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EN G L I SH WR I T E R S

AN A TT E M P T T O WA R D S

A HI ST ORY OF ENGL I SH LI T ERAT U RF

H E NRY MOR L EY
LL . D . P R O F E S SOR O F E NG L I S H L I T E R AT U R E AT U N I V E R S I T Y C OL L E G E
L O N DO N

I N T R O D UCT I O N O R I G I NS

OL D C E LT I C L I T E R A TU RE
B E O W ULF

CASS E L L C O M PA N Y L I MI TED
LO N D O N PA R I S NEW YOR K M E L BO U R N E

1 8 87

[A L L R I G H T S R E SE R V E D ]
P R E F AC E .

A F I R ST volume o f E NG L I S H WR I T E R S wa published in the


s

year 8 6 4 as an a ou n t o f the Writers b e fore Chaucer


1 , cc ,

w ith an in t roducto y sketch f the Four Peri ds f E g l i s h


r o o o n

Literatu re This was an oct vo of about 8 pages


. a 00 ,

presentl y divided into hal f volumes and follo wed in 8 6 7


, ,
1 ,

by a third h l f volume w hich b rought the story do wn to


a ,

the invention of printing The design then partly complete d


.
, ,

had b een to descri b e the course f E nglish Liter ture w ith


o a

detail enough to make its meaning clear and give it interest


to readers generally But the volumes ch iefly p ssed into
. a

the hands of students an d the b ook was credited w ith


,

havi ng hit a mark at w hich it did not ai m .

While th t generous estimate of the b ook m de i t


a a s

writer the more conscious o f deficiency it w as securi ng ,

him dmission to n ew fields o f labour in w hich study o f


a ,

Literature until then the chie f pleasure b ec me also the


, , a

ch ie f duty of his w orking li fe .

Under such condition s the book could not be reprinted


or continued w ithout very con s ider ble change of pl n At
a a

t h at time also the la b ours o f the E arly E glish Text S ociety


n

a n d o f m an y good scholars in E ngla n d and Germany were


P R E F AC E .

A F I R ST volume o f E N G L I S H WR I T E R S was published in t h e

year 8 6 4 as an accou n t o f the Writers b e fore Chaucer


1 , ,

w ith an introductory sketch f the Four Periods f E nglis h


o o

Literatu re This wa an oct vo of bout 8 pages


. s a a 00 ,

presentl y divided into hal f volumes and follo wed in 8 6 7, ,


1 ,

by a third h l f volume w hich b rought t h e story do wn to


a ,

the inventi n of printing The design then partly completed


o .
, ,

had b een to descri b e the course f E nglish Liter ture w ith


o a

detail enough to make its meaning clear and give it interest


to readers generally But the volumes ch iefly p ssed into
. a

the h nds of students n d the b ook was credited w ith


a ,
a

having hit mark at w hich it did not i m


a a .

Wh ile th t generous estimate of the b ook made its


a

writer the more consci us o f deficiency it was securi n g


o ,

him admission to new fields o f labour in w hich stu dy of ,

Liter ture until then the chie f pleasure b ec me also t he


a , , a

chie f duty o f his w ork ing li fe .

U n der such c ndition s the b ook could not be reprinted


o

or continued w ithout very con s iderable change o f pl n At a

that time also the lab ours of the E arly E glish Text S ociety n

a d o f m an y good schol rs in E ngla n d and Germany were


n a
P R E F AC E .

A F I R ST volume f E N G L I S H W T E R S w published in t h
o RI as e

year 8 6 4 as n accou t o f the Writers be fore Ch ucer


1 , a n a ,

w ith an in t roductory sk tc h f t h e Four Periods f E nglish


e o o

L iteratu re
. This w oct vo f bout 8 pages
as an a o a 00 ,

presentl y divided int h l f volumes and foll wed in 8 6 7


o a , o ,
1 ,

by a third h l f volume w hich brought the story do wn to


a ,

the invention of printing The design then partl y complete d


.
, ,

had b een to descri b e the course o f E nglish Lit r ture w ith e a

detail enough t m ke its me ning cl ar and gi e it interest


o a a e v

to readers general ly But t he volumes ch iefly passed into


.

the hands o f students d the b ok w s credited w ith


,
an o a

having hit a mark t w hich it did not aim


a .

W hile that generous estim t e o f the b ook m de i t a a s

w riter the more conscious o f deficiency it w as securing ,

him admission t w fields o f l b o r in w hich study o f


o ne a u ,

Literature until then the chie f ple sure b ecam l so t h e


,
a , e a

ch ie f duty f his w ork ing li fe


o .

Under such conditions t h e book could not be reprinted


or continued with ut very con ider ble ch nge f plan At
o s a a o .

that time also the l bours o f t he E rly E glish Text Society


a a n

an d of m an y good schol rs in E ngla d and Germany w ere


a n
vi PREF A CE .

b eginning to m ke large annual ddition to the know ledge


a a

o f our e rly literaturea In rese rch over the whole field


. a

there were new energies at w ork Their issues were w orth .

w aiting fo r .

With a resolve there fore to rec st the origin l design


, ,
a a ,

E NG L I S H WR I T E R S as first publis h ed w as su ffered to p ss


, , a

out o f print The book so planned and begun was p rt


.
, ,
a

o f the ful fi lment o f young desire But even th t desire


a . a

had fo a long time been held in check b ecause it w s


r ,
a

necess ry before attempting a l rge b ook upon Liter ture


a , a a ,

to give ye rs o f m turer li fe to study b oth of b ooks and


a a

men and b ooks are men or the best part of them After
, , .

w iting and w orking


a thr ugh yet an t her t wenty ye rs
on o o a ,

the l b ourer has le rnt th t he kno ws less and less Little


a a a .

is much to us when young ; time p sses a d proporti ns a n o

change But ho wever small the harvest it must be g rnered


.
, ,
a .

Sc nty produce o f the w ork of a whole li fe it m y yield


a ,
a

grain to some one f a little of li fe s daily b read


or

.

O e result of the ch nge of plan in the b ook is an


n a

enlarge m ent of its sc le a .

There is a long st y to tell o f E nglish Literature or ,

regarded as expression of a n tion s History throughout the a


sequenc of its thought It is intended to include notes


e .

o f the liter ture o f all o ffsh ots o f the E nglish r ce


a If o a .

li fe and health last this w ork issued in h l f ye rly volumes


, , a -
a ,

o f moder te comp ss a nd convenient si e will go on


a a z ,

steadily t wards its close The w riter w ill s y all that he


o . a

t hin k s u gh t t o b e s id and is n ot b ound by y ther


o a , an o
PR EF A CE .

pledge B u t as no l bo u rer plans in his a fte rnoon for


. a a

long day s work b efore n ightf ll the proportions o f the b oo k



a ,

s hould be u pon a scale th t w ill not extend it b eyond t wenty


a

v olume s T h e w hole narra tive w i l l b e continuous ; t h e


.

w hole b ook one But the volumes will b e grouped also i n


, .

sections which may b e read as distinct H istories o f Periods


,
.

E ach volume will b e separ tely indexe d and fro m time to


a , ,

time extra t itle pages will be supplied for the use o f


,

re ders who m ay wish to pl ce any one section s


a a a a

distinct work upon t heir shelves .

j a nu a ry , 1 8 8 7.
C O N T E N T S

I NT R O DU CT I O N .
N M,

T he Fu l l H i y o f L i t e ra t u re
s to r

Th e re can b e n o F u l l H i s t o ri an o f L i t e rat u re
T h e P u rp os e o f t h i s B o ok
T he F ou r P e ri od s o f E ng l i s h L i t e ra t u re
T h e on e M i n d i n t h em A l l
S ou rces of Li tera t u re
I n Pag an T i m es
I n E a rl y Chri s t i a n D ay s
U nd er th e N o rm an s .

T h e I n fl u e nce o f N a t i o n u p o n N a t i o n
I n the Ou t s e t of I t al i an
I n t he O u t s e t of L i t era t u re
G e rm an
I n E ng l an d u nd e r t h e E arl y N o rm an Ki ng s
7 F ou nd at i ons o f t h e E arl y I n fl u en ce o f I t al y o n E u rop ean
L i te rat u re
I n Ac t i v i t y of C o m m e rc e
I n t h e Li be ral a nd B u s y s ens e of I n d i v i d u al and S o c i a l
R i gh ts
R e l at i o n t o i t s T i m e o f D an t e

e
s V i t a Nu o v a
»
R e l a ti o n t o a l l T i m e o f t h e D i v i n e C o m edy
T ransm i ss i on o f certai n F o rm s o f Po e t ry fro m th e T ro u
b ad o u rs t h ro u g h D ant e t o Pe t rarc h
Bo ccacci o an d hi s D e cam ero n
I t al i an I n fl u ence Ch au ce r
on

T h e N a t i v e and t h e F ore i gn E l e m en t s Ch au cer s V ers e



in
D ark D ay s of E ngl i sh L i t era tu re
PA C 8

S p rea d of Pe t ra rch an Po e t ry , a nd R ise of Pl at o ni s m


I t al i a n Pas t o ral
I n fl u e nce of Pe t rarch an d o f I t al i an Pas to ra l on E ng l i s h
Li t erat u re . T h e E ng l i s h M i n d un d er t h e I t al i a n

26 — 28

R e fl ec t i on “
of I tal i an L o v e -con ce i ts i n A s t roph e l a nd

S t el l a
S p e n se r an d th e I t al i an R o m an t i c Po e t s
“A
Fo re i g n I n fl ue nce on I t al y . m ad i s of G au l
S ou rces of th e New Tast e for R o m ance . T he P u l ci
Boj ard o
A ri os t o
T he Tas t e for Q u ot at i on
G ro wi ng D em an d fo r Al l eg o ry Tasso .

S oc ial an d Li t e rary Pred o m i n ance of t he I tal i ans


T h e S oci al I nfl u ence of I t al y o n E ngl i s h Li t e rat u re
S econ d ary C au ses o f t h e S p read o f a T ast e fo r C o ncei t e d
W ri t i ng E u p hu i s m
.

T h e E n gl i s h M i nd u nd er i t all O u t o f D ecay New Li fe


.

D u ra t i on o f L yl y s Po pu l ari t y

Lyl y h i m sel f a prac ti cal E ng l i s h man


I n fl u ence o f Lyl y and t h e I tali an s o n R o b ert G reene
Lo v e s Labou r s Lost — a J es t u pon t he Fas hi onabl e
’ ’

S t yl e
D u ra t i on o f I t ali an I n fl u ence i n t h e T as t e for C o ncei t s
R i d i cu l ed b y Ben J onson i n Cyn t h i a s R evels '

F rench E u ph u i sm T he D i v i ne Week s of D u Bartas


.

G reat E ng l i s h R ep u tat i on o f D u Bartas I t s D u rat i on .

! I t al i an I n fl u ence i n France

S p an i s h I nfl u ence i n F rance al li ed t o t h e
Te nd ency o f F rench Li t erary C oncei t to V erbal C ri ti ci s m .

T he R e ason of it
R on sard
M al h erb e
T h e M e e t i ng s at t he H 6 t el R am b o u i l l e t

'

T h e P r ca em es
CO N T E N T S . xi
T he F rench Aca d e m y
S e t t l em en t of th e F re nch Lang u ag e b y t he Fo rt y Di c
t i on ary M ak e rs .

A d v an ce of F re nc h W ri ters from V e r bla to Li terary


C ri ti ci s m
Bo i l e a u
I n fl u ence of Bo i l eau on E ng l i s h
Li t erat u re
T he Pe ri o d o f F re n ch I n fl u en ce on E ng li s h L i t e rat u re
E ng li s h A ccep t ance and I m i t at i o n of t h e F re nc h C l ass i cal
C ri t i cs
W hat th e Po l i te W orl d and F ren ch po l i s h ed C ri t i cs sai d
o f S h ak e s ea re
p
S h ak es peare end o rs ed by Po p e
U nd er Fre nch I n fl u en ce T he E ng l is h M i n , d
M i l to n e n d ors ed by Ad d i son
La t i n E ng l i s h
S u b s tan ce an d A c ci d e n t s o f E ngl i s h S t y l e
P u rp ose a nd Li m i t s o f G en e ral i sa t i o n
T h e Peri od o f Po p u l ar I n fl u e nce

D e fo e s S e rv i ce of t h e Pe o pl e

D e foe i n t h e l il l ory ’

D efoe i n Ne wg a t e
'

se ts u p th e R em ai o

A dd i s on i n t h e w ay o f Pa t ronag e
S t eel e rep res en t s t h e I e0pl e

D ecreas ed I n fl u en ce of th e Peo p l e on t h e S tag e


T l ze T at l er
R el at i on of T l ze T a l l er t o t h e P eop l e
A dd i s o n , d raw n by S t eel e i nt o C op e rat i on ,
o -
w ri t es for

t h e P e op l e b et t e r t h an fo r Pa t rons . T a t l er , Sp ect at or ,
Gu a r d i a n
E ng l zlcb m a n

S t ee l e s .

Po p e
D ev el op m en t of Pro se F i ct i o n R ob i ns on C ru soe a nd

G u l l i v er
Ri ch ard s o n

s P a m el a
F i el d i ng
xii CON T E N T S .

T om J one s
T h e F re nc h T as t e o f t h e Les s e r C ri t i cs
S a m u e l J o h nso n
G o l d s m i t h s I n fl u e nc e o n G o e t h e

R el at i on s b e t w ee n E ngl i s h an d G erm an Li t e rat u re


G erm an y fa s t en s u p on R o b i n s o n C ru s o e

T h e S p i ri t o f M i l t o n I s A b ro ad G o t t s ch e d an d B
.
od m er

K l op s t o ck
T h e R ev o l t ag a i ns t D es p o t i s m i n L i fe o r L i t e ra t u re I I I I I 2

T h e R ev o l t m os t v i o l e n t i n F ra nce
G oe t h e
S ch i l l er
Li m i t s o f th e G erm an I n fl u ence o n E ng l i sh L i t e ra t u re
W o rd sw ort h C ol e ri d g e an d S ou t h ey
, ,

Wa l t er S co t t
D ev e l o p m en t J ou rnal i s m
of

W ri te rs and R ead e rs

g unk I .

C H AP T E R I — T H E F O R M I N G O F T H E
. PEO P L E .

L i fe and G ro w t h
E t h n ol og y O rig i n o f t h e E ng l i s h
.

T h e I n d o E u ro p ean Fa m i l y
-

S t on e , B ro n ze , an d I ro n Pe ri od s

T he S to n e P eri od
C rom l ech s
T he B ro nze P e ri o d . Ba rro w s
T he I ron P e ri o d
We re t he G ae l s H ype rboreans ?
We re th e C el t s C i m m e ri ans ?
T he C el t i c B ri t o n s
T h e B e l g ae
T h e G ae l s
T he Cym ry
T he C el t ic El em e n t i n E ng l i s h
C ON T E N T S . x iii
C el t i c i n L ocal Nam es
T h e C el t i c El e m e n t i n C om m o n E ng l i h s

Fai n t Traces of t he Rom a n Occu pat i on Lat i n o f t he .

F i rs t Peri od 1 6 1, [ 6 2

T w i l ig h t before t he D
.

aw n of E n li s h L i t era t u re D ru i d s I 62 — I 64
g .

C H A PT E R I I — OI
. . D L I T E R AT U R E OF T HE G AE L .

A nc i en t Li t e rat u re of t h e G ae l i n B ri t ai n

T he Og h a m

P oet s S t a v e s
O ld G ael i c D eg re es i n L i t era t u re
O f H i s t o ry am on g t h e A n ci en t G ael s
O l d G ael i c Po et ry
G ael i cT al e s i n Prose and
T h e C e l t i c I n fl u e nce on E ng l i s h L i t e rat u re
T h e F en i a n Tal es
A d ornm e n t of M SS .

T h e Ba t t l e of M ag h G rat h
M S M at eri al s fo r
. a S t u dy of Ol d G ael i c Li t erat u re

C H A PT E R I I I — O L D L I T E R AT U R E
. OF T HE C Y M RY .

T h e Cy m ry
G erm an i c S e t t l e m e n t s i n B ri t ai n be fore A D . .
449
Pres su re Cym ry and the S axo ns
of t he on the G ae l s i n
G w y n edd o r N ort h Wal e s 2 06 —2 08

Pressu re o f t h e S ax on s on t h e Cy m ry . T he R eco rd of

S i x S e t t l emen t s
C onnect i on of t he Anci ent Li t erat u re of t he Cy m ry
w i t h t h e A ng l o S a x o n C o n q u e s t s
-

U ri en
Tali es i n
L l yw arch H e n
M erl i n , an d o t her Bards of t he Six
th C ent u r y "

A ne u ri n . T h e G od od i n
C el t i c M et res
M S M at e ri al s fo r S t u dy
. of Ol d C ym ri c Li t e rat u re
xiv CON T E N T S .

PA G E

C H A PT E R I V —OL D L I T E RAT U R E
. OF T HE T E U T ON s .

G il d as
T he A ngl o -S a x on S e tt l em en t s
J u t es
A ng l es
S axons
Fri si ans and Sax o n s
T h e R o mans i n G ermany
U l fi l as and the M oes og o t h s . B i bl e T ra ns l at i o n
T h e S ong of H i l d e brand
T he Wei ss enb ru nner Praye r

C H AP T E R V .
—S C A N D I NAV I A .

U l t i m a Th u l e
R u n es
S cand i navi an E n g l an d
I cel a n d
T h e I s l e n d i ng a BOk
T he L a nd n a m a B ok
I ri s h H ermi t s i n I cel and
I ce l an d Peo p l ed
T h e E dd as
T h e Ol d Nort h e rn A rs Poe t i ca
R el at i on of E ng l and t o t h e E dd a M yt hs

C H APT E R VI .
—B E0W U I . F .

B eo wu l f . T he Poem and t he M anu scri p t


T h e S u bs t ance of th e Tal e
I nt e rpret at i ons of Beow u l f
T h o rk el i n
G ru n d t v i g
J oh n M i tch el l Ke m bl e
L eo

E t t m u l l er
Wack crb ath
ENG L I SH WRI T E RS .

INTR O DUCTI O N .

T HE F OU R P E R I ODS OF ENGL I S H L I T E R AT U R E .

T HE soul of Literature is the soul o f man at work through


his best mind under the conditions to w hich he is b o n r ,

w hich e in part natural and unaltera b le in part


ar ,

s cial and v ri b le from age to age In the HL i


o a a f .
s t o ry o
i t e ra t u re .
L t e at e o f any People w e perc e e under all
I r ur ,

contr ts f form produced b y v ri b le social influences


as o a a ,

the one n tion l ch racter from first to last


a a a .

The mind h s like the b ody its physi gnomy deter


a , , o

mined in some meas re b y climate and race Bet ween t he u .

kindred minds f men wh o call each other foreigners


o ,

w hen they are equal in right influence upon the w orld s


adv ncement as b etwee n their faces when they are equ l in


a , a

b e ty there are strongly m rked and heredit ry di ff erences


au ,
-
a a

o f expressi n B t the full mind o f a nation is its liter ture


o . u a

an d we m y be very sure that to


a true history of the liter a a

ture o f y country must b elong a distinct recognition o f


.

an

the n ti nal char cter that underlies it gives coherence to


a o a ,

it l l and throughout mark s w ith strength its individuality


a , .

O the sur face f the true ch racter o f


n literature lie
o a a

m a n i fes t to eve ry eye t h e frequen t changes in the fashio n o f


its utterance There is a reason fo the form as well as for
. r
E N GL I SH WE I T E R S .

the su b st nce o f every book m ever w rote and history


a an a

o f our Literature that does not even as k w h y there w an as

es p ecially strong b ody o f dr matists in the days of E li a za

beth w hy satire prevailed a fter the Restoration why dr ma


, ,
a

t i t s are no w conve rt ed into novelists overlooks nearly t h e


s ,

most obvious part of its w ork Again it is n ot only b y .


,

c nditions of society within country itsel f that the form o f


o a

its liter ture is modified fr m g to ge No land


a be
o a e a . c an

to itsel f a world Neighbouri g nations act and reac t


. n

str ngly upon each other d E glishmen b eing insul r


o ,
an n , a ,

touch every coast Whenever the literature of any country


.

in E urope has fo a time b ecome stronger than th t o f its


r a

neighbours its admitted strength has influenced them in


, a

very marked degree nd no where has influence of this a

kind b een more complete nd general than in E ngland a ,

w here the great epoch o f It li n liter ture and the S i k h L o i s a a a u

Q t
uao est a
rzeb lished t w o o f the chie f b ends in the current o f
our literary history T f ir account then of the liter ture
. o a a , , a

o f any land d not only to a hist ry o f E nglish L iter ture


, an o a ,

discussion o f its relations w ith the literature of surrounding


countries is to a certa in extent indispensab le A chrono
, , .

logical series of authors n mes w ith b iographical d tes d ’


a , a an

extracts has its use o f course ; and so has a list of t h e


, ,

aflI e t s o f a great river w ith t h eir measured lengths a d


u n , n

t heir distances from one another — nor is it altogether use ,

less t prod ce b ottles of w ater dra wn from each But if


o u .

e told nothing of the river s b anks or o f the feeding



we ar ,

grounds of its afflu ent b ut e le ft to in fer w h t we can s, ar a

from the f ct that one w ater is cl ear another s ndy and


a ,
a ,

another contains cl y i f othing is told us of the bluffs nd


a n a

mou t in chains that turn the m in river s co u rse the v lleys


n a - a

,
a

into w hich it pours here rushing impetuously betw een rocky


,

b nks there spread into sluggish lake over the m rsh land
a ,
a a -
,

the stre m may have b een i nd u striously measured b u t it has


a ,

not be en surve yed .


I N T R OD U C T I ON .

Of no
literature does there exist or will there ever exist , ,

from the han d o f one man a c mplete survey He w ho o .

sh all begin i n his old ge to write what he may T h “


a , e , can

not then hope to complete the l rge history Of fififlfifl f


— a o

a Liter ture should h ve lived lo g and tran


— a a n

quilly much tried b y v rious conflicts with the passions and


,
a

prejudices that he ha s Often overcome in others b ut himsel f ,

has never largely shared Continued health o f mi d and . n

body an alm ost b oundless range o f daily study among


,

books freshening the gl dness of his intercourse with m ny


,
a a

sorts of men and q uickeni g th t ha b it of energetic action


,
n a

in ff irs o f moment w hich lone


a a make him re d m a can a a an

w here the recluse re ds print — these a e indeed needful


a , r , ,

prepar tions for his work But gr nt him these he must


a . a ,

y e t have a perceptive genius aki to that o f S hakespeare i f n ,

he would really show not only the form and stir of mind i n

e ery generation b ut lso the mind o f each writer w hose


v ,
a

genius he seeks to define And a fter all i f ever the m n .


, a

be born wh o shall b e ab le thus to write the H istory o f any


L iter ture it is not a History o f L iterature th t he will
a , a

w rite .

Thus since w e are all very much le ft to the guid nce o f


, a

our o wn impressions there e f rm ed and it is w ell fo us


,
ar o , r

that there should b e formed literary Opinions h , T e p w p os e


diverse as the moods and li fe relations out of “ hi - s

w hich they spring In these volumes I desire t tell the


. o

Histo y o f E nglish Liter ture fully s I can well kn w ing


r a as a , o

th t the studies o f one li fe


a insu fficient fo the se t t i ng
are r

forth e e n o f the little th t


v e man can see E ch re der
a on . a a

w ithin the limit o f his di fferent range o f sight must h ve a

observed much th t will in his wn mind add fulness t my


a ,
o , o

story or serve to correct some f its errors


, d he w i ll o , an

a lso find in it some things th t he himsel f has t b ef re a no o

seen Give and Take keep the gates o f kno wledge w here
.
,

non e b ut the d warfs pass through wit h un b o wed head .

B 2
4 E N GL I SH Wm T E R S .

In our nation l li fe there e b reaks But s out


a ar no . a

w rd ccidents ffect the dress


a a f u b dies so they ffect
a o o r o a

T he
p m the dress o f th ught A student of costume c ld
o
.
o . ou ,

Efigfi fi
’ f
by‘
s
bserv
°
ti n o f th se outo w rd c h nges c me a o o a a ,
o
Li m ‘e
very ne r to the ex ct date o f a picture r p e
u 'e °
a a e r

senti g li fe o f its o wn time so might appro ch be m de


n an a a

to the d ting f b ooks by b serv tion of th eir l ngu ge d


a o . o a a a an

their out w rd ccidents o f style Upon historic l ccidents


a a . a a

a ffecting fashions o f speech and not up n changes o f the ,


o

fixed n tural ch r cter w e found there fore division o f


a a a , , ,
a

t his Hist ry int four periods n me l y


o o , a

Th t of T H E FO R M AT I O N O F T H E LA N G U G E d ring
a A , u

w hich E nglish bvi usly d s bst nti lly di ff ers from the
o o an u a a

E nglish w e w spe k no a .

Th t o f I T L I A N I N F L U E N C E fe l t in Ch ucer s d y as
a A , a

a

infl ence o f gre t writers on gre t w riters but first c mi g


u a a ,
o n

in as influence of pe ple up n people with the com


an

o o ,

p ny o f courtly m kers wh o preceded the ge o f E li abeth


a a a z

Th t o f F R E N C H I N F L U E N C E of w hich the beginning is


a ,

m rked strongly b y a change in the style of Dryden s u b e


a s

quent to the Annus Mir bi l is a .


And that of E ng l ish P O P U L AR I N F L U E N C E which w s , a

establis h ed gradual l y but which may be dated from De f e , o .

To the l st n med there was added slight admixture f


a -
a o

a G er ma n I fl
n u ence .

Be fore dopting these divisions in a survey of the course


a

o f E nglish Literature let me b e permitted to explain m re , o

fully w hat t h ey mean .

The student o f E nglish Lit erature wh o looks f the or

characteris tic mind o f the nation underlying through l l a

T h O e
gener tions
ne
fo more th n tho sand years
a the r a a u

M di h m
a11
in most distinct
nt diversities
e o f m nner should found a

MS l S o S o f the study pon such d e S t es


.

l l n u Iv r I I

f m nner b u t re fu se to recogni s e divi s ion in the li fe itsel f


~
a , .
I N T R OD U C T I ON .
5

Of every ch nge o f t ste a d style m rking period he


a a n ,
a a ,

sh ould seek the origin i m ny i fl e es s of pu b lic


— n a n u nc a

events or s t ruggles at home or abroad ; o f t h e person l a

c h r cter o f the sovereign in the days o f patronage


a a o f the

hum ur of the sovereign s court w hich w o ld colour the


o

,
u

humours o f l l lesser patrons o f the genius of gre t writers


a a ,

or the f shion ble extravag nces o f sm ll writers wh w ere t


a a a a o a

the time in high repute But at every turn it i s to b e . re

membered th t those superficial differences do n ot ch g e


a an

the mind w ithin An honest e r est m m y in day so .


,
a n an a a

accommod te himsel f to the t ste o f his comp ny that


a a a

w ith the s me me ning to express — fo one he sha l l be


a a r a

w arm tt cker f b uses fo nother a c lm m or list f


a a o a ,
r a a a ,
or

another jester fo nother s tirist fo an ther a ret iler


a , r a a a , r o a

o f fl t small talk ; and w ith each comp ni n he sh ll


a by a o a ,

cha ge of mood have come into such honest sympathy that


n ,

he sha l l h ve carried one d the s me thought f irly hom e


a an a a

to al l Far more easy it is fo the unity o f a su b st n tial


. r a

E nglish ch r cter to be m int ined in variety o f utterance


a a a a

b y the di ffere t voices o f many men spe king at di ff erent


n ,
a

times but al w ys str ight from E nglish lips to E ngl ish


, a a

e rs
a .

Yet another consider tion ha to b e pplied const tly a s a an

to the study of liter ture It is the expressi n o f the a a . o

b est mi d o f t h e country
n But why so ex S m f .
o e, o

pressed ? Books e produced either t uphold ar o

right fo its own s ke or to pr cure credit d g in to their


r a , o an a

auth ors or fo the t wo re sons com b ined The d esire of


,
r a .

g in never could mean fo ny h onest E nglish uthor


a r a a ,

i f he w ere not rich — at any r te d o w n to the cl o se o f the


,
a ,

l ast century more t h n l bour fo a livelihood


,
-
d i f he a a r an

w ere rich it cert inly w


, t by w riting books t h t it would
a as n o a

easily have occu red to nybody th t he might incre se his


r a a a

we lth
a But the man w ithout heredit ry store wh g ve
. a o a

his l bour to his pen has at all times been forced by t h e


a ,
6 E N GL I SH WR I T E R S .

conditions o f li fe to study h ow he m ight su b sist b y it .

M ney that some affect to despise in the gross m e ns


o , , a

fo d clothes health— nay t h e very lives— O f w i fe and


o , , ,

children ; power to b e honest pow er to be just po wer to , ,

be m erci ful Common truths as these are they help to


.
,

m ke many things clear when fairly and habitu ally applied


a

to the nalysis o f Literature


a .

Thus fo example in the old British and Pag n hal f


, r , a or

P gan times there w ere men wh o s ng deeds o f a chie f d


a a an

I pn his forefathers The rude civi l isation h rdly gave


a g an . a
m "
b irth to high spiritu l spir tions and there w no
e'
a a a , as

b read for an author except wh t he ate at the t ble o f a a

such a p tron For what he received he paid w ith cunning


a .

w ords o f fl ttery and battle songs to stir his master s f l



a ,
-
o

low ers to v lour The desire o f gi fts w s never c nce led


a . a o a

b y the b ard Thus T l i i — i n e o f the few song


. to a es n n o s

Urien which m y be l d as l l pretend to b e and m y


a as o a , a

re l l y c rry us back to the d ys when the C elts w ere con


a a a

te ding ag inst the invasion o f the E nglish Taliesin is


n a —
very explicit to his m aster The b road spoils of the spe r . a ,

he says are given to my f ir song d elivered b e fore t h e


,
a

bright smiling hero The most resolute of C hie ft ins is . a

Urien .E agle of the l nd very k een is thy sight I a , .

h ave m ade a request fo a mettled steed the price f r , o

the spoils o f Tal iesi The s me aid to appreci tion o fn . a a

the hie ftain from wh om c me the m instrel s b re d opens


C a

a

a n t her of these songs Urien o f the plain most generous


o , ,

o f bapti ed men ; much h z he besto wed on skil ful m e as n .

Like to the heaping together o f scattered corn is the b u n d a

ance of Christian b rds In the earlier days of E nglish a .

possession when Christi nity had not yet touched the


,
a

he rts o f ou foref thers sti l l the milit ry chie f was the


a r a , a

sole patron b y whom an author could be fed d b ttle , an a

stories pleasant to his e w ere all the literature he w ould ar

pay fo r.
8 E N GL I SH WR I T E R S .

The religious mind d t hat quiet spirit of work in Bede


an

w ere E nglish Outside the monas teries the fields w ere


.

being tilled and b y successive colonisation the land had


,

b een occupied by an industrious race w illingly attentive to ,

the te ching f n honest clergy And in these respects the


a o a .

comi ng of the Normans did not change them .

The Norman s w ere but a n ew r ce in France I t was a .

only in the d ys o f Alfred when t h e First E nglish had


a ,

U d n h
e, achieved their b est and w ere about to lapse int
t e ,
o

stolidity of character that th ose b old Northmen ,

settled in France and b eca m e fathers of a mixed race th t


,
a

knew not whence it had come ; supposing indeed its old , ,

h ome to b e somew here upon the Dan ube When their .

c hie f joined to his r i ch dukedom in France the throne o f

E ngland he b ecame the richest prince of w hom a b ard


,

could seek re ward French song Arab ic learning sought in


.
,

S p in by busy scholars the ready jest soon f miliarised to


a , , a

the whole E ngl ish people i n the miracle play that imparted
its hal f prof ne liveliness to religious teaching such i
-
a — n

fl u e ces stirred E nglish w its


n The reckless rule of Norman.

feudal lords and t h e scandals o ften raised amo n g their


God fear ing flocks b y the excess that had b e en common
-
,


even in Normandy among t h e clergy such i nfluences
,

stirred E nglish temper Song and romance found friends ;


.

but there b egan at once and rose gradually in intensity the


, ,

determined protest agai nst wrong which form s the bone and ,

marrow of our l i terature Th ere was reas on now why men


.

should speak fro m their hearts there was reas on also wh y


the people should Su pport th ei r spokesman E ven at Court .

the Norman wits were as earnest in th eir L atin satires as


t h e m en of the soil in their o wn mother to n gue At last .

w e have the whol e r eligious soul o f E ngl nd centred a b out a

Wycli f and the author o f Piers Plo wman w ith the old

,

E nglish religious seriousness is u rging w ith dire ct moralities, ,

w hat Chaucer in the m ore altered E nglish an d w ith h i s o wn


,
I N T R OD U C T I ON .
9

livelier wi t b rightened among the Normans in the capital ,

was u rging w ith an equ l earnestness of heart a .

Meanw hile there had b een transition v ying in di ff er ,


ar

ent parts o f E ngl nd in extent d character from first


a an ,

E nglish to w ards the E nglish w e ow speak Into n


I fl e ce
.

f n u n o

the re sons fo the di fferences in T an s i t o


a r i
m m
r I n n at o n
" o
u p on

E nglish as w ell as the f cts o f them the student


,
a ,

o f the E nglish l ngu ge must needs enter fu lly All


a a .

E nglish o f t h is Period is know n t once b y its use f gr m a o a

m t i l f rms th t have passed aw y


a ca o a d many w ords th t a ,
an a

ar e ow o b solete
n But with C h ucer w e dr w towards the
. a a

cl ose o f w h t w e h ve called the Period o f the F rm


a a o a

tion o f the L ngu ge w hile the Peri d of It li n Influence


a a ,
o a a

begins .

At the source of modern E uropean literature the ch ie f


spri ng is represented by the genius o f D nte w hich descends a ,

from a su b lime height as one pure and mighty column to , ,

b lend w ith the noisier d b ro der stre ms running from an a a

those t wo other fountains o f abund nt song d story a an ,

Petr rch d Bocc ccio But w hence the strength d


a an a . an

fulness o f these he d waters P What morning d ew o f poetry


a ,

wh t Oa bscure tricklings of verse c used in d ys barren f ,


a , a o

w i t the genius o f D nte to le p forth from t h e dry rock ?


,
a a

After the con fusi n and d rkness o f the l st d ys of the


o a a a

Ancient L iter ture in the south o f E urope there wa rhym


a , s

ing of love verses or devoti n l songs fee ble and I h


-
o a ,
nt e ou t se t

rude u ntil sti red into quicker li fe by conflict with


r f I li o
,
ta a n
L I t e ra t u re .
a warm W t t e d O e ta l people
-
I Aga m s t t h S
rI n . l

p eople the S p ni rds had to maint


a in in their
a ow l nd a a n a

daily stri fe aw kening devotion l and p triotic chivalry d


,
a a a , an

giving soul t o song and b a ad and ag inst them the men


l l — f a

o f sou t h ern Fra nce w ent out to fight upon the sacred soil o f
,

Palestine Italy or the contending cities by w hich It ly


.
, a
I o E N GL I SH WR I T E R S .

was represented st id t home every man e ger to fi ght


, a a ,
a

w ith his n eighbour d tr de profit bly w ith the w rld The


an a a o .

provincial tongues o f the old Roman E mpire w ithin the


peninsul were m rked b y hundreds o f conflicting l oc l
a a a

forms ; each city scorned its neig h b our s dia l ect ; cl ssical

a

Latin was neutral gr und o f speech on w hich w riter


a o ,
a

fo more th n the circle o f his to wnspeople could tre d


r a a

w ithout o ffence There w a litt l e It li n prose be f re the


. s a a o

mid d l of the fourteenth century ; and the first It li n


e a a

poem — Di al ogue betw een Lover and L dy by Ciullo


a a ,

d Al m o d tes only from the ye rs


— hen the

ca a 7 7 8 w e w a I 1 2- ,
n

stir o f poetic li fe south o f the L ire and in Spain h d


, o ,
a

tr nsmitted to It l y th e impulse derived by thers fr m


a a o o

t heir contest w ith the M r D Al m o w s a Sicili n ’


oo . ca a a .

F l o cac hi e o w hose Can one upon his Condition thr ugh


r , z o

Love is al most or alt gether contempor ry w


, Tusc o ,
a ,
as a an .

It w t Palerm o in the thirteenth century under the


as a , ,

E mper r Frederic I I and his natur l son M n fredi both


o . a a ,

kings of N ples th t the true beginni ng w m de of an


a ,
a as a

It li n literat re In the men wh o preceded this period


a a u .
,

wh en It li n poetry w a even kno w n as the Sicili n



a a s a

l ngu ge there is no ve y strong trace of direct influence


a a ,

r

from Provence The troub dours on one side f the A lps


. a o

w ere but livelier and more numer us body kindred even


a o ,

in l gu ge to the fe w rhymers on the other The bound ry


an a . a

line w not strongly dr w n bet ween the Rom nce di lects


as a a a

on either side of Alps or Pyrenees When the Sicil i n . a

Court bec me a haunt o f poet s al th ough troub dours w ere


a , a

tempted thither it was r ther from Sp in th n from Fr nce


, a a a a

that the chie f influence proceeded The Italian sonnets .

b y the earlier precursors of Dante do not greatly resemble


poems of the trou b dours but are f more kindred in a ,
ar

v e i fi t io
rs ca to the S panish poems o f the Cid w ritten a
n

,

century be fore the marriage o f Frederi c of Sicily w ith


C onstance o f Aragon .
I N T R oD HG T /01V
'

. I I

When Frederic II t P lermo m rried to Constance.


,
a a , a

o f Ar gon m de the S icili n C urt the h unt o f poets it


a ,
a a o a ,

w s t h rough Aragon or from the Mediterranean coast


a ,
f o

S p in t h at str y murmurs o f the C stili n music penetrated


a , a a a .

But the dialects of Ar gon and C stile w ere alm st t wo a a o

l ngu ages ; t h e Aragonese sp ken lo g the whol e M di


a , o a n e

terranean co t of Sp in from C pe Palos north w rd being


as a ,
a a ,

in close rel tion to t h e P e q l Unsettled vari ti ns


a ro v n a . a o ,

i n d eed o f the same O i t i a tong e o f the troubad urs


, cc an n u o ,

differing in Provence itsel f from Italian d Sp nish an a no

more th n the Tuscan di lect from the Lomb rd d


a a a an

Veneti n w ere the langu ge o f song long the w hole line f


a , a a o

Mediterranean coast w estw rd o f Geno a d lmost to the a , an a

S traits Of Gibr lt r Thus f ex mple with an air to


a a .
, or a ,

modern readers of the most intelligible polyglot begins one ,

o f the songs o f Bern at de V e ta d o born of the people o f n rn ,

the Limousin

No n es m era v e l h a s i eu can

N ei l s d e n u l au t re c a n t a d or .

The second or Sici l ian period o f early Itali n litera a

ture received then s m e o f its inspir tion from a Spanish


, , o a

province but in the d ys o f Dante and the gener tions


,
a , a

next be fore him they w ere the poets o f Pr vence itsel f w h


, o o

gave the l w of so g to It ly
a n a .

Not It ly alone w a influenced thus from without The


a s .

concourse and conflict of mind in the Crus des had in fect d a e

courtly w its in Germ ny lso w — here the g I h a a ru


n t e ou t s e t

g e d l y g and poem
r o f the N b e l g b e
g
G I un en e rm a n
I t e ra t u re .
longed to the true m d of the people w t h — In I

the epidemic of the g b The S b i Minnesanger ’

a z sa er . ua an

in the generations be fore D nte w ere riv lling the t o b a a r u a

dours of Provence in the f nci f l delic cy o f their pr ise f a u a a o

w omen E mperor B rbarossa h d b een cro w ned King o f


. a a

Provence in 3 3 and after the land of song was thus


11 ,
12 E NGL I SH WR I T E R S .

p rted fr m France as a fi ef o f the German empire the


a o ,

C urt o f the S u b ia E mperors cherished among its ow


o a n n

minstrels the t i fi es of Proven c l poetry The reign o f


ar c a .

B rbaross s gr ndson Frederic I I not nly est blished


a a

a ,
.
,
o a

a round his Itali n th rone a golden d y o f It l i n song


a a a a

be fore the g e of Dante ; in his ow l nd also he wa


a n a s

surrounded by the minstrelsy of such great chie fs o f the


minnesanger as Wol fram von E schen b ach d W lther von an a

der Vogelw eide wh o w ent with Frederic to the C us d es


, r a

men w ithout equ ls in Italy a .

To E ngland also there passed through Northern


Fr nce the s me spirit o f southern song and story not
a a ,

In E l d
un
ng a n
ff ected by the d enturous and busy temper
a a v

o f the t h m g Normans wh o found w ork and


gfi g
h t e rI v ,

lg
l m
or anpay fo C h roniclers i verse and prose
r They n .

I ng s .
liked w ell that the hist ry they made should be o

w ritten by cunning schol rs w h o b eing priests must h ve a , , a

licence t mingle histories o f ab b eys w ith the stories of the


o

rise and fall of thron es Ol d British tales th t h d p ssed . a a a

out o f mind came home ag in in song from Britt ny ever a a a ,

distinct stronghold o f fiction yielding the true f iryl nd ,


a a

o f Northern France O t o f such impulse arose also in


. u

E ngl nd during the gener tion or t w o be fore Dante little


a ,
a ,

o n thing indeed in imitation o f the fant stic and courtly


r o a

southern love song which the earnest men of the soil and
-
,

the dventurous Norm ns w ith the b lood of the Sea Kings


a a ,

n ,

in th eir vei s w ere like inapt to invent b ut the first a

E nglish metrical imitations of the cunningly invented


narrative lays and f bliaux or of the brisk t les of chiv lrous
a ,
a a

adventure We h d in E ngl nd during a few generatio s


. a a , n

b e fore Dante such liter ture o f feigned enterprise and d


,
a a

venture o true narrative o f action by the C hroniclers w h o


, r

w ited
a race of energetic h istory m kers and t
on a -
a o

gether w ith it th ere rem ai s enough to sh ow the dom in nt n a

c haracteristic of religious earnestness marking the s canty


I N T R OD U C T I ON I
3

w ritten utterances f the E ng lish o f the people Brother


o .

Orm s O m u l m a body f metric l homilies founded


’ ”
r u ,
o a ,

o n paraphrases of the G spel fo each day designed o r ,

fo instruction o f the congregation in the d aily service o f


r

the Church rem ins to us from the c entury be fore the


, a

birth o f Dante It is care fully f rnished w ith peculiar


. u a

device of Spelling dou b tless intended to secure the right


,

pronunciatio o f their ow words to the people b y ignorant


n n

or hal f Norman readers


-
.

This b eing the condition of poetry am ng the men w ith o

whom the ew kingdoms o f modern E ur pe w ere rising into


n o

li fe whence the sudden predomin nce of D nte s


, a a

genius ? Wh y sh uld it be through most u 2?flf zfi 3


° a ‘
o a n

fortun te outcas t from Florence in its d y


f
a f a o
°

ut m ost discord that there c me s u ddenly the 5323 532 a 9


3

Divine Poe m w hich first r ised th e literature of


.

the moderns to a l evel w ith the highest utterances of the


ancient w orld ? The r re gi ft of genius in Dante re l ly fel l
a a

on the best soil in E urope when surrounded by the w arm ,

a rtistic spiri t of the Tu sca ns it lay nurtured i n the soul o f ,

a m n linked to t h e li fe o f the chie f Tusca n city


a .

Florence was in spite of its rude turmoil o f i nd ep e d


,
n

ence great among cities of E urope in commerce a resort


,

o f nations a hive of the most ctive earnest


,
a , ,

enterprising li fe Only in the stir o f the city


.

where man meets man and eac h man s energies are called

into the fullest play ; where commerce brings the wor l d


w ithin the city s g tes and yet is not its w h le li fe but

a ,
o ,

leaves room for all that there is in man besides d beyond an

the trading spirit to ssert itsel can great centre o f


f— a a

literature b e est blished Such a centre Florence w in


a . as

Dante s d y and a fter it



a , .

To the chie f discords o f North It ly there w as an i a an

mating sou l ; the struggle b et wee n Guel f and Ghibelline


w as for a l o ng time practically the b attle o f popular right
I 4 E N GL I SH WR I T E R S .

a gainst Imperi l feud lism The Peace of Constance in


a a ,

I 1 8 3 est b lished fo those It lian republics the possession


,
a r a

f the rights they fou ght for ; and during an ther


o o

ifijf is fo ty ye rs the Guel fs w h o were then the Italian


h l m l
u
r a ,

5535335 1 party
8
h d their w ay But
, that graa n dson o f B . ar
d
?? hfg
g
i ‘c a
b rossa Frederica II w hom w e h ve fou n d i
,
.
, a n

g t i g in
au S icily an
u raIt li n e w birt
n h m in a a n ,
a

t ai e d ag in the Imperi l ca se in b ttle ag inst North


n a a u a a

It lian republic nism When D nte w s b orn in 6 5


a a . a a ,
12 ,

this conflict not of men only b ut o f principle wa r gi g , ,


s a n

fo Frederic s son Man fredi still ruled in S icily and Naples


r , ,
.

Duri g the last five ye rs since their triumph at the f mous


n a ,
a

batt l e of Mont Aperti the Ghibel lines had been enj ying ,
o

s way in Florence ; d as the exiled chie fs of the Guel fs an

did not return till t wo ye rs after Dante s birth w hen a



,

Charles o f Anjou crow ned by the Pope King o f N ples , a ,

h da verc me M n fre d i w e cannot suppose th t the


o o a ,
a

respect ble un b nished la wyer f wh se second wi fe


a ,
a , o o ,

D nna Bel l D nte w as b orn though o f g od f mily held


o a, a , o a ,

a nything like the consideration f a party chie f o .

The Ghi b ellin s wh o le ft F l orence w hen after the arriv l


e ,
a

o f Charles o f Anjou the Guel fs returned w ere restored to , ,

their homes tw elve ye rs a fterward s d lready the i d e t i


a an a n

fi t i o o f the Guel fs w ith a French party w s b eginni g


ca n a n

to deprive their cause f its very soul in its connection w ith o

Itali n n tion l ity Both parties fte the Ghi b ellines e


a a a .
,
a r r

turned w ere gain comb t nt fello w c iti ens in Florence


, a a a -
z ,

fro m the time when D nte w boy o f thirteen le ft duringa as a ,

the last four ye rs by h i father s de th in charge of a most


a , s

a ,

c re ful mother A fter four m re ye rs when the poet w


a . o a ,
as

in the first flush o f manly y uth t h f mous Constitution o f o ,


e a

12 8 represent tive o f the highest point o f free pol itic l


2, a a

strength tt ined by the city was est blished The soul f


a a ,
a . o

liberty h d anim ted even the licence o f many a lawless


a a

street conflict The republican spirit w ild enough in som e


.
,
16 E NGL I SH WR I T E R S .

e ff ects o f her gracious s l t ti n She died young fter a u a o .


,
a

m rrying some b ody else and died in the year wh en young


a ,

Dante w presen t as a soldier t the t king of C prona


as , ,
a a a .

I f w e are to take as it stands q ite literally the “


Vita , u ,

Nuov s t h e history o f D nte s early love w e


a

a s ee a

, can

in it only glorification of cal f love much more open to


a -
,

Leigh Hunt s censure than to the admiration justly cl imed



a

fo it
r Bu t it is not to b e so reg rded
. a .

At the end o f the Vita Nuova Dante celebrates his


consolation fo the death of Be trice in n other love ; and


r a a

in the Convito his n ext w ork h e expl ains that this m aid
, ,

w s Philosophy To conquer his grie f h e read Cicero s ’


a .

Laelius d the Co so lation of Bo ethius w hereby he was so


an n ,

dr wn to philosoph y th t he went to its source in Bologna


a a

and Padu and fter thirty months w s m stered b y t h e


a, , a , a a

love o f it be f re his upw rd w y led to the heavenly love


, o a a .

T wo ye rs a fter the death o f Beatrice Dante w s m rried


a ,
a a

to noble lady of the hous e of Don ti When ten years


a a .
,

l ter he was banished the poet left five or six little children
a , ,

in his n ative city w ith the wi fe wh o there only could she l ter
and rear th em and being allied to a house then in t he
, ,

a scendant perh aps recover for them something out of the


,

w reck Of their fathe r s w orldly substance The sep r tion ’


. a a

w s dictated strongly b y prude n c e ; and i f Dant e does not


a

m enti n h i s w i fe in his poetry fo good or ill so neither


o , r ,

does he menti n his chi l dren his b rother his father h i s


o , , ,

d evoted mother or anything belonging to th t strictly pri


,
a

v te l i fe w hich poets of his d y refrain ed from intru d i g on


a a n

the pub l ic Beatrice belonged to the pu blic as


. ide lised an a

being o f whom what he wrote was t o be read w ith a


,

m ystic l a well as natural interpretation and the n atural


a s a ,

interpretation then was into graces of a poet s courtesy ’


,

th t were allo wed freely because they were held not to


a

imply person l suit Had Dante indeed b een trai ned only
a .
, ,

in studies of poetry an d philos ophy he never wo u ld have ,


I N T R OD U C T I ON . 17

passed beyon d the Vi t a Nuov an d the Convito which


“ a,

, ,

though lifted i n aim link him directly to the Pro e cal i st


,
v n s

on t h e o n e si d e and to Petrarch on the other and by ,

w hich he is more especial ly connected with that sequence


of Itali n writers through w h se influence a literature
a o

marked strongly b y the taste fo concei t s was afterwards r

est blished i n this country He would have been little


a .

more than a master in the school to which Guido G i i cel li u n

h d b elonged
a H e might even have imitated as at l st he
.
,
a

did the Tesoretto of his old teacher Br u netto Latini


,
“ ”
, ,

w herein that poet — statesman as he was coldly described



h ow he was lost in a forest and found Nature wh o told him , ,

o f many things God m n redemption an d t h e n avig tion


, ,
a , ,
a

b eyond Spain h o w in the next forest he was instructed b y


Philosophy met the four Virtues went to the abode of
, ,

Love d was led out o f the w ood b y Ovid But w ithout


, an .

the vigorous stirring o f all his depths b y the surroundings ,

o f his li fe in Florence Dante never would have on such , ,

suggestion yielded as he did fo the first time in l l litera


, ,
r a

ture the whole innermost truth of a man s soul in poem


,

a

passionate w ith all that w s real to him rising fearlessly to a ,

the heights and soundi g the depths of an argume nt u n n

equ al led then in its su blimity .

I must not d well here on t h e Divine C omedy Its .

pow er is in the fulness with w hich it puts into fitting music


a m n s mind stirred to the vigorous assertion of all R l i
a

e a t on

that was b est in it Another man might put If fd f .


l
n o

Sol i u s the geographer in place o f Virgil and h D i


n , , ,
t e iv ne
C d om e
pr duce an explorat on o f the upper world n ter a
o i I z
y .

rima as a D i t tam on d o but beside such work the Divine


,

Comedy was Chim borazo to mole hill We skirt its



a -
.

b ase and discuss Dante s


, Vita Nuova on our way to ’ ”

Petr rch and Bocca ccio when w e speak o f Italian litera


a ,

ture with regard only to its infl u ence upon old E nglish
writers .
18 E N GL I SH WR I T E R S .

