Professional Documents
Culture Documents
Anthony C. Cavaiani1
Abstract
Recently, athlete protests about social injustice have garnered much attention from
fans and the media. An element frequently overlooked is the role of place in sports
protests. Stadiums are iconic markers of identity for communities and play a sig-
nificant role in the media’s representation of sports games. Informed by Endres and
Senda-Cook’s research about place-in-protest, I argue how the Botham Jean and
O’Shae Terry protests outside AT&T Stadium in Dallas functioned as place-as-
rhetoric to build on the intended purpose of the stadium while temporarily
reconstructing its meaning. This material enactment is achieved by the stadium
serving as a performative space that authorizes new meaning onto the stadium and
surrounding space while heralding it as a champion marker of social justice. I position
my analysis within a framework that understands how sports stadiums deploy
material rhetoric in ways that produce embodied rhetoric and ephemeral rhetoric
that legitimize the Jean and Terry protests as social justice protests. I argue that the
stadium functions as place-in-rhetoric to capitalize on its mobilization of fandom in
order to amplify social justice messages to a wider audience.
Keywords
place-as-rhetoric, stadium, protest, sport, social justice
1
William Woods University, Fulton, MO, USA
Corresponding Author:
Anthony C. Cavaiani, William Woods University, One University Ave., Fulton, MO 65251, USA.
Email: acavaiani10@gmail.com
474 Communication & Sport 8(4-5)
On Sunday, September 16, 2018, around 100 citizens of the Dallas–Fort Worth area
marched around AT&T Stadium in Arlington, TX, to protest the shooting deaths of
Botham Jean and O’Shae Terry, two Black men who were shot and killed by local
police officers within 5 days of each other earlier that month. Jean and Terry family
attorney Lee Merritt stated that the protesters had four demands—first, that officer
Amber Guyger, who shot Jean, be fired; second, that the charge against Guyger be
murder instead of manslaughter; third, that the Dallas Police Department identify the
officers responsible for leaking information about Jean’s death to the media and that
those officers be punished; and fourth, that the media who put out information about
what was found in Jean’s home on the day of his funeral formally apologize to the
family. There was a media report on the day of Jean’s funeral stating that marijuana
was found in his apartment after his death, but that officials were uncertain about to
whom it belonged. Nonetheless, protesters marched in support of both men, their
families, and in support of the national anthem protests initiated by then-San Fran-
cisco 49ers quarterback Colin Kaepernick regarding police brutality against Black
men and racial injustice nationwide. Less than a week after Jean’s death, community
members rallied outside Dallas police headquarters and took part in a sit-in (Vaughn,
2018). Social media were flooded with messages supporting Jean and demanding
Guyger be convicted of murder (Vaughn, 2018). In October 2019, Guyger was found
guilty of murder and sentenced to 10 years in prison. This case has been followed by
not only the greater Dallas community but people throughout the United States while
garnering significant media attention.
Following from Endres and Senda-Cook’s (2011) understanding of place as
central to protest, I argue how the Botham Jean and O’Shae Terry protests outside
AT&T Stadium in Dallas functioned as place-as-protest and place-as-rhetoric to
amplify the demonstrators’ social justice messages. This material enactment is
achieved by the stadium serving as a performative space that authorizes new mean-
ing onto the stadium and surrounding space while heralding it as a champion marker
of social justice. This analysis is positioned within a framework that understands
how the sports stadium deploys material rhetoric in ways that produce embodied
rhetoric and ephemeral rhetoric, which in turn legitimize the Jean and Terry protests.
