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Foley has written extensively on Indigenous political movements and in 1994 created the Koori
History Website, an intensive history archive and education resource. We acknowledge and pay our
respects to all Aboriginal and Torres Strait Islander peoples and their Elders, past and present, as the
custodians of the world’s oldest continuous living culture. Louana Sainsbury ACMI Curator About
this resource In this resource for secondary students, you will discover significant works and
installations relating to First Peoples' storytelling in The Story of the Moving Image. We set up the
first free health clinics for anybody in Australia. When Whitlam broke that promise that was the last
time that I ever believed politicians when they opened their mouths. And it also drew the support of
soon-to-be prime minister Gough Whitlam. And so the boys had accidentally discovered a loophole
in Canberra law which became legend. Keep learning by exploring our online story: Blak Women on
Screen: 7. Gary Foley, activist, academic, writer and actor The Moving Minds section of The Story of
the Moving Image explores the power of the moving image to shape and communicate ideas. We
introduced the idea of free legal aid into the Australian political scene. In the United States that led
to lots of shootouts between Black Panthers and police which largely wiped out the party. Explain
her intention in your own words. 2. How does Yanmeeyarr connect the long tradition of First
Nations storytelling in Australia with the story of the moving image? 3.Find out more about Vicki
Couzens, her work as an artist and her role as a cultural leader. This year the recent NAIDOC
celebrations had as its theme, 40th Anniversary of the Aboriginal Embassy. For instance, a good
approach is to allocate different focus areas to small groups and ask students to share their learning
with others in the class back at school. The documentary Ningla A-na shows just how many cops
were there on that day. Dr Foley left no doubt that Aboriginal political activists have fought to have
Aboriginal issues placed at the heart of the national agenda over many decades. In 2012 he
completed at PhD in History at the University of Melbourne. After being attacked by the police in
Redfern, he read the autobiography of African-American activist Malcom X and developed into an
Indigenous rights activist. Ryan Griffen, writer, director, producer The Story of the Moving Image
exhibition emphasises and acknowledges the powerful contribution made to Australian screen culture
by First Peoples seizing the opportunity to tell their stories through the mediums of film and
television. These cookies track visitors across websites and collect information to provide customized
ads. Those who attended such functions must have perceived the air of insincerity and discomfort
among the general white staff whose attendance. The farewell As you leave The Story of the Moving
Image, you see that the dancers have come down from the ceiling to connect with visitors walking
past on their way out. He decided that given the local and international publicity about Aboriginal
Land Rights, he would make a Prime Ministerial statement. These had only closed down a couple of
years before when the NSW government closed down its apartheid system. He is currently a
Professor of History at Victoria University. What interested us about them was not so much their
radical rhetoric, or their guns, but more the social and community programs they were developing:
food cooperatives; breakfast for children programs; free health clinics; and legal aid. Why is it so
important for First Peoples to be able to tell and hear their own stories? 3. Among his many
achievements, Onus was a trailblazer in his recognition of the possibilities that film and media held
for First People's self-representation. If you move or sway as you look up through the gigantic
textured lens, the dancing figures appear to ripple and move. Senior Curator for Southeastern
Australia at Museum Victoria from 2001 to 2005, he completed at PhD in History at the University
of Melbourne in 2012 and is a professor at Victoria University.
Wasn’t that a good thing, I interject, before remembering that these days Foley is a Professor of
History at Victoria University. And people were coming to the Aboriginal Medical Service rather
than going to the local white hospital where they got treated like shit,, which is part of the reason
why the medical service was set up in the first place. He also co-wrote and acted in the first
indigenous Australian stage production, Basically Black. What has been consistent is a position of
advocacy that continually argued for Aboriginal and Torres Strait Islander people to have the central
role in the telling of the stories about themselves and for the funding of a vibrant Indigenous arts
sector. When you arrived in Sydney from the bush you got a bashing by the police within a couple of
weeks. In The Story of the Moving Image, First Peoples: Our stories, our way recognises trailblazers
who led the way in using the moving image to connect First Peoples with culture, language, history
and each other. We also use third-party cookies that help us analyze and understand how you use this
website. And figure out their own tactics and strategies from there. Read Shelley Ware's 2016 blog
on her connection to the Koonibba Football Club and the role that the Club plays in her family's
community: 3. He also participated in street theatre and appeared as a guest singer with The Clash on
their Australian tour in 1982. In the United States that led to lots of shootouts between Black
Panthers and police which largely wiped out the party. And so the boys had accidentally discovered
a loophole in Canberra law which became legend. And then the big one was the Aboriginal Embassy
which only came into being sort of accidentally. Why do you think Baker chose to communicate
through the silhouette. Their march for rights also made known their original inheritance of the
Australian Land and their refusal to continue to be beggars in their own country. The Yorta Yorta got
done over by the Native Title Act, which had been created by Hawke and Keating.”. Foley has
written extensively on Indigenous political movements and in 1994 created the Koori History
Website, an intensive history archive and education resource. First and foremost, we were part of a
bigger thing. I came to the University almost at the age of 50, so it’s a little bit of a concern to get a
Lifetime Achievement Award at this age because sort of implies that I’m getting towards the end of
my life. This work is continued today by the Koorie Heritage Trust. He almost succeeded in
repatriating them, by placing an emergency declaration (almost like a caveat) the minute the artefacts
touched down on Australian soil. What sort of developments do you advocate take place. We set up
the first free shopfront Legal Aid Centres. That Royal Commission said explicitly that the primary
reason why so many Aboriginal people are imprisoned today was because of the deeply embedded,
deeply entrenched racism that pervades the criminal justice system from the High Court to the local
copper. Newfong had worked for The Age, The Australian, The Bulletin and the ABC. The constant
police harassment brought us together. The police believed the jerseys were stolen but were
ultimately wrong when they were informed that they were supplied by former Wallabies player Jim
Boyce. Late in life Foley completed his BA and then gained first class honours in history in 2002.