It w then b y no b rupt tr nsition that the str ined


as , ,
a a a

an d f nci ful love poe t ry o f trou b dours a d minnes nger


a -
a n a

passed through the young Dante s cele br tion of ’


a

fi f mfi; the ideal excellence o f Beatrice into the sonnets o f


i
fi gfifw o
Petrarch
’ ’n s
fro m w hich S urrey
, and Wy t d the a an
“ “
OM
courtly m akers o f the days o f Henry VIII

b
.
t ro u a

33:2n .
le rnt to n ew m uld our E nglish verse ; and into
a -
o

D
P
ant e t o
e t rarc h
the Italian t ste fo conceits w hic h exercised soa r

l I el y n nfluence on our E l ab et h n l I t e t e
.

v a I Iz a ra u r .

W he n D nte in 3 4 then thirty nine ye rs Ol d w s


—a 1 — 0 -
a a

w ith the arm y o f exiles th t by bol d stroke almost t ook a ,


a ,

Fl rence the father of Petr rch a Florentine not ry pro


o ,
a , a ,

scribed w ith Dante w s Ghibelline soldier in th t army , a a a ,

an d on the night o f its d i o m fi t re w ithin the c mp his sc u , a ,

w i fe gave b irth to their son Fr ncesco After shi fting fo a . r

seven years from to wn to to w n in I taly the f mily o f , a

P et or Peterkin settled first t and after w rds near


rac c o , , a a

Avigno w here the Popes w ere in base exile There the


n, .

y ung poet was first t ught by n old exiled I t li n h e t o


o a a a a r

i i
r c an W —
like a hetstone s id the pupil b lunt himsel f but , a ,

g od to sharpen others H ow t h e young P et c o w ent t


o . ra c a

th e a g e o f four t een to study fo three years in Montpellier ; r

h o w he studied a fterw rds fo four years in Bol gn ; w s a r o a a

then released from un willi g pursuit o f the l aw by the death n

o f his p rents w h o le ft him w ith a younger brother


a , le , , S n

d l y provided fo and in charge o f thievish executors h ow


er r

he d his b rother Gher rdo entered the C hurch d looked


an a an

to Avignon w ere Jo n h ,
h XX II kept a great b e e e shop
fi — . n c ,

as the head quarters o f pre ferment where he found good


-
, a

patron in t h e Cardin l Giovanni Colonna this and much a

more about himsel f nd his times the poet himself h s told a a .

He has bran d ed also with sh ame the lust a d licence of the n

P p l capital at Avignon He was a poet and a sch ol r


a a . a ,

h l f a Frenchman b y residence f miliar with French s w ith


a , a a

Italian love poetry with the songs of the troub adours as


-
,
I N T R OD U C T I ON 19

w ith the sonnets f the Vit Nuova It delighted him to


o

a .

pore over ma uscripts of Cicero and Virgil Senec w s


n ,
a a

de r to him and the fl me of Itali n p triotism quick in


a , a a a ,

him from the first found fuel even in t h e H i s t o i s of Livy


, ,
r e .

I f the poetry w ithin him m de his scholarship at l st the a a

mother of a L tin epic upon Africa the same poetry w edded


a ,

to love had prod uced his sonnets in the vulgar tongue th t a ,

copied and recopied quoted a d requoted t once b ecame ,


n ,
a

the delight of Fr nce and It ly a a .

L ura wh o was b orn at Avignon of Proven c l family


a , a a ,

had b een fo t wo ye rs y ung w i fe when Petr rch t the


r a a o a , a

a
g e o f t w enty three first s w her
-
S h e h d in additi
, o n to a . a ,

her husband ten children be fore Petr rch h d brought to


,
a a an

end his ideal celebration of her excellence d her husb nd , an a ,

Hugh de S de h d noth ing to compl in o f in the sonnets


a , a a .

Their vari tions Of love sentiment w ere but the d intinesses of


a a

poetic l conceit ; they expressed skill in science the g y


a a ,
a c

i
s c en ce w herein even w hile Petr rch lived in Fr nce d ctor a a o

a tes b eg n to b e gr nted by virtue o f the edict f Clem n


a a ,
o e

tin I s e Countess f Toulous wh o in 3 4 instituted


a au r , o e, 1 2

the Flor l G mes These g mes ss mbled t Toulouse


a a . a a e a

the poets of Fr nce housed them in rtifici l rbours


a ,
a a a

dressed with flo w ers d g ve vi let in gold to him w h o ,


an a a o

produced the best poem w ith the degree o f d ctor to him ,


o

w h o was three times pri em n It w only through t h '

a z a . as e

a ffections o f doctor in g y science th t Petr rch tur ed


a a a a n

cold in hot we ther upon seeing country girl w sh M


a a a rs .

Laura s v il or suggested in the so net quest nim



e ,
n

a a

gentil upon he ring o f her ill ness th t on the dep t ure o f


,

a ,
a ar

her spirit ,

I f s he es t a b l i sh
bod e be t w ee n her a

M a rs an d t he p l a n e t s t ar o f Be au ty s qu ee n -

,

T h e s u n w i l l b e o b s cu red s o d e ns e a c l o u d ,

O f sp i ri t s fro m adj a cen t s t a rs w il l c ro w d


T o g aze u p on h er be a u t y i n fi n i t e .
20 E N GL I SH I VR I TERS .

S ay t h at s h e ‘ fi x es o n a l o w er s p h e re,
B e n ea t h t h e g l o ri o u s s u n , h e r be a u t y so on

\Vi l l d i m t h e s p l en d ou r of i n fe ri o r s t a rs
O f M ars , of V en u s , M ercu ry, a nd the M oo n .

The translati n is C mpbel l s Though he w s constant unti l


o a

. a ,

her d e th as a middle aged m tron to the person b out


a -
a ,
a

w hom it ple sed him to w eave his ide l w eb in Petr rch s



a a ,
a

vers e the expression o f his p triotism is no b ler th n the a a

ingenious d music l expression o f unre l love He sees


an a a .

the foreigner on native soil nd cries o f one he rt w ith the, ,


a , a

patriots of hal f a thous nd years l t r a a e ,

La t i n s ang u e g e nt i l e

S com b ra d a t e qu est e d an nos e so m e

Or, as L ady Dacre rendere d this part of the appeal to the


princes o f Italy
0 L a t i n b l o od o f ol d ,

A ri s e an d w res t fro m o b l oq u y t h y fam e ,


Nor bo w b efore a na m e
O f h ol l o w s ou n d w h o s e p o w er no l a w s e n fo rce
F or i f b a rbari an s ru d e
H a v e h i g h e r m i nd s s u bd u ed ,

N o t su ch w i s e N at u re s

O u rs o u rs t h e c ri m e
, . cou rs e .

A h i s n o t t h i s t h e s o i l m y fo ot fi rs t p re s s e d ?
,

A n d h e re i n cra d l e res t
, ,

\Vas I n o t so ft l y h u s h ed ? h e re fo nd l y re a re d
A h i s no t t h i s m y co u n t ry s o en d ea re d
, ,

B y e v e ry fi l i al t i e ,

I n w h os e l a p s h ro u d e d bo t h m y p are n ts l i e ?
O h b y t h i s t e nd e r t h o u g h t
, ,

Y ou r t o rp i d bosom s t o co m p ass i on w rou g h t ,

Look on t he p eop l e s g ri e f ’
,

Wh o , a ft e r G od , of you ex
pe ct re l i e f ;
A nd i f ye b u t re l en t ,
V i rt u e s h al l rou s e h e r i n em ba t t l e d m i g h t,
Ag ai n s t bl i n d fu ry ben t ,
I N T R OD U C T I ON . 2 I

N o r l ong shal l d ou b tfu l h ang the u neq u al fig h t


F or n o — t h e an ci en t fl am e
,

I s n o t e x t i ngu is h ed ye t t hat rai sed t he I t al i an n am e .

The fire of the poet is almost extinguished in the tra sl a n

tion b ut it le pe d high and it sti l l animates his country


a , .

There w a in Petrarch w hose verse represents the p e fe


s , r c

tion o f Itali n style full me sure o f the ear estness th t


a , a n a

gives to a tru e poet permanence o f f me Truth su b tly a .


,

expresse d l ives in m ny immort l line even o f the most


,
a an a

conceited of his Pl tonic love sonnets But it w s not fo a . a r

his pat riot ism or for his truth that he w as made d rling a a

poet o f his age Wh t the trou b do u rs h d b egun he per


. a a a ,

fe t ed
c .

O f the t wo form s of his verse he deri ed one the ,
v

sonnet from the Sicili ns ; the other the c n one —fro m


— — a a z

the Provencals The recital of his verses from to wn to


.

to wn clothed ragge d men in silks while Petr rch tells us ,


a

th t even the very shoem kers b egan to cele b r te their loves


a a a

in emulative rhyme .

In 3 5 9 D nte had been de d eight d thirty ye ars


1 a a -
an -
.

Boccaccio then a so b ering m o f forty six ten years fter


,
an -
, a

he h d w ritten his Dec meron t lked the


a a ,
a

ology t Florence with Petr rch nine ye rs his


a a , a

senior As Petr rch did not p ossess among his


. a

manuscript b ooks the Divine Comedy o f Dante ”


,


Boccaccio appointed t Florence first Of a line of pro a

fess o s to expound t h at poem and to glori fy its a u thor


r

gave hi m a copy which was acknowledged in letter from


, a

which one p ss ge although o ften quoted is w orth repeti


a a , ,

tion
G l ad l y d o I se ize h
t i s o pp o rt u n i t y
o f c o n fu t i ng t h e c a rg e m a d e h
ag ai ns t me by m y e ne m i es o f a t i n g t i s g re at p oe t h h
hy s o u l I . W h d
ha t e hi m ? I n e v e r sa w h i m b u t o nce , o r ra t e r h e w as s o w n t o m e , h h
and t h at i n m y ch i l dh o od H e l i v ed w i t h m y fa t h e r an d g ra nd fa t h e r,
.

ol der t han t h e form er, you nge r t h an t h e l at t e r, an d t h e sam e s t orm


2 2 E NG L I SH WR I T E R S .

d rov e t h e m al l th e same d ay from t h ei r cou nt ry Th is s i m i l ari t y of .

fo rt u ne j oi ned by a u ni on o f t as tes u ni t ed h i m i n st ri ct fri en d s h i p w i t h


, ,

m y fat h er b u t th e y t oo k o p p o s i t e c ou rs es : m y fat h e r y i e l d ed t o
c i rcu m s t a nce s and o cc u i ed h i m s e lf w i t h t h e care o f h i s fa m i l y D an t e
, p ,

o n t h e c on t rary res i s t ed t h e m an d res ol u t el y fol l o we d t h e p a t h h e h a d


, ,

t ak en t h i n k i ng on l y of g l o ry and resi g ni ng e v eryt h i ng for i t


, ,
N e i t h er .

t h e i nj u s t i ce o f h i s c o u n t rym en n o r p ri v at e q u arrel s nor e x i l e n o r


, , ,

p o v e rt y n o r l o v e o f c h i l d ren or w i fe — n t h i n cou l d d i s t ra c t h i m f ro m
, o g ,

h i s s t u d i es t hou g h p oet ry d e m an d s s o m u c h q u i e t a nd rep os e


, .

The seven im gin y l dies d three gentlemen w h m


a ar a an o

Bocca ccio supposed to shut out the horrors of the gre t a

pl gue o f Florence in 3 4 8 b y enjoying themselves in a


a 1 ,

g rden ith a ten day eas t o f story telling presented i


a w f - — -
,
n

the best and eas iest though ne rly the first I talian prose
,
a ,

among their hundred t les the choice t ales of th e day from a

the French fab liaux from i ncidents of actual li fe or from


, ,

w hatever source was open to the author E ven the .

machinery in which the tales are set came from the East ,

and h d existed in a L tin form t wo centuries b e fore The


a a .

n um b er o f the stories also w as perhaps determined b y the

previous existence of the Cento Novelle Antiche Boc .

caccio w rote to amuse the ladies l ittle pri ing wh t he , z a

esteemed as his light lab our in the vulgar tongue But .

Petrarch s love poetry w s not m ore to the taste o f the d y



-
a a

th n Bocc ccio s tales ; the very t les of the time in the


a a

a ,

temper and manner Of the time per fectly expressed Col ,


.

lections of stories linked together b y the incidents o f a sligh t


cont ini g narrative multip l ied rapidly Chaucer s m ster
a n ,
.

a

piece wh i c h includes some o f the Decameron tales w s


, , a

w ritten pon t he plan thus established some thirty years


u ,

a fter the Decameron .


Ch ucer born seven years after the d eath of Dante was


a , ,

t wenty four years yo u nger than Petr rch


-
a

F rau n cei s P et ra rk t h e l au reat poe t e ,


H i gb t e t h i s cl erk , w h os re t h o ri k e swe t e
E nl u m i n ed all I t ai l l e of p 0 e t ri e,
24 E N GL I SH WR I T E R S .

and misgu ided people to the divine simplicities of Christian


truth .

The disastrous glori es of the reign of H enry V d the .


,
an

still more d i sas trous period of the ensuing War s of the R oses ,

checked the adv nce of our l iterature Lydgate a .


,

in the fi fteenth century tu rn d stories from ,


e

L tin and It li n collections from French fab


a a a ,

li
au x nd Church legends into prolix verse
a H e en forced , .

the mor ls good monk w ould l bour to uphold b u t not


a a a ,

w ithout admixture O f t he E nglish s tiric l spirit w hic h a a ,

attacked chiefl y the l wyers s class tha t had then t ke n a a a a

profit ble employments o u t o f the h nds of the clergy d


a a , an

the women wh o w ere in those days not more subject to a


,

refinement of conce i ted praise th n to the coarseness o f the a

most damnatory j esting Stephen H wes s Pastime of . a


P l eas u re continued on French ins piration the al legor ical


school o f rom ntic verse in the style of the Romaunt o f


a ,

the Rose into the reign o f Henry VII Here the Prince
,

.

G rau n d e Amour resolves to b ecome w orthy o f La B e l P c el l u

b y st u dies in the To wer o f Doctrine H e is taught there .

b y Lady Gramm r and her sisters Logic Rhetoric Arith


a , ,

m etic and Music p sses to the To wers o f Geometry and


, ,
a

Chi valry then b ei n g made knight goes forth to seek


, ,
a ,

adventures is deceived b y the d warf False Report kills a ,

gi nt w ith three heads c lled Im gination Falsehood and


a a a , ,

Perjury marries h i s l dy a d is h ppy unti l made prisoner


, a , n a

b y Age wh o gives him Avarice and Policy for comp nions


,
a

he is sl in b y Death b uried by Mercy and h s his epitaph


a , , a

w ritten by Remembrance With Hawes w e travel upon one .

road to the F ery Q een <


a u

D ring this long period of E gl i SEs ocial depression by


.

u n ,

f t h e b est part o f our imaginative literature was that w hich


ar

the bright spirits among the people who must still be amused
w ith so gs nd stories struck out fo themselves b y telling
an r ,

the K i n g Arthur romances and other metri cal t les in plai n a


I N T R OD U C T I ON

prose and b y turning other pleasan t a d ventu res w ithout a


, ,

w ord Of w aste reflection , into animated b all ds ; tales and a

ballads alike b usy wi th s wi ft action But while S d f .

p re a o

at the E nglish Court the soldier jostled out 53235 212 1


0 1

the poet du ring the time of our w orst obscurity it? m m


of
, .


there was in Italy Loren o de Medici delight
0

z ,

ing in the friendship Of poets and schol rs and himsel f a ,

poet i n the Petrarchan school enjoyer o f the life o f letters ,


.

He w s born in the d ys o f our W r wick the King m ker


a a a -
a ,

an d died in the year when Perkin W rbeck l nded at C rk a a o

a s Rich rd Pl nt genet a The c pture f Const tinople by


a a . a o an

the Turks i n 4 5 3 sent re fugee Greeks abroad w h o t ght


1 , au

their lan gu ge at Loren o s Court m de Platonism (partly


a z

,
a

sound and partly as perverted into f nt stic doctrine by t h e a a

Pl tonists o f Alexandria ) nearly as popular as the ingenious


a

search fo conceited llegory the discovery of bl emish in


r a ,

the name o f b e uty in the verse o f Petrarch Loren o him


a . z

sel f i a love sonnet tells h ow the gods made h i m poetical


,
n , .

The rays of love from the eyes of his l dy penetr ti g a a n

through his eyes to the s h do w of his he rt as r ys of the a a a

sun enter the d rk beehive b y its fissure ca used the hive to


a ,

a w k e and fly hither and thither in the forest sipping from


a ,

the flo wers The Florentine cademici ns after the death


. a a ,

o f L oren o s son Leo X h ving b een caught in politic l



z ,
.
,
a a

conspiracy lost some of their number to the sca ffold a d


, ,
n ,

b e t aking themselves to purely literary discussion esta b lished ,

i n the head quarters of It lian that w as to s y o f E urope n


-
a , a a ,

liter tu re and civilisation


a idol t y o f Petrarch E ach an a r .

sonnet b eca me the text fo endless lessons dissertations r , ,

commentaries and allegoric l interpret tions Leo died


,
a a .

in 5 and
1 it w s
2 1, w ithin the next t w enty
a years that ,

as Puttenh m s ys in the l tter end of Henry V I I I s


a a ,
a .

reign our courtly poets Surrey and Wyat having


,

, ,

travelled into Italy a d there t sted the s weet and , n a

s tately measure s and style o f the Itali n poesie b came



a ,
e
26 E N GL I SH WR I T E R S .

E ngl ish Petr rchs imitati g and translati g from their


a n n

model .

But the vigour of intellectu l grow th in the gre t centres a a

o f Italian li fe and commerc e wa not crippled by this hero . s

w ors h i p A pastor l dram a sprang from the seed


. a

o f f ith in the pre eminent dram tic excellence o f


a -
a

the Bucolics of Virgil The Orpheus o f the young Poli .

z iano g ve strong impulse to p storal writing d the old


a a a ,
an

L tin gods o f wood d field w ere not fetched from a f r


a an a ,
as

w hen they reappeared in French or E nglish p stor l They a a .

w ere in It ly upon their n tive soil b elonging to


a gr t old a , a ea

time of the It li n people O f the Arc di o f S n


a a o . a a

a azza r

a p st ral i
-
a prose d verse including sonnets and
o n an ,

can oni of his e rly years w hich dealt with love begun
z a , a

even earlier in li fe th n th t o D nte o Beatri ce sixty


f f — a a a r

editions ppe red in the sixteenth century and it suggested


a a ,

the Arcadia o f S i Philip Sidney


“ ”
r .

Philip S idney is commonly remem b ered as the all


accomplished young B yard o f E li a b eth s Court from a z

,

w hom the gr eatest things w ere hoped b t w h o u


I n fl ence
, ,

f t lly wounded t Zutphen died in his e rly man


u
o f P e a a a ,
a
h
t nu c
an d f o hood w s mourned s never a p at e m w s
,
a a rI v an a

fi l
i
a l mourned be fore by the w hole E nglish Court and
people d wa su g in elegy b y the b est poets o f
, an s n

$12 35 his d
?
y It w as t fo attr. ctive graces as a no r a a

fi h mi d
un
s
d h
c
er t
urtier
n
e
th t heo w as thus loved and honoured by
a

I li
m
ta a n his Queen and country The Queen he th w rted . a

more than once ; the people cared l t t l e enough


a nn er.
Ph il i p I
S d
fo Court ccomplishments ; and Sidney w not
i ney '

r a as

alone in his time young gr ce ful clever d w ell b orn ,


a , ,
an .

The hal f U nderstood ch rm in him was that his e rly


-
a a

m t rity expressed as it w ere in the flesh the innermost


a u , , ,

soul o f E ngl nd ever young ever religiously e rnest ever


a , , a ,

b usy in ff irs ; though q u ick of fancy more ready to


a a t , ac

than to t lk and deeply interested in what free men knew


a ,
I N T R OD U C T I ON . 2 7

to bethe vit l questions o f the day He was b orn in 5 5 4


a . 1 ,

in the reign o f Queen M ry w hen the St te w ill at ease a ,


a as .

H e lived in days w hen the str ng b t t le f religious liberty o a or

m de its sound he rd in every Court o f E urope


a a And .

w hen the b ttle s it concerned a E ngl nd w s fought


,
a a ,
a

a ag inst Sp in on rem ved fiel d yet


a truly d w ith
a o ,
as an as

critic l issue s i f it h d been fought in Kent or Surrey


a an a a ,

he wh o h d in the teeth o f ll indi ff erence connected ch m


a a a

p ion s h i p f religious li
o b erty w ith every missi n th t he o a

undertook fell in de fence f it t Zutphen This w the


, o a . as

more than hands me Philip S idney w ith w hom E li beth o za

could t b e angry long ; this w the m w hom his


no as an

fello w courtiers honoured in their he rts


-
d E ngl nd a an a

loved .

At the age o f seventeen Sidney was w ith Si Francis ,


r

W lsingh m in P ris during the m ss cre of S int Bart b o


a a , a a a a

l o m ew d it w s a fe w m nths fterwards at Fr nk fort


an a o a ,
a ,

th t he b ecame the friend f L guet w hom he met s


a o an ,
a
'

fello w l d ger in the house o f Andre w Wech el a printer


-
o ,

h spit b l e as printers then w ere to the tr velling schol r


o a , ,
a a .

S idney s mind ripened and w c nfirmed in its ende vour



,
as o a

tow rds di ffused liberty o f conscience the f ster fo c m


a a , a r o

munion w ith H ubert L nguet the b lunt Huguenot re fo mer a ,


r ,

wh m he loved s he pr ised him fter w rds


o a a a a ,

F k l y re ed a n d h at i n g w h a t i s n au g h t
o r cl e r , ,

F o r fa i t h fu l h e a rt c l e an h an d s a n d m o u t h as
, ,
t ru e .

L nguet w thirty six ye rs lder than his friend and


a as -
a o ,

though he died despairing o f the world yet year by year to ,

the last he w atched Philip d ope ly looked to him the , an n as

youth whose earnest he rt b right genius d strength fo a , ,


an r

labour joined t his high soci l p siti n m de his future


,
o a o o ,
a

career the hope f honest men He prep res c unsels and


o . a ,
o ,

cherishes him s a lady of r m nce might f rti fy her knight


, a o a o

w h o is a b out to go fort h to b attle w ith a dr gon He a .


28 E N GL I SH WR I T E R S .

shoul d not eat t o much f uit or drink t o much w ter in


o r ,
o a ,

It ly and he must avoid the July he t


a ,
I f an y mischan ce a .

b ef l y u I should be the most w etched m


a o ,
in the w orl d r an

fo there is nothing to give me t h e leas t ple as ure save u


r o r

friendship d the h Op e o f your manhood


an And there was .

the b y of nineteen w ith keen E glish soul w tching the


o n a

butcheries of Alv nd d iscussing w ith a strong h pe the


a, a o

dis strous e w s from Belgium


a n It is true th t ll t h t f ir . a a a a

region is in fl mes b ut remem b er that w ith ut this the


a , o

S p ni rds c nn t b e b urnt out In I t ly S idney ppe rs ”


a a a o . a ,
a a

especially to h ve studied geomet y ethics met physics


a r , ,
a ,

l ngu ges ; accounting its p etry his rela ti n and its


a a o xa o ,

luxury ab omin tion The Turks in 5 74 th ught Of inv


a . I o a

sion b ut s id Phil p ged nineteen I m quite sure th t


,
i —a a a a

this ru inous It ly would poison the Turk s themselves w uld


a ,
o

so ensn re them in its vile allurements that they would


a ,

soon f ll w ithout being pushed


a .

A fter his return to Irel nd S idney w t the K e i l a , as a n

w orth show s o f 5 75 ; his f ther1 S i Henry b eing ls a ,


r ,
a o

R e flecti
present
on
there b usiness Philip f llow ed the
on . o

o
I
fI i
ta l an Queen to Ch rtley w here he first s wa — she being
, a

i ié i fi
"
c then her th rteenth ye r he h t wenty fi s t
In i a , In Is -
r

Pene l pe Devereux a fter w rds m rried g inst her


o , a a a a
“m "

inclination a d w hen L dy Rich celebr ted in


s, n , a ,
a

m ny sonnets as the S tell to Philip S idney s Astrophel



a a .

I t was a poor f shion that set p ets w its at work so p e t i n


a o

r a

c i o s l y to refine compliments on any l dy m rried or


u a ,
a un

m rried to w hom they w ould p y honour by the dedic ti n


a ,
a a o

o f their verse But it had come from trou bad ur days


. o ,

through Dante s Vita Nuova Petr rch s sonnets and


“ ’
,
"
a

,

m any su b sequ ent imitations o f the Laura w orship It .

ru ffled the peace of L ady Rich no more than Petr rch s a


genius suggested je lousy t o the hus b and r s hame to the


a ,
o

“ n c hildre n of L a u ra S idney s sonne t s are as distinctly



, .

e h l
sc
of Pet rarch form and s piri t as h i s
o o
, Arcadia ,
I N T R OD U C T I ON .
9

is in its very m nner o f blending prose romance w ith me


, a

t i cal ecl g e o f the school o f S


r o u , a o The influence o f a naz z r .

It lia n literature on Si Philip S idney s w ritings in so f


a r

, ar

as he wrote merely f recre tion is direct and m ni fest


or a ,
a .

In E li beth s time we find Spenser still in a fe w t s l a


za

ra n

tions and in his sonnets follow ing the le d f Petrarch b ut a o ,

he p ssed t his F ery Queen out of the school S


a o a
p e ns e r
In w hich Ariosto w his best beloved m ster gag
as a .
e

Petr rch d Boccaccio h d died w ithin a year o f m i


a an a ro an t c

w a s
one nother a d e tly a hundred ye rs fter the
an x ac a a
"

de th o f Petr rch came in 4 74 the b i th o f Ariosto


a a , ,
1 ,
r .

A i osto died t the ag e o f fi ft y eight


r a Twelve ye rs fter -
. a a

the death o f Ariosto T sso w s b orn But Tasso and ,


a a .

S penser w ere co temporaries the It li n b y nine ye rs the


n ,
a a a

elder m The d tes f their de ths lie cl se together


an . a o a o ,

Tasso dying in 5 9 5 Spenser in 5 9 9 When therefore


1 ,
1 .
, ,

S penser int oduced into the closing canto o f his second


r

b ook a p ar p hrase a d tr ns l ati n from T asso s episode o f


an a o

the Garden of Armid he expressed the exquisite enjoy a,

ment of gre t poem then ew to the world but his m ore


a a n

frequent reproduction o f matter from wh t he c lls “


th t a a a

fam us Tusc n pen


o o f Ariosto sho w s r t h er the li felong
a

a

influence o f an est b lished cl ssic th t had b een singul rly


a a a a

in h rmony w ith the whole spirit of its time Thus the


a .

description of the discovery o f Duessa s a l thly “


,
a oa

w rinkled h g is in p rt taken liter lly from A i o s t o ’


a ,
a a r s

a ccount o f Alcina The t le o f the f lse Philem n in the


. a a o ,

s me book corresponding t A i os t o t le o f Geneur


a ,
d o r

s a a, an

in Spenser s third b ook the t le of the Squire o f D mes



, a a ,

w hich is the Host s ta le from the 8 t h C nto o f O rl ndo



2 a a ,

are also well kno wn examples of th is direct testimony to


-

Italian influence .

I n nothing e the fello w feeling o f n tions


ar d the i n -
a an

ter dependenc e o f men s m inds more evident than in the


-

co u rs e o f the l iteratures which express them The first .


3 0 E N GL I SH WR I T E R S .

gre t It lian poets themselves b red o f their o w time


a a , n

under Proven ca l not unmixed w ith Spanish and even


,

German influence w ere b y the height o f their


, ,

genius b ecome m rks fo the eyes of all men wh o a r

loved poetry They w ere not only m ki g their


. a n

impulse of thought strongly felt in E ngl nd they a ,

also were w inning upon the mind of Spain so surely


th at in the very days when our courtly makers, Surrey and
,

Wy t w ere in the latter years o f Henry V I I I s reign bringing


a , .

the It li n form o f sonnet nd c n one into E ngland Boscan


a a a a z ,

w s introducing the same sort o f sonnets and can oni into


a z

S p nish liter ture and beginning w h t is kno w


a a , as the a n

It l i n period o f Sp nish poetry Yet while Sp in w s


a a a . a a

gr du lly being taught by It ly It ly hersel f w s d r wi g


a a a , a a a n

the ew li fe o f her ow liter t ure from Spain Spain h d


n n a . a

b een rich b eyond me sure in b llad and rom nce Her a a a .

poems o f the Cid d te b ck to the t wel fth cent ry ; and


a a u

wh tever romances o f knight err ntry had b een produced in


a -
a

Fr nce and Sp i b e fore the opening o f t h e fourteenth cen


a a n

t ry w ere obscured then by the appearance f A m dis de


u

o a

G ul the work of the Portuguese V sco L o b eir Th t


a ,

a a . a

soon translated into French was the great parent fiction o f



the ge chronicled b y F oi s t E ven Cerva tes sp red it
a r sar . n a

from his bonfire o f Don Quix te s b ooks o f chiv l y



H ow o a r .

per fect was the sym p thy betw een the ideal an d the ctual
a a

an y one may j udge w h o turns from Spanish or French

Sp nish romances o f the Amadis school to F o i ss t s



a r ar

a cc unt o f the lives o f the men wh o read and enjoyed th em


o .

F i s t s history describes with t h e same g y con fusi n


ro s a r

— a o

o f f ir ladies knightly dventure superstitious legend pomp


a ,
a , ,

o f rms in jousting or in w
a that we get in the romances a r,

the re l li fe o f the next eighty years follow ing the appear


a

ance of Amadis de Gaul Long years of knightly e .



n

count er with the polished Ara b s and acquaint nce w ith , a

their Oriental mind heightened the sen s e of chivalry i n


,
3 2 E N GL I SH WR I T E R S .

of masterpiece was the result o f that great l b our


A ri os to

s a

wi t l b t w hich fe w m sterpieces are chieved


u The poe t a a .

therein a singu lar contrast to his successor Tass o — was of ,

l rge ro b ust body and healthy mind ; fran k genial and


a , , ,

a h ter of ceremonies ; true to the sisters who de pended


a

upon him moderate in all th ings th ough tainted w ith t h e


, ,

licence o f his time and country As intent think er and . an

st rdy pedestrian he found hi mse lf one day hal f way to


u ,
-

Ferr ra w hen he h d b ut gone out from Carpi for a b reath


a , a

o f mo ning i in dressing go w n and slippers ; being so far


r a r -

on the road he w ent on to Fe rra ,


From Carpi to Fe rara ra . r

is w lk of rather more than th irt y miles What Ariosto


a a .

did he did w ith determin tion He pondered his Orlando


,

a .

w ell be fore w ord Of it w s w ritten arejecting C ardinal a ,

B em b o s advice to make of it a Latin epic that would n o w


h ve been only as much read as Pet rarch s Afric


a In

a .

writing he w ould o ften spend d ay upon the polishi n g o f a a

fe w verses written in the morning ; and having b egu n his ,

Orl ndo t the age of t wenty n in e b y gre t industry i n



a a -
,
a

eleven ye rs he was ble to issue the first fort y c ntos


a a a .

Four or five editions in seventeen years testified in those


days when lmost eve y reader w s a select m an to its very
,
a r a ,

great success The central figu re o f the poem i s not


.

O rlando h i m sel f but Charlem gne ; the menace o f whos e


,
a

kingdom and the siege of Paris e the events laid at the ar

basis of the story Si m ore cantos Ariosto add d to the . x e

poem in his li feti m e five h e left to b e added after his de th


,
a .

A repolished edition of the Orl an do had b een issued by


him lmost in the last ye r of his li fe By writing sonnets
a a .

and can oni Ariosto connected himsel f w ith t h e past litera


z ,

ture o f Italy ; and by tran slating Spani sh an d French ,

romances he show ed what w s most intere sting t o him in


, a

the present His comedies writte n i n you th w ere lso


.
, , a

repolish ed in later years bu t they wan t orig inal dramatic l ife , ,

althou g h they op e n ed th e way to an I t alian com i c d rama .


I N T R O D U C T I ON .
33

E very gre t It li n poet st u died the ncients they w ere


a a a a —

the old cl ssics o s n tive l nd and by right o f them


f hi a — a a

a n d o f the liter ry pre emin nce his country h d by t his


a -
e a

ti m e reg ined he could still call the foreigner b rb ri n


a , a a a .

A i o s to s imitation o f the ncients is h bitu l Distinctly



r a a a .

an d deliber tely the poet turned into the romance T h mm f


a e or

form of his o w d y poets tales o f Perseus n d



n a ,
a

Andromed o f Ari d e or Polyphemus or gave snatches


a, a n ,

o f literal tr nslatio out of O vid ; the P ll s o f Virgil e


a n a a r

a p pe rs
a in the yo ng D a d i e l l o m ny romantic
u p ss ges r n ,
a a a

from the Latin poets chie fly O vid d Virgil being e , an ,


r

produced by this gre t hie f am ng their s u ccessors in a C o

t h e l nd aAriosto qu ted d w quoted When we


. o an as .

o bser e h ow l l prose f his d after wards f Spe ser s


v a o an o n

time is g rnished wi t h quot tion we shall understand h o w


a a ,

the poets lso though th ir t forced the m to ssimil te


a , e ar a a

th ir borr wings me nt by t hese adaptatio s not wh t w e


e o ,
a n a

n o w condemn pl gi rism b ut the us l hom ge to the


as a a ,
ua a

culti ted re der o f their day I t was a reader wh de


va a . o

lighted i n such re ferences nd llusions d lmost required a a ,


an a

the m of al l wh o would prove their right to eng ge his a

attention .

Ariosto cannot have trou bled himsel f very much w ith


the att ch m ent o f a llegoric l sense to his poetical cre
an a a a

tions It was found fo h i m of co rse He was G i


. r u .
row n g

soon to b e read in edition w ith the Alle



an ,

i e s f o each C nto
r by Tom so P h
a i d a
“ “ 55
g o r o ,
a rc a c c

Castiglione Areti n o Be fore A i o t o t i m e c p city fo .



r s

s , a a a r

m ys t ical interpret tion w s one o f the ck o w ledged requi


a a a n

sites of an ingenious poem Thus the M rquis o f S t il . a an

lana wh o died in S p in s reno wned poet bo t sixteen


,
a a a a u

years b efore A ios t o birth in a critic l le t ter o the history


r

s ,
a n

o f poetry defi ed the t s


,
in e ti n f use ful thi gs
n ar a an v n o o n ,

w hich b eing enveloped i


,
be uti f l eil arr ged n a a u v ,
are an ,

exposed and concealed according to a c ert in calculation


,
a ,

D
34 E N GL I SH I VR I T E RS .

meas ure m ent and w eight The d em n d for thi s all ego ical
, . a r

elemen t s trong i n th e d ys o f Petrarch an d Dan te et id e


, a ,
s as

b y Pulci an d Ari osto w as ag in rec ogni s ed b y Tas so ,


a .

Tas so t he son of a po et w hose labo iou s epic of Amad is


, r ,

conce ived on t h e S p ish model was destroyed at birth b y an ,

th e alm os t simult neous issue of his prec oc ious bo y s


a

Ri ldo inherited high ly ne o s tempe m ent and


na ,

a rv u ra ,

was lready touched by ins nity w hen a ft er completi n g h i s


a a ,

Jerusal m Delivered he gav i t up fo sever l years t o
e ,

e r a

the stupid itie s o f friendly miscellaneous criti cis m T h e .

poem at firs t cal led Godfrey b eing a some wh t regu l r


, ,

a a

e pic with an action occupying forty days o f the first Crusade


, ,

in the year 9 9 and setting forth the s cces ful siege t h t


10 ,
u s a

m ade God frey o f Boul gne (fo year) King o f Jeru sal em o r a ,

there was no need o f llegory Nevertheless Tas so (wh a . o,

as his insa ity gre w nervously del ivered hi m sel f to b e


n ,

ex mined and cle red w ith certifica te of orthodo y by


a a a x an

inquisitor and wh o w s p i nfully anxious about many


, a a

things ) satisfied morality w ith an elaborate interpretation o f


t h e llegory of his o wn poem made a fter t h e fact
a .

It was not b y right of their literature alone th t the a

It lians o f the sixteenth century clai m ing the firs t rank in


a ,

S i l
oc a d civilisation
an spoke o f the o ter nations a fte r the
,
u ,

old Rom n f hi n s barbari ns C rd n a as o ,


a a . a a ,

‘ hfl '
im ‘a
describing to his c ntry m en his visit to the ou

C urt o f E d ward VI s id f the E nglish that in dress


o

.
, a o

they e like the I talians f they are gl ad to b o st them


ar ,
or a

s lve nearly allied to th e m and therefore study to i m i t te


e s ,
a

a s much as possi b le their m nner n d their clothes a a .

C ert in it is that al l the b rb ri ns of E uro p e l ve the


a a a a o

It lians more than any r e m ng themselves He hi ted


a ac a o .

n

th t perhaps thes pe ple d



a t k no w our w ickedness
e o o no

b u t th e r w re E ngl ishmen t h en living quite re dy to cry


e e a ,

with Rog er Ascham s hame against the ench ntments o f



,
a

Circe b ro ught ou t o f I tal y to mar men s manners i n


,

I N T R OD U C T I ON .
35

E gln and E ven our teachers themselves we are told certi


.
, ,

fi ed our tt inments with proverb s ying An It li nate


a a a ,
a a a

E n glishman is incarn te devil an a .

But Italy had earned her predomin nce The stro ng a .

li fe of commerci l Florence h d in the fourteenth century


a a , ,

entered into the mind of l rge p rt o f E urope T h i l a a a .


e s oc a

Chaucer read D nte nd w s influenced b y 122312? a ,


f a a 3 °

Petrarch nd Boccaccio s Spenser afterw rds EL li h


a ,
a a ng s
I t e ra t u re .

by the first m sters f sust i ned om a t c song


a o a r n I .

The c tion of Italy upon old E nglish and E li b eth n


a za a

w riting w s ho wever o f t w o very distinct kinds


a , , e w s : on a

direct the ther reflex At first in Chaucer s time only


,
o .
,

the direct influence concerns our liter ry history No a .

printing press enticed the vacant mind to busy itsel f with


-

the bl ckening o f p per Foreig tr vel littl k no wn s n


a a . n a , e a a

ind lgence to k chiefly the directio o f Jerusalem and was


u , o n ,

then under t ke rather on religious grounds than fo the


a n r

mere airing f the w its When E nglishme n kept house


o .
,

only the f me f the gre t It lian poets re ched the m fro m


a o a a a

b eyond the s e ; but w hen they w ent in search o f g od


a , o

society to Italy itsel f they w ere lost in the midst o f the


, ,

servi le dr ve of imitators d bec me p rt of the herd


o , an a a .

When the depression f mind t h t accomp nied our civil o a a

w rs was yielding to
a e w activity o f thought and t h e a n ,

reviv l o f letters in It ly w
a m king itsel f felt at the Court
a as a

o f Henry VIII to visit Italy was the des ire alike of the
.
,

schol r and the courtier Upon the best minds tr velled


a .
, a

or untr vel led the direct and wholesome influence f Italian


a , o

poetry and scholarship was still c nspicuous o .

But the prev lence o f p etic element in the It li n


a a o a a

ch racter w a o f itsel f d ngerous to foreigners S d


a s a
e c on a ry

o colder blood w h
f w ent to I t ly fo inspir ti n
o f h a r a o .
c a u s es o t e
d f s p re a o a

In th t l d of song t the b egi n n mg of the


a an {
,
d
a t as te
c on c e I t e
or

s t ee n t h centu y t here w as s u n to be heard the


rx r ,
i i wr t ng
:
E h m
c o m p l I n t m de b y Petr rch g e n e at on s e
up uis
a a lI e a r I ar r,

D 2
3 6 E N GL I SH WR I T E R S .

that very ta ilors and s hoemakers sti tched rhym es


the
a nd co b bled ve rs e Co m m ent to upo Pet rch i ss ed
. a rs n ra u

forth out of the printing o ffi s by do ens at time an d -


ce z a ,

w ere to b e hea rd b y thousan ds discoursing in societ y Hi . s

w ords w ere picked o e fo llegories and hi s b ook of ve se °

v r r a ,
r ,

w eighted w ith fanci ful i terpret tio n s w as disgr ced in to a n a ,


a

pattern b ook fo all t ilors o f rh ym e a F ol l t f the liter ry


-
r a ,
e or a

m illiner wh o set t he f shion ft er wh ich the luxu y o f idle a a r

ne s s sho u l d b e attired Thus Petrarch unwittingly bec me . a

a father of conceits After the death of Leo X the . .

Florenti n e academici s sorely punished fo po litic l on an , r a c

s p i ac y w ere forced to confi e their energies to l ite ature ;


r , n r

v rb l h ggling over Petr rch b ec me then their chie f delight


e a a a a .

Great poets were arising The r mantic epic the p stor l . o , a a ,

the s tire even the dram l l w ere dropping th eir fi rst fruits
a ,
a, a

upon t h rich Italian soil but re dy rhetoric o f s ntime t


e a , e n

determ ined to b e clever d n o t cari g to be true still an n ,

yielded the husks e ten by the m ob alik e of the p l ce d a a a an

the s t reet It was t h e Altissimo Cristoforo nd it w as


.
, a

Aretino wh o was the U ico f r whose sake w h n he n , o ,


e

recited in Rome shops w ere closed and houses bla ed w ith


, z

light .

What had b ee w Greek literature had tr velled the


n, as . a

same way The clever b ut f lse rhetoric of Deme t rius Pha


. a

l e eu was the hectic flush f eloquence in a decline


r s The o .

l ter poets cut up history a d science into decor tion for


a n a

their verses Ph i l et s b ec me erudite in elegi cs


. d a a a , an

E uphorion t h ought tr th most accepta b le when set out w ith u

f bl e
a So it had been l s in Rome
. There w s thought a o . a a

o f his time n o t an original folly in Caligu la s propos l to



, ,
a

destroy t h e w orks o f Virgil b are of ingenuity and learning , ,

an d o f Livy cold and n egli ge nt o f s tyle


, Co nceits w ere .

pri ed in Rom e and l i nt il y s moothed periods w ere


z ,
( a -

a dmired less for th ir wi t t han for t he words rr nged so e a a

s weetly that as one b as t ed of his own prose works peopl


, ,
o , e
I N T R OD U C T I ON .
7

migh t sing them d d nce to th em Senec w the c use an a . a as a

o f this no m re th n Lyly w the c use o f E uphuis m


o a as a .

P at e l w hen he ende v ured t


rc u u s , cc unt fo such a o o a o r a

ch nge suggested th t the n urse of genius emul ti n


a , a ,
a o ,

forced men w h f und themselves un ble t p ss their f re


o o a o a o

f thers by n tur l w lking up n the h i gh r d f lit r ture


a a a a o -
oa o e a

to quit th t tr ck f p ths hithert unexplored w here


a a or a o ,

novelty might l i ft them fr m bscurity d m ke their o o ,


an a

na m es imm rt l There is u d bted be uty in this f ll


o a . n ou a a

of a liter ture It is like th t f the utumn w o ds w here


a . a o a o ,

an excessive richness d v riety f c lo ring precedes the an a o o u

dreariness of w inter .

There w nothing ew to the world the in the liter


as n ,
n, a

ture o f conceits th t thr ve in It ly be f re M ri n s in a o a o a o, a

E ngl nd be f re D nne
a M rino w like Lyly or Donne
o o . a as , ,

b ut represent tive man It w s he w riting in the d ys of


a a . a ,
a

James I and h aving no influence w h tever upon E li b ethan


.
, a za

liter t re wh o represented the corrupti n f It lian taste


a u , o o a

w hen t its height gave it


a typic l f rm d th ere fore h, a a o , an as

b een c ndemned t be r t wo centuries o f censure fo his


o o a r

stile Marinesco d b e pilloried i diction ries s the
, an n a a

chief co rupter of It li n poetry


r a a .

With the spre ding o f the t ste f rhetoric l writing a a or a

filled w ith ped ntic turns of illustr tion similitudes r ther


a a ,
a

i ngenio u s th n n tur l d t h e desire f writers to displ y


a a a , an o a

a bove all things their skill t h e f shi n of c urse ran in , a o ,


o ,

f v ur o f the l ter Latin


a o d Greek uthors
a M rti l and an a . a a

Luc n took the places o f C t ullus and Virgil Juven l super


a a , a

s ed e d H orace d S eneca Cicero S enec s pl ys w ere a



,
an . a a

scho lb ok f E glish b oys f E li beth s time O first


o o or n o za

. ur

tragedies arose from imita tions o f them Afterw rds they . a

w ere the root of the French tr gic dr ma a a .

But upon the f shion f speech t E li beth s C urt a o a za



o

there were influences f which we h ve not yet t ken o a a

account S ome of its peculi rities t gether w ith the very


. a , o
3 8 E NGL ISH WR I T E R S .

na me that g ve the term f E u phu i sm t i t fl e t t i o s are


a o o s a
'

c a n ,

to b e tr ced to t h e Pl tonists w h w er str ng in the d y


a a o e o a s

o f Henry VIII But Pl to ism lso came to us from Italy


. a n a .

It w in Fl re ce th t the re f gee Greeks fter the f ll of


as o n a u ,
a a

Constantin ple w ere first w elc med


o , revealer o f Plato o as s

a d Arist tle
n I Ita ly Pl to in Fr ce Arist tle was pre
o . n a , an o ,

ferre d N o Pl t ists h d given i nterest t the R bbi nica l


. e -
a on a o a

d octrine f t h e C b b la then receiv d b y m ny


o g od
a a ,
e a a o

Christian scholar It w joi ned to principles o f . ccult as an o

phil sophy p rtly derived fr m the s me source but e n


o ,
a o a ,

riched from te ching o f the Ar b s ; and it wa confirm ed a as

b y marvell s recit ls in the N tur l H ist ry f Pliny


ou a a a o o .

The m ysteries o f N ture of he students then s id a ,


one r a ,

“c an no other wise th n by experience d c njecture b e a an o

inquired into by us Until the ssert ed experience f . a o

ancient n tu lists had been dispr ved by the experience o f


a ra o

l ter t imes it w s t very unre son b le to assume th t the


a ,
a no a a a

science f the ncients equ lled their ph i losophy and poet y


o a a r .

To deny virtues ssigned t cert in stones pl nts anim l s a o a ,


a ,
a ,

or tars simply becau se they were w onderful certainly would


s , ,

not have been w ise E ven in the magical doctri es then . n

w idely accepted there w s reasoning entitled to respect a .

Their b asi s it may be o b served w s so fa from being


, , a r

diab olical that they set out w ith dem d f purity o f


, a an or

li fe and fo a high spiritu l d r ti n o f the source o f all


,
r a a o a o

t h e harmony they l boured to find in the w onders o f crea a

tion It is to b e remembered there fore th t those m rvel


.
, , a a

lou s properties o f things honestly credited d freely used ,


an

in the fashioning of rn ments of speech h d not fo the o a ,


a r

reader o f th eir ow time the inhere t bsurdity w hich n ow n n a

attaches to them It is very di fficult indeed o w to re d in


. n a

t h old sense th at kind o f writing in w hich Lyly w a m ster


e s a ,


talking as Drayton said
,

,

o f s t o nes , s t ars , p l an ts, of fi s h es , fl i es ,


Pl ayi ng w i t h word s and i d l e s i m i l i es .
4 0 E N GL I SH IV R I T ERS
'

A ri o s t , and he w t w ithout his o w relish f concei ts as no n o ,

vigor usly as he ttack ed the f ol in f fetched livery o f


o a o ar -

mind d dress an .

Wh t H l l writing f w ye rs fter Lyly censured in


a a ,
a e a a ,

verse A s h m un ff ected prose had censured yet more


,
c a

s a

T h E
vigorously in his Schoolm ster w ork pu b lished a ,

a

b y h w d ow seven e ght years be fore E


e ng

li hs i d m n is 1 or i u

p h s appe red There is re


ues n fo suggesting a . a o r ,

i f not fo b elieving th t John Lyly dre w fr m this r ,


a o

w ork f A h m b th the motive d the title o f ’


o sc a s o an

his f shi n b le novel


a o E uphues p ints the s me It al ian
a . a a

Circe g inst wh se sn res Asch m w rned his countrymen


a a o a a a ,

reminding them th t i f g entleman must needs tr vel into



a a a

It ly he sh ll do w ell t l ok to the li fe f the w isest


a , a o o o

traveller th t ever tr velled thither set out b y the w isest


a a ,

w ri ter th t ever sp k e w ith tongue G od s doctrine only



a a ,

excepted d th t is Ulysses i Homer The S ch ol


,
an

a n . o

m ster observed that Ulysses is not c m m ended so much


a
” “
o

nor so o ft in Homer b ec u e he w s th t i s ,
a s a a ,

sk i l ful in men s m nners d f shions as b ec use he was’


a an a ,
a

w k pn g
o

ti th t is w ise in all purposes and ware in l l
rt , a , a

pl ces Ag inst Circe s ench ntm ent H mer s remedy w s


a .

a

a o

a

the herb M l y w ith the bl ck root d white flo wer s ur



o ,
a an o

a t the first b ut s w eet i the e d w hich Hesi dus t m et h


,
n n , o er

the stu d y o f virtue This w s o f l l things most contr ry .



a a a

to wh t Asch m c lled the precep t s o f fond book s of l te


a

a a a

transl ted out of It li n int E nglish sold in ev ry shop in


a a a o , e

Lond on T e s rmons at P ul s Cross do not so


. n e a

much g d fo movin g men to true d octri e as e o f these


oo r n on

bo ks do h arm w ith enticing men to il l living


o .

Let it here b e remem bered th t the period o f E glish a n

liter ture more directly influenced by the frivoliti s of It ly


a e a

d t s fr m the time o f o Reformation in the C hurch and


a e o ur ,

runs through years in which m inds eng ged w ith intense a

a ctivity upon the settlement of great religious questions


I N T R O D U C T I ON .
4 1

b ecam e also more and more deeply engaged in politic l a

a sertion o f the righ ts o f su bj ects


s Througho u t the d ys o f . a

civil w and of the Comm n w e lth Italian influence ex


ar o a

tends To that part of the period thus defined in whic h we


.
,

find the gre test prevalence of li ter ry affectation bel ngs


a a ,
o

a lso the truest and most e rnest work on w hich the pens f a o

E nglishmen h ve ever b een eng ged our authorised tr s


— a a an

l tion f t he Bible
a o .

T t h e s me peri d bel ngs the best part o f our litera


o a o o

ture High and true thoughts w ith sturdy deeds w ere


.
, ,

c lled fo b y the tim es Into the w ord o f vigorous men


a r . s ,

living energetic lives of thought or ctio n the dem nd fo a ,


a r

ingeni us expression b rought e w force There w ere men


o n .

tr ined i this school able to satis fy t the full out of their


a n o ,

n tur l wi t at once t h e cl i m s f truth in t d the


a a ,

a o ar an

p pul r desire for clever simile stro g line and pithy


o a ,
n ,

phr se The affe tat i o n f the w eak forced into p ec


a . c
°
o a u

l i l y emph t ic utterance l l the origin lity and p wer f the


ar a a a o o

strong To this vie w o f E glish E uph uism w e sh ll h ve to


. n a a

recur At present it is only necess ry to remember t h t by


. a a ,

w ho m soever f shions h ppen to be set w e m u st


a t t ke a ,
no a

clothes f character or .

