P O R

T F O
Aarhaus Drawing Competition
Entry, 2014 Asif Khan Design
L I Portfolio
O

Asif Emran Khan

Asif Khan +15157087032
aekhan1019@gmail.com
Skills:
-Autodesk AutoCAD - Sketching - Concept Development
Landscape Architect linkedin.com/in/asif-khan1019
- Rhino - Painting (watercolor) - Schematic Development
Asif Khan is a dedicated Landscape Architect currently living
originating frominBangladesh,
Denver,CO equipped - SketchUp - Narrative Writing - Design Development
with a Master's degree in Landscape Architecture from Iowa State University. He also
- Enscape - Graphics communication - Construction drawings
has Bachelor of Architecture degree from SUST, Bangladesh. With nearly two years of
experience as a Landscape Design Coordinator at HDR Inc.'s Denver office, Asif has - Lumion Pro - Story boarding - Design Thinking
honed proficiency in variety of Landscape processes and softwares. Asif worked in a - Adobe Graphics suite - Mobile Photography
collaborative environment- combining HDR’s national and international offices. Asif's (Ps, iA, In, Pr)
approach to design is grounded in a commitment to functional rationality and aesthetic
harmony, striving to create spaces that inspire and uplift. Beyond design, Asif finds joy - Microsoft Office
in watercolor painting, poetry, reading, traveling and cooking. Asif believes it is a great
gift to participate in designing spaces that stage and hold memories, hopes and Recognition:
dreams for users and add beauty and meaning to our wonderful, wonderful world.
Arthur R. and Clare M. Merkle Endowment for Excellence in Landscape Architecture
Department of Landscape Architecture, 2022
Experience: Iowa State University
July 2022-
Feb 2024 HDR Inc. Denver office
Barbara King Scholarship for Innovation and Enterpreneurship 2020
Role: Landscape Design Coordinator
Notable Projects: Iowa State University
The Ottawa Hospital, Canada Proposal: Comm(Unity): Investigation of Outdoor Space to propose a third place (social)
Facility Perimeter Security, Denver, CO for neighborhood conviviality.
CU Res Hall 2, Boulder, CO Grant amount: $4000
Supervisor: Kent Freed
Summer 2020: Muscatine Arts Center ‘Amrao Manush’ Design Charette
Japanese Garden conservation project Champion. Role: Design lead
Role: Design Assistant 2015, Sajida Foundation & Paraa
Muscatine, Iowa.
Dhaka, Bangladesh.
2018-2019: Formosis Architects
Role: Junior Architect at Berkeley Prize Architectural Essay Competition 2015, 2016
Sylhet, Bangladesh. Top 16
2015: Embracing Poverty
2017 (April-July) J.A. Architects 2016: Building Dreams Together
Role: Project Intern
Dhaka, Bangladesh General Interests & skills: References:
- Languages: - Travelling Kent Freed, RLA, AIA, Sr. PLA
2017 (Jan-Mar) Atelier Robin, Architect UDPLA leader, Manager - HDR Inc., Denver, CO.
English - Playing Cricket Kent.Freed@hdrinc.com l 7208370447
Role: Project Intern Bangla (Native) - Ping Pong
Dhaka, Bangladesh. Aaron Wagner, MLA
Hindi (verbal) - Poetry
Education: - Research - Astronomy
Landscape Designer, HDR Inc., Denver, CO.
Aaron.Wagner@hdrinc.com l 7122499397
Aug, 2019-May, 2022 Master of Landscape Architecture - Cooking - Literature (Bangla)
Bambi Yost, Associate Professor
Iowa State University - Driving Iowa State University, Ames, IA
byost@iastate.edu l 720-217-2871
2011-2016 Bachelor of Architecture,
Shahjalal University of Science and Technology Heidi Hohmann, Associate Professor,
Director of Graduate Education,
Thesis: Rethinking and conservation of Pritim Pasha
Landscape Architecture
Nawab Bari, Kulaura, Sylhet, Bangladesh. Scan to view portfolio, or visit:
Scan to view Portfolio Iowa State University, Ames, IA
https://www.behance.net/gallery/191817417/Asif-Khan-Design-Portfolio hhohmann@iastate.edu l 515-294-8938
About me... CONTENT
Hello, I'm Asif Khan, a landscape architecture graduate
from Iowa State University. My journey into the world of The Ottawa Hospital, ON, Canada
landscape design began after completing my Bachelor of
Architecture from SUST, Bangladesh. I was inspired by Professional Experience
Geoffrey Bawa, Srilankan Architect and decided to pursue Graduate Residence Hall-2
Landscape Architecture. I believe Architecture can also be University of Colorado, Boulder HDR Inc. Denver Office
a Landscape phenomenon. (July,2022 - Feb,2024)
Parcel 8- Central Park
During my time at Iowa State University, I delved into the
intricacies of landscape architecture, testing my skills and
Denver, CO
exploring the dynamic relationship between nature and
design. This journey culminated in my role as a landscape
designer at HDR Inc. in Denver, where I had the opportu-
nity to apply my knowledge in real-world projects.
Living in Synergy
What drives me in this field is the belief that architecture A barrier free Bison sanctuary
and landscape are intricately connected, with each
influencing the other in profound ways. I see landscape City Matters
architecture as a powerful tool for addressing pressing City Skin & Systems Master of Ladscape
global challenges, particularly in the face of climate
change.
Architecture (MLA)
Experiential Monument on Plastic Pollution
Beyond design, I find joy in watercolor painting, poetry, Iowa State University
travel, cooking and cricket. These diverse interests inform (Aug,2019-May,2022)
my creative approach, allowing me to weave together Elwood House Residence
elements of beauty, culture, and purpose in my work. I'm Landscape Design
particularly intrigued by the concept of place identity and
how landscape design can shape our perception of
space. Competition Entry
For me, design is more than just creating aesthetically
pleasing spaces; it's about crafting narratives that resonate
with people on a deeper level. Whether I'm incorporating
dramatic elements or drawing inspiration from diverse Riverfront Development at South Surma,
cultures, my goal is always to create environments that Bachelor of
evoke emotion and spark imagination.
Sylhet, Bangladesh Architecture (B.Arch)

In a world facing unprecedented environmental chal- Shahjalal University of Science

lenges, I'm passionate about leveraging my skills to create Monument for Unknown Martyrs, Sylhet & Technology
sustainable and resilient landscapes that enhance quality Bangladesh (2011-2016)
of life for all. I believe that landscape architecture holds
the key to building a greener, more inclusive future, and
I'm excited to be a part of that journey.
 CARLING AVENUE
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THE OTTAWA HOSPITAL, ONTARIO, CANADA Studios: Denver, Chicago, Toronto (Canada)

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I joined The Ottawa Hospital (TOH) project in 2022, which is the largest DS
I was involved in the design process, iterations, grading solutions, collabo-
hospital in Ontario. The project was handed over to Project CO. in Novem- ration with multiple offices, producing grading solutions, 3D modeling for

PRESTO
ber 2023. The site presented challenges with two distinct parts: the space interpretation, technical sections and details.

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hospital located on the southwest side and the garage on the northeast
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Tony Mazzeo
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Kent Freed

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One of the most captivating

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LEVEL L PLAZA - MAIN ENTRANCE OF TOH CONTEMPLATION GARDEN

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aspects of this project was

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One of my early assignments was designing the main entry plaza (Level L) of the The contemplation garden featured a captivating labyrinth pathway descending approxi-

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Asif Khan

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the extensive collaboration.

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hospital. This entailed integrating various constraints like emergency and bus mately 12 feet deep, leading to a central pool. This unique design incorporated a
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Hannah Watson
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drop-offs, entrance security, looped driveway, plaza and bike parking, and sequence of pathways, planting strips, and layers of rock shingles, creating intricate bend

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States and Canada contribut-
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diverse grading. The design also included a public plaza with planters and layers. Additionally, the garden seamlessly connected to a bike path from the west. Ensur-
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Aaron Wagner AS
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seating areas, as well as a green roof portion. Functionally solving these ing ADA compliance with a gentle slope of 4.88% and illuminated railings with neon strips
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Working alongside architec-

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complexities while maintaining a plaza-like ambiance was a challenging journey. posed significant challenges. Maintaining pathway width and ADA grade while designing
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ture, civil departments, and

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Notably, the emergency Level-E entrance and parking were situated below this non-disruptive exit stairways proved crucial. The section analysis played a key role in
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other contracted partners

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area. Utilizing Corten steel planters with diverse planting, the design created resolving these design complexities.
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provided valuable insights inviting spaces for people. I was responsible for developing the design, iterations,
into the intricate processes 3D models, and renderings for this space.
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and management strategies

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1. LANDSCAPE GRADING PLANS (L-2.2.2.201 THROUGH L-2.2.2.206)

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INCORPORATE THE CIVIL GRADING INFORMATION AND ADD SOME

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required for large-scale

BIRCH DRIVE

SUPPLEMENTAL INFORMATION IN KEY LANDSCAPED AREAS.

