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Birthday Madrigals: A Choral Suite For Mixed Choir With Double Bass and - or Keyboard
Birthday Madrigals: A Choral Suite For Mixed Choir With Double Bass and - or Keyboard
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https://archive.org/details/birthdaymadrigalOOO0Orutt
BIRTHDAY MADRIGALS
A choral suite for mixed choir
with double bass and/or keyboard
JOHN RUTTER
Music Department
OXFORD UNIVERSITY PRESS
Oxford and New York
Birthday madrigals was written at the invitation of Brian Kay, conductor of the Cheltenham Bach Choir, to
celebrate the seventy-fifth birthday of the great jazz pianist George Shearing. The first performance was given,
in his presence, in Cheltenham Town Hall on 3 June 1995 by the Cheltenham Bach Choir with Neil Swainson
(double bass), the composer conducting.
The seed of the composition was It was a lover and his lass, written in 1975. The other four movements, their texts
also drawn from the madrigal era (hence the work’s title), were added in 1995 to make the present choral suite.
Composer’s note:
Birthday madrigals may be accompanied by double bass alone, by keyboard alone, or by double bass and
keyboard together. If nos. 1 and 5 are performed separately, they may be sung unaccompanied (the double bass
part is optional in these two movements). If the suite is performed complete, nos. 1 and 5 should be
accompanied. Nos. 2 and 4 are to be sung unaccompanied.
The keyboard part shown in the score (suitable for piano or electronic keyboard) is essentially a simplified
reduction of the voice parts. It is primarily intended as a rehearsal aid, not for use in performance as written. In
nos. 1, 3, and 5, a skilled jazz pianist can, and should, extemporize an appropriate keyboard part. If no jazz
pianist is available, it is preferable to use only double bass in performance. If no double bass or jazz pianist is
available, a classical keyboard player can play the written keyboard part in performance, but this is a less
desirable option than accompaniment by double bass alone.
Nos. 1,4, and 5 are also published for upper voices and keyboard as Three Birthday Madrigals (ISBN 019 3426169).
Duration: 16 minutes
All rights reserved. Apart from any fair dealing for the purposes of research or private
study, or criticism or review, as permitted under the Copyright, Designs and Patents
Act, 1988, this publication may only be reproduced, stored or transmitted, in any form
or by any means, with the prior permission in writing of Oxford University Press.
Permission to perform the work in public should normally be obtained from the
Performing Right Society Ltd. (PRS), 29/33 Berners Street, London W1P 4AA, or its
affiliated Societies in each country throughout the world, unless the owner or occupier
of the premises being used holds a licence from the Society.
BIRTHDAY MADRIGALS
JOHN RUTTER
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OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, WALTON STREET, OXFORD OX2 6DP
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25
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be
TENORS and dance and sing,—
ist BASSES
LA FY SY SARE ET eT a SSeS
mR eg eT ee ee ES EE _ a
5. The shep- herd swains shall dance and sing— For thy de-light each May morn-ing:—
2nd BASSES
ane
these de-lights thy mind may move, Then
ee
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| —__1—_ —g,-- —--3 :
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mae If youth could last, and love still breed, Had joys no date, nor age no need, Then
i Ee SS
Ce SS = Se ee :
Sais 2. ey Se
a SS ee
: aie Hum
BASSES sp Gee EN ;
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ns Hum Y
h Slowly and freely ( d= ¢.84 ) \ rN (By
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these de- lights my mind might move To live with theeas and
(mi
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ee
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on See J
a $44 _____le
el 4
———————
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These de- lights thy mind might move, Oo real-ly live with mo Hum—
a sr Pp mf
a a ==] SS
These de - lights thy mind might move, Oo real-ly live with me?_ Hum—
TempoI (4 = 76)
28
106
0 L\
w 2 See SR $b} rpg} ae
tia Bima! BRA]
2) 2a ae ay CA
[P61
live with thee and be
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3 love.