Lyly h d children d his bo k sh o ws as we sh ll find


a ,
an o , a ,

th t h thought seri usly f himsel f


a .
e d agreed w ith o or ,
an

Ascham upon questions f educ tion He w s a little m


'

o a . a an ,

w ith w i fe
a d family he sm ked tob cco and w
an wi t o a , as a

in society w ith a h eart full f seriousness he w


, hungry o as a

re der o f good b ooks d to the l st a hungry w iter on the


a ,
an a a

Court that rep id his h nes t l ab uring to entert in it w ell


,
a o o a

according to its humour nly w ith promise un fulfilled ,


o .


Thirteen years h e s ys in petition to the Queen pre
,

a ,
a ,

sented i n or about t h e year w hen E u phues w s published a ,

thirteen years your H ighness s servant b ut yet nothing ’


, .

A thousand hopes but all nothing ; hundred ,


a

promises b ut yet nothing , My last will is shorter .


WR I T E R S
'

4 2 E N GL I SH .

th n m ine invention ; but t hree leg ci es patience to m y


a a ,

creditor mel ncholy w ithout measure to my friends n d


s, a ,
a

begg ry w i t h ut sh m e to m y f m ily Surely touching


a o a a .

a

hint — d it is l l the hint w e h ve o f the home li fe o f the


an —
a a

E uphuist !
Lyly still in ow day has su ffered i justice The tr di
ou r n n . a

t io l vie w of his
na E uphues i represe ted by t h e s ying s n a

o f Gi ff rd th t it
o

did inc lcul ble m ischie f by viti ting the
,
a a a a

t ste c r pting the l gu ge d introducing a spurious


a ,
o ru an a ,
an

d unn tur l m de f convers ti n d cti n



an a a o o a o an a o .

The w ork p ssed through ten e d itions in fi ft y six years


a -
,

an d t h en w as not g in reprinted O f these editions the


a a .
,

first f ur w ere issued during tw enty three ye rs


o -
a

o f E li beth s r ign the next four ppe red in ’


za e ,
a a

the reig o f James d t he l st t wo in the rei gn


n ,
an a

o f Ch rles I a the l test editi be f re


. ow time
a on o our n

b eing th t o f the ye r 6 3 6 eleven ye rs fter th t


a a 1 ,
a a a

k ing s ccession Its readers were the men who were



a .

discussing H m p d e stand g inst ship money Duri ng


a n s

a a -
.

all this time and fo some years b eyond it worshi p o f


.

,
r ,

conceits w in this cou try a liter ry p g nism th at gave


as n a a a ,

strength to the strong s w ell s w e kness to the we k a a a a ,

lasting from Surrey s d ays until the time when Dryden ’

w s in his m i d c reer
a It w s f this l t th t the E uphuist
a . a o czc e a

und ubtedly spired to be the h igh priest but it was not o f


o a ,

his est blishi g Still less o f course are we entitled to


a n .
, ,

a ccept the common doctrine th t it h d its origin in Donne s a a


f shionable poe t ry
a d in the pedantry f J mes Ian o a .

W m y pause upon Lyly fo especial illustr tion f the


e a r a o

a bidi g e rnestness that underlies all transient f shio s o f


n a a n

Ly yl hi lf
our
mse
liter ature O f t he treatise educat i on . on ,

a i l
p ra c t c afo m g so prom nent r p rt of E uphues or
In

i a a ,

the An t my f Wi t the m ain doctrines e


a o o , ar

such s these N o youth is to be t ught with stripes


a . a .

Asch m and Lyly were lone in m intaining this doctrine


a a a
I N T R OD U C T I ON .
43

agai nst the stron ges t contr ry pinion Li fe is d ivided i to a o . n

remissi n d study
o As there is watching so is there
an .
,

s leep ; e se is the sauce o f l bour ; holiday the


a t her h l f o f a o a

work Children should exercise discreet sil ence let them



. a

also b e admonish ed th t w hen th ey sh all spe k th ey spe k


,
a , a , a

nothing b ut truth ; to lie is vic most detest ble t to a e a , no

be s ff ered in a s l ave much less in a son F thers should


u , . a

study to m intain b y love d b y ex mple influence over


a an a

th eir sons s they advance to m nhood let t hem w ith mild


a a

ness forgi e light o ffences d rem em b er that they them


v ,
an

selves h ave been young S ome light f ults let them


. a

dissemble tho gh they kn e w th em n ot an d seei g th em


as u , n

let them not seem to see th em d h eari ng th em let th em ,


an

not seem to hear We c e sily forget the offences o f our


. an a

frien d s be they never so great


,
d shall w e not forgive the ,
an

escapes o f our children b e they never so sm ll ? , a

Let the body h e kept i its pure stren gt h by hon est n

e xercise and let the m i nd


,
dds Lyly falling ag in into the ,
a ,
a

track o f censure followed by l l s tirists of the d y not be a a a ,

carried aw y with vain delights as with tr velling into f r


a , a a

a d strange countries w here you s h all see more w icke d ness


n ,

tha learn virtue and wi t Neit her with costly attire f the
n . o

n ew cut the Dutch hat th e French hose the S p nish


, , , a

rapier t h e It lian hilt d I know not wh t There is


,
a ,
an a .

nothi g he reminds youth sw i fter th an time d n thi ng


n , , ,
an o

s w eeter We have not as Seneca saith little time to live


.
, , ,

b u t w e lose much ; neither h ve w e a short li fe by ature a n ,

b ut we mak e it shorter b y n ughtiness our li fe is long i f w e a

know h ow to use it The gre test commodity th t w can


. a a e

yield unto our country is w ith w isdom to bestow th t t lent , a a

w hich b y g ace wa s given us Here E uphues repeats the


r .

cl sing sentences of the w ise counsel o f Eu b ulus scorned


o ,

b y him in the days of his fo l ly nd then p sses to a direct , a a

exhort tion to t h e study f the Bible


a Oh he excl im s o . a ,

I w ould gentlemen would sometimes sequester themselves


44 E N GL I SH WR I T E R S .

from their w d lights and employ their wits in se ching


o n e ,
ar

these he ve ly divine mysteries a n .


Advancing still in e rnestness as he presents his E uphues a

gr w i g in w isdom d ow wholly devoting himself to the


o n an n

s t udy o f th e highest truth letter to the gentlemen scholars ,


a -

i Athe s pre f ces


n di l gue b tween E uphues n d At h eos
n a a a o e a ,

w hich is rgument g inst the infidelity that had cre p t in


an a a a

fr m I t ly
o It is as e rnest
a i f L timer himsel f h d
. a as a a

pre ch ed it t the courtiers f King E dw rd E uphues


a o o a .

a ppe ls solemnly to Scri pture d the voice w ithi ourselves


a an n .

In cit tion from the sacred text consist lm st his only


a a o

illustrations i this he ab unds Wh le p ges cont in n o . o a a

n o thing but the words of Scripture At time whe f ci . a n au

f l u d mythologic l dornment w
an s common to liter ture
a a as o a

t at the very Bible Lyly re d the Bishops Bible con


h — — a

t i n ed w oodcut initi ls up n su bjects dr w n from O vid s



a a o a

Metamor phoses and opened the E pistle to the Hebrew s,


w ith a sketch o f Led d the S w n Lyly in the b ok a an a , ,


o

wh i ch has been fo so m ny ye rs condem ed unre d does r a a n a ,

not once mingle f lse orn ment with re s ni g on sacred a a a o n

th i gs He re fers to the ncients only t the outset of his


n . a ,
a

argu m ent to sho w th t t he he then had acknowledged a


,
a a

Cre tor mentio s Pl to b ut to s y that he recognised one


a n a a

w hom w e may call G d Omnipotent glorious immortal o , , ,

u nto whose similitude w e that creep here on e rth h ve our a a

s uls fr med and Ar istotle only to tell h ow when he could


o a , ,

no t find out b y the secrecy o f n ture the c use f the e b b a a o

ing d the flowing o f the s he cried w ith a loud voice


an ea , , ,

0 Thing o f Things have mercy upon me ! tw enty ”


I ,
n

black letter p ges there are b ut three illustr tions dr w n from


-
a a a

supposed properties of things The single an ecdote fro m .

pr f ne history I w ill here quote fr m a discourse that intro


o a o

duces nearly all the texts i corpor ted in our Liturgy n a

I h av e rea d of Th emi st ocl es w h i ch ha vi ng offe nd ed Ph i l i p the


, ,

g of M ace d on i a , an d cou l d n o w ay ap pe ase hi s ang er m ee t i ng h i s ,


I N T R OD U C T I ON .
45

you ng s on A l exand er took h i m i n h i s arm s and m e t P h i l i p i n t he face


, ,
.

P h il i p s ee i ng t he s m i l i ng c ou nt en ance o f t h e ch i l d w as w el l pl eas e d
, ,

w i t h Th e m i s t ocl es E v en s o i f t h rou g h t hy m an i fo l d s i n s a n d h e i n o u s
.
,

o ffen ce s t h ou ro v ok e t h e h e av y d i s l e as u re o f t h G d i o m u c h as
p p y o n s ,

t h ou s ha l t tre m b l e fo r h o rro r t ak e h i s o n l y b eg o t t en an d w e l l b el o v e d
,
- -

so n J esu s i n t h i ne a rm s an d t h e n h e n e i t h e r can n o r w i l l b e an ry w i t h
, g
t h ee .I f t h ou h av e d en i e d t hy G o d ye t i f t h ou g o o u t w i t h P e t e r an d ,

w ee p bi t t e rl y G od w il l n o t d e n y t h ee
, Th ou g h w i t h t he p rod i g al s o n .

t h o u w all o w i n t h i n e o w n w il fu l n e s s ye t i f t h ou re t u rn ag ai n s o rro w fu l ,

t h ou sh a l t b e re ce i v ed I f t h o u b e a g ri e o u s o ffend e r ye t i f t h o u c o m e
. v ,

u n t o Ch ri s t w i t h t he w o m a n i n L u k e a n d w as h hi s fe e t w i t h t h t e ars
y , ,

t h o u s h al t o b t ai n re m i s s i o n

.

urely i f Scott had re d E uphues he could t h ve


S , a ,
no a

been s tisfied to describe it through Si Pi e ci e Sh fton


a r r a as

th t exquisitely ple s nt t b e re d and inevit bly e e
a -
a a -
o - -
a a -
n c s

s ry to b e remembered m nu l of l l th t is w rth y to be
a - - -
a a a a o

kno wn which indoctrin tes the rude in civility t h dull in


,
a ,
e

intellectuality the heavy in j ocosity the blunt in gentility


, , ,

the vul gar i n nobility and l l of them in that unutter b le ,


a a

pe fection o hu m an utter nce th t eloquence which no


r f — a a

other eloq uence i s su ffi cient t pr ise that art which w hen


— o a ,

w e call it b y its o w n me o f E uphuism we besto w o it n a ,


n

its richest panegyric .


Si P i e c i e Shafton the E uphuist t alks thus o f hi s


r r , ,

An tomy of Wi t as i f it w ere cookery b ook o f l ngu ge


a

a -
a a

fo t h e use o f dainty spe kers


r His eloqu ence is o f the a .

kind th t calls an ass the l ng eared gr ier f the


“a o -
az o

co m mon which is h rdly to be co sidered E nglish E p h


,

a n u u

ism of the Court of Queen E li beth b ut is the E uphuism za ,

o f the H Ot e l Rambouillet There A th é i c e presided over .


,
r n

an Arc di n Academy to which nightcap was not night


a a , a a

ca p b ut
, l emp l e i t m so g e
c c zc
'

n n ocen an
'
en n .

O f the true form of his conceited w riting L yl y C urt


,
s o

pl ys some o f them w ritten e rlier th n his novel furnish


a ,
a a ,

even better example ; and their studied prologues the ,

manner o f which Greene ex ctly copied in the pre f ces to a a


4 6 E N GL I SH WR I T E R S .

his tales are the most finished mi iatures o f E li b ethan


, n za

E uphuism The prologue to C mp spe will serve very well


. a a

as ex m ple E very sentence it will be observed h as i t s


an a .
, ,

fa fetched similitude
r-

We h am ed t h at ou r b i rd w h i c h fl u t t ere th by t wi l i g h t see m
are as ,

i ng a s w an s h ou l d b e p rov ed a b at s e t ag ai n s t t h e s u n
,
Bu t as J u p i t e r .

d S n d A l c i b i ad e s co v e re d h i s p i c t u re s

p l a c e i l e n u s ass a m o n g t h e s t a rs a , ,

bei ng o w l s and as ses w i t h a c u rt a i n e m b ro i d ere d w i t h l i on s an d eagl es ;


,

s o are w e e n fo rce d u p o n a rou h d i s co u rse t o d raw on a s m o o t h ex c u se


g
rese m b l i n l i d ari w h t h i k t h i d t h k i n a s t one b y s e t t i n
g a p e s o n o , e e c r ac g
i t d eep i n g ol d T h e g o d s s u p p e d o nce w i t h p o o r Bau c i s t h e Pe rs i an
.
,

k i n g s o m e t i m es s h av ed s t i ck s : o u r h op e i s y ou r H i g hn es s w i l l at t hi s
t i m e l e n d a n e a r t o an i d l e p a s t i m e A p p i o n ra i s i ng H o m e r fro m h e l l
.
,

d e m an d ed on l y w h o w as h i s fa t h e r an d w e cal l i ng A l ex an d er fro m h i s
, ,

g r a v e see, k o n l y w h o w a s h i s l o ve W h a t s o e v e r w e p res e n t w e w i s h i t
.
,

m ay b e t h o u g h t t h e d a nc i ng o f A g ri p p a h i s s h ad o w s w h o i n t h e , ,

m o m e n t t he y w e re s ee n w e re o f an y s ha p e on e w ou l d c on ce i v e : o r
,

Ly nces w h o h a v i n g a q u i ck s ig h t t o d i s ce rn h a v e a s hort m em ory t o


, ,

fo rg e t .Wi t h u s i t i s l i k e t o fa re as w i t h t h es e t o rch e s w h i ch g i vi ng
, , ,

l i g h t t o o t h ers c o ns u m e t h em s e l v es a n d w e s h e w i n g d e l i g h t t o o t h ers
,

s h a m e o u rs e l v e s

.

In the s me v in the lover in the second p rt of


a e , a

E u phues — “
E uphues a d his E ngla d
, ends the letter n n -

th t decl res his p ssi n by telling C m illa that he expects


a a a o a

her reply ither s cullis to pre rve e s a s w ord to a a se ,


or a

destroy ither as A t i d o tu m or as Aconitum


e d w hen n an

that f ir lady fter supper t kes part in one o f the soci l


a , a , a a

wi t com b ats to w hich I h ve re ferred she begins by ex


-
a ,

pressi g i n this cum b rous f shion her fear that she m y be


'

n ,
a , a

caught trippi g n

h a ve h ea rd th a t t h e T o rt oi s e i n I n d i a w h en t h e s u n s h i ne t h
I ,

s w i m m e t h a b o ve t h e w a t e r w i t h h e r ba ck a n d b e i ng d e l i g h t e d w i t h t h e ,

fa i r w e a t h e r fo rg e t t e t h h e rs el f u n t i l t h e h ea t o f t h e s u n s o h ard en h er
,

s h e l l t h at s h e can no t s i n k w h e n s h e w o u l d
, w h e re by s h e i s cau g h t ,
.

A n d s o m ay i t fa re w i t h m e t hat i n t h i s g oo d c o m p an y d i s p l ay i n g m y
m i nd h av i ng m ore reg a rd t o m y d el ig h t i n t al k i ng t h a n t o t h e e ars o f
,
48 E N GL ISH WR I T E R S .

question b le genius as story tel ler It will be remembered


a a -
.

th t fr m his P ndost Sh kespeare took the su bjec t o f


a o a o a

the Winter s T le T he same writer Greene lso’


a .

, , a

f llo w ed up
o P n d osto nine ye rs fter the ppe rance f a ,
a a a a o

E uphues w ith M en aph b ok h ving f r second ”
,
o n, a o a o

title C mill s Al rm t slum bering E uphues in his me l n


a a

a o a

h ol y cell at S i l i d This he described s a w ork


“ ”
c xe ra . a

w orthy the youngest e rs fo ple sure the gravest censure a r a ,


or

fo pri ciples ; d it is t h e n vel furnished w ith th t



r n an o a

pref t ry ddress to the ge tlem n stu d ents o f both Univer


a o a n e -

sities commonly scrib d to N sh which presents to us so a e a ,

useful a sketch o f the liter ry humours o f the time a .

The w riter f the pref ce to M e p ho h d a f i o a na n



a a r

sense o f good liter tur d l ve f hi w l ngu age a e , an a o o s o n a

E ng l i s h I tal i a ns , fi nes t ds

T u t, y sa ou r th e w its o u r c l i m at e s en

fo rt h a re b ra i n ed d ol t s i n co m pa ri s o n w i t h o t h e r c ou n t ri es ;
b u t d ry -

w h o m i f y o u i n t e rru p t w i t h t h e y w i l l t e l l yo u o f

'

R cd d c r a t zon em ‘
, ,

P e t ra rc h T a s s o C el i a n o w i t h an i n fi n i t e m o re o f o t h e rs
, , , T o w h om .

i f I s h o u l d o p pos e Ch au ce r Lyd g a t e G o w e r w i t h s u c h l i k e t h a t , , , ,

l i v e d u n d e r t h e t y ra n n y o f i g n o ra n ce I d o t h i n k t h e i r be s t l o v e rs ,

w o u l d b e m u c h d i s co n t e n t e d w i t h t h e c o l l a t i o n o f c o n t ra ri es i f I s h o u l d
w ri t e o v e r a l l t h e i r h e ad s H a i l fe l l o w w el l m e t ! , S h ou l d t h e
c h a l l e n g e o f d e ep con c e i t h e i n t e nd e d b y a n y fo re i g n e r t o b ri n u
g o r

E ng l i s h w i t s t o t h e t o u chs t o n e o f a rt I w o u l d p re fe r d i v i n e M a s t e r ,

S p e ns er, t h e m i racl e of w i t , t o h a n d y l i n e fo r l i n e fo r m y l i fe i n t h e
h o n o u r o f E n g l an d ,
a
g a i n s t S pa i n, F rance , I t al y, a n d al l t h e w o rl d .

At the d te f this writing Spenser h d not yet pu b lished


a o a

the first three book s o f the F ery Quee d his f me a n,



an a

w ith the public rest d on t h e eclogues o f the S hep h erd s


“ ’
e

K lender then in th ir third editio vigorous w ith religious


a ,

e n,

feeling d so direct in sym pathy w ith the French H g e


an u u

nots that t w o f them a e dire ct p r phr ses from M r t


o r a a a a o .

Sh kespe r h d
a t b een t wo ye rs in to w n
a e a d w ith h i
no a an , s

li fe s a d ram ati t yet b e fore him h d not yet written his


a s , a

d l i cat e p o et ical j es t u po n E uphuism putting his hoo k


e ,
I N T R OD U C T I ON .
49

through it as though he loved it in L ove s L abour s ,


“ ’ ’

Lost .

O f l l quips up n ingenious emptiness involving a firm


a o ,

u der suggestion o f the work men live to do that L


n -
,

pl y f Love s L bour s L st s the most L b


ove s
n
a o
'
a o I a our s

L

per fect What act on we h ve b sed e t e ly g mi


. i a Is a n Ir up
o I
n
, l es t

on the living out of a conceit We hear a ffected h b


.
fa s i o n a l e
st yle ,

t lk in many forms
a

Ta lfata p h rase s s i l k en , t e rm s p reci s e,


T h reep i l ed hy p erb ol es ,
s p ru ce aff ec t a t i on ,

Fi gu res p ed an t i cal .

The King in his sonn et to his mistress foreshado ws even


the sublimities o f C ashaw Magd lener

s a

Thou ’
sh i n s t in e ver y
ha t I d o w eep
tear t
No d ro p b u t as a co ac h d o t h c arry t h ee ,

S O ri d est t h ou t ri u m p h i ng i n m y w oe

.

But the sharpest satire is expressed in t h e p mpous o

emptiness of Don Ad ri n Armad by whom our c urt


“ a o, o

you kno w i s haunted


A man i n al l d s n e w fas hi o n pl ant ed
t h e w o rl

That b ath a m i n t o f p h ras es i n h i s b rai n



.

His bravery o f w it is shi ftlessly depe n dent upo th t o f n a

the child Moth whom he patronises fo it is with th t s


, ,
r a a

w ith the b ravery of outside sho w upon his person When .

he is c lled upo n to strip and comb t in his shirt he m ust


a a ,

o wn that the naked tr th o f it is I have no shirt There


“ u .
,

is schoolmaster H olofernes t o who can tell us that ,


o,

O i d i s Naso was the m
v u and why indeed N s b ut an , a o,

fo smelling out the odori fer us flo wers of f ncy the j erks


r o a ,

o f invention The fant stic l w ord com b ats of such cha


a a -

a t ers
r c as given b y S hakespeare have a close rese m blance
, ,

f L —
in spirit to so m e of the scenes o yl y s plays t o those fo ’
, r
,

E
E NGL WR I T E R S

5 0 I SH .

example in E ndymion , ,
w hich jest w ith Si r T op h as , the
br gging soldier
a :

S a m za s — Bu t w h at i s t h i s ? C al l yo u i t yo u r s wo rd
'

T op /t ar —N o i t i s m y s i m i t e r, w h i c h I b y co ns t ru c t i o n o ft en

s tu dy i n g h e c o m pe n d i o u s ,
to c al l my s m i te r .

D a r es —\Vh at , are yo u
. a l so l earn ed , sir ?
T op i u m— L e arne d ? I a m al l M a rs a nd A rs .

S a m i a s — N a y , yo u a re al l m as s an d a s s
. .

7 bp /za s — M o c yo u m e ? . Y o u s a l l bo t s u ffe r, ye t w i t
k su c h h h h
h k
w e a p o ns as yo u s a l l m a e c o i c e o f t h e w e a p o n w e re w i t h
yo u s al l h h h
p e ri s h
A m. I a l l a m a s s o r l u m p ? I s t e re n o p p
ro o rt i o n i n me ? h
Am I al l as s ? I s t h e re no wit in me ? E p i , p re p are t h em t o t h e
s l au g h te r .

—I ra y s i r, h ea r k We ca l l m as s , w h i c h
p , us s p ea .
y ou

yo u r l e a rn i ng d o t h w e l l u n d e rs t a nd i s al l m an fo r M a s m a ri s i s a m an , , .

T h e A s (a s yo u k no w ) i s a w e i g h t an d w e fo r y o u r v i rt u es acco u n t yo u ,

a w e igh t .

T opi u m — T h e La ti n h a t h sa v ed y ou r l i v es t he w h i c h a w orl d o f
.
,

s i l v e r c o u l d n o t h a v e ran s o m e d I u n d e rs t an d you an d pa rd on yo u
. .

It need hardly be rem rked th t the cro wdi g o f cl assical a a n

a ll usions into every sentence m st h ve been to S hake u a ,

spe re s p etic l sense dull even s materi l fo jest H e


a

o a ,
a a r .

l ughs at it but does not attempt to mock it w ith close


a ,

imit tion a .

While E uphues w

th us in f shion Shakespeare as a ,

bei g yet young as a pl y wr iter t the date f the


n a -
,
a o

D f
critic
u ra t I on o
l pre f ce to “
M e ph a B con w a na o n,

a as a

I li
ta
i an young n b rister p rt deviser o f t h e dumb sho
ar w s ,
a

{lit sai f t Gray s Inn d within t wo years o f h i s appoint


r‘ n

t z or a ,
an

ment as Queen s Cou sel Si Ph i lip Sidney had ’


n . r

been dead t wo years and Asch m tw enty years Sackville ,


a .
,

L rd Buck hurst w hose pen contribute d to the first E glish


o ,
n

tragedy still h d some t wenty ye rs o f li fe be fore him O f


,
a a .

M rlow e s brie f c reer only five ye rs w ere yet to come o f


a

a a

Greene s but four durin g which his overcharged o fes



,
c n

s ion a d sel f accusation


n o f an ill spent li fe would give som e
- -
I N T R OD U C T I ON .
5 1

str in o f
a ild earnestness to his last novels Ben Jon
a w .

so n w s t hen b ut fourteen ye rs old


a Fletcher but ni n e ; a

Beaumont Massinger and Webster three or four Donne


, , ,
.

wa s a y u t h f sixteen a d t wenty ye rs w ere yet to pass


o o ,
n a

bef re the birt h o f Milto who was himsel f ten years older
o n,

th n C wley and twenty four years older th n Dryden w h


a o ,
-
a ,
o

w s a m a forty yea rs old at the b irth o f Addison Through


a n .

out the whole pe iod t hus in d icated the taste fo conceited


r ,
r

w ri t ing introduced fro m It ly in or be fore the first ye rs o f


, a a

the reign o f Eli bet h prev iled It w s m dified by the


za ,
a . a o

ch aracter o f the sovereig and influenced in some respects n,

by the tone o f publ ic feeli g in each ge eration ; but the n n

desire fo const nt imagery fo cunni g sentences and i


r a ,
r n , n

g ne i o s allusions
u th t b y display o f a w riter
a s re ding ’
a

should m ke out his title to be read abided by the courtiers


a ,

a d scholars wh o w ere not only the chie f critics but w h o


n

formed a large proportion also o f the re ders o f b ook a a .

The dust of L tin in the sermons o f Bishop A drewes the


a n

qu aint w i t o f Fuller which o b tained fo him t wo audiences


,
r
—one w ithin doors a d the other out o f w indo w— i n his n

little chapel in the S voy ; the sententious w riting in the a



Enchiridion o f Qu rl es ; mani fest cle rly enough their

a a

relationship to E uphuism Ol d I k W lt n whose li fe — . z aa a o ,

ran through a p rt o f E li beth s reign and exte ded


a za

, n

through the whole subsequent period even until Addison


was a b oy o f el even — becoming weary o f the strain fo wi t
,
r ,

looked back from the d ys o f Ch rles I to Come live with a a .

m e and be my love that smoot h so g made by Kit M ’


,
n ar

lo we no w at least fifty years go The milkmaid s mother


, a .

san g an ans wer to it w hich w a s made by Si W lter Raleigh


,
r a

i n his you nger days T h ey were old fas hioned poet y bu t


.
-
r ,

cho icely goo d ; I think he says much b e t ter th the



, ,
an

s t ong line s that are in fas hion in this critical age



r .

At what level E uphui sm stood when it came str ined ,


a

out of t he b rains of those ordinary people who make up the


E 2
5 2 E N GL I SH I VR I T ERS .

su b stance of pol ite society t C o t Ben Jonson has sh o wn a ur , ,

w it h spice o f malic ious c ric ture in Cynthi s Revels ’ ”


a a a ,
a .

T he pl y pr duced o ly t wo years be fore the


a , o n

death of E li beth was w holly designed as a za ,

125 55 ? a
jest a
s
g inst w h t its chie f E up
ah uist descri b es a
“ your shi ting age
s f a for w i t w hen y u must ,
o

prove the aptitude o f your gen ius ; i f you find one you n

must hearken out a vei n and buy It was to bid men put .

only to man ly use the po wers o f their intellect


A n d , fo r t h e p ra c t i ce o f a fo rced l oo k ,
A n an t i c g es t u re , o r a fu s t i an p h ras e ,
S t u dy t h e n at i v e h eart
fra m e of a t ru e ,

A n i n w a rd co m e l i n ess o f bo u n t y k no w l ed g e , ,

A nd s p i ri t t h a t m ay c o n fo rm t h em a ct u al l y
T o G od s h i g h fi gu res w h i ch t h ey h av e i n p o w e r

,
.

Wemay connect the taste fo conceited writing i n t he r

d ys o f Lyly w ith that o f the e rly d ys o f Dryden by re fer


a a a ,

c h
ence to an uthor w h o is n o w read only by
a

Efig ggm
b
y the minute
e
student o f litera t ure —Gui l laume d e
W k ee f
s Sal u s t e d u Bartas
o He was a French nobleman .
,
D B u a rt as.
b orn a b out the ye r 5 4 4 H e w s educated s a 1 . a a

a sol dier shared the creed d rose with the fortunes o f


, an

Henri IV to whom he became tt ched s gentlem n i


.
, a a a a -
n

ordinary of the b edch m b er and by whom he w employed a ,


as

as ego t iator in De m rk Scotl nd an d E gl d He


a n n a , a ,
n an .

foug h t at Ivry d s ng o f t h e b ttle but died four mon ths


, an a a ,

a ft erwards o f the woun d s he received in it When not .

engaged in pol it ical or m i lit ry d uty t h is w orthy gentleman a , ,

w h o was a E uphuist of the fir t w te wrote poems i n h i s s a r,

ch ate o f Ba tas and his poem f L a Sep m i e w ent


au r ,

o a n

thr ugh thirty editions in six y e rs It was translated


o a .

into L atin It l ian G erma a d E ngl ish gener lly more


, a , n, n ,
a

than once into each langu age Its metaphors are extra .

va g nt i t s classi cal comp unds are barb arous In Fr nce


a , o . a ,
I N T R O D U C T I ON .
53

as i n E ngl a nd ,
the b ook is ow but a curiosity o f bad taste n

to the fe w who read it or kno w a ything about it The n .

fate o f its style h s justified one o f the s ound maxims i n B e


a n

Jonson s Disc ve ies that body o f opinion in wh ich is to



o r ,

be found ou first good exposition o f the pri nciples o f whole


r

some w riting Nothi ng is l sti g that is feigned ; it will a n

have another face th n it had ere l ng As E uripides saith a o .


,

no lie ever g ro w old s .


J mes I w h was mong his transl tor sought in v in


a .
, o a a s, a

to ret in t h divi e D B rt s t his Court n d Sylvester


a e n u a a a ,
a

bec me l urelled poet mainly upon the strength G eat


a a a
r

o f his E glish versi o n o f t h e Divi e Weeks E l i h


“ ”
n n ng s

an d the other works o f the same h nd I a .

I d m
remember w hen I w s a boy writes Dryden
, a ,
” ts u’a’ '

in his pre f ce to the Sp nish Fri r


a

I th ught i i m i t a a ,

o n

a ble Spenser mean poet in comp rison o f Sylvester s Du


a a

B rtas d w s rapt into a ecst sy when I read th ese


a ,
an a n a

lines
N o w , w h en t he w i n t e r s

kee n e r b reat h began
T y
o cr s t a l l i z e t h e Ba l t i c ocean

T o g l az e t h e l ak e s , t o b ri d l e u p t h e fl ood s ,

A nd pe ri w i g w i t h s n o w t h e b a l d p at e w oo d s -

I m m h dece i ved i f t his be not abomi n ble fusti n th t


a
~

uc a a , a

is th ughts nd w ords ill sorted d without the le st rel


, o a an a a

tion to e ch other a .

We must t forget h w er th t the p pul rity f Du


no ,
o ev , a o a o

B rtas in this co ntry w due t only to t h h rm y o f


a u as no e a on

his conceited s t yle with the prev iling f shio but to his a a n,

Pro t est nt f ith d the religious ch r cter o f l l his w rit


a a an a a a

ings The First Week f seve n d ys or bo ks s ings the


. o a , o ,

Birth o f the World the Ch o the E lements the Se : a s, , a

and E th the Heavens S


ar , Moon & the Fishes d ,
u n, , c . an

F wls the Beasts nd M an the S bb th It is not worth


o a a a .

while to illustrate by more cit t i o n t h e ffect tions o f b ook a a a a

deservedly forgotten ; but w m y t ke fro m the Vision of e a a


54 E N GL I SH WR I T E R S .

T ng es in the poem of Babylon which belongs to the


o u , ,

second d y of the second w eek the n mes of the fou


a ,
a r

person w ho in Queen E li beth s time had b ee regarded


s , za

,
n

by pol i shed F ren ch m


a the chief supporters o f e ch an as a

m odern langu ge O f the Ital ia Boccaccio Petrarch


a . n, , ,

Ari sto T sso o f the Germ a Pen cer Luth er B e n d


o , a n, , ,
u c r, a

B t i ; o f the S pa ish Guev r


u r c Gr nad Bosc n and n , a a, a a, a ,

Garcil so (t h e t wo poets l st amed were t h e chief intro


a a n

d u e s o f Italian style into C stili n poetry ) o f the Fre n ch


c r a a ,

Marot Amyot Rons rd a d Duplessis Morn y of the


, , a , n a

E nglish S i r Thom s More S i Nicholas B con S i Philip


, a , r a ,
r

S id ey and Queen E li beth h ersel f wh o


n , za ,

wit h ph ra s e s ch o i c e ,

So on dd e n c an d i s co u rs e i n G reek
t h e su ,

F rench Lat in T u s can D u tch a nd S p an i s h e k e


, , , , ,

Th a t R o m e R h i n e R h on e G re ece S pai n an d I tal y


, , , , , ,

Pl e ad al l fo r ri g h t i n h e r n at i v i t y

.

The Queen s sk ill in choice phr ses and her pow er s



a ,
a a

linguist h d o f course f voured t h e gro wth o f E uphuism t


, a a a

E li beth s Court The ch racter of James I lo wered the



za . a .

dignity wh ile it exte ded the domai o f literary affectati n


, n n, o .

A ew strength o f religious and political feeling caused the


n

conceited d pedantic style to be o ften animated w ith a


an

he t o f li fe d passion in the d ys o f Ch rles I d o f t h e


a an a a . an

Common wealth Much o f the co m mon l ngu ge f the . a a o

Purit ns w s Euphuism c st b y the fire o f eal i religious


a a ,
a z n a

mould We see the grandeur of it in Crom well s d es ip


.

cr

tion o f his victory over the S cotch t Du bar nd the a n ,


a

poor we k f ith w herein I b elieve o t few mo ngst s
,
a a , ,
n a a u

sh red that because o f their numbers bec use o f their


a , , ,
a

a dv ntages because of their confidence because o f our


a , ,

w eakness bec use o f our str it w e w ere in the Mount and


,
a a , ,

in the Mount the Lord would be see We have it i n .



n

b athos w hen fter Crom well s death a f llo wer decl res
, ,
a

, o a
5 6 E N GL I SH WR I T E R S .

E ng land to enjoyment f the old cl ssical mythology and


, o a

i m itation f old classical forms o f speech


o .

There was nothing ant gonist to s ch tendencies i n the a u

c o n c urrent i n fl u ence which her other neigh b our S p in w , a , as

S p anih s
exercising on the minds o f Fr nce Sp i t o a . a n, o ,

152
3 252
“ i spoke n a Rom nce t ngue d early thea o ,
an In s 1x

t ee t h century the chie f poet o f S p in wa s


1 0
a ll i de h to t e n a

Boscan wh o b ndoned the old Gothic f rms


,
a a o

fo pro fessed imitation o f Petr rch


r He wo u ld replace the a .

t ru e S p nish ballads w ith his de Amor Sea o f L e


“ M ar

a ,
ov ,

and with love sonetos c nciones th t imitate


“ “
d an a a

I tal ian tenderness s w el l the m re fervid d sonorous


a as o an

Spa ni s h voice was b le t repe t its ccents a Th t tender


o a a . a

n ess was even more closely represented by the Petr rch n a a

wri tin g of B os an s friend the s ldier Garcilaso de l V eg



c , o a a,

who san g Arcadian pe ce d died storming f rtress


a an a o .

T he Sp niards t oo w ere looki g b ck to Latin and Greek


a , ,
n a

mas terpieces with a kindred interest G rcil so f stened . a a a

u po n Virgil as well as Petr rch Bosc n translated Hero a a

and L e ander out of Greek ; Diego de Mendo poet



za, ,

n ovel is t historian and fo six ye rs Charl es V s C ptain ’


, ,
r a . a

Ge neral in Italy was lso f mous collector f Greek


,
a a a o

m anu s c ripts The studi ed imit ti n o f Sallust in Mendo s ’


. a o za

His to ry o f the Rebellio f Gran d d th ver n o a a,

an e o

e l b o ate nicety i
a r a rhet ric l use of w ords w ill lso indi
n o a ,
a

ca t e h o w little o f antagonis m t the Italian influence France o

wo u ld fi nd in the concurrent infl ence o f S p i C hi e fly u a n .

t h t added tendencies t
a more po m pous m n r th n o a an e a

I tal ian example warr nted A Sp ni rd could y f his


a . a a sa o

i ng M d id in J n ry th t she surp ssed her


a r a ua , a a

:I and w ith the serenity of h e is ge g ve


, r v a a

m ea do w s d strength to t h e pl nts ; an f a or o

zi n gs th t the sun seemed to t ke its course


, a a

hron e an d th t their cro wn was the Zodiac


f
, a
I N T R OD U C T I ON .
57

The rel ish of such exalted nonsen se w s encouraged i n a

Fr nce b y the b edsides of the P éc se p rtly T d


a r

zezc s, a
c e ncy
a
b ec useaI t was the character o f tho s e l d es
l
f F h a i o re n c
i t e ra r y

rather t spend thought upon w ords than w rds


o i
b l
o c once t t o

upon thought As Regnier descri b ed the critics i i i


ver a
. cr t c s m .

Th
to whose scho l they belonged o fi o
e rea s on
t.

s

i l s fon t q u e l q u e ch o s e ,

C es t

p ros e r d e l a ri m e , e t ri m e r d e l a p ros e .

Nevertheless French literature w s at this time dvancing t a a o

its high est poi n t o f in fluence d way w bei g made ev n ,


an as n , e

by these verb l critics to w rds point t w hich Fr nce


a ,
a a a a

causes a very sh rp b end in the current o f our E nglish


a

liter ture There was a re son for the minute attention


a . a

th t the French began to p y to the v c bul ry o f their


a a o a a

l ngu ge t time when Sh kespe re pr ved our E nglish


a a , a a a a o

c p ble o f spe king ll that man s wi t


a a a im gine or hisa

ca n a

he r t c feel North and south o f the Loire there w ere


a an .

still the L angue d O n d the L ngue d oyl in their extreme



c a a

,

expression rather sister langu ges than di lects Speech a a .

h d bee n made un w holesome by the person l impurity o f


a a

princes and the n came in Henri IV a ki g wh o with his


, , .
,
n

Bé o i s b rought the G sc n di lect into f m iliar use


a rn t a o a a a

Court The truest sense o f liter ture would m ke Fre ch


. a a a n

w riter o f that d y incessantly consci us o f d liber tion s to


a o e a a

wh t should and w hat sh uld


a o t be admitted as classic l o n a

French words into w orks fo whic h he desired perm anence r .

The proper and common disposition wa to re f r back to s e

the p rent classic l tong u e


a stand rd d R d a as a a ,
an
o n sa r

Rons rd w s not l ne in the de ire to b rro w


.

a a a o s o

dignity out of the Greek He l mented in erse th t he . a v a

might not use the w ords O ym e d y p o t o e ol igo h o c or ,


s n ,
c r

nien an d he ffected even m re L tini ed gramma o f


,

a a o a z r

F rench ; such fo example as the co m parison o f adjective s


, r ,
5 8 E N GL I SH WR I T E R S .

w ith cu and ime But Rons rd w s i his ow time



r

. a a n n

the d rling poet o f h i s country The Ac demy o f Floral


a . a

G mes g ve h i m sil er Miner a with the name of French


a a

a v v ,

poet p llar M ry Stuart g ve him silver rock


ex ce en ce .

a a a

sho wi g the sprin g o f the P e m ess s


n d addressed to r u , an

R ns rd the Ap llo o f the spri g f the Muses


o a , o n o .

Thirty ye rs younger th R ns rd Malherb e during


a an o a ,

the first qu rter o f the seventeenth century bec me the most


a a

M lh b
a er e
determi ed ch mpio o f the verb l purit y o f n a n a

French He w kno wn the tyrant f words


.

. as as o

d syll b les “ This doctor in the vulgar tongue wr te ”


an a .
,
o

his frie d B l c used to s y th t fo so m ny ye rs he


n a za ,
a a r a a

h d been trying to de G s o i e the C urt and that he


a -
a c n z o ,

co ld t do it De th surpr i sed h i m w hen roun d ing a


u no . a

period “
An hour be fore his death says his disciple
.

,

R c n M lherb e w ke up with a st rt to correct his nu rs e


a a ,
a o a

for use f w rd that w not good French ; a d when his


o a o as n

co fessor reprim nded him fo that he said th at he could


n a r ,

not help hi m sel f d th t he would de fend to the de th t h e


,
an a a

purity o f the French langu ge We only underst nd b ut a .



a ,

M lherbe felt the need o f earnest critic l ttention to the


a , a a

u nsettled language o f his country as France rose i n po wer .

Deliber tion in the choice o f words m de him a slo w writer


a a .

He spent three ye rs in the composition f ode intended a o an

to cons le the President o f Verd un fo th e loss of a wi fe


o r .

When the ode w finished the President h d c nsoled h i m as ,


a o

s l f by m rryin g noth r
e a a e .

At t h H Ot l R m b uillet M l h erbe w a the chie f guest


e e a o a s

i the fir t ye rs o f his f me
n s C therine de Vivo ne de
a a . a n

“m i
Pis ni
e e t ng s
w hen in 6 s h e m rried t the age o f
a , 1 00 a , a

at t
R am
h H si
b
e

l
sixteen

ou i l
the
tel M
et
rquis de R mbo illet Gr nd M ster , a a u ,
a a

o f the Roy l W rdrobe h d b e fore her h l f


.

a a ,
a a a

century f li fe during which she could indulge her t ste fo


o ,
a r

P risi n literary convers tion Born in Rome d with Italian


a a a . an

blood in her veins she was skilled in Itali n and S p nish ,


a a
I N T R OD U C T I ON .
59

an d del igh t ed i n the literary spirit o f her d y s e s oned w ith a , a

the ingenious a d h rmless fl t t e i es by which only e is


n a a r an ar

tickled Receiving c mpany on her bed fter a f shion o f


. o , a a

the ti m e and the m nner o f the w hole community o f a

P é wh o foll wed in her steps — s o givi g to fashion


'

r czeu s s ,e o n

the phrase courir les r elles — d in w inter denying fire u an

as per il us to t h e c mplexion o f hersel f


o d o f her delic te
o an a

guests in ch mber corridor or lcove the M rquise de


a , , a ,
a

Rambouillet received pri nces nd w its t her w eekly feasts a a

o f ver b l criticism
a O f her i direct i fluence it is not
. n n

e sy to suggest the limits Be fore h circle Corneille


a . er

read h i tr gedies nd t h e youth Bossuet first displ yed


s a ,
a a

the ge ius o f th e pre cher Purity o f speech w dem n d ed


n a . as a

o f all w h o fre q uented the H Otel R m b ouillet There a .

w as to b e no unclean w ord d muc h th t w com , an a as

mon it ple sed the p rticul r genius o f the house to c ll


a a a a

uncle n The Marchio ess disd i ing her ow common


a . n a n n

name of Catherine M lherbe tortured his wi t and produced


,
a

f
or her i stead o f it A t h é i its a n gr m V gelas the
n r n ce , a a . au

gr mm ri n ranked bove princes t t h H Ot el R mbouillet


a a a a a e a .

I f the w ord f é/ t is o t yet French w rote B l ac it “


' '

zcz er n , a z ,

w i l l b e so next year ; M de V u gelas h as given me h i s w ord . a

not to O ppose it Th ere is play ful letter o f Voiture s t o


.

a

the Marquise de R mbouillet in which he ple ds f the a a or

th re tened li fe o f t h e word
a O ver f m ili r w ords i f ca r .
-
a a ,

tolerated in th F rench at l rg w er repl ced t th e h d


e a e, e a a ea

qu rters o f polite speech by d lic tely c nceited phr ses


a e a -
o a .

A the M rchi
s a ess s w comp y in her i ght p d the
on a an n -
ca , an

idea Night cap might have to be xpressed i convers tion


-
e n a ,

w hile t h e w ord w t o co rse fo choice l i ps its ssocia t ion


as o a r ,
a

w ith sleep d dreams sugg ested th t it might be re ferred


an a

t o as the innocent ccompl ice o f f lseh d Laughter



a a oo .

wa s clo w nish b ut i f mentio ed it might be d escribed


, l ss n as o

o f seriousness A gentleman in this assembly h d nce to


. a o

men tio n hay f ai happ ns ho wever t o l y t me n h y


n e , , no n o a a
60 E N GL I SH IVR I T ERS .

but t o be lso a m ild French interjection Baul ked in h is


a .

a ttempt to fi d sub titu t e f the w ord he b ecame im


n a s or ,

p tient and fo the inn ent f r pped out a Devil fe t ch


a ,
r oc ozn
'

me there s no spe ki g in this house 1


,

a n

T he M rquise d R mb uillet set a fashion amo g


a c a o n

ladies d there r m in s register o f eight hundred she


,
an e a a

T h M
e
critics
P ,
esteemed preci us to France P é o ,
r

— s centres o f refining influence The



ie c u se s , a .

f shion h d extended even t


a a the pr vi ces when Moli ere o o n ,

a tt cked it w ith his ri d icule


a .

The H Ot l R m b uillet w in the heigh t o f its credit


e a o as

w he in 6 3 5 Richelieu proposed to weekly ssembly f


n, 1 ,
a a o

T h c e } m le uthors w
,
hich met f amutu l
a i d d dis or a a an
A cad m e
si oy t th
'

house o f C a t o e o f their
cus n a e o nr r ,
n

number corporate li fe under the protect ion o f Louis X I V


,
.

The offer w accepte d d the French Ac d emy was th us


as , an a

f unded w ith especi l ch rge over the French langu ge


o ,
a a a ,

w hich the Ac demici ns w ere to puri fy and fi a by the


a x

public tion of a Dictionary d Grammar


a an .

It has bee n s id o f Dr Joh son s E nglish Diction ry a . n



a

th t he lone compi l ed it w hile t h e Diction ry of the


a a , a

French Academy w th work o f fo ty men eac h as e r ,


t of
S ii
i Fiéi iih
l
subj ect to much fem n ne d ct t o But between
’ ‘
~

ti e i i i a i n .

li fl fli ff
g
f the ’
t w o w ks
by
t h e senti l d i fl e e e is not
or to e s a

r nc

be f rg tten T h forty m in P ris h d p w r o o . e en a a o e

o f li fe d de th over t h w rds f the French an a e o o

l ngu ge committed t their h n d s The word t h ey d


a a o a . a

m i t t e d into their d icti n ry w there fter to be dmissible o a as a a

in g d Fre ch liter tur


oo d the w h ole h st o f w ords that
n a e, an o

they rej cted w ere by irt e o f t heir rejecti n to bec o me


e ,
v u o ,

unl wful in p lite s ciety It w s to be settlement of


a o o . a a

l gu g b y
an a p d t
e t But there a h be
cou n ither ’
i
t a . as e ne

need t ste in En g l nd f th t method o f proced re


n or a a or a u .

Dr Jo hnson might insert or mi t w h t b e ple sed w ith u t


. o a a o

cr shing syll ble o f spoken E nglish French refinements


u a a .
I N T R OD U C T I ON . 6 I

t nde d to tight laci ng o f the language in dictionary


e a -
a

c ref lly de v is d as st ys Broad chested E nglish h s


a u e a .
-
a

allo wed its lungs free play and w ill be str pped up in the ,
a

leat her covering o f o ma n s dictionary n



.

The work f t h Academici ns and their revision o f it


o e a ,

w ith its tedi us deb tes over the definiti ns f words


o a e o o ,
r

mained so long in hand th t the first e d ition w s n o t a a

p u b lished till 6 9 4 b y w hich time critic l France h d


1 ,
a a

a dvanced with the help of B ileau f he d in a ew


, o ,
ar a a n

directi on C lbert looked in up n the dicti n ry makers


. o o o a -

when t h ey h d been for so m e ye rs revising lett e r A


a nd a ,
a

found t h em d b ting on the sense o f t h w o rd “ ”


e a Am i I e s

friend b ound by social em tio l tie ? “


Can one ”
a a or o na

be called a friend where friendsh ip is not recipr c l ? “


Are o a

men to be called friends whent h ir w rm professi ns o f good e a o

w ill are based upon sel f interest ? “ Wh o is friend ?


” ”
-
a

Where is friend ? a The Minister h e ring such ques

, a

tions de b ated ce sed to ask w hen th e Ac demici ns would


, a a a

h ave talked their way do w n f irly into Z a .

Although one would lo k fo nothing less tha n strict o r

obedience to system in the free various utter nce of the ,


a

man y voices th t in each successive gen er tion


a a
“ f
become fixed by the hel p o f ink a d p per it is $333 n a ,
°

certain that in the mass men s minds ob ey their


, ,

proper influences as the tides the m o The o n .

moving forces lie w ithin the mind of m n h im el f a s

— honour o f truth d rig ht hope o f w rthy future


an a o .
,

E loquent minds in whom this h our is most active and


, on

t his hope m st s re express t h


o highest liter ture o f each
u , e a

d y and their thoughts are l sti g only in s f


a ,
as th ey e a n a ar ar

t rue . Thus w e might l y it down dogm tical l y as f ct a a a a

that French liter ture ad nced from the q estion of words


a va u

and letters mai n t ined b y R onsard and M lherb e to the


a a

larger question o f forms and l ws of literary com position a

d i s cussed with especial pow er by Boileau But t hey w ere .


62 E N GL I SH I VR / T E R S .

not the devotees f choice phrases and word s by who m o

such an adv nce was m de after the highest level i their


a a ,
n

f rmer way o f eal had been tt i ed


o zThe larger p t o f a a n . ar

t h e flock simply w ent on in the l d w y and it w their o a ,


as

a imles d w n hill wandering follo wers o f tr ck which


s, o -
, as a a ,

fo r a certai dist nce o ly t k the p ward w y th t pro


n a n ,
oo u a ,
a

v o k e d fr m str ngo d h nest minds a vigorous ttempt to


o an o a

p ut them right There w as especi l stre


. g t h d ho esty in a n an n

the mind f Boile u who e r ed a me for himsel f in


o a ,
a n na

French lit er ture s the Poet o f Go d Sense and wh ose


a a o ,

good sense h d in this cou try distinguished f llo wers


a n o .

In o d ys o f the Re tor tion and the ye rs follo wing


ur a s a a

the Revolution of 6 8 8 it was Boile u livi g on until his


1 ,
a ,
n

d eath aged s venty fi e i n the year 7


,
wh o e -
v , 1 1 1,
B ilo eau .
gave law s on P r ssus d m de critics His a na an a .

father was an ct u ary ; his mother died i


a his in f ncy h e .
n a

w as a sickly boy subject to an un friendly nurse t twenty


,
a

he wa an dvocate unfit fo the Bar turning his mind to


s a r ,

theology But his pl ce not bei g in the pulpit he a ban


. a n ,

d o n ed the Church and not the Church o ly b ut also a ,


n ,

b en efi c e o f eight hundred livres that he had b een persuaded


t o hold t least foa certain term o f ye rs I l yi g it
r a a . n a n

do wn he g ve to the poor all it h d brought him


, a

B t a . u ,

s id n bb é wh o h imsel f o wned m ny b e efi ces that was


a a a ,

a n ,

a good thi g to live upo M Boileau


n Not a doubt of n, . .

it ,
Boile u s wered ; b ut to die upon Monsieur l Ab bé
a an ,

— to die upon 1 It w s his hones t y that gave permanent



a

force to this man s genius



.