The stadium as place-in-rhetoric attempts to capitalize on its mobilization of fandom
to enlarge its public audience to cultivate support for social justice discourse. How-
ever, the protest ultimately accomplishes two major feats: it opens up a performative
space to amplify social justice messaging and the protest demonstrates the chal-
lenges in articulating place-as-protest while inviting critical reflection as to how the
space of stadiums function rhetorically to facilitate change. A thorough understand-
ing of this process and dynamic necessitates reviewing research about communica-
tion and sports stadiums; second, explication of Endres and Senda-Cook’s method of
place-as-rhetoric; third, a close analysis of the Jean and Terry protests outside AT&T
Stadium as a material enactment of place-as-rhetoric; fourth, drawing critical impli-
cations about the significance of sports stadiums as places of protest; finally, spec-
ulating about opportunities for future research.
Cavaiani 475
Sports stadiums also serve to recreate a notion of liveness that is then disseminated
to mass audiences. Gasoi (2017) argued how the reconceptualization of epideictic
rhetoric functioned through the Kaepernick protests and prompts us to “analy[ze] the
epideictic, and the response thereto, with an eye towards our constantly morphing
relationship to liveness, we can better inform our understanding of the performative
rhetorical discourses of neo-liberalism and protest” (p. 46). The mediated arena is a
venue ripe with performances, and the “individualized, bodily discipline” that has
come to characterize the singing of the national anthem before a game has ritualized
the performance to prepare those very bodies to fight against each other in the field of
competition, or battle (Gasoi, 2017, p. 42). As such, the stadium serves as a pivotal
rhetorical force to amplify the messages of social justice discourse, to build consensus
for a political movement, and to prompt discussion among sports fans who may not
typically realize they are interacting with political messaging while attending a game.
tries to purge dirt, the more dirt has to be introduced as a dramatic antithesis in the
ritual. Purification was circularly justified, then, in terms of filth . . . the Superdome
reopening illustrates how purification rituals may lead to a visual forgetting or erasure
of the very subjects the rituals seek to memorialize, effectively re-marking these
subjects as invisible in the name of national healing. (Grano & Zagacki, 2011, p. 202)
The media coverage of that notable game reaffirmed the horrible tragedies in and
around the Superdome after Katrina, while also recounting the media’s negative and
hostile depictions of African Americans after Katrina. Thus, stadiums serve a rheto-
rical function for reclaiming virtues that were once perceived to be lost or forgotten.
Place-as-Protest
Understanding Place-as-Protest
Stadiums are significant places of meaning-making. One of the primary ways a
protest is made meaningful is through the place in which it occurs. In their essay
478 Communication & Sport 8(4-5)
detailing a fresh approach to understanding rhetoric, space, and place, Endres and
Senda-Cook (2011) argued that the rhetorical function of place in protest is fre-
quently overlooked by communication and rhetorical scholars. Place-in-protest is a
relevant concept for rhetorical scholars interested in examining how speakers in
social demonstrations express themselves and create meaning for audiences.
Endres and Senda-Cook (2011) identified how place-in-protest is significant
to rhetorical theory and criticism by situating the concept of place-in-protest as
rhetorical artifact, material rhetoric, embodied rhetoric, ephemeral rhetoric, and
experiential rhetoric. They contend that these notions help scholars understand
how place-in-protest functions rhetorically and provide a theoretical framework
to investigate the rhetorical significance of place-in-protest. Specifically, they
identified that place-in-protest is a rhetorical artifact “both in its materiality and
symbolicity” (Endres & Senda-Cook, 2011, p. 261).
Second, the authors explained that place-in-protest as material rhetoric is under-
stood through the study of symbols that exist within material structures. They stated
that “protest events encompass this fluidity between the material and discursive
because they are held in places with symbolic meaning or are meant to alter or
challenge the dominant meaning of a place” (Endres & Senda-Cook, 2011, p.
262). As they do, I turn to Blair’s (1999) understanding of materiality of physical
structures as something that gains rhetorical force from its ability to move from
symbolicity to creating material consequences. Thus, a protest has rhetorical fea-
tures because it prompts people to express themselves in certain ways. When pro-
tests are held in front of physical structures, those structures communicate through
symbols to prompt people to communicate rhetorically.