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GRADING PLAN
NOTE:
1. LANDSCAPE GRADING PLANS (L-2.2.2.201 THROUGH L-2.2.2.206)
INCORPORATE THE CIVIL GRADING INFORMATION AND ADD SOME
BIRCH DRIVE

SUPPLEMENTAL INFORMATION IN KEY LANDSCAPED AREAS.

OVERALL GRADING
PLAN SECTION A2: LEVEL L PLAZA
PLAN
NORTH

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The project provided valuable

0 18.75m 37.5m 75m

Level L Entry Plaza Scale 1: 750 STAGE 3

experiences across various

aspects, including navigating Contemplation Garden
code compliance complexi-
ties and resolving conflicts West Entry + Bike shelter
between design concepts
and functional requirements. Sunken Garden
These challenges often
Interior Court
sparked innovative and
inspiring solutions. Addition- Retention Meadow
ally, I gained insights into
different types of retaining SECTION A3: CONTEMPLATION GARDEN
walls and landscape perfor- SUNKEN GARDEN WEST ENTRANCE
mance, particularly in health- The plan illustrates the The west entrance featured a loop
care facilities. Exploring the sunken garden, specifically driveway with parallel parking on the
incorporation of green designed to provide a east side and a code-compliant bike
technologies and strategies Key Plan serene environment for shelter on the west. A retaining wall,
was also a new and enriching patients undergoing dialysis accommodating an 8ft elevation
learning opportunity. during their extended difference on the west side, was
waiting periods. A gravity incorporated into the design. Planter
retaining wall was utilized borders with seating areas adorned both
for this critical feature, sides of the entrance, while bollards
requiring close collabora- ensured security. Balancing accessibility
tion with civil engineers and from various directions while maintain-
contractors to ensure its ing exclusivity and smooth traffic flow
optimal functionality (ref: required extensive trial and error.
section). While the sunken
garden itself was inaccessi-
The section shows (R to L) the emergency E1 parking, the pavillion and plaza above, it shows the tower B and the loading dock on the east side.
0 10 20 50m

ble to patients, it included a

The sloped green area was conserved and new plantations were introduced strategically.
pathway designed for
mechanical access.
 The CUP (Central Utility Plant) section was a critical component of the project,
housing mechanical units, a generator, and rooftop parking. Section A4
showcased the layout of the CUP, rooftop parking, and adjacent sunken garden
on the west side, featuring a gravity retaining wall for elevation support. Notably,
the retaining wall along the southern perimeter was one of the project's most
costly elements. Collaboration among multidisciplinary teams ensured seamless
integration and optimal functionality within the section, resulting in a harmonious
blend of design and technical excellence.

HDR Architecture Associates Inc.

300 Richmond Road, Suite 200
Ottawa, Ontario K1Z 6X6

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comfort. Designed for dialysis patients, who spend hours in the adjacent room, the

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HDR Architecture Associates Inc. HDR Architecture Associates Inc.
ENTRANCE

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300 Richmond Road, Suite 200 300 Richmond Road, Suite 200

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Ottawa, Ontario K1Z 6X6 Ottawa, Ontario K1Z 6X6

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THE OTTAWA HOSPITAL

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(PEDESTRIAN & MAIN ENTRY)

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MAIN ENTRY (DRIVEWAY)

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additional walls were utilized to effectively slow down and retain more water. This
Project Manager MR
COLOURED CONCRETE Project Designer JEG
(PEDESTRIAN CROSSING)
Project Architect JEG
Landscape Architect Jeff Fahs

iterative process involved the use of Photoshop (PS) over a SketchUp export,
/

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BRICK COBBLESTONE
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Civil Engineer Civil Engineer

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Mechanical Engineer Smith + Andersen

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Electrical Engineer Smith + Andersen
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allowing for precise adjustments and optimization of water retention capabilities.

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BIKE RACKS

MARK DATE DESCRIPTION

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BOLLARD 2022-09-30 ISSUED FOR PRE-CONSULTATION
ENTRANCE ENTRANCE 2022-11-30 ISSUED FOR SPC & FLUDA - 1ST SUBMISSION
2022-12-02 ISSUED FOR 3A1-2
SMALL PEDESTRIAN LIGHTS 2023-02-24 ISSUED FOR RFP VERSION 1.0
ROAD D ROAD D RE: ELEC
2023-04-14 ISSUED FOR SPC & FLUDA APPROVAL
2023-07-25 RE-ISSUED FOR SPC & FLUDA APPROVAL
DS
5.0m
5.0m
PEDESTRIAN STREET LIGHTS 2023-09-01 ISSUED FOR CONTRACTOR PRICING
DS
RE: ELEC
2023-09-29 ISSUED FOR COSTING
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Project Number 10333982
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CITY OF OTTAWA FILE # D07-12-22-0168
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COLOURED CONCRETE
18.75m 37.5m 75m
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(PEDESTRIAN & MAIN ENTRY) Project Status
(PEDESTRIAN & MAIN ENTRY)
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Scale 1: 750 STAGE 3
CIL

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COLOURED CONCRETE COLOURED CONCRETE
MAIN ENTRY (DRIVEWAY) MAIN ENTRY (DRIVEWAY)
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SECTION A6: WEST ENTRANCE & BIKE SHELTER
Project Manager MR Project Manager MR
COLOURED CONCRETE Project Designer JEG COLOURED CONCRETE Project Designer JEG

To meet the city's demand for controlled water flow rates, various retention
(PEDESTRIAN CROSSING) (PEDESTRIAN CROSSING)
Project Architect JEG Project Architect JEG
Landscape Architect Jeff Fahs Landscape Architect Jeff Fahs
BRICK COBBLESTONE Civil Engineer Civil Engineer BRICK COBBLESTONE Civil Engineer
Civil Engineer
PAVING Structural Engineer EXP PAVING Structural Engineer EXP

measures were already in place. However, additional walls were incorporated to

Mechanical Engineer Smith + Andersen Mechanical Engineer Smith + Andersen
ASPHALT PAVING Electrical Engineer Smith + Andersen Electrical Engineer Smith + Andersen
ASPHALT PAVING
Plumbing Engineer Smith + Andersen Plumbing Engineer Smith + Andersen
Interior Designer Interior Designer Interior Designer
E
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Interior Designer

E
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E
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Colliers

further regulate and retain water. This refinement process involved using Photo-
Equipment Planner

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TACTILE WARNING Equipment Planner Colliers
TACTILE WARNING
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FACILITY LEASE BOUNDARY

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Wayfinding Wayfinding
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Sheet Reviewer Author

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BIKE RACKS Sheet Reviewer Author
BIKE RACKS

shop (PS) adjustments over a SketchUp export, ensuring precise optimization of

MARK DATE DESCRIPTION MARK DATE DESCRIPTION
BOLLARD 2022-09-30 ISSUED FOR PRE-CONSULTATION 2022-09-30 ISSUED FOR PRE-CONSULTATION
BOLLARD
2022-11-30 ISSUED FOR SPC & FLUDA - 1ST SUBMISSION 2022-11-30 ISSUED FOR SPC & FLUDA - 1ST SUBMISSION
2022-12-02

water management strategies.

