Unfinished First Draft Script For "THE LONG WAY OUT OF VEGAS"

THE LONG WAY OUT OF VEGAS
Written By
Nicholas Torres
TABLE OF CONTENTS
Part 1: "AN EX-COP, AN EX-ASSASSIN AND AN EX WALK INTO A CASINO..."
2.
FADE IN:
A CITY (VEGAS) FULL OF LIGHTS, signs on buildings flashing,
but we're so far away they appear merely as blurs. It's
mostly silent up here, but sounds of cars roaring can be
heard occasionally, (Altrough faintly)
A SUPER APPEARS (And like it used to do in some old films, as
it appears the picture "glitches" for an instant)
PART ONE
"An Ex-Cop, An Ex-Assassin and an
ex walk into a casino.."
CUT TO:
EXT. A CAR - NIGHT

We're on the white roof of a car, following it as it passes
through the streets of Vegas.
INT. A CAR - CONTINUOUS

A shot of someones' black glasses, the glasses are reflecting
the road Infront and the massive buildings lighting up the
entire place
INT. A SIDEWALK - CONTINUOUS
As the car passes through, a high man is slowly stumping

through the sidewalk, his eyes popping out, wearing just his
torn tunk top, a pair of beach shorts and a small hat on his
head, a group of teenagers laugh at the man, the high man
doesn't care and just continues slowly going through the
streets,we hold on the man for a few seconds before BAM, a
fist hits his head, it's one of the children from the group,
about 14, with a face covered in a mask, he runs away while
the group follows, the man, who's hat fell off with the hit,
slowly stands up, picks his hat up and continues walking like
nothing happened
INT. A CAR - CONTINUOUS

A wider shot of the man, we see his face, and a cig in his
mouth, the Car Radios' playing some old school song, the man
changes the radio a few times before he stops at one, a
radio broadcast with a strange conversation...
2.
THE RADIO BROADCASTER (V.O.)

....And the Man, holding his penis
while the rest of his pants are
already covered in blood-
FEMALE RADIO BROADCASTER (V.O.)
He still holding onto it?
THE RADIO BROADCASTER (V.O.)
He was found passed out with the
dick in his hand, I think he held
on it long enough.
The Guy in the car scoffs, with a hint of "what the fuck" on
his face
THE MAN
Whatever you say
THE FEMALE BROADCASTER (V.O.)
He survived, poor guy lost his car
though, the doctors decided to let
him keep the dick in his hand, but
the demage has been done already,
the dick can't appear magically now
THE MAN (O.S.)
Should've brought me there I can
spawn dicks on people out of
fuckin' nowhere
EXT. A CASINO - LATER

The Car passes a huge casino, we slowly zoom on the entrance,
In front of the entrance are 2 guards, both in red and white,
guard #1 is black and guard #2 is white, the black one's
talking about something.
GUARD #1
And I shit you not, he tells me he
wants to buy the entire place
GUARD #2
Should've let him,on the condition
that they atleast give away some
fuckin' coats, holy shit I'm dying
in this shitty weather
GUARD #1
Oh comman, man, how about you try
and take it like you're a man like,
like you're a cool guy you know?
(MORE)
3.
GUARD #1 (CONT'D)
Like the extreme cold don't mean no
shit to you?
GUARD #2
Fuck you and your motivational
skills man I ain't gonna try and
kill my self over presentation,
I've been hella susceptible to the
cold since the day I was born.
GUARD #1
Just fuckin' hang on man, maybe
they'll give you a raise too, the
chances of that ain't huge but they
ain't zero too
GUARD #2
I just want a fuckin coat, man.
INT. A CASINO - MOMENTS LATER

The Casino, full of people dressed in suits, and women either
dressed in suits or dresses, it's a pretty busy place and
it's hard to make out what everyone is doing, what we do see
clearly is the man from before, now we can fully see how he
truly looks, with his shades in his breast pocket, the man is
about 30, has a pale white skin, black hair and is wearing a
cheap "business suit" he's DANNY MARTIN, he is just passing
through the crowd when he accidentally runs into some guy,
the guy drops down overdramatically
DANNY
I'm so sorry-
The man is just on the ground, having what seems to be a
spasm, Danny reaches his hand out to maybe help him but
hesitates due to the wierd behavior, the "wierd behavior"
abruptly stops and the man switches to a stone cold face,
it's no scary sight as he's just a little wimpy guy, about
30, with a blonde hair and a leather jacket, he's got a
mustache, the man is LARRY ADAMS.
LARRY
(Mad face )
You fuckin' asshole
(Happy face)
It's alright!
Danny gets a little thrown off by the sudden change of
emotions, but after getting assured by the calmer face he
reaches out his hand, Larry Stares at the hand
4.
LARRY (CONT'D)
You think I need the fuckin' hand
to stand up?
Larry immediately stands up and dusts off his jacket
LARRY (CONT'D)
Now (gets closer to Danny) are you
gonna make up for being a clumsy
uncoordinated mess of a human
being, or are you gonna countiniue
being a clumsy uncoordinated mess
of a human being?
Danny's gets little confused and mad, he lightly pushes Larry
away but he stands still, not even moving an inch.
DANNY
Look I said I'm sorry no n-
LARRY
(Interrupting )
Excuses, excuses, excuses, stupid
fuckin' excuses, bullshit,
bullshit, bullshit
(A beat)
Oh you've finally shut up?
DANNY
Listen here you-
LARRY
Listen? Anything you're saying
worth listenin' to?
DANNY
You're one word away from getting
your shit rocked-
LARRY
Or maybe, just maybe, and I know
this is out of your realm of
possibility but I'll try it
anyways, you could give me a very
normal and formal apology for
bumpin' me over like that
Danny loses it and punches Larry who only slightly budges,
Danny slowly retracts his fist, looks at it and back to Larry
in shock, Larry slowly moves his head, stares deep in Danny's
widened eyes for a second, than moves his head away and spits
out blood
5.
LARRY (CONT'D)
I went too far buddy I'm sorry, it
happens from time to time I just
gotta stop mixing vodka and whiskey
and drinkin' it without knowing
when to stop
Larry lets out a small laugh, Danny snaps out of his shocked
aura, pulls out a napkin out of his left pocket and offers it
to Larry, Larry immediately snatches it from his hand and
wipes his mouth
LARRY (CONT'D)
You can punch pretty well you know
that?
DANNY
Yeah I've been training for quite
some time now.
LARRY
Oooo, you're a bodybuilder eh?
DANNY
No, definitely not a body builder,
it's that usin' a gun for self
defense has become a tad old
fashioned now.
LARRY
You're a bright one, you, guns for
self defense is a pussy out, I
mean, I've seen fuckin' kids waving
that shit around, bunch o' little
pricks tried Robbin' my friend with
guns one time, the world's been
gettin' too fired up, I mean, kids?
Woah, they deserve to get fuckin'
shot for that shit.
Larry has a huge smile on his face, Danny remains silent for
a second.
DANNY
(Acting enthusiastically)
You hit the nail right on the head,
man! That's exactly how it is..
LARRY
O stop it with the compliments, you
know I just say the bare minimum,
nothin' to waste your time
listening to.
6.
DANNY
Yeah sure, whatever you preach.
LARRY
(At a fast pace)
You know people like me we're
looked down on no matter what we
talk what they hear it's always
"well actually you're still wrong"
but me bein' wrong, no, that's a
big fuckin' reach I'm only wrong if
I don't want to be right but really
is it good? Is it worth talking if
all I'm talking is basically the
bare minimum of human decency that
a whole lotta people can't bear to
have, and a whole lotta people
would be better off if they knew
how perspectives worked and how the
world doesn't revolve around em'.
Danny once again remains silent, attempting to take in

whatever the hell he just heard
DANNY
Y- you hit the nail right on the
head! A- again! Good job...yeah
you... You sure showed me
LARRY
Look, I know I may be going a
little overboard, but mind buying
me a drink?
DANNY
I'm short on money
LARRY
(Laughing)
No the fuck you ain't
DANNY
Comman now, You don't know
horseshit about my financial
situation
LARRY
I can just feel the richness
radiating from your body, stop
fuckin' lying to me!
7.
DANNY
I ain't fuckin' lying and I don't
need to prove it to you.
LARRY
Oh you don't need to prove
anything, matter of fact
(Pulls out Danny's wallet)
Already did it for you!
Danny immediately tries to take the wallet back, but Larry
dodges his hand, and runs the hell away, Danny runs after
him, but Larry's goin' real fuckin' fast, he goes out of the
view in 5 seconds.
INT. A BATHROOM - CONTINUOUS

There's some guy in a blue suit, about 25, Washing his face
in the sink, after a few seconds of Washing he looks up into
the mirror.
THE GUY
(Pointing at the mirtor)
You
(Laughs)
You're a big fucking gangster man,
you're the best gangster this
forsaken casino has ever seen, no
Sebastian, no, he's your boss, but
not a professional, you are a
professional, ain't nobody can do
it like I do.
He laughs, again, and sinks his face into his hands when.....
BAM
The door to the bathroom Bursts open and Larry runs in, the
guy gets scared falls and back a little letting out a loud
scream
Larry, from the speed that he was going in is unable to stop
himself, he crashes into one of the stalls.
THE GUY (CONT'D)
What the fuck
Larry, audibly Chuckling slowly gets up and approaches the
shaken guy with Danny's wallet in his hand
LARRY
Could you hide this for me
8.
THE GUY
W-w-what?
CUT TO:
INT. THE HALLS OF THE CASINO - CONTINUOUS

The confused and angered Danny is rushing through the halls
of the casino, the crowd there isn't small either, slowing
his speed down by a great margain
DANNY
(Quietly)
You motherfucker
INT. A BATHROOM - CONTINUOUS