The authors then turned their attention to an explanation about the distinct char-
acteristics of place-as-protest. First, place-as-embodied rhetoric provides critics with
an awareness as to how bodies are constantly rooted, or located, in place (Endres &
Senda-Cook, 2011). The symbiotic relationship between bodies and places is critical
to the rhetorical meaning that is created as a result of the protest. When people gather
in a place to protest, meaning occurs. The signs, symbols, chants, and movement of
bodies in a place facilitates, invents, and legitimizes meaning. For instance, in
Dallas, 90,000 fans attended the Giants-Cowboys game the night of the protest. The
protest capitalized on fandom to amplify a message to an audience that may not have
otherwise interacted with it. Thus, a symbiotic relationship existed that night
between the protesters and the fans.
Second, place-as-ephemeral rhetoric is unique to protests. Unlike traditional
speeches, the events and speech occurring at a protest is not always archived and
recorded; in other words, it is short lived. The rhetoric of place in protest also
functions as ephemeral “because places themselves are ephemeral. Places, although
seemingly permanent because of their physical structures like buildings, streets, and
the like, are actually quite fluid because they are constantly being reiterated, rein-
forced, or reinterpreted” (Endres & Senda-Cook, 2011, p. 263). The ephemerality of
the protest outside of AT&T Stadium illustrates the stadium’s fluidity through its
Cavaiani 479
hosting of different events and the different people who may occupy it. Stadiums are
not typically thought of as fluid places. However, the meaning of a stadium becomes
altered depending on the signs and symbols attributed to it. In other words, a football
game emphasizes the stadium one way, a concert emphasizes something else, and a
political convention communicates a different meaning. The naming of the stadium
also enables its fluidity. Similarly, an empty stadium not being used communicates a
radically different meaning than a stadium full of people. The fluidity of a stadium
should not be overlooked.
Understanding the features of Endres and Senda-Cook’s place-as-protest prepares
us to analyze how the Jean and Terry protests use AT&T Stadium to aid their
message. First, the materiality of AT&T Stadium functions rhetorically through its
ability to facilitate the enactment of the protest message. This material enactment is
achieved by the stadium serving as a performative space that authorizes new mean-
ing onto the stadium and surrounding space while heralding it as a champion marker
of social justice. Understanding the protests as a performative display of social
justice discourse acting on the fans attending the game emphasizes the rhetorical
significance of the stadium. As Zagacki and Gallagher (2009) remind us, “[t]he
move from symbolicity to materiality involves a shift from examining representa-
tions . . . to examining enactments” (p. 172). Thus, the material existence of the
stadium works with and against sports to amplify discourse about Jean and Terry’s
deaths in order to achieve legal and social justice while inviting onlookers to con-
sider the effects police brutality and racial injustice have on their community. The
protesters’ marching, their chants, prayers, behaviors, dress, and signs are all sym-
bols that engage the fans’ senses and serve to connect the physical context of the
stadium to the unconventionality of having a protest around a sports venue, albeit
outside of “Jerry’s World.” As will be discussed, weighing the effectiveness between
a stadium as a place of protest and the extent to which that message resonates with
public audiences matters. There are challenges with articulating place-as-protest,
and those challenges are addressed below.
protests because of the history of protests in that place and the social and political
significance of Washington, DC. AT&T Stadium does not frequently host protests.
However, understanding the stadium within the larger context of Dallas, the state of
Texas, and the Cowboys as a team provides important contextual information about
the prior meaning of AT&T Stadium.