ISSUED FOR 3A1-2 2022-12-02 ISSUED FOR 3A1-2
SMALL PEDESTRIAN LIGHTS 2023-02-24 ISSUED FOR RFP VERSION 1.0 SMALL PEDESTRIAN LIGHTS 2023-02-24 ISSUED FOR RFP VERSION 1.0
RE: ELEC RE: ELEC
2023-04-14 ISSUED FOR SPC & FLUDA APPROVAL 2023-04-14 ISSUED FOR SPC & FLUDA APPROVAL
2023-07-25 RE-ISSUED FOR SPC & FLUDA APPROVAL 2023-07-25 RE-ISSUED FOR SPC & FLUDA APPROVAL
PEDESTRIAN STREET LIGHTS 2023-09-01 ISSUED FOR CONTRACTOR PRICING PEDESTRIAN STREET LIGHTS
RE: ELEC 2023-09-01 ISSUED FOR CONTRACTOR PRICING
RE: ELEC
2023-09-29 ISSUED FOR COSTING 2023-09-29 ISSUED FOR COSTING
ELECTRIC VEHICLE ELECTRIC VEHICLE
E
V CHARGING STATION E
V CHARGING STATION
RE: ELEC RE: ELEC

DURESS STATION DURESS STATION

RE: ELEC RE: ELEC

ROCK SHINGLES ROCK SHINGLES

CONCRETE BENCH CONCRETE BENCH

WORK LIMIT LINE WORK LIMIT LINE
Project Number 10333982 Project Number 10333982
CONCRETE STAIR Original Issue 04/21/22 CONCRETE STAIR Original Issue 04/21/22

CAST IN PLACE RETAINING WALL CAST IN PLACE RETAINING WALL

WORK LIMIT LINE

WORK LIMIT LINE

MOUNTABLE CURB MOUNTABLE CURB

PA PLANTING AREA PA PLANTING AREA

FACILITY LEASE BOUNDARY FACILITY LEASE BOUNDARY

Sheet Name Sheet Name

OVERALL SITE OVERALL SITE

MATERIALS PLAN MATERIALS PLAN MATERIALS PLAN
MATERIALS PLAN PLAN
NORTH
MATERIALS PLAN PLAN
NORTH

TRUE TRUE
NORTH Sheet Number Sheet Number
NORTH

CITY OF OTTAWA FILE # D07-12-22-0168 L-2.2.2.401 CITY OF OTTAWA FILE # D07-12-22-0168 L-2.2.2.401
CITY PLAN # 18891 0

Scale 1: 750
18.75m 37.5m 75m
Project Status
STAGE 3
CONTEMPLATION GARDEN - PLAN ENLARGEMENT
CITY PLAN # 18891 0

Scale 1: 750
18.75m 37.5m 75m
Project Status
STAGE 3

SECTION A7: STAGGERED RETAINING WALL- SOUTH

 THE OTTAWA HOSPITAL - GARAGE, ON, CANADA
The TOH Garage, a distinctive facet of the larger TOH project, underwent its own proposal and bidding process. Amidst my contributions to
various aspects of the project, one particularly intriguing endeavor was the implementation of the Miyawaki planting method for the Garage ramp
area. The ramp, a bold architectural feature leading to the rooftop green space with a playscape, was not only ADA compliant but also sculpted
to resemble a dynamic serpent ascending to the top floor. Beneath the ramp, the sloped ground provided an ideal canvas for the Miyawaki
planting method—a transformative approach to rewilding spaces with native flora, mimicking the biodiversity of a natural forest over a span of 30
years.

In my role, I engaged in design iterations and the development of critical sections for both the garage and ramp. Additionally, I spearheaded the
integration of the Miyawaki planting method, leveraging 3D modeling, post-production, and rendering techniques to bring the concept to life.
Furthermore, I played a pivotal role in designing the surrounding landscape of the garage, including streetside seating, placemaking elements, TOH-GARAGE SITE BOUNDARY
bike route optimization, and other amenities aimed at enhancing the user experience.

Throughout the project, we encountered a significant challenge when faced with a sudden budget cut of 30 million dollars for the garage. This
unforeseen obstacle prompted a flurry of design iterations aimed at mitigating the financial impact while maintaining the project's integrity and
vision. Phase - 1 2

MIYAWAKI PLANTING METHOD-CONCEPT

3 4

G1
VEHICULAR / PEDESTRIAN
RAMP FROM P4 TO GREEN ROOF
P2 LEVEL EXIT WALK HDR Architecture Associates Inc.
300 Richmond Road, Suite
PLANTED SLOPE
The image G1 shows the part of the garage project
200
Ottawa, Ontario K1Z 6X6

KEY MAP
whereCONCRETE
theSITTINGMiyawaki Planting method is to be
AREA / BLEACHERS
KEY MAP

implemented.
P2 LEVEL EXIT WALK
PLANTED SLOPE

+77.58m

+76.71m

CONCRETE SITTING +76.68m

AREA / BLEACHERS

PRESTON PLAZA PRESTON PLAZA

+70.66

+68.93
+70.166

+68.43
+69.66

+67.93
+69.166

+67.43
+68.66

+66.93
+68.166

+66.43
+67.66

+66.10
+67.166
+66.66
+66.166
+66.00

2.5m 9.5m 5.6m 1.4m 3.8m 2.4m 4.5m

The Ottawa Hospital

New Civic Development
Parking Garage
930 Carling Avenue &
PRESTON PLAZA LANDSCAPE SECTION SCALE 1:100
The image
PRESTON G2 shows
PLAZA LANDSCAPE a Photoshop
SECTION rendering of the
SCALE 1:100 520 Preston Street,
Ottawa, ON, K1Y 4E9

space. This was part of the development process.

The final rendering was done on Enscape. An
G2 example is shown on the right.

Project Manager Robert Malloy

BLEACHERS Project Designer Jason-Emery Groen
Project Architect Project Architect

RAMP P4-P5 RAMPED WALKWAY Landscape Architect

Civil Engineer
Jeff Fahs
Civil Engineer
Structural Engineer LEA Engineering
TURF Mechanical Engineer Smith + Andersen
Smith + Andersen
Electrical Engineer
Plumbing Engineer Smith + Andersen
Interior Designer Interior Designer
Equipment Planner Equipment Planner
Wayfinding HDR

Sheet Reviewer Author

GR 81.20m
MARK DATE DESCRIPTION
GR 80.31m

+78.53m
SIDEWALK
PLANTED SLOPE KEY MAP
P4 77.175m WALKWAY VEGETATED BUFFER 10 2022-06-03 ISSUED FOR SPC APPROVAL
09 2022-04-25 ISSUED FOR NCC REVIEW
BICYCLE LANE BIDIRECTIONAL CYCLE TRACK 08 2022-04-04 ISSUED FOR CM PRICING
07 2022-02-28 ISSUED FOR SPC RESUBMISSION

+ 74.39m PRESTON STREET 06

05
2022-02-28
2022-01-19
ISSUED FOR 100% TOH DESIGN REVIEW
ISSUED FOR 75% DESIGN REVIEW
04 2022-01-14 ISSUED FOR SPC RESUBMISSION
P3 73.775m
03 2021-09-22 ISSUED FOR SPC SUBMISSION
02 2021-09-03 ISSUED 30% CD
01 2021-06-18 ISSUED FOR SD SUBMISSION

Project Number 10305722

UNDERGROUND 4:1 Original Issue September 2021
P2 69.875m
BICYCLE PARKING

+ 67.46m
Y
N
AR

P1 66.475m 4:1
TIO

+ 64.73m
UC
IN
TR

+ 65.08m
IM

+ 65.02m
NS
CO

2%
EL
R

2%
PR
FO
T
NO

VARIES

Sheet Name

STREET SECTIONS
Proposed
R.O.W.

PLAN ENLARGEMENT- GARAGE RAMP

R.O.W.

PRESTON STREET LANDSCAPE SECTION (Phase 2) SCALE 1:100 Sheet Number

LS-302
GRADUATE RESIDENCE HALL-2,
UNIVERSITY OF COLORADO, BOULDER

The Graduate Residence Hall project at the University of Colorado,

Boulder, stands as a testament to the collaborative spirit and innova-
tive design approach fostered by HDR Inc. and WRA (Architecture).
Situated adjacent to the picturesque Boulder Creek on the southern
edge, with Athens Street bordering its northern boundary and facing
the existing Residence Hall 1, this project presented a unique set of
challenges and opportunities.