LARRY
Did I stutter? I said Hide it for
me
The Guy stands there for a second, looking at the wallet
THE GUY
W-w-who's wallet is it
LARRY
Does it fuckin' matter?
THE GUY
IT DOES are you nuts?
Larry laughs.
LARRY
Just fuckin' take the goddamned
wallet man it's just a wallet it
don't bite.
The camera is on the guy's back,we see his hand slowly moving
to take something from his back
THE GUY
You're fucked up, get the fuck
outta here
LARRY
Sure, take the wallet first
The guy lightly lifts the back of his shirt up revealing to
us a PISTOL
9.
THE GUY
You think I'll take some random
fucker's wallet, you're mistakin'
me for a dumbass, sir
The guy slowly pulls out the pistol and quickly aims it right
at Larry's face
THE GUY (CONT'D)
Now
(PULLS THE HAMMER)
Get the fuck outta here.
Larry stands there, unfazed
LARRY
The fuck you doin' man?
THE GUY
Told you already, beat it.
LARRY
You're pointing a fuckin' gun at me
for no reason, man.
THE GUY
Hey guess what?
LARRY
What?
THE GUY
this gun, it's got 5 bullets in it,
5 bullets to shoot your ass with.
LARRY
Ey I was going to walk out
peacefully but with that foul
language of yours I don't think I
can just do that now.
THE GUY
Oh you gonna do anything that I
fuckin' ask you
LARRY
if I don't?
THE GUY
You blind? I'll-
LARRY
Oh comman, for what? For asking you
a favor?
10.
THE GUY
No, it's for being a cunt, a big
stupid cunt
LARRY
You feelin' all worked up, alright,
fuck it, if that's what you want.
THE GUY
Look, I'll count down to one and if
I don't see your ass running for
your life down the hallway I'll
turn your face into mashed
potatoes.
Larry lowers and shakes his head in Shame
LARRY
You know what big boy-
THE GUY
10, 9, 8
LARRY
Can you stop with the countdown
thing for a sec?
The Guy stops the countdown thing
LARRY (CONT'D)
I came here peacefully, asking for
you to just hide the wallet, and o-
believe me I've tried real hard
being nice with you, but you just
had to bring that gun out and make
this personal, and I don't really
like it when it gets personal,
actually, I fuckin' hate it,
especially when there's another
fuckin' personal thing at play, so
for the love of god, put that
fuckin' gun down, and fight me like
a man.
THE GUY
Fuck you
SLAM TO BLACK.
We hear two people arguing over the darkness
THE FIRST GUY
So I accidentally bumped into him
and-
11.
THE SECOND GUY

And he got mad?
THE FIRST GUY
Real mad
FADE TO:
INT. THE SECURITY ROOM OF THE CASINO

We see Danny sitting in the security room by the table of the
head of security, he's there, and so is an officer, Danny
was the first guy and the officer was the second one, the
officer, who's somewhere around 41 is writing something down
on his notepad
THE SECURITY OFFICER
And then he stole your wallet?
DANNY
I mean, there's some fluff between
that and us meeting but if you cut
it down, sure
You didn't notice him doing that?
DANNY
I wasn't really paying attention-
Walking down the Vegas casino crowd
not being afraid of getting mugged,
you must either be too confident,
too poor or too stupid.
THE HEAD OF SECURITY
Tell me what you were thinking
Mister?
DANNY
Sorry sir this is my first time
here, I didn't really see any
warnings about this-
There's something that you need to
know, Mister, boss doesn't like
when bad things like this happen
and then the news gets out, he
really likes the reputation of this
place to remain squicky clean, so-
12.
DANNY
Don't worry I won't tell anyone
about this, if you find that freaky
fucker and My wallet that is
Don't worry too much Mister the
fucker's gonna be located and
beaten to all hell, nobody around
here likes thieves especially us.
DANNY
You gonna start lookin' or you're
just gonna be barkin'?
......looking, of course
The security officer looks at the head of security who just
shrugs
SECURITY OFFICER
Uhh, I'll go get Sam and Colby
The security officer opens the door to walk out when
SURPRISE
Larry's standing right there, with his signature stupid
smile.
The security officer falls back in shock
Jesus Christ
LARRY
Oh no, you must be mistakin' me for
someone else
Danny stands up and points at him
DANNY
You fuc-
LARRY
Ey don't be pointing at me.
Danny walks to Larry, who just stands there looking at him
with his smile
DANNY
Oh you smilin'? Showing off you
teeth eh?
13.
Larry nods In agreement

DANNY (CONT'D)
It's unfortunate I'll take the only
thing you got worth looking at away
from you
Danny headbutts Larry so hard that he can't help but fall
back a little, but the headbutt isn't enough, he lands a
punch on him, which sends him to the floor, Danny gets on him
and starts landing punch after punch, the security officer
tries to restraint him but he still manages to land another
punch
EXT. THE CASINO - NIGHT

The two guards that we saw from before, now sitting down, the
black one is about 30, has a bruise on his cheek and a huge
hat on his head covering his bald head, he's MARK, the white
one's 28, with huge black marks around his eyes, he's GARY,
Gary's smoking a cig wile mark's just staring out into the
night sky
GARY
My girlfriend called
MARK
The bitch?
GARY
Yeah, the bitch, Le biggest bitch
that ever walked the earth
MARK
What'd the "Le bitch want"
GARY
Well...
MARK
The fucker prolly told you to "stay
there and don't come home" didn't
she?
Gary scoffs
GARY
The opposite actually
MARK
Really? Finally? Good for you
14.
GARY
Took me about two days of this
abomination of a work
MARK
We gotta celebrate
GARY
Only if you pay
MARK
No other solution?
GARY
Don't think so
MARK
....I mean it's no celebrating
matter now that I think about it.
GARY
Cheapass sunova bitch
MARK
Who you callin' a cheapass?
Gary looks around, and after a few seconds of looking points
at someone
GARY
That homeless fuck, of course I
meant you
MARK
Me? A Cheapass? When you got no
money to spend it's only natural
you don't spend money
GARY
Even if you had 500 dollars in your
pocket right now you wouldn't even
buy me a Snickers while I, like the
gentleman I am got you this job
MARK
And I'm supposed to be grateful?
GARY
Uh I dunno, without this job you'd
be starvin' and dyin' so I guess
yes, you should be
15.
MARK
I'd not be starving neither dying,
what I would be is warm, livin' in
my parents home
Gary starts laughing, laughing so hard that he almost falls
back, Mark's a little confused on why he's laughing that hard
MARK (CONT'D)
You alright?
GARY
With your parents eh?
MARK
Yeah my parents, what's wrong with
that?
GARY
Oh comman you live with your
fuckin' parents still? I ain't even
gonna laugh it at no more, it's
more of a worrying matter.
MARK
Yeah well, better live with actual
human beings than a house full of
dogs and fiesces
GARY
Huh? You disrespectin' my dogs now?
MARK
No I'm disrespectin' how you live
in a house full of shit and dogs
GARY
You say somethin' bad about me
again and you're gonna end up like
that guy that the policeman was
dragging away a second ago
MARK
Oh you got the nerve to say that?
GARY
I got plenty of nerve alright
16.
In the Middle of this conversation the camera starts to drift

off, going away and away until Gary and mark are a size of a
chip, we a person's legs step in the frame, he stops for a
second and then starts moving towards Gary and mark, he has a
stick with him that he's walking with
CUT TO:
EXTREME C.U OF THE MAN'S HAT
It's a black beret with a white strip around it
CUT TO:
EXTREME C.U OF THE MAN'S EYES
Brown, and shrunk, it seems like a dark void.
CUT TO:
EXTREME C.U OF THE MAN'S STICK
A long stick that he's loosely holding, he's beating it down
the road in a sort of a rhythm.
There's a minor explosion sound during each cut.
We break from the close up to see the man now fully in the
frame, he's 54, quite tall, has a long coat on him with a red
tie visible, his name is FRANK
Gary and Mark are still in their heated argument not noticing
the man approaching them
GARY (CONT'D)
You say anythin' more about my dogs
and it ain't nice, I'm kickin' your
ass
MARK
And you say anythin' more about me
livin' with my parents and It ain't
nice, I'm double kicking your ass!
FRANK (O.S)
You two.
Mark and Gary turn to look at FRANK, who's standing right
Infront of them
17.
EXT. A POLICE CAR - OUTSIDE OF THE HOTEL

The door to the backseat of the car is open, as soon as we
see the door someone gets thrown right in there, it's Larry,
who gets thrown in the car by the security officer that we
saw earlier, Larry looks down in and then back at someone.
It's Danny who's standing right besides the security officer
DANNY
As much as I'd like to stand here
looking at this fucker in the car i
have to go.
SECURITY OFFICER
(Closes the backseat door
)
Not stopping ya mate
Danny's about to go when...
LARRY (O.S)
Don't do this.
Danny stops and approaches the back seat window, looking
right at Larry
LARRY (CONT'D)
As much as you may not like me I
gave the wallet back, I didn't mean
to steal it.
DANNY
I don't fuckin' care
Danny walks off, much to the dismay of Larry, who looks down
in the car again, He smiles.
LARRY
Be careful who you're doubting,
Philly.
EXT. THE CASINO HALLWAY - CONTINUES

One of the casino guards is walking through the hallway to
the bathroom, whistling to himself
18.
INT. THE CASINO BATHROOM

The door to the bathroom opens and the guard walks in, but as
soon as he does he stops, both walking and whistling, there's
a trail of blood in the middle of the bathroom, the track's
leading to one of the bathroom stalls, the guard, slightly
shocked carefully moves to the stall that the trail is
leading to, there's a faint noise of whimpering.
INT. THE STALL - CONTINUOUS

The guard slowly opens the door, as soon as he gets a peek of
what's in there.
THE GUARD
(Quietly)
What the fuck
It's the guy In the blue suit from earlier, beat up, terribly
beat up, so beat up that he can't move, he's breathing, still
conscious, his face, the blue shirt, it's all covered in
blood.
CUT TO:
INT. THE CASINO - MOMENTS LATER

Danny's by the slot machine, pulling the lever, clearly not
having the best of luck as seen on his slightly sad face.
DANNY
Comman, son of a bitch, do
something, make me money.
He WHACKS the machine on the side and holds it like he's
about to give it a hug, instead he shakes it.
A LADY (O.S.)
That was a crazy encounter that you
had
The camera moves to the right revealing that there's a lady
right besides Danny, she's quite attractive, 34,about the
same length as Danny, She's JESSICA, Danny gets a little
jumpscared by her sudden appearance as he was pretty invested
in what was going on the slot machine, but he soon regains
his composure and looks back at the machine.
DANNY
Gotta be more specific than that
lady
19.
JESSICA
The one with the blonde hair.
DANNY
That fucker? Was Having a damn good
time forgetting about that shit and
you come here remindin' me?
JESSICA
(Slightly raised tone)
Look.....
(Lowered, softer tone)
I'm sorry for the disturbance.
DANNY
Too late to apologize now.
Jessica doesn't seem to want to break the conversation, she
gets closer to danny, Danny noticing this moves slightly
away, knowing what she's trynna do
JESSICA
Another sorry fixes it?
DANNY
No.
JESSICA
Double apologies?
DANNY
Doesn't matter, double, triple,
quadruple apologies.
He countiniues playing on the machine, still trying to avoid
the lady, but she just won't give up
JESSICA
Oh comman, I didn't really do
anything bad did I?
DANNY
No but, you'knoe the game can suck
you in a little too hard, and I
just can't lay my eyes of this
damned slot machine, I don't got no
time for ladies coming up to me
fangirling over that wierdo fuck,
now if you don't mind
JESSICA
Fine, fine, I'll just go but, you
gotta tell me about that guy, where
the hell is he now
20.
Danny looks back at Jessica now that she has shown interest
in where Larry is.
DANNY
You his girl or somethin'?
JESSICA
Abso-fuckin'-lutely not.
DANNY
Well, uhh, he's.....kinda arrested
right now-
JESSICA
You know which prison he went to
exactly?
DANNY
Uhh, lemme get this straight, I
just told you that the man's in
prison and you don't even ask why?
Sounds like the man's gettin'
arrested every Monday or somethin'
JESSICA
Look, are you gonna tell me or not?
Danny thinks for a slight second.
DANNY
I dunno, ask the security officer
once he gets his ass back in here
JESSICA
Which security officer?
DANNY
Just go into the head security room
and ask the fat lookin' shit about
the skinny lookin' shit, he'll
guess who you talkin' to if he
ain't fully retarded.
Jessica, now with the information in hand to get away and
start lookin' for his man, turns away, then turns back
JESSICA
Thanks, you really saved my week.
21.
She leaves, Danny looks at her to make sure that she infact
does, she goes about a feet or Two and then looks back,
noticing that Danny's staring at her she gives her a wink and
walks off, disappearing into the crowd, Danny wipes his
cheek, doesn't even attempt to think about what Just happened
and goes straight back to playing the game on the slot, going
right back to his anger, pain and loss because of his shitty
luck on the machine.
EXT. THE CASINO