The city of Dallas has a rich and complicated history of race relations and is also
uniquely focused on sports. The Cowboys are the world’s most valuable sports
franchise, worth $5 billion (Badenhousen, 2019, para. 3). The Cowboys have been
hailed as “America’s Team” since the late 1970s, when the team’s 1978 season
highlight film introduced them as “America’s Team.” The team’s dominance during
the 1960s, 1970s, and 1990s propelled the love many Americans have for the Cow-
boys. Their games are nationally televised more than any other NFL team, and major
sports publications such as ESPN and Sports Illustrated routinely classify them as
“America’s Team” in their media coverage. The Cowboys hold the NFL record for
most consecutive home and away sellout games, at 160, which lasted over nine
straight NFL seasons. They are extremely popular and well known. Their fan base
spreads across the country and world. Their legendary coaches have experienced
enormous success—Tom Landry, Jimmy Johnson, and Barry Switzer, to name a
few—and are prominent names within the NFL. They have had some of the most
successful players in NFL history—Roger Staubauch, Mike Ditka, Ed Jones, Don
Meredith, Tony Dorsett, Troy Aikman, Charles Haley, Emmitt Smith, Deion San-
ders, Michael Irving, Tony Romo, and current players Jason Witten, Dak Prescott,
and Ezekiel Elliott—and many of these players are in the NFL Hall of Fame or have
made numerous All-Pro Teams. The franchise has also played in eight total Super
Bowls, winning five of them. The Cowboys are embedded within the American
consciousness and serve as a core civic institution.
In addition to hosting Cowboys’ games, AT&T Stadium has hosted Super Bowl
XLV, the Big 12 Championship Football Game, College Football Playoff, Cotton
Bowl Classic, the National Collegiate Athletic Association Men’s Basketball Four,
CONCACAF Gold Cup, WrestleMania, and the NFL Draft, in addition to numerous
concerts and other events. It is also home to one of the world’s largest high definition
video screens, extending from 20 to 20 yard line (160 ft 72 ft). Additionally, the
stadium sells more alcohol than any other venue in Texas (Tinsley, 2017, para 8).
Tailgating is extremely popular outside the stadium and occurs in the expansive
parking lots in the surrounding area. Lots open 5 hours before kickoff and are
populated by fans dressed in their Cowboy game day gear. AT&T Stadium does
not prompt visitors to experience nostalgia similar to Fenway Park, Wrigley Field,
Madison Square Garden, or even the Mercedes-Benz Superdome in New Orleans.
Instead, the social meaning of AT&T Stadium represents the excesses that permeate
American culture while also showcasing the Texas motto that “bigger is better.”
AT&T Stadium is also known by its nickname, “Jerry’s World,” in reference to
notorious Cowboys owner, president, and general manager Jerry Jones. Jones is
perceived around the league as a controlling owner and is heavily involved in all
Cavaiani 481
I’d never protest [during] the anthem, and I don’t think that’s the time or the venue to
do so. The game of football has always brought me such a peace, and I think it does the
same for a lot people—a lot of people playing the game, a lot of people watching the
game . . . so when you bring such a controversy to the stadium, to the field, to the game,
it takes away. It takes away from that. It takes away from the joy and the love that
football brings a lot of people. (Jones, 2018, para 8)
This contradicts the intended meaning of the protest. As a result of the position
the Cowboys occupy in the American psyche and the veracity of AT&T Stadium,
this place is a significant physical and material structure with resounding symbolic
meaning. Another element Endres and Senda-Cook (2011) asserted about place-as-
rhetoric is that “[t]he rhetoric and meaning of place can also forge an association
between non-social movement actors and social movements” (p. 267). Fans at the
Giants-Cowboys game were confronted with the protest as they entered the stadium.
The protest included over 100 demonstrators, many of whom were carrying signs,
yelling chants, and carrying two empty caskets. Some fans were supportive of the
protest, others were confused, and some fans were critical of it. As Channel 5 NBC
Dallas–Fort Worth reported, “At least one fan could be heard saying, ‘No politics’ as
the group went by” (Zoga, 2018, para. 12). This statement represents a shared feeling
by many sports fans that politics do not belong in sports. Regardless, many fans who
are not typical social movement actors became associated with the meaning of a
protest by simply seeing it. For some social movements, this forged association is a
productive way for their message to be heard by audiences who typically do not
482 Communication & Sport 8(4-5)
interact with overt displays of social justice and protest. For instance, Pastor Freder-
ick D. Haynes repeatedly said throughout the demonstration, “We are Americans as
well” (“Dallas Demonstrators Protest Outside Cowboys Stadium,” 2018), implying
that African Americans deserve fairness and equality and the right to live without
fear of being shot and killed. This statement serves to unite the protesters with the
fans who witness the demonstrations as they enter the stadium.