Resenting the degr dation o f tast e in his day Boileau a ,

l u ghed at the p u blic that cou l d see riv l to Corneille in


a a a

S cud eri the d ramatist d could re d w ith delight dainty ,


an a

rom ance fter t he m nner of the Pré cieuses by S d é i s


a a ,
cu r

sister M deleine who c arried to her death at the age o f


a , ,

n inety f ur the reputation o f w hich she l id the found tions


-
o ,
a a

at the H Ot e l Rambouillet It w reput tion raise d by . as a a


64 E NGL I SH I VR I T E RS .

R cine discours ed freely


a d took gaily w ise counsel , an

t gether They rgu d o ft en of sou d liter tur e a d con


o a e n a ,
n

d e m ed e ch other fo o ff ences g inst sense to re dings


n a r a a a

out f Chapel in s Pucelle th t l y re dy fo the pur


o

a
’ ”
a a a r

p e T wenty lines was the sentence fo serious o ffe ce


os . r a n

but f utrages th t deserv d c pit l pu ishment page


or o a e a a n , a .

The liter ry mind it w cultiv ted t those suppers


a ,
as as a a ,

w s e pressed i Boile u s poem o the A t o f Poe t ry


“ ’ ”
a x n a n r .

The critic l shortcomi gs o f that w ork w hich


a n ,

m y be s id t h ve given the l w fo s me years


a a o a a r o

t o French d E glish liter ture ne rly ll pro


an n a ,
a a

ee d from
c w holesome b ut too servile reg rd a a

for the ex mple o f the ncie t cl ssic writers The chief


a a n a .

a uthors o f Greece and Rome were to be as much the models


o f good lite ture as the L ti l gu ge was a st nd rd o f
ra a n an a a a

right speech This led i deed to sound contempt o f


.
, n , a

e m p t y trivi l ities but it left the critic w ith faint po wers o f


a ,

recognition f D nte or Shakespe re or a Milto n


a a , a a ,
.

B il au w even hindered by it from percei ing h ow fa


o e as v r

Terence wa surp ssed by his f iend Mol i ere His discipline


s a r .

thus tended obviously to the creation o f rtifici l t ste an a a a

fo forms o f correct writing excel l e t in t h emselves but as


r n ,

me ns o f perfect expression better suited to the genius of


a

t h e French th n o f t h e E glish people


a He w s true n . a a

Frenchm d E nglish w riters erred by imit tio even o f


a n , an a n

his e cellence in d p t i g too re dily f


x , a n tion Germ ic
o n a ,
or a a an

in origin d l anguage forms th t h rmonised better w ith


an , a a

the mind d l gu ge of Lat in r ce But t the s me


an an a a a .
, a a

time they sh red w ith their neighbou rs the benefit o f


,
a

a ssent to the ppe l in his A t I oét g


“ a on behal f of
a r

z z
ce

pl in good sense g inst the f ded extrav g nces of th at


a a a a a a

peri od o f Itali n influe ce from which li fe and he lth had


a n a

dep rteda
Ev i t o ns ce s e x ces . Lai ssons a l I t al i e

D e t ou s fau x b ri l l ans l é cl a tan t e fo l i e



ses .

To u t d o i t t en d re au Bon Sen s .

I N T R OD U C T I ON . 65

These lines declare t h e living sp i rit of t h e poem in ,

w hich i f we are to see only in one foremost wor k the ltered


, a

temper o f a generation it may especially b e said th t the ,


a

period o f I talian influence ended and th at of French i n

fl ence b egan
u .

It was in 1 6 7 and at t h e g e o f thirty four t hat Boileau


2, a -
,

wrote his “
Art of Poetry D yden s age was then forty ’
. r .

In t h e previous year the Duke of Buckin gham had s tiri ed a z

on the L o ndon stage in his Rehearsal the conceits and


, ,

fusti n o f recent E nglish dr ma s as they had been cooked


a a ,

by Davenant D ryden and others to su i t the S poiled p late


, , ,
a

o f the to wn .

S pi te of m ys e l f, I l l y fig h t l o v e, d e s pa i r ;

sta , ,

A nd al l h
t is I ca n do b ecau s e I d are,

of Dr d y e n s heroes ’

I d ri nk , I h u ff , I s t ru t , l o o k b ig , and s t
are

A nd al l h
t is I ca n do becau se I d are, ”

m ocks i n the Rehearsal Buck ingham s D rawcansir


, ,

.

Tyrannic L ove was one of Dryde n s last popular plays ’

w hen Boileau s “ A rt of Poetry



ppe red in Paris In that a a .

play a gu ardian angel praises his s word all keen and ground
u pon the edge o f day and a bold martyr sent enced by t h e ,

tyran t th us defies him


,

W here er t h ou

s t an d st
’ ’
I l l l e v el at t h at l
p ace
bl ood a nd S p ou t i t a t t hy face
M y gu s h i n g , .

Th u s no t by m arri ag e w e ou r bl o o d w i l l j o i n
, ,

N ay m o re m y arms s h a l l t h ro w m y h ead at t h i ne
, ,
.

And these excesse s w ere intent ional Poets Dryden .


,

wrote i n the Prologue to this pl y misapplying Horace s


, a ,

Serp i t h u m i tutus

hou l d b e bol d and d a re


Poe t s l i k e l ov e rs s ,

They s poi l t h ei r bu s i n ess w i t h a n ov ercare


A n d h e wh o s e rv i l e l y cree p s a ft e r se n s e
I s s afe b u t n e e r wi l l reac h an excel l en ce
'
.
,
66 E NGL I SH PVR I T ERS .

In ngl nd then there w


E a much need
, ,
in France as as as

o f Boile u s cri t ical gospel o f B S n d the light w its



a an ens a

o f the d y w ere disposed to follo w fo some short dist nce


a r a

i that direction the lead even o f an earnest m a


n t any n, a

rate i f French .

For in those d ys France was strong and E ngl n d we k


a a a .

The King of E ngl nd w s a pensioner to the French Crow n


a a .

T h ei d f
M
p er o
demoiselle
o
de Q e o i ll
a w s as Duchess o f u r ua e a ,

z z gggfi
i fl
P ortsmouth
fl u
g ent
'

o f Roy l France and fa vourite


,
a a ,

i o f Royal E ngland receiving an estate from the


Eéfl gw
f s
,
t t
French and incredible sums out of the Secret
,

Service Money from the pockets o f the E nglish people .

When there w as no soul at Court meaner than that o f the


King capable neither o f love nor of friendship wh o ff ecte d
, ,
a

men only w hen they had ceased t be manly and w ome n o ,

w hen they h d become the shame o f their o wa sex Court n ,

p tron ge f the the tre tainted the stage and poli t e litera
a a o a ,

ture still dependent upon courtly patron ge foun d no fit


, a ,

a udience fo any song like th t o f Una d the R e d Cross


r a an

Knight it m ust needs be frivolous or censorious critical or ,

satirical But there w ere nevertheless great questions i n


.

S t te a d Church as tir among the E nglish


an Vit l change . a

w as —
impending and the satire of a Dryden since he wh o
co ld look b ck in his maturest d y w ith so tender a fel l ow
u a a

feeling to the purer strains o f Chaucer yet must nee d s b ,


e,

fo the s ke o f bread a dr mati t in his rel tion to the people


r a , a s a ,

and a satirist in his rel tion to the Court — t h e satire of a a

Dryden stru k thro gh the utside of things deep into the


c u o

gr vest re lities that then concerned his count y There


a a r .

fore i t is th t Dryden s verse lives yet to be read and



a
,

ho oured w hile the w ord s o f the light w its who pl yed over
n , a

the m re frivolities f life belong to the ntiquities of


e o a

E nglish liter ture long since dea d to the E nglish people


a , .

But the Court and the Stage i f they were fo a little ,


r

time fter t h e R estoratio n the main source s of literary


a
I N T R OD U C T I ON . 67

repute and re ward could not cl im to themselves l l the ,


a a

nation s mind Vig rous in the he rt o f the great E nglish



. o a

people there lay still the religious earnestness that gives


stre ngth to their char cter In his jail there was John a .

Bunyan writing The Pilgrim s Pr gress ; and in his home


“ ’
o

sat Milton who had as a youth dedicated his powers to G d s


, o

service and devoted himsel f t o liter ture as one resolved


,
a

th t he would do all as in his gre t Taskmaster s eye


a a

.

Unrecognised by f shion Milton s Paradise Lost wa a ,


’ ”
s

steadily on its w ay t a second edition w hen the c urtly w its


o o

o f E ngl nd looked to Boile u s n w ly published Art o f


“ ’
a a e -

Poetry fo help to the perception o f go d w riting


r o .

Boileau in Fr nce s well ,


in E ngl nd gave i m
a a as a , an

p e t u s to critic l inquiry into liter ry


a styles d forms o f a an

composition Ren é R pin . eleg nt w riter of a , an a

L tin whose treatises on Polite Liter ture were


a ,
a

translated into E glish by B Kennet Ren é l e n .

Bossu Andre w D i er and his w i fe Fo t e e ll e


, ac ,
n n ,

a n d others cri t ics w h o like Boileau looked t o


, , ,

the Greeks a d L tins fo their st nd rd of good literat ure


n a r a a

-
all h d their E nglish represent tives John Sheff eld Duke
a a . i ,

o f Buc k ingh am achieved h i metric l E ss y on Poetry


,
s a a

Horace s Art o f Poetry w t r nsl ted by the E arl


“ ’ ”
as a a

of Roscomm n w h o w rote in verse lso his o w


o ,
a n

E ss y on Tr nslated Verse Hor ce s Art o f Poetry


“ ” ’ ”
a a . a

wa s imitated by O ldh m ; w hile Boile u s Art of “ a a


Poetry translat d by Si Willi m S o m e


,

e friend o f r a a ,
a

D ryden s was ot publishe d until it had received m ny



,
n a

touches from t h e h nd o f Dryden himsel f wh o in the a , ,

Prefaces to his Pl ys had pr ved himself the first o f E glish


a , o n

critics The most E nglish a d independent of the critics


. n

o f his time w a Dryden yet even he cites in the Pre f ce to


s , , a

his c onvers ion of P r dise Lost into an oper s a t h o i a a



a, a u r

ties i n literature the greatest in this age Boileau an d



,

Rapin ; t he latter of which alone is suffi cient were all ,

F 2
68 E NG L ISH WR I T E R S .

other critics lost to teach ane w the rules o f w riting Wha t


, .

w onder then th t this llegiance to French critical ta s te pro


a a

d c e d fo us a Rymer
u d a Dennis
r an

There can be no surer test o f the quality of E ngl ish


f shion ble
a d high critical t ste during this period o f
a an a

French influence th n in the slow ness o f our critics to per a

ce i e the m rv ellous success o f S h kespeare as a d irect


v a a

student in the school o f li fe d n ture an a .

Pepys w itnessed the per f rmance of Romeo d Juliet o an

in March 6 7 and pronounced the pl y to b e the w orst


,
1

2, a

Wh t h
he had ever he rd N t long a fter he w ent to a .

o ,

po li
a
ld the King s The tre where he says we s aw
t e w or
t e
“ ’
a , , ,

3 33 555
5222
1 Midsummer Night s Dream w hich I had never ’
,

seen be fore sh ll ever ag in fo it is the , n or a a , r

most insipid ridiculous pl y th t ever I saw in , a a

my li fe In 6 76 in goi ng to Dept ford by w ater he read


. 1 , ,

O thello Moor o f Venice w hich he continues


,
I ever , , ,

hereto fore esteemed a mighty good pl y ; b ut having so a

lately re d The Adventures o f Five Hours it seems a


a

,

me n thing a The Adventures of Five Hours which


.
,

made Othello appear a mean thing b y comp rison


“ ”
a ,

w as a tr nslation from a play b y C lderon


a In 6 77 Pepys a . 1

records th t he s w t h e Merry Wives o f Windsor which


a a ,

d i d not please me at l l in no part o f it w hile Tw el fth a ,

Night he esteems the w e kest pl y that ever I b eheld


” “ a a

on the st ge The Tempest he foun d full of so good


a .
” ”

v riety th t I cannot he s ys b e m ore pleased lmost i n


a ,
a ,

a , a

a comedy only the seam n s part a little too tedious b u t


,
a

then he adds that the pl ay h a no gre t wi t yet good



s a , ,

above ordinary plays With H mlet he was mightily . a


pleased b ut b ove l l w ith Betterton wh o personated



,

, a a , ,

the Prince o f Denmark When he w s first present at the . a

per formance o f Macbeth in 6 6 4 he calls it only a “ 1 ,

pretty good play Afterw rds it rose in his favour and in . a ,



1 6 6 7 he declare s it to b e a most excellent play in al l
I N T R OD U C T I ON . 69

res pects b u t especially in divertisement though it be a


, ,

deep tragedy which is a stra ge perfection in tr gedy it


,
n a a ,

b eing most proper h ere and suit ble It appe rs from a ”


,
a . a

su b sequent entry that the divertisement which he con


“ ”

s i d ered the especial excellence o f M acbeth me nt the “ ”


, a

variety of dancing a d music n .


The professed critics w ere sometimes not more compli


ment ry as m y b e seen in b ok pu blish ed in 7
a , a t a o 1 2 1, a

which d te S hakespeare s w rks w ere only in their fi ft h



a o

edition and the copies o f th t fi fth edition published b y


, a ,

Nichol s Ro we t welve years b e fore w ere still su fficient f


a ,
or

the pu b lic need In this b o k entitled The L w s f



. o ,
a o

P oet y as laid dow n by the Duke o f Buckingh mshire in


r , a

his E ssay on Poetry by the E rl f Roscomm n in his ,


a o o

E ssay on Translated Verse d by the Lord L nsdo w ne on


i

, an a

Unnatural Flights in Poetry E xpl ined and Illustrated w e , a ,


are instructed that

That fam ou s h i c h h as b een so m u ch c ri e d u p i n


sol il o u y q w
H am l et h as n o m ore t o d o t h e re t h a n a d esc ri p t i on o f t h e grov e a nd

a l t a r o f D i an a m en t i on e d b y H o ra ce H a m l et co m es i n t al k i ng t o.

h i m se l f an d v ery sed at el y and e x ac t l y w e i g h s t h e s e vera l reas ons o r


,

con s i d era t i o n s m en t i on e d i n t h a t so l i l o q u y ,

T o b e, or n o t t o b e,

84 0.

As s o on as d on e t al k i ng to h i m se l f h e s ee s Op h el i a an d p as s es
h e h as , ,

t o a c onv e rsa t i on w i t h h e r en t i rel y d i ff e re n t t o t h e su bj e c t h e h as b een


,

m edi t at i ng o n w i t h t h at earn e s t n ess w h i ch as i t w as p ro d u ced b y , ,

n o t hi ng b e fo re so h as i t n o m a n n e r o f i n fl u en ce o n w h a t fo l l o w s a ft e r
, ,

a nd i s t h erefo re a p e rfec t l y d et a ch e d p i ece a n d h as n ot h i n t o d o i n the


g ,

l T h l n g and t ed i ou s s o l i l o q u y o f t h e b as t a rd F a l c o n b ri d g e i
p y a . e o n ,

t h e p l ay o f K i ng J oh n j u s t aft e r h i s be i ng rece i v ed as t h e n at u ral


,

son o f C oeu r d e L i on i s not on l y i m p e rt i n en t t o t h e p l a y b u t ex t rem e l y


, ,

ri d i cu l ou s T o g o t h rou g h al l t h e so l i l o q u i es of S h ak es p ea re w ou l d b e
.

t o m ak e a v ol u m e on t h i s s i ng l e h e ad B u t t h i s I ca n s ay i n g ene ra l
.
,

M ore i s a ll lzzs w or ks t /za t


'

t l zat n ot on e in ca n be ex cu s ed by n a t u r e or
7 0 E N GL I SH WR I T E R S .

The critic however p robab ly Gildon o wned himsel f


, , ,

sensible that h e should raise nger of the uncultivate d a

E nglish people b y wh t he w s saying d me n t further to a a , an a

s y
a upon the f ults o f Shakespeare Lucilius he ad ds
, a .
, ,

w s t he incorrect idol o f Rom n tim s S hakespeare o f



a a e ,

o urs Both g ined their reputation from people unac


. a a

q a
ui t e d
n w ith t ; and t h t reput tion w a s a sort
aro f tradi a a

tio n ar
y authority looked upon to be so s cred that Horace
,
a ,

a mong the Rom ns in much more polite age than th t i a , a a n

w hich Lucilius w rit c uld t escape t h eir censure fo r a t, o no

t cking him nor can Mr Rymer or any other just critic


a .
, ,

wh o shall presume though w ith the highest j sti c e and ,


u

re son to find f ult w ith Sh kespeare escape the indigna


a , a a ,

tion o f our modern tradition ry admirers o f that poet a .


Rymer himself forty y e rs e rlier had been even more em , a a ,

ph tic In t h e neighing of n horse or in the gro wling of a


a . a ,

m s t i fl there is a meaning there is s lively expression and


a
"
, ,
a , ,

m y I s y more hum nity th n many times in the tr gical


a a ,
a a a

flights o f Shakespe re His own notions of a tragical a .


flight w e m y discover from his tragedy of E dgar wh ere


a ,

i the first t Al frid decl res th t she w ill at E t h el wol d s ’


n ac a a a ,

request disc rd her orn aments and the margin directs her
,
a ,

to pull o ff her patches

E t l zel w . B l aze on, d i re co m et — m ay t h y i n fl u ence be


T o c ro w n s a n d e m p i re s fat al , as to me

A l/r . W h i t he r d o y ou r ras h w or d s an d p as s i o ns fly ?
T o cal m you r m i nd m y u t m os t p o w e r I l l t ry
,

.

I f I re cei v e a d v an tag e from m y d re ss ,

T i s t h a t I you m i g h t w i t h a d v an t ag e pl e ase

.

I f w an t i ng t h i s y ou r l o v e b e n o t i m p a i r d

, , ,

Th es e ornam en t s I read i l y d i scard [Pu l l s af . lzcr p a t ch es .

Four ye rs fter the scholi st upon his Grace of Buck


a a a

ingh m had spoken the opini ns w hich prevailed among


a o
7 2 E N GL I SH WR I T E R S .

0 it l i k e t h e sw eet d

cam e o er my ears s ou n

Th at b reat h es u po n a b an k of v i ol et s .

ven Pope then so far faile d to b ring Shak espeare into


E , ,

i m mediate credit t hat o f the small num b er of copies o f h i s


,

edition there remained nearly a fi fth part fo r

Tonson to get i d of t less than a seventh o f r a

the p ublished price No d efec t in the editor .

that coul d have been ppreciated by the pu b lic a

o f his o w n day w as accountable fo this The n ew spi rit r .

o f French criticism was still ruling among us the taste o f

the polite ; and Pope hi m sel f our E nglish poet of good ,

sense w as as a viceroy fo Boileau in E ngland Pope also


,
r .

h d produced his metrical


a E ssay u pon Criticism a d his ,
n

m ock heroic L t z in the Rape o f th e Lock B u t Pope s


'
” ’
u r n .

was E ngl ish wi t ; and i f he s w h o w , a

C ri t i c l earni ng fl ou ri s h ed m ost i n F rance


-

T h e ru l es a n a t i on b o rn t o serv e o b eys ,

A nd B o il eau s t i l l i n ri g h t of H orace sw ays ,

he at le st was not b orn to serv e As critic h e was an


a .

e mulator not an imitator ; and he did not like Boileau con


, , ,

templ te Nature only in th e mirror of the Greeks an d Latin s


a .

His influence sh attered the credit of


T he b o ok fu l bl ockh ead i g norantl y read
, ,

W i th l oad s o f l earn ed l u m ber i n hi s h ead .

A Den nis feebl y but for a time successfu lly maintai ed the
, , n

literal text o f French l ws o f criticism against the literature


a

o f h i s country ; although as a politician he d i d w rite on one

of his title p ges -


Li b erty as serte d again st the F e c an d
a r n

feared th at peace could never b e restored i f he were n ot


given up to the enemy He app eal ed indeed in this d iffi
.
, ,

cul t y to Marlborough w h o said h e had no influence with


, ,

t h e ministry b ut th ought his o wn case as desperate as he


, ,
I N T R OD U C T I ON .
3

h ad d o
'

n e al most as much injury to the French as Mr .

Denni s him self Dennis inspired from such a Helicon s


.
,
a

Pope imagined on his writing table a pot of hal f dead - -

al e c o v ered w ith a Longinus — was an oracle no more w hen



, ,

o nce he had b een dragged out into the d ylight Yet even a .

Dennis had his stronger side .

But if it was Pope the chie f of the ew taste am ong the


,
n

poets wh o in 7 5 first sent the E nglish polite world to


, 1 2

S hakespeare thirteen years e rlier it h d been Addison


, a a ,

chief arbiter o f t ste among prose writers the M i l


a -
,
t on

same o in a metrical account of t h e gre test Kd ggz


w h ,
d b a id
d
y

E nglish poets w ritten accord i ng to the mind


, ,

o f O ford University in
x 6 94 h ad passed from S penser to
, 1 ,

Cowley w ith n o mention at l l o f Sh kespe re i t w s — a a a ,


a

Addison w ho h ad in 7 brought Milton i n to f shion 1 12 a .

Yet let us not forget th t Steele h d in The T tler sho wn



a a a

a heart and w i t keenly live to the genius b oth of Milton a

a n d of Sh akespe re b e fore Addison h d criticised the one


a ,
a ,

or Pope had edited the other Upon the independent .

geni u s o f Addison as upon th t o f l l great E nglish writers


, a a ,

the stam p of the E nglish ch r cter is set He reverenced a a .

the ancients he su b mitted much to the French critics d


, ,
an

was conspicuous among apostles o f the gospel f good sense o .

He was so w ell in tune with his o w time that s S wi ft s id n ,


a a

in h i s Jour l to S tell
na

I f he h d a mind to be c h sen
a, a o

king he w ould hardly b e refused ; b t fter ll it w s the


,
u a a ,
a

ear nest E ngl ish mind in him th t h d given b readth d a a an

depth to his influence It was this th t had caused him . a ,

one January morn ing to wards the close o f the year 1 7 to 1 2,

introduce among The Spectator papers th t d y by d y


“ ”
a a a

so gracefully d m ildly brought to the touchstone of good


an

sense the idler follies o f society Milt n himsel f her lded , o , a

b y the motto from Propertius


Sc ip t
'

C t R m

,
ea z e o a nc r or es

ct
'

c l zt G fi
e ra During t h e next four months Milton w
.

as

ag in and ag in his topic The Spect tor o f eighteen


a a

, a

74 E N GL I SH I VR I T ERS.

successive S turdays b ei ng occ u pied with the test i mony of


a

Addison to the m jesty o f Par dise Lost a a .

In be ri g w itness to Milton Addison no doubt still


a n . ,

p id undue homage to the French l wgi ers wh o held their


a a v

L atin p li ment upon P rn ssus b ut his hom ge w s


ar a a a a a
E “ “h
free fr m se vility
g 5 ' “
A fe w general rules ex
o r .

t cted out o f the French uthors he says i one o f his


ra a ,
. n

Milton p pers w ith certain cant o f w ords has some



a ,
a ,

times set p illiter te he vy w riter f a most judicious


u an a ,
a or

d formid bl critic He dem nds o f the good critic ”


an a e . a ,

no t i dee d th t he sh ll look N ture str ight in the f ce


,
n ,
a a a a a ,

but that he sh ll be skil l ed in the Greek d L tin authors


a an a

an d adds “
There is t Greek or Latin critic w h h as
,
no a o

not shown even in the t vl e o f his criticisms th t he was a


,
s ,
a

m ster o f l l the eleg nce and del icacy o f h i n tive tongue


a a a s a .

For Addison lso foll w ed w i t h lmost all other writers o f


a o , a

his d y the ex mple of the French in testing the literary


a ,
a

w rth o f modern langu ges w hether Romance or not by


o a , ,

their con formity w ith L tin style E ven Dryden alth ough a .
,

he used l ss Latinised E nglish th n th t which b ec m e


a e a a a

custom ry to the writers w h o immediately succeeded him


a ,

decl red fo L tin as the pattern o f good E nglish In


a r a .

dedic ting to the E rl o f Sunderl nd his Troilus and


a

a a

Cressid he s ys H o w b rb rously w e yet w rite d


a, a ,
a a an

spe k your Lordship kno ws d I am su fficiently sensi ble


a , , an

in my ow E nglish For I m o ften put to a stand in


n . a

considering w hether w h t I w rite be the idiom o f the a

tongue or f lse gr mmar d nonsense couched beneath


,
a a an

th t specio s n me o f Anglicism nd h ve no other way


a u a a a

to cle r my doubts but by transl ting my E nglish into


a a

L tin This o f the l nguage th at had su ffi ced for Shake


a .

a

speare ! It w s not t hen understood th t i f the E nglish


a a ,

w ould d the Fr nch h d done d bring their l nguage


o as e a , an a

into h rm ny w ith th t from which it was derived and w ith


a o a ,

t h gre ter number o f the minds th t spoke it they must


e a a ,
I N T R OD U C T I ON .
75

imit te French practice i the spirit d not in the letter


a n ,
an ,

b y laying hold of the so called A glo S xon element


“ -
n -
a ,

wh ich is to E ngl ish w hat the Latin is to French .

This truth is ow comm n en ugh d ven liable ton o o ,


an e

over st tement for there rem ins justific tio o f much


-
a ,
a a n

study of the Latin model in the f ct th t L tin was in a ,


a a a

g reater degree than First E nglish a high ly cultiv ated lan


guage delicately illustr ting by polished mod ls m ny and
, a e a

very di fferent forms of literary composition O o ab . ur v c u

l ry we ow kno w should be t ken


a , n much m y be
,
a as as a

from the actu l sources o f the l gu ge but i f w lo k t


a an a e o a

a l l as w e m y ce rt inly sometimes l ok w ith adv nt ge to


, a a o a a ,

examples more th an thous nd ye rs old fo help to th t a a a r a

exact clear emph tic


, d dur ble expression o f our
, a ,
an a

thoughts w hich is the wh ole object o f writing it is fr nkly , a

to be owned th t w e sh ll get much better help from Latin


a a

than from First E nglish authors .

At the same time let it never b e forgotten that the re l a

question fo e ch genuine w riter h s b een— not Whom


r a a ,

sh ll I imitate but H o w sh ll I give to my o w S b


a ,
a n u s t a n ce

m ind the fullest utter nce ? In the distinction a

b et ween perish ble and imperish b l reput tions


a
l
a e a
S‘y e '

this is in fact the true form o f the literary question


, , ,

H o w shall I be saved ? In Liter ture as in everything a ,

else it is the truth only that m kes alive not the


, a

ab stract but the honest individu l t uth— a man s truth t


, ,
a r

o

himsel f No writer h s ever manu f ctured artifici lly a


. a a a

reput tion th t w ould l st


a a a .

We have o w p artly seen h o w w riters are ff ected by


n a

the circumst nces o f their time There h s been gre t


a . a a a

period o f Itali n influence on E nglish literature ch ar c


a , a

t e ri e d throughout by a
s extrav g nt t ste fo emphasis n a a a r .

The dem nd fo incess t cleverness in force o f phrase and


a r an

i genuity o f ill stration was then


n imperious t h t only
u so ,
a

the most pow erful minds could s tis fy it w ithout b eing a


7 6 E N GL I SH WR I T E R S .

driven into false emphasis by the equal loading o f all parts


o f their argument w ith allusion alliter tion illustration ,
a , ,

met phor and everything else that should represent the


a ,

season ble outstepping of a m n s free w i t not the mono


a a

,

tonous briskness of a day s w ork on the treadmill False ’


.

emph sis bred of ill regulated esteem fo cleverness and


a ,
-
r

strength was the C h r cteris t ic f ult to which t h e taste o f


,
a a a

the polite w orld tended in the period of Italia influence ; n

b ut out o f it c me from a fe w vig rous E nglish minds the


a , o ,

l rgest and the truest utterances O f t h e succeeding period


a .

o f French influence critical ped ntry wa s the prevailing a

b ne E ven the critics wh o in upholding all good sense


a .
, ,

h d an occasion l pproving nod fo N ture held literary


a a a r a ,

good sense to consist chiefly in the imit tion of Horace a ,

c rved rules of co m p osition out o f the fE ei d and O dyssey


a n ,

an d by re ference to those judged even Mi l ton Him never .


,

t h el es s Addison held b y even w hen he w s n Ox ford


, , a a

L tinist o f th ee d tw enty ccepting ge nerally w ith little


a r -
an -
a ,

question the decrees o f the arb iters of taste ack n owledged


,

in his University Addison was content the n to excuse


.

Milton by suggesting th t he seems ab ove the critic s



a

n icer l w s In that poem to w hich I have before re ferred


a .
,

a d w hich so conveniently sets forth the liter ry tas te o f


n a

good society in E ngland under the s way of the French


critics w e read o f Chaucer th at
,

In v ai n he j es t s
i n hi s un
p o l i s h ed s t ra i n ,

A n d t ri es t o m ak e h i s re a d e rs l au g h i n v ai n .

penser we le rn that he amused a b arb rous age


Of S a

a ,

but that his


m y s t i c t a l e, t hat pl eas e d of yore ,

C an c h arm a n u n d e rs t an d i n g a g e no m ore
T h e l o ng s p u n
-
fu l s o m e g ro w ,
a l l eg ori e s

Whi le the d u l l m o ral l i es t oo p l ai n bel ow


I N T R OD U C T I ON .

Addison would not have had the soul in him that gives
li fe to his name had he n ot grow n into the perception of
,

something higher th n the domin nt bad taste o f the polite


a a .

In l ter yea rs he spoke o f Spenser as in the s me cl ss


a
“ a a

with Milton But because his matter was not reconcil b le



. a

to any Latin formula and his m nner w s not th t of n


, a a a a

E nglishma ever co n siderate whether his E nglish style


n

w ould b ear direct translation into L tin the “


understand a ,

ing age looked do wn from the top o f its o w small model n

o f O lympus w here the D e


,
i s es and Rymers s t as gods
nn a ,

and spat on t h e groun d at the n me of E dmun d S pe n ser a .

That understanding g e usu lly ow su ffers undue con


“ a a n

tempt i n the true heart of the young student o f liter ture a ,

b orn to the various influences o f a perio d o f popul r a

influence in which t ste is free ; a d so m e may at times


a n , ,

think that its old state o f slavery has b een exchanged for
the mere indolence of freedom .

In generalisation upon groups or sequences of natural


facts and the fruitage o f men s minds un d er right cultiva

tion Literature is as much in the course of nature P


,
d
as the fru i tage o f the apple trees We must not li mi f g
u rp os e an
-
. ts o e

al ways forget the unity a d harmony o f life and


n

thought within the small round o f this w orld There are .

no sciences in nature no cl ssific tions no law s but the


,
a a , ,

singl e Fiat o f Al l wise Be e fi ce nc e Th is has produced a


- n .

creatio n of w hich the minutest details blend and fit together


w ith the most i ntricate and surprising harmonies All th t . a

w e kno w points al ways to more forms than w e h ve learnt a

to understand o f various and perfect adaptation to the


,

s ingle use o f multiplying the great s u m o f happiness and

b eauty . But t he wisdom o f the one gre t Divine Thought a

would b e indeed unsearcha b le to us i f we sought as gods ,

o ursel v es at o nce to grasp i t all


, Instead of attempting .
78 E N GL I SH IV
/ R I T E RS.

th t we use in i d o f our we kness those rtifici l teps of


a , , a a ,
a a s

our ow mak i ng in theories and cl ssific tions w hich e as


n , a a ,
ar

the rounds of Jacob s l dder bet ween e rth d heaven ’


a a an .

It is by exercise o f the po wer given to him o f se rching a

the Divi e Thought with some apprehension o f its har


n

m onies t h t m n h s att ined w h tever height o f intellect


a a a a a

he c lls his ow There is no other way o f knowledge


a n . .

And it is w ith the mor l world as w ith the intellectual a .

O nly by b ttling out slo wly a d experiment lly the moral an a

l aw can m n rise even to a f int participation o f the activ e


, a a

strength o f the Divine Be efi c e c e There is no other way n n .

o f right But s there is no b ttle without resistance no


. a a ,

strength th t is not exercised no he lth in a merely p ssive


a ,
a a

virtue w ere all men of one right mind uni formly good
, , ,

impecca ble untroubled they w ould be hap py only as the


, ,
"

ants and bees are happy i a li fe r gul ted by a f ultless ,


n e a a

instinct A ll p rt w ould be denied them in the utmost


. a

blessing of ch ildlike p rticip ation in the sacred energy o f a

Him who made them in His im ge Ou literature sho w s a . r

one body of men in generation a fter generatio n worki ng


on ward by aid o f the n tur l conflicts n d v rieties o f mind a a a a .

We cannot understan d o o w work i f we do not see also ur n

h o w the minds o f our neigh b ours have worke d w ith us and ,

our minds w ith theirs But however f we look t h e .


,
ar ,

b roadest vie w w e can take still does not a d w ill never ,


n ,

cont in the w hole truth When there fore in de ling w ith


a .
, ,
a

our o w literature we parcel it out how ever aptly into


n , , ,

periods of this influence and th t let us again and ag in a ,


a

remember th t all such distinctions e in their n ature


a ar

arbitrary They a e not dominant truths w ith which all


. r

Th d
details must b e h rmonised ; they are but i a n

d e t al f cts d w elt on as a ds to systemat i c


e p e ri o
p f p op u l a r ci n a i
,

‘u
study And even in this respec t they are not
u e n ce '
.

to be d welt upon d ogmatically C h anges o f liter ry taste a e . a r

never so abrupt that all writing in one fashio n ceases when a


80 E N GL I SH WR I T E R S .

editions of P radise Lost b e fore Milton received the



a

stamp o f fashion .

But we come ow to a perio d when the Popular I n n

fl e c e al ways active upo n the best minds b ecomes w ith


u n , ,

every generation more a d more dominant over the small n

minds too For the people at l rge extend their re ding


. a a

po wer into departments of kno wledge for merly unsought by


them and their f vour is found generally to be more e
, a r

m u e a t i e th n that o f the most princely patron


n r v a This .

period should date from the day when De foe stood in t h e


pillory .

Dan iel De foe tradesman s son b orn in the reign of , a



,

Charles II bred to Dissent educated b y a schoolm ster


.
, ,
a

w h o did not account the political movements o f


D f c 00 8 8 8 ?

his t me an unfit stu d y fo E gl sh b oys w s i l f h


i r n i ,
a ,
v ce o t e

even as a young hose factor on Cornhi l l ealous p


-
, z
e op e '

in the true c use of the E nglish people Though a Pro


a .

test nt in fierce anti Popery days he had no par t i n t h e


a -
,

passionate extravagance o f a sectarian hatre d to t he Roman


Catholics But their principles honestly c arried out were
.
, ,

by their nature subversive of liberty o f conscience I t .

h ppene d th t civil and religious li b erty were in his ti m e


a a ,

from like causes in equ l danger ; b ut although a Dissenter


,
a , ,

he could fight their battle only on the highest ground as ,

th t of the E nglish people and not o f the Noncon formists


a ,

only So it was that he fought dissoci ted from the lesser


.
, a

pas sions of the hour w ithout one personal dherent When , a .

James II lab oured openly d insidiousl y by assumptio


. an , n

of a personal supremacy over the l w s to give the Pope his a ,

o wn again i n E nglan d the Act o f Toleration by which h e , ,

released his ow church out o f bondage worki g u n der t h e


n , n

mask of a newly modelled comprehensiveness of charity -


,

pleased many of the Dissenters They w ere glad by pay .


,

ment of a trifling fee to ope n Rich rd Ba ter s priso n , a x


door De fo e there fore was little thanked fo urgi ng that


. r
I N T R OD U C T I ON . 81

a cceptance of such roy l grace was n admission o f the K ing s a a


a bsolute cl im to override the l ws


a He that would se ve a . r

me s id De foe fterw rds must not promise hi m s el f


n,

a

a a ,

th t he s h ll not anger them I h ve been exercised in


a a . a

this usage even from youth I had their reproaches w hen a .

I b lamed thei credulity d confidence in the flattery d


r an an

ca resses o f Popery n d w hen I protested g inst ddresses


,
a a a a

o f th anks fo an illegal liberty o f conscience founded on


r a

dispensing po wer The young p triot joined Monmouth


. a

w hen he l nded in the West and


a fter the night on S d g , ,
a e

m oor w as an exile B t King J mes s turn fo exile quickly



,
. u a r

follow ed d fter the Revolution W illi m o f O r nge


,
an ,
a ,
a a

recogn ised in De foe the one sound d most honest E nglish an

friend To the cry r ised by the opposition th t King


. a a

Wi l liam was no true b orn E nglishm n De foe replied w ith


-
a ,

h i s s tire o f
a

The Tr e born E nglishm n r hymes o f u -
a ,

w hich opies were sold in the streets Among their


C .

home truths e vigorous ssertions o f the l ims o f the


ar a C a

people gainst persecutio n in the Church or despotism in


a ,

the State In these he finds s d ngerous thing


. a a a

h
A ru l i n g p r e s t oo ,
i d a s a p r i es t -r
i d k i n g
A n d o f a l l p l ag u e s w i t h w h i c h m a nk i n d are c u rs t ,

E ccl es i as t i c t y ra n n y

s t h e w o rs t

w i h le of the kings f lse to their trust he s ys


a a ,

Wh e n k i n g s th e s w or d
j u s ti ce fi rs t l ay d o w n
of ,

Th ey are no k i ng s t h ou g h t h ey p os se ss t h e cro w n
, .

T i t l es a re s h ad o w s cro w n s a re e m p t y t h i n g s
, ,

T h e g oo d of s u bj ec t s i s t h e e n d o f k i ng s

.

Then c me Queen Anne to the throne ; ecclesiastic


a

tyr nny and the old doctrine o f the divine right to govern
a ,

ill recovered stre gth d hard words hailed on D ef e i h


,
n ,
an o n t e
ilm “
the Dissenters A su b st nti l bl w w s imed
. a a o a a F )

in a Bill that was to disqu lify them fro m all c i vil employ a

G
82 E N GL I SH WR I T E R S .

me ts It p ssed the Commons but failed w ith the Lords


ri . a , ,

among w hom w ere the foremost ch m p ions o f E nglish a

li berty Bigoted pre chers mean while l shed the populace


. a a

into he venly mood fo pulling ch pels do wn ; d


a a r a an

S acheverell pre ching at O x ford h d denounced him as


,
a ,
a

no true son o f the Church wh o did not raise g inst Dissent a a



the bloody fl g n d b nner o f defiance Then it was
a a a .

th t De foe
a thriving citi en with much to lose spoke
,
a z ,

boldly on behal f o f li berty o f conscience in his p mphlet a

c l led The Shortest W y with the D issenters He w rote


a a .
,

as i l l his controversi l writing to maintain a principle


n a a ,

and not p rty He beg n his satire w ith quotation


a a . a a

fro m Roger l E s t a g e o f fable that might have b een



r n a

a pplied to J mes t he Second s Act o f Toleration A o k


a

. c o

at roost in a st b le h ving drop ped fro m his perch d


a ,
a , an

finding hi m self in much d nger m ong restless heels has a a a ,

f ir pro pos l t
a m ke to the horses th t we shall all o f us
a — o a a

keep our legs q iet This f ble De foe appli ed to the u . a

D issenters wh o w ere then asking fo


,
equal tre tment r a ,

a lthough they h d been intolerant enough themselves not


a

long since when they h d the upper hand Pro fessing in


,
a .
,

his ss m ed char cter o f a bigoted High Churchm n of the


a u a a

d y to sh w the vice o f Dissent be fore teaching its cure


a ,
o ,

he de ls in the first place f ir blo w to his ow side for


a , ,
a a n

past intoler nce The Dissenters ought not perhaps to


a .
, ,

h ve b ee n bli d to the irony o f the second hal f of t he


a n

p mphlet ; but in the first hal f the irony is not all gainst
a a

ecclesi stic l int ler nce De foe was against all i ntoler nce
a a o a . a ,

an d to the bigotry o f his o w part y De foe gives I think


— n

seri u ly d intention lly the first hit The succeeding


o s — an a .

s tire on the persecuting spirit o f the noisy p rty i n the


a a

Ch rch since it co ld not e sily surpass the actual e t a a


u ,
u a x r v

g nce o f p rty spirit had in it nothi g but t h e delicate


a a , n ,

sust ined sh rpness o f ironical s ggestion to reveal t h e


a a u

a thor s p u rpose to the multitude S everal reasons he


u

.
,
84 E N GL I SH WR I T E R S .

The pamphlet delighted men o f the Sacheverell school .

A C mbridge F ello w thanked his b ookseller for having s en t


a

him so excellent a tre tise— next to the H oly Bible d the


a an

S cr d Comments the most valuab le he had ever seen


a e .

Gre t was the reaction o f wr th w hen the p mphlet was


a a a

found to b e a Dissenter s satire nevertheless the Dissenters



,

held b y their first outcry ag inst the author De foe aged a .


,

forty t wo paid for this service to the E nglish people in the


-
,

pillory and as a prisoner in Newgate Bu t his Hymn to


, .

the Pillory which appeared on the firs t of the three days


,

o f the shame o f the Government in his exposure July 9 ,


2 ,

3 d
0 , an
3 in the year
1, 7 3 turned the course o f popular
1 0 ,


opinion against the men wh o pl ced him there men as his a ,

rhyme said scandals to the times wh o


, ,

A re l oss t o fi nd hi s g u il t ,
at a

An d ca n t co m m i t h i s cri mes .

It w s in the next year as a prisoner in Ne wgate that


a , ,

De foe on the 9t h of F ebruary 1 7 4 set up


,
1 ,
0 ,

his Revie w continued through nine years



,

fro m 7 4 to 7 3 1 0 1 1 .

Wi th T he Revie w in w hich De foe addressed to the



,

people his o wn earnest thoughts upon all matters that con


cerned the common good begins the history o f E nglish ,

journ lis m as a po wer in the S tate and a reflection o f t h e


a

people s influence on English literature T o much vigorous



.

argu m ent on grave aff airs of State Defoe united censorship ,

o f s ci l follies b y including in his plan the machinery o f


o a

a supposed Scandalous Cl b fo hearing and deciding on u , r

domestic questions To this part o f T h e R ev ie w it w ill


.

b e seen that we may trace most reas ona b ly R i chard S teel e s


first n tion o f T h e T tl
o

a er .

When Addison and S teele had successively passed to


O x ford from the Charterhouse w here they had b ee n s chool ,

fello w s and friends togeth er the pat hs b y which they took ,


I N T R OD U C T I ON . 85

their way into t he world w ere w idely separate Addison :

thought it best to provide for his own future Ad d i ,“ so n

advancement b y secu ring influential patrons i ngig g f .


t n

p l g
H e there fore after the campai gn of 1 6 9 5 offered
, ,

to t h e King t he homage of a paper of verses on the captu re


o f Namur and prese n ted them through Si r John Somers
, ,

then L ord Keeper of the Gre t Se l To Lord Somers he a a .

sent w ith them a flattering dedicatory address Discern .

ment of talent was at this time merit fo w hich more th n a r a

one political M aecenas gl dly e r ed credit to himsel f a a n .

Preferments lesser pu b lic trusts d sinecures were readily


, , an

b estow ed on m en of letters friendly to the party o f the


g iver until
,
the accessio n o f George I happily fo litera .
, r

t ure removed the Court fro m all contact w ith the w i t or


,

w i sdom of t h e country Somers w h o w as esteemed


. man , a

of taste was n ot u n w illing to receive the presen t of a



,

M u se unkn own H e asked Addison to call upon him and


.

,

b ecame his patron Ch rles Mont g u a fterwards E arl o f


. a a ,

H li f x critic and wi t himself shone also among the st tes


a a , , a

men wh o w ere known patro ns o f letters Also t him w ho . o ,

was a pri nce of patrons fed w ith so ft dedication l l d y


, a a

long Addison introduced himsel f Montagu h d not lo g


,

. a n

b e fore risen to the o ffice o f Chancellor o f the E xchequer


h e had just then been b usy over recoinage and the pr ject o

o f t he S inking F und ; he wa s w i t and patron o f w its a

seated in the national Tom T i d l e s ground To him i t ’


r .
, as

was part o f his public fame to be Latin scholar Addison a , ,

also a skil ful Latinist ddressed in L atin a paper of verses


,
a , ,

on the Peace of R ys w ick With Somers and Montag fo . u r

patrons the yo u ng m n o f g enius wh o wished to thrive


,
a

might fairly commit himsel f to the s er vice o f the Church ,

b t Add ison s tact and refinement promised to b e service



u

able to t he State ; and so it was that as S teele tells us , ,

Montagu m ad e Addison l ym n H is arguments were


a a a .

founded upon the gener l pravity nd corruption o f men o fa a


86 E N GL I SH WR I T E R S

business wh o wan ted liberal educatio


, And I remem b er n .
,

as i f I had read the letter yesterday that my L ord ended ,

w ith a compliment that ho w ever he might be represented , ,

a s n o friend to the Church he n ever w ould do it other an


y ,

injury than keepi g Mr Addison out of it To the goodn . .

o ffi ces o f Montagu and Somers Addison w indebted as ,

there fore fo tr velling allow nce o f three hundred ye r


,
r a a a a a .

The grant w s fo his support while qu li fying himsel f on


a r a

the Continent by study o f modern l ngu ges d other wise a a ,


an ,

fo diplomatic service
r It dropped in a year or t wo t the .
, a

King s de th and Addison w s c st upon his ow e



a , a a n r

sources ; but he throve and lived to become U n der ,


an

S ecretary of State in d ays that m de Prior ambass dor a an a ,

an d re w arded w ith o ffi ci al incomes Congreve Row e Hu g hes , , ,

Philips S tepney and others Throughout his honour ble


, ,
. a

c reer pr dence dictated to Addison more or less o f de


a u

p e n d e c e on
n the friendship o f the strong An honest friend .

o f the popul r c use he w a more re dy to sell than give


a ,
as a

his pen to it alt h gh the utmost re w rd would at no time


ou a

h ave tempted him to thro w his conscience into the bargai n .

The good word o f Hali f o b tained him from Godolphin ax

the Government order fo a poem on t he Battle o f Blen r

heim w ith immediate e rnest o f payment fo it in the office


, a r

of a Co mmissioner of Appeal in the E xcise w ort h a ,


2 00

year Addison wrote The Camp ign


.

and upon its a

s ccess he o b tained th e f rther rew rd of an Irish Under


u ,
u a

S ecretaryship In his later years when fter the Rebellion


.
, ,
a

in the North A d di son fought the b ttle of his p arty as


,
a

The Freeholder it w s gain not on his o w free impulse


,

a a n

that he w rote but as the popular and discreet man o f


,

genius appointed t write by the Government wh o as it o , ,

seemed to Steele made choice o f a flute when they ought


,

to h ve t ken a trumpet
a a .

S teele on the contr ry fastened upon the duties o f li fe


,
a ,

w i t h no immediate regard to p tron ge He never joined a a .


88 E N GL I SH WR I T E R S .

to the t ue serv i c e o f religion w ithout having poken or


r ,
s

w itten to the l as t day o f h i li fe one w ord o f mere reli giou s


r s

ca nt But his comrades felt d he h i ms el f w that The


.
, an sa ,

Ch istia n Hero pu b lis hed in 7 was t oo dida ctic It


r ,

1 0 1, .

w s in deed pl in truth out o f S teele s heart ; b ut a ai o f



a a n r

s u pe i rityr of eely allo w ed o n ly to the pro fessional m an


, r

teaching rule o f his o wn a t b elongs to too didacti c


s r , a

m nner Nothing w as more repugn an t t Steel e s n tu re


a . o

a

th n the se se o f this He h d defined the Ch isti n as


a n .

a r a

one w h o is l w ys bene f ctor w i t h the mien o f


a a a a ,
a

receiver And th t was his o w ch r cter of w hich t he


. a n a a ,

one f ult was that he was more re dy t o give than to


a ,
a

receive more prompt to as c ibe honour to others t h an to


,
r

cla im it fo himsel f To ight himsel f Steele w rote a light


r . r ,

he rt ed comedy The Funer l or Grie f a l Mode b ut


a ,
a , a

at the core even of that l y the great earnestness o f h i a s

censure against the mockery and mum m ery of grie fs that


shou l d b e sacred n d he blended w ith th is in t h e character
a ,

o f l wyer Pu
a le a protest against m ockery of truth a d
zz , n

justice by the in tric cies of the l w Of these he w rote i a a .


,
n

his pref ce to the published play the d ily villaini es we


a

, a

see committed w ill lso be esteemed things proper to b e a

prosecuted by s atire nor could our ensuing legislatives do


their country a more se son ble o ffi ce th n to look into t he a a a

d i stresses of an unhappy people wh o groan perh ps in as , a

much m isery under enta ngled as they could do under


b roken la ws The livel iness o f thi s comedy m de Steel e
.

a

popular w ith the w its ; a d the inevitable touches of the n

author s patriotism b rought on him l so the notice of the



a

Wh i gs Party men might perhaps alre dy feel something of


.
, ,
a

the un b ending independence that was in S teele h i ms el f as ,

in this pl y he made old Lo rd B ru m p t on teac h it to his son


a

B u t b e t h ou h o n es t , fi rm , i m pa rt i al
L e t nei th er l ov e n o r h at e nor fact i on m ov e t h e e
, ,

D i s t i ngu i s h w ord s from t h i ng s and m e n from cri m es , .


I N T R OD U C T I ON .
9

King Will iam perh ps had he l ived co ld f irly h ve a , ,


u a a

recognised in Steele the social form of that sound mind


w hich i De foe wa sol it ry In a l ter d y it w to
,
n , s a . a a as

S teel e a proud recollection th t his n me to be provided a a ,

was in the last tab le b ook ever w orn by t h e glo rious



fo r, -

and immortal Willi m III a .


The stage yet represented lthough less co m pl etely ,


a

than it h d done the pl ce of direct appe l by w riter


a , a a a

to the body f the public Sh kes pe re h d D


o d . a a a e c re a s e

w itten fo the people ; Congreve


r r o w w rote f $333 5; n or

the to w n Pl yers of E li abeth s day c rried


. a
“ m ” z

a
3 5

their pieces out o f Lon d on even into Germ ny ; d in ,


a an

L o ndon itsel f addressed the common heart f those wh o o

form ed be fore their stage tur l udience distinguished a na a a ,

l argely b y some of its elements from the polite body o f


the rb iters of art ificial ta ste At the Restor tion the Court
a . a

patronage b rought to the theatre t hat sm ll circle o f con a

v e t i o al w its w h
n n held themselves to be especi lly the
o a

town and soon the lives and m nners o f the e w order of a n

patrons w ere more commo ly reflected from the st ge th n n a a

the old large ty pes of human ch r cter nd p ssion Popul r a a a a . a

interest in the st ge partly diverted from it t the s me


a , a a

t i m e b y the gro wth o f other influences chiefly fo this


,
r

re as on ab te d and m ny wh o w ould have bee n good pl y


a a a

goers a century e rlier in Queen Anne s d ys out o f the


a ,

a ,

sa m e mind that w ould have m de them so sta yed t home a , a

d read not w ithout approb tion Jeremy Collier s sharp



an , a ,

attack u pon stage immorality S teele s wi t took n tur lly .



a a

the old popul r course and disported itsel f fo short time


a ,
r a

upon the stage but his comedies with al l their g iety n d , a a

humo u r w nted the t int of immor lity t h t was the g me


,
a a a a a

flavou r then ccounted necess ry to the perfect relish of


a a a

pl ay E ach comedy of S teele s was b sed on seriousness


.

a ,

as all sound E nglish w i t h s b een since there have been a

writers i n E ngland The g y ma ner did not conce l l l


. a n a a
9 0 E N GL I S H WR I T E R S .

the earnest thoughts th t might jar w ith the humour of the a

town ; d thus Steele w s ble to cl im b y right of his


an a a a ,

Lying Lover — comedy in which the m dern re der


a o a

may also discover preaching the honour of being t he only


— “

E nglish dram tist w h o had h ad a piece damned fo its


a r

piety .