Requests for a reproduction of a work of art can be made through a Reproduction request. In 1972,
McMahon declared he would never grant Aboriginal Land rights.
I was one of the markers and it was one of the best I’ve read. Gary is now Professor at the Moondani
Balluk Indigenous Academic Unit at Victoria University. Keep learning by exploring our online
story: Blak Women on Screen: 7. And as a result, the major Aboriginal land rights demonstrations
that had been occurring through 1970, as part of the Black Power movement’s broader national
strategy, suddenly they increased in numbers dramatically. However within less than 12 months he
had reneged on that promise and that led to the Aboriginal Embassy returning to the lawns of
parliament house which is where it’s been ever since. The Black Power movement carried out a series
of actions against the presence of the apartheid regime footballers. Students can engage with
Discover and explore prompts before coming to ACMI -- these prompts are also relevant as a
follow-up to the visit. That led us to looking at the tactics of the Black Panther Party. Through the
documentary film Forgotten People (1967) and the TV series Alcheringa (1962), Onus demonstrated
his ongoing commitment to self-representation through screen culture. It is the story of two men on a
trip on the backroads of NSW in a stolen car. Their involvement in films, documentaries and later,
during the 1980s, television gave activists the chance to champion the rights of First Peoples while
also increasing representation in Australian screen culture. The storytellers in this section have very
different approaches but what similarities do they share? 7. It was Newfong’s skill that enabled us to
very quickly attract worldwide attention. Vicki Couzens, artist Vicki Couzens is a Keerray
Woorroong Gunditjmara artist and her artwork welcomes visitors as they enter The Story of the
Moving Image and then farewells them as they leave the gallery at the end of their visit. Centrally
involved also in major political activism such as the Springbok Tour protests (1971), the Tent
Embassy in Canberra (1972), and the Bicentennial Celebrations (1988), he has produced work that
has been the subject of an SBS TV documentary, a one-man theatre show and numerous journal and
newspaper articles. I mean, the whole exercise is ill-conceived and it’s essentially one of the reasons
why most Aboriginal people know nothing about it like the rest of Australia knows nothing about
what the specific proposition is because it’s largely the creation of a bunch of elite Aboriginal
people,” declares Foley. Because it not only brought an end to the assimilation policy and
assimilation era, it also made the whole world aware of the struggle for justice in Australia. In this
section, Professor Gary Foley has included images and objects highlighting Indigenous activism’s
moment of prominence in mainstream screen and pop culture of the 1980s. Use Flickriver Badge
Creator to create a badge linking to your photos, your group or any other Flickriver view. And for
many of these too there was the problem of finding an old Embassy. He says a return to a national
movement in pursuit of self-determination and a treaty is what’s required, not referendums to amend
the constitution. Photographer Juno Gemes has spent much of her career documenting the lives and
struggles of Aboriginal people. They will find that hate, but they will also find our voices, our
collective voices. Can you walk us through some of these monumental moments. For the new
managerial elite in some of these organisations, the NAIDOC theme must have represented an
affront to their neo-liberal or conservative corporate values. For. Flickriver widget for iGoogle or
Netvibes can display almost any Flickriver view - most interesting today, by user, by group, by tag
etc. We saw self-determination as the ultimate objective. The times leading up into the 1972
Aboriginal Embassy were dramatic and exciting. Governments didn’t back off that because they
thought it was the right thing to do. Filmmaker Dylan River is a Kaytetye man from the Northern
Territory whose film A Good Eye for Story reflects on his practice as a filmmaker and a storyteller
and on his place in a long tradition of storytelling through the moving image.