marking the space of the Landry statue with bodies performing a symbolic speech act
to signify their display of social justice. Marking the space of AT&T Stadium in this
way established a visual connection with onlookers, and those who were informed
about the protest through news and social media. Viewers were forced to observe the
protesters and contemplate the actions of other NFL players who knelt during the
playing of the anthem. This act temporarily reconstructed the space, or as Endres and
Senda-Cook (2011) explained, “the place itself is temporarily reconstructed to chal-
lenge dominant (and oppressive) meanings and replace them with places of safety and
empowerment” (p. 268). The demonstrators kneeling challenge the “no politics in
sport” assumption by replacing it with a non-violent but empowering meaning.
Furthermore, the stadium is a place of disciplined bodies, and as Gasoi (2017)
argued, a site of idealized performance where bodies clash with one another. How-
ever, this clash does not occur until the tribute to the nation is complete through the
playing of the national anthem. The kneeling by the demonstrators disrupts the
intended meaning and purpose of the stadium—which is to provide a place for
disciplined performances of athletes adhering to strict rules which govern the game.
Kneeling, especially by protesters outside the stadium, resists this intended purpose
to communicate a distinct message rooted in the pursuit for social justice.
As Pastor Haynes spoke, he invited the protesters to take a knee, and as Howarton
stated in his local news coverage of the demonstrations, “[a]fter tonight’s game, the
score won’t matter for those here” (“Protesters Demand Justice for Botham Jean,”
2018), alluding to the idea that the protestors quest for racial justice does not end
with the close of the game; rather, their pursuit is ongoing and continues regardless
as to who wins the game. While the demonstrators stood and knelt around the Landry
statute, Pastor Haynes invited Cowboys owner Jerry Jones join them, as he stated,
“And so we’re saying Mr. Jones, use your platform, since you told your players they
cannot protest, use your platform now . . . to speak out against the vile and vicious
murder that took place” (“Dallas Demonstrators, Protest Outside Cowboys’
Stadium,” 2018). Additionally, calls to both Jones and Prescott and the Cowboy’s
organization were invoked by demonstrators “to join in fight for justice to make sure
these tragedies do not continue to befall our community” (“Protesters Holding
Caskets March Near AT&T Stadium For Police Shooting Victims,” 2018). Haynes
is clearly contesting the meaning of the space while rejecting the ostensible purpose
of the spectacle taking place inside the stadium and supporting Endres and Senda-
Cook’s (2011) previous point about place-in-rhetoric challenging dominant and
oppressive meanings (p. 268).
Specifically, Haynes has asked Jones to take action about social justice issues
affecting the Black community before. Only a little over a month prior to the
protests, and before Jean and Terry were killed, Haynes spoke at his church in a
speech titled, “An Open Letter to Jerry Jones,” in which he called on Jones to take
action to prevent the horrible injustices plaguing the Black community in Dallas
(Rock Newman Show, 2018). The appeal to Jones and evocation to the stadium is a
direct contradiction to and repurposing of, notably, an edifice which had only a few
484 Communication & Sport 8(4-5)
Conclusion
Protests at sports games are no longer unexpected. As Bond (2017) wrote about
shortly after the Kaepernick protests began to occupy a prominent place in American
Cavaiani 485
discourse, “In 56 BCE, Marcus Tullius Cicero commented on the places where
people might communicate with their politicians: ‘In truth, there are three places
in which opinion and inclination of the Roman people may be ascertained in the
greatest degree; at speeches, the assemblies and at the games and exhibitions of
gladiators’” (para. 2). Similar to other protests, the Jean and Terry demonstrations
were short lived and no future protests outside AT&T Stadium occurred. There are
still vital implications the protests have for the study of communication and sport.