RIGHT AFTER WE LAST SAW GARY AND MARK, AND FRANK SAID "YOU
TWO"
Gary And Mark are sitting down, waiting for frank to state
his business, which he doesn't.
GARY
Whaddya want oldie?
FRANK
First of all, I'm not an "oldie"
second of all, I need a smoke.
Gary and Mark look at each other and back at frank, Gary
reaches for Mark's pocket, pulls out his cigarette pack, Gary
doen't break his stare from Frank, Mark pulls out a cig, but
Frank doesn't grab it, a second passes with Mark with the cig
and his hand in the air.
FRANK (CONT'D)
What're ya lookin' at? Put it in my
fuckin' mouth!
MARK
What? take it yourself.
FRANK
You've wasted enough energy holding
that damned thing up and you're
lazy to spend some more puttin' it
in my mouth?
Mark figures he isn't wrong, stands up and puts it in his
mouth
FRANK (CONT'D)
Lighter
Mark extends his hand to Garry without even looking, Gary
puts a lighter in his hand, Mark lights up Frank's cig, he
sits right back down.
22.
MARK
(Whispering to Gary)
Who the hell is he?
Gary attempts to answer when Frank cuts him short
FRANK
A Cunt Huntin' man, but you can
call me Frank
MARK
Alright Mr... Cunt Hunter, whatcha
want? here to hunt a cunt?
FRANK
Damn right I am
MARK
Alright, seems like a... Good
occupation for an elderly fellow.
GARY
My gramps fought in Vietnam, after
the whole ordeal he was so deep
into imagining killing Vietcong
fellas he'd start screaming while
sleeping' in the middle of the
night no less.
MARK
Yeah your gramps was fucked 'n
lookin' at his lineage, his
testicles didn't seem any Betta
either.
GARY
Alright Mr. testicle inspector
sorry to bother you, I'll return
tomorrow for the appointment.
Mark scoffs.
MARK
(Frank)
O I forgot the Cunt Hunter was
here, I think I got you a fella,
get the cage.
Frank slaps Mark right as he finishes uttering the last word
of that sentence and then points at him like he's aboutta
stick that finger into his face.
23.
FRANK
Fucking man up, I didn't come here
to listen to the routine stand up
from two imbeciles.
GARY
Mister be careful, our boss loves
us like we're his children i tell
him 'bout you slappin' us 'round,
he's gonna rain down on you like-
FRANK
Shut up 'n listen, I came here to
see a cunt, to hunt of course, was
told that he would be coming here,
that was about a week ago, you two
should help me
with findin' the guy?
MARK
You slap us 'round and then ask us
to help you?
GARY
I think you mistook this place for
a whorehouse mister we're no
sadomasochists.
FRANK
Look, you fellas pose as some
protectors of piece and law, but I
know about how fucking corrupt up
the ass you all are, you're no
people of the law, but if you want
to at the very fuckin' least do a
decent act at being one, and at the
same to get rid of a termite that'd
stir up unwanted drama at the
casino, you'll help me, either that
or your boss hange you balls first
from the roof.
GARY
Believe me mate even if he's the
resurrected body of Hitler, if he's
paying that's all that matters to
the owner.
FRANK
He's not here to pay, imbecile,
he's here to fuck the club's shit
up.
24.
GARY
What he was sent by a gang or
something?
FRANK
No he's a one-man-army.
MARK
Wait there's actually a fuckin'
murderer in the casino?
GARY
Everyone there looks like a
murderer
MARK
What?
GARY
What? I mean, they're kinda rich,
rich people have definitely
murdered at least once in their
lives.
MARK
Great, there's a murderer in our
Casino and you're cracking shitty
Jokes, what a day.
GARY
Look, how can you believe some old
guy that just randomly comes to you
and says that "oh ya'know there's a
killer in the casino" the guy looks
like he's just having another PTSD
flashback.
FRANK
Better watch your mouth boy.
GARY
I ain't saying nothing not worth
saying.
MARK
For shit's sake Gary..
GARY
Don't fuckin' Gary me you know damn
well why I can't trust old people
FRANK
I'm. not. old
25.
GARY
My grandma said the same before
getting a heart attack a week after
too, admit you're old, not so well
in the head and-
Frank slaps gary, his head recoils and almost hits the ground
FRANK
(To Mark)
Want one more?
Mark stands up and faces frank face to face, he stands there
for a second, silent.
MARK
Let's just find the guy
FRANK
Yeah the hell we will
Gary gives mark a "damn you" stare, but mark ignores it
FRANK (CONT'D)
The first step of you and my master
plan will be?
MARK
Cameras.
GARY
Yeah right you two go check the
cameras.
MARK
Alright then, freeze to death
fuckeeeeer
Mark strolls away to casino, frank follows, Gary watches.
FADE OUT.
Part two:
to the camera room
FADE IN:
INT. A POLICE STATION - NIGHT

A CLOSE UP ON A PHONE LOCK SCREEN, it shows that the time's
11:13
POLICE OFFICER
Only 7 minutes left.
26.
WE SEE THE PERSON HOLDING THE PHONE, sitting on a chair with

his back to the table, he's seemingly tired, very loosely
holding the phone, he slowly drifts asleep when.....
A LOUD BANG goes off
The police officer jumps a tad bit, curious on where the
gunshot is coming from, he looks outside the window
Outside he sees a car driving away.
The door suddenly swings open.
A POLICE OFFICER falls right into the room, blood staining
his blue shirt,he has been shot in the stomach, he's the same
guard that found the beat up body before, this immediately
catches the other police officer who wakes the hell up.
Other 3 police officers come to check up on the person, who's
now unconscious, there's a poodle of blood around his body,
slowly expanding.....
The police officer slowly approaches the body as well.
One of the officers, a middle aged woman gets closer to the
body, the other officers fall into a small panic.
POLICE OFFICER #1 POLICE OFFICER #2

Call an ambulance Oh god it's
jack Carl...
THE FEMALE OFFICER
Carl....
She sees a piece of paper that's in his Jeans' pocket, she
takes it out, the paper's top half is soaked in blood, but
the woman can still read the later
WE DON'T SEE WHAT'S WRITTEN ON THE PAPER
The woman's look is one of pure terror, an upbeat music
slowly creeps in as we
CUT TO:
27.
INT. SECURITY ROOM OF THE CASINO - NIGHT

The head of security's sitting exactly where he was the last
time, by his table, but now he's got earphones on, feet on
the table, listening to some music while wobbling his head,
the door to the room slowly opens and someone takes a peek
inside, the person's JESSICA, the head of security doesn't
seem to notice at first, Jessica walks into the door, the
head of security notices her, takes his feet off the table
and his earphones off his ears
What the-
JESSICA
Sorry if I disturbed you mister but
uhh, nobody was at the door so I
thought that...I could....walk in,
if you don't mind.
The head of security's a tad thrown off.
You could've knocked
JESSICA
I did, but..you were
(Points at her ears)
(A beat)
You could've knocked harder.
Jessica sighs..
THE HEAD OF SECURITY (CONT'D)
You didn't come here to stare at me
didn't ya?
JESSICA
(A hint of disgust)
No? I came here because I'm looking
for someone
so am I
Jessica goes silent for a second, slightly confused about
what he just said
You were looking for who?
28.
JESSICA
Uhh, my...friend
He's missing?
JESSICA
No he's standing right by the door
right now if you want to speak to
him
The head of security laughs at the "joke"
You got a fun spirit, I like that.
JESSICA
I didn't really come here for a
circus act, I came here because my
friend is missing and I want to
find him.
And do you have maybe a slight idea
of where he might be?
JESSICA
Yeah I think that he was here, in
this casino, and is now in custody.
Ya'know, I got a whiskey, not a
cheap one, a very expensive
whiskey, seems like this is gonna
be a pretty long search, I'd
recommend for you to take a shot
ya'know to relive some stress and-
JESSICA
I do not give a fly-kicking fuck
about you or your whiskey, help me
find the guy and I'm outta here
The head of security's smile fades away almost
instantaneously
Alright alright....you can start by
giving me the description , and
then we can look at the camera
footage and then we both can take a
formal visit to his jail cell.
29.
JESSICA
He's.... about 5 foot 10, 30 years
of age, a beard, blonde hair, brown
eyes, he's quite fit and.... that's
about it.
The head of security remains silent for a second.
Did he maybe shave his beard, turn
it into a stupid mustache?
JESSICA
I don't know....I guess he does
change his looks frequently.
Is he like a, kleptomaniac? And
perhaps a little fucked in the
brain?
JESSICA
No...yes, he is indeed a very
messed-up-on-the-inside kinds
fellow.
I know a guy that's 5 foot 10,
about 30, has blonde hair, was
perhaps dropped one too many times
as a kid, and is now in custody
JESSICA
Really?
Yeah but he had a mustache so uhh,
guess that must've been a funny
coincidence eh?
Jessica's silent for a second, thinking about something...
JESSICA
I need to see the camera footage.
EXT. THE SECURITY ROOM - CONTINUOUS

While Jessica and the head of security are talking, we see
that someone's been listening from outside this whole time...
And that someone is Danny. Hearing that Jessica and the head
of security are about to exit the room, he jogs away and
blends in with the large crowd
30.
The head of security opens the door and holds it open for
Jessica, she walks out, takes a look around, even in the
place that Danny is "hiding" in, the head of security closes
the door.
Jessica and the head of security both walk away, with the
head of security going as far as placing a hand on her back.
INT. THE HALLWAY OF THE CASINO - COUNTINIUES

