successful methods for teaching and practicing those abilities. You have
learned the value of games, songs, and activities in language teaching, and you have learned how a
textbook can be expanded to teach many different aspects of the language.
Use your skills wisely and consider the underlying psychological and developmental factors that
influence your students’ learning and understanding. With kindness, care, and consideration, you can be
a strong and positive influence on your students, both as language learners and as growing individuals.