With th t strong reg rd fo the dr m which can ot


a a r a a n

w ell be w nti g t the m rtist s vivid se se ’


a wh o h
n n o an as a a n

T h o f li fe S
e
teele never w ithdre w his
, go d w ill from o
T m“
i
the players never neglected t praise good play
e
,
o a ,

an d ,w e h ve seen too k every f ir occasion o f s u ggest


as a , a

ing to the to w n the subtlety o f Sh kespeare s genius But a



.

single minded q uick w itted d prompt to act on the first


-
,
-
,
an

suggestion o f a higher point o f use fulness to which he might


a tt in Steele saw the mind o f the people re dy fo
a , ew a r a n

sort o f rel tion to its w riters nd he follo wed the lead o f


a , a

De foe But though he t rned from the m re frivolous


. u o

temper of t h e en feebled pl yhouse udien ce to commune a a ,

in free i w ith the country t l rge he took fresh care for


a r a a ,

the re traint of his deep earnestness w ithin the bo nd s f a


s u o

cheerful unpretending influence Drop by drop it should


,
.

fall , d its strength lie i n its persistence


an He w ould bring .

w h t w i t he h d out o f the pl yhouse


a a d S pe k his mind a , an a ,

like De foe to the people themselves every post day But


,
-
.

he would ff ect o ped ntry f mor lising he would ppe l


a n a o a , a a

to no passions he would pro fess himsel f only a T tler


,

a .

M ight he not use he t hought modestly d i tr st ful o f the


, , s u

charm of his ow mind some of the new s obtained by n ,

virtue of t h e o ff ce o f G etteer H rley had given him to


i az a ,

bring w eight d ccept nce to his wri t ing th t he val ed


an a a a u

only fo the use to which it could be p t For as he


r u .
,

himself truly s ys i The T tler



a wi t i f a m a had it
n a ,

, n ,

unless it b e directed to s me use ful end is but w nton o , a a ,

frivolous quality ; al l th t one should v lue himsel f upon a a

in this kind is that he had ome honour ble intentio n in it s a .



9 2 E N GL I SH WR I T E R S .

th t he was an author w riti g fo the public wh o expected


a n r ,

p ymen t from the public fo his w ork and that b e pre


a r ,

R l hm
e a f ferred this course to gam b ling for the p tron
o a

e
l
l f f fii é

o
age o f men

in o ffi ce Ha v i g pleasantly S ho w n . n

Pe ° p ‘e the sordid spirit that underlies t he mounte


b nk s sublime professions of disinterestedness we have
a

,

a contempt h e s ys fo such p l try b arterers a d h a e



,

a ,
r a ,
n v

there fore l l lo g in formed t h e pu blic th t w e intend to


a a n a

give them our dvices fo our o w s kes and e l bouring


a r n a ,
ar a

to m ke our lucubr tions come to some price in money fo


a a ,
r

our more convenient support in the service o f the pu b lic .

It is cert in that many other schemes h ve been proposed


a a

to me s friend o ff ered to Sho w me in a tre tise he had


, a a a

w rit w hich he c lle d The whole Art of L i fe ; or The ‘


,
a , ,

Intr d ction to Gre t Men illustrated in a Pack of Card s


o u a ,
.

But b eing novice at all manner of play I declin ed t h e


a ,

o ffer .

Addison took these cards d pl yed an hon est g m e ,


an a a

w ith them success fully But it w only w hen h vi ng laid . as ,


a

them dow n fo time d bri nging his sound r a an

mind d perfect hum ur to the aid of his an o

friend S teele he came w ith h i m into direct e ,


r

l tion w ith the E nglish people th t he w rote


a , a

those p pers in T tler S pect tor a d a ,



a ,
an

Guardi n w herein alone his geni s ab ides a ,

u

w ith us and w ill a b ide w ith E nglish readers to


,

the end The Tatler The S pectator and The Gu ard



.

,

,

ian w ere all of them Steele s p pers begun and ended



, ,

a ,

b y him at his sole discretion In these t hree journ ls . a

S teele wrote 5 papers ; Addison 3 6 9 Swi ft wrote t wo


10 ,
.

papers and sent bout a do en fr gments Congreve wrote


, a z a .

one article in T he T atler Pope wrote t wice for The


“ “ ”

Spectator and eight times fo r The G u ardian Addison


” ”
.
,

wh o w s in Ire l nd w hen The Tatler first appeared only



a a ,

gu essed the authors hip by an expression in an e rly number ; a


'
I N T R OD U C T I ON .
93

an d it was n ot u ntil eighty numbers had been issued and ,

the ch racter o f the n e w paper w s formed and establ ished


a a ,

that Addison on his return to L o don join ed the friend


,
n ,

wh o w ith his usual complete


, b s ence of the van ity of sel f a

assertion finally ascri b ed to the lly he dearly loved the


,
a

honours of success .

It was the kind of s u ccess S teele h d desired a widely


— a ,

di ffused influence fo good The Tatlers w ere penny



r .

pa pers p u blished three times w eek and issued ls fo a ,


a o r

an other h l fpenny w ith abl k h l f sheet for transmissi n a an a -


o

b y post when any w ritten scr ps o f the day s gossip th t


,
a

a

friend might send to friend co ld be included It w s u . a

th rough these an d the daily S pect tors which succeeded


,
a

them th t the people of E ngland really learnt to re d


, a a .

The few leaves of sound re son d f ncy were but light a an a a

tax on uncultivated po wers o f ttention E xquisite grace a .

and true kindliness here ssoci ted w ith familiar w ays nd


, a a a

common incidents o f everyd ay li fe gave m any an honest ,

m a fresh sense o f the best h ppiness that lie s in co m mon


n a

duties honestly performed n d fresh energy free as ,


a a ,

Christi nity itsel f from m lice fo so both Steele d


a a : r an

Addison m e nt that it should be in opposing themselves


a ,

to the frivolities and sm ll fra ds on the conscience by which a u

m anliness is under mined .

There was high stri fe of factio n and there was re l , a

per i l to the country b y possible turn of affairs after Queen


,
a

Anne s de th that another S tu rt restoration in the n me



a ,
a , a

o f divine right o f kings w ould le ve the rights o f the people


,
a

to be reconquered i n civil w The chie f of either p rty ar . s a

w ere ppealing to the people


a d eng ging all the w i t they ,
an a

could secure to fi ght on their side in the war o f p mphlets a .

S teele s heart was in the momentous issue Both he d



. an

Addison h d it in mind w hile they were blending their c lm


a a

playfulness with all the Clamour o f the press The spirit in .

which th ese frie n ds wor k ed young Pope must have felt for ,
94 E N GL I SH WR I T E R S .

a fter Addison h d h elped him in hi s first pproach to fame


a a

b y giving an essay in The Spectator to his E ssay on “ ”

Criticism n d when he w s thank ful fo that service t h e


,

a a r ,

verses he contributed to The Spectator were Messiah “ ”

an d “
The Dying Christian to his Soul Such o ff e ri gs . n

cle rly sho wed h ow Pope interpreted the lab o r of the


a u

ess yists
a .

In the fens o f Lincolnshire the antiqu y Maurice John ar

son collected his neighbours of Sp lding Taking care a .


,

it is said not to larm the country gentlemen by any pre



,
a

m ture mention o f antiquities he endeavoured at first t o


a ,

a llure them into the more flo wery p ths o f literature In a .

1 7 90 f w o f athem w ereeb rought together every post day -

a t the c ff ee house in the A bbey Yard ; and


o -
fter one o f a

the p rty h d read aloud the last pu b lished number of The


a a

T tler they proceeded to t lk over the su bject among


a ,

a

themselves .

E ven in distant Perthshire “


t h e gentlemen met a fter
church on S und y to discuss the ne ws o f the week the a

Spectators w ere re d s regul rly s the Journ l So a a a a



a .

the politic l dr ught of bitterness came s weetened w ith the


a a

w isdo m o f good hu m our The good humo r o f the essayists-


.
-
u

touched w ith light n d kindly h nd every form f a ff ecta


a a a o

tion d placed everything in the light in w hich it w o ld


,
an u

b e seen b y a natur l and honest man A Sense of the a .

essen t i ls of li fe was ssumed every where in the re der w ho


a a a ,

w s sked only to smile ch ritably


a a t its v nities S te le a a a . e

lo ked through l l Sh ms t the natural heart of the English


o a a o

m an , appe led to that d found it e sily enough even


a ,
an a ,

under the disg ise o f t h e you g gen t lem n cited in the


u n a

77 t h “
T tler so ambitious
a to be thought
,

w orse than he
is th t in his degree o f underst anding he sets up fo a
a r

freethinker d t lks theistically in co ffee houses all d y


,
an a a -
a ,

th ugh every morning d evening it can be proved upon


o an ,

him he regu larly at home says his prayers


,
.
9 6 E NGL I SH WR I T E R S .

of heir common allegi an ce t o the highest pri nci ple o f


t
a ction An d it m ay w e l l b e th t Addis n w ith ll his sens e
. a o , a

f prudence neve r h ad more l ively hon ur f S teele s ’


o ,
a o or

m nlin ess th n w hen he replied t the egrets of M r


a a o r .

Hughes w hile civilly decli n ing the pro posal t o j oi n h i m i n


,

a n attempt t revive The Gu rdi an i n som e ther form


o a o .

In the mean time I should be gl d i f you w ou ld set such a

a pr ject on f ot f I know n obody e lse cap ble of su c


o o , or a

c ee d i g in it a d turning it to the good o f m an ki nd si nc e


n ,
n ,

my f iend h l id it down I am in a th usan d trou b les


r as a . o

fo poor Dick and w ish th t his e l fo the publ ic m ay not


r ,
a z a r

be ruinous to himsel f ; but he has sent m e w ord that he is


d termined to go on a d th t y advice I may give hi m
e ,
n a an

in this particul r w ill h ve no weight w ith h i m


a a .

As I m here only rapidly sketching main feature o f


a a

th t period of Popular influence in E n gl i sh literatu re which


a

o wes so much of its health to the sound m in d s o f Steele


and Addison I ought not perhaps no w to touc h upon t he
,

g rounds as si g ned by so m e subsequent w rite rs f o t h e m i s r

placed pity of so wholesome and t rue a man as R i c hard


S teele I will be content therefore to name them Pu bl i
. .

ca tion o f his most sa ed a d private n otes has proved t hat


'

cr n

a fter m arriage he rem ined t h e faith ful an d devoted love r a

of his w i fe a d w ith an exquisite gentleness b ore every


,
n

impatient word of hers while yield in g to every caprice that ,

did not clash w ith his ow li b eral s ens e of honour Also n .


,

he was bad p rt y m wh o would sacrifice at any ti m e


a a an ,

his friends or himself to n independent sense of duty a .

Principles are out of the case s aid S wi ft ; we dispute ,

w holly bout persons To which Steele ans w ered T h e



a .
,

dispute i s not about persons b ut about thi gs an d causes , n .


And so in his steady pursuit o f a b stract right he lost places


, ,

that w ere given him missed places th t he might h ve had, a a ,

an d was i f w orldly success he t h e ai m o f public l i fe an


, ,

u tterly i mp ru d ent p ol i ti ci an F i nally and e s pe c ial ly h e d i d


.
,
I N T R OD U C T I ON .
97

not become rich Li b r l l w ys o f his ow t thers he


. e a a a n o o ,

w as s ometi m es w i thout guine d sometimes in d bt a a, an e .

Of w hich i t is enough to say th t he de fra u ded o man a n ,

that wh en h e fol lo w ed his Prue t o the grave he w in as no

m an s de b t though he le ft l l his countrymen his debtors



, a ,

and that he le ft untouched their mother s fortun e to his t wo ’

s u rv iving children .

The influence of F rench liter ry t s t e on Addison h d a a a

be en overcome b y his ow n n ature and the influence o f


S teele except in as f
, s i t gave a schol rly
P
ar a a
op e

accu racy an d a slight dash o f the L atin manner


.

to his English The French infl ence on Pope was m dified


. u o

al so by his shre wd n ative sense Pope sought reputation . .

As aRoman Catholic he w s excluded from pl ce d a a ,


an ,

rep utation b eing m ore to him than money he re fused ,


a

pen s ion Depending on his wi t to wi n fo him a place


. r

a mong their poet s fro m the E nglish people as f s the ,


ar a

limited education of the public in his day could b ring them


into relation w ith h i m he wrote under popular i nfluence .

Faith ful therefore to good tural s ense he in his o w


, ,
na ,
n

way w rote as an E nglishman fo E ngland and his fame r ,

survives S u bject and treatm ent di ffering there is the same


.
,

war ag inst all that is


a ot w h t it pretends to b e in n a

Dunci d and Tatler


a .

Through Tatler and S pect tor the main stream o f



a

E ngl ish liter ture ran in Queen Anne s reign In the reign ’
a .

o f Georg e I the represent tive books were D l m


. a e v e op e nt

Ro b inson Crusoe an d G u lliver s Travel


“ ”r m“
fi i

s .
” ” p
c t on

The re ding pu blic w s nl rged From the C


a a
d
e a .
ru s o e

an

little t l s and apologues interspersed by S teele


.

a e G l l i u ve r

an d Addi s on among their ess ys it could p ass to longer a ,

tales i f there were any it could re d but it could n t read a o

P a t h e i s sa
r or the transl ted ro m ances of M d me
n

a a a

Sc d é y
u r No nor with l l its appreci tion of mor lity
.
, ,
a a a ,

could it read Dr Nathanael I g el o s Bentivoglio an d


. n

H
9 8 E NGL I SH WR I T E R S .

Urani b ook designed to turn to re sonable account one


a, a a

of

the im pertinences of m nkin d v i the Wri t ing and a ,
z .

Reading of Romances by making alleg orical characters ,


of b ody soul and the i r f culties and s o reviving the old


, , a ,

stage moralities in the ten thousand times more tedious


form of a long h i gh flo w rom nce o f the school o f the n a

Pr é cieuses A phra Behn had i m proved upon the French


.

model in her o el e t s but they h d not substance of mind


n v ,
a

to conte d w ith the imposing seri usness o f P ol e d e


n o x an r

and the Gr nd Cyrus



Books o f this class there fore
a .

, ,

were still aliv e to be l ughed at by S teele w hen in The



a ,

Tender Hu b nd he introduces the f ir Biddy P i pkin


s a a ,

w ith her mind fed upon s uch meat I don t know


“ ’
Sn . e :

h ow to o w n it b ut t hey h ve c lled me Bridget ,


H a a . e

Bridget ? S i Bridget H Bridget ? S l e Spare my ze : . e : z :

con fusion I beseech you sir ; d i f yo have occas ion to


, ,
an u

mention me let it be by Part h e i s s fo that s the n ame I


,
n a, r

h ve assumed ever since I c me to years o f discretion


a a .

Alack a d y little Bridget S ize Al s sir what can b e


- -
a

, : a , ,

expected from an innocent virgin th t h as b een i mmured , a

al m ost ne and t wenty years from the conversation of m an


o - -

k i d under the c re o f an U g an d o f an aunt


n ,
H Bless a r a . e:

me m dam ho w you h ve been a b used ! Many l dy


, a ,
a a a

b e fore y our age has h ad hundred l nces b roke in her a a

service nd as m ny d r gons cut to pieces in honour o f


,
a a a

her S l (as i de ) O h the ch rming m ! H (wh o is


. ze : ,
a an e

playing on her we kness ) Do you b elieve th t P m ela was a : a a

o ne n d t wenty be fore she kne w M


- a -
id o u s us r

In Ro binson Crusoe De foe gave the pe ple such a o

story s they could e njoy That tale begins the h istory o f


a .

modern E ngl i sh fiction distinctly as De foe s Revie w , as


’ ”

beg n t h history o f th t E nglish journalism w hich i the


a e a s

f m ili r e p ession o f immedi te r l tions between E n g li s h


a a x r a e a

w riters and t he m ain body o f E ngli s h readers Four years .

e rlier De foe h d p rted from the political ess y an d


a a a a ,
1 00 E NGL I SH f/VR I T E RS .

The great fault o f Pam ela was that with l arge pre t e ns i on , ,

an d especially the affectation o f Superior morality paraded


on the title page and in a fine preliminary flourish Richard
-
, ,

son in fact e hi b ited only a virtue cting from l o w motives


x a
,

under c nditions more s uggestive than even the old romances


o

h d been of immodest thoughts


a .

The true merit of Pamela was that it provoked Fi l d e

ing wh o had t ill then found fo his sense of life and man ne s
,
r r

F i ldi
an impe rfect expression on the stage t o begin as , ,

a c aricature of that virtuous ser vant maid Pamel


e ng .

-
a,

the t le o f the virtuous serving man Joseph Andre ws


a -
,

w hich soon gre w under his h nd into something freer and a

nobler tha n a caric tur It appe red as his first novel a e . a


,

pre f ced with the sound d octrine th t wa s his liter ry creed


a a a ,

th t ffectation untruth is the only just mark fo the satiri s t


a a , , r .

Si ye rs later Richardson placed hi m sel f a b ove ridic le by


x a u

his Cl rissa H rlo we ; d then in the year follow ing



a a

an , ,

1 74 9 Fielding
,
pu b lished his T m Jones assuredly the o ,

best o f E nglish novels d a work perfect as one o f


,
an

S h kespeare s ; as per fect in construction and as pe fect



a , r

in its sense o f li fe and char cter a .

It m ay b e a sm ll m tter to find good construction in


a a

a work o f genius i f the uthor has f iled in , a a


J the constructor s very firs t requisite the choice ’

o f good durab le b uilding m terial


a ,
A whipped syll b u b a .
a

m y be as per fect in constructi n as the Parthenon and


a o
,

th re are dou b tless people o f certain taste wh o would


e

pr f r t h e syllab u b A rp nt r b uilding a pigsty may


e e . ca e e

i f our criticism b e confin d t these particulars — b e fo u nd


e o

to construct a work more perfect than St Peter s So there .



.

are novels and again novels N critic has over praised the . o

s kil ful construction of the sto y of Tom Jones b ut the



r

durability o f the work depends on something even of


mo re m oment than i t s c n truction
s — upon the imperish o ,

h aracter of i t s material and on the s e curity with


c
,
I N T R O D U C T I ON . 10 1

w hich its foundations a e l id deep in the t rue hearts o f r a

men .

Fielding s first novel was provoked b y an ffect tion ;



a a

and it was pre f ce d with a distinct expl n tion o f his ow


a a a n

idea o f romance In the first p ges of his first novel he
. a

taught th t the only source of the t rue ridiculous is fl e


a a
'

tat ion . His jest w s against insincerity in l l its lighter


a a

f rms ; his po w er was gainst untruth


o In l l his novels a . a ,

and in T o m Jo es most conspicuously a generous n d



n

,
a

penetrating m ind f m iliar w ith the w ys o f men de lt merci


a a a

fully w ith all honest i fi m i t i e s symp thised w ith hum n n r , a a

goodness and reserved its l ughter or its scorn only fo


,
a r

what w s insincere In Tom J nes w ork wa pl nned


“ ”
a . o ,
a s a

upon the mple scal e to w hich re ders h d b ecome


a a a ac

customed There was room fo a w ide view o f li fe The


. r .

scene w a divided f irly b et ween country d tow n T he


s a an .

story w s b uilt out of the etern l truths of hum n n ture


a a a a ,

an d w asexquisitely polished on its surf ce w ith d lic te a a e a

an d geni l humour that suggested r ther th n pre ched


a a a a

censure on the follies o f society in E ngl nd not unmixed a ,

w ith the directest Christian condemnation g inst crime a a .

The ve ry soul of the book enters into the construction


of Tom Jones The picture o f a g od man coloured by
.

o ,

Fielding w ith some o f the warmth o f living friendship is ,

presented t once in S quire Allworthy


a d there is a deep an

seriousness in the manner of presenting him on M y a a

morn ing w alking upon t h e t errace b e fore his mansion w ith


,

a w ide prospect round him planning a generous action


a , ,

w hen in the full b l e of his majesty up rose the sun th n


az ,
a

which one obj ect lone in this lo wer cre tion could be more
a a

glorious d th t Mr All w orthy himsel f presented — a


,
an a .

human being replete with be evolence m edit ting in w h t n ,


a a

m an ner he might render himsel f most acceptable to his


Cre tor b y doing most good to His cre tures
a ,
a .

The t wo boys br d by All worthy T m Jone s n d Bl i fi l


e ,
o a ,
I 02 EN GL ISH I VR I T ERS .

ab o u t w ho m the wh l e st ry ev l ves e as t h e t wo p ol es
o o r o , ar

o f F ielding s m i m ic w orl d O e o f them is e ery bo d y


’ ’
. n v s

f i e nd but his ow the other nobo d y s f iend b ut h i o w ’


r n r s n .

O e is po s s es se d o f n tu l goo dn e ss w ith all genero s


n a ra ,
u

i m pul es but wi th insti nct s as w e are once or t w ice disti nct l y


s , ,

reminded wanting the control of prudence and reli g ion


,
.

H e lies open to frequent he y bl me d yet m re f e av a , an o r

qu ent mi s construct ion yet we h ve f ith in him beca use he a a

is true his faults are open his fl e t io s wa m W e know


, , a
'

c n r .

that time and love wi ll m ke a nobl e man o f him T h e a .

other conceals treache y under show o f ighteousnes and r a r s

ju tice H i s fair outside o f religion and mor lity the


s . a ,

readiness with w hich h e gives honest col ouring to all an

a ppea nces are represented w holly w ith out ca ricature


ra ,
.

H is i l l deeds are s ecret his ffections cold and he is b as e , a ,

t o u s by reas on o f his f lsehood L et us in m ature li fe


a .

read the b ook afresh d w hile w e come from the work ,


an

with the l d admiratio n of the sterling E nglish in which it


o

is w ritt n and o f the k een but generous insight into hum n


e ,
a

character that animates every page we pro b ab ly sh ll find ,


a

that we have strengthened gr e tly our sense o f its br ve a a

morality It may surprise critic w ho tastes evil in the


. a

scenes o f incontinence w hich the manners o f his age per


m i t t ed Fielding to include mo g his pictures o f the life a n

about him to b e told th t they w ere not presented as jests


, a

by their author Fielding di ff ers in this as in many things


.
, ,

e sentially from Smollett that in his novels he has never


s ,

u sed an unclean im ge fo its o w sake as provocative ofa r n

mirth in ruder minds In Fielding s page evil is evil In .



.


Tom Jones Allworthy delivers no mock exhort tions ;

a

whenever Jones falls into inc ntinence the purity o f S ophi o a

follo ws next upon t h e scene higher happiness is lost nd ,


a ,
a

h i s t r u e love is removed farther from his reach And at .

l ast t h e youth i s mad e to assent to 8 0phia wh en she e ,


r

er a ly pon h i pl adi g f the gross e f his


v
ygr v e u s e n o
, n s o s
1 04 E N GL ISH I VR I T E RS .

closes an episode in the directest harmony with the i n


vent r s m in design
o

a .

It is minor excellence th t this p rt of the work h s


a a a a

been c nt i ved ls to supply t the l rge study o f E nglish


o r a o o a

li fe those ch pters excluded from the main ction o f the


a ,
a

t le by the peculi r educati n and the char cters o f Jones


a a o a

and Bl i fi l which p int the f llies o f youth t the University


,
a o a

an d the li fe f the g mbler o P rtridge once breaks upo n


a . a

the n rr tive f the M o f the Hill w ith characteristic


a a o an a

s tory o f his w in w hich Fielding commands wise eflec


o n, r

tion on t h e unde fended st te f crimin ls tried fo their a o a r

lives We p . ho wever fr m the gre ter to the less in


as s , , o a

touch ing on the e thing alth ugh they S h w h ow intim te


s s, o o a

wa here the rel tion o f the E nglish w riter to the E nglish


s a

people .

The lesser critics in p lite s ciety wh o pplied not their o o ,


a

ow nminds the minds of better thinkers but the mere


,
nor ,

w rds f those b etter thinkers t w isted and crushed


o o

into critic l j rg n t the estimate of w orks


a a a o ,
o

o f intellect still held in degener te w y to the


, a a a

cl ssicism o f P ris They decreed natur l pictures of li fe


a a . a ,

d plain E nglish Fielding w s in their eyes



an low ,
. a

d se eral times in “T m
Jones the great ”
l ow ,
an v o

novelist t kes in mockery this w ord out o f their mouths


a .

Goldsmith too born twenty one years later th n Fielding


, ,
-
a ,

w e find h rping on the w ord in pl y ful kindly scorn


a But a , .
,

when w e look b ack to Goldsmith at his side w e see the ,

S m el
a u
figure o f that elder f i end but t wo years younger r ,

than F i el d i g the strong tender hearted S muel


— n ,
-
a

Joh nson H ow sound mind he kept w ithin b ody b y


. a a

whose physical i fi m i t i es he should have b een made n r

3 J ohnso n was ten years old in the ye r o f Addi a

md t we nty ye ars old i n the year o f the death


Engl i sh wri t e rs none fought more sturdily
he i n t h e war of in te llectual i d ep e d n n
I N T R OD U C T I ON . 105

ence He began literary li fe in London as wh at print er


.

Bo wyer c lled an author f the low er class one o f those


a o ,

wh o are paid b y the sheet could su b sist upon fourpence ”


,

halfpenny a day ate only what he earned C onquering


,
.

the resistance of the adverse world and of his own adverse


bo dily state he fought the h rd uphill fi ght fo himsel f fo
, a r ,
r

othe rs with him n d fo all t h e writers who came after


,
a r

him and made himsel f until his death in 78 4 the w rthy


, ,
1 , o

c e t al figure in the liter ture o f his country


n r His intellect
a .

a lone w ould not hav e given him ung inly man s h e w s ,


a a a ,

this r nk in day when the pro fession of letters was so


a a

little honoured that some such pol gy as the accidental “


a o

elopement of a composition w thought neces s ry t as a o

excuse gentlem an fo coming into print In Johns n s


a r . o

d ys we find even the p et Gr y fter his Elegy in


a

o a ,
a a

Country Churchyard much h ded ab out Over polite tea


, an

t b les h d fallen into the ha nds f n editor who vo wed


a ,
a o a

t hat he w ould print it w riting f that piece of true liter


, o a

t re t h i friend Walp le I have but one b ad w y le ft


u o s

o , a

to escape the honour they would inflict upon me a d there ,


n

fore m obliged to desire you w ould m k e D o d s l ey print it


a a

immedi tely (which m ay b e d one in less th n w eek s time )


a a a

from your C opy but without my name ,


prese n tly sug .

g es t i n g also I f he w ould
,
add line or t w o to say it c me a a

into his hands b y accident I should like it b etter W l , .



a

pole wrote an advertisement t the e ffect that accident only o

brought the poem b e fore the pu b lic although an p logy , a o

was unnecessary to any b ut the author O which G r y . n a

wrote , I thank you fo your d ertisement which saves my


r a v ,

h o no u n
It was in the honour of Samuel Johnson to be b so a

l t el y free fro m this false pride


u His wi t was rooted in the .

highest sense o f duty d complete sincerity o f t h ght


, an ou

and word There was a true E nglish soul in J hnson s


. o

intellect M ilton h imsel f did not more formally dedic te


. a
106 E NGL I SH PVR I T ERS .

his p wers to the service f his great taskmaster th n John


o o a

son who prayed fo a b l ess m g on his work when he t


, r sa

d wn to it hab itual ly but never formally as many w ill pray


o , , ,

f a blessing on their roast meat w ho w ould think it w rong


or ,

b ecause unusu al to ask a grace u pon their w ords It is


,
.

no t the form th t is here d w elt upo n Men may pray with


a .

out ce sing who n ever kneel and never write or whisper


a ,

f rm l w ords of prayer
o a Johnson prayed w ith his he rt . a ,

and w ith the faithful pen through which he spoke h i s he rt a ,

and w s i n all as simply tr e s when he piti fully carried


a u a

home on his b ack the unh ppy prostitute whom he found a

lying exhausted in the streets Johnson s strength w ith his .


countrymen lay in th t inner worth to which Sm oll et t a



s

frank eyes at once penetrated “


This he says w s a“ ”
.
, , a

v e y gr ve personage who m at som e distance I took fo


r a ,
r

one of the most reser ed and even di sagreeab le figures I v

h d seen but as he ap p oached his appe rance improved


a , r , a ,

an d when I could distinguish hi m thoroughly I perceived


, ,

th t in spite o f the severity of his bro w he h d one


a , ,
a

o f the most good natured countenances that could be -

imagined .

That Johnson w hile dr wing closer the relations b e


,
a

t w een E nglish writers and the E glish people g ve by his n ,


a

ex mple n ew li fe to the critical t ste fo sonorous L atin


a a a r

w rds not too much s iled b y ssociations every


“ ”
o l w o o a ,

on e kn w s The number o f syll bles in a word matters


o . a ,

h w ever infinitely less th n i ts ex ct fitness to the me sure


o , a a a

o f the thought it should express ; and b y right o f its con


i e t i ou s precis i on Johnson s style w ill retain much o f its

sc n

p wer through all ch nges of fashion


o It w ould be a .

terrible sir s id Bos well at Harwich when he d John


, ,

a , ,
an

son w ere waiting fo the bo t to H el veot sl ys th t w s to r a u a a

t ke young Bos w ell to Utrecht it would b e ter i ble i f yo u


a

, r

sh uld not find a speedy opportunity of returning to


o

L nd n and b e con fi ned in so dul l a place f l


o o ,
. o zn son .
10 8 E NG L ISH I VR I T ERS .

we reco rd o f t hi s c i ti cal m om e t ; d t o t h e
hav e t h e r n an

to e o f m e la nch ol y w hich had d e ep en ed po E ngli h


n u n s

lite tu re G oe t he part ly as c i b e s the g th e ing o f t h e l u d s


ra r a r c o

t ha t Go lds m ith s n vel h d hel pe d t di pe l



o a o s .

T here e m o ra l e po c h s
ar Go e the ai d u nd er w hose ,
s ,

i fluence ea ch in his o w gene ti on th e se ns iti e y ut h


n , n ra ,
v o

f ll s b ut the spi i ts f the Ge man y u t h w he n


a r o r o ,

he himsel f w young w u ld t ha ve t end ed as ,


o no

so decidedly they did to glo omy t h o ught had as

there not bee i ncitement fr m wi t h o t Thi s n o u .

c m e he wrote (in B k 3 f Aus M einem


a ,

oo 1 o

through the E ngl is h litera tu re espe cially i ts poe t y w h ose ,
r ,

b e t fe tu res e t uched w ith


s a ar ea rnest mela ncholy th t
o an a

becomes trans fe red to all wh stu dy it It w i Go e t h e s


r o .

as n

hum ur then to f sten on the mel nch ly side f ny e rnest


o a a o o a a

fee ling But it is ls in part true tha t the French influence


. a o

u pon liter ture in the dec y f merely f s hion b le pa t n


ou r a ,
a o a a ro

age and be f re there were yet est blished sound rel tions
, o a a

b et w een w riters and the pe ple h d gi ven to metri ca l utt er o ,


a

ance o f t he religious E nglish mind turn f did cti c gl oom a or a ,

f w hich Y ung s Night Th ughts m y be ta ken as t h e


“ ’
o o o a

ty pe The whole literature o f such people as the E nglis h


. a ,

i f not o f any people must be more less did cti c ; and


,
or a

the degree to w hich the inner earnestness is m k ed by as

manner o f expression indic tes only the w i t d temp er o f a an

the w riter and his time The chie f c use s o f t he gloom . a

cast ver E nglish liter ture d uring the grea ter part o f the
o a

eighteenth century are to be f und how ever in s ocial con o , ,

d i t io o f w hich w e h ave not


ns o w to speak n .
.

In our liter ture follo w ing the Restoration cultivati on


a ,

o f Boileau doctrine o f good sense and gradu l extension


’ ”
s , a

o f the re ding circle a helped g reatly to the development f, o

a prose literature Fi elding in his prose novels exercised


.
, ,

the creative force o f genius w ith the pe fection o f good r

sense Golds m ith who h d a reasoning im g ination wrote


.
, a a ,
I N T R OD U C T I ON . I 09

the grace ful and clear prose o f true poe t At t h same a . e

t ime , iming only at perfect cle rness in expr s ion of


a a e s

historic l and social facts w e have such men


a David ,
as

Hume but three or four years younger th n Fielding nd


, a , a

Ro b ertson seven and Ad m S mith five ye rs older th n


,
a a a

Goldsmith whom b oth long survived The pro mind


, . se ,

dealing w ith simple truth f und also its w y int verse ,


o a o ,

upr oting in many directions the luxuri nt w ild fl wers o f


o a o

fancy and C lipping thought in the trim b orders o f simply


, a

dull didactic garden Whole volumes o f E ngli h p etry


, . s o

then recent could said G ethe b e compress d into a


, o ,
e

c m m entary on this miser b le impression o f the d of


o a en

m an
Th e n Old Ag e a nd E x p e ri e n ce h and i n h an d , ,

Le ad h i m t o Dea t h an d m ak e hi m u nd e rs t an d
, ,

A ft e r a s e a rc h so p ai n fu l a n d s o l o ng ,

Tha t al l hi s l i fe h e h as b ee n i n t he w rong .

All that is cheerful in our literature was ascri b ed b y G oethe


to an earlier epoch and even here he o b serves th t Shake a

spe re gave w y to melancholy in his soliloquies d that


a a ,
an

M ilto n could not rise i n L Al l eg o to a ve y mod r te


,

r ,
r e a

degree of cheerfulness until he h d b y a strong eff rt sh ken a o a

o ff an d banished his “ loathed melancholy S o it is ,

thought Goethe that in the l ter time even the cheerful


, ,
a ,

Goldsmith sinks as Gray doe in the Country Church


,

s

yard into elegiac sensi b ility w h n he paints Par dise Lost


,

e a

in his Deserted Village



Goeth f lt strongly thos . e e e

points in our lite ratur t w hich his own mind w s mo t e o a s

se nsitiv ; b ut he was n t the on l y Germ n stud nt f t h


e o a e o e

E nglish m u se The fee b ler developm e nt o f Germ n lit ra


. a e

ture h s t several periods received a strong d u lly


a a an us a

healthy influence from the vigour of the kindred r ce in a

E ngl nd th t thrives under conditions very f vo u r b le to


a a a a

free and e m phatic s p eech T h influence o f French ritical


. e c

tas te had b ee n as strong in Germany as in E ngl nd b ut it a


1 I O E N GL ISH WR I T E R S .

had there ta ke w eak f m P l ite pe rso nages at the


n a or . o

German Courts s ei ed bodily on the French langu ag e a d z ,


n

spo ke it From ab ut the da te o f our Rest tion till the


. o o ra

time w hen Dr J hns had possession o f the E ngl ish . o on

pu b lic the French influence was


, strong lso in Ger so a

many tha t German w iters have ca lled th is peri od the “ r

i l m d
c - a- g e o c But the sa me a ty r nny o
. f st

y le w orked in a

e ch Germ anic people to wards simil r results E ngland


a a .

to k the lead The French ta ste w s fo cle rn ess d


o . a r a ,
an a

literalne s s that in one fo m sought even to divest religion o f r

its sacred mystery In Germany} s in E ngl nd the . a a ,

tende n cy wa to huma ise this re lism t the utmost In


s n a o .

G m u this
", direction De foe s Robinson Crusoe e

,

r

li mi g ? presented so delight ful a u ccess tha t while it


n
"
s , ,

C m w
wa s reprinted and pirated t home I G e many a ,
n r

it was not merely transl ted it h d lso more than forty a , a a

imit tors There w ere t wo Westph li n Ro b insons ; there


a . a a

wa a S xon
s S ilesi n
a Fr nconi n Bohemian Je wish
, a a , a a a , a , a

Ro b inson w ith a E urope n R o b i o e t t ; there w ere


, a ns n a

R ob u ns nd R ob i s he
e a R o b i o e t ta the Mor l Robin n c n, ns n ,
a

s o n the Medic l Ro b inson the Reasoning Robinson an d


,
a , ,

the Invisi b le Ro b inson Such books indeed un d er the .


,

nam e of R obi ns onad es form distinct class in Germ n , a a

literary history .

Direct b ttle w s giv n t the s me time to the French


a a e a a

c ritical chool in G erm ny whereo f t h e chie f l wgiver w s


s a ,
a a

“ im f v
J oh nn Christi
o
n Gottsched — w hose
a w i f tr n a e a s

ié ém
t ii
f
i lateds Fr nch plays and Po p e s R p f thee

a e o

i i L ock by rty f w r ters w h rgu d f


a z p o o a a i a e or
éa
o t
-

zas
e

de pth of f l ng truth of t h ught s bove the


‘c r
ee i , o , a a

r tr int f m r form li m R nging themselv b ehind


es a s o e e a s . a es

th e ir lead r J h nn J c b Bodm r o f Zurich these m


e ,
o a a o e , ,
en

rais e d t h nam of M ilton for the ir b ttle y For t h t


e e a -
cr . e en

years b efore 74 Gottsche d at Leip ig a scorner of 1 0 ,


z ,

M ilton dictated la ws of taste to G rma y


,
He did some e n .
I I 2 E N GL I SH I VR I T ERS .

G l sei d on a mind th u s pining F i o n himsel f b c m


ae ze ,
n e a e a

S ign of t h e ew sickness and the ghost of Fingal stalked


n ,

through the mist o f the hills protesting gainst peri wigs a .


While Bodm er wh o delighted also in S i r Roger de

Coverley and had himsel f written sort of Germ n S pec


,

a a

t t r upheld Milton in South Germany there w in


a o

-
,
as

N rth Germ any E b ert t Hamburg wh o transl ted t h


o ,
a ,
a e

Night Thoughts and O ssi n besides the P mela
“ “
a ,
a

and Si r Charles Grandis n of our Richardson w h w s o , o a

de r lso to Rousseau
a a .

The French influence f which we have b een spe king o a

was t that o f France


no a nation b ut of Fr nce s as ,
a a

Th m l
e
expressed
o t
b y the French Court o f L uis X I V o .

ne s t
{
in F
i l The
v o ent

ran c e .
reaction from it wa s universal nd no ,
a

where more lent certa n d rect i ons than n Vi o In i i i

Fr nce itsel f Klopstock in his old age warm fo human


a .
, r

li b erty received in 79 the diploma of citi en from the


,
1 2 z

French National Assem b ly and like compliment w s ,


a a

paid t t he patriotism of Gilles ther wise Schiller These


o , o .

w er e both m to shrink from t h last excesses of the gr at


en e e

French Re volution ; b ut the stir that led to it o f inde ,

pendent hu m an energies shaking themselves s they , a

thought fre e from the cl w s o f despotism was felt like in


,
a ,
a

Germany and France And out o f all its striving to b e true .

came no w the greatness of t he German literature .

Goethe the chie f lthough nearly the youngest f the


, ,
a , o

discipl e s of Bodm e r influenced de ply b y the literature o f


, e

G h
this
oe t
country
e.
becam b y the force o f his rare , e

g nius h i t l f an influ nce I n his arli t n t


e n se e . e es o

a bl w rk Go t von Berliching n in spite o f l l ritic l


e o , e z e ,

a c a

dr m tic c nons taking Shakespe re fo his guide b e de lt


a a a a r , a

honestly and freely b ut throughout as a true G erm n w ith


, a ,

a picture o f old Germ n n ti n l li fe H is b ent wa then a a o a . s ,

ho wever fo r the way of E nglish melancholy that enjoyed


, ,

the pinch o f a mi nd fold e d back upon its el f Al ways true t . o


I N T OD U C T I ON
R . I 13

his own e peri ence s of li fe and h i s own m anner of thought


x ,

h e worked out the megrims o f his youth in “


Werther ,

an d to the las t struggled boldly and unsuccess fully in his


, ,

w ritings w ith t h e pro b lems of man s inn er li fe



.

Goethe s mind was fixed on the li fe of t h e individual


Schiller s on that o f t h e State H is Ro bb ers gr ppling



’ ”
.
,
a

w ildly w ith the question o f social rights ; his


S h i ll c e r.

R epu b lican trage d y of Fiesco his exaltation ,

in Kab ale und L ie b e of the German citi en w orld ver


,

z o

the Court li fe steeped in French frivolity n d ice ; the a v

glow of humanity in Marquis P sa planted f ce to face o , a

with S panish despotism ; the great human struggle in his


“Wallen s tein his choice o f such su bjects fo dram tic r a

h andling as Tell and the M id o f Orleans — al l show a

h ow distinctly S chiller d welt upon the rights o f m as one an

o f a community while Goethe aw him as an indi idual


,
s v ,

and dreamed or reasoned out the pr b lem of his duties and o

his powers .

O f l l the Germans G ethe and those more formal


a ,
o

thinkers wh o attempted to dissect the inner li fe of m had an

m ost influence upon the literature o f E ngland


L i m it mm
.

s 0
T h e great German poet reflected b ack to us 9 m m
3 ,

intensified the light i f it w s light he had e ii giigii


, , a , r
'
p
e 0"

L m mm
c ei v e d from us In sei ing upon his humour u ’

. z

we ca ught as it wer e our o w, ball in the re b ound But


, n .

t h ere w as a transmuting po w er w here it struck it w ent from


us lead and came back to us silver
,
.

E d ward Young was transmuted into William Words w rt h o .

What Klopstoc k and K nt at first hoped from the a

French R evolutionists whose l ter friendship to himsel f


, a

Klopstock repelled with an abhorrent palinode W d h or s w ort

w hat se e med h Op e in them even to A l fi e i C l


dS
id
h y
r ,
o er g e.
ou t
unt l Wi tness of the i r excesses V ct m of the r
an e .

i , , i i i

greed he cursed them b itterly stirred also in t h e young
,

hearts o f our own Wordsworth C oleridge n d S outhey , , a .

I
r 14 E N GL ISH I VR I T ERS .

H ow strongly Words worth himsel f felt we read in his ,

Prelude The spirit f m ny a e rnest poet in th t


.

o a n a a

time rises in his E xcursion from t h mel ncholy e o l


“ ”
e a r c

lections o f the solitary


The n my sou l

T u rn ed i n w ard t o e x am i n e o f w h at st u ff
,

T i m e s fe t t e rs are co m p o se d an d l i fe w as p u t

T o i n qu i s i t i o n l ong a n d p ro fi t l es s
,
.

By p ai n o f h eart now ch eck e d an d n o w i m pe ll ed


, ,

T h e i nt el l ec t u al p ow e r t h ro u g h w o rd s an d t h i ng s
, ,

\Ve n t sou n d i ng o n a d i m and p eri l ou s w ay ,


.

F rom t h at abst ra ct i on I w as ro u s e cl , — an d ho w ?

By t h e fall of the Bastile ,


w hen
F ro m t h e w re c k
A g ol d e n p al ace ro se , o r s ee m e d t o ri se ,
T h e a p p o i n t e d seat o f e q u i t a bl e l aw
A n d m i l d p at ern al s w ay T h e p o t en t s h ock .

I fel t : t h e t ran s form at i o n I p e rce i v ed ,


A s m arv ell ou s l y s ei ze d a s i n t ha t m o m e n t
W h en , fro m t h e bl i n d m i s t i s su i ng , I b e h el d
G l o ry — b e yo n d al l g l o ry ev e r s ee n ,

C o nfu s i on i n fi ni t e
h eav en and ea rt h of ,

D azzl i n g t h e s ou l M ean w h il e p ro ph e t i c h arp s


.
,

I n e v e ry g rov e w e re ri ng i ng War s h al l ceas e ,

D i d ye n o t h ear t h at co nq u es t i s a bj u re d ?
B ri ng garl and s b ri ng fo rt h ch o i ces t fl o wers t o d eck
, ,

T he t re e o f Li be rt y M y h eart rebo u n d ed ’
.

M y m el an ch o l y v oi ce t h e c h o ru s j o i ned .

Words worth ent over to P ris d spent a year b e


w a ,
an

tw een Paris O rleans , d Blois Much was said in , an .

E ngland on t h t questi n o f the rights of m an in a com


a o

munity then r ised w ith so much earnestness in Fr nce


,
a a

an d Germ y C leridge an d Southey w ere at the age of


an . o

t wenty three happy in the daydream o f a li fe of patriarchal


-

i nno cence b y t he b ank of t he Su s queha na S outhe y s vers e



n .
1 16 E I VGL I SH I VR / T E R S .

and nice b l nce o f n t ith esis Here were b old b rderers


a a a . o

w h never w ore peruke and could h


o e ridden to the field ,
av

w ith G et f the Iron H nd himsel f


o z o a

Th ey q u i t t e d not t h ei r harne ss bri g h t ,

N e i t h e r b y d a y n o r ye t b y n i g h t
,

Th ey l ay d o w n t o res t
W i t h co rs l e t l aced ,

Pi l l o w e d on b u ck l er co l d and h a rd
Th ey carved a t t he m eal
W i t h g l o v es o f s t eel ,

A n d t he y d ra n k th e red w i n e t h rou g h th e h el met barre d .

When these metric l t les lost influence be fore the gro wing
a a

f me f Byr n Scott br ke w ith rhyme and b eg n in 8 4


a o o ,
o ,
a ,
1 1 ,

to pour out his prose rom nces At least one o ften t wo in a .


, ,

in year a d in one year three appe red fo r the nex t


,
an ,
a

seventeen ye rs w ithout i termissio except in the singl e


a n n,

ye r 8 3
a 1 Then the occ si n l historical and other work
0 . a o a

fo which Sc tt found time in ddition t


r o that spent on ,
a o

his romance w riting had fo o ce the w hole year to itself


-
, r n ,

an d he produced only t w o dram s the Letters on De a ,

monology the fourth series of the T les of a Gr nd father


, a a ,

and the second volume o f the History o f Scotland N o .


w here in print wa S cott so much a poet s in the earlier o f


s a

his r mances H i bright cheerful f ncy his quick humour


o . s ,
a , ,

his honest warmth of feeling t h t aroused every healthy ,


a

emotion without stirring a passion exercised in these i , ,


n

cessantly recurring novels influence as gradu l s sure ,


an a , a ,

an d s w ell fitted t
a its ti m e s that which had beeno , a

exercised by Steele and Addis n in const ntly recurring o a

numbers of their T tler d Spectator


“ There was a
a

an .

w ide general public o w able to fasten upon ente rtain in g


n

volumes Scott widened it


. d purified its ta s te By ,
an .

F e i m o e Cooper the best o f his imitators we have t he


n r , ,

f rmer str ins caught up in a recurrence of the re s tle ss


o a
I N T R OD U C T I ON . 117

dream o f an esc pe from civilis tion to im gined virtue s o f


a a a

the undrilled savage in his st te o f nature In S cott there a .

is no form w hatever of r m ntic discontent His world o a .

was the same world f geni l symp thies in which indi o a a ,

vidu lly t le st we m y l l live i f w e will and do live i f


a a a ,
a a ,

w e kno w it He enjoyed the real and Sported w ith t h


.
,
e

picturesque As he felt he w rote frankly and r pidly


.
, , a .

His kindly Toryism was a w holesome infl u ence T h e Jacob .

ites so real t De foe mused the public ow as the


,
o ,
a n

m teri al of ple sant dreams ; d the su light f Sc tt s


a a an n o o

fancy glistened upon rippling waters w here the stor m had


menaced wreck .

S cott s novels were for seventeen years so many


.


as

parts of a great influential f mily period i cal f irly punctual a ,


a

to its half yearly appearance But true jour D l


-
. a
ev e o

na l i s m w as t h en b eing developed into adequ te a


J
e pres sion o f the E nglish mind To Ne wbe y s
x . r

Public L edger started in 76 Goldsmith contri b uted


,

1 0,

his Citi en o f the World



z In 76 3 Wilkes in the ”
1 ,

Nort h Briton honestly printed all the letters in the n mes


,

a

o f pers ons co m mented upon and su ffered f his com , or

ments in No 4 5 on the prorogation Speech a fter an


. un

popular peace Of the L etters of J unius in the P blic


.

, u

Advertiser t h e first ppeared in April 76 7 the last in


,

a ,
1 ,

January 77 and these set an ex m ple o f ve y b old


,
1 2, a r

politic l ne wspaper criticism In tri ls that arose t o f


a . a ou

thes e letters L ord Mansfield sought in vain to d eny to t h e

jury the right o f deciding w h t w s libel nd wh t not b y a a , a a ,

confin ing its function to the questi n o f pu b lic tion This o a .

question wa not settled pr perly until the p ssi g of Mr


s o a n .

Fox s Li b el Bill in 79 In 76 9 the M rning Chronicl



1 2 . 1 o e

w as first brought out by Willi m Wood f ll w h o was a a ,

especially the ear of E ngland in the H ouse f Commons o .

Victu al led w it h a hard boiled egg he c uld sit t the -


,
o ou

longest de b te and next day write out fo r his paper which


a , ,
i 8 E N GL I SH I VR I

T ERS .

he both printed and edited the pith o f l l th t he had , a a

he rd In 77 appeared the Morning Post o f which


a .

1 2 ,

the edit r in 78 seceded to foundo , ew paper


1 0,the a n ,

M rning Herald At this date there w ere n weekly
o .

o

papers .

O n the 3 t h o f January 8
7 5 i ppeared a paper in fo ur ,
1 ,
a

p ges The Daily Univers l Register a fter wards pu b


_

a
“ ”
, a ,

l i he d on the
s ,t of January 7 8 8 under rs the e w name of ,
1 ,
n

The Times which as its proprietor nnounced being


,

,
a ,

a monosyllable bids de f ance to corruptors d mutilators


,
i an

o f the langu ge Morning Advertiser first p ”


T he a . a

p e d
ar
e in 79 ;
4 d in the year1 f ol l o w ing there w
anere in
London f urteen daily p pers ten pu blished three times a
o a ,

w ee k t wo t wice a w eek
, d t welve w eekly ; w hile the d i s , an

t i b u t i o o f ne w spapers throughout the country had been


r n

i ncreas ed six fold b y the introduction o f mail coaches -


.

In 79 7 Canning d his friends started as wee k ly


1 an ,
a

paper the Anti J cobin which had a brilli nt career o f



,
-
a , a

e i ght m nth with Willi m Gi ff rd a fter w rds


o s, ditor of the a o ,
a e

Q uarterly Revie w f man g r Thes e journ ls h d ”


,
or a e . a a

l rnt to speak boldly upon pu blic questions in the face f


ea , o

distinct p eril to their w riters In the fi rst year o f The “


.

Tim es its pr pri tor was sentenced t fi imprisonm nt


,
o e o ne, e ,

and pillory fo speaking his mind out upon the Duke of r

York In th year foll wing he was again pr secuted


. e o o .

The E nglis h j ournalists w ere in fact lik e the p ets bent , , o ,

up n full natur l utterance d upon the breaking do wn o f


o a , an

a l l undue restraints They w ere all more less in e rnest . or a ,

a n d b y their variety o f temper and opinion represented

the s ow though less completely the various interes t s


n, a n , ,

an d humours that contri b ute their tones to the common


voice .

To suc h continual discussion there was added the n ew


element of a representation of the deli b erate thought
o f the most cul t ivated clas s upon l l pu b li c questions a
,
i 20 E N GL I SH WR I T E R S .

l i v es . W eigh ty
itty though t w i t hout a was te word i
or w ,
n

e xpression o f i t — that is to s a ood literatu re — puts o


y g n

th e m a g eater strai n than they can b ear Trivial th ough t


r .
,

d i flu s e in the utterance — th t is to say b ad lit eratu re — as k s


'

fo r no po wer o f co n centr ted atte ntio n in its read er and a ,

the untaught mind will read it w ithout strain But as in .