As Jessica and the head of security walk into the hallway,
Jessica stops, the head of security takes his hand off her
back.
JESSICA
You know what, mister?
What?
A PUNCH! Jessica lands a heavy jab on the head of security's
face, who falls back.
(Mummering)
You stupid...
Jessica tries to land another punch but someone catches her
hand, and that someone is Danny, Jessica, surprised and
frustrated at seeing him tries to let go of his grip, but he
pushes Jessica away instead
JESSICA
The hell do you want?
DANNY
I was about to ask you the same.
JESSICA
It's none of your damn business.
The head of security tries to get back on his foot but Danny
lands him right back onto his ass with a punch, he gets
knocked out and falls like a Ragdoll on the floor.
DANNY
You tell me what your business is
about and I'll see if it's My damn
business or not.
JESSICA
I don't need to tell you shit, get
outta here and let me do my thing.
31.
DANNY
Lemme take a wild guess, you're
lookin' for the blonde guy who's
picture I wouldn't even wipe with?
JESSICA
Yes. Are you happy now? Let me be.
DANNY
Maybe I could help you?
JESSICA
I don't need any fucking help,
Alright, I talked to you once and
that's about it
Danny looks at the knocked out head of security laying on the
floor, looking like he's having the best dream of his life
DANNY
What do you plan on doing with him?
JESSICA
(A beat)
Haven't actually thought it out,
just instinctively thought of
punching his ass on the spot.
DANNY
Fuck Ups like this happen any often
to you?
JESSICA
Fuck you, this isn't a mess up, I
woulda killed the guy if it were up
to me.
DANNY
But It was up to you, for a second
or two oh it really was.
JESSICA
Till you decided to be captain
fucking america that is.
DANNY
But why'd ya kill him? That'd just
give you unnecessary complications
over absolutely nothing? It'd be
like driving your expensive car
into a man whose cat shit on it's
roof.
32.
Jessica sighs 'n takes a few steps ahead, Danny kneels down
in front of the passes out body of the officer.
DANNY (CONT'D)
He's got that look ya know.
JESSICA
What look.
DANNY
Like a t-rex's boutta burst through
that wall, give us a good scare and
introduce himself to us by eating
him alive.
JESSICA
....Okay, yeah, sure.
DANNY
You really think he knows how to do
this? The whole work thing,
security thing?
JESSICA
No.
DANNY
Seriously, two guards at a door,
not even a proper check-through,
two fucking idiots by the door? You
seen that?
JESSICA
I wouldn't know, I came through the
back door.
DANNY
Any security there?
JESSICA
......no
DANNY
First club I've seen where they
don't frisk you for lookin' maybe
too pale so you know, you don't
turn out to be a cheating stealing
human robot.
Person on the phone Snickers

33.
PERSON ON THE PHONE (V.O.)

I knew who killed those guys, one
guy, was datin' a girl I know,
never trusted him, one day he goes
crazy, leaves her, she starts
dating another guy, a much better
one, but then the fucker comes back
beggin' her to go back to him, she
tells him "fuck you I gotta new
boyfriend" the crazy asshole warns
her that if she doesn't go back to
him he's gonna kill her new
boyfriend
DANNY
And he did it?
PERSON ON THE PHONE (V.O.)
Not yet, but the fucker's gonna try
to do it soon, the girl's goin' to
the casino to, to protect his sweet
ol' sugarheart and end the crazy
fuckers' life too
DANNY
And that crazy guy's the killer
I've been lookin' for?
PERSON ON THE PHONE (V.O)
He's a suspect, definitely, he knew
those folks.
DANNY
I don't got no reason to believe
you, what if you're trynna trick
me? I've gotten over enough of
these to not worry about another.
PERSON ON THE PHONE (V.O)
It is for you to decide if you want
to go or not, now, either get
packin' or keep watchin' them
stupid fuckin' movies
The person on the phone hangs up, camera moves closer to
Danny's face
MATCH CUT:
BACK TO PRESENT TIME TIME

The camera moves away from Danny's face
34.
DANNY
Then it was a matter of alot of
excruciating thought and I kind of
figured that the fucker that took
the cigarette out of my mouth for
no reason and threw it away like a
prick must've been a psychopath
that killed 15 people
Jessica scoffs, and shakes her head in disbelief
JESSICA
Can't escape that old shit
DANNY
He's a pretty caring grandpa I'll
give him that
JESSICA
(Stands up)
Pretty caring my ass
DANNY
(Also stands up)
It's time to go to the camera room
I suppose?
JESSICA
(Sighs)
Yeah.
INT. THE HALLS OF THE CASINO - COUNTINIUES

Mark and Frank are walking through the halls, to the camera
room
IN ANOTHER HALL
Jessica and Danny are walking to the camera room aswell
AN OVERVIEW shot reveals that both of their halls are crossed
and they both lead to one room, the camera room, the closer
they get to the camera room, the closer they get to each
other
After some walking, their paths finally intervine
As Soon as Jessica sees frank she pulls her gun out and
points it at him.
Mark pulls his gun and points it yo Jessica.
Danny pulls his gun out out and points it at Mark.
35.
FRANK
Jessica-
JESSICA
You agreed to not intervine
Everyone in the room except Frank and Jessica get quite
confused on what's going on.
FRANK
Wouldn't be the first time I lied
DANNY
Any need for the guns or should we
lower em?
FRANK
Lower them.
Danny and Mark both lower their guns, Jessica doesn't.
The room goes silent for a second.
FRANK (CONT'D)
You're gonna keep the gun to my
face aren't you?
JESSICA
Not unless you and your friend fuck
off.
MARK
Ey! How about you fuck off
FRANK
(To Mark )
Can't you just shut it for a second
DANNY
(To Frank)
How about you take that advice
yourself.
MARK
Seems like we are all at a
disagreement
JESSICA
Am I a magnet for all the jerks
that suddenly want to help me or
some shit?
36.
MARK
(To Jessica)
If this calms you down I do not
want to help you
FRANK
We all want to archive the same
goal don't we?
DANNY
You want to kill a guy, I want to
kill a guy, she definitely wants to
kill a guy
DANNY (CONT'D)
(Looks at Mark )
I don't know what the fuck that guy
wants
MARK
To help kill a guy
DANNY
Great. We're all psychopaths.
FRANK
Perhaps instead of pointless
bickering we should go on with our
mission
JESSICA
"Our" or mine?
DANNY
Sorry love but you're not the only
one's life that the guy's fucking
up.
FRANK
Exactly.
MARK
I seem to be left out of the loop
about the guy.
JESSICA
You guys can all talk to each
other, I'll just-
DANNY
(To Frank )
You didn't tell me she was this
bitchy
37.
FRANK
Well now you know.
MARK
You two know each other?
DANNY
Barely.
Jessica attempts to leave, her attempts at leaving are
faultered by Danny grabs her arm, Jessica easily escapes his
grip and lands a punch on his face, Danny falls back, Mark
lets out a gasp.
JESSICA
Try grabbing my arm now, fuckin'
asshole.
Danny, who's still on the ground touches his nose, it's
bleeding.
DANNY
Son of a-
He stands up and lands an even harder punch on Jessica.
Mark gasps even harder, Frank attempts to punch Danny, but he
dodges it, but Frank manages to kick him in his stomach,
Danny falls back a little, but manages to gain back his
footing, a fight ensues between them both.
Jessica tries to get on her feet, Mark helps her get up.
JESSICA
Thanks-
BAM! Frank throws Danny and he lands straight on Mark.
Jessica gets a little taken back, Danny gets off Mark, and
gets up, Frank approaches Danny, Mark gets up, all furious,
grabs Frank and SLAMS his face into one of the Walls, Danny
gets a little surprised, his surprise gets cut short by
Franks' punch straight to the head.
Jessica Rushes to Mark, a fight ensues in which Jessica
definitely has an upper hand, She manages to land a punch on
her eye, nose and rib, Mark only manages to kick her once in
her leg, and a small punch to her left arm.
THE GUARD
I have no god-damned clue he was
just laying there lookin' like this
38.
MARK
(To Gary )
I'm tellin' ya man this place is
crazy as shit.
A police car, that was about to ride away stops right Infront
of The Guard.
The Police car is the one in which Larry was put in a chapter
ago, presumably to be brought to prison.
The Security officer from the outside pulls down the window
(also the same Security officer that arrested Larry)
The hell is wrong with that guy?
THE GUARD
He was beaten to absolutely hell by
someone that's all I know.
Jesus. What you gonna do with him
now?
THE GUARD
I dunno, call the ambulance?
He's gonna be dead before those
sons of bitches arrive, better
option would be if I gave you a
ride to the hospital myself.
THE GUARD
I mean....sure, fine, why the hell
not
The guard, struggling, manages to slowly get the guy to the
cop car, Altrough he almost falls on his way there, he
manages to pick himself up and open the backdoor to put the
man in.
A VOICE (O.S.)
The seat's taken
The guard looks for a bit, pulls his head out of the back and
to the driver's seat
THE GUARD
Who the hell is that guy in the
back?
39.