One of the initial complexities encountered was the requirement to

elevate the site by over 6 feet to meet floodway regulations—a task
seamlessly integrated into the overarching design concept centered
around the notion of porosity. Inspired by the natural flow of water
and people, the design envisioned a landscape that would guide
movement fluidly, as if the site itself possessed a porous nature. This
concept gave rise to a diverse array of landform typologies, each OVERALL AREA MAP NEIGHBORHOOD MAP FLOODWAY MAP 2013 FLOOD IN BULDER CREEK
strategically employed to offer varied experiences and access points This map illustrates the site's location in relation to the The neighborhood map informed design decisions by We collaborated with ICON to assess the Floodway Map, focusing on the
while maintaining cohesion within the overall design. main and East campus, with the Flat Iron Mountains to the analyzing proximity, traffic, services, and routes. High Hazard Line and Conveyance zone. The creek-side location present-
west. ed a challenge, necessitating a 6ft elevation to meet code requirements.
The collaborative process between HDR Inc., WRA, and the Univer-
sity of Colorado authorities was marked by countless iterations and
stakeholder engagements. Grappling with budget constraints from
inception, meticulous attention was paid to material selection,
construction methods, and resource allocation, ensuring an economi-
cally viable yet aesthetically compelling outcome.

One of the project's most intriguing aspects was the grading process,
which presented an opportunity to sculpt the terrain and create
pockets of interest throughout the site. This phase underscored the
importance of spatial optimization, as well as the intricacies involved
in addressing functional considerations such as waste management.

Throughout the design journey, emphasis was placed on cultivating

meaningful stakeholder relationships, with frequent client consulta-
tions providing valuable insights and shaping the project's evolution.
These interactions not only honed communication skills but also
reinforced the importance of aligning design objectives with client
vision and expectations.

In essence, the Graduate Residence Hall project exemplifies the

intersection of creativity, technical expertise, and pragmatic
problem-solving. It serves as a testament to the power of collabora-
tion in realizing innovative and impactful landscapes that enrich the
built environment while meeting the diverse needs of stakeholders.
 SITE PLAN

DESIGN CONSIDERATIONS & PROCESS

The design process for Residence Hall 2 at the University of Colo-

rado Boulder began with a collaborative effort involving HDR, WRA,
CU authority, consultants, and user workshops. Both the site and
building designs evolved concurrently, undergoing numerous itera-
tions and changes to prioritize functionality while incorporating all
constraints. One of the initial challenges was the elevation of the
land by 6 feet, which posed difficulties in accessing the site and
building entrances at grade. To address this, access points were
SITE PLAN

strategically placed at different levels, connected by ramps from

Athens (Paseo) and a ramp from the southeast corner.

A notable feature of the design is the transformation of 19th street

ACCESSIBLE PATHS & ENTRY
on the east into a bike lane/plaza street with street parking. HYBRID
This: DESIGN
INITIAL
OPTION 4B SITE PLAN SCALE: 1”=60’

portion of 19th street is envisioned as a future public space, high-

lighting the importance of exposure to this area. The Paseo and
UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO

HYBRID : DESIGN OPTION 4B OCTOBER 25, 2023 SCALE: 1”=60’

south ramp converge at the grove, a porous paved area adorned

UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO
OCTOBER 25, 2023

with cherry trees and seating, serving as the central hub among the
three buildings. The slope from the south side up to the grove grad- INITIAL MATERIAL PLAN FOR COSTING
ually staggers with bleachers that seamlessly dissolve into the
grade. Additionally, the south side near the creek boasts the
Cottonwood meadow, mirroring the local forest landscape.

Green areas adjacent to the buildings act as buffers and shape the
walkways, featuring multistem plants like amelanchier and similar
ACCESSIBLE PATHS & ENTRY

trees. Other amenities include a trash zone accessed from Athens

street and a covered bike shelter along the walkway. The circulation
design ensures porosity for people walking and biking through the
PLANT COMMUNITIES
site, facilitating seamless movement in and out. Furthermore, the ACCESS & ENTRY POINTS
porous surface of the grove and green spaces within the projectHYBRID : DESIGN OPTION 4B SCALE: 1”=60’

also aids in water drainage and detention. UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO

HYBRID : DESIGN OPTION 4B OCTOBER 25, 2023 SCALE: 1”=60’

UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO

OCTOBER 25, 2023

PLANT COMMUNITIES

SECTION A - AA’ SITE PLAN - ENSCAPE OUTPUT SECTION B - BB’

CONCEPT
HYBRID : DESIGN OPTION 4B PLANTING PLAN SCALE: 1”=60’

Residence Hall 2's design prioritized landscape performance, UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO

incorporating porous surfaces, native planting schemes, and water

HYBRID : DESIGN OPTION 4B OCTOBER 25, 2023 SCALE: 1”=60’

UNIVERSITY OF COLORADO BOULDER RESIDENCE TWO

detention areas to promote biodiversity and ecological resilience.

OCTOBER 25, 2023

Detailed analysis and exploration of these features were document-

ed in section drawings, highlighting their role in enhancing the site's
functionality and environmental sustainability. Through innovative
strategies such as porous surfaces and native planting, the design
fosters habitat diversity and resilience while supporting local and
migrant bird routes and pollination. These elements underscore the
project's commitment to environmental stewardship and set a prec-
edent for sustainable design practices within the university campus
and beyond.
SECTION AA’ SECTION BB’
This page features performative sections and rendered views obtained from Enscape, offering valuable insights into
the site's spatial connections and landscape performance. Through these sections, we gain a deeper understanding
of the vertical relationships within the site, while also exploring the practical implications for its various components.
These renderings not only inform about the site's design but also highlight its functionality and performance in
enhancing the overall user experience.

A
Bird’s eye view- looking over Athen’s street - the front entrance
B F

D E

SECTION: D

Paseo entrance Grove to paseo

SECTION: A
SECTION: E

Ramp from south South East corner- bike park

SECTION: F

South East conner- bleacers and planters. The Grove - looking from the paseo
SECTION: B

SECTION: G
SECTION: C Paseo view North East coner- Entry plaza
 Parcel 8- Central Park, Denver, CO (Park Design)
Team: Kent Freed, Anthony Mazzeo, Will Prescot, Asif Khan, Aaron Wagner

Project Parcel 8 - Central Park presents an intriguing venture propelled by the vision of the
UDPLA section as an additional service proposal. Situated adjacent to a Quick Trip gas station
and Breakthru Brewery, the site's unique characteristics posed both challenges and opportuni-
ties for creative development. Advanced physical planning had already been undertaken, yet a
narrow bend of space remained, offering the potential for a park. However, utility constraints,
notably a significant stormwater easement traversing the site, precluded any construction over-
head. Divided into two distinct sections, the larger portion, nestled away from Central Park
Boulevard, provided elevated viewpoints overlooking Sand Creek, located just beyond the
sidewalk to the south. In anticipation of future high-density developments in the surrounding
area, the park was envisaged to alleviate forthcoming pressures and establish a verdant buffer
along its periphery.

The areas set aside for Parcel 8’s park and open spaces are well away, and mostly buffered,
from I-70 and Central Park Blvd. The offer some unique opportunities for open space design
and service to the Central Park community: With its close proximity to Sand Creek, and a much
larger open space to the West, this park will have a strong connection to the surrounding native
landscape and natural prairie habitat.
The Sand Creek regional bike trail forms the park’s southern boundary which will bring in users
from far beyond the immediate Parcel 8 development and offer Parcel 8 residents the opportu-
Photos from site
nity to safely walk and roll to other parts of Central Park and Denver without entering the street
network. With the bike trail and a water quality/ detention basin between it and the creek, the
new park sits well above the creek habitat offering advantageous views for birders and other
nature enthusiasts. Open views to the West offer Denver’s skyline with the Rocky Mountains in
the background.

Complementing the recreational amenities, a dedicated dog park was earmarked for the far left
Sand Creek- Regional Trail Connections
side of the site, providing a welcoming space for canine companions and their owners alike. A
thoughtfully curated network of primary and secondary pathways, crafted from a blend of
concrete and crusher fines, crisscrossed the park, facilitating seamless navigation and accessi-
bility. Embracing sustainability principles, native plantings predominated throughout, with mulch
beds utilized sparingly in designated planters to enhance biodiversity and ecological resilience.