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9 poco cresc. mp
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his, By just ex- change one—— forthe o-ther giv- en:—_— I hold his dear, and
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ve Wn htWe lla
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mine he can-not miss; There ne-ver was a_ bet-ter bar-gain dri- ven.
(hum)
tet ji ee
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Sass =r eS
Ss a pe i. Ey Sea
thoughts and sen - ses guides: He loves my heart, for once it was his own;
(aS
moe oerSS Se = >
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se7
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ed Or: = BHe 10
ae SSS SSS SS a
— be-cause in me it bides. His heart his wound re - ceiv - ed from my Sedo —_____,_ aby
< 2 f , : :
cee His heart his wound re - ceiv - ed from my sight, Ah
=
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aeee
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m
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li 5
FS SS SS SS S > a
fda Gani ay SS ee ee I ee Bilsae aS el ey Wee ary Se
ENS aS er ee — =I
52
Pid mosso ( J = 80 )
appass.
A is) 3° % 6 3 Ss So % 8
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U =
= Pulte th 6 13) Za ey SS Sie (EH SN" =|
Gar le (2° Bp cop a “|
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Hers ay er TSE SS ESD) ie -—,____|—_},
= See es | ME hE EA eee) aes ES PS | eS ee
ees FST
a =| SSE V heat)
heart was wound-ed with his wound - ed heart; — For as from me, on him his
heart was wound-ed with his wound - ed heart; For as from me, on him his
il C] F2
SAILS,
pe
ey oe ip ae
Fate oor
jhe el aes
Se
Se See
hurt did light, So still me-thought__ in me his hurt did smart. Both, e-qual hurt, in
5 hurt— did light, So still me-thought__ in me his hurt_ did smart. Hum
Whe
hurt did light, So still me-thought in me his hurt did smart. Hum
rall. poco a poco
this change sought our bliss:_______ My __ true love hath my heart, and I. have his,__.-.__ my
rN
fut ee ee —<$———— mp ss Pp
w = Z O (s)
< : SS 2) Eheer to ee eer
this change sought our bliss: Hum my
er —ee paren W/4 Sp.
LN
SS
Pe ore 2e aera =a ee
7 oC ie? | WN" Lae ee GE ee
Sy
aa ©,
Bw Ae,
EN.
SO.
ee
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34
Jazz waltz ( 2. = 60 )
SOPRANO [aes
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Ne See Sa EEE ee Se See ee
ALTO
= zr. Sess) LS aS =a IN a ae
Ey Cas . )
8 Han lameslaula Jey iky iev Jey ik Je la, fa lev Jey Je Te ey ky mk ele key Ta
Jazz waltz ( 4. = 60 )
Au ies a ‘
SD 22° EE See EE » aes Tb ee SS a ee) SS SE), SS Ee)
ope 2 fl Se2 ed Bel ee ee 2 es 0 eee es (el ed
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ef fe pf gt jg] ===SS ae eee Ee ee ee eS a ey ee as ed ee
a” ay" Zi ee al eS| Se Le nee An a Bey ed (|
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Note: It is suggested that the first four bars of the double-bass part be played over as an introduction to this movement.
| :
Tree aoe
¢ eo = approximately J By throughout, ie. lightly swung.
3
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= Pus aus} aS a aus} ] "
i {MT l il i
me a am Oo OM
Sa =e
Cal peeFF Oo pee CA. pee bh My : ,
S\ LN bosz NY Mel) el S
SZ, mp mf
CZ BS 1 ee 2 ae Ee) ee Sey ae BP EE EE, Sa OE
dan aa ee, Sa Ses)aul ay a Eee See ee ee = ee tT)ee ee es ed
SS See Re SS Ee * ae a eee See ee Se
mare= ited |men;, for thus ‘sings he:-_. -Cu~- ckoo, cu - ckoo, cu -
h cresc. mp mf
SS 27 a nae
= = Se
fa la la la, for thus. sings he:__ Cu - ckoo, cu - ckoo,
cresc mp mp
h as
ae a SS “eae ee Ee ee
[lS SS Sen eee By SS Gee (SS 6 a ee ee ee ee ee = as re
Od ab ey Oh eS Se 6 1 ey A ee ee eres Gees See eee es San UaeanTaieieer eeeSSeS Sh Se eS
ee | SS ee ” aE 2 es ee Sa le eee ey A eee) See RS
fim lawla la, for thus. sings he:__ Fa la_ la la lamela’ fala lala la la
0 —N « Ee .