Someone that also needs a ride,
just to a slightly more cruel place
The Guard pulls his head out, goes around the car, opens the
door and slowly puts the guy in the car, he then closes the
door, cleans his suit from some of the blood that the guy had
gotten onto him and gets in the front seat.
EXT. A ROAD - CONTINUOUS

A second of dead silence, it's midnight, the moon being the
only shining thing visible, a sound of a car is getting
closer and closer. the camera turns to the left and we see
Vegas all colorful and shining sticking out like a sore thumb
in the midst of darkness, the cop car cruizes right by the
camera.
INT. THE COP CAR - CONTINUOUS

The Guard's looking through the window, the security Guard's
fixated on the road.
You ever seen a beat up body
before?
The guard turns to the security officer
THE GUARD
What?
You just don't strike me as a type
of person that regularly deals with
this kinda shit, I figure you
must've, but you jus' don't.
THE GUARD
Don't know what you mean,I deal
with em' alot, beat up bodies, dead
bodies, Altrough the dead ones
smell like absolute horseshit
That's where we differ, you deal
with em' dead bodies after they've
already started rotting, I have to
see em' die and then I have to deal
with them before they start to rot
40.
THE GUARD
Doesn't sound pleasent.
It ain't! Altrough if I had to pick
between being a cop and dealing
with dead bodies and being a
fuckin' security officer, I
would've chosen the goddamned cop
job in a heartbeat.
THE GUARD
You were a cop?
Yeah, A damned good one too, one of
the only actually good left people
I figure.
THE GUARD
What happened to them?
The cops?
The guard nods
THE SECURITY OFFICER (CONT'D)
Well, there was a guy, from our
team goin' around Merking people
like he was the goddamned punisher,
literally every criminal he met,
found themselves being buried 6
feet under after a day or so, or
whatever's left of them, people got
the wrong idea and now every police
officer' from the team started
becomin' like him, the guy didn't
even get fired for fuck's sake, I
said fuck em' killer shits and
left.
THE GUARD
I've certainly heard of a punisher
esque murderer goin' around, heard
he died
Bull-fuckin'-shit, he's still out
there for all I know.
41.
THE GUARD
It's like this city is a magnet for
all the fucked up people to come
to.
The Security officer takes out a cigarette pack from his
pocket
You want one?
The Guard thinks about the offer for a second.
THE GUARD
No...thanks I've quit.
You did?
THE GUARD
Yeah....2 months off, my wife and
then my children got on my ass
about how smoking is bad and forced
me to quit.
They wouldn't know if you smoked
now comman.
THE GUARD
Thanks but I have to decline the
generous offer, maybe the guy in
the backseat might want one
(Scoffs)
Only thing the guy's getting is a
night in prison.
A SMALL MONTAGE STARTS

A shot of a hospital, the police car stops right by the door
EXT. THE HOSPITAL

A shot of the police car door opening to the beat up guy (and
Larry Who's next to him covered in the dark)
42.
INT. THE HOSPITAL

A shot of the security officer and the guard dragging the
beat up guy through the hall of the hospital
INT. THE OPERATING ROOM

A shot of the beat up guy being placed on the operating table
END OF MONTAGE
EXT. THE OPERATING ROOM

The guard and the security officer are both right Infront of
the door, a doctor steps out of the room.
THE DOCTOR
Sorry for the small wait-
It's only been 5
minutes no biggie
THE GUARD
Is he gonna be fine?
THE DOCTOR
He will, give it some time and
he'll be standing on his very own
two feet soon
We have to go now but we'll come
right back to question him, sound
good?
THE DOCTOR
I wasn't really praying to god that
you'd wait for him but sure.
CUT TO:
EXT. THE POLICE STATION - MOMENTS LATER

The police station from before, a car approaches the station
and parks Infront of it.
43.
INT. THE POLICE STATION

The guard and the security officer walk in with Larry in
handcuffs, Larry doesn't seem to be resisting in the
slightest.
A female officer that we also saw from earlier approaches
them, looking at the guard, slightly surprised, The guard
recognizes her too.
THE FEMALE OFFICER
(To the guard)
Carl?
THE GUARD
Hello, Cheryl.
CHERYL
You've been lost for a week
straight what
the hell happened?
CARL
Things got a tad heated at the
casino and they needed a
replacement for one of the guards
that's all.
CHERYL
(About Larry)
Who's the Lucky fella?
SECURITY GUARD
The big time Wallet stealer,
finally caught him now he's set for
prison
CHERYL
Well i got some news for you, one
good and one bad
CARL
Spill it
CHERYL
The crime rate here has been
rising, no exaggeration it's been
reaching some previously unarchived
levels, which means business is
boomin'
SECURITY GUARD
Bad news?
44.
CHERYL
The jail cells have been filling
out due to the recent boom like
it's some kinda black Friday for
criminals, bad news pal but this
fella here might need to go to the
police station down in parowan
cause We. Are. Full
Carl and the Security officer sigh, parowan police station is
pretty fuckin' far away from where they are.
CARL
Parowan it is, then.
CUT TO:
INT - THE COP CAR - MOVING - NIGHT

Carl, the security officer and Larry are all in the same
seats as they were before.
(To Larry )
You really shouldn't have stolen
that fuckin' wallet, man.
A BEAT PASSES.
LARRY
Old habits die hard they say.
I sincerely hope those old habits
of yours bite you in the ass much
harder in the future.
Larry remains silent.
THE SECURITY OFFICER (CONT'D)
(To Carl)
These people are gettin' worse and
worse by the minute
CARL
My need to take a piss is
getting worser and worser
by the second too man
stop the car
45.
EXT. IN THE MIDDLE OF THE ROAD - CONTINUOUS

The Police car stops on the road by a small forest.
INT. THE POLICE CAR - CONTINUOUS

Carl opens the door, about to get out when...
LARRY
I gotta take a piss too
Both Carl and the security officer look into the backseat at
Larry.
LARRY (CONT'D)
I didn't say anything bad did I,
just need to take a piss.
Carl looks at the security officer
CARL
Alright man you take care of his
ass while I go out to take a piss.
Carl opens the door and gets out of the car.
INT. THE FOREST - A FEW MOMENTS LATER

The Security office with a flashlight is following a cuffed
Larry closely as they're moving through the forest, a
lighting cracks and lights up the entire place for a small
second, the security officer gets a tad jumpscared by it. a
rain is about to commence.
Larry ponders around the place for a second only to stop by a

small bush. He zips his pants open, seemingly about to start
pissing, another lighting cracks, again, lights up the place,
Larry, fast as a lighting , uses this time to jump behind the
bush and run away
Ey!
He runs after Larry with his torch and a gun in the hand, but
Larry seems to have dissapeared already.
46.
EXT. A FOREST - CONTINUOUS

Carl, just Minding his own business pissing. A thunder cracks
again.
EXT. A FOREST - A FEW MOMENTS LATER

The Security officer runs to the scene, getting tired, he
adjusts his cap and stops to catch his breath, rain drops
start falling to the ground, as soon as the thunder cracks we
see a shadow to the security officer's back slowly
approaching him.
INSERT - A SMALL PUDDLE
more and more raindrop start falling faster and faster into
the puddle till the splashes are hard to tell apart, the
puddle quickly starts to fill up
BACK TO THE SECURITY OFFICER, a thunder cracks again, as the
shadow-ey figure behind him strikes.
INT. THE POLICE CAR - A FEW MOMENTS LATER

Carl's in the police car talking on the phone to his wife,
not a care in the world.
WOMAN ON THE PHONE (O.S)
You know what time it is, Carl?
CARL
No Gina I can't recognize numbers,
mind telling me?
GINA (O.S.)
It's 11 fuckin' AM, and you know
why I'm so concerned about it?
CARL
I...have a clue, yes.
GINA (O.S)
Because you were supposed to be
here, by my side watchin' a movie
by now, isn't that what you were
tellin' me you'd do?
CARL
Yes that was the plan, but I guess
there's a fucking taboo on our
relationship.
47.
GINA (O.S)
Yes there's a taboo on our
relationship, it's you, you can't
live up to any of your promises-
CARL
Now don't fuckin' lie Gina I didn't
promise you shit-
GINA (O.S.)
You did, Carl, yes you fuckin' did.
CARL
If i did I'd remember it but I
don't which means it didn't fuckin
happen, and I don't think that I
have dementia do I?
GINA (O.S)
No you don't have dementia but you
have a very severe case of Carl
I GAVE YOU A HAPPY AND HEALTHY LONG
TERM RELATIONSHIP TOO BUT I DON'T
HEAR YOU TALKING BOUT THAT.
GINA (O.S) (CONT'D)
AND YOU GAVE ME THE FUCKIN HERPES
TOO
CARL
YOU'RE TALKIN' LIKE I SHOULD REGRET
IT, WELL GUESS WHAT I WISH I GAVE
YOU STAGE 2 HERPES INSTEAD.
GINA HANGS UP
During the Convo, the same shadow-ey figure from before
slowly approaches the car, unnoticed by Carl. As Gina hangs
up he's pretty close to the car already. Carl plants his head
in his hands, exhausted from the recent phone Convo, as he
does this we lose sight of the shadow (NOTE: he doesn't
dissapear, the camera moves so that we don't see him no more)
After a few seconds of nothing, the door to the car (top
left) opens, breaking the Silence, someone sits in the car.
Altrough we can't see who it is we surely know it. Carl looks
up and so do we. The shadow-ey figure isn't shadow-ey no
more. LARRY has fully dropped the "performance" of a sorta-
out-of-his-mind-but-other-than that-nothing-dangerous-type-
fella, the eyes that stare back at Carl are quite empty and
soulless. He points a gun at Carl's head
CUT TO:
48.
EXT. THE ROAD BY THE POLICE STATION - NIGHT

The police Car hurls in the scene and stops, the camera
quickly moves away from the car and up in the air, as it
does, a gunshot is heard in the car, the camera moves back,
soon enough Carl is seen exiting the car with his hand on the
stomach, slowly dragging himself to the police station.
CUT TO:
INT. THE POLICE STATION - MOMENTS LATER

We're back to a familiar scene, when Carl enters the police
station with a stomach wound and a letter in hand, and falls
dead, as Chery begins reads the note.
Another police officer (the one who was tired looking at the
time in the opening of the 2nd chapter)
THE POLICE OFFICER
What's it say?
Cheryl hands him the note. The police officer grabs it and
reads the note, his eyes squint as he reads it.
INSERT - THE NOTE
WRITTEN ON THE NOTE IS "Prepare to get your mind blown"
BACK TO THE OFFICER, sorta kinda confused at what the it
means.
THE OFFICER
(To Cheryl)
My head does feel like it's gonna
blow I need to sleep
Cheryl remains silent, distraught. The Police officer sighs
and stretches, as soon as he turns around...
WE DO A VERY QUICK CRASH ZOOM ON HIS FACE, it's blasted open
by a gunshot. Some of the brain bits fall on Cheryl. The
Police station shocked by his death don't notice a whole load
of gunshots that immediately hit them.
LARRY seems to have entered the building quietly, with The
Security officer's outfit, he's standing by the very front
blasting everyone in his sight with his two guns. He manages
to hit 7 officers, the rest manage to duck and take cover, so
does he. In this station are many tables, he hides behind one
that's at his nearest.
49.
By the table is a dead body that he grabs a gun from, from

the remaining 16 police officers 8 of them start blasting at
the table Larry is hiding behind, as soon as they run out of
their bullets and as soon as they reload to shoot Larry peeps
out and blasts away 5 of them, ducks to the left side of the
table and spots another two police officers' dead bodies,
there are 3 officers to the right of the corpses, he slides
down face first to the corpses, quickly snatches the two guns
from the two police officers' dead bodies and blasts the 3
officers that were on their right while on the ground before
they have any time to react. 2 more officers go near him to
get a clear shot but Larry shoots their brains out before
they can shoot his, he snatches their weapons too and ducks
to cover by the table as the remaining 5 officers start
shooting them with their weapons. The guns he snatched are
low on ammos (3 in one and 4 in another), he jumps Infront of
him and to the front side of the table Infront of him on his
back, there are 3 officers behind this table and he shoots
them in their jaws by holding the gun upwards, blasting their
brains out, now he has about 2 bullets left and two targets
to shoot with, the Remaining two officers are Cheryl and one
random officer, Larry spots another dead body to snatch a gun
from, he waits a second or two before jumping to grab it, as
soon as he does Cheryl and the officer start blasting at him,
he dodges the bullets and manages to grab the gun and hide by
the side of a table. Cheryl and the officer are aiming at the
table he's hiding by, suddenly a body pops from the cover and
Cheryl & the officer unload their bullets on him, it Turns
out to be not Larry but a corpse of an officer, Larry, hiding
behind the corpse blasts at the officers, he manages to hit
the officer in the eye , and Chery in the chest, both fall,
Cheryl - dead, the second officer - heavily injured and
dying. Larry drops the body and looks at the scene of dead
bodies, quite proud of himself, he slowly walks over to the
not-so-dead police officer.
THE ALMOST DEAD OFFICER
(Mummering lightly )
W-w-why....
LARRY looks at him
He SHOOTS HIM IN THE HEAD, finishing the officer of for good.
MUSIC CUE: "A Little Bit Like Magic" by King Harvest.
A MONTAGE BEGINS
INT. THE POLICE STATION - MOMENTS LATER

