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LP5 Apparel Construction
LP5 Apparel Construction
123
5.1. Introduction
The garment construction and type – notably the number, positioning and type
of seams, linings and interlinings – as well as cut and style, play significant roles in the
draped appearance of the garment, with the presence, nature and bonding of
interlinings having a major effect. Fabric colours, depths of shade and patterns also
have significant effects, although these are essentially optical in nature and not due to
actual changes in the fabric drape per se. Seams mainly affect fabric stiffness (both
bending and shear) in their immediate vicinity, the magnitude of the effect depending
on their positioning within the garment.
This unit suppose to be will be the construction of one piece casual dress but
because of the crisis, the suggested project that is more convenient for the student to
work by hand sewing will be a Cooking Outfit. Simple project, yet, the student could
apply knowledge and skills in the construction processes of a simple project but
achievable and useful in school or at home.
5.2 Topics/Discussion
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Printed fabrics with one direction need careful position to be sure taht the prints
match together. Patterns can only be placed in one direction just like with Corduroy and
velvet.
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4. Let the pattern be folded with thw parts to ensure that all pieces are properly
attended to.
1. Neck edge, collars, pockets and facings need ¼ inch of seam allowance.
2. Shoulder, arm holds and sleeve caps need ¼ inch of seam allowance.
3. Hem of sleeves, skirts, blouses, polos, shorts is 1 ¼ allowance.
4. Back crotch of short pants or trousers is 1 ¼ allowance.
5. Side seams of blouses, blazers and skirts is 1 inch allowance.
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Create an A line dress silhouette which suits your body. You can use this
silhouette to design your own clothes in many ways. The variations and versatility
of this style are endless.
You can alter the pattern to draft and add your own sleeves or make it suit
your body shape – like add a puffy sleeve or long sleeves or make it knee length
or change the neckline to a deep V or make it in a single colour or pattern or add a
fabric bow or a sash, eliminate the front placket altogether or add darts to make it
look better.
https://sewguide.com/a-line-dress-pattern/
You need to take body measurements – bust round, shoulder tip to shoulder tip.
Decide on the length of the dress you want, preferably under the knee. Check out the
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post “take body measurements” for more details on correctly taking your body
measurements.
Cut out 2 pieces of fabric – 40 inches ( or the length you want for the dress) long of a
44-inch wide fabric.
Below given is the markings for the back piece. Fold one of the fabric pieces by the
center. Keep the center fold to your left and mark as in the following diagrams.
Mark the front piece as per the pattern given below but do not cut out immediately
If you are doing embroidery do not cut the pattern piece AT ALL. Mark the pattern
markings and then draw the design
Even if you are not doing embroidery do not cut out the neck portion. All other
markings are cut out except the neckline.
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For alternative ways to mark the armhole check out the post – armscye/armhole
measurement or the dress pattern given down below.
Step 3 Do embroidery
Draw the embroidery design. You can copy from some embroidery book or look at
some simple designs online or simply draw from your imagination
If the fabric of your choice is thin you will have to interface the back when doing
embroidery. Otherwise, it will sag. A paper-thin interfacing would do. Keep the
sticky side to the back and press in place. Cut it in the shape of the embroidery with
some space outside.
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I have outlined the flower with chain stitch and did the leaves with fishbone stitch.
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A backstitch outline is given to each leaf. For learning about stitches to finish the
leaf, check out this post on leaf embroidery. The center of the flower is finished
with blanket stitches and satin stitches
When the work is done the back of the work will be a mess unless you are not me
and do the embroidery with more finesse.
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But the front will look good even when it is done in a hurry. That is the magic of
embroidery.
Take an interfacing fabric (paper thin) which is 15 inch wide and 10 inch long. Fold it
by the center and keep the fold towards the left of you. Mark the neckline
measurements on this as in the picture below.
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When you open it it will look like the picture above. Cut a fabric piece and adhere
this interfacing to the fabric with hot iron. Cut out the bottom edge in shape leaving
some 1/4 inches along the curve
Clip along this curve. You will be turning this portion towards the interfacing and
stitching in place
As you clipped the fabric it will be somewhat easier to turn and stitch. Trim the
allowance or leave as it is. Do not bother that it is a mess. Mine is always as you can
see in the picture below. But as it goes to the inside not even visible from the inside
of the dress it is ok.
Align the center of this facing with the center fold line of your front pattern. ( If you
had earlier made a clip this would be easier to align)
I had not cut the shoulder slope of the facing piece which is why it looks not aligned
in the picture. Pin in place or baste stitch in place – this is absolutely necessary
because if the facing shift you will have a horrible neckline.
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Cut away the extra from the neck area leaving a 1/4 inch seam allowance
Under stitch the seam allowance and the facing piece. This will allow in easy rolling
of the facing to the back.
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Turn the facing to the inside. It looks better now, doesn’t it, better than the mess
earlier?
Press
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You can use a bias strip to do this. Check out posts on making bias binding
strips and sewing bias binding for more details
Do not forget to understitch the binding; Hand stitching the binding as you turn to
the other side is preferable as it will keep the stitches from showing in the front. For
printed fabric it is alright but plain fabric will look better with small almost invisible
hand stitching
As you whip stitch take only one thread from the main fabric. (If you use
underlining you can stitch the binding to this and it will look even better on the front
– no stitch marks on the face at all
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Bind the armholes with more bias tapes. For armholes, you will need longer bias
strips
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Understitch and Hand stitch the binding as discussed earlier so that only a teeny
weeny stitch shows in the front
You will now have the a-line dress almost ready with just the hem to finish.
When there is a curved shape my favorite way to hem is a baby hem. Simply turn
under the edge 1/4 inch, fingerpress and stitch 1/8 inch away from the folded edge.
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Clip away the excess fabric and then turn under again and stitch. This will give you
a teeny tweeny hem which is just right for thin fabric and curved cuts
Finish the inner fabric edges with your serger or whatever means so that they do not
fray and create a mess inside.
Direction:
Follow the step by step procedure in the construction of A Line Casual
Dress.
Note: You can use recycled fabric/cloth.
5.3 References
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5.4 Acknowledgment
The images, tables, figures and information contained in this module were
taken from the references cited above
DISCLAIMER:
This module is not for commercial use and solely for educational purposes only. Some
technical terminologies and uses were not changed but the author of this unit ensures
that all in-text citations are in the references section. Photos, figures, images, and
tables included here belongs to their respective and their copyright.
C. M. D. Hamo-ay