fe
Be
Hue 12 SESS na eg
=
eg le
=e I
————
|e SS SS a SE SS SS ia = a=
b ——*
ez 2 SSS Se Ss SS SS SS SS SS = SS SS SS aS =
a £ 2 SSS aa an ees) ae" EE Ee ee ee
7 oy
cresc.
SSS
SS mp
-_
SS SS oa
45 f) ss ag ‘
Fe
as —— re
ae = =
SS a eS SS ar Se SESSSe ECE a BS Ber See SSS A ey = aa ae
a ae ey eee Ce a eer ee ae
a Eee Sey oe Set Se See = a eee eee
—"
—"” —
=o
- « r q
M1) baz’ S Vi? _ TRY HD Ne an
]
|.
Ba
tl
zy
wi
7
es
a
fh
muyes
Se
z
a
la.;
la.
:
(k
m
a
la,
E «i
otl;
ull |
ee
|all
IA= SS
{il | ,
Oy
dya
Me f
Un
i2. When
2. When
s
I ill
[Ny]!
2
aH
[| 4
—
=
P
ol
k
iilmill
SS
|
Doo
RY
i
Un - plea
a
4 ie Sires
Sey
SSS
Doo
Doo
i
-
z
7
or Ses) Pe
Ah shep- herds
- plea- sing
shep - herds
A
| ETB
ee
|)
SS
sing
SS
PS
—}
Jae
See
Fp
doo!
SS
doo doo
doo doo
SS
ee
he
ee
to
to
to
to
eee
a
ee
Pe
Ss
SS SSS
es
SSS SS rssSSS
SSS
ed
SSS
eS
ie
Be,
e—————-
Eh
pipe
ee
pipe
alt"ll nm)WT —SS
Bee
SS
SY
4
Lid
Se
a
ee
doo
doo
ee
et
| ! sin We @ ti a ih
wee = le
on
on
|
Set
| |
i=)
mar
i
mar
Yl tH
Se)
eth3 Hf ins es ing
=we lllnalllRoem A) IE ails
-
ried
SS SS SS SSS
ll se 5 ll oa | ih En oy S ih
| bald
gil |: |lite es Nae
es i (i; ay Ae (Ns| # :| Hiliye
Pe 2 if fy i fh
ESS
. ET IN UU9 Ue9 Whe ie
as Sn - Bo OU M6 rT | ® |p | ! ic
|| oh ° 3 3
| i
| i
| S ; | A | 8 8
I]It p
i| & Ly |e€ (
e I omi[O]4_ Aig) 4 a
=i Won tee lo
, il es
ith Me ls SGNaecatle Mie Ml i mime | iN is AS
i
|3
:|
nl
edo
ae
Vlibaoe
=soNncc
omnes
ety ea)apline 3 HT) i: ;
1) Tn
aa ) )a
tsie|2 ill ttn eam oe teh 2aly Le) Gly ° =
Iull Al s s
il.
: Hie
;
neHh
mt ee
tC s Ut Sms§ tt} a a 4 -
| 8 2 Ny & Ny | l |2 || SS
} &
Ko
o
| s (it,as
i i ! (le Mm. | q : i(l. .