A police car, driven by Larry crashes through the door and
into the building
MATCH CUT:
50.
THE SAME PLACE - ANOTHER CAR CRASHES IN, PARKS TO THE VERY
LEFT TO THE CAR THAT CRASHED IN IT BEFORE.
CUT TO:
INT. THE POLICE STATION

Larry is pouring gasoline from one of the cop cars into a Gas
can, there's one beside him already full.
CUT TO:
VARIOUS SHOTS OF HIM POURING THE GASOLINE ON THE WALLS, THE

DEAD BODIES, THE FLOOR AND THE TABLES
CUT TO:
EXT. THE POLICE STATION - CONTINUOUS

Larry's pouring some more gasoline from one of the cop cars
in his gas can.
CUT TO:
Larry comes out of the building and to the road, pouring
gasoline on his way there, he stops by a cop car that's
parked there, lights a cigarette and then drops the lighter
on the gasoline track, a trail of fire ignites and soon goes
into the building,the entire building catches on fire almost
immediately, soon enough the cop cars EXPLODE (NOTE: if it's
possible the building catches on fire as soon as "It's a
little bit like magic" part plays on the song)
He gets inside the car and drives off.
INT. THE CAR - MOVING - MOMENTS LATER

Larry's cruising by the road, smoking a cig.
EXT. THE ROAD - CONTINUOUS

Larry's car goes into the scene on the road to to Las Vegas
END MONTAGE.
FADE TO BLACK.
51.
THE SONG PLAYS OVER THE BLACK SCREEN AS WE...

FADE IN:
52.
PART FIVE: CRAZY TIMES, THE PRESENT AND THE PAST.
INT. THE CAMERA ROOM - MOMENTS LATER

DAN, JESS and FRANK, watching the screen. The screen shows
Larry exiting the police vehicle to enter the casino
FRANK
Motherfucker.
JESSICA
Alright we gotta go get him now.
Jessica attempts to leave but Danny stops him, holding her
arm.
DANNY
Whoa whoa, ease off for a moment
there we got a fly goin' straight
into a spiders' web and I ain't
gonna let you Fuck it up.
Jessica breaks off of Danny grip.
JESSICA
I ain't fuckin' anything up he's
right there I'll just go there and
and finish him off.
DANNY
Finish him off how?
JESSICA
Shoot him in the fuckin' head?
DANNY
(Scoffs)
That's not happening
FRANK
That's exactly what's happening.
DANNY
(To Frank)
No. It's not.
FRANK
Alright then what do you suppose we
do to him, than?
53.
DANNY
Shoot him anywhere else, lethal or
not that motherfucker ain't dying
so easy.
FRANK
That man has caused us enough
trouble already-
DANNY
And we won't let him cause any more
but I say we take it much slower.
JESSICA
Fuck. You. We're killin' him you
can stay here and weep bout' it,
but you ain't changin' my mind.
Danny looks at frank, then back at Jessica.
DANNY
Is this how it's gonna be?
JESSICA
It ain't your decision to make how
it is, it's mine.
Danny exhales and smiles, looking at Jessica then back at
frank, then, he suddenly pulls out a gun and shoots Jessica
straight in the gut.
The security officer jumps, so does mark, a wave of shock
hits frank leaving him vulnerable to a shot straight to the
shoulder, frank falls down but mark manages to stop Danny
from firing another shot by holding his arm upwards, Danny
doesn't attempt to fight back, only escapes his grip and
walks away. Mark looks back at frank and Jessica, both
bleeding out, and the terrified camera man sam.
INT. - VEGAS BAR - NIGHT

As before, the place is brimming with people as seamingly
always, at the bar, a person has his back turned on us, he's
sitting by a table.
The person is Larry, enjoying a good nights' drink, looking
at the people, he receives a message.
Larry takes out his phone to check the message, it's from a
person called "Jeff", the text reads "u rly did it didn't
u?", Larry texts back "abso-fucking-lutely"
54.
SOME MORE SHOTS OF THE VEGAS FELLAS HAVING FUN, there's a

wierd Elvis cosplayer, accurate to the og by being fat as
shit.
Larry takes a few more sips from the whiskey glass and thinks
some more about his recent accomplishment, oh, as glorious as
it may be, it gets interrupted quite rudely by the one and
only DANNY, who walks in the frame and in front of Danny, who
surely didn't expect him to be there.
LARRY
What fuckin' wind blew you here?
Danny sits down by the table.
DANNY
Call it destiny, or whatever. I
need a fuckin' drink.
LARRY
I ain't sharin', no fuckin' way
friend.
Moment of silence from Danny.
DANNY
You remember I said something about
being a cop?
LARRY
No you didn't say shit 'bout that.
DANNY
Well, I was, once.
LARRY
And?
DANNY
Nothin', just thought I'd tell ya.
LARRY
Well alright then
(Takes a sip from his
whiskey glass)
I didn't kill your wife did I?
DANNY
(Scoffs)
No, you weren't the one.
55.
LARRY
Alright, I stole your wallet once,
I'll apologize, is that what you
want?
DANNY
No I uhh... Didn't care about it
that much.
LARRY
Then what?
DANNY
It's not so much about what I want
for now...well, for now I mean,
it's about...you.
LARRY
Me what?
DANNY
You ain't here to do what I was
told you were here to do, right?
LARRY
What I came here to do ain't
nobody's business except me.
DANNY
Jealous ex bullshit outta the
fucking window then.
LARRY
...what?
DANNY
If you were to tell me about
your....goal, or whatever, we could
maybe find common ground, or
something.
LARRY
Fuck off.
DANNY
(Irritated )
Alright, how about I empty a clip
inside your guts right at this
moment then? How'd you feel about
that?
LARRY
Fucking try me.
56.
DANNY
No, I won't try you, I'll turn your
guts into mashed potatoes is what
I'll do.
LARRY
Fuck off.
A BEAT.
DANNY
I killed Jessica and Frank.
LARRY
What?
DANNY
Yes, they are dead, I killed them.
LARRY
You're fucking with me.
DANNY
No I'm not, in the security camera
room whatever, their corpses may
start rotting at any moment now,
you can check if you like.
LARRY
..... alright then.
He stands up.
DANNY
Wait wait.
Danny stands up as well.
DANNY (CONT'D)
I'll lead the way
INT. THE CAMERA ROOM - MOMENTS LATER

JESSICA LAYS IN A POOL OF BLOOD, mouth leaking out of her
mouth, but no sign of frank or mark or Sam.
SLOW ZOOM ON LARRY'S FACE, looking at Jessica's body, a mix
of shock and anger, but ultimately satisfaction, Danny talks
in the background, but his voice (and all noise) is to drain
out during the zoom-in.
During the zoom it is to cross cut between Larry and
Jessica's body.
57.
DANNY
Fuck, Frank, they musta dragged his
ass out, shit, I think he may make
it out, he's pretty unhappy about
what happened with Jessica too, but
at the very least you got your
proof, ain't that good nuff? You
see now? That could be you... Shit,
that will be you, eventually.
As noise drains out, a high static sound rises, when the
zoom-in reaches Larry's eyes it stops there, till the high
static noise is too hard to tolerate, then....
CUT TO:
INT. VEGAS BAR - MOMENTS LATER

SAME PLACE DANNY AND LARRY WERE BEFORE, Danny drinks from a
whiskey glass, Larry's staring down lost in his thoughts
presumably.
DANNY
I give it half an hour till Frank
hauls his ass back, revenge or
whatever.
LARRY
.....I give it 15.
Danny Seems half surprised Larry's even talking now.
DANNY
You're not so shy anymore huh?
That's progress, you'll warm up
eventually.
LARRY
Fuck ya I'm not warming up, but you
did something good for me, so I'm
not gonna loathe your guts...
DANNY
Huh, sure? But I don't wanna get
lost, you wanna make Convo, you got
a golden chance.
Larry looks up to Danny...
LARRY
Well, sure....I guess.
58.
DANNY
Ah you guess, exciting, start ahead
please, I can't wait.
After a bit of silence...
LARRY
You know the boss of this casino?
DANNY
Maybe a bit.
LARRY
Well...he basically has the entire
fuckin' city cops in his pocket...
DANNY
Yeah yeah, I know that much.
LARRY
So, somethin' had to be done about
him, so-
SMASH CUT TO BLACK:
INT. A SUNNY CALIFORNIAN CITY - MORNING