As the project progressed, an additional street known as the Paseo was integrated into the
design, serving as a pedestrian-only thoroughfare connecting to the park site. Design iterations
for the Paseo evolved in tandem with the project's development, further enriching the overall
user experience and connectivity within the surrounding urban fabric. Through meticulous plan-
ning and creative ingenuity, Project Parcel 8 - Central Park embodies a harmonious blend of
functionality, sustainability, and community enrichment, poised to serve as a vibrant and inviting
green oasis within the bustling urban landscape of Denver.
Site - looking from 40th Ave and Central Park Blvd junction. Site Observations and Design Opportunities
Proposed Pogram Zoning

A01

Plan Enlargement:A01 Plan Enlargement:A03

A02

A03

A04

Plan Enlargement:A02 Plan Enlargement:A04

This page showcases render explo-
rations for Project Parcel 8, offering a
glimpse into the envisioned land-
scape. The first image presents an
aerial view of the western portion of
the site, where a path bisects the
playground, creating two distinct
zones. Positioned atop a raised land-
form, the western playground area
offers an elevated perspective, while
the eastern section remains at
ground level. Utilizing rubber pads as
a surface, the play equipment, metic-
ulously selected in collaboration with
Earthscape, ensures both safety and
enjoyment for young visitors. Nota-
bly, the path connecting the
playgrounds seamlessly integrates
with the Paseo, a pedestrian path-
way designed to enhance connectivi-
ty and access within the park.

In the second photo, a snippet of the

eastern play area is depicted, show-
casing the diverse recreational
opportunities offered within the park.
The third image provides a glimpse
of the dedicated dog park, catering to
the needs of canine companions and
their owners. Moving to ground level,
the fourth image offers an immersive
view of the eastern play area, inviting
visitors to explore and engage with
the vibrant surroundings.

Transitioning to the exploration of the

Paseo, the fifth image delves into the
design iterations of this pedestrian
pathway. Serving as a linear plaza
space, the Paseo meanders between
pockets of greenery and planters,
offering a dynamic and visually
engaging experience for pedestrians.
The thoughtful selection of paving
materials introduces variation and
visual interest, enhancing the overall
aesthetic appeal of the pathway.

Concluding the render explorations,

the sixth and seventh images present
additional perspectives of the Paseo,
highlighting its role as a vital link
within the urban fabric. Through
careful planning and design, Project
Parcel 8 embodies a harmonious
blend of functionality, connectivity,
and aesthetic appeal, poised to
enrich the urban experience for
residents and visitors alike.

LIVING IN SYNERGY
A BARRIER-FREE BISON SANCTUARY
Site: Story City, Iowa
Focus: Bison grounds, revenue.
Level 3, Term 1
The project is about creating a
barrier-free Bison sancturay along
with habitat restoration and attrac-
tion throughout the 180 acres site
located in Story City, Iowa. Addition-
ally, experiential programs for visitors
are integrated as parallel context.
The project has primarily three
components - Designing Bison
grounds without any fence. Instead,
living, native shrubs are used for
fencing and species of shrubs are
allocated based on soil texture and
c o n t e x
Creating a variety of experience
for visitors that includes native flower
bouque shop, open kitcehn, night
stays, star gazing camps and an
open museum trail that exhibits
Lakota traditions and relics.
Connected habitat is also created
for butterflies by integrating native
flower species throughout the site
within the flying range of bees.
Revenue generation scheme
from Cut flower farming, especially
with native flowers with about 25%
of non invasive foreign species.
Winter- hold Manure odor
for Bisons
Corn storage
Built forms visible
Corn field view Corn field view
Small lake beside White gravel road
built forms
Native Prairie Bison Ecology Group
SWOT SITE ANALYSIS
AXONOMETRIC STRENGHTS
SWOT AXONOMETRIC •The property’s woodland areas (oak savanna,
basswood woodland, bottomland woodland,
I. elm woodland) are assets for maintaining species
biodiversity, as well as providing habitat to wild-
life.
•Oxbow wetlands in creek. The oxbows store
excess water that would otherZLVHOHDGWRÁRRG-
LQJÀOWrate water to improve water quality and
Light & shade condition offer habitat to a variety of wildlife.
•Capacity for bison territory expansion/reloca-
tion.
LOCATION WEAKNESSES
•Replacement of large area of Elm trees (Elm
woodland area) would result in a temporary
STORY loss of habitat and carbon sequestration while
oak savanna is maturing.
CITY 4 Oxbow wetland- water retention-
capacity for bison expansion 1 •Deep erosion issues must be dealt with which
could be costly.
2
•No monitoring system in place to quantitative-
ly assess changes over time in problem ar-
SITE 4
3
eas.•Weak invasive species management strat-
egy. Client is currently relying on some chemi-
1 4 Swale systems - rainwater storage -
FDOWUHDWPHQWDSSOLFDWLRQDVZHOODVÀUHPDQ-
water for irrigation
agement every few years.
4 2 OPPORTUNITIES
LIGHT & WIND LEGEND woodland areas - specis biodiversity-
•Planting Iowa native species through prairie
restoration. This will provide more area for
wildlife habitat bison to graze. Native species’ root systems
also have a greater capacity to stabilize the
t . EXPOSURE TO SUNLIGHT Bank stabilization opportunities
VRLOHQFRXUDJHLQÀOWUDWLRQDQGSUHYHQWRSHQ
areas from eroding (cover crops, prairie strips,
terracing strategies).
3
SHADE
675(1*7+
675(1*7+6
•Increased wetland vegetation to digest
runoff.
•Further bank stabilization efforts including
AMES APRIL TO DECEMBER SOUTH WINDS
studying how to introduce a beaver popula-
tion to contribute to this effort naturally.
23325781,7,(6
Increased wetland vegetation •Runoff pond improvements and introduc-
DECEMBER TO APRIL NORTH WINDS
tion of swale systems to store rainwater for
plant irrigation.
4
•Existing high quality loam soil can better sup-
0 5 mi
SUN’S POSITION AT MIDDAY port plants on site by applying compost to
HQFRXUDJHP\FRUUKL]DOIXQJLLQVRLO%HQHÀWV
CALMEST AND WINDIEST DAYS Prairie restoration
THREATS
IN STORY CITY AT 30.0’ ABOVE GROUND •Worsening erosion due to Bear Creek snow
PHOWDQGDJULFXOWXUDOÀHOGUXQRIIPRYLQJ
down slope from the east side of property.
•Reduced water quality due to runoff con-
taining pesticides, soil sediment (soil erosion),
EXPERIENTIAL CATELOGUE FROM SITE VISIT
and nutrients (phosphorus, nitrogen, potassi-
XPIHUWLOL]HUV IURPDJULFXOWXUDOÀHOGV$OORI
these deplete oxygen in the creek and make
it harmful to aquatic life.
‡'HVSLWHWKHR[ERZVRQVLWHÁXFWXDWLQJ
DQQXDOSUHFLSLWDWLRQPHDQVWKHÁRRGLQJSR-
tential remains at creek base which can dis-
:($.1(66
rupt fragile aquatic ecologies.
$ WOODLAND PROGRESS
Clear sky - great for star gazing
vehicular noise Sound of breeze Bird sounds
from i-35
Mutiple spots where the creek flow
is obstrcted or altered.
POOR INVASIVE SPECIES MONITORING
vehicular noise vehicular noise Bird sounds Varieties of birds Sound of breeze B
Manure odor
from i-35 from i-35
1930
SOIL EROSION
Pocket spaces Wire fencing Wire fencing
Smooth landscape
visible in the vehicular noise vehicular noise
from i-35 from i-35 C C
landscape
D $
B
B 1970
Stagnant creek
Sculptural dead Interesting tree-water Sculptural dead Steep ground Corn field view CREEK EROSION
trees scape trees with sticky clay
7+5($76
Obstructed creek
Sun exposure full-
Hen of the forest Shrunk creek Tree Grove Natural Tree
meadow like scape
(crossed b jumping) Arches
CREEK & SOIL POLLUTION FROM 2021
1008’
NITRATE & OTHER CHEMICALS
Site analysis group: Asif, Allie, Shiva, Maryam
938’
to provide a slightly larger gap below the
fence and allow animals to pass under the ground;

DESIGN CONSIDERAION & PROCESS

easily. Many cattle ranchers have found
that although a small calf may slip under
the higher bottom wire, it can also easily
slip back again to its mom and not be
Wildlife friendly fence
stranded on the wrong side of the fence. regularly maintain wire stays that are easily bent;
Slopped garden fencing detail Ecological Restoration & Visitor Circulation
Using
IDEAL slope
WILDLIFE + FENCE
FRIENDLY Thorned shrubs for natural fencing
0 1000’

smooth
Increase visibility with a PVC cover,
high-visibility wire, flagging, or a top rail. 12"
BRICKS
barbed
40" preferred
barbed (42" maximum) 1
smooth
The friendliest fences are very visible and allow
wild animals to easily jump over or slip under the 18" preferred
wires or rails. (16" minimum)

10 BLOCKS

2 1
CUT AND FILL

Source: A Landowner’s guide to Wildlife Friendly Fences

1
Natural fencing plant catalogue 1
Yucca Black berries Barberry Osage Orange Firethorn Bougainvillea

CREEK RESTORATION POINTS PRAIRIE RESTORATION

Site programming (Using site pockets for visitor programs)

Maximizing Continous Bison grounds Cut flower farm+Live kitchen Star gazing camp Sun Flowe Garden Trail museum Event space
 CONCEPTUAL PAINTINGS

A conceptual version of the Cut-flower farming gardens. Instead f Restored and restructured Cylos for night stays. The existing workshop on
typical rectangular shape, the gardens are concieved as curved the left is also modified to have more transparant facade. Green house
borders weaving around paths. for indoor grass produce is also considered.