,

most cases a course of wholeso m e food is the b est remedy


,

for w eak d igestion appetite then gro wing b y what i t feeds


,

on so there is li ttle more requi red t o give a s tomach for


,

g ood liter ture than steady


a applicati o n to it Add i so n s aid .

that t he hab it o f good reading was like that o f s moki ng .

There is a repugnance to get over b e fore the taste is


'

acquired and great solace d enjoyment to come of the


, an

acquisition Men who fight through thei r qualms to quali fy


.

as smokers might do as much to b ecome readers Ou


, . r

E nglish Writers should gro w in po wer for the utt erance o f


al l good that is in us as the day d raw s n ear when the ,

w hole nation reads ; and they w h o are not ch i ldren read


w ith all their m inds .

T h e E art h

t
from d us t t h e g ras s
s ou r ances or :

From h erbs t h e h erd s ; and from t h em bot h t h e man


F i xed ea rt h fe ed s m ovi ng eart h , u nt il i t p as s,
Du s t t o th e d u st , and e nd w h e re i t be ga n .

E arth , g ra ss , c x , m an , be h ol d ou r p ed i gree .

Res t o re d t o eart h , t h e m ed i tat i v e brai n


Tak es h er s h ap e
ot p erc h ance i n bu d or t ree
E art h t h at was p art o f New t on l i v es ag a i n .

Ch i l d ren E art h , w e l ov e t h e p arent soi l


of

B u t w h ence th e t ou ch t ha t b re ed s ano h er l o v e t
I n t h e cl a y
l am p t h ere l i es t h e p reg nan t oi l
Tha t gi ves no l i g h t t i l l k i n d l e d from above .

G od , w h o m ou r fat h ers re v ere n ce d , and we


S eek as b d i ng st reng t h
t h e sou rce of al l a i ,

Thou art Al l T ru t h and Th ou h ast mad e m a n free


,

T o q u es t i on and t o fi nd Al l T ru t h at l e ngt h
, .
I N T R OD U C T I ON . 121

By m any p at h s w e t rav el , an d w e s ee k
T o s e rv e Th ee, an d t o t read t h e u p w ard w ay
W hen, i n each t rack , w i t h w i l l i ng s t ep s t h ou gh w e ak ,
We fal t e r, g u i d e u s, t ha t w e m ay n o t s t ra y .

D ear E art h of E ng l and , w h i ch h as cl o t h ed the m i n ds


O f E ng l i s h s earc he rs fo r t h e w ay o f l i fe ,

Lan d t h at w e l ove , t h e h a pp y l an d t h a t bi n d s
U s m an t o m an i n b ro t h e rh o o d o f s t ri fe

F or h and ri g h t an d th e fu l fi l l ed d e si g n
t ru t ,

O f ou r C re at o r and t h ou E n g l i s h Sou l , ,

O ne i n t h e s t re ng t h o f all th e sou l s t h at s h i n e
I n E ng l is h an nal s an d w i t h w i s e co n t rol

S ee k t o b d u e th e w rong m ai n tai n t h e ri gh t
su , ,

B reed t h rou g h all t i m e hi g h s h ap e rs o f m an k i n d ,

T i l l al l be g ood i n t h e C reat o r s si gh t ’
,

A nd G od s fai r E art h b e T e m p l e o f H i s M i nd

.
1 24 E N GL I S H WR I T E R S .

thr ugh successive generations to find out the right d do


o an

it to root out the w rong nd l bour ever on ward fo the


, ,
a a r

love f God I f this be really the strong spirit o f her peo


o .

ple to show that it is s is to tell h ow England wo


, d o n , an

h w lone she ca n expect to keep her foremost pl ce among


o a ,
a

the n tions
a .

O nce E urop e was peopled only h re and there by men e

w h b e t at the doors o f nature and upon the heads o f


o a one

another with sharp fli nt What kn owledge they struck out s .

in many years was b ettered by instruction from incoming


tri b es wh o b eginning earlier or learning faster brough t
, ,

higher results of experience out o f som e part o f the region


th t w e now call Asia Generation after generation came
a .

and went and then E urope w s peopled b y tri b es di fferent


, a

in temper some scattered mong pastures w ith their fl ocks


: a

an d herds or gathering fo fight


, d plunder around chie fs r an

u pon w hom they depended others drawing together on the


fields they ploughed ab le to w i d strong to hold the
, n an

good land of the plain in b ttle under chie fs whose strength ,


a

depended upon them But none can distinguish surely the .

f re f thers o f these most remote fore fathers o f the Celt and


o a

Teuton in whose unlike tempers lay some of the elements


,

from w hich when generations ,fter generations more had a

passed away a Shakespeare w s to come , a .

There was a time w hen w riters w ere content to mis


apply to scientific use the spiritual teaching o f the book o f
E h l
t no o
Genesis T h e nations o f the world traced b ack
.
,

32 5313
h to tNoah
e s Ark w ere classed according to the

, ,

names o f No h s three sons Japheth She m and a



, , ,

H m the father o f C an n into I ap et i (first so called in


a aa ,
c

comp rative l y recent time b y Rask ) Se m itic (first so c lled


a ,
a

by E ichhorn) and Hamite (or C h am i t i c) families The


,
.

descend nts o f Japheth w ere said to have peopled E urope


a ,

a g e t part of Asia and perh ps Ameri ca b y way o f


r a ,
a ,

Behring s Straits To the Semitic languages b elonged



.
THE F OR M I N G OF T HE P E OP L E . I 2
5

Hebrew Ph oenician Syri c d Ar bic w hich still ret in


, , a , an a ,
a

that common name but the Hamite w ere the l n gu ges o f a a

the A frican tri b es Confident in this theory the w hite e


.
,
n

sl ver f the negr someti m es fitted i t c m forta b ly f him


a o o o or

sel f to the te t G d sh ll enlarge J phet h a d he shall



x ,
o a a ,
n

d well in the tents f S hem ; and Canaan sh ll be h i s o a

se vant
r .

Ou r ow place mong the posterity o f J phet h was once


n a a

defi ned also by accept nce o f a few convenient traditions a .

Gomer we read w s the son of J p h eth Ashken the son


, ,
a a ,
az

o f Gomer and A shkena as V e t eg has it


,
z, rs an ,

Accord i ng t o t h e Op i ni o n of su n d ry v er y l ea rn e d and j u d i ci a l
au t hors , w as t h e fa t e r h of T u i s co , h and co n
or T u i sco n , t h e fa t e r
d u ct or of th e G erma ns wh o aft er hi s n am e e v e n u n t o t hi s d ay d o i n
, , , ,

t h ei r ow n t ong u e cal l t h e m s e l v es T u yt s h a n d t h e i r co u n t ry o f G e rm an y , ,

T u yt s h l an d and t h e N e t h e rl a nd s u si n t h e D fo r the T d o m ak e i t
g , ,

D u y t sh a n d D u y t s h l a n d S o m e au t h o rs as nam el y S e bas t i a n M u n
.
, , ,

s t e r d o rep ort t h a t T u i sc o w as t h e s o n o f N oah


, by hi s w i fe Araza o r , ,

Arezi a (o f o t h e rs cal l ed T yt h ea) b o rn aft er t h e F l o o d ; an d t h a t , ,

c o m i n g w i t h h i s p e o p l e o u t o f As i a i n t o E u ro p e b e e x t e n d ed h i s ,

d om i ni on fro m t h e ri v er T an ai s e v en u n t o t h e R h i n e O t h er G erma n .

au t h ors are o f o p i n i on t h a t h e l as t l y m ad e hi s res i d e n ce an d abod e o n

t h e s i d e o f t h e ri v e r R h i n e a t a p l ace w h i c h u n t o t h i s d ay re t a i n e t h t h e
,

n a m e o f D u y t s h s i t u a t e d ri g h t o v er ag a i n s t t h e c i t y o f C u l l i n
, [I ) e u t z ,

O p pos i t e C o l og n e ] B u t n o w w h e t h e r T u i s c o w e re t h e s o n o f N oah
.
, ,

o r t h e s o n o f A s hk en az w h o w as g rand ch i l d u n t o J a h e t h al t h o u g h
, p ,

s o m e d o m ov e qu es t i o n y e t s u re l y w i,t h m o re l i k e l i h o o d o f t ru t h w e

m ay fol l o w t h e o pi n i o n o f s u ch a s afli rm h i m t o h a v e be en t h e g rea t


g ra n d ch i l d o f J a p h e t h a n d t h e ra, t h e r i n r eg a rd o f t h e m i g h t y an d
p o p u l ou s o ffs ri n
p g fo r e t ol d i n H o l y W ri t t o ro c e d f m J a h e t h
p e r o p ,

w h i c h i s v e ry ag ree ab l e u n t o t h e m os t p op u l o u s G erm an na t i o n a c ,

c o u n t i ng a l l m e m bers t h ere o f

.

to the nation b eing c lled by the f reigner Germ an


As a o

or Alman Gar s ys V e s t eg or Ger h in German the


, ,
a r an , , as

same sense as AI ; both German and Alman then is as


Anti qu i t i es , ed . 16 2 8 ,

Vers t ega n s p 9 . .
1 26 E N GL I SH I VR I T ERS .

much s to y All or w hol ly M


a sa The Germ ns o f
,
a an . a

di fferent pr vinces b re di ff rent names


o d some w ere o e , an

S x ns thus c lled s me s id from m


a o , m bec use o f their
a ,
o a ,
xu ,
a

h rd d st ny ture O thers s id they w ere n med from


a an o na . a a

one o f the three princes S xo Bruno d Friso wh o c me , a , , an , a

fro m Indi w ith tro ps o f men to se ve Alexander the Gre t


a o r a

these settling fterw rds in Germ ny f unded Saxony a a a o ,

Bruns w ick d Friesl nd Others s id they w ere S —sons


,
an a . a ac ,

s ns o f the Asi tic S c


o But V e t eg n w sure th t th ey
a a ae . rs a as a

w ere Germ ns wh received their name fr m their use o f


a o o a

w e pon peculi r to themselves c lled the


a a sh ped like , a s ea x ,
a

a scythe just s the Scyths e n med f their good sh ot


,
a ar a or o

ing from the verb y t t hoot What more wa w nted ? sc a zz o s . s a

There were indeed pe ple even in V e st ega time wh o


, ,
o r n s

,

no t c ntent to have the S xons come


o German into a as s

Brit i n will needs bri ng them fro m else where to come



a ,

int Germ ny but f such requirement the good anti


o a o

q u ar
y s id “
This seemeth
a to proceed o f a cert in kind o f a

delight th t some people t ke in deriving d fetching


a a an

things very f off though most commonly upon ve ry little


ar ,

gr un d or show o f cert inty


o a .

We are in our d y nevertheless confident o f success i n a , ,

h ving by comp rison o f l ngu ges brought our ncestors


a a a a a

“u d n
theo
Germans s w ell s the Celts out o f Asia a a ,

2 d m de a w ide spre ding family tre e o f w h t


£ 253 a
rn an a -
a a
y
E r smus R sk grouped s the I ap e t ic but we
a a a ,

n o w call the Indo E urope n l ngu ges John Beca n eve n


-
a a a .
,

in the sixteenth century h d pointed out m any resem b l nces , a a

bet ween Germ n d Indi n words ; but the track o f ea an a r

se rch upon w hich students o f langu ge h ve been active


a a a

during the present century d tes only from b ut a hundred a a o

ye rs go In 78 4 Si Willi m Jones delivered his in u


a a . 1 r a a

gural disc urse s first President of the Asi tic Soc i ety o f
o a a

Beng l n d pointed out that there w s i n Sanskrit t he


a ,
a a ,

s acred lan gu e ndi im ense i e o f in for ma



g of I a m a m n a, n
128 E N GL I SH WR I T E R S .

ste d o f sitting on it he returned to he ven Alth ough the


a a .

incidents e wild even transl tion show s that there is much


ar , a

natural poetry in their expressi n and as much m y be s id o ,


a a

f the other Sanskrit epic This is the Mah bh arata by ”


o . a ,

interpretation the Gre t Battle p etical n rration f a wa a , o a O r

b et w een the Pa d and C f the right to rule i n


n us u ru s or

H s ti p
a Krishna
na inc rn tion of Vishnu figh ting
u ra .
, an a a ,

on the side o f the P d is the her o f the poem The an u s, o .

epic f the Gre t B ttl e c nt ins h undred thousand verses


o a a o a a ,

but there e incorpor ted in it epis des w ritten at differen t


ar a o ,

times by di ff erent uthors th t e i n fact separ te p ems a ,


a ar a o

the Bh g v t Git f ex mple which is but e pos i


a a a a,

or a ,
an x

tion of the l gy O ther notable works have b een written in


o o .

S nsk rit since the S nskrit ceased to be a living l anguage


a a .

S uch are the a book o f f bles which includes ”


H i t Op d e s a a, a ,

nearly l l that are in the ancient collection o f Bidpai and


a

h l a do en d r m s t h ree by K i li d
— ”
af z a S k O t l a t he
a asa, a n a

m st f mous o f th em ; three by Bh b ab h u t i wh o lived in


o a a ,

t h e eighth century .

To Si Willi m Jones S nskrit ppear ed as mine yield


r a ,
a a a

ing only the purest virgin gold The Sanskrit language he .


,

said was more per fect th n the Greek more copious tha n
, a ,

the L tin and more exquisitely refined than either T h e


a ,

mine once struck upon w s worked with energy In 78 4


, , a . 1

an Asi tic Society w s founded In 78 5 Dr Charles


a a . 1 .

Wilkins translated the Bh g v t Gita to w hich he d d e d a a a ,



a

in 78 7 th e H i t p d esa
1 d this w s follo wed t wo ye ars
o a ,

an a

l ter by Si William Jones s tr nsl tion o f the S k6 tal a


a r

a a a n .

S i W illiam himsel f did not reg rd Sanskrit as the p re n t


r a a

langu age of w idely dispersed f mily Believing that Ir n


a -
a . a

or Persi w as the country from which all n ti ns firs t


a a o

migr ted he supposed th t the language of the first Persian


a

, a

empire w s the m other of the S nskrit d consequently o f


a a ,
an

the Zend and Parsee s w ell as o f Greek Latin d ,


a , , an

As i a t i c R esearch es

VO L 6 6
"fl
PP 4 ’ ‘
5 "
T HE F OR M I N G OF THE P E OP L E . r2
9

Si r William
Jones l oked rather to the Persi n than to o a

t h e S nskrit as
a great parent language but the enthusiasm
a

f or the study o f S nsk rit spre d m ng schol rs nd in 8 8


a a a o a , a 1 0

w hen Frederick S chlegel published his work on the L n a

guage n d Wisdom o f the Ind i ns he w s c nsidered to


a a , a o

h ave discovered a e w intellectu l w orld in givi g t h nm a n e co

mon n me of Indo Germanic since ltered to Indo E uro


a — -
a -

pean to the l nguages o f India Persia Greece R me


— a , , , o ,

Germ y that he d cl red to be in br therh od In 8 6


an , e a o o . 1 1

Francis Bopp published his Conjug tions System com



a ,

paring the gramm r o f S nskrit w ith the gr mm rs o f Greek


a a a a

an d L ti Persi n d Germ n and in 8 3 3 ppe red the


a n, a an a 1 a a

first volume o f Bopp s Comp r tive Gr mm o f S nskrit ’


a a a ar a ,

Zend Greek L tin Lithu nian Sl von i c Gothic and


, , a ,
a , a , ,

G erm n The E tymologic l Rese rches f Pr fessor



a . a a o o

Pott w hich ppe red in 8 3 3 n d 8 3 6 contributed ls


, a a 1 a 1 , a o

very greatly to w rds the est blishment of a right system o f


a a

study .

The term Ary n ( y obl e ) is derived from Ary a Or a, n an a,

the supposed p rent country of the pe ple wh o sp ke a o o

S nskrit
a d the n me is considered to be derived from the
, an a

w ord to plough or till sh w ing th t n tion to h ve b n


O r, ,
o a a a ee

a gricultural T w o branches of A y ns e thought to h ve


. r a ar a

migr ted in some f distant prehistoric time one to the


a ,
— ar ,

south east to civilise


-
d even in
, gre t me sure to , an a a a

people Hindost n the ther north west to perform the


, a o ,
-
,

s me services fo E uro pe d Western Asi O f the hist ry


a r an a . o

o f these migr tions S nsk rit itsel f tells us nothing ; the very
a a

name Sanskrit whi ch me ns dorned completed perfect , a a , , ,


is a l ater cre tion o f gr mm rians There is no m enti n


a a a . o

o f any parent count y in the S nskrit bo ks The n mes o f


r a o . a

heroes gods d pl ces e those of Hindost n d more


, , an a ar a , an

especially o f its north w estern p rt -


a .

T he E nglish people in t h e vie w w e have been d i scuss ,

ing belongs to the T t ic bra n ch


,
f the Gothic eu on o
r
3 2 E NGL I S H WR I T E R S .

t he i i nct io n b et wee t he ed di s h hai and l arg e l i m bs o f


d st n r r

t h e Ca l edonia n s an d t h e d a k co m p l e xi o n o f t h e c rly hai e d


, r u -
r

S i l u ri an s Langu ag e is ot a e t est o f rac e t h e langu ag e


. n sur

o f one tri be m a y b e t ak e n b y a oth e r Cel ti c d Teu ton i c n . an

l an gu ag es a e m e m b e rs o f t he sam e g rea t A yan fam il y b t


r r ,
u

t e re s e i de ce t o s ho
h i n v w th t
a a non A y l angu ag t he
an e— -
r

E u s k ri an a ow s po k e n on l y b y t h e Bas q u es
, n w as t on e a

tim e spok en over l a rge e te n t of t h e rea occ p ied by t h e


a x a u

M e la noc hroi in E u ro pe T h e a ea o f t h e l an gu ag e h s . r a

d i m ini sh ed w ith o t a c or e s po n di n g e xt irp ti o n o f t h e pe ople


u r a

wh o s po ke it ; so t ha t the p eo ple o f S pa i n m ust b e i n t h e


pres ent day la rgely E uska ri n Co n is h men are Celtic a , as r .

But i f there w ere E u s ka ria ns in Bri ta in t t h e ti me of the a

R om n conquest t h ey h d a cce pt ed
a ,
s bo th the dark a d a , a n

t he f ir popu l atio n h d ccepted Celtic s pe ec h


a a A ccording
a ,
.

to t his b iologi c l view t h e n me o f Celt i c is not properl y


a , a

applied t t h e Mel nochr ic or dark s tocks of E urope


o a o .

T h ey are merely so to s pe k secondary Cel ts , The p ima y a ,


. r r

and ab rigin l Celtic spe king people e nthochroi the


o a X - — a ar a

typic l Gauls of the ncient w riters and t h e clos e allies by


a a ,

b l od customs d l ngu age o f the Germans


o , ,
an a .

Antiquaries agree o w in ccept ing the doctrine of three n a

p riods o f civilisation a Stone


e — Bron e and an Iron , a z ,

S t o ne ,
period first deduced b y Pro
,
fessor Wo s e o f r aa

{ 121153 531
0 Copenh gen from an ex a mination o f t h e D nish
a ,
a

barro w s From the remains in D ish bogs it


. an ,

a ppears that the ch g es o f clim te have produced three an a

great epochs i n the veget ti n f Denm rk There was a o o a .

f rs t a remote epoch w he
i the spruce fir n ow no l nger a
,
n , o

D nish tree predomin ted Upon this follo wed a epoch


a ,
a . n

o f the o k w hich is
a ,
o w rare A fter the oaks came the
n .

present period of b eeches The D nish co st is b re but . a a a ,

there e great beech forests in the interio r Si Charles


ar . r

L yell cal l e d a t t en t i on also to the evidences o f the three


period s o f ancient h uman civilisation found in the old
THE F P E OP L

OR M I N G OF T HE E .
3

b urial places by Pro fessor Wo saae and others and ot r ,


n

found i n b urial places only .

The earliest o f these periods f civilisation is that in o

w hich men h d not advanced beyond the dev i ce o f t ols


a o

an d w e pons made by chippi g flint


a d other hard stones n an

i to ax es hammers spe r he ds In the second period a


n , , a -
a .

met l easily recognised and fused copper hardened w ith a


a , ,

tenth part of tin into b ron e w the materi l chosen In z ,


as a .

the third period civilis tio h d dv nced to the use of iron a n a a a ,

w hich is i n its ores less eas i ly disting ishable from stone u ,

and although more use ul less easy o f extr ction


, f — , a an

O pinion which h s been Opposed b y Dr aPercy *


Anti . .

q u a i ers commonl y consider that amon g o urselves the


Teutons at their first coming used iron b ut th t the Celts , a -
,

w h o preceded them used only bron e w eapons and to ls , z o .

O the first comi g o f the Celts into E urope s ys theory


n n ,
a

founded on ancient traditions nd research among the a

tomb s they found coasts and the patches of tolera b ly


, ,

clear land into which men with only fire and flint to aid
the m co u ld have penetrated thinly peopled w ith the r ce ,
a

or r ce s ow know n as the Stone pe ple O f the l


a
“ n o .

an

guage o f this apparently primev l popul tion the B sques a a , a

and the Lap or Finlanders are thought b y m ny to be a a

remainder although it is notice ble th t the Basques e


, a a ar a

freedo m loving active thriving r ce not at l l like the rem


-
, ,
a ,
a

nant o f a savage people in dec y O f th se m st nci nt a . o o a e

occup nts there w s proba b ly as Pro fess r Huxley argues


a a , o ,

a dis ppear nce o f th e lang ge b ut not f the r ce Be


a a ua o a .

that as it may man in his earliest state seems every where to


,

h ve been ignorant o f the u s e of metals ; hunting fishing


a , ,

fighting labouring by help o f instruments chipped and


, ,

ru bb ed out of stone or bone .

F or Sir Ch arl es Ly e l l ’
s v i e w s , s ee his G e o l o g i cal E v i d e nce s of

t h e An t i qu i t y o f Ma n .
i 34 E N GL I SH WR I T E R S .

early ma y h ve b een th t ea rl ie t state U de


H ow a a s n r

neath fallen fi r tree of t he prehis toric Dani sh fi epoc h


a -
r ,

Th S m
e u
d eep u n der g ro wt h o f p ea t tah t see m s t o b e a t a

leas t t he accu m ula tion of four thou san d years a ,

fl int instrument f s h ion ed b y m an s ha d s has b e e n fo u n d



a n .

Si r Ch rles L yell ca lls attention lso t o t h e she ll m o un ds or


a a -

kitchen midd ens on all but the weste n c oas ts o f t h e


-
r

D n i sh Islands mas ses of shells o f eatable fish m ixed wi th


a —
picked b ones th t when ma ro w bones have all bee bro ke n
a ,
r -
, n

for their ma ro w S ch he ps are still made on t h e s e


r . u a a

sh ore n ear their settlements b y s avage tribes o f America and


Au s tr lia These a cient h eaps u pon the D n i sh shore are
a . n a

someti mes feet long and nearly feet w id e 2 00 .


S cattered all through them are flint knives h tchets n d , a ,
a

other instruments o f stone horn w ood an d bone w ith , , , ,

fragments o f coarse potte ry mixed w ith ch rcoal and cinders,


a ,

b ut never any i m plements o f b ron e still less o f iron And z , .


it is ch r cteristic of th em that the shells although of l iving


a a ,

S pecies are not , s they are ow to b e found in t he b rackish


a n

inl nd waters o f the Baltic The oyster shells in such he ps


a .
-
a

were thro w n there w hen the oyster attained its full s i e z

w here it is o w una b le to l ve
n i — when there fore the oce n , , a

h ad freer access and Jutland perhaps w a s a archi pel go


, , ,
n a .

Cockle mussel and peri winkle shells a e also in these


, ,
r ,

h eaps o f their full


, tural si e s th ey w ere dra wn very long
na z ,
a

since from water in which a third of th t si e is o w th e a z n

lim t o f their stunted growth A fe w skulls scri bed t o


i .
,
a

men of thi s S tone ag e fou d in the pe t bogs rese m ble


,
n a ,

those o f the L aplanders .

To the s me period b elong anci ent S wiss L ake d well


a -

ings b u ilt pon piles n d Irish cran n oges Like t h e


u ,
a .

P eo n ia ns o f w hom Herodotus tells and l ike existing sav ges


o ,
a

in Ne w Guinea and else wh ere men o f the St ne period ,


o

sometimes l i ved together fo sel f de fence huts built upon r in

w od n plat forms r is e d s isla ds


o e a l ke connected with
a n in a a ,
i 3 6 E N GL I SH WR I T E R S .

dressed in skins sewn together merely w ith strips o f ski n , ,

pieces of hide serv ing fo shoes Their trinkets as w e find r .


,

them st ill w ere knobs of bone and amber b eads sometimes


, ,

formed int o chains .

These people did t burn th e bodies o f their dead no .

Burial was in w hat are o w c lled cromlechs (hunch n a

C ml h
ro ec
and it h s been w ell suggested b y Mr Thoms
s.
a .

th t the w ord cromlech should be confined to a

the buri l pl ce f the S tone period A complete cromlech


a -
a o .

is then slig htly elevated mound of e r th surrounded at


, , a a ,

its b se by number of upright stones and h ving a


a a ,
a

ch mber or sev eral ch mbers formed of large stones on its


a a

s mmit S uch buri l pl ces bound on t h e eastern co sts


u . a -
a a a

o f J tl nd u S lesviga d Holstein ; on t h e north and w est


, ,
an

co st of Icel nd and on the co sts o f F i hn e They are


a a a

i n .

r re on the west co st of Denm rk


a d still more rare in a a ,
an

the interior But w e must not accept the Danish anti .

q u ar
y s i n ference’
o f the e stern origin o f the S tone people a

fro m the r rity of their rem ins on the west coast o f Den
a a

m rk w ithout remem b ering th t the geologists ccount for


a ,
a a

this by gre t encro chment of th e sea upon those western


a a

shores since men w ere buried i the cromlechs S ingle n .

mounds v ry in length from sixty feet or less to a hundred


a

and t wenty feet or more one is four hundred feet long ;


their usu al breadth is from sixteen to t wenty four feet b ut the -


,

breadth o f the longest is even thirty f rty feet S ome or o .

t imes there is a do b le enclosure of the base with stones u ,

Cr obm -l er/z (as i t w as fo rm erl y w ri t t e n ) s ig n i fi es a c ro o k ed , fla t


s t o ne. H ad i t be e n cr obn -l ecl z (w h i c h i n p ro nu n c i a t i o n
d i ffers l i t t l e o r
no t h i n f ro m ( Obl l l i t w ou l d h a v e s i g n i fi e d a ro u n d
I fl a t s to ne
g

, ,

an d b e en s y no n y m o u s w i t h q u ozt t h e n a m e by w h i c h t h es e e rec t i on s

a re h e re a n d i n s o m e p a rt s o f Wa l e s m o s t c o m m o n l y k n o w n

,
T he , .

La n d s E nd D i s t i c t : i t s A n t i q u i t i es &c

-
r By Ri ch a rd E d m o n d s , .

.

Lo n d o n 18 6 2 Cr ab i n W el s h i s acco rd i ng t o R i ch a rd s s \Ve l s h
,
.
, , ,

D i c t i o na ry a ro u n d h e a p o r h u n c h
,
[l ac/z any b roa d fl a t s t on e , ,

a
g ra v e s t on e , s l a t e , a l i ak e s t o n e .
T HE F OR M I N G OF T HE P E OP L E . I 37

b rough t evi d en tly from a distance O the top o f t he . n

m ounds and sunk in them w ere pl ced the burial ch mbers a a .

Each o f the s e is six or eight feet high and formed o f sever l ,


a

stones rough outside and fl t inside placed close together


,
a , ,

in a circle of from five to seven feet in diameter or in an

oval of from t welve to sixteen feet long the chinks b eing ,

filled up with small stones A great capstone o ften eight .


,

or ten feet wide smooth and fl t on the under side d


, a an

rough above is its roo f The floor of such a tomb is p ved


,
. a

p rtly w ith flat stones d partly w ith small fli nt s th t seem


a an a

t o h ve b een strongly he ted


a E nclosed roo fed approaches
a .

are rare and lead only to the largest cromlechs Gener lly
,
. a

there is an opening bet ween t w o supporting stones its pl ce ,


a

indic ted by t wo flat ston es or a ow of smaller stones along


a r

t h e hillside O riginally covered w ith earth except at t h e


.

t o p many of these cromlech to mbs n ow stand fully exposed


,
-
.

T h e skeletons foun d in the m sho w that a fter a corpse h d ,


a

been deposited the to m b was filled with cl y or e rth d


,
a ,
a an

pebb les in which room h d to be scooped fo the next


, a r

person buried Bodies seem to have b een usually pl ced


. a

in a sitti ng posture in the corners The skeleton o f one .

h s b een foun d k neel i ng in the middle because there w a


a ,
s

n o corner le ft fo r it to sit in The same rrangements e . a ar

found in the s m all round cromlechs consisting usu lly f ,


a o

one ch mber ma de w ith ca p upon five stones The


a a .

th eory th t these remain s are Druid or other lt rs or


a a a ,

places of j u stice is as f fro m f ct as the legend th t


, ar a a

a ccounts for their freque cy in the south east o f Irel nd n -


a .

There they a e called gi nts beds nd said to h ve been


r a

,
a a

made by D iarmai d O D i b h é w hen he ran a w y w ith’


u n ,
a

G i né the wi fe o f Fionn M C u m h i l and being pursue d


ra n

a , ,

b y F i o n for a year and


n d y never slept t w ice in the a a ,

same bed The simple f ct that the gre t stones are


. a a


smooth often smoothed by artifici l splitting ou the inner
— a

si d e b u t rough and unsh ped outside sho ws that they


,
a ,
1
3 8 E N GL I SH WR I T E R S .

w ere n o m ore des i gn ed fo altars than fo b ed s St I l t u t s r r . .


H ermi tag e i n Breckn oc ks hire Arthu r s S t o e i n Glamo rgan ,



n

s h ire t h e Cro ml ec hs o f An gl es ey the Q oi t s o f C o rn wal l


, ,
u ,

Wayl an d Sm ith s Cave at As hbu y B e rks ’


d K i t s Cot y r , ,
an

H ou s e on Bl u e Bell H il l ear Roch est e are fam i liar ,


n r,

exa m pl es of thes e a ci en t b ria l p la ces n u -


.

The b urial plac es o f the B on e pe ri od e bar ows


-
r z ar r .

T h e have no s tone cha mbe s b u t c o ns i st m ere ly o f ea rt h


v r ,

wi th hea ps o f sm ll sto es The m a k e s o f the e a n . r s


T h B m
e ra

232
4 B .
ba ro ws b u nt their de d
ar r enclosed t h e as h es i
r a n

v ess els of clay within meta l or s m ll s to e c ys ts a n

a b o u t a foo t long pla ced these in the mou n d b t i n o defi ed ,


u n n

part of it ; and covered all with stones and earth A fe w .

o f the s e more recent b arro ws w ere for m ed over cro m l ec h s ,

to save l bour the u rns being bu ied at t h e side Arm s


a ,
r .

and o rn aments o f the dead w ere some t i m es pla ced among


the em bers of his funeral pile ; these w er e t he c overed n

with stones n d the barro w w ith t h e u


, a i n it was pl a ce d rn

over that S ometimes burnt bones not enclosed in an u rn


.
, ,

but s rro u nded w ith sm ll stones are found t the edge o f


u a , a

a f mily b ro w Sometimes a ciner ry


a ar . h as bee n a u rn

c heaply and ca relessl y inte red witho t r ising a barro w r u a

over it .

These Bron e p eople who burnt their de d e s id to


z , a ,
ar a

b e the Celts in th is country the ancient G el d Cym ry


, a an ,

w ith some o f whom there may have co m e over certain a

number o f the more ancient and less civilised people o f the


m i l nd or w h o found E ngland like t he rest o f Europ e
a n a , ,

thinly peopled w ith that e rlier race o f w hich the stones a

they shaped are all the tr ces that remain The men wh o a .

used b ron e or cop per hardened w ith a slight mi ture of


z , x

tin made axe s of the shape still common picks sickles


, , ,

( th a t s uggest corn gro w ing ) celts (from the L a tin


-
l t ir a ,
ce z ,

chisel ) which are chi s el or axe heads hollo wed to receive


,
-

t h ei r woo d en h andle s and sometimes provided w ith an ear ,


140 E N GL I SH WR I T E R S .

in bracelets finger rings d even in some little cups bout


, ,
an a

four inches high a d seven w ide acr ss the mouth w hich n o ,

may possi bly have been a luxuri us form o f ciner ry urn o a

f
or th se whose heirs would not grudge burying their shes
o a

in t heir gold .

The Bron e period was fol l o wed by th t o f men w ho had


z a

le rnt to extr ct iron fr m its stone like ore The pe pl e


a a o -
. o

T h m“
e o f this period d i d t burn their de d Their no a .

P ” d
e ° °

b rrow s o ften o f ex ggerated si e


a e more
,
a z , ar

rare and some o f them cont in w ooded sepulchr l ch m


, a a a

bers The iron s w ords e larger th n the swords o f bron e


. ar a z ,

have gu rded hilts d e not usu lly t wo edged There


a ,
an ar a -
.

is in this period less d e l i v o f ornament l w rk and to ca c a o , ,

gether w ith the use f iron appears fo the first time o ,


r

evidence o f the use o f silver .

These men of the Iron peri d were the a fter coming o -

Teutons But w hence came the Celts fr m w hom we have


.
, o

the tr ces o f n Age o f Bron e d w ho b eg n the peo


a a z ,
an a

pling o f this co ntry w ith o ff shoots of the Ind E uropean


u o -

f mily f Man ?
a o Says one O t o f Cimmeri n darkness ; , u a

s ys nother O t o f Hyper b ore n l i ght


a a , u a .

L et us t ke first theory which is b sed lt gether upon


a a a a o

fabulous tr ditions not bec use it cont ins


a y historic
,
l a a an a

f ct but beca use its tr ditions enter int


a our a o
We re t h e
,

L iter ture d Rome c red fo En e E g ’


E gg
l
gz fpi er r I
a an , as a a s, n
r t
l nd m y c re fo a f ble o f the British maid s
a a a r a

w h o first taught t the ancient Greek s the w rsh i p o f Apollo


o o .

There has been g od Celtic sch l r J hn Willi msa o o a ,


o a ,

Archde con o f C rdig n wh o argued th t this theory


a a a ,
a ,

w hich m de the Celts Hyperbore ns is true


a d f unded a , an o

u pon f ct It sets out with p ss ge quoted by D i od o u


a . a a a r s

S i l s from H eca t aeu the Milesi an o f w hose w orks frag


cu u s ,

ments lone remain H e at ae took p rt in the revolt of the


a . c us a

Ioni ns from D rius about the year 5 B C An inquisitive


a a 00 . .

traveller he knew wh t w k no wn amon g the Ionia s o f


,
a as n ,
T HE F OR M I N G OR T HE P E OP L E . 14 1

w hose n u mber the Phocaea ns had established a commerce


w ith T art e s su s and S outhern S pain A ga t h on i u s a long . r n ,

lived king o f T art essu s was an especial friend o f the ,

Phocae ns What there fore wa know n in S pain might


a .
, ,
s

b ecome kno wn to H e at ae s With this pre f ce Arch c u . a

deacon William s requoted from H ecat aeu s this re m arka ble


pas sage as given by D i od oru s the Sicilian
,

N ow , a ft e r d e scri bi ng
t h e p a rt s o f As i a l i ng n o rt w ar , w e t i n y h d h k
i t n o t i n ap p rop ri a t e t o n a rra t e t h e m t o l og i cal s t ori e s con cern i ng t h eyh
H ype rborea ns . H ecat ae u s , h e r a u t h o rs o f anci en t m y t ho
an d s o m e o t

l og y say t ha t i n
, t h e reg i o ns o v er ag a i n s t C e l t i ca t h e re i s i n t h e o ce a n ,

'

a n i s l and , n o t s m al l e r t h an S i c i l y ; t h a t t h i s i s l an d i s s i t u a t e d b el o w

t h e c o n s t e l l at i o n o f t h e Bea rs a n d t h a t i t i s i nh abi t e d by m en ca l l ed
,

H yp e rbo reans becau se t h ey a re p l aced beyon d t h e bl as t o f Bo reas


, .

Th ey ad d t h at t h e l and be i ng fe rt i l e and p ro d u c i ng e v e ry th i ng a cces


, ,

sary an d e nj oy i n
, g a fi n e t e m p e ra t u r e b ear s t w
, o c ro s i n t h e y ea r
p .

No w t h ey m y t h ol og i cal l y s t a t e t h a t Lat o n a w as bo rn t h e re an d t h a t
, , ,

o n t h a t acc ou n t A oll o i s h ono u re d b y t h e m abo v e a l l o t h e r o d s t h t


p
, g a

a m o ng t h e m t h e re are s o m e m en ri e s t s as i t w e re o f A p o l l o a n d t h a t
p , , ,

c on s e q u en t l y h e i s d a i l y an d co n t i n u o u s l y hy m ne d b y t h e m w i t h l y ri c
,

s o n g s and e x ce e d i n l y h o n ou re d t h a t t h e re i s a l s o i n t h e i s l a n d b o t h
, g
a c o n sec rat e d re c i n t f t m i fi c e n ce an d a t e m p l e o f co rre
p c o g re a a g n ,

s po n d i n
g b ea u t y a d o
, rn e d w i t h n u m e r o u s d e d i c a t e d g i ft s a n d i n s h a e
p ,

s ph e ri ca l ; t h a t t h e re i s a l s o a c i t y s acre d t o t h e o d a n d t ha t t h e
g ,

m aj o r i t y o f i t s i n h abi t an t s a re h arp e rs a n d t h at t h es e co n t i n u o u s l y
, ,

h arp i ng i n t h e t em p l e s i ng l y ri cal l y hy m ns t o t h e g od an d g reat l y


, , , ,

m ag n i fy h i s d e ed s Th ey al so s t at e t h at t he H yp e rb o re a ns h a v e a
.

pecu l i ar d i al ect an d are v e ry k i n d l y d i s po se d t o t h e H e l l e n e s a n d


, ,

e s pe c i a l l y t o t h e A t h e n i an s an d D e l i a n s a n d t h at t h e y h a v e i n h e ri t e d
,

t h i s fri e nd l y fe e l i ng fro m anci e n t t i m e s Th ey a l so say t hat s o m e o f


.

t h e H e l l e n es h a v e pas se d o v er t o t h e Hy pe rbo reans an d h a v e l e ft t h ere ,

p r ec i o u s d e d i c a t e d g i ft s b e a ri n g H , e l l e n i c i n sc r i p t i o n s ; t h a t i n t h e

sa m e m a n ner A ba ri s i n a fo rm er ag e h ad p as se d i n t o H e l l as a n d
, , ,

re n e w e d w i t h t h e D e li an s t h e b o n d o f fri e n d s h i a n d c o ns ang u i n i t y
p .

Th ey a l so say t h at th e m o on fro m t h i s i s l and ap pea rs t o b e n o t far


d i s tant fro m t h e eart h a nd c l ea rl y sh o w s ce rtai n e art h l y em i nence s
, .

I t i s a l so sa i d t h a t e v e ry n i n et e en t h y ear t h e g od d es cend s i n t o t h i s
i s l an d . Now e ve ry n i n e t een t h y e ar ce rt ai n ret u rn s o f t h e s t a rs t o fi xed
,

p o s i t i on s t ak e p l a c e a n d o,n t h i s acc ou n t a p e ri od o f n i ne t e e n y ears i s


142 E N GL I SH WR I T E R S .

ca ll e d by the H e l l e n es th e g rea t year ; t h at w h e n t h e g od m ak es h is


p e r i o d i cal a
pp e ara nce h e b o t h p l a ys t,h e h a r p a n d d an c e s d u ri n g t h e

n i g h t fro m t h e v e rn a l e q u i nox t o t h e ri s i n f t h P l i d t k i e a t
, g o e e a e s a n gg r ,

d e l i gh t i n h i s ow n s u ccessfu l effort s .

If th t in formation said the Archdeacon was derived


a , ,

from Phoc ns w h o frequented t h e court of A g t h o i s


aea r an n u ,

it is evident th t these Hyperbore ns w ere the occupants of


a a

Great Britain w hich is so accur tely described in the above


,
a

p ss ge th t one of the earliest editors o f Di od oru s could


a a , a

not re fr in in his index from w riting See whether this


a , ,

c nnot b e applied to Angl i a


a D i od oru s hi m sel f did not .

consider th t this passage re ferred to Brit in yet ; w hen he


a a

c mes to describe our isl nd his cc ount coincides it is


o a , a ,

observed curiously in sever l p rticul rs w ith the d es ri p


,
a a a c

tion Of the isl nd occupied by the Hyperbore ns a a

H e re fe w p o i n t s i n w h i ch t h e h i s t o ri a n D i od o ru s ag ree s w i t h
a re a

t h e a n c i e n t M y t h o l o g i s t (bo o k v ) .


F or o v er a g ai n s t t h e Paro ce an i c G al at i a t h ere are i n t h e oc ean
m any i s l a n d s , of h h
w ic on e , b e i ng al s o t h e g reat e s t , i s c al l e d Bre t

t an i ca .


C o m pare the i s l an d of M y t h o l og y, ‘
an i sl a n d o ff th e coas t of

C e l t i ca , i n th e ocean .

Ag a i n , t h e i sl an d b e i ng t ri a ng u l ar, s om et h i ng l i k e S i ci l y , h as
i t s s i d es qu al l y l o ng ’
no t e .

“ C o m are t h i s w i t h h e ex re s s i n h i

p t p o n o t l e ss t a n S c i l y , .

Ag ai n t h e H y pe rborean i s l an d w as u n d e r t h e B ear

, .

C o m pare Bri t an n i a s p os i t i on as i t i s si tu at e d u nd er t he Bears



, .

A g ai n t h e H y p e rbo rea ns fro m t h e H o m e ri c t i m es d o w n w a rd


, , ,

w e re d es cri be d as u n d i s t u rbe d by w a rs n on e of t h e i r ne i g h bo u rs e v er

m o l e s t ed t h em w i t h t h e s w o rd .

C om pa re w i t h t h i s t he fol l o wi ng p assag e fro m th e h i s to ry T he


i s l an d i n an ci ent t i m es w a s n ev er t rou bl ed by a fo rei g n m i l i t ary p o w e r .

F o r w e h a ve n o t h e a rd t h a t D i on ys u s n o r H e rac l es n o r an y o t h e r h ero ,

o r p ri n ce m ad e w a r a ai n s t i t

, g .

Ag a i n t h e H y p e rbo rean s are d escri be d as i n n o cen t p ros perou s


, , ,

p eace ful.

C o m pare th i s d escri p t i on wi t h t h e fo l l o wi ng accou n t o f the i a


h abi t an t s of B re t t an i ca ‘
I t is sai d t h at a bo ri g i nal races i n h a bi t
1 44 E N GL I SH I VR I T ERS .

th t were he on y disputed f ct to pr cure the testimon y


a , an a o

o f one eye w itness it w s s fli i e t to outweigh l l that


-
,
a u c n a

poets might im gine or mythologists enigm ti cally suggest


a a

an d Herod t s did t believe in the existence of Hyper


o u no

b e an s
or His inquiries it is rgued proved only that there
.
,
a ,

w as no such people in the more northern p rts of Asia or a

E urope ; but o f Western E urope he con fessed that he kne w


little Now concer ing the w este rn extremities o f E urope
. n

I h ve n ccur te acc unt t give and his own state


a o a a o o

f Delian report should h ve led him to loo k for


o a a

t h e Hyperboreans w est w rd a .

B u t t h e D e l i an s s ay bou t t h e H y p e rborean s as t he y
m u c h m o re a ,

s ay t h a t s a c re d
g i ft s b ou n d u p ,
i n w h ea t e n s t raw a re reg u l a rl y con ,

v e e d t o t h e S cy t h i a n s
y an d t h a t t h e,
n e i g h b o u rs o f t h e s e rec e i v i n
g ,

t h e m i n s u cc e s s i o n co n v ey t h e m t o t h e H a d ri a t i c t h e fu rt h es t s t a t i o n
, ,

fro m t h e W es t ; t h a t t h e n ce b e i ng con v ey ed s ou t h w ard t h ey a re


, ,

esco rt e d u n t i l t h e D o d o n aea n s fi rs t o f H e l l e nes rece i v e t h e m ; t h a t


, ,

f ro m t h e m t h e y d e s ce n d t o t h e M a l as a n G u l f a nd c ross o v e r i n t o ,

E u b oea a n d t h e n t h at ci t y s e n d s t h e m t o an o t h e r c i t y u n t i l t h ey re ac h

C a rys t u s ; b u t t h e C a rys t i an s p as s i ng by A nd ros co nv ey th e m t o


, ,

T e n os a nd t h e T e n i a ns t o D e l os Tha t i n earl i e r t i m e s t h e H yp e r
, .

b o re a n s s e n t t w o v i rg i n s t o b ea r t h e s ac re d o ff e ri n g s Th es e t h e .

D e l i an s n a m e H yp e ro ch e a n d La od i ce ; a nd t h a t as a n e sco rt t h e y
s en t w i t h t h e m fi v e o f t he i r c i t i z e n s w h o m t h e y n o w c a l l Pe r h ere e s
p , ,

w h o h a v e g re a t h o n o u rs a t D e l os ; b u t t h a t w h e n t h e m e n t h u s s e n t ,

fo rt h ne v e r re t u rn ed back t h e H y p e rbo rea ns re g a rd i ng i t as a g rea t


, ,

e v i l t h a t i t s h ou l d al w ay s b e t h e i r l o t ne v e r t o re ce i v e b ack t h e m e n

d e pu t e d con v eyed on t h is accou n t t h e s ac re d g i ft s bo u nd i n w h ea t e n


, ,

s t ra w t o t h e i r n e x t n e i g h b ou rs w i t h i nj u n c t i o n s t o e sc o rt t h e m fro m
, ,

t h e i r o w n t o a n o t h e r na t i on an d t h e y s ay t h a t t h e o ffe ri ng s t h u s
, ,

e s co rt e d re a c h e d D e l o s

, .

The l ter Greek auth rs except C llimachus greed


a o ,
a ,
a

w i th Hero d tus i denying the existence o f a n tion o f


o n a

Hype bore ns or pl ced them in a Ut pi w i t hin the rctic


r a ,
a o a a

circle Ze lous f the h nour of the ancient Brit ns Arch


. a or o o ,

L ib i v . . ca p . 32 .
T HE F OR M I N G OF THE P E OP L E . 145

deacon Wi l l i a m s wh o wou l d
connect a hierarchy o f Druids

w ith the w orship o f Apollo and o f course could see o ly , n

S tonehenge in t h e consecrated precinct o f great m gni



a

fi c e n e and c temple f corresponding b eauty i shape


,
a o , n

spheric l quoted fu rther from Her dotus the Delian tr di


— a o a

ti n that Arge and O pis ca me to Delos from the Hyper


o ,

b o ean s b e fore H ype o h e


r d L odice ; that they ca me
r c an a

w ith the deities themsel es d th t their names w ere v , an a

invoked by n tions in an ancient hymn composed fo them


a r

b y Olen d L ycian w h o lived long be f re O rpheus


an , o .

Gree k te m ple tr ditions are next quoted from P us ni s


a a a a

( A .D . Priests o f the O lympi n Jupiter in E lis said a , ,

th t the w ild olive wa b rought by Heracles from the


a s

Hyperborean la nd According to tr dition of the pr i ests


. a a

o f Delphi the oracle o f Apollo in Delphi was est blished


, a

by H yperb reans and by Olen wh o was the first prophet


o ,

o f Ph oebus H ving argued thus f r an ncient connection


. a o a

o f the Hyper b ore an s w ith the religio u s creed o f Greece

be fore Hesiod and Hom er had invented the theogony o f


the Hellenes the Archdeacon quoted from fr gme nt o f
, a a

S teph nus o f By zantiu m a p assage stating that Pel m i ss s


a u ,

wh o w ent to C ari a w here the temple of t he P e l m i s i n


, s a

Apollo n ow ex ists was from the Hyperboreans N o w Pel


,

.

missus is at this day fam ous fo r Cyclopean ruins .

Through such reason ing the conclusion i s reached th t , a

the people ca lled Hyperbore ns inh bited the south w est o f a a -

S pain G ul w est o f the Alps and the island o f Gre t


,
a , a

Brit in th t they were prosperous and c ivilised th t th re


a a a e

w as commerce and sympathy bet w een priests o f S tonehenge


a n d those o f Delph i that prehistoric Britons w ere i n f ct , a ,

Titan Celts clo sely allied t the Pelasgians of ncient


,
o a

Greece ; and that these people migrated by water r t her a

th n b y l n d from Central Asia So the young nations


a a .

have also thei r n u rsery lore and s u ggestive fab le ble nds ,

with the dim shapings of a p st that lies b eyond the memory a


146 E N GL I S I I WR I T E R S .

of man This might b ecome inter woven with other legends


.

o f the sh ping o f our people


a d there is happy u se made , an

o f it b y Milton in his L atin verses to Count Manso .

Though still on dou b tful gro u nd w e are at least endea ,

v ou ri g to recover by the w ay of fair hist rical inq u iry some


n o

traces of the remote past of the Celts w hen w e inquire i to ,


n

the possi b le relation b et ween them and a people kno wn to


the Greeks as Cimmerians .

That the Welsh Cy m ry e descended fro m the ol d ar

Cimmeri ns while Scyth and S cot Gaul d Gael are


a , , an ,

W e re h t
related
e
names is an opinion w idely held W hat , .

may perhaps b e at present regarded as the


strongest theory on this subj ect is to be foun d
in the first E ss y appended to the Fourth Book of the a

a nnotated tr nsl tion o f Herodotus by Pro fessor George


a a

R wlinso to which Si Henry Rawlinson d Si r J Gardner


a n, r an .

Wilkinson contributed their notes Bet ween the years .

8 00 -6 the C i m m e i i G i m i i or G o m e i m w ere po werful


00 r , r , r ,

s ys this authority in Western Asi and Eastern E urope


a , a .

Herodotus is confirm ed as to that f ct b y Homer E s h yl s a ,


c u ,

C al l i s Aristotle
nu , d b y rem ining n ames o f places , T he
an a .

Cimm eri ns of H om er] d welt at the farthest limit of the


a
“ L

ocean stream immersed in darkness nd beyond the ken o f


,
a

the light giving su — a v gue geographical expressio n


-
n a ,

which m y o r m y not have meant some p rt of the northern


'

a a a

coast of the Black S e There cert inly E schyl u s r h as a . a I


placed Cimmeria s neigh bour to the S ea of A ov and t h e ,


a z

Bosphorus In the seventh and eighth centuries B C there


. . .

w ere Greek colonists upon the northern co st of the Black a

S ea from w hom trust worthy in formation might be h d The a .

poet C l l i u s spe ks of a Cimmerian invas ion that there


a ii a ,

H e ro d o t u s (Lo nd on v ol

1" R aw l i n s o n s , . i i i pp. . 1 83 - 1 9 1 .
“ O d sse y y xi. 1 3 -2 2 .
.

x P ro m e t h e u s Bo u n d . 8
74 7 5 0
-
. S ee al s o S t rabo , Vi i . 0
3 9.
Fragm en t of Gal li a ns , 2.
148 E NGL I SH WR I T E R S .

w ent w st B C 6 5 6 w h i ther did th y go ? Herodotus


e . . 0 -
0 0, e

k e w only in Central
n d Western E urope o f the Si gyn es
,
an ,
n ,

the C y et i ns d t he Celts The Sigy es and C y et i ns


n a ,
an . nn n a

s on dis ppe r and could s carcely be the great nation o f


o a a ,

the C i m m e i i which until driven from the Ukraine by t h e


r , ,

f rce of the Scythi n torrent w as w ont to extend its rav ges


o a ,
a

o ver l rge tr cts of Asia Minor We can only find th em


a a .

a mong the Celts wh h d an unv rying tr dition th t they ,


o a a a a

came fr m the E st d o f whom one division bears the


o a , an

speci l n me o f Cymry
a a .