THE BLINDING SUN In the view as the SUPER APPEARS
"3 weeks before"
The camera pans down
On a sidewalk, a man's walking down, About 50, wearing a
summer t-shirt, shorts and purple sunglasses, he's PHILL.
A small, about 8 year old kid is leaning by a wall Infront of
the sidewalk, legs spread out as possibly as he can, phill
simply attempts to maneuver around the kid but he stands up
in front of him.
THE KID
Where you going to mister?
PHILL
None of your business kiddo step
away.
59.
THE KID
It ain't my fault I'm such a
curious little kid, mister, please,
feed my curious mind before it
spirals out of control.
PHILL
Where your parents at?
Another kid appears, this one wearing a hoodie. he has a
baseball bat in his hand.
THE HOODIE KID
Well ain't that a rude thing to be
askin' a small kid.
A girl, as mean looking as they come jumps down from the
wall, this one Waving around his small handgun, Phill steps
back a little.
THE GIRL
Sounds like the local pedo's
lookin' for his next prey.
THE HOODIE KID
You know, mister whatever, we know
this city inside and out, I know
you, I know your mother, I know her
mother too, all nasty people,
nastier the any of the local
negroes, but also nasty rich.
THE GIRL
How rich?
THE HOODIE KID
Pockets full of 100 dollar bills
rich.
The kid pulls out his own handgun and points it at Phil's
head.
THE KID
Mister, mind emptying out your
pockets for us? Me and the fellas
ain't rude enough to scramble in
your pockets ourselves.
Phill doesn't do Jackshit.
THE HOODIE KID
What are you a retard? Do what he
said.
60.
PHILL
I ain't giving my money to kids,
especially you kids.
The hoodie kid whacks him hard in the face with the baseball
bat, Phill falls ass first on the ground, his glasses landing
right next to him, a blood trail leaks from his nose, the
kids laugh, but not for long, a rock flies in the frame and
hits the hoodie kid in the head, he screams in pain, before
the kid and the girl can realize what the fuck just happened
a barrage of rocks are flown towards them, the three run
away, Phill looks to see who the hell just did that.
It's LARRY, wearing a summer shirt like phills', also wearing
sunglasses.
LARRY
The almighty wise guy beaten by
some kiddos, glorious sight to
observe.
He reaches his has out, Phill sighs, grabs the hand and
stands up.
PHILL
Nobody fuckin' told me kids use
guns to rob people now.
LARRY
What can ya do, they're kids,
they'll grow up and maybe they'll
wise up enough to slow down on the
talking and do more of the
shooting.
They start walking on the sidewalk.
PHILL
You ain't gonna say it I know, I'll
say it instead, how you doin'?
LARRY
Amazin', great, ten outta ten, I
mean, I've been better but I can't
complain 'bout shit now, It's all
flowing by real nice.
PHILL
Me? I'm doin' fine too thanks for
askin'
61.
LARRY
Well, I Figured a family man like
you woulda been more busy havin'
fun beating his kid around.
PHILL
I ain't beating my fuckin' kid
around, my father said if you gotta
beat some sense into a kid, and
that's the only way, might as well
not bother.
LARRY
Yeah, he was a real tough talker
for a fuckin' shoe cleaner, imagine
starin' down at the motherfucker
makin' your shoes shine talkin'
tough.
PHILL
He beat a guy to death with his
hands now, don't get him mixed up
with nobody, he was a big bull
seein' red whenever he got angry.
LARRY
Look, my father wasn't no fuckin'
marshmallow too, I mean, he did get
ran over by some old pack of bones
ridin' an RV once, and yeah, that
might've been a sad way to go out,
but his time on earth didn't go to
waste, he put his feet deep inside
every pricks' asshole who deserved
it.
PHILL
I ain't gonna argue against him
being anything but a big mountain
of a man don't worry.
LARRY
Yeah, you saw him right?
PHILL
Fuck you mean saw him, I was with
him most of your childhood , I
remember when you was a little boy,
oh, I remember it all to well-
LARRY
Alright don't fuckin' talk 'bout
that, it's unnecessary
62.
PHILL
What you think I like rememberin'
that?
LARRY
Oh I'm thinkin' you absolutely love
rememberin' that.
PHILL
God-damned right I do.
LARRY
and what 'bout you, talkin' like
you came straight out of the womb
blasting motherfuckers on your way
out.
PHILL
You're thinkin' I didn't do that?
LARRY
I don't even think you can hold a
gun straight now.
PHILL
I'm 50 Alright, I can't even hold
my cock straight while pissing.
LARRY
At age 50? That's like... still
young
PHILL
Oh fuck you.
LARRY
All's I'm saying is that you're all
bark no bite, your father could
bite real hard, he barked loud, bit
hard, for as long as I knew you
never got past the barkin' stage.
PHILL
Don't be acting like I didn't bite
that Niel guy, Infront of his wife
too, I can bite hard.
LARRY
Okay, okay, keep bitin', keep
barking whatever.
(A BEAT)
Philly, mind sparing few more
minutes sitting down by the cafe?
(MORE)
63.
LARRY (CONT'D)
I got something important to talk
about.
PHILL
Alright, alright, no problem
EXT. A CAFE - A FEW MOMENTS LATER

The two sit by a small plastic table, two glasses of beer on
the table, Philly is takin' a sip from his, Larry stares at
him.
PHILL
Alright, I know I ain't that
pretty, spill it out.
LARRY
Alright, well, first things first
I'm comin' outta retirement.
PHILL
You were retired?
LARRY
Partly, for some time, but then
again, partly.
PHILL
Alright, you comin' outta
retirement, for what?
LARRY
That's the golden question, "why
I'm coming outta retirement", I've
got a diamond answer, "the cherry
gang death got a big breakthrough"
PHILL
You're fuckin' kiddin' me.
LARRY
I ain't kidding Nobody today, i
ain't even kiddin' myself for a
change, all serious, I've got the
fuckin' answers man.
PHILLY laughs, so does Larry.
PHILL
I knew that shit wouldn't remain
closed foreva, truth prevails, or
however the bullshit saying goes,
so what's the truth?
64.
LARRY
Well, you remember Sebastian?
PHILL
Comman Larry how could you
say somethin' so
ridiculous, of course I
do.
LARRY
Well...
INT. SEBASTIAN CHERRYS' OFFICE

SEBASTIAN CHERRY, a 62 year old mob boss, white slid back
hair, worn out face, he's staring at us, unemotional.
LARRY (V.O)
The man has a daughter alright.
THE CAMERA PANS TO THE RIGHT TO REVEAL HIS DAUGHTER, a 30
year old woman who'll simply be referred to as "Sydney",
Sydney is, simply put, a drop dead gorgeous Blondie.
LARRY (CONT'D)
Typa daughter the rest of the mob
families been droolin' over, but
only one man had more or so won
over the girls' and the old mans'
heart.
A MAN ENTERS THROUGH THE DOOR, a 31 year old man (he'll be
referred to as Ricky)
LARRY (V.O) (CONT'D)
But he wasn't no ordinary man
MATCH CUT TO:
RICKY STANDING BETWEEN 9 OTHER MEN, ALL FANCY DRESSED

GANGSTERS.
He was part of one of the stingiest
assholiest group of hitmen ever
seen to mankind, specifically
working for the Camorra family, who
at that time maintained a healthy
relationship with Sebastian.
BACK TO SEBASTIANS' ROOM
65.
Sebastian shakes his hands with Ricky.

SEBASTIAN
(SMILING )
You say anythin' bad to her I'll
kill you myself.
LARRY (V.O)
Well, one night, good ol' Ricky
takes Sydney out In Sebastians' new
bought casino.
EXT. THE CASINO - NIGHT

(Same casino that most of the script has taken place in
before) Ricky steps out of a fancy Ferrari and opens the door
for Sydney, whom he holds hands with.
INT. THE CASINO

Ricky and Sydney walk to a busy poker table, Sebastian
embraces some of the poker players
LARRY (V.O)
Sounds like a good time, right?
Here's the deal though.
SEBASTIAN
I'll fuckin' destroy ya pricks
alright
FREEZE FRAME ON RICKY'S' HAPPY FACE
LARRY (V.O)
He sucked at poker.
A SHOT OF RICKY, WEARING A MOB HAT ANGRILY FIRING SOMEWHERE
WHILE SHOUTING IN ANGER.
And he had anger issues.
BACK TO THE POKER TABLE, now Ricky is sitting down, smoking a
big cig, Sydney sits next to him.
LARRY (CONT'D)
Those don't mix all that well, it
only gets worse when you're playin'
a high risk game, and you drink
like a whore.
66.
VARIOUS SHOTS OF RICKG TAKING SHOTS OF WHISKEY, on the last

shot when he slams the glass down, Sydney turns to him.
SYDNEY
I think we need to leave
RICKY
I think you need to shut the fuck
up
He turns back to the table and slams down a fat stack off 100
dollar bills on the table from his pocket
RICKY (CONT'D)
I'm goin' all out baby.
FREEZE FRAME ON THIS EXACT MOMENT
LARRY (V.O)
So when he started losing, and I'm
talking losing real bad.
A SHOT OF RICKY SLAMMING HIS FIST ON THE TABLE IN RAGE, the
camera pulls back from his fist, Ricky, havin' an angry face
wipes his mouth with his hand and switches to a happy-go-
lucky face
A SHOT OF RICKH DRINKING
A SHOT OF HIS SLAMMING FAT STACK OF TWENTY DOLLAR BILLS DOWN
ON THE TABLE
ANOTHER SHOT OF HIM DRINKING
ANOTHER SHOT OF HIM SLAMMING A FAT STACK OF TWENTY DOLLAR
BILLS DOWN ON THE TABLE
NOW A SLOW MOTION SHOT, he's real fuckin' mad
He did something bad
A SLOW MOTION SCENE, as Ricky screams out loud and rises from
his table, he pulls out a gun and starts shooting aimlessly,
people start running out of the casino in panick
To a guy like him acting out on his
rage by killin' a whole lotta
people normally wouldn't mean
horseshit, but there's exceptions,
always are.
67.
A NORMAL SPEED SHOT, RICKY calms down, heavy breathing, he

looks over to see what he's done, the entire the table once
alive is now either shot-about-to-die, or dead-dead, the
camera slowly pans to reveal a dead body of Sydney laying
there, when Ricky sees her, his face of calm turns into a
face of despeair, he falls to his knees.
He knew he fucked up, he fucked up
real bad, there's no coming back
from this, he's basically signed
his death deal right there
INT. SEBASTIANS' OFFICE - NIGHT

As Sebastians' sitting by his table one of his men is telling
him 'bout Sydney
LARRY (V.O)
You can only imagine how mad her
father got when the news reached
him.
OUTSIDE THE OFFICE

He killed a guy just for being the
harbinger of bad news.
INT. A WAREHOUSE - DAY

The cherry gang have all assembled around a big metal table
(including Sebastian), one of the gang members drops what
seems like a gazillion guns from a duffle bag onto the table.
Sebastian, cool as a cucumber looks at em'.
LARRY (V.O)
Obviously, it doesn't take a
fuckin' genius to figure out
Sebastian wanted to tear ricky's
guts out, so the cherry gang got
ready for a propable mob war, but
as it was soon revealed,
Sebastians' smarter than throwing'
motherfuckers at people expectin'
success, he got smart, smart
Sebastian is a fuckin' madman.
68.
INT. A LIVING ROOM - AFTERNOON

A dark, worn out house, lookin' like the owners' a vampire
with it's darkness, Sebastian hands someone 2 stacks of 100
dollar bills, we don't see who takes it, but we do see
Sebastian.
SEBASTIAN
You go there and you kill em all,
even if an inch of a life is left
in any of them, I'll consider the
job failed.
LARRY (O.S.)
He gave the money to a dirty cop.
EXT. THE CAFE - PRESENT TIME