1 2

2
3

Tee Pee’s can be seen erect in the star gazing camp uphill, looking down The Savanna-trail museum shows exhibits of Lakota trive and their
the valley towards the Bison grounds and having the best exposure of the integral relationship with the Bison. Bison herd can be seen in the far
clear Iowa sky. Great scope for stargazing. The hot air baloons near the grounds. Artificial water and nature sound is peridoically played to
entrance can be seen far away. A view of the Bison Pass (Land bridge) from the museum trail. drown the noise from I-35.

3 4 4
 SITE PLAN
0 1000’
NATIVE HABITAT
RESTORATION SPECIES
PRESENT ON SITE

RENT SPACE
Purple coneflower Sweet flag
(MULTIPURPOSE) Wild ginger

RESTORED PARIRIE
Blue false Indigo
Blue flag iris
Butterfly milkweed

SUN FLOWER

Hairy footed TRAIL MUSEUM

B GARDEN
lake sedge Red Clover Great Plains
flat sedge

Columbine
Monkey flower Prairie Lilly

CUT FLOWER
FARM
LIVE KITCHEN FLOWER STORE

Pasque American lotus

Yarrow

STAR GAZING CAMP A

Frostweed
 LIVE KITCHEN+
OUTDOOR DINING
A
OAK FOREST

CUT FLOWER
GARDEN

PROTECTIVE
NATURAL FENCE
WITH TRENCH

RESTORED PRAIRIE

0 40’ 120’ 200’

80’ 160’

Compass
plant

NATIVE TALL &

SHORT GRASS
Typ. Turf
grass
Buffalo
grass

Little
blue stem
Prairie
Lead- Sunflower
plant

Switch
grass

Big
bluestem

0 8’
RESTORED PRAIRIE
24’ 40’ TRENCH FOR PROTECTIVE NATURAL CUT FLOWER LIVE KITCHEN
BISON GRAOUNDS INCREASED SLOPE FENCING (THORNED SHRUBS) GARDEN
16’ 32’

0 8’ 24’ 40’
16’ 32’
 LOW LAND
BISON PASS

ELEVATED VIEW DECKS

B
MEADOW

CREEK PROTECTION
+ PASS

PROTECTIVE NATURAL FENCE

PROTECTIVE
NATURAL FENCE OAK
SAVANNA
EK
RE
C

0 40’ 120’ 200’ TRAIL MUSEUM

EXHIBITS
80’ 160’

TEE PEE BISON PASS

ELEVATED VIEW DECKS

UNDERPASS

PROTECTIVE
NATURAL FENCE

940’ 0 24’ 40’

8’

16’ 32’
 Bike trail

CITY MATTERS
Green roof
Permeable
surface-‘Splash’
Site: Market district CITY SKIN & SYSTEMS Extended semi
Des Moines, Iowa outdoor retail
Focus: Market street market
Level 2, Term 2
Artist corner Market plaza
Context:
The vision of Market district in Des Moines, Iowa- Place markers Colored pave
emphasizing the market street is to create a sustain-
able, active street-scape that thrives with festivity. To
develop festive transformation, the monotonous
predictable image of grid roads is questioned and
selected parking spaces are reppurposed to overlay
a secondary organic surface called ‘splash’ is
proposed (made of blue pigmented pervious con-
crete) that weaves through blocks and streets turn-
ing unused & relocated parking spaces to social
spaces.

The project addresses the social activity generator

issue, sustainable energy production and water
management issue and develops a walkable and
bike friendly neighborhood.

The market street becomes a merging platform that

is accessed via formal and informal routes and holds
multiple connected activity stages and rooms for Reimagined Market Street-scape
people to socialize in small and large groups.

ds
lgroun
apito
Market street site C

Court Ave Village

East

Market street
ntown
Dow
Existing
woodlands
Riverfront park
Proposed
New Railroad
Old rail road
(repurposed)
Historic building hEas
Sout toms
t

(repurposed) Bo t

Market Street existing view 0 1000’

Analysis and
Design Pocess:

Flood Map analysis Property Ownnership analysis Ecological Zoning

1000’

Reclaiming Parking Spaces: Selecting parking space to Blue pervious ‘Splash’ Skin connects the parking space- Zoning
repurpose into public spaces infomal against formal monotonous iron-grid road

Splash connecting Market

Street with public spaces
informally- As if some water
1000’ 1000’
was splashed on the surface.

Cultural: Connecting neighborhoods Connections:

Public street event spaces Connecting bike trails
Historic buildings repurposed connect market st. to riverside park & Bio retention zone
connecting public spaces with Splash
 TRANSFORMATION
rts
po
Market street into a 3D canvas of

d to +s festive programs.

r o a den River front into a green park

a i ll gar Community garden

d r rain
Water managing and storing system.
l
O w Energy generating performative
Facades
Solar fabric Solar rooftop ne Unused space to activity spaces.
canopy cover

t e d
e c ace
o nn surf
h ’ -c lue
l a s sb
u
‘Sp rvio
Solar Cube
pe d
Solar shade
Park) g r oun
(for windows) E6 sio n
th t e n
Energy from facades E5 St Bio-re
th
St
E4
th
E3 St
rd
E2 St
nd
St

Curb
Blue C.Pavers
P.joint material
e
av
Open gr. bedding
u rt b r. Open gr. base
C o n
t ria
e s s t . Underdrain
d e t
pe a r k
Pervious surface detail
Soil subgrade
M
 MARKET STREET ACTIVITY SPCAES
CONNECTED BY PERVIOUS SURFACE
E5
th
Str
E4 ee
t
th
Str
E3 ee
rd t
Str
ee
t
E2
nd
History court+ Str
Exhibition ee
v e. t
urt A
Co E5
th
Str Community garden
ee
t

E4
th
Str
ee
t
E3 a y
rd k w
r
Str Pa
ee LK
t M
Theater Plaza

Artist corner
s t .
et
a r k
M

Green amphitheater Dance Plaza Game court Retail extention+media

 Rain garden & Retail semi outdoor
Place
sitting spaces Dance Plaza extention

Exhibition Lamp post Retail extention

Sculpture

connected
streetscape
Old Rail road Transformed

West Side Riverfront Park

& Concert Space

1 Riverfront park
2 Green amphi
3 Theater plaza
4 Dance court
5 Game zone
0 200’
200’

6 Bar street
7 Artist corner
8 Rain garden
9 History court
10 Community Floating garden detail
garden
 EXPERIENTIAL MONUMENT
ON PLASTIC POLLUTION
Site: Stuwart Smith Park,
Ames, Iowa
Year 2, Level 1

Context:
Plastic pollution is a global problem. We
all know about it but still, plastic waste
increases with each year. This project
addresses the issue of plastic pollution
and brings people face to face with the
disastrous impacts it is having.
Using the five stages of grief model, the
project manifests into a journey through
five blocks represententng the five stages
and tries to raise awareness provocative-
ly, so that people can question the role
they might play to raise voice.

Violation(Poem Narrative)
Asif Khan

‘What is it?’- I asked, annoyed.

Digital art: Ziaur Ovi
Without even looking away from the screen.
The match I was watching was hanging on a tilt.
The excitement ran through like electric charge.
Hard, it is, to look away from such an urge.

