Professional Documents
Culture Documents
REVISION HISTORY
Sr No Date Details of Revision Reason for revision
1 14.02.2020 Baseline NAAC NAAC compliance
version
2. 30.05.2021 Restructuring of Standardize
Modules
3. 16.01.2023 Revised POs, COs, Revision in PEOs, POs, and PSOs
and CO-PO mapping of the Department
NOTES:
1. For defining course outcomes, ask yourself what the most important things a student should know (cognitive), be able to do (skills), or
value (affective) after completing the course/program.
2. Checklist for each course outcome: is the learning outcome measurable? Is the learning outcome student-centred? Does the learning
outcome match instructional activities and assessments?
3. Teaching-Learning strategies refer to an appropriate combination of Lectures, Case Studies, Class assignments, Solo Projects, Group
Projects, MOOCs, etc.
4. Learning resources can include textbooks, case studies, research papers, videos, websites, articles, etc.
5. Try to limit the number of modules to a reasonable number (typically 3-4 for a course with three lecture hours per week, 4-5 for a course
with four lecture hours per week)
6. Each course should have at least one section on textbooks or reference books. For the foundation courses, it is mandatory to give
textbooks. The textbooks shall be indicated as in the examples given below:
a) Wayene Wolf, Modern VLSI Design: IP-Based Design (4th ed.), Prentice Hall, 2008. ISBN 978-0137145003, ISBN 0137145004.
b) Ivan Sutherland, Robert F. Sproull and David Harris, Logical Effort: Designing Fast CMOS Circuits, Morgan Kaufmann, 1999.
ISBN 978-1558605572, ISBN 1558605576.
COURSE BRIEF
COURSE SUMMARY
The course is prepared on a solution-based model. The objective of the course is to equip the target audience with the necessary skills required
by lawyers. It aims to expose the learners with a variety of literary texts (contemporary) chosen from all around the world. An effort has been
made to include texts which deal with social issues with an objective to prepare them for trying and developing methods for solving problems
and helping people in receiving justice. The academic knowledge acquired inside the classroom can be utilized by the learners for creating
awareness and sensitization is one of the major goals of the present course. What the learners need today, especially after the pandemic situation
—adaptability and flexibility (according to various studies). The world which they perceive inside the education premises is entirely different
from the world where they go and work in a professional set-up. Keeping all these elements in mind, the course (English) has been designed as a
small package to fulfil their requirements. There is a complete pedagogical shift in our pedagogy as well as the content. Active learning instead
of a traditional classroom is the need of the hour. The course has been developed and designed in a way that it keeps the learners in action, and
they get ample scope and space to collaborate with their peers as well as their instructors. Lawyers are always expected to be impromptu inside
the courtroom, they need to be good story tellers while explaining a case inside the courtroom. Keeping these elements in mind, the course
includes one of the major forms of literature—fiction. Fiction, which is an output of a creative journey, is an essential component of the course
to provide a space for unleashing the imagination and creativity of the learners. The course begins with an introduction of the journey of the
PO1: Explain the social, economic, and political concerns and address them by the application of laws and regulations.
PO2: Apply proficiency in legal skills, processes, procedures, transactional skills, and court craft.
PO3: Interpret and analyse substantive and procedural laws.
PO4: Exhibit professionalism while performing their role in justice delivery system.
PO5: Promote bar and bench relationship through lifelong learning.
PSO1: Support legal, social and community institutions through awareness and pro bono initiatives.
PSO2: Evaluate the socio-legal gaps and advocate the measures for upholding the rule of Law.
EVALUATION STRATEGY
Language Lab through ‘Clarity English’ online Language Lab programs: Study Skills Success, and Road to IELTS
Primary Textbooks
Baugh, Albert C. and Thomas Cable, A History of the English Language (6th ed.) London and New York: Routledge Taylor and Francis
Group, 2013. ISBN 041565596X.
Bloom, Harold, ed. George Orwell's Animal Farm. (4th ed.) Penguin India, 2011. ISBN 9780143416319.
Chagla, Mahomedali Currim. Roses in December: An Autobiography (12th ed.) Bharatiya Vidya Bhavan, 2012. ISBN 8172764472.
Gandhi, Mohandas Karamchand (S. B. Kher) The Law and the Lawyers (4th ed.) Navjiwan Trust, 2011. ISBN 8172290519.
Karnad, Girish Raghunath. Hayavadana, Oxford, 1997. ISBN 0195603826.
Keer, Dhananjay. Dr. Ambedkar: life and mission. (5th ed.), Popular Prakashan, reprint 2019. ISBN 8179918777.
Nayar, P. K., Literary Theory Today. Asia Book Club, 2002. ISBN 8178510057.
Rathert, Monika. Handbook of Communication in the Legal Sphere (Vol. 14) De Gruyter Mouton, 2018. ISBN 9781614516699.
Soli J Sorabjee, Arvind P. Datar. Nani Palkhiwala: The courtroom Genius (1st ed.) Lexis Nexis, 2012. ISBN 8180387542.
Tendulkar, Vijay. Silence! The court is in session. Kolkata: Oxford University Press, 2017. ISBN 0199476063.
Chakraborty, Kaustav. Indian Drama in English. (2nd ed.) Prentice Hall India Learning Pvt. Ltd., 2014. ISBN 9788120350557.
Peter Barry. Beginning Theory: An Introduction to Literary and Cultural Theory (3rd ed.) Viva Books, 2010. ISBN 9788130915685.
Prasannanshu. Law and literature: Readings in English (1st ed.) Lexis Nexis, 2016. ISBN 9350357259.
Rupert Haigh, Legal English (4th ed.) Routledge, 2015.
Shakespeare, W. The merchant of Venice. Maple Press, 2013. ISBN 9789380816296.
Tyson, L. (2014). Critical theory today: A user-friendly guide. Routledge
Combahee River Collective. (2014). A black feminist statement. Women's Studies Quarterly, 271-280.
Krolokke, C., & Sorensen, A. S. (2006). Three waves of feminism: From suffragettes to grrls. Gender communication theories &
analyses: From silence to performance, 1-25.