39
Pp sempre
is Saas
Sis
IY
plough - man’s clocks, When tur - tles tread, and rooks, and daws, And mai - dens bleach their
plough - man’s clocks, When tur - tles tread, and rooks, and daws, And mai - dens bleach their
Ne IL Ne
ares
ee! Eee eee
doo doo doo doo doo doo doo doo doo doo doo
() P
7 Awa] Saar Sa a be I
ie —=- =a
6. as
sum - mer smocks, doo doo doo doo doo doo doo doo doo doo doo
ae P
7 |SS
roar AS TS
| A | ¢
sum - mer smocks, doo doo doo doo doo doo doo doo doo doo doo
(P) aa
SEES
—————
————
——
SS
CUS
cul
- ckoo,
doo doo
a
aa Sst
ey
ee
ay
Sea
cu
=
pa eeee
Se -—_——-
a Say
doo
RS (ed
SSS
ED
cu - ckoo,
cu - ckoo,
doo doo
faeces
rmoa)
do
i——4 waa
aw
ea
gl
=a
=
Sa]
|
|
does
SST
aN
Ee
ea
$5 = $55
eeel
ES
|---|
cu - ckoo,
a
=ES
eal
Sse
3 eae
eae
SSS
ee
BESSY
SA ee
ee
Pag
SSeS
Gee
doo
Sr0
SSS
ly
= Ey
doo
Se
Bay
[= eo
- ckoo,
- ckoo,
4d
Ste
doo
SS5
doo
ia
>
=a
| 4
SEE
BD
a
|
=
=Hi2fielilt:
lines
Ue Jl Id
HN) ¢ mr ji
cu
cu
:
8 —SS 3 lye
elie eM sie| ste ll} sills UL ih
40) - S .
DIED pacoeem ogBE Rt “il 3 ay
;
=
°
se
hs
3
°
sc) “
|
(
ay
Ua TT
2 I Og
=|
O
=] teT ss I
eH Ha PY BL] |
“| | He AMS US CS th
S) fe) a a } HT | |
a\| so} | | Lh | . | | } Ep
es
no} Q co) oO cD) co) .
Hh
=HHH
&os
Ue
MnHA
Us
es
Sos
Ul
It MN
Ms
| g
Ike
| :
(ies
g
MMs- Ieg I
lh
i | Ml i¢ lilt ¢ lls }3 Illi) s t ll
ra Neut Is 5 IP 5 fos Sos tes IUs5
ipoem
UTTAR
Lice
i
ilUN
HUFL
ee
Ate
ATT
ee
| ib l & NS & & &
:
77)
| Me Mae Whe We Me [heWAAP
ee
(=) cS °
lH 5 | 6 Inll o Ny o i) y
: Ws Us Bee foe As
Mle We We Ue fl MN
el
me ee i* ne dd IP a
Se
wa°
g
a
2:
°
Me SUWW?eval iseale HlKile ay? ie ll)OP
Ci
Y) NY ie) -
lip
oO pe os fb os YT ss : be aL J
S\N NY NY oN on Me RN
_SN Te __TNHe__ Sine oa he Bh BN] Nve Hes
=e
ti a a dr
2-0
te Salasea ei adage Pre i eth Piles
me 0
Me Me TOS
eed
| 4 {Mg Me
A ot IME Oo
tr
(Pe leefate a wl mln
{me |
=
i
Ne I: ts
Zs II d | 9 Hil S {Uy 1 gs
iti om
(Maud Weds} I
SSS Ss fy il $ S 3 Hy
iiiie Us s i i ie 2 |
6 ST} lye as)
3 ollem h) b. eR | ¢ UN)> | ; | Ws
es:
Hee
ine ¢ oldlll &SereS8atait) OG 3 Se © ~
cu - ckoo,
= = =SS
Uils Wis His it= (ts ns TNS3 Tm
| A E | 3 TRY 3 maa
wil |s Iilll é : hy ie
es UM (Uf| TI gs WN = ut hy |
glge Na9,| |UScrnpe)
Nil g Hae il O° ll O° | O ill I
SS
(
il ll: tt Puy Salts Wie
“ll HH | HL dlls Ae
cu - ckoo, Word
«allt IM avs
HI OL ¢ i.
oan tie aa
Mlle oanMe Ul qale Mote | i]QUT
| eA)I |ok | CANT)
SS
i | 7 | | i OUP & So} BE Poy
he z ‘B B Nos) kh. | Ss | ao Sy
= UUM seme e e SINT TMP aoe Mi J Uh ¢ TleC (my
An Te fies Hs TRS8 ey res Fh all) Ay
= \. | < g } i a !