Ocean Plastic
‘What is it?’ I asked in reply, and then,
She spoke.
“From the first breath of air,
The first droplet of water to quench your thirst, Alarming state of
Plastic Pollution
The colors that yours eyes feast up on,
I have cared, indiscriminately. Sustained, pleasured.
Never asked for anything, but gave places and spaces.
Produced food and thrived with lushness
That you like so much.
But I tried my best and now,
I am tired. I am ill.
My own blood streams are filthy, polluted.
My air pipe is jammed and I can’t breathe.
All my other children are suffering, crying- helpless.
And I cannot help them now.
For years and years, I thought,
Surely this is a passing phase.
Surely there will be change and
I will live freely again.
But all my hopes are in a dark place.
I come here now, with a plea.
An account of insult and crime.
Against you. And I want you to see me.
Look me in the eye and acknowledge.
Your actions.
I am your mother. (Nature)
And you, my child, have violated me.”
 STRATEGY FLOW CHART Site Location and Visual Presence
Iowa State
EXPERIENCE University

PLASTIC PLLUTION IMPACTS Residential

area

MANIFESTATION Hilton
Colloseum
5 STAGES OF GRIEF
Kübler-Ross model
DENIAL
ANGER SITE
BARGAIN
DEPRESSION Jack Trice
ACCEPTANCE Stadium

Site

0’ 1000’

Journey in a loop
the loop of plastic

5 sections depicting
stages of grief
Using Billboards of
breaking the form in 5 parts

Pollution causing
adjusting according companies as facades
to site context
creek view
opening
manipulating the parts based
on site context and opportunity

pristine
landscape
Pristine
landscape
space

entrance

exit
 Exit Pristine Entrance
Landscape

A A’

0 240’
SECTION AA’ 0 80’

1. Denial
1.Denial 2.Anger 3.Bargain 4.Depression 5.Acceptance Entrance: Using Bilboards of most plastic pollution causing companies as facade and creating
A. Creek view B.entrance to C C. Pristine-scape paved entrance with recycled plastic invites a visitor in a phase of denial- everything looks in order.
Billboards of
Recycled plastic pollution causing
structural frames compaies
Used as facade

B
4
3

5
2

Recycled plastic
1 paving
 SECTION BB’

As people start to go ahead, the pathway starts to get filled with
2. Anger plastic waste- creating a disturbance whereas pristine landscape
prevails outside.
This block is made of recycled wooden panels used to project
3. Bargain
SECTION BB’
facts and information about plastic waste - a phase for people to
calculate and wonder about the situation.

Plastic debris on
walkway

This block creates a sense of depression and loss by The final Acceptance block shows a scenario of a plastic

4. Depression projecting graphic photographs and statues of dying and

trapped animals due to plastic pollution. 5. Acceptance filled world where traped statues of children (next generation)
are looking at us for help.

Plastic trapped
wildlife exhibits
ELWOOD HOUSE RESIDENCE Elwood House Historic Inspiration Boards Poem taken from client
LANDSCAPE DESIGN Garden Photograph as Inspiration narrative
Site: Ash Ave, Ames
Year 2, Level 1
Aluysum Lavender
Day lilies Song for Autumn,
Candytuft
Context: by Mary Oliver
P. Elwood had been the chair of
Landscape Architecture department for
several years and now, his house is being
owned by Hans and Megan. Hans is
In the deep fall
currently a Landscape Architecture
faculty at Iowa State and Megan is a
don’t you imagine the leaves think how
Clematis
librarian. We were asked to redesign the Getrude Jekyll comfortable it will be to touch
landscape of the residence keeping in White pool border
view the historical context and objects the earth instead of the
within the landscape.
nothingness of air and the endless
Before starting the project, I asked Hans
and Megan to provide me three poems of
freshets of wind? And don’t you think
their choice that they feel close to. Taking
the poems as precedents and also consid-
Lavender driveway the trees themselves, especially those with mossy,
canopy
ering the site forces and aspects, I tried to warm caves, begin to think
design the landscape in a sequence of
rooms and stages. The rooms are inspired of the birds that will come — six, a dozen — to
from the poems and are adorned with
vegetations that go along with the poem sleep
and also the climatic consideration to the
site. The site clearly showed a cross axis Native flowers inside their bodies? And don’t you hear
Birds attract
that existed and so I tried to incorporate
the ases in the design and used poem
White borders the goldenrod whispering goodbye,
plates, pergolas, sitting space near the
existing pool and terminated the axis with
the everlasting being crowned with the first
a lamp, commemmorating the historic tuffets of snow? The pond
japanese lamp that was there before.
vanishes, and the white field over which
Jekyll inspired garden

Pool side fire- reading

Canopy driveway
the fox runs so quickly brings out

Clematis canopy
Restored Lanturn

Forsithya border 3’

Outdoor dining
with new design

Macrostachya
Daylilly border
Ext. old gateway

its blue shadows. And the wind pumps its

bellows. And at evening especially,
Ext. pool

the piled firewood shifts a little,

longing to be on its way.

0’ 30’
 white flower: Yellow flower:
1. candy tuft 1. Golden Rod
2. star of bethlehem 2. WInter Aconite
3.white carpet phlox 3.Coreopsis
4.salvia nemorosa 4.Golden Spring Alysum
5.Day lily

white creeper: Yellow creeper:

1. cecile brunner 1. Yellow trumpet vine
2. silver lace vine 2. Cats claw creep

1. Entry 3.climatis snowdrift 3.canary creeper

4. Golden creepy sedum
white flower: Yellow flower:
1. candy tuft 1. Golden Rod
2. star of bethlehem
3.white carpet phlox
2. WInter Aconite
3.Coreopsis
2 Blue hanging creepers Blue star creeper
4.salvia nemorosa 4.Golden Spring Alysum
5.Day lily
from string pergola
white creeper:
1. cecile brunner
Yellow creeper:
1. Yellow trumpet vine 3 CC Pave, (poem lines)
2. silver lace vine 2. Cats claw creep
3.climatis snowdrift 3.canary creeper
4. Golden creepy sedum 4. White flower- plants
Blue star creeper
candy tuft-
1.Entry
5. Brick Pave
4
2.creeper,pergola
6. Raised brick platform
short

7. Circular flower pot(poem)

3.Poem plaque,
8. Yellow creepers CC
hanging
2 2 1
4.White
9. Fire ground covers,plants
non uniform arch-
blue star creeper place+ reading
10. Hidden Garden
5.Brick pave
11. Lamp + Full Poem 3
4
6.Raised brick platform screen and

7.Daylilly basket
dense flower patch
- white, yellow, blie.

non uniform mound.

8.Yellow creepers; outdoor dining

9.Fire place+reading
Lawn
4
screen and Y
10.Hidden garden
dense flower patch
- white, yellow, blie.

non uniform mound.

Lawn B

11.Restored Lamp+ poem plaque 5

4
dense white
flowers

B
candy tuft-
short Hidden garden
4 memory plants-
sitting
mild mound+
4 reference: 4
Getrude jekyll’s
dense white
hidden garden at
flowers
Munstead woods

sitting
9 Y
Hidden garden
memory plants-

10
reference:
Getrude jekyll’s
hidden garden at
Munstead woods
overhead string pergula
+ yellow creepers (dense)
6
+hanging bird houses

11 8 7

white wall
- poem

Hand drawn base map and site study Bubble diagram Schematic Design

Design Process &

Planting Design

Canopy
driveway
Driveway

First four lines of

poem engraved
Restored
new lanturn

Next four lines

day lilly circle

Jekyll Ext. old Ext. pool Outdoor dining

garden gateway new fireside Clematis canopy
sitting Daylilly border
Spatial Choreography

Planting Plan
 Lake
LeVe
rne
ISU Dwarf Mugo Dwarf
Yew Pine macrostachya deutzia candytuft
MU
Lincoln way
candytuft
White
feather
Hosta

Details
Glory-fo-the-snow White
Chionodoxa forbesii
feather
Hosta
Threadleaf
Coreopsis

snow-in
Dwarf -summer
deutzia
Golden
Azaleas Raintree
American Weeping
0’ 900’ Sweetgum Yew Clematis Delphinium Forsythia
Magnolia Fireplace
Stellata

candytuft

STRATEGY FLOW CHART

Clematis
RESEARCH Canopy
Hollyhock Cover
- Site Context
-Client desires Oriental
-Hitorical significance Lily
-Present relevance Japanese
-Spatial organization clues Iris
from site

Lanturn with
ORGANIZING FACTORS
Forysthia Hidden garden
(Delphinium)
Hidden garden
(Delphinium)
Fire pit Fireside
sitting
Forysthia Glory of
the snow
Threadleaf
coreopsis
Dwarf Deutzia Ginko Garage
wind chime
and poem.
Azaleas
- Insiration poems from clients Golden Perennial Forsythia Dwarf Mugo Blue Mist Mock clematis Yellow Azaleas candytuft Yellow
privet Pine Spirea Orange
ȋŽ‡ƒ–‹•–‡”‹ƪ‘”ƒȌ
Daylilly Begonia 0’ 20’
- Functional preferences Hibiscus Spirea
- Historical revival

CHOREOGRAPH
- Story progresses from Waiting
Bench
entrance to end.
-Flower color palette
used to represent
poetic relevance.
-Rooms or stages
organized in sequence.
- Utilizing site elements,
natural contexts and
weather status to select
native plant palette.