C lts cc rding to this uth rity w ere the primitive


e ,
a o a o ,

inh bi t nts f Gaul Belgium and Brit in possi bly lso o f


a a o , ,
a ,
a

Sp i n a d Portug l anIn Spain Belgium d N rth G ul a .


, ,
an o a

the Celts w ere Cimbri In Brit in Cimbric Celts occupied . a

the south co st at the time of C aes r s l nding E ven i f s


a a

a .
,
a

I believe the Belgae in South Brit in w ere o f Germanic


,
a

r ce it was in Brit in
a ,
in Gaul the Celts w hom they dis a as

pl ced Pressed upon by the Gothic or Teutonic r ce


a . a ,

they h ve formed the b sis o f the population in sever l large


a a a

E ur pe n countries
o The name f the C i m m e ii
a d . o r an

Cimbri is w shared by the Cymry f C m b ria w ith the


no o a

Crim T rt rs f the Crime w h ich i s a portion of their


a a o a,

a ncient home .

It is prob ble this theory g es on to suggest th t the


a , o ,
a

Cimmeri ns found w hen driven w est w rd w ste land u


a ,
a ,
a n

inhabited or thinly peopled by T rt r M ngoli n r ce


, a a a or o a a ,

w hich w s bs rbed c using T rt r d m ixture w ith the


a a o ,
a a a a a

Celtic bl d or w hen not bs rbed w driven t the


oo , , a o , as o

north w here it is n ow represented by Finns E st h


, d , s, an

L pps Such m y h ve been the S p nis h Iberi s f re


a . a a a an ,
o

f thers O f the peculi r people f the B sque The C y mry w re


a a o a . e

first spre d ver centr l E ur pe by the force o f Scythi ns


a o a o a

from behind It is most likely to h ve been the impulse o f


. a

the G ths and other Teutons by which they were d i e o n


o i v n

t
o G u l and S p in and Brit in The pre ure o f l beri n s
a ,
a , a . ss a
T HE F OR M I N G OF T HE P E OP L E . 149

c used further m i gr ti n of Celts cross the Pyrenee s to


a a o a

their o w kinsmen in G ul Thence w nt f sp ce forced


n a . a o a

m ny across the Alps to found e w settlements in It ly a d


a n a n

Hung ry Next follo wed a per i od o f rest d p use in the


a . an a

movem ent ; but a century l ter bout the year B C 8 a ,


a . . 2 0,

hordes of G uls from these regi ns entered Maced ni n d


a o o a, a

thre tened Greece Repulsed from Delphi they went


a .
,

northw rd inv ded Asia Minor a d w hen other grou d


a ,
a , n ,
n

w s reconquered from them still d welt in the heart


a f ,
o

Ph ygi giving the n me Gal tia to its norther p rt


r a,

a a n a .

At this time also they retali ted on the Scythi ns inter a a ,


.

mixed w ith them f rming C el t Scythi ns d dv nced


, o o- a , an a a as

far as their old home in the Crime w hence th y w re a, e e

ag in driven b y the progress of S rm tic tribes w hich then


a a a ,

com menced Forced alo g the valley o f the D nube t here


. n a ,

they left their traces in the n mes W ll chi and G lici a a a a a a,

b ut themsel es finally s nk under the nt g nism o f more


v a a a o

pow erful nations From E stern n d Centr l E urope Celts


. a a a

h ve disappe red In Northern Italy in Fr nce w here


a a .
,
a ,

t heir l nguage is yet to b e he rd in Britt ny n d mong our


a a a ,
a a

selves in Corn w ll W les the Scottish Highlands a , d a , , an

Irel nd their traces a e distinct In many parts o f W les


a ,
r . a ,

North S cotland and Ireland the population is lmost


,
a

purely and entirely Celtic .

The w hole body then of the Celtic Briton s cert inly did
, ,
a

not consist of mere n ked b rb rians From the remotest a a a .

period to w hich w e can look back there seem T h C el tic e

t have been m ore races th n one in cc p tion


B i m“ r
o a o u a

f our islands That Herodotus prob bly m eant by the


o . a

C as s i t e i d e or Tin Isl nds the same Brit in which Aristotle


r s, a , a

w s the first to name t w isl nds which e very large



a as o a ,
ar ,

Al bion and Ierne c ll d the Britannic which lie be yond , a e ,

the C el t m ; that Polybius writing 5 C descri b es the ,


1 0 B . .
,

m ethod o f o b t aining d pre p ring tin i n the Brit nnic an a a

Isles ; that the Phoenicians tr ding from their port of , a


150 E N GL I SH WR I T E R S .

Gades ( ow Cadi ) obtained tin from Cornwall and the


n z ,

S cilly Islands keeping t h e source o f this com m erce so close


,

a secret th t as S tr bo tells a Ph oenician captain follow ed


a , a , ,

and watched by Roman vessels n his ship sh re rather ,


ra a o

than lead to the b etr yal f t h e mystery that the Ph oenician a o

tr de w s tr cked early in Julius C aes r s time by P blius


a a a a

u

Cr ssus are the familiar d almost the only details of


a— an

w ritten British hist ry be fore C aes r s inv sion The tenth ’


o a a .

p rt o f tin in t h bron e used alm st throughout E urope in


a e z o

the Bron e period m y have come chiefly from Corn wall


z a .

Advoc tes f very high previous civilis tion in t least


a o a a a

s me p rt of Brit in ascribe it occ si nally to the influence


o a a a o

o f supposed Ph oenici n settlements a .

But in C aes r s account o f Brit in w e find the race o f


a

a

the Belgae wh o he s ys w ere chiefly sprung from the


, ,
a ,

Th B le e
Germ
g as
ns most po w er ful of all the nations w est
a ,
*

o f the Rhine in occupation o f the co ast o f G ul


.

, a

opposite South e stern Brit in and evidently in occu pation


-
a a ,

als of our o w south eastern coasts C aesar notes that in


o n -
.

l nguage customs form o f houses n mes of to wns t he


a , , ,
a ,

S outh Britons greed w ith the opposite G uls that D i i t i


a a v

acus king f the S e s one s tri b e of Belg was the most


, o u s
,
a as ,

power f l in G ul and h d empire even in Britain ; that


u a , a

there w one n m e l C i g t o i fo a king o f Belgas on


as a a s o, n e r x, r

the Moselle a d f a king in Kent C aes r spe ks by


n or . a a

report o f the Northern or Cel t ic Britons s a p stor l people a a a

dressed in skins ; but the men o f S uth Britain w h con o o

tended w ith h i m lthough in Rom n phrase b rbari ns ,


a a a a ,

h d k o w ledge to give to the youths o f Gaul and used


a n ,

Greek letters in c nveying it ; h ad commerce lso accord o a ,

Sic re pe ri e b a t p l e ros q u e Be l g a s ess e ort os a G erma n i s R h e n u mq u e ,

ant i q u it u s t rad u c t o s , p ro p t e r l o c i fe rt i l i ta t e m i b i c on s ed i s s e . G al l o s q u e q u i
ea l oca i n co l e ren t e x p u l i s se .

De B G . ii 4
. . Tac i t u s , w ho n o t es t he s a m e
t h i ng . s p e ak s al s o of the l a ng u ag e o f t he I E stu i , a G e rm a n t ri b e . as

L i n g u a Bri t anni ca p rO p i o r (M or G e rm . .
15 2 EN GL I SH WR I T E R S .

n turally have b een given to them b y the Celtic tribes


a ,

w hom quitting the Rhine


, n d conquering their w ay long a a

the coast they disl dged from the north eastern sh ore o f
, o -

Fr n ce Opposite Brit in and drove b eyond the S ein e or


a , a ,

forced cross the Channel


a .

It is usual to think C aesar wrong in giving a Germ an


origin to the Belgas whom he pl ces opposite to our south ,
a

eastern shores on the co st east o f the Sein e in part o f


,
a ,

Norm ndy in Pic rdy Fl nders d the modern Belgium


a , a , a ,
an

and Holland Yet C aesar shre wd and travelled had per


.
, ,

so l k no wledge of the di fference he records b et ween the


na

people of the three divisions o f Gaul ; Belgic Celtic and , ,

Aquit nian The Aquitanians b ordered on Spain S trab o


a . .

s ys th t in langu ge and appearance they resembled


'

a a a

S p ni rds rather th an the other G au l s


a a They ppe r in .
l
= =
a a ,

f ct to h ve been Gaels
a , a the I b erian or Spanish Celts , as

w ere Only so could they di ffer in langu age fro m the


.

Cymry f Celtic Gaul s w ell s from the Belg as by whom


o ,
a a ,

some o f the Cymry o f the c st had b een cast out o f their oa

p ssessions That th ey did so d i fler is I think m de cer


o .
'

, ,
a

t in when of the people o f the three divisions C aesar em


a

phatic lly says that these al l differ in l nguage customs


a

a , ,

and law s 1 For although Cymric and Gaelic are both


.
” ’

Celtic languages they are as much unlike each other as ,

D ish d German The rel tionship is mani fest in their


an an . a

voc bul ries while the d i fl e en e is m rked not in the


a a ,
'

r c a

v cabularies only b ut still more in the i nfle i o s and


o ,
x n

distinctive char cters a .

I thi nk C ae sar was right in this matter There can b e .

Th G l
e
little
ae s
dou b t th t the first Celts w ho c me to a a

Britain w ere the G els and that they settled in


.

a ,

Irel nd and the West o f E ngland Irish and Sp nish


a . a

histories nd traditions agree in asserting that the Irish


a

Gael c me from S p in The l d history ascri b ed to N n i u s


a a . o en


i

L ib iv . . 1 -2 . 1

D e Bel l o G al li co , . I .
THE F OR M I N G OR T HE P E OP L E . 1 53

distinctly st tes this From Irel nd t h e G el cr ssed t


a . a a o o

the Western Isl nds and Highl nds o f S cotl nd ; d he a a a an

crossed also into Wal s Welsh sch l rs h ve t l l times e . o a a a a

o bserved traces of previous G elic occup tion of their a a a

l nd They were observed in the last centu y by E dw rd


a . r a

L h yd and more recently demonstr ted by the Rev B sil


u ,
a . a

Jones in his b ook on Vestiges o f the G el in G wynedd or a ,


North Wales O e vestige for ex mpl e is the const nt use


. n ,
a ,
a

by the Rom ns o f isc “ — “ Isc S i l u u m & fo river


a — a a r ,
c . r

or water in the West o f E ngl nd the w ord being the G elic a ,


a

w hich is not Cymric at ll and still s rvives in the



u i s ge ,
a ,
u

E e n d E sk
x a E ven the tradition f the common people
. o

in North W les sserts th t the origin l inh b it nts w ere


a a a a a a

G wyt h el i a s or Irish The cr mlechs e sometimes c lled


n . o ar a

Irish cots d the foxes ,d polecats


an re s id to be an a a

descended from the Irish dogs and c ts a .

Tacitus says th t the Silures pe ple f W les d a ,


or o o a ,
an

the B i g t es ] or pe ple o f the North o f E ngl nd (occupy


r an ,
L
o a

ing Lancashire Yorkshire Westmorel d Cumberlan d d , ,


an , ,
an

Northumberland ) in his time resem bled the pe ple o f Sp in ,


o a

more than they did the other Gauls in langu ge d ppe r a an a a

ance The tribes on the opposit or e stern c ast of Irel nd


. e a o a

were called also Brig ntes d the province o f G ll i i in a ,


an a c a,

Spain w here the G all i ego di lect is s id t cont in many


,
a a o a

traces o f Gaelic h s to this d y the n me o f B ig ntin ,


a a a r a a .

A gl nce at the m p s ho ws th t Gaels cro sing t h


a from a a , s e s ea

S pain w ould in f ct strike most


,
turally upon Irel nd anda na a

our western shore Be fore the coming o f the C ymry these .

Gaels w ere thinly scattered over Engl d bet w een shore d an an

shore Their nami g of pl ces sh w s this Thus p or


. n a o .
,
en ,


V i t Agri c . ii . .

1
'
Bri g an t e s a n d S i l u re s s e em t o have b ee n n a m es a d o p t e d b y t h e R om an s
fro m C m ri c y au t hori t y t ho s e , q u i e t in W a l es b e i ng ca l l e d m en o f t h e sy l
(pl i y l u r) or
. s oi l , t h os e i n t h e N o rt h of E ng l an d , w h o b a t tl ed a g a i ns t the

g ra d ual p rocess o f e xp u l s i o n . b e i ng k n ow n as br ig a n t ed , fi g h t i ng t h i e ves .

B r ig a n t i s W el s h fo r t i e f h an d h i g h l an d e r .
154 E N GL I SH WR I T E R S .

p erm , means a head in W elsh Cornish and Breton ; , ,

( ca n , me ns h e d in Irish Gaelic— the in l l


66 07272, a a a c a

these l nguages being pronounced as k N ow the e rly


a .
,
a

existence o f the G elic form of m m fo he dland is trace a r a

able i n the five gre t headlands o f E as t Brit in from Can a a

tyre ( t z he d f the lan d ) t Kent b y the old names


rea r:
'

r, a o o ,

o f tribes — C ant i i Iceni C t ae C a t b i ga (C mbridge )


, ,
an n a r a ,

Canty B y nd the Pentland Hills and Frith w here the


a ,
a ,

Cymry next in possessi n have only h al f t r ns formed t


, o ,
a o

their own m anner the n me o f K entl nd Some o f the a a .

e rlier S tone people in Sp in w h o m y or m y t be


a a ,
a a no

represented o w by the B sques perh ps c me o er w ith


n a ,
a a v

the S panish G els ; and such a people o f which we find


a ,

the rem i ns w ere dou b tless already existent lso i this


a ,
a n

country In connection w ith th is part o f the subj ect it may


.

be w orth w hile to cite the pp rent connection betw een a a

Mendip Hills n d Grampi ns d the Basque w ords


a a ,
an

Mendi hill G ra a height


a, a ,
a ,
.

Mean while the Cymric Celts traced from Cimmeri ns , a

d Cimbri once occupied midland G ul


an d , a an
Th C m
e
the coast opposite Br i t in A pe ple d i fferent
y ry .
a . o

in l ngu ge customs and l ws chiefly Germ nic had come


a a , ,
a , a ,

from the Rhine d h d se i ed part o f this Celtic coast


an a z ,

expell i ng the previ us inh bitants Thes e ew comers

o a . n

w ere c lled the Belgas w hich me ns w e find i n the l n ”


a , a , , a

guage o f the Cymry rav gers The expelled people may



, a .

have b een d riven p rtly inl nd where they could only pos a a ,

sess goods by t king those o f their countrymen and neigh


a

b ours or they crossed the sea to get possession of the


,

thinly peopled district o f South easter n Brit in From the


- -
a .

south e st the Cymry spre d the G els yielding be fore them


-
a a a .

But Bel gas too w ere tempted to the British shore d h d


, , , an a

alre dy a firm foot in Southern E ngl nd w hen the Romans


a a

c me to add another f rm of pressure


a o .

The G el ic aspect o f the Silures in the time of Tacitus


a
5 6 E N GL I SH WR I T E R S .

by not cco n t i g ourselves m re x ct in our theories than


a u n o e a

so s h re wd d skill d w itness as C aes r was in evidence


an e a a

o f wh t he a w d he rd is th t the Belgae in G l w ere


sa an a ,
a au

but tribe o f the s me people by w h m the Frisian and


a a o

Anglo S xon dialects o f common tongu e w ere spoken and


-
a a ,

th t they had firm hold in t h e south of Britain even


a a ,

bef re C s r s time
o ae a

.

We find then in l l these changes no series o f sudden


, ,
a

pi m
r i convulsions By me ns o f the i r sm ll ships
t ag e n . a a ,

gig gg
n
f
slo
a
w ly d in course o f ye rs the S panish G els ,
an a ,
a
Eng li hs
colonised Irel nd and our western coasts By a .

more rapid invasi n prob bly the Belgae spread at very o , a , a

rem te time ver t h co sts pposite our south e stern


o o e a o -
a

sh res The exp lled C ym y must t first h ve crossed in


o . e r a a

l rge numbers and cle red the s uth e s t of E ngl nd o f the


a ,
a o -
a a

thinly sc ttered G el Aft er w rds there w s slo w and


-
a a . a a

ste dy migr tion volunt y migr tion prob b ly of Celts


a a ,
ar a , a ,

fr m t h p rt o f w h t is o w c lled Norm ndy w es t o f th e


o e a a n a a

S ei e n d o f so m e Bretons
,
an ol nt ry migr tion certain l y v u a a

o f the m re t h ri ing B e l gm ow hom C aes r found on t h e v ,


a

British shor people o f o e l ngu ge w ith those he had le ft


e, n a a

i Be l gic G ul
n O E nglish soil G el yielded ground t o
a . n -
a

Cymry Cymry to Belg d the Belg we sh ll find mus t


, ,
an , a ,

h ve di ffered little i f t al l from the people wh o s th e


a , a , , a

s t re m o f co l nis tion d inv sion still flo wed i were


a o a an a n,

t ken up by e rly chr niclers at a much l ter d te in t heir


a a o a a

hist ry Anglo S xo s
o as -
a n .

Me n while it w s from the first the E nglish people that


a a

was b eing f rmed T h e qu lity o f the bron e remains


o . a z ,

rea d , o ne t o t h e Ph i l ol og i cal S oc i e t y i n h n ol og i cal 18


55 . t he o t h e r t o t h e Et
S o c i e t y i n 1 8 5 7 b y t h e l a t e J a m e s K e n ne d y L L B an d rep u b li sh e d i n h i s
. , . .
,

E t h n o l og i c al a n d Li n g u i s t i c Lo n d o n a n d Le i p s i c 1 8 6 1 ”
E s sa ys , .
, .

T h o m a s W ri g h t h o s e na m e m u s t a l way s b e m en t i o n ed w i t h ho nou r i n
,

c o n nec t i o n w i t h E ng l i s h a t i q u i t i e s a n d w h o w ork e d s t e ad il y fo r t h e
n ,

d i ff u s i o n o f h i s k n o w l e d g e g a e h i s s u p p o rt t o t h e b e l i e f t h a t C ae sa r w a s
,
v

ri g h t a b ou t t h e Be l g as (i n T h e Cel t R o m a a nd S axon ed , n, , .
T HE F OR M I N G OF THE P E OP L E . 1
57

he rem ins also o f l nguage d o f liter ture show that


a a an a ,

the Cel t s whether G el or Cymry w ere no mere s v ges


,
a ,
a a .

They not only le ft the n mes given by the m t T h C i a a e


ele ment i n
el t c

tac h e d throughout the l nd to l kes r vers d E li h a a ,


i , an ng s .

mount ins but they perh ps contributed more than is n ow


a ,
a

believed to the fo rm tion o f E nglish in its e rliest st ge


a a a .

S uch common words as go w n glove b sket tho g h , , a u

M rti l did take t h e Britons f rude s v ges wh en to


a a or a a , ,

bring w rd into discredit h e w rote B rbar de p i t i s


a o , ,
a a c

venit B as d B it i —even such w rds s h t co t


c au a r an n s

o a a , a ,

an d b oots might be tr ced to Celtic origin ls When such


a a .

w ords are found w ith ut etym logy in An glo S x n b to an o -


a o ,
u

w ith etym logy in t h e l ngu ge o f the Cy m ry or the G l


an o a a ae ,

w e m y b e sure th t during th se centuries f cont ct bet w e


a a ,
o o a e n

Celt and Teuton it found i t s w y from the lips o f the e rlier


, a a

to those o f the l ter pe ple Thus h t is co nected w ith the



a o . a

n

Germ n [ mt s a shelter f the he d but there is Celtic


a a or a , a

verb l t m to cover and l l me ns y s rt o f he d covering


za ,
ze a an o a ,

whether a h at or a g rland This Celtic element in E g a . n

lish might h ve been i n dicated in the Pedigree by f int


a a a

dotted line of connection through which Celtic passes into


Anglo S xon -
a .

The following list illustr tes the Celtic origin f E glis h a o n

local n mes C is tt ched to Cymric G to Cel tic i


a . a a , n

G elic forms
a
m na es .

A be r i nver co n fl u e n ce Afo n al i h an a ri v e r

o f s m al l an d l arg e s t re a m ri v e r Avon Th e re i s a n A v o n a t
.

m ou t h as A be rd ee n , fo rm e rl y B ri s t o l a n t h er i n N o rt h a m p t o n
, o

A be r-d o n , nea r m ou t h of
D on ; s h i re an o t h e r i n W a rw i c k s h i re
, .

A b erg a v en n y , a t co n fl u en ce o f P t o l e m y c al l e d t h e H u m be r
t he U sk an d t he G a ve n ny . A Bp v p s —o w hi ch
r cis ,Avon
A ch a field as Ac h n i v e r, t he T ros (o v er e x ceed i ng ) an au g , ,

T ro sa c h s . m e n t a t i v e a ppl i e d t o t h e b ro ad
A rg y l l A rre -G ai d h el , t he e s t u ary .

fro n t i e r of t h e G a el . Bai l e a town : as B al l ysh an


Ard , hig h , l oft y Ard m i l l an . n o n, tow n on S h an n o n .
158 E NGL I SH WR I T E R S .

Ba l a flow of a ri v e r i n to a in L ond i n u m ,
g d u nu m , & c L u .

l ak e beal ach a p ass ag e . D u nad h (G ) i s s h u t t i n g , cl os i ng ;


.

B an n h i g h : as Bangor t h e , h enc e som e w ro ng l y d eri v e th e


h i g h cor ch oi r or Ch ri s t i an, ,
A -S. . t on and E ng l i s h t o w n ,

col l eg e Th ere are h i l l s s o


. and , in s e ns e o f h i l l sand d u nes
,
-

n a m ed i n B reck n ock s h i re C a e r ,
a nd d o w ns .

m art h en , an d G l am org a n . Ba n s D u bh (G bl ack : D u bl i n (d u b h


.

d ow n n ear B at h , P a n D o w n by l i n ne ) b l ack p ool


, .

N ew p o rt , L V Du n a fo rt i fi ed h i l l o r t o w n
V
.
. ,

Be i n n , Be n a m o u n t ai n or Dwr w a t er : D e rw en t , d w r
l B e n -Ne v i s (L an d fai r ; or g w en t , a fai r
'

i

p nn ac e : .
, m ws g w e n ,

of s now ) , o r co n t ra c t i o n of G . o p en reg i on ; D a rt , A d o u r, A d u r,

n ea m b a t h oi s , c l o u d b row ed
-
. C al d e r , S t ou r (E s D wr) . E l se
C ae r cat h ai r w al l s of w h e re , the D o u ro , &c .

d e fe nce , cas t l e , ci t y : C aer G w y, or wy w at er ri v e rs

m art he n , ci t y of M e rl i n ; Caer W ye , E d w y , L l u g wy , &c .

n arvo n , t h e s t ro n g hold y n Ar G w ys g u i sg e i s ca , a

V o n, o p p os i t e M ona (o r Von ) . s t ream : A x, E sk , E x, O u se ,


Cam (C .
, cro o k ed “
t he U sk , Ou s e, W i sb each (O u se
c roo k ed C am .

b each ) Os born (Ous e bou rn)
,
- .

C e an n a h e ad ce a n n t i re a , L l an (C an enc l osu re ch u rchyard


.
, ,

h ead l and K e n t C an t yre , . ch u rch La m p e t e r (l l an Bed r) ,

C il l k i l a h erm i t ce l l p l ace
,
-
, ch u rc h of Pe t e r ; L l an d afl ,

of w o rs h i p bu ryi ng g ro u n d ,
-
c h u rch o f Dav i d ; L l anb eri s ,

K il k e n n y ch u rch o f S t K e nn y
, . ch u rc h o f S t P e ri s L l a ng o l l e n
.
,

o r C a ni c e . c h u rch o f S t C o l l e n . .

C a rrai g crai g , ca rri c k a , L yn l i n (G a l a k e o r p oo l .

roc k o r cas t l e o n a ro c k : C a r
, Lynn i n No rfol k t h e p ool ;
, ,
,

ri ck fe rg u s cas t l e o f F e rg u s
, . Lo nd o n (l yn d u n) t h e t o w n o f ,

C l u yd a co m m o n r i v e r n a m e t h e p oo l , t h e p o ol o f t h e ri v e r

i n W a l e s , fro m c l yd , w arm , for m erl y o ve r flo w i n g the l ow


s hel t ered : t h e C l y d e i n S co t l an d s o f the m ars h es .

l and w as n am ed by t h e Cy m ry . M a en a s t one : P e m ae n
n -

C o ed fi od h a w o od m aw r, h ead l and of the g rea t


c o t e i n N o rt h c o t e S o u t h co t e
, , . s t one .

Cw m m a d a l e w h e n ce A S ,
.
-
. M on so l i t a r y , i s o l at e : M o n a ,
co m b : V ycom b w a t e re d d al e A ng l e s e y ; I s l e o f
V
, , ol d n am e o f

fro m ( C ) w
g y , o r w y.
, w a t e r ; M an . M aw n , m oi n (G m ou n .

C o m p t on , c w m m d u n, or A -S . . tai n , c o mm o n , b og .

t o n , D al e t ow n M aol mu l l , c h i ef h ead l and


Din a fort i fi ed h il l ; d i nas , a Mu ll of K i n t ore .

ci t y t h e R om an d u n u m , d i n u m Pe n a h ead , su mm i t , n ot con
1 60 E N GL I SH I VR I T ERS .

h o b , m easu re h ooped v e s se l

p o t (G ael .
p o it to
d ri n k )
l l a th , ro d

l l ym ry , j el l y o f oa t p o t e s, a coo k ed
m es s
m eal
rh as a s l i ce
g ,
m atog
rh i m , ra i s e d e dge
m o p , m op a
s y th , s t i ffe ni ng

g l u e
p an , c u ,
p bo w l t ac l , i n s t ru m e n t ,
e
p g, p g ,
e e d a m ea t oo l
s u re
t ed d u , t o s p rea d
i e
P y .n

It may be th t in a fe w o f these cases d o f those


a , an

n ext quoted w ord h s come out o f E nglish into Celtic


, a a ,

or has p ssed into E nglish d into Celtic fr m a sep rate


a an o a

an d common s urce A l rge number of words h ve no


o . a a ,

doubt by Mr G rnett d others been derived from Cel t ic


,
. a an ,

where there is more than identity of origin or there m y


no , a

be even later Celtic word taken from E nglish B u t some


a .

o f the words h ve r tion l etymology in Celtic and in


a a a a

Celtic only ; d as to others there is the liveliest appear


an ,

ance o f the p ssage o f Celtic word in to vernacul r English


a a a

by old f miliarity f intercourse bet ween the Celtic and


an a o

Germanic tri b es settled in E ngl d In the f miliarly ex an . a

pressive but d i g i fi ed vern cular the Celtic element is


un n a ,

strongly m rked Thus b other is good Celtic and



a .
,

,

st n d s in ll seri usness fo tribul ti n in the Irish Scripture


a a o r a o .

The f ll wi g logies are mong t hose drawn promi s


o o n ana a

cu o s l y by Mr G rnett from the Cymric only


u . a

a s h ri , t ri c k , m is bl e w h ai r
, of an i
c h ief s p re e . m al s flu e (o f fu r) .

b al d o rd d u s , p ra t i ng , bal d erd as h . bwg, h o bg o b l i n b u g bu g b ear , .

b a m e i n (Bre t o n t o b ygyl u t o t h rea t e n b u l l y


, .

be w i t ch , c h eat ) ba rn .
caro l , m o v e m en t of
b i cra , to w rangl e b i ck e r . s ong o r d ance
T HE F OR M I N G OE T HE P E OP L E .

ci c , foo t , c i c i an , to h w ch , a s w i ne h og .

s t ri ke wi t h the l l ac h i a w , a cu dge l l i ck .

foo t k i ck . l l aw d , you t h l ad .

c n oc , a k no ck . l l od e s , g i rl l as s .

c nd l , ro u n d sum mi t k nol l l l u g , p art i a l


l u k e w a rm
.

be l l k n el l l l u g d w y, t e p i d
.

c nu l , p a s s i n g .

c o c ru , to i nd u lg e c o ck e r . l l u m on , lu m .

h ort s t a ff
c og e l , s cu dg el .
p a n eg , e n t rai l s
p a u nc h .

c rw t h fidd l e , cro w d .
p i c i aw , t o t h ro w p i t c h .

c w t a s h o rt cu t t y i e s m a rt , a
g y i nk
, p n , p .

(pi p e. (t o a o rn ) d .

ch w a p , s mart s t ro ke w h op .
p w m p, rou n d m as s p i m p l e .

d wn , d u s ky dun . t al , l o ft y t al l .

fu g , d ece p t i o n fu d g e . t o ci a w , t o cu t s h o rt d o ck
,
.

g l y n v
, a l l e y g l en . t os i aw , to j e rk
h o ch i t o e x p e c t o r
, th ro w t o ss .

at e t u i g u n d e rs t a n d
,
t wi g
h oed en , a fl i rt

ch Celtic w ords s cla n t rtan pl id kilt and reel


Su a ,
a ,
a , ,

ar e clearly mon g those of later introduction ; and some


a

others not only those formally recorded as Druid d



, an

b rd but those incorpor ted in other Western l ngu ges s


a , a a a a

in our w m y h ve found their w y to us from L tin or


— o n a a a a

from Norman French in sec ndary f rm There rem ins o o . a ,

ho wever certainly when large llo w nce has b een m de for


, , a a a

questio a ble etymolog ies a Celtic element in E nglish th t


n ,
a

indic tes lo g hab it of f mili r cont ct in nci nt time


a n a a a a e .

There are more w ords th n would h ve been t ken in the a a a

course o f conflict ; and the sort o f w ords do n o t belong t o

the l nguage that men le rn from enemies


a a .

Thus for ab out four hundred ye rs from the surrender a

o f C ract cus A D 5 a the Rom ns m int ined F aint


a ,
. . 1, a a a
t ra c e s

milit ry possession o f E ngl nd and in l l th t


a f m a ,
a a o t he R Q
o c c u pa t i o n .
a"

t me they set no mark o f theirs upon the l


i an

g u ge o f
a i t s people For w e h rdly cc nt . ca n a a ou

as m rk on l nguage the inevit ble ttachment to the soil


a a a a a

o f four or five milit ry word s in d ic tive o f th eir cam p s a a


16 2 E N GL I SH WR I T E R S .

( c astr in Chester
a, M nchester ) ; their colonies (as
,
in Lin a

coln ) their milit ry roads levelled d stre wn w ys str t


a ,
an a ,
a a,

streets their h rbours or ports d perh ps their r m parts


a an a a ,

since from t h Roman v llum a r mp rt some derive the


e a ,
a a ,

Celtic b ile w hence w e get the modern E nglish bail or


a ,

b iley d the Irish b lly prefixed to some n mes of to wn s


a ,
an a a .

O f really civilising intercourse evidence w ould h ve p ssed


a a a

into the l ngu ge b ut there w s none


a a ,
a .

The few w ords o f L tin origin just med re s id a na a a

technic lly to belong in E nglish to the L tin of the First


a a

Period ; th se intr duced fterw rds chiefly b y Augustine


o o a a ,

an d his successors among the E nglish w hom Rome Christ ,

i
an i s ed b ei g ccounted L tin o f the S econd ; those that
, n a a

w ere b ro u ght by the Norm n s Latin o f the Third ; a d a , n

l stly those introduced f technic l d scientific use sin c e


a , or a an ,

w h t is c lled the Revival o f Letters L tin o f the Fourt h


a a ,
a

Period O f these Periods the first second and third con


.
, , ,

tri b ted the first we h ve seen in almost no degree ;


u —
,
as a ,

the second ppreci bly ; d the third much to the for


,
a a an ,

mation o f the l nguage a .

We turn o w from th ese e rliest tr ces o f our language


n a a

to the first beginnings o f our liter ture O f a .

the w isdom and splendour of the Druids won


d e fu l things h ve been fabled by the later
r a

descend nts o f the Cymry b ut in the single tru st a ,

w orthy ccount le ft us b y C aes r w e find only t h e


a a

f mili r sketch f
a a priestly cl ss th t in rude age rises t o
o a a a a

influence by sh ring multiplying d using to its o wn gai n


a , , an

th t reverent instinctive sense o f unseen pow ers which b elongs


a

to the crude m nhood f the he then The comm nalty of


a o a . o

G ul we le rn from Julius C aes r was lmost in the con


a ,
a a , a

dition f slaves po wer being in the h nds o f priests and


o , a

w rior chie fs
ar The priests called Druids judged and
-
.
, ,

punished crimes excommunic ting those b y w hom th eir


,
a

sentences w ere disreg rded d this excommunication was a ,


an
1 64 E N GL I SH I VR I T E RS .

and the begi nnings of m onths and years in such an order


th t the d y f llow s the nigh t And so indeed we still
a a o .

, ,

spe k o f a se nnight or a fortnight O f the prod cers f


a

. u o

ou r e rliest liter ture w h t else is to be l e r t w e g ther


a a ,
a a n a

o nly fr m the st dent of the ncient records o f t he G el


o u a a .

The d wn o f tho ght w represented by a search fo God


a u as r

but in rem te ge there w s in this cou try a lettered


a o a a n

cl ss pp rently distinct from th t f the p riests prod uci n g


a ,
a a a o ,

a rude history d p etry fo quick w itted d imaginative


an o r a -
an

people .

We are o f sundry r ces but one pe ple within b ound s a , o ,

o f w hat the w orld calls E ngland A fair sketch .

f liter ture m ust needs tell how there w ere


o ou r a

fr m the b eginning w its t w ork in Irel nd S cotland a n d


o a a , ,

W les as w ell s in E ngl nd east o f the S evern a d south


a ,
a a n

o f the T w eed The genius of a great nation is our the m e


.
,

an d it is no theme to b e discussed in a prov i ncial pi rit s .

The name of E nglish was derived from one of ma n y


“ ”

Teutonic t ribes th t u ited t b ecome one people an d a n o

then bore single n me In the fus i on o f the Teut on


a a .

w ith the Celt fusion that has b rought quicken i n g o f


, a

pow er to the tion ; in all fusions b e fore and since ; an d


na

in all putting forth f br nches th t h ve spread over t h e o a a a

w orld E glish speaking people w ith its centre o f li fe i n


an n -

these i sl nds of Gre t Bri t in ; let th t old tribe of Angl i


a a a a

still furnish the me th t represents us all L e t the tri b e


na a .

th t w s b rely named by T citus d from w hich n ot a


a a a a ,
an

tithe of the First E nglish were descended still furn ish t h e ,

n me fo our gre t br therho d ow spread over the world


a r a o o n ,

one in ff ection one in pow er one in aim


a , , .
C H APT E R II .

OL D L I T E R AT U R E OF T HE G AE L .

T HE story of o u literature b egins w ith t h e Gael fo there


r r

is prese ved in Irel nd a gre t mass f nci n t Ancien


r a a o a e t

c pies f more ancient writings that reproduce fif fffi ffif


o o

most interesting tr ces of h istori c t le d


a
B i i
a an
r ta n

song in t he remotest epoch o f our common history .

Let us t once dismiss here s beside our purpose


a ,
a ,

t h e name o f E rse derived fro m Erin or Ierne to


“ “ ” “ ” ”
, ,

distinguish Irish from S cottish G elic The distinction o f a .

existing dialects does not aff ect the story o f their ncient a

common literature They w ere G aed h el s or Gaels spe king


.
,
a

G aed h l ic or Gaelic wh o coming most pr b ably from Sp in


, , o a ,

l anded in Irel nd d upon the w estern coasts o f E ngl nd


a an a

a n d S cotland w h o also
, s they spre d themselves a b ro d
,
a a a

over the n ew soil crossed the na ro w str it o f sixteen miles


,
r a

dividing Ireland from C t y e to settle also in the western an r

islands and highlands o f Scotl nd M ny o f the G ed hel s a . a a

wh o reached S cotland partly by land instead o f w holly by ,

sea n o dou b t sojourned a w hile in Irel nd on their w y ; and


,
a a

in that s ense most o f the S cottish G els e s id to h ve a ar a a

passed over from Irel nd be fore the third century But


a .

the old poems and tr ditions sho w that there w continu l


a as a

communic tion flux d reflux bet ween the G elic chie fs


a , an , a

in Ireland and the chie fs o f Alb n the S cottish m inl nd or a , a a ,

the intervening isl nds a .

There was no difference o f nat ionality b tween the Gaels e


1 66 E NGL I SH WR I T E R S .

of Irel nd d those o f the Scottish H i ghl nds In lan


a an a .

guage customs d tr ditions they were one people until


, , an a

the sixteenth centu y w hen political and religiou s ch nges r , a

p ted them Gaels on the British shores s poke to Phoenici n


ar . a

s ilors o f the other l nd as the isl nd to the w est (h )e i u


a

a a r

genitive (h )e en ; dati e (h) eri and the name Ierne


, r n v n n, ,

E rin wa adopted in t h t w estern l and


, s Mr Whitley S tokes a . .

c nnects E rin w ith older E e i o and the S nskri t


o

an v r n, a

(w d poster i o r w es t e nfi
ar “ E ri as the greater and more r n,
, ,

fer t ile possession dou b tless cont ined t he richest chie fs ; in


, a

E rin there fore w ould be the he d q arters o f son g


, , d st ry a -
u an o ,

an d this island was also the larger stage upon w hich t h e


more stirring political dr m s could be en cted Where the a a a .

priests and men o f letters could most readily grow f t d a ,


an

where there was court tha t represented the best stren gth
a

o f G elic civilis tion w e should expect to find


a s w e do
a , , a ,

the gre t m ss of rem ining G elic records But in the


a a a a .

b eginning f our liter ture there w s no re l separ tion


o a a
-
a a

b et w een Irish and S cot t ish Gael d w e dismiss there f re , an , o ,

as most unprofit b le all de b te s to the ncient right o f a , a a a

S c t or Irishman to
o exclus i ve proprietorship in any an

ancient worthy to the poet O isin fo example o f whom



,
r ,

S cottish an d Irish G el h ve to this day ret ined equivalent a a a

tr ditions Here too then let us avoid pro inci lism a d


a .
, ,
v a , n

simply reg rd as one r ce irrespective o f bsc u re rieties


a a ,
o va

o f tri b e the entire body o f the


, ncient G e d h el i a a

A fter the old w y o f inventing persons to expl in the a a

names of tri b es t h e name of G aed hel wa deri ed by the, s v

ncient Irish clergy from G ed b l or G d el as w h lived


a a a a a o

“ h h h ce nt u ry
Av i enu s i n h i s O ra M ari t i m a w ic b el o ng s t o t h e fou rt .

s pe a k s of I re l a n d as t h e s acre d i s l and . M .H G a i d o z i n t he R ev u e
.

Cel t i q u e, V o l . IL , p .
3 5 2 , reas o nab l y arg u e s t ha t t h i s w as h i s i nt erp re t a t i on
i s m. a b ou t I s l es o f th e Bl e s t
o f 159 m i n t o s u gg e s t e d by ol d l eg e n d s .

1
'
T h i s d oct ri n e i s e ff ec t i v e l y s u s t a i ne d by M r .
J . F .Ca m p b e l l , i n t he
fou rt h v ol u m e of h is P o p u la r T al e s of t he W es t H i g hl a n d s . O ra ll y
C ol l ect ed . E d i nb u rg h , 1 86 2 .
68 E NG L I SH WR I T E R S .

st nds fo the occult sciences ; d acco rding to Lucian


a r an ,

Ogb um was painted in the second century as a Hercule an


Mercury old in a lion s skin w ith a clu b in his right han d
, ,

,

and a bent b o w in his le ft ; the ears of his w orshippers


bound by a chai n of gold d mber to his tongu e These an a .

Ogham letters were cut w ith a kni fe on the staves or w ands


o f the poet A copy o f n ancient poem in a m nuscript
. a , a

itsel f 8 5 years 0 spe ks m ore than once of Ogh m a an a

cut i h oops or wand s and placed in the path o f Queen


n

Me d her army
av an As e ch staff w as found it w as . a ,

ca ried to the Queen wh o sent i t to the great champ i on


r ,

Fergus and by him it w s re d Again in the Book of


,
a a .
,

Leinster which contains copies made early in the tw el ft h


,

century o f ancient records then e isting there is a poem x ,

b y the second daughter o f King Cormac M cA t wh o lived r ,

in the third century setting forth tradition to account fo ,


a r

the agglutination of t wo ancie t Ogham tablets This is a n .

tradition to wh i ch re ference is made in other of the most


ancient Gaelic poems .

T l I e T al e f t /I e f at e qf B a i l e, t /ze Sw eet -sp oken , M e Pr i n cess A zl l zn



an d
' '

f

o L e zm t er .

Th ei r l ov es bei ng cross ed a nd t h em sel ves part ed t h is fa i t h fu l pa i r ,

s e t ou t t o m ee t each o t h e r p ri v a t e l y on t h e b ank s o f B oy n e Ba i l é .

re s t ed u pon h i s w ay a t T rai g hm Bai l e no w D u nd a l k H e re h e and h i s , .

eo
p p l e h a d u n y ok ed t h e i r ch a ri o t s sen t t h e i r h o rses ou t t o
g raz
, e a n d ,

t u rn ed t h em se l ves t o p l eas u re w h e n t h e y s aw a h orri b l e m a n l i k e a


,

s pec t re com i ng t owa rd s t h e m al ong t h e s h o re fro m t h e s ou t h s w i ft l y as ,

a h a w k d art s from a cl i ff o r as t h e w i nd ru sh es from o ff t he s ea .

s ai d B ai l é
“ “
t o ask w h i t h e r h e g o e s w h ence h e

L e t h i m b e m et , , ,

co m es a nd w h y h i s h as t e H e ca m e from M ou n t Le i n s t er t h e m an

.
, ,

T h e L e ab h ar na -h -Ui d re , q u o t e d i n t h e S eco nd Ap pe n d i x t o t h e l a t e
Pro fes s or E u g e ne
'
O C u rry s L
e c t u res o n t h e M S M a t e ri al s o f A n c i e n t
'

h
I ri s H i s t o r

y
Du b l i n ,
. 1 86 1 . Pro fe sso r O C u rry h ad ’
u n eq u a ll e d k no w
l ed g e o f t h e c ont e n t s o f th e O ld G a el i c M SS i n I rel a n d an d . wh ere no
.

ot her au t hori t y i s nam ed , the i nform a t i o n on t h i s s u bj ect g i ven i n th e t ex t


5 fou n d ed u po n hi s rese arc hes .
OL D L I T ERA T U RE OE THE GAE L .
9

sa i d , an d w en t n o rt h . H e h ad no n e ws b u t t h a t Ai ll i n as sh e w as
co m i n g t o m e e t Bai l é h ad been
you t h s o f L ei n s t e r o v ert a k e n by t he ,

an d w a s d e ad o f t h e h i n d ra n ce a s i t w as fore t ol d by D ru i d s t h a t t h i s ,

cou p l e w o u l d no t m ee t i n l i fe b u t w o u l d m ee t aft e r d ea t h a n d w o u l d , ,

n o t p art fo r e v e r a ft e r t h a t T h e m an t h e n p a s s ed by as a b l as t o f
.

w i nd W h en Bai l é h eard his ti di ng s h e fel l d ead an d Bai l es t o m b


.
,

s t one w as s e t u p an d a ye w g re w u
p t,h r o u g h h i s g ra v e an d t h e fo rm ,

o f Ba i l e s h e ad a p e a re d o n t h e t o Th s p ed

p p o f i t e n t h e s a m e m a n .

s o u t h a n d p asse d i n t o t h e su n n y ch a m b e r o f A i l l i n a nd t o l d h er h o w
, ,

h e h ad s e e n t h e l am e n t a t i on o v e r Bai l é w h o d i ed w h i l e c om i n g t o m e e t ,

a fav o u ri t e an d b e l o v e d w o m an \Vh e n h e h ad t o l d h i s e v i l ne w s h e .

d a rt ed ou t and A i l l i n fel l d ead and h e r t o m bs t o ne was s e t u p and a n


, , ,

a p l e t re e g re w t h rou g h h e r v e a n d be c a m e a g rea t t ree a t t h e e n d


p g ra
-
,

o f s e v e n y e a rs a n d t h e fo rm o f A i l l i n s h ea d a re d o n t h e m ) o f i t

, pp e a l .

A t t h e e n d o f s e ve n y ears po e t s a nd p ro p h e t s and v i s i on e rs c u t d o w n
, , ,

t h e ye w w h i ch w a s o v e r t h e g rav e o f Bai l é an d t h ey m a d e a Po e t s

,

T abl e t o f i t an d t h ey w ro t e t h e v i si on s an d t he es p ou sa l s a n d t h e
, , ,

l ov es and t h e c o u rt s h i p s o f U l s t er i n i t
,
T h e a p p l e t ree w h i c h g re w .
-

o v e r A i l l i n w a s al so c u t d o w n an d i n t h e sa m e w ay t h e co u rt s h i p s o f,

Lei ns t e r w e re w ri t t e n i n i t Long a ft e rw ard s w h e n o n N o ve m be r e v e


.
, , ,

A rt t h e s o n o f C o nn m ad e fes t i v al t h e p o e t s a nd t h e p ro fe ss o rs o f
, , ,

e v e ry art cam e t o t h a t fe a s t as i t w a s t h e i r c u s t o m an d t h e y b ro u g h t ,

t hei r tab l e ts w i t h t he m And t h os e T ab l et s al s o cam e t h ere an d A rt


.

sa w t h e m and w h en h e saw t h em h e as k ed fo r t h e m ; an d t h e t w o
,

t a b l e ts w e re b ro u g h t an d h e h e l d t h em i n hi s h a nd s fa ce t o face
, .

S u d d en l y t h e on e t ab l e t o f t h em s p rang u po n t h e o t h er and t h ey ,

becam e u n i t ed as i s w ood bi ne rou nd a t w i g s o t ha t i t w as n o t p os si bl e ,

t o s e p a ra t e t h e m A nd t h e y w e re p res erve d i n t h e T reasu ry a t Tara


.
,

u n t i l i t w as b u rn t b y D u n l a n t h e s o n o f E n n a a t t h e t i m e b e b u rn t
g , ,

t he Pri nc es s es .

Another story ascrib ed to the ye ar one tells h o w , ,

Cuchulain seeking three persons w ho had mysteri usly


,
o

dis ppe red w as helped by prince wh inscribed an


a a ,
a o

Ogh m in hi spe r
a Then he w ent out upon the sea d
s a .
,
an

his ch r m carried him str ight to the isl nd w h re the m


a a a e en

he ought h d b e en det ined Ag in in a story f which


s a a . a , o

the ction b elongs to bout the year 4


a king s son o f a 00, a

Munster o b liged to fly to the court of F d h King of


,
e ra ac ,

S cotland dou b t ful f his reception w hen there hid in a


, o ,
1 70 E N GL I SH WR I T ER S .

grove near F e ad ach pal ce where he was recognised b y


r

s a ,

the king s poet wh o h ving le rned his history bserved



, ,
a a ,
o an

Ogh m inscription in his shield


a Wh o was it th t b e . a

friended you w ith the Ogh m w hich is in your shield ? a

s id the poet
a It w as not good luck he designed f r you
. o .

W h t does it cont in ?
a sked the king s son from a a

Munster “
What it cont ins s id the poet is that i f a a , ,

y ou c me by day
a to F e d h s court your he d should be ra ac a

cut off b e fore evening ; d that i f it were by night you an

came your he d should be cut o ff b efore morning When


, a .

a king s so could travel or be supposed to travel with an



n , ,

open letter like that f stened to his arm the mystery o f a ,

w riting might w ell be ss ci ted with enchantments and be a o a ,

used to magni fy the pow er f the poet or the priest o .

These w ere the days when poetry was first written i n


st ves th t is to say cut on the four sides of a squ e st aff
a ,
a ,
ar ,

P oe t sS

or in the f lds of
ta v e s
thick sta ff opening f n w ise o a a .

In the ancient Irish or Brehon laws an rticle


.

,
a

th t belongs to Christi n times prescri b ing the sort o f


a a

w e pon persons of each r nk might carry for their de fence


a a

a ag inst dogs &c in their usu l walks allow s a slender l th


,
.
, a ,
a

or gr ce ful crook to priest b ut assigns to a poet his t b let


a a ,
a

s at fl ccording to the privileges f his order Poetry was


a o .

then re lly a sta ff to le n up n d an irate b rd might


a a o ,
an a

literally bre k a critic s he d w ith qu train


a

a a a .

The primitive classific tion o f literary men among the a

Gaels according to their c pabilities was into the Ollamh or a ,

Old G 1
per fec t Doctor wh o w s q alified to recite at
ae i c

,
a u

giggi g pu b l c feasts d assembl es sevei


r
fi ft es o f an i i i

historic t les ; the A ot h wh o could tell h al f


n .

a nr ,

as m ny ; the C li w h o could tell a third o f the number ;


a ,

the C no and so on dow n to the Foc h l og wh o told thirty


a ,

an d the lo west class o f liter ry men the D ri s eg w h o coul d a , ,

rel te but tw enty In the in f ncy o f civilisation men e as


a . a ar

children incapab le o f giving their attention to a narrati ve


,
1 7 2 E N GL I SH l VR I T ERS .

Of a B at t l e f o ug l zt on t i re P l a i n o f M oy t u r a .

T he p l a i n i s s t i l l co v e re d wit h c ro m l e c hs , an d i f the st or y b e t ru e i n
i ts d a t es t h o s e c ro m l ech s w e re rai s e d o v e r t h e s l ai n
,
a b ou t t h re e

t h o u san d e ig h t h u n d red y e a rs ag o .