Stadiums are a powerful rhetorical springboard for protests not related to sports.
Football games contain many signifiers that serve as a catalyst for confronting racial
issues and unfettered capitalism. Stadiums represent an American obsession with
material excess; instead of erasing racial injustice, stadiums are places that excite
social justice.
In addition to representations of American culture existing during games, the
materiality of AT&T Stadium was significant in its ability to act on fans to illumi-
nate the issue of racial injustice. The carrying of empty caskets by protesters sym-
bolizing Jean and Terry’s bodies were salient factors in the demonstrators’ attempt
to disrupt the occasion of the game. Mourning the deaths of Jean and Terry marks the
space with both men’s bodies to frame their deaths in a visible way. Stadiums are
places where bodies exist in close proximity to each other, and marking the space of
AT&T Stadium with a funeral-like procession reinforces the notion that sports, race,
and politics are commonalities that we all share with each other, and we all live
through in vastly different ways.
Finally, the protests outside AT&T Stadium do not guarantee policy decisions
will be enacted to solve for the shooting deaths of Jean, Terry, and all African
American men who are shot and killed by police officers. This is a point Zagacki
and Gallagher (2009) reminded us about (p. 174); that the materiality of rhetoric is
not an end in itself which creates an argumentative space for policy decisions to be
enacted. Instead, the materiality of rhetoric opens a performative space that elicits an
experience from the people who inhabit that space. Pastor Haynes echoed Martin
Luther King, Jr. in exalting his hope that the protests may “make a legacy live until
justice rolls down like waters and righteousness like an ever-flowing stream”
(“Protesters Demand Justice for Botham Jean,” 2018). The Jean and Terry protests
do not guarantee corrective action but may help increase the likelihood of it
occurring.
Future research could investigate other ways sports and social justice are made
salient to audiences through player speeches and branding. Furthermore, stadiums as
places-of-rhetoric could examine protests at other stadiums such as the Golden 1
Center, home of the National Basketball Association’s Sacramento Kings, and the
protest that occurred in response to the shooting death of Stephon Clark. Studies
could also qualitatively research how protests at stadiums are perceived by commu-
nities and fans at games. Scholars could also investigate the extent to which teams
and players become actively involved or respond to protests occurring at stadiums,
and how the creation of those messages are communicated to stakeholders.
486 Communication & Sport 8(4-5)
The relationship between social justice and sports is complicated, and as the
AT&T Stadium protests remind us, the awareness of political issues at live sports
events is by no means welcomed with open arms. Sports’ ability to affect social
change is well-documented, and the presence of sports in American culture is sig-
nificant. The political climate of America can be divisive, but the nexus of sports,
politics, and social justice is continuing to develop. Perhaps a more critical engage-
ment with these issues will open a reflective space for audiences to learn and to
prevent social injustice from occupying a blank space in our culture.
For many people, interacting with the political nature of sports is perceived as
divisive. As communication and sport scholars, perhaps it is our job not to convince
people to become politically involved when they attend a game; rather, we may want
to critically reflect about the relationship between the overt political acts we expe-
rience at a game compared to the covert political gestures, while acknowledging how
race, class, sexual orientation, gender, nationality, and other identities impact peo-
ple’s experiences of protest messages. Allowing people to make their own judg-
ments about these acts can enable everyone to assess how the movement’s rhetoric
has meaningful effects. We should be attentive to how this rhetoric acts on us and
influences our understanding of these events and messages.
Acknowledgments
I would like to thank my wife, Megan A. Klukowski, for listening to my ideas and providing
valuable feedback and also Drs. Kyle Kellam, Greg Smith, Kelly Young, and Prof. Scott
Jensen for their helpful insight.
Funding
The author(s) received no financial support for the research, authorship, and/or publication of
this article.
ORCID iD
Anthony C. Cavaiani https://orcid.org/0000-0002-3149-8265
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