White White Yellow Yellow Clematis Fire pit fireside Spirea Dwarf Magnolia Smooth Dwarf Wisteria Candytuft Dwarf Deutza
Rhododendron Spirea Daylilly Daylilly sitting Deutza Stellata Hydrangea Deutza
Spirea
 recycled metal
COMPETITIONS memorial sculpture wind chimes
COLUMBARIUM- CHAMBER OF MEMORIES
RIGA FOREST CEMETRY, LATVIA. 2021 CONCRETE
NICHES FOR URNS
This competition project was about
square
making a columbarium that has o r y
around 500 niches for Urns. Instead Mem
of making a covered structure,
curved troughs depicting gusts of
wind and the niches shape the soil Naitive
inbetween them as a vase for Daisy Wild flower Prairie
flowers (National flower of Latvia).
Recycled metal sheets with leaf
shaped perforations used as sculp-
ture to honor the World war I
veterans buried in the cemetery.

Cross section showing niches

on either sides
and having the Daisy trails on
top, connected to the ground.
HAND DRAWING ANALYSIS
PIER 55, NYC - SPATIAL ANALYSIS WITH DIAGRAMS

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 SELECTED PAINTINGS

PAINTINGS

BULAND DARWAZA, INDIA AJANTA CAVE, INDIA

THE BLISSFUL PIT

Failure
FAILURE (Acrylic on board, 24”x24”)
This painting was shortlisted and exhibited in the Berger Young Artists Competition, 2013 cycle.

SEEKERS
PROJECTS FROM
ARCHITECTURE
RETHINKING PORTFOLIO
RIVER FRONT PROPOSED PROGRAMS FOR
AT SOUTH SURMA, SYLHET RIVER- FRONT DEVELOPMENT
LEVEL- 4, TERM - 2
GROUP PROJECT

MEMBERS: ASIF EMRAN KHAN & SHOVON SHAHRIAR Krishti chaya

:
ROLE: LITERATURE STUDY, PLANNING, FUNCTION A massive shade that will eventually becomea
ASSIGNING, DESIGN DEVELOPMENT, DETAILING,
landmark. Different cultural organizations
PRESENTATION
will perform here at diferent times. It’s a common
place for performing and sharing.
The site given was the south bank of the river Surma, ‘Chitro Mela’:

RETHINKING RIVERFRONT AT in Sylhet. It was on the outskirts of the main town with open painting fair will occur here.
rich activity and vibrancy. We were to propose a
Restaurant:
RETHINKING RIVER FRONT PROPOSED PROGRAMS FOR
A seasonal restaurant that will have the local varieties

SOUTH SURMA,
AT SOUTH SURMA, SYLHET.
SYLHET
major function for the riverfront development and
develop the project along with other necessary
of seasonal cuisines and also bangla and other food.
ExhibitionFRONT
RIVER- center: DEVELOPMENT
A permanant exhibition space for exhibiting notable
LEVEL- 4, TERM - 2 functions. We proposed for a culture shed –‘Krishti personals of Sylhet. Their biography, achievements
GROUP PROJECT Chaya’ and info will be exhibited. Another rentable
temporary exhibition space available
MEMBERS: ASIF EMRAN KHAN & SHOVON SHAHRIAR Sylhet has numerous rich, old heritage involvements Craft chaya
Krishti Shops:
ROLE: LITERATURE STUDY, PLANNING, FUNCTION that is needed to be preserved and publicized. The A massiveof shade
A range Craft shops
that that
will will display local
eventually crafts
becomea
ASSIGNING, DESIGN DEVELOPMENT, DETAILING, and products, sarees etc. organizations
local men power can be
different traditional practices and goods have no landmark. Different cultural
PRESENTATION utilized in thishere
way at diferent times. It’s a common
will perform
common place to demonstrate or sharing. Many are Nursery
place for: performing and sharing.
The site given was
endangered, duetheto
south bank
lack ofof nourishment.
the river Surma,A ‘Chitro
A healthyMela’:
and resourceful flower Nursery. This will add
in Sylhet. It was a beautiful
open painting vibefairbeside thehere.
will occur river. It will help to make
‘necessity’ for on thedwellers
town outskirts of
forthe main town with
experiencing and
rich
Restaurant:
the place an abode of green.
celebrating cultural differences. The culture Sheltera–
activity and vibrancy. We were to propose A‘Mud
seasonal Shop’ and
restaurant thatRecycle
will have the Shops
local varieties
major
namely function for the mainly
‘Krishti Chaya’ riverfront
is adevelopment and
vast open space Boat
of housecuisines
seasonal The river
and ‘Surma’ can be
also bangla and used as food.
other tourist
develop the project done
for performances along by with different
other necessary
cultural Exhibition
water attraction center:
with traditional boats for tourists. It is
Aalso a way toexhibition
permanant revive the traditional
space boats and
for exhibiting carry
notable
functions. We
organizations proposed for a culture shed –‘Krishti on the tradition.
personals of Sylhet. Their biography, achievements
Chaya’ and info will be exhibited. Another rentable
temporary exhibition space available
Sylhet has numerous rich, old heritage involvements Craft Shops
that is needed to be preserved and publicized. The A range of Craft shops that will display local crafts
and products, sarees etc. local men power can be
different traditional practices and goods have no
utilized in this way
common place to demonstrate or sharing. Many are Nursery :
endangered, due to lack of nourishment. A A healthy and resourceful flower Nursery. This will add
a beautiful vibe beside the river. It will help to make
‘necessity’ for town dwellers for experiencing and the place an abode of green.
celebrating cultural differences. The culture Shelter – ‘Mud Shop’ and Recycle Shops
namely ‘Krishti Chaya’ mainly is a vast open space Boat house The river ‘Surma’ can be used as tourist
water attraction with traditional boats for tourists. It is
for performances done by different cultural also a way to revive the traditional boats and carry
organizations on the tradition.
 WALK WAY AUDIENCE CONSERVED RENOVATED VENDOR
SITTING SHRINE MOSQUE SELLERS
CRAFTS TREE PARK CRAFT SHOP PERFORMANCE RESTAURANT CONSERVED LIBRARY PLANT
MUSEUM STAGE TEMPLE NURSERY

KRISHTI CHAYA GHAT

CULTURE SHED
CONSERVED
TEMPLE
RESTAURANT
LIBRARY

CONSERVED
AUDIENCE SHRINE
COMMUNITY
CRAFTS SHOPS MOSQUE

HAWKERS
SOFT PAVE
MUSEUM

COMMUNITY
RESTAURANT LIBRARY
MOSQUE
MONUMENT
MONUMENT FOR
FOR THE UNKNOWN
UNKNOWN
MARTYRS,
MARTYRS, SYLHET.
SYLHET
Year-2, Semester-2
We were to design a monument for 38 martyrs
of Tarapur tea estate, Sylhet who were brutally
killed by the Pakistani army in 1971. The site was
selected near the place where the genocide
took place. A black cube was used, floating on
hidden strings and posts. the surrounding of the
site was green tea garden. The floating cube
was a visual disturbance in the serene green. It
was concoction, an addition, an obstruction. A
mark of that heinous crime. I wanted to make a
route to the spot. So I used tunneled way to the
monument, creating dramatic light ways inside
the tunnel.
Not until the very end of tunnel, can the visitors
see the monument again, and when they do, it
appears massive with an intimidating scale. The
visitors then return through the roof of the tunnel
with a sense of freedom.