Mh s-alls
ee
; ,
Ud
)
Ulillite
Saha “ETTPrt Pt er a | 8 Sal WS7
mf
fas}
lt a | Sy oO rol §
ae
Ss
ea Lk fas} 3
Sy fad
wt
, | 2 « tH|| 2 A awe
e le Ml) 3
gel
dim it
7 Ss
pls & sys cs S
mes AL AUS
J
elites
Cu - ckoo,
SS
lt) lhigema
TO MeeeUo. SINS)
Ms Hie
Me me
IM He He
cu -ckoo,
4]
Sa J cantabile és ue
ee
2 a ae as ST pes
——= = == ee
a
3. When - as the rye reach to the chin, And chop - cher-ry, chop -cher-ry
cresc. sa Ff cantabile = bang
—————
la la la la. 3. When - as the rye reach to the chin, And chop -cher-ry, chop -cher-ry
la la la la. 3. When- as the rye reach to the chin, And chop - cher-ry, chop-cher-ry
feet t= SF cantabile -— aa meek > ,
L6y a Sa aS SS eet ee el ees eRe bo eS OS Se eS ee
oe pF yg ge eg y__{ _{ __|"_j_|-«+—___¢4—_#—_
aa eee aa ee | eee eS ES) EDSa ey ee
ee eS
la la la 3. When- as the rye reach to the chin, And chop - cher-ry, chop-cher-ry
—— > i = A
ge py + +, —__)).___,__,______1_,_ a tee
Hty—s ise era aweee?
eocned cae a a eee
|]
22 SS Se ae Se Se ae Se SS
L¢ eel aa = as Ss |
eee
jt) ks
7 a ae a ed ae — — oo =
— ee eee
SeSeer teri een ey = = pa aes SS ae SS Se | ee
ripe with - in, And _ straw - ber-ries swim-ming in the cream, And _ school - boys play - ing
hu 7
ge} + ESS SSS SS SS) Ba Se a a eee ee Saar Gass SS Sa
(a
a ee aS =e ——————
§ ripe with - in, And straw
- ber-ries swim-ming in the cream, And _ school - boys play - ing
—————————
toy ie 0 ee Slere
oe el Be
——
6 6 ql
a ES a e ae
— ie ——— 4 a ne Ww ; Oo 5 A
=O a
oO j
rot hs aa
+—_+— ss aes
ae =
! SS SS =
ie Re
ye
it it au an Th
ju fyyre
iH Uh, Py HY att ik int I +The LL
mt) tty alle LI call Let I - |
43
ere te h Hi. |
|
athe UELl Ulalls : |tt
eh
Whe AM) e Me lle Mle 4,al
in) Stn |
et qi & qi a
ap
MTS =
NHS =
thé ih aH SHIM
=
Salita 8 8m) SNH SUPP CST
2 3 =)
f
: ul NeW ey Ale Ville HUY Ut
eeIle Us |a eT Yi Syme we? Ie Mt
—
6 | a | ms 4 S =
he Ulle Whe || ull E i ll | all! I |
:Be il° it il in & (fh i Sle iff Tr Str
s dils I lil al MiesmM: ik tiiy Wl mJ
N lit #
MgSih: Hl De We il TI
He SuIS t & i i IF z
g
i ; llj l n
| |H
MNNE
sre
sr
iil
Ch
Liles
n n ch
MT
i
ig3 | Ny e q i 8 HW
} i th I i
| Nd hs g Ae
it) | il | i Tall
it ( 1
rv) cD) 2 : SS ae :
il AB fms ‘ee I) a | : i: i ‘ |a ik |
I) !| Ik mit ML, iHn a
ll e . U “it = | AT SOUL i ar in
i: A
Uwll S= diteO (inte6 Il Wy
lili
We sma:dillle ll T=me th
Ss bs
rT Ucoup nui eed alsh :
ie
EE: Me = Uoim Ma N= “Me “th Il ¢ i}
aS ED
dim il Eli ul
Sq =
Mt} = i ®
= a
GAIT
aye
5A
ae
: mode OMI
ya
Ht fe Test Sttom He OA
z b|| = lla | | c ksN t > | 5 } ! | } }
2
=a
in
ai ol) HU als HL ie
| Mt
TNH? TH" NID ll ‘| 7H SUD 2D ZC 2a aN Bh We BN
could not live a maid._ Cu - ckoo, cu - ckoo, cu - ckoo,
could not
could not
—*
cu - ckoo,
(mp)
bud
A)
Ss
Pea
Ss BT
fear fa la la la ]a |a
of 2S - P
-plea - sing_ to Eg} joree = intel Geidl. (Cm = @xojop Clie CKO Osama
eS cu -
|: —=——— “pp cresce. Pp crese. mp cresc.