LARRY
And that cop fuckin' annihilated
all of em, 10 dead bodies, I had to
check myself I couldn't fuckin'
believe it, Unfortunately I do not
know the cops' identity or
whatever, that one thing managed to
stay under the rug some-fuckin'-
how
PHILL
Mhm, so you lied bout havin'
answers?
LARRY
What? No, fuck no, I already told
you the answers, the last fuckin'
answer to the grade A test is where
that fuckin' cop is.
PHILL
(Figures it out)
Oh fuckin' lord, Vegas?
LARRY
Vegas, dear sweet Vegas, that cop
is havin' the time of his life
there, and I'll be there to crash
the party.
PHILL
Considerin' all the fuckin' cops
that reside in vegas, crashin' that
party oughta be a challenge.
69.
Larry laughs.
PHILL (CONT'D)
What?
LARRY
I ain't lookin' for the guy, I know
where the motherfucker is, no
finding needed, the fuckin' shit
nest in Vegas, out of all the cops
one of em for fuckin' sure Is the
one, I mean, imagine bein'
Sebastian, having a guy fix almost
all your problems like that, doubt
he went anywhere or was let
anywhere and for fuckin' sure if I
was Sebastian I woulda held tight
on the motherfucker for sure.
PHILL
Dunno bout you, seems like a risky
bet, you gotta fuckin' take it.
LARRY
I've already taken it, flight to
Vegas already booked.
PHILL
Sounds like a good week's comin', a
real great fuckin' week.
LARRY
For ya any week in which a group o'
kids don't bully you seems Betta
then the one in which they did.
PHILL
....you ain't lettin' that one go
eh, fuckin' lab designed robot
specifically made to fuck me in the
ass.
LARRY
They ain't created no homo robot
well made enough to get near you
don't break a sweat over it.
PHILL
You know what, lookin' at yo date
history bein' a homo don't sound
bad.
70.
LARRY
Past is the past, as I said, good
times are ahead.
PHILL
What'll you do about the Jessica
situation?
LARRY
What? What Jessica situation?
PHILL
Ya know...she's still trynna get
you.
LARRY
Fuck 'er, I'll kill her somehow.
PHILL
You gotta look over your shoulder
is what I'm sayin', she's a real
fuckin' zinger that one, crazy as
crazy can be.
LARRY
She won't come now, too busy
killin' em cops in Vegas.
PHILL
I dunno, I wouldn't be very sure,
Frank is the real deal, him and
Jess are not really kind people,
they've been trying to find you for
some time now, I doubt that'd ever
be given up on their behalf, plus,
Frank's got ears all around the
fuckin' neighborhood.
BEHIND A GOOD HIDING BEHIND BUSHES, the hoodie kid from
before listens to the conversation.
EXT. A BACKYARD - DAY

By the pool a man has his back to us, smoke coming off of his
stomach indicates that he's smoking. pool splashes can be
heard, someone is swimming in there. Then, the swimmer swims
into the frame, it's JESSICA, she's wearing plain clothes for
some reason.
JESSICA
I don't knoe why you have such a
vendetta against pools still.
71.
Camera reveals that the man Is FRANK in a swooping 90° turn.

He looks a bit up to Jess.
FRANK
Least favorable way to go out would
be while swimming at someone's
mercy.
JESSICA
Like Sittin' in a chair is some
genius tactical defense against
anyone anyhow.
FRANK'S CELLPHONE BUZZES, he answers.
FRANK
Yes?
Jessica watches as the person on the other end speaks....
FRANK (CONT'D)
Ah well, that's just amazin', I'll
be out in a second.... alright.
He hangs up and stands up. Jessica gets out of the pool.
JESSICA
Who was that?
FRANK
Some kids, want something, none of
your concern.
JESSICA
Right.
FRANK
I'll be back in a moment you go
back to performing acts of
degeneracy.
JESSICA
.... right.
As Frank leaves, Jess's eyes follow.
INT. AN ALLEYWAY - MOMENTS LATER

As Frank enters the alleway the camera follows, till he
stops...the camera pulls back, it's the hoodie kid from
before, he looks especially beat up on the face.
72.
FRANK
I don't like hanging out with kids
a lot, just tell me whatever you
heard.
THE HOODIE KID
The Larry dude is is in town, this
place, he's the one who....
(Sighs and points at his
face)
And he's good at fighting I guess.
FRANK
Oh wow, what are you gonna tell
your parents about that?
THE HOODIE KID
That some maniac threw rocks at my
face?
FRANK
You know if you say that I'll have
to kill you and your parents then.
THE HOODIE KID
Chill-a man, I told you about
Larry, you give me my 5 dollars and
I'm out.
FRANK
Look, kiddo, whatever you're gonna
say now, you don't say to anyone
else, hear me?
THE HOODIE KID
Yeah yeah of course.
FRANK
I'm serious kid, you don't say a
word no matter how bad it gets, or
else....
THE HOODIE KID
Got it got it, you can count on me,
man, I'm loyal, I'm a man, I don't
do gossip.
FRANK
Alright, You didn't hear nothing
else?
THE HOODIE KID
Nothin' of any value, where's my 5
dollars?
73.
FRANK
What do you mean nothing of any
value? What'd he say?
THE HOODIE KID
Somethin' about going to Vegas, ya
know, to kill some cops, regular
criminal crap right?
FRANK
Cops...what cops?
THE HOODIE KID
It's a long story, I don't feel
like really tellin'-
FRANK
What I say I'd do to you and your
parents again? Because I swear to
fucking god you try to play with me
one more time I'll fucken scorch
them alive.
A Beat passes..We hold on Frank's angered face, then on the
hoodie kid's petrified face, he's ready to spill all the
beans alright, but since we don't need to hear it again.....
CUT TO:
Frank enters his car and speeds off, the camera moves In as
the kid leaves the alleyway, but as soon as he gets out a gun
is pressed against his head.
LADY (O.S)
You're having a bad, kid.
As it's revealed, it's Jessica...
JESSICA
I'd hate to add to it.
The kid sticks his hands up.
JESSICA (CONT'D)
Attaboy, now say please, what
exactly was it that you and Frank
were conversing on about? I kind of
just got here.... And I don't like
missing out.
THE KID
I can't say.
74.
JESSICA
... right, why's that?
THE KID
I promised I wouldn't, either that
or Frank kills my parents or
something.
JESSICA
And you're totally sure you won't
say nothing? Absolutely?
THE KID
A promise is a promise.
HOLD ON JESSICA, then...
CUT TO:
BRIEF EXTERIOR SHOT OF A HOUSE, two loud gunshots can be
heard, the windows light up accordingly.
INT. THE HOUSE - MOMENTS LATER

The Kid's sitting down, Jessica stands with tiny drops of
blood on her face, the kid seems too traumatized to speak or
react to anything. Jessica's the same she was in the scene
before. Behind both of them are white walls which have
splashes of blood on them, also almost out of view are 2
bodies, one of a middle aged man and a middle aged woman.
JESSICA
So now.
(Lights up a cigarette)
You sure you ain't saying nothing?
THE KID STARES TRAUMATIZED.
Jessica holds out the cigarette in the kid's face.
JESSICA (CONT'D)
You want it?
The kid glances at it.
JESSICA (CONT'D)
It may help, I think.
EXT. THE HOUSE - MOMENTS LATER

ANOTHER LOUD GUNSHOT, Jessica walks out the door and
leaves....
75.

Unfinished First Draft Script For "THE LONG WAY OUT OF VEGAS"

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Unfinished First Draft Script For "THE LONG WAY OUT OF VEGAS"

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THE LONG WAY OUT OF VEGAS

EXT. A CAR - NIGHT

INT. A CAR - CONTINUOUS

INT. A SIDEWALK - CONTINUOUS

As the car passes through, a high man is slowly stumping

INT. A CAR - CONTINUOUS

THE RADIO BROADCASTER (V.O.)

EXT. A CASINO - LATER

INT. A CASINO - MOMENTS LATER

Danny once again remains silent, attempting to take in

INT. A BATHROOM - CONTINUOUS

INT. THE HALLS OF THE CASINO - CONTINUOUS

INT. A BATHROOM - CONTINUOUS

THE SECOND GUY

INT. THE SECURITY ROOM OF THE CASINO

Larry nods In agreement

EXT. THE CASINO - NIGHT

In the Middle of this conversation the camera starts to drift

EXT. A POLICE CAR - OUTSIDE OF THE HOTEL

EXT. THE CASINO HALLWAY - CONTINUES

INT. THE CASINO BATHROOM

INT. THE STALL - CONTINUOUS

INT. THE CASINO - MOMENTS LATER

EXT. THE CASINO

INT. A POLICE STATION - NIGHT

WE SEE THE PERSON HOLDING THE PHONE, sitting on a chair with

POLICE OFFICER #1 POLICE OFFICER #2

INT. SECURITY ROOM OF THE CASINO - NIGHT

EXT. THE SECURITY ROOM - CONTINUOUS

INT. THE HALLWAY OF THE CASINO - COUNTINIUES

Person on the phone Snickers

PERSON ON THE PHONE (V.O.)

BACK TO PRESENT TIME TIME

INT. THE HALLS OF THE CASINO - COUNTINIUES

THE SECURITY OFFICER

EXT. A ROAD - CONTINUOUS

INT. THE COP CAR - CONTINUOUS

A SMALL MONTAGE STARTS

EXT. THE HOSPITAL

INT. THE HOSPITAL

INT. THE OPERATING ROOM

EXT. THE OPERATING ROOM

EXT. THE POLICE STATION - MOMENTS LATER

INT. THE POLICE STATION

INT - THE COP CAR - MOVING - NIGHT

EXT. IN THE MIDDLE OF THE ROAD - CONTINUOUS

INT. THE POLICE CAR - CONTINUOUS

INT. THE FOREST - A FEW MOMENTS LATER

Larry ponders around the place for a second only to stop by a

EXT. A FOREST - CONTINUOUS

EXT. A FOREST - A FEW MOMENTS LATER

INT. THE POLICE CAR - A FEW MOMENTS LATER

EXT. THE ROAD BY THE POLICE STATION - NIGHT

INT. THE POLICE STATION - MOMENTS LATER

By the table is a dead body that he grabs a gun from, from

INT. THE POLICE STATION - MOMENTS LATER

INT. THE POLICE STATION

VARIOUS SHOTS OF HIM POURING THE GASOLINE ON THE WALLS, THE

EXT. THE POLICE STATION - CONTINUOUS

INT. THE CAR - MOVING - MOMENTS LATER

EXT. THE ROAD - CONTINUOUS

THE SONG PLAYS OVER THE BLACK SCREEN AS WE...