By clicking “Accept All”, you consent to the use of ALL the cookies. Essie Coffey, filmmaker and
activist Once First Peoples found opportunities to get behind the camera and work together to tell
their own stories, they could present experience and culture from their own perspective and in their
own way. Back in the 70s, we all knew which mob we came from and all that but we also identified
as something bigger, a national network, and that was what gave us the power. Requests for a
reproduction of a work of art or other content can be made through a Reproduction request. And an
overall more effective and efficient service with a much more caring way of operating. Quote: 'Let's
hope Bob Hawke and his Government gets this message loud and clear from all these people here
today. How do these props add to your understanding of the work. And in December 1972,
McMahon was voted out of office. In 1974 he was part of an Aboriginal delegation that toured
China and in 1978 he took films about Black Australia to the Cannes Film festival. The world of our
generation was different to the world of those who had fought for the referendum. And for many of
these too there was the problem of finding an old Embassy. We were disillusioned by the failure of
the famous 1967 Referendum to bring about the positive changes the older generation had promised
us. This outraged the South Africans and made the front page of the papers. We think this is the
perfect way to frame an exhibition about the moving image. What do you need if you're going to try
and strive towards economic independence. And then the big one was the Aboriginal Embassy which
only came into being sort of accidentally. The film Julie Gough presents in The Story of the Moving
Image is part of an ongoing investigation of the impact of colonisation in Tasmania. I tell them the
tactics and strategies of my generation are now either out of out of date, or defunct. Trials of a 'rebel
hero' Read more Those who only know Foley as the “angry activist” will be surprised to find he has
been the recipient of the prestigious Red Ochre Award for “outstanding contributions to the
recognition of Aboriginal and Torres Strait Islander arts, both nationally and internationally”. Some
embedded content has been omitted: Gary Foley -Aboriginal activist 1982 by goori2. So this day has
got a strong, strong thing in my memory. We got people thinking: we are Aboriginal first and we’re
Gumbaynggirr second or Wurundjeri second. We pay our respect to Aboriginal and Torres Strait
Islander cultures and to Elders both past and present. Not long after, he read the biography of
African-American activist Malcolm X and developed into an Indigenous rights activist. Why do you
consider this new knowledge important? 5. Through the documentary film Forgotten People (1967)
and the TV series Alcheringa (1962), Onus demonstrated his ongoing commitment to self-
representation through screen culture. The irony of this is that the vast majority of mainstream
Aboriginal Australia knows virtually nothing about the 1972 Embassy action. How did their
approach differ from the older generation. And there was the American Indian movement, which
was the radical wing of the Native American movement of the time. He plays an integral role in this
country’s history: both as a history professor and as a part of the Australian Black Power Movement.
Filmed in Indigenous languages, these videos included local content such as football matches,
community events, ceremonies, lore and culture. Read about 10 trailblazing Indigenous TV series
and films. It is inspired by a short series made by Warlpiri Media. The majority of home movies from
this period were made by wealthy white families, but Yorta Yorta leader and activist Bill Onus was
quick to take up this technology, pioneering the Indigenous use of 8mm home movies to document
his life and the Aboriginal communities of Victoria and beyond. I ask if it were held this weekend,
what would he recommend. He also participated in street theatre and appeared as a guest singer with
The Clash on their Australian tour in 1982. Although some may think it as being a recent
conversation, this day has been a date of protest throughout history. 38’s Day of Mourning, 72’s Tent
Embassy, 88’s bicentennial opposition by First Nations Peoples. He laughs at himself and reflects
he’s toned down a lot since then. Late in life Foley completed his BA and then gained first class
honours in history in 2002. What is the message that it is sharing with its young audience? 3. Do you
see anything like this happening today and what can young people learn from these protests and
community organising. Bill Onus A Yorta Yorta man, Bill Onus was a filmmaker, activist, artist,
theatre producer and entrepreneur. Can you walk us through some of these monumental moments.
He almost succeeded in repatriating them, by placing an emergency declaration (almost like a
caveat) the minute the artefacts touched down on Australian soil. From 2001- 2005 Gary was the
Senior Curator for South Eastern Australia at Museum Victoria. In 1988, he organised Aboriginal
protests against the Australian Bicentenary in 1988 before becoming a consultant to the Royal
Commission into Aboriginal Deaths in Custody. A young group called WAR, Warriors Of Aboriginal
Resistance in Melbourne, even during COVID-19 last year, pulled 100,000 people into the streets on
Invasion Day. Foley played an active role in organising protests against the Springboks in 1971 as a
result of the Apartheid policies in South Africa. I can see standing up here in this truck the success of
what has been organised for today. The moment, captured in the documentary Ningla A Na, shows
Foley as young, brash and charismatic. On Australia Day, 1988 Gary was a significant leader among
40,000 Aborigines from all over Australia who staged the largest march in Sydney since the Vietnam
moratorium. Why is it so important for First Peoples to be able to tell and hear their own stories? 3.
Foley completed his doctorate at the University of Melbourne in 2013, where until 2008 he was also
a lecturer and tutor before resigning in protest at the university's apparent lack of commitment to
Indigenous education. They had been set up in the 1930s to counter the razor gangs in Darlinghurst.
Then there were the conservative Aboriginal organisations that are these days often controlled and
administered by a class of people who are the very antithesis of the old 1972 Aboriginal activists.
There seems much in this account of his interactions with Noyce that is a representation of Foley’s
relationship with broader Australia. You had a corrupt police force, who, for reasons known only to
themselves, chose to send in the 21 Division, who again were notoriously corrupt. Their march for
rights also made known their original inheritance of the Australian Land and their refusal to continue
to be beggars in their own country. We’re 50 years down the track from the 67 referendum and we’re
walking through the same mistakes again.”. For further information please contact NPG Copyright.