-plea - sing to Terk’ = feel evil. “Cth Okey Cus. CkoG 2a cu-
——— Pp cresc. mp cresc.
N
| a
2Gy a eee oe eS SS eS SS SSS -{ —__ Bo! - fs = : Smee Saat
y — [SSE as
-plea - sing to ay mar = ried) ear!= Cul CK00 ae cu-
ie —
———————— es
7. = eee 2 ee as
EO See Sea ee
—-
-plea - sing to a mar - ried ear!_ la fa la la la la
|
A Af
4 N ff SS Sr ee =
(os ee pj ta eg tg
db E = ies
fis GS = P on
les(4 pe = | |
FS ee eo Z A842
Ie 2 SS ee ean eer) SS ee eee eee =
—-
a
MNS.
2S
a ee
ec
ee
Se aaa
eeee ee See ee
eee a \ Z |
[a
at te
eS
G+
{) oy Fn
ee oe cresc.
Fee: at
eeae a =
| S NN Cy z = D af a
ae a a iL—sbe
eS ==
mp cresc. mf cresc.
46
i]=
7 SS Se = ———— —
oe eee H\ O. : go
p = — Zi ee Sey SS ee ey ee
J} $$ >| —_——— rr
Bw ass SS
eee ee
1. he: > Q:
{)
——— = =e =e a
8 Loud sing cu - ckoo, loud sing cu - ckoo,
| | : | | | li ll ;
:
ll r li
| |
ll ll rT
|
i li |
|
a|
Mn |it
f
FO
q
TH
|
() 4 é
ee
—_ ek
Ee)
ar:a ee
SSS SSS SESE Se ee
——
=.
eeee ——
a ES |
.
) 4 N .
ge
ol ——_ a
4 (__|__}
Ser Dar SS
_¢___¢@
SS eS SSS ES
Ulee
SS
ee
——- ot
ee ee
Q\N) See Sn Renee (ee ee) ES eS | se Sel U
a we > aS P —— > ao F
{Ol
> comirem
ae a Bh
Se ee eee Bz
Rae ae)
haa
eee ee Seeeee eee Sommer Semmes
a
as Celeceey
——
‘Soeey
>
Saeed stSaas
cera eee
Ho)
ae
Sy
Gee) ed Se
elSS
=ae Bees ES ee
(ee
aes
ee
Se
SS
ee eee
SSS ly
SS a
SS aaa
[-——_| |}
Sey
44 Ee
__}—__} ——_} —__} a
S SS SS 2 SSS SS Se SS |
W@ \OT | SES Le ee A Gea | sy _ ere BS 4 Lo eee (ES a ee} Cay [ig a
SSS ES SS SSS SS
[2 ee eee = Uy
@
s
TT
|
|
a Z a =
HH
S iM WluN
Printed and bound in Great Britain by
Caligraving Limited Thetford Norfolk
\
; \\e a
<.
a
\ean
. its ech. i) @
i
t
son Ral Works
Birthday Madrigals
Dancing Day
The Falcon
Fanctes
Five Childhood Lyrtres
Five Traditional Songs
Gloria
Magnificat
Fsalinfest
The Keluctant Dragon
Keguitem
When Seicles tang
The Wind in the Wrllows