L e s s t h an t w o h u nd red and fi ft y years be fo re t h e co m i ng o f the


M i l e s i a n s t h e F i rb o l g s reach e d E ri n
, Lan d i ng a t d i ff ere n t poi n t s
.
,

t h ey co n t ri v ed t o m e e t i n t h e u n p e op l e d l a n d an d fi x e d t h e i r sea t o f ,

v e rn m e n t u o n t h e h i l l w l l d T ra T h e fi v e b ro t h e rs
g o
p g r e e n n o c a e a .

d i v i d ed t h e i s l an d i nt o fi v e part s and ru l e d i n p e ac e fo r s i x and t h i rt y ,

y ears b u t a t t h e e n d o f t h at t i m e t h ey we re s u rp ri sed t o fi n d t h a t t h ere


,

w as an o t h e r p eo p l e i n t h e l an d t h e T u at h a (t h a t i s , p peo l e ) d é ,

D anaa n o f w h o m t h e y h ad k n o w n n o t h i ng Th e s e p eo p l e a ft e r l an d i ng .
,

o n t h e n o rt h e a s t coa s t o f E ri n h ad d es t roy e d t h e i r b o a t s s l i p p e d i n t o
-
, ,

fas t n e ss es i n L e i t ri m an d s o g rad u a l l y s h o w e d t h e m s e l v e s t o t h e
,

F i rb o l g p e op l e p re t end i ng t ha t t h ey h ad com e t h rou g h t he ai r b y


,

s k i l l i n n ec ro m a n c y T h e K i n g o f t h e F i rb o l g s se n t a g re a t w arri o r
.
,

na m ed S re n
g t o o b s,e rve t h e s t ra n g e rs w h o s e e i ng h i s a pp roa ch sen t , , ,

fo rt h a ch am pi on o f t h ei r o w n n a m e d Bre as t o m e et h i m ,
T he t w o , .

c h a m p i on s a p roa ch e d c au t i o u s l y p p g
e e i n a t eac h o t h e r o v e r t h e i r
p ,

s h i e l d s ; B re a s s o k e fi rs t a n d S re n g w as d el i g h t e d t o h e ar h i m se l f
p ,

a dd re ss e d i n G a e d hl i c Th en t h ey conv e rs e d a nd fou nd t h a t t h e t wo
.

na t i o n s w e re o f o n e d e s ce n t t h e an ces t o rs o f t h e T u a t h a d é D a n an n
,

h av i ng pass ed i n t o t h e no rt h o f E u rope w h en t h ei r brot hers t h e , ,

an ces t o rs o f t h e F i rbo l s w e n t o f o l d i n t o Th race T h e h e roe s c om


g , .

p a r e d ar m s e x c
, h a n g e d s p e ar s f o r c o m p a r i so n o f a rm s o n e i t h e r s i d e ,

c o u n s el l i n
g d i v i s i o n o f t h e i s l a n d a n d m u t u a l f ri,en d s h i p b e t w e en t h e

t w o p e op l e s B u t w h e n S re n g re t u rn ed t o t h e F i rbo l g K i ng t ha t k i ng
. ,

an d hi s
p p
e o l e w e r e b en t u p o n g i v i n g b a t t l e T h e T u a t h a d é D a n ann .
,

e x p e c t i ng a t t a ck w i t hd re w t o M a h T u i read h (o r M o t u ra n ear t h e
, g y ,

p res en t v i l l a
g e o f C on g i n M a y ,o ) T h e F i rb o l g s .m a r c h e d u p on t h e m .

T h e T u a t ha d é D ana n n o ffe red t h ro u g h t h e i r bard s t erm s of aec om , ,

m od a t i on . B u t t h e F i rb ol g s w e re res o l v e d t o fig h t d i d fig h t a n d , ,

w e re d e fea t ed w i t h g re a t s l au g h t e r t h e i r n u m be rs b e i ng b ro u g h t d o w n ,

t o t h ree h u n d re d a ft e r fo u r d ay s b a t t l e S re ng cu t o ff t h e l eft a rm o f

.

t h e K i ng o f t h e T u ath a d é D a n a n n B u t t h e m ai m e d K i n g h a d a
.

s i l v e r arm m ad e t o re l a ce i t a n d w as ca l l e d i n s t o ry a ft e rw a rd s t h e
p ,

M . H e nri M art i n D A rch e ol og i e



Cel t i q u e . Pari s , p 79 ) sa s
1 8 72 , . y
t ha t T u a t ha d é D a na n n s ig n i fies Pe op l e of t he G o d s o f D a na D ana .

(g eni t iv e d an a n n ) , c a l l ed al so Anu or A n a , w as , w i t h t he m , he y
s a s , t he

M o t h er o f t he G o ds .
OL D L I T ERA T U R E OF T HE GAEL . 1 73

S i l ve r -
h and e d . h t he t h re e h u n d red s t i l l
S re n g , w h o s u rv i v e d wit ,

fou g h t o n an d o ff e re d t o co m p l e t e t h e ba t t l e b y a s e ri e s o f s i ng l e
,

co m b a t s B u t t h e T u a t h a d é D ana n u o ff ere d h i m p eace and g av e h i m


.
,

o ne o f t h e fi v e d i v i s i ons o f t h e l a n d t o ru l e o ver s o t h a t C o n n a u h t
g ,

b e ca m e k n o w n as S re ng s P ro v i n ce ’
.

this most ncient piece o f British history Pro fessor


Of a ,

OC

y s ys “
u rr I m b ound to ssert th
a t I believe
, there isa a a

not in l l E ur pe tr ct o f equ l historic l v lue yet lying


a o a a a a a

i nM S considering its undoubted ntiquity d the a an au n

t i c i ty .

step more w e w ill t ke in company w ith the most


One a

primitive o f our histori ns a .

Ancient m nuscripts th t cont i extr cts from the lost


a a a n a

b ook o f Drom S ea h t w ritten be fore S t P trick s time n c a, . a



,

represent from th t vener ble uthority wh t w the Prime a a a a as

Story o f Irruption and Migration th t accounted fo a r

T li ef i m t ea r a m e o f t /w Gard /I ai r i n E r zn

a
pp .

B efo re t h e i r t i m e t h e F i rbo l g s and t he T u at ha dé D an an n o ccu


p i e d
t h e cou n t r yh e se w ere o ri g i n al l y o f o n e race w i t h th e G ae dh el s i n
, an d t
S cy t h i a A b ranc h o f t h e m w en t t o E g yp t a ft e rw a rd s re t u rn e d t o
.
,

S cy t h i a t h en w en t t o G re ece a n d l as t l y t o S p ai n w h e re a ft e r a l ong
, , ,

re s i d e n ce t h e y bu i l t t h e c i t y o f B ra a n t i a b
g [O s e rv e t h e p e rfe c t c o i nc i .

d ence o f t h i s t rad i t i on w i t h w h at w e el s ew h ere l earn o f t h e B ri g an t es i n


S pa i n I rel a n d a n d E n g l a nd ] A t l as t a co l o n y o f t h e m ca m e i n t o E ri n
, , .

(ab ou t 1 700 u n d e r co m m an d o f t h e ei g h t s o n s o f G a l a m h w h o i s ,

co mm on l y ca l l e d M i l es i u s Th es e M i l e si an s l and e d a t t h e m ou t h of
.

t h e S l a n ey i n W e x fo rd u n o bs e rv e d by t h e T u a t h a d é D ana n n a n d a t
, , ,

o n ce m arc h e d u p o n T a ra t h e s ea t o f g o v e rn m e n t w h e re t h e y ca l l e d
, ,

u p on t h e t h re e k i ng s o f t h e i s l a n d t o s u rre n d e r Th ey re pl i ed t h at t h ey .

w ere t a k en b y s u rp ri s e a nd p ro p o s ed t o t h e i n vad e rs t o re e m bark g o


,
-
,

o u t t o s e a a d i s t anc e o f n i n e w a v es a n d t h en i f t h ey co u l d fo rc i b l y, ,

m ak e g oo d t h e i r l a nd i ng t h e y s h ou l d h a v e t h e c o u n t ry
, T h e M i l es i a n s .

ag re e d t h a t t h i s w as fa i r a n d w en t b a ck t o t h e i r s h i s b u t t h e T u at h a
, p
d é D anaa n t h e re u po n rai se d a fi e rc e m ag i ca l t e m p es t w h i c h d i s p e rs ed ,

t h ei r fl e e t T h e M i l e s i ans h ow e v e r h a d al s o D ru i d s an d al t h o u g h
.
, , ,

fi v e o f t h e ei g h t b rot h ers w ere d row n ed t h re e l and ed nam el y E re m o n , , , ,

E b e r F i rm and A m e rg e n o f t h e Whi t e Kn ee t h e poet ch ron i cl e r and


, , , ,
1 74 E N GL I SH WR I T E R S .

j u dge , an d Am e rg e n w as t h e fi rs t
d i s pens e d j u st i ce i n E ri n
m an w h o .

A ft e r t h e l an d i n g t w o bat t l e s w e re fo u g h t an d w o n al t h o u g h i n t h e ,

fi rs t t he M i l es i a n b ro t h ers l os t t h ei r m o t h e r S cota T he po w e r o f t h e .

T u a t h a d é D a n an n h a v i ng be e n t h u s o v e rt h ro w n E re m o n a nd E be r ,

F i n n d i v i d e d t h e l an d be t w ee n t h e m Bu t t h e y t h e m se l v e s q u arrel l e d.

a n d fo u h t
g A f t erw a rd
. s E re m on w a s s o l e k i ng a n d i n hi s rei n t h e
g ,

C ru i t h n e ans o r Pi c t s c a m e i n t o E ri n and pass e d over t o A l ban o r


S co t l an d w h e re t h e y s e t t l ed
, .

This is the n tive record tr diti n th t corrobor tes


a or a o a a

the rgument derived from other sources fo the comi ng o f


a r

the G aed hel into E rin out of Sp in s a .

Fights c urtship d bd ction occup tion o f the


, o ,
an a u a

riches of thinly peopled unpeopled soil com b at w hen


a -
or

ever t w o di fferent bodies o f colonists chanced to b e coveting


the s me broad l nds are the chie f fe tures of old Gaelic
a a ,
a

histo y It represents in its det ils a somew hat restl e s s


r . a

p stor l people apt to di ff se itsel f b y g re t and small


a a , u a

migr tions fi erce d persistent i fight b ut not cruel and


a ,
an n , ,

giving ho nour to very chiv lrous sense o f fair pl y There a a a .

are f w t les o f mean espi l d betr y l More n tural to


e a a an a a . a

the G el w s his notion th t the inv ders wh o had mad e


a a a a

good their l nding unexpected unopposed might re son


a , , a

ab ly t the req est of the inv ded people e em b rk retire


,
a u a ,
r -
a ,

n ine w ves d then let it ppe r whether in f ir fi ght th e y


a ,
an a a a

co ld m ke their l nding good The h l f ba rb rous Gael


u a a . a -
a
— p g n b uta a gentlem n in the rough wh o to the best of
— a a
,

his o w w y d time held w omen in honour nd was ofte


n a an ,
a n

gl dly subject to clever queen delighted in rich colour


a a ,

(not in M p h e s o i a gloom ) d h d the taste fo orn a


ac r n n ,
an a r

ment th t w fi d cle rly displ yed in the gold trinkets and


a e n a a

the chased w ork of the Bron e period d i scovered in its z

tombs H e liked the joyous festiv l the gl d run with t h e


. a ,
a

hounds He h d also a religious spirit a d a lively fancy


. a n ,

th t ccorded dignity to the o fli e not of the priest only but


a a c

o f the m n o f letters The young Gaeli c civili sation sh owed


a .
1 76 E N GL I SH I VR I T ERS .

Bri n the son o f C i ei d igh as a punishment fo L ei st e s


a nn ,
r n r

service to the D nes i t m y be here dded th t fo reviving


— a a a a r

it Bri n o b t i ned the n me yet famous in nursery lore of


a a a , ,

Bri n Bo i m h e
a ro .

The f ncy o f the n rr t r lw ys pl yed over the sur f ce


a a a o a a a a

o f an l d hist ric tale giving it stronger hold thr ugh


o o ,
o

curi sity d wonder on the gener l ttention d through


o an a a ,
an ,

t h t upon t he memory o f l l Sometimes the w hole hist ry


a , a . o

wa so completely interpenetr ted b y the w orki n gs o f im gi


s a a

n tion th t i t bec m e a myth The most f mous o f such


a a a . a

myths is the rec rd o f the T i n Bo C h i lg é (C ttle spoil


o a ua n a -

of C h i lg éua pl ce ow c lled Co ley in the co nty


n ,
a a n a o ,
u

Louth ) through w hich w w ill p ss to consider ti n f


, e a a a o o

old Gaelic poet y The t le w as cont i ed in the most r . a a n

a ncient f the lost b ooks o f the G el the C i l m enn or


o a , u

Gre t Book o f Skins and it is referred to in the Book o f


a ,

Leinster It w s included in a M S o f the eighth century


. a .
,

n o w l st but described less than a cent u ry ago as among


o ,

the G elic M SS in the possession o f the H igh l nd Society


a . a .

There vener b le legends th t rel te the early loss o f


a re a a a

t h e w h le story o f the Tain


o d its recove ry ; b u t the an

n umerous ccessible copies o f the t le its el f a e c mp r


a a r o a a

t i e l y modern
v About the ye r 5 8 S ench n (pronounced
. a 0, a

Sh e ca ) w h w s the chie f poet c lled


n n , o meeting of the
a , a a

poets and le ed m e o f E rin to scert in w hether y f


arn n a a an o

them remembered the old t le o f the C ttle spoil f C h i l a a -


o ua

g n é ,
w hich took place bout the ye r 39 They s id th t a a . a a

they remembered only f gments of it whereupon Senchan ra

a sked w hether y o f his pupils w ould go into the country


an

Leth (It ly ) t le rn the t le w hich learned m h d


a a , o a a a an a

t ken to the E st fter the C il m e h d been c rried a w y


a a a u nn a a a .

The legend goes on to tell h ow s me of those w h w ent o o

h d pr ceeded no f rther than Conna gh t when at the


a o a u ,

cromlech of Fergus Mac R o i gh the ghost of Fergus ap ,

ea e d in a be auti ful for m


r I t h ad b ro w n hair an d w re a o
p .
,
OL D LI T E RA T U R E OF THE G AE L . 1 77

coll ared gold ri bb ed shirt a green mantle a gold hil ted


-
, ,
-

s word and sandals of b ron e Fro m the ghost s dict tion ’


,
z . a

S aint C iaran then wrote in its true form the Ta i n Bo C h i l ua

g n é ,o f w hich as a most lively relic o


, f old Gaelic civilis a

t ion , I will tell b riefly the subst nce H ero i c literature a .

g re w about it Some ten consider b le


. poems serve s a a

prel u des to it What the Argonautic E xped ition or the



.
,

Seven against T he b es is to Greci n history s u ch is to



,
a ,

I rish history
t he Ca t t l e '
T /I e T al e f
o p
-S
oi l f Cl ma i lg ne. ‘
o

M eai v (w ri t t en M eadh bh ) was th e d au g h t er o f th a t E och ai d h , K i ng


of E ri n, w h o fou g h t h is t h ree re v o l t e d
hei r d efe at an d
so ns , a nd a ft er t
d eat h was re vol t ed ag ai nst by t he m en o f C o nnau g h t T o k ee p t h e m .

i n o rd e r E oc hai d h m ad e hi s d au g h t e r M eé v Q u e en of C o nnau g h t and


, ,

h e ga v e h er t he pow erfu l C o nnau g h t c h i e f A i l i ll fo r h u sban d M eii v , .

h ad be fo re t h e n q u i tt ed C o nor K i ng o f U l s t e r t o w h om s h e h ad b ee n
, ,

m a rri e d u nh appi l y Ai l i l l d i ed and t h e w i d o w ed Q ueen w e n t t o t h e


.
,

C ou rt of Lei nste r t h ere t o choose fo r h e rs el f a th i rd h u s band H avi ng


,
.

c h osen th e Ki ng o f L e i ns t e r s y o u ng es t s on w h o w as na m ed a l so Ai l i l l

, ,

s h e m arri ed h i m and b rou g h t h i m bac k as h e r k i n g co nso rt


,
M an y -
.

c h i l d ren w e re bo rn o f t h ei r h ap p y m a rri ag e .

One d ay Q u ee n M eav an d h e r h u s ba n d a rg u ed w i t h each o t h e r as


t o t h ei r we al t h w h i c h w as t h e ri ch e r
,
fo r a t t ha t t i m e al l w o m e n h ad
t h ei r p ri vat e g ood s se cu red t o t h em i n m a rri ag e S o t h ey res o l v ed t o .

p ro d u ce a n d co m pa re t re a s u re s ag ai n s t e ac h o t h e r Th e re w e re b ro u g h t .

t o t h em al l t h e i r w ood en and m e t al v e s s el s and t h ey w ere fo u n d t o b e ,

e q u al i n val u e ; t h ei r fi ng er ri ng s c l as ps b racel e t s t h u m b ri ng s
-
, , ,
-
,

d i ad em s and neck l ets of g ol d and t h ey a l so w e re eq u al Th ere w e re


, , .

b rou g h t t o t h em t h ei r g arm en ts o f c ri m s o n and bl u e and bl a ck and , , ,

g re e n , an d y el l o w an d m o t t l ed a n d w h i t e
,
a nd s t rea k e d
, i n w ea l t h o f,

t h es e t oo t h ey w e re e q u al
, ,
Th e re w e re brou g h t t h e i r fl ock s o f s h ee p
.

t h e i r s t ee d s a nd t hei r s t u d s fro m p as t u re s ; g re a t h e rd s o f s w i n e fro m


fo res ts and d ee p g l en s and s ol i t u d e s ; a nd d ro v es o f co w s fro m t h e
, ,

fo res ts a nd m os t re m o te sol i t u d e s o f t h e p ro v i nce S t i ll a l l w ere e q u al .

b u t t h e re w as fou n d among A i l i l l s h e rd s a you ng b u ll cal v e d by o n e o f


M eav s co w s w h i c h no t d ee m i ng i t h o no u ra bl e t o b e u nd e r w o m a n s
’ ’
, ,

co n t ro l h a d g o n e o v e r an d a t t a c h ed h i m s el f t o A i l i l l s h erd s

.
,

T he na m e of t h i s fi ne an i m al w as t he Wh i t e h o rn e d and i t was -
,

fo u nd t hat t he Qu ee n had n o t o ne t o m at ch h i m .

M
1 78 E NGL I SH WR I T E R S .

S he s en t , t h erefore , for h e r co u s i n , M ac R o t h , and k ed w h ere i n


as ,

t h e fi v e pro v i n ces o f E ri n , s h e cou l fi nd a u l l t o d b m a t c h t h e Wh i t e


h o rn e ? d k
M ac R o th ne w o f a e t t e r u l l , cal l e t h e Bro w n Bu l l b b d of

C h u ai l g n é . It be l o ng e d t o D ar é , s on of F a ch t n a, of C h u ai l g né , i n
U l s t er .

G o, d t h e Qu een
s ai a sk D a ré t o l end i t m e for a y ea r a n d I
, ,

w i l l s e n d h i m fi ft y h ei fe rs b ack w i t h i t I f t he p eo pl e o f t hi s d i s t ri c t .

o bj ec t t o
p ar t i n g w i t h t h e b u l l l e t D a ré c o m e w i t h i t
, h i m s e l f a nd h e ,

s h al l h a v e l a n d s h ere o f m
y b es t e q u a l i n e x t e n t t o h i s o w n a ch ari o t
, ,

w o rt h s i x t y t h re e c o w s and m y fu t u re fri e nd s h i p

-
.
,

T h e cou ri e r w e n t o n h i s e rran d w i t h n i n e fo l l o w ers a n d w as h O S p i t ,

a b l y rece i v e d by D a ré w h o acce t e d t h e Q u ee n s t erm s h ’


p , B u t a t n i g t .

fal l M eav s m esse ng e rs w ere ch a t t e ri n g a m ong t h e m s el v es o v er t h e i r


O ne s ai d t h a t D are h a d d o n e w el l t o g i v e t o n i ne fri e n d l y m e n

cu p s .

t h e B ro w n B u l l t h at t h e fo u r p ro v i nce s o f E ri n cou l d n o t ha v e t ak e n b y
fo rce o u t o f U l s t e r A n o t h e r s a i d t h a t l i t t l e t h an k s w e re d u e t o h i m
.
,

fo r i f h e h ad n o t g i ven t h e bu l l w i l l i ng l y Q u ee n M c dv w o u l d h av e ,

fo rc ed i t fro m h i m D a ré s s t e w ard h app e n e d t o b ri ng i n foo d j u s t a t



.

t h a t t i m e a n d h e h e a rd t h e b o as t
, A n g ri l y t h ro w i ng d o w n t h e fo od .

a m o ng t h e m esse n g e rs h e t u rn ed bac k a n d t ol d w h a t h e h ad h e ard t o


,

hi s m as te r w h o s w o re b y h i s g od s t h a t t h e s e u nm an n e rl y c l a i m an t s
,

s h o u l d no t h a v e t h e B ro w n B u l l e i t h e r b y c o n s en t o r fo rce .

W h e n t h i s w as rep ort ed t o M eav s he t o o k u p t h e w o rd s o f h e r ,

b oas tfu l m es s e ng er an d ra i s ed an arm y t o m arch i n t o U l s t e r T h e


,
.

fo rce s m e t a t C ru a ch ai n w h e nce a ft e r con s u l t i ng h er D ru i d a n d a


, ,

B a ns h e e t h at a p p eared t o h e r t h e Q u ee n h e rs e l f l e d t he a rm y o f ,

i n v a s i on h er h u s b an d a nd h er d a u g h t e r t h e F a i rb ro w ed g o i n g w i t h
, , ,

h er . W h e n t h e h os t w as enca m p e d fo r t h e n i g h t M e av con t ri v e d t o ,

s p e a k p ri v a t e l y t o ea ch o f t h e c h i e fs a n d p ro m i s e h i m fo r h i s fid e l i t y ,

t h e h a n d o f h e r be au t i fu l d au g h t e r t h e F a i rb ro w e d i n m arri ag e , , .

I t h app en ed t h a t t h e U l s t e rm en l ay at t h a t t i m e u nd e r a c u rs e o f
d e bi l i t y s o t h a t t he on l y d e fe nd er o f t h e i r bo rd e r w as t h e you t h
,

C u ch u l ai n an d C u ch u l a i n s p a t ri m on y w as the fi rs t t o b e i n vad ed fo r
,

w i t h i n i t l i v ed t h e o w ne r o f t h e B ro w n B u l l o f C h u ai l g n é C u ch u l a i n .
,

c o n fro n t i n g t h e i n v ad e rs c l a i m e d o f t h e m s i ng l e co m ba t and adj u re d


, ,

t h e m b y t h e l aw s o f w ar n o t t o a d v a n ce fu rt h e r u nt i l i n fa i r s u cce ss i v e ,

fi g h t s o f m an t o m a n h e h ad bee n c o nqu e red T h e d em an d w as


, .

ra n t ed B u t d ays p as s e d an d C u c h u l ai n s t i ll w as v i c t o r i n e a c h
g .
,

c o m bat M e v b ec a m e t h e re fo re i m pa t i e n t o f d e l ay b ro k e c o m pac t
'

. ii , ,

c a rri e d ti re a n d s wo rd t h rou g h U l s t e r a n d m a rch e d b ac k t o M ea t h w i t h ,

t h e B ro w n B u l l .

Bu t no w al so th e t i m e of t h e cu rs e ca m e t o a n en d , a nd the U l ste r
1 80 E N GL I SH WR I T E R S .

of the stone over the grave of her husband C u ch orb , son


of M ogh c o rb
M og h co rb

s s o n c o n cea l s ren o w n ,

He s h ed b l o o d w el l w i t h hi s s p ea rs .

T i s pi t y

A s t o ne o v e r h i s g ra v e
H e w ho ca rri ed b a t t l e o v e r G l i fi M ai l .

My bl e ki ng ne v er sp ok e fa l s e h o od
no

I n ev ery p e ril h i s s u c cess w as su re .

Bl ac k as t h e rav e n w as h i s b ro w
S harp as a raz o r w as h i s s p ea r
W h i t e a s l i m e w as hi s s k i n
We u s ed t o feas t t o g e t h er .

H i g h w as h i s s hi el d as a ch a m pi on ,

L ong as an oar w as h i s a rm ,

T he p ro p ag ai n s t t h e k i n g s o f E ri n ,

H e m ai n t a i n e d h i s s h i el d i n ev e ry ca u s e .

H e fe d w i t h h i s s p ear cou n t l es s w o l v e s
A t t h e h e el s o f o u r m a n i n e v e ry ba t t l e .

T heseven b ttles th t were fought by C h o b e next


a a uc r ar

n med in his honour until from his death in the l st rises


a ,
a

the w il that destr cti n should h ve come upon h i m


a u o a .

The exercise o f fancy in a b und nt use of simile is here as a

notice b le s w e sh ll find its ab sence to be in the old


a a a

heroic Anglo S xon verse-


a .

But the most interesting fr gments o f old Gaelic verse e a ar

those fe w in number which b elong to or e c nect d b y


, , ar on e

remote tradition w ith Fi o O isin and the F e i When nn, ,


n an s .

in the l st century J mes Macpherson after publishing some


a a ,

apparently genuine fr gments o f ncient poetry collected



a a

in the Highl nds f S cotl nd h d pr ceeded to t h e f bri


a o a ,

a o a

cation o f his sentiment l epics Fing l and Temor investi a a a,

g at i o n ubsequently
s led a C mmittee f t h Highl nd o o e a

S ociety o f S c tl nd to the c nclusion th t th re w re re lly


o a o a e e a

a few short poems or fr g m ents o f ncient G elic verse a a a ,

ascri b ed to O i sin or relating to him retained mong the ,


a

Gaels b y immemorial tr dition ; nd th t in some d gree a a a ,


e ,
OL D L I T E RA T U RE OF T HE GAEL . 181

verses and lege ds still retained mong the G els h d b een


n a a a

inter woven b y M cpherson w ith his ow inventions A M S


a n . .

ascribed b y the Committee o f the Highl nd Society to the a

eighth century w hich cont ined the story o f the C ttle


,

a a

plunder of C h u il g é n d re ference to O isin h s dis


a n

a ,
a

appe red since it w s described i 8 5 Eugene O C y


a a n 1 0 .

u rr

found among old Irish M S S only eleven O ssi nic p ems i n . a o

records earlier th n the fi fteenth centu y O f these seven


a r .
,

are ascribed t Fionn t wo to his son O isin one to Fergus


o , ,

Fi nn b h eo i l d one to C e i l t e
,
an The most important a .

a uthority is the Book of Leinster c ntaining pieces tran , o

scribed i the t w el fth c ntury A ch rter f l nds in


n e . a o a

Mor yshire d t d
a r fers t
,
a e w el l o f the Fein
1 2 2 0, e o a

it a

M S in the Advocates Libr ry at E dinburgh d t ing in



. a , ,
a

12 3 8 cont
,
ins i Irisha ch r cter
,
the
n song o f D e i d i or a a ,
r r,

D ea d r
(raM acpherson s D t h u l ) In B rbour

s Brus ar a . a

,

1 3 75 the,
Lord f Lorn is representedo quoting to his men
Fionn b y the n me f Fing l in his stri fe gainst G ll M
,
a o a , a o ac

morna ,
ex mple o f cour ge William Dunbar in the
as an a a .
,

fi fteenth century re fers in his verses to tr ditions concern


, , , a

ing Fyn M k owl e d G w M acm o


a Also Gavin
an o rn .

Douglas Bishop o f Dunkeld inscribing a poem to


, ,

James IV tells h ow he w in his P lace o f Hono r


.
, sa a u ,

among other ch racters familiar to the people a ,

G rei t G ow m acm orne an d F yn M a C ou l , and h ow


Th e y s u l d b e g od d i s i n I rel and as th ey say .

In this w y there can be set forth a tolerably continuous


a

ch in f evidence that Fi o wa in Scotland s in Irel nd


a o nn s , a a ,

a popul r hero o f the Gaels but it is not necess ry to look


a a

to l ter d te when w e h ve extant the c llection f High


a a a a o o

l nd Traditions made by De n J mes M G eg o f Lismore


a a a

r o r, ,

C a m p b el l s ’
Pop u l a r T al e s o f t h e W e s t H ig h l a n d s , v ol . iv . , p .
45 .
and for t h e ne xt fa c t s .
182 E NGL I SH WR I T E R S .

in A gyl es h i e and his b rother Dunc n l l of it b e f re the


r r ,
a ,
a o

ye r 5 5
a d much o f it b e fore 5
1 0 , an The volume le ft by 1 12 .

them s The Book f the De n of Lismore



, a w f rms o a ,

no o

p rt f the collection o f G elic M SS in the Advoc tes


a o a . a

Libr ry at E din burgh


a The De n of Lismore s collection . a

cont ins t w enty eight Feni n poems nine ttrib u ted to O isin
a -
a ,
a

( f which one only is


o t m ni festly o f the Christi n period no a a

in which O isin was only fab led to h ve lived ) t wo to Fergus a ,

Fi b h e i l one to C e il t e M R o a three to couple o f ’


nn o ,
a n n, a

b ard s not else where n med and the rest t b ds u named a ,


o ar n .

F i o (w hich means the Fair haired ) w as the son o f


nn -

C u m ha i l l .

Fr m the L b/ o fi U ia or Book f the Dun ea za r -


I za - -
'
re, . o

C w a M S c llection m de in the eleventh century


.

o , . o a ,

there is an Ol d story f the Battle o f C u ha w hich ccounts o n c , a

f the feud b et w een Fionn M C u m h i l l


or d Goll M M o a 1 c a an c rn .

W he n C thair the Gre t “ s King in T r he h d a


a a a a a a

gre t Druid amed N du wh o sked fo l nd in Leinster


a ,
n na ,
a r a ,

an d chose Almu o w the hill o f Allen near N e w b i d ge in


,
n , r ,

Kildare H e b uilt there ho m e f which he r b b ed the


. a ,
o u

w lls w hite w ith


a l m (lime ) d called it Almu w
a ahich u , an ,

w as the na m e Of Nu d w i fe A son o f N u ad w as lso a a u s



. u a

celebr ted Druid His me was T d hg and he had a


a . na a ,

w i fe n med R i u a N nadu died and T d hg se ved in his


ar .
, a r

place as Druid to the Gre t Cath ir T d hg and R ri u h d a a . a a a

a daughter Murni f the Fair Neck wh o w sought fo her


,
o ,
as r

beauty b y the sons of kings d mighty lords C mha i ll an . u

w s mo g the king s sons wh o sought Murni and T d h g



a a n , a

re fused him C mh i l l w s serving Cond wh o w s his


. u a a , a

s e l e c t i o n o f all h “T he D ean Li s more s


A t a t i s m os t i n t eres t i n g i n of

Bo o k ”
h a s b ee n ed i t ed , (E di n b u rg h , 1 862 ) wit h a t ra n s l a t i o n a n d n o t es ,
b y t he R e v . T h o m as M ac L a u g hl a n , and an i n t ro d u c t i on a nd ad d i t i on a l

n otes by W i ll i a m S k e n e E s q t o w o m t h e F ac u l t o f Ad v oca t e s was i a


F . , .
, h y
d e b t e d fo r t h e f o rm a t i o n o f i t s i m p o rt a n t G e li c co l l ec t i o n a .

1 T ext a nd t ran s l a t i o n w e re c on t ri b u t e d b y W M . . H e nn e ssy t o t h e


R e v u e Cel f i q u e fo r A u g u s t , 1 8 73 (
v ol . ii .
,
p .
1 84 E N GL I SH WR I T E R S .

years earlier could only have survived in f b le to hol d


,
a

w ith t h e saint the dialogues ascri b ed to him by old tra


ditio The b ttle of G ab h a in w hich Oi i s son w s
n . a r s n

a

killed is the subject f one o f the t wo poems ascri bed to


, o

O isin hi m sel f in the Book of Leinster The other poem .

ascri b ed to him in this ancient b ook is nearly eight times s a

long d w ritten a romantic tale o


,

an — occ ion o f t he n as

a cient festival g mes on the Li ff ey w hen men spoke o f


n a ,

the blindness o f Oisin wh o outlived his f i e d fi O isin ,


r n s t

was b ard and war ior His b rother Fergus F i b heoi l


r . nn

(w hich means the E loquent ) w as chie f b ard and nothi ng ,

b ut a bard Ascri b ed to him there i s in the Book o f


.
,

the De n o f Lismore a poem in short smooth alliter tive


a , ,
a

lines w ith vocal concords that is said in form of l ngu ge


, , a a

s in matter to bear evidence o f a remote antiquity I '

a . .

qu ote it s a ch r cteristic and trust worthy ex mple o f the


a a a a

m ost polished form o f ncient Gaelic poetry Desi re to a .

make pe ce in a qu rrel b etw een his father d G 011


a a an

M M o a chiefly b y putting Goll into good humour be f re


c rn ,
-
o

proposing terms o f ccommo d tio n is the purport of the a a ,

so ng E very stop i ndicates the close of a line o f verse i


.
'

High -
m i n d ed G ol l , W ho bat s F i onu A h ero brav e Bol d i n
c om , ,

a ssau l t , His bo u n t y free, Fi erce t o d es t ro y B el o ved o f al l G o l l g ent l e


, ,

brav e , S on o f g re a t , ,M orn H ardy i n w ar


H i s p ra i s e o f ol d , A c o m e l y
m an , K i ng sol d i erl y free , O f n o soft s pe ech , N o l ac k o f se n s e , Ch ee rfu l
I n ba t t l e s d ay, H e m ov ed a p ri n ce ; Th ou g h so ft hi s s k i n ,

as g reat .

Not s oft hi s d e ed ; O f po rt l y m ou l d , A fru i t fu l b ranch , H i s h eart s o


p u re, H e t ra i n s t h e y o u ng .

Bo v e m ou n t ai ns h igh , R i s es i n v i ct o r y ,

We ev e r fea r, Wh e n he as sa i l s .

I t e l l y ou F i on n , A v oi d t h e m an , Te rror o f G o l l , S h al l m a k e yo u
q u a i l S oot h e h i m rat h er, B e t t e r t h a n fi g h t S k i l fu l and j u s t , H e
. .

r ul es h i s m e n H i s bou n t y w i d e , A b l oody m an , F i rs t i n t h e s c h oo l s ,

A free r h ym ed h
t ra n s l a t i o n o f t i s p oe m . b y D r A n s t e r, wi l l b e fo u n d
.

i n t h e D u bl i n U i v er s i ty I l l ag a z i n e fo r M a rch
n an d Ap ri l , 1852 .

1 B o f
. D o f is m .ore L T r , pp,
"
- 8
43 4 . . .
OL D L I TERA T U RE OF THE G A EL . 185

O f gent l e bl o od , And n o b l e rac e, L i be ral k i nd , U n t i red i n fi g h t, N o


i n w i B w h i l k M rbl e h i s s k i n, P e rfe ct h i s fo rm ,
p r c e s o s e ro n a re . s oc s , a

A l l fu l l o f g race , F i e rc e t o e x ac t , W h en au g h t i s d u e , I n v i g o u r g re a t ,
O f fai re s t fac e, N o k i ng l i k e G ol l .

I t ell yo u F i on n , H i s s t ren g t h as w av es , I n bat t l e s cras h ; Pri n cel y


hi s g ai t , C o m el y h i s fo rm , G o l l

s s k i l l e d fen c e , N o p l a y w h e n ro u s e d .

R ea dy t o gi ve , D read fu l hi s s t reng t h , M an l y hi s m o u l d , S o l d i e rl y g re a t ,
N e e r c ou l d I t e l l , H i s g race a n d p ow er ; A fea rfu l fo e , R eady h i s

h an d s , C o ncea l e d h i s w ra t h , A c h ee rfu l face L i k e m u rm u ri ng s eas , .

R u s h ed t o t h e fig h t A l i on bol d , , A s g rea t i n d ee d Pow e rfu l h i s a rm .


.

Ch o i ce am i d s t k i n s
g J o y fu l h i s . w ay , H i s t e e t h s o w h i t e

T i s h e t h at .

wo u n d s T h e g rea t e s t fo e
, H i s p u rpo s e fi rm A v i c t o r s u re D es i res
.
, ,

t he fig h t I n h i s t o ry l earn d Wa rri o r bol d S h arp i s h i s s w o rd Co n



.
, , ,

t em p t u o u s G o l l Pl u n d ers a t w i l l A fearl es s m an
, W ra t h fu l i s h e ,
.
,

D re ad fu l i n l oo k L eo p a rd i n fi g h t F i erce as a h o u n d O f w o m en
, , ,

l o v ed A ci rcl e t ru e E e r by hi m s t o od H e h u rl s h i s d a rt N o g en t l e

. .
, ,

cas t . S oft are h i s c h eek s I n b l os s o m ri ch O f b eau t e o u s fo rm U n , , ,

c h a ng ed s u c ces s N o s t re am so s w i ft A s hi s a s s a u l t
, M a e M o rn m o re , ,

brav e Th an a ny t o l d Of po we rfu l s peech I t far resou nd s H e s t ru l y


, , , .

g re a t L
, i b e ra l j us t D o es n o t d e s i se
p Y e t fi rm res ol v es
, G e n t l e ye t , ,

b ri s k Forsak es n o fri e nd I n fi g h t o f k i n g s N o pow e rl e ss arm Th e re


,
.
,

fi e rce h i s m i e n A nd s t ro ng h i s bl o w Wh e n ro u se d hi s w rat h H e s
, , .

t h i rd o f t h e c h as e .

No b l e M c C u m h a i ll S o o t h e an d p ro m i s e G i ve p eac e t o G o l l, , ,

Check w ra t h a n d g u i l e D u ri ng m y d ay W h a t e e r i t b e I d g i v e .
,

,

w i t h ou t gu i l e A t h i rd o f t h e c h as e
, .

L e t s s t ri v e n o m ore S o ft d o t hou s p ea k F i on n s l o ve t o G o l l

.
,

A nd t h i rd o f t h e b ou n d s .

G ol l l ea v e t h y w rat h W i t h u s h av e peace No w w i t h o u t g ru d g e , , ,

H av e o f F i onn s fo res t a t h i rd ’
.

Tha t w i l l I t ak e F e rgu s d ea r fri e nd My w ra t h i s go n e No


, , . .

m o re I as k .

F ri en d wi t h ou t g u iLi ps t h i n and
l e , red , Bo u n t y and s t re n g t h ,

S h al l w i n t h e p rai s e , H ig h mi n d ed G ol l -
.

Ascri b ed to Fergus there is found in the Iris h M SS , .

only one genuinely ancient poem It ccounts fo the . a r

name of spring by telli ng h ow Fergus s brother O isin


a

,

when hunting w a s b eguiled into a c vern and there kept,


a ,

b y the f iries fo a t w elvemonth during ll w hich tim e h e


a r ,
a

cut chips from the handle of his spear and cast them in t he
1 86 E N GL I SH WR I T E R S .

stream His father Fionn who was looking for him at


.
, ,

l st c me to the stre m saw a chip floating do w n knew


a a a , ,

immediately that it w as part f Oi s i spear follo wed t h e o n s



,

stre m up to its source and saved his s


a , on .

C ei l t e M R o a
a the other chie f poet was Fionn sc n n, ,

cousin and one f his bravest w rriors fleet f foot famou s


, o a , o ,

in s ng O f the songs of C ei l t e the one record left i n the


o . a ,

ancient Iris h M SS is love story ascribed to him w hich . a , ,

finds in the dr wning o f a lady amed C l i od hn a the local o n

n me Wave o f C l i od h f a part f the coast of county


a na or o

Cork It purports t have been sung b y him to St Patrick


. o .
,

and must there f re have been c mposed b y an ther poet


,
o , o o

in the e rly Christian times C aei l t e like Oisin was fabled


a .
, ,

t h ve survived the rest f the Feni ns till he lived to see


o a o a ,

the c ming o f St P trick and to travel w ith him on his


o . a

missi n ry j rneys thr ugh the country The tale of t h e


o a ou o .

first l b urs f the priest w a thus cunningly interw oven


a o o s

w ith the native p etry and legend f the Gael W ith lively o o .

w it d s me dram tic skill the blind old b ard is ep e


an o a r r

sented f ex mple in the Di logue w ith St P trick still


, or — a ,
a . a

tr diti n l in Mayo d the Western Highl nds as e


a o a — an a x

pressing Pag n w eariness at all t h e w ys o f th t clerk o f


“ a a a

clergy and the b ells and sighing f the l d d ys of chase ,



or o a

w ith Fionn s b o ds d the lost friendship f Fion the



un an o u

h spitable heart w ith ut m lice heart stern in defence o f


o , o a ,

b attle Says P trick


.

a

No w i s F i on n th e Wh i t eh an d ed p l ac e d by G od am ong t h e d e v i l s ,

an d al th ou g h once g reat hi s s t re n g t h to re l y u p o n h e i s w e a k n ow i n
,

the c ou n t ry o f p a i n s .

Oi s i n — My . my g ri ef I o wn ! no t t h at m ys el f o r
a ffl i c t i o n an d

F i on n w ou l d e v e r h av e an y regard for d evi l s , h o w e v e r h i d eou s .

P a t r i r/ — I t i s b e t t er fo r t h ee t o b e w i t h m e an d t h e cl erg y , a s
e
.

h ou
t a rt , t h a n t o b e w i t h F i on n an d t h e F e n i an s , fo r t h ey a re i n h e l l

w i t h ou t or d e r of rel e as e .

Oi s zn

.
— By thy book an d i t s m e a n i ng , by t h y croz i e r and by t hy
i m ag e , b e tt er w ere i t for m e t o s h are t h ei r t orm e n ts t h an , to b e a m on
g
1 88 E N GL I SH WR I T E R S .

T he corn e r s t ones of y ch am ber


its su n n

A re all o f s i l v e r and yel l o w g ol d


I t s t h at ch i n s t ri p es o f fau l t l es s o rd e r ,

O f w i ngs o f b ro w n an d cri m son re d .

T w o d oor pos t s o f g re e n I s e e
-

N o r i s i t s d oo r w i t h ou t b eau t y ,

L on g ren o w n ed fo r i t s carv ed s i l ve r
I s t h e l i n t el t h at i s o v er t h e d o o r .

C red es ch ai r i s on you r ri gh t h and



,

T h e p l eas an t e s t o f t h e p l easan t
A l l o v e r a b l a z e o f m o u n t ai n g o l d ,
A t t he fo o t of h er beau t i fu l c ou c h .

A g o rg eou s cou ch i n fu l l array ,


S t a n d s d i rec t l y a bo v e t h e ch a i r
I t wa s m a d e by (a t ? ) Tu i l é i n t h e E a s t ,

O f y e l l o w g ol d an d p re ci ou s s t o nes .

Th ere i s a no t h er b e d o n you r ri g h t h and ,

O f g o l d a n d s i l v er w i t h o u t d e fec t ,

C u rt ai ned an d s oft .

A n d w i t h g ra cefu l rod s o f g o l d en b ron z e .

a e a at s
a

An h u nd red fe e t s p an s C red e 8 h ou s e
F ro m o ne c o rn e r t o t h e o t h e r,

A n d t w e n t y fe e t a re fu l l y m e a s u re d
I n b re ad t h o f i ts no bl e d oo r
t he .

I t s p o rt i c o i s t h a t ch e d
W i t h w i ng s o f b l u e an d y el l o w bi rd s
I t s l a w n i n fro n t i t s w el l an d

O f cry s t al a n d of carm og a l .

a a is

Th e re i s a v at of ro yal b ronze ,

W h ence fl ow s t h e pl easan t j u i ce o f m al t
A n app l e t ree ov e rh a ng s t h e v at
-

Wi t h th e a bu nd an ce of i t s h eav y fru i t .

When C red es gobl et i s fi l l ed


Wi t h t h e al e of t h e n obl e vat ,

There d rop d ow n i nt o t h e cu p d i rect l y

nam ed
OL D L I T ERA T U RE OF T HE GAE L . 189

Although Cred es b ow er has no dou b t been partly ’

furnished w ith the che p ornaments o f poetical speech and a ,

although the picture is but o f a l rge b t T h g m a u e e .

pompous w ith b arbaric luxury yet there is a ,

truth to the old G elic character in all this glo w m


a
fa e

o f gold chased silver bron e and g y colour in r iment


, ,
z ,
a a ,

in the painting o f the very th tch a d i the tu rn o f fancy a , n n

that s u ggested for the lady s p rch a roofing w ith the blue ’
o

an d yello w w i gs o f birds The Gaels were skil f l in the


n . u

use o f dyes and had an O riental t ste fo the enjoyment o f


,
a r

bright colour Thus fo ex mpl e in the f mous t le of


.
,
r a ,
a a

the Cattle pl u nder of C hu i l gn é there is introd ced


“ -
a ,

u a

series o f descrip t ions of the chie fs of Ulster who pursued


and b e t the army of Queen M ea it is no dingy b rb rous
a v a a

host th t rises to a view Another comp ny h ve come


ou r . a a

to the same hill s id M a R o th through whose eyes the


,

a c ,

a rmy is pictured in Homeric fashion it is wild and unlike



,

the ther companies S me e w ith red clo ks ; thers


o . o ar a o

w ith light bl u e clo ks


-
others w ith deep blue cl aks others
a -
o

w ith green or grey or white or yello w clo ks bright and , a ,

flutte ing about them There is young red freckled lad


r . a -
,

w ith a crimson cloak in their m idst a golden brooch in that


clo k t his breast ; shirt f ki gly linen w ith fastenings
a a a o n

o f red gold t his skin ; white shield w ith b ook s o f red


a a

gol d t his shoulder f ced w ith gold a d w ith a golden


a ,
a ,
n

r i m ; a sm ll gol d hilted s w ord t h i s side ;


a light sharp
-
a a , ,

shi ing spear t his shoulder Such w ere the chiefs who
n o .

f ght w ith O isin and the Fen i ns


ou d w h w i th f ncies a ,
an o a

g y a s their
a cl ks listene d to the hist
oaries p ems d o ,
o ,
an

legends of the first litera y men co cer ing w hom th re r n n e

rem ins record in Brit in We sh ll fi d as this rr tive


a a . a n na a

adv nces that the m in current o f E nglish lit r tur c nnot


a a e a e a

b e disco nected from the lively Celtic wi t in which it h s


n a

one o f its so u rces The Celts d o not form an utterly .

distinct p rt of our mixed population But for early


a .
,
1 90 E N GL I SH I VR I T ER S .

freque t d v rious contact w ith the race that in its h l f


n ,
an a a

bar b ous days invented O i s i s d i logues with St Pa trick


ar n

a .
,

d that quicke ed a fter wards the N o t hm e b lood i n ’


an n r n s

Fr nce Germ nic E gl nd would not h ve produced


a ,
a n a a a

Sh kespe re
a The recollections of the past on w hich we
a .

ar e o w d w elling are not to b e t ken


n s mere tiqu arian a a an

d et ils They contribute to our full se se o f m ore t han t h e


a . n

history of the form ti o f the E nglish l gu ge They a on an a .

a an essenti l ch pter in the more interesti g tale of the


re a a n

formation o f the E glish ch r cter the righ t re di g of n a a ,


a n

which is the most vit l part of any study o f the E nglish a

written mind .

The chie f exercise of the G elic im gination from S t a a .

P trick s time u til the year


a

w s in t h e repetition and
n 1000 a

Th F e i i vention
e n an
o f t les h vi gnFionn O isin Fer g us a a n , , ,

T l
C ei l t e
a °s °

d the Feni s fo heroes a O e of the ,


an an r . n

oldest n d m ost f m us o f these w s t he tale f


a a o a o

T b e P u rsu i t o f D i an /m i d and Gr a i n a t .

Wh e n F i o n n w en t t o T ara d au g h t e r o f C o rm ac
t o s u e G ra i n n é , t h e
M ac A rt h e t o o k w i t h h i m h i s s on O i s i n h i s g ran d so n O s ca r a n d a
, , ,

h and s o m e c h i ef o fli ce r n am ed D i arm ai d O D u i b hn é F i onn w as a n


,

.

ol d , w a r w orn m an -
O i s i n an d D i a rm ai d p l eased t h e l ady m o re
. .

W h e n t h e re fo re sh e s en t h er cu p rou n d at t h e feas t se l e c t i ng as w as
, , ,

u s u a l fo u r ch i e fs a t a t i m e e ach o f w h o m
p a ss e d ,i t t o fo u r n e i g h b ou rs ,

s h e d ru
gg e d h e r c u
p an d c o n t ri v e d t h a
, t a l l s h o u l d d ri n k fro m i t b u t
O i s i n a n d D i a rm ai d Th ey w h o d ran k s l ep t Wh en t h ese al o n e re
. .

m a i n e d aw a k e G ra i n n é t o l d O i s i n t h at s h e w o u l d ra t h e r m a rry h i m
,

t h a n t h e o l d m an O i s i n w ou l d n o t b e t ra y h i s fa t h e r
. Th en t h e .

P ri n ces s b eg g ed o f D i arm a i d t h at h e w o u l d ru n o ff w i t h h e r So i t .

w a s t h a t t h e y fl ed t og e t h e r Fi o n n w h en h e a w o k e p u rsu ed an d
.
, , ,

s e n t h i s b e s t m e n o u t i n v ari o u s d i re c t i o n s b u t D i a rm ai d h ad t h e g o od
w i l l o f t h e o t h e r F en i a ns an d t h ey n ev e r ca m e u p on h i s t race s e x ce p t
,

w h e n F i o nn h i m sel f w a s o f t h e p art y A n d t h e n i t al w a y s h a pp e n e d
.

t h a t i n t h e m o m e n t b e fore cap t u re D i arm ai d an d G ra i n n é by t ri c k o r ,

a i l i t y c o n t ri v ed a w o nd e rfu l e s ca p e
g ,
.

The pursuit extended over all E ri n , an d the descripti n o

of it forms lively topographical s u rvey


a o f the l nd w i t h a ,
1 92 E N GL I SH WR I T E R S .

fightin g as one p eople to drive an invad er from the coas t .

Iri s h tradition says th at the F enians were an ancient militia


or stan d ing arm y employed only on home service for pro,

te ti g the coasts from i nvasion E ach of the four provi nces


e n .
,

says t h e traditio n had its b ard ; that of L einster to which


, ,

Fionn and hi s family belonged b ei ng calle d the Cl a n a ,


n

B o i sg ne
a This militia is said to have been p id by the
. a

king b illeted on th e p eOpl e in the winter but to h ave lived


,
'

in summer by the chase ; an d these are imagined to have


b een the qualifications of a F e n ian
E v e ry d i er was requ i re d t o s wear t h at w i t h ou t reg ard t o h er
so l ,

fort u n e h e w ou l d ch oos e a w i fe fo r h e r V i rt u e h er cou rt es y an d h er


, , ,

g o o d m a n n e rs t h at h e w ou l d nev e r o ffe r vi o l en c e t o a w o m an t h a t as

fa r as h e c ou l d h e w o u l d rel i e ve t h e po o r and t hat h e wou l d n o t refu se


t o fi g h t n i n e m en o f any o t h e r nat i o n .

N 0 p ers on cou l d b e rece i v ed i n t o t h e se rvi ce u nl es s h i s fat h e r a nd


mo t h er and al l h i s rel a t i v es g av e s ecu ri t y t h at none of t h e m s h ou l d
, ,

re v e ng e h i s d e at h u on t h e w h o m i g h t s l a y h i m b u t t h a t t h ey
p p e rso n ,

w ou l d l eav e t he m a t t e r t o h i s fel l ow s o l d i ers - .

T h e y ou t h h i m s el f m u s t b e w e l l ac q u ai n t e d w i t h t h e t w el v e b o ok s
of p o e t ry a n d b e abl e t o com p ose v e rs e s
, H e m u s t b e a p erfect m as t er
.

o f d e fe n ce T o p ro v e t h i s h e w as p l aced i n a fi el d of sed ge reach i ng u p


.

t o h i s k n e es h av i ng i n hi s h a nd s a t arg et and a h azel s t i c k as l o ng as a


,

N i ne e xperi e n ced sol d i e rs fro m a d i s t ance of n i n e ri dg es



m an s arm .
,

o f l a n d w e re t o h u rl t h e i r s ea rs a t h i m a t o n ce i f h e w as u n h u rt h e
, p
w as a d m i t t ed b u t i f wou n d ed h e w a s s e n t o ff w i t h a rep ro ach
,
.

H e m u s t a l s o ru n w el l and d efe nd h i m sel f w h en i n fl i g h t t o t ry


h is act i v i t y h e w as m ad e t o ru n t h rou g h a w ood h av i ng a s t art o f a ,

t re e s b rea d t h t h e w h o l e o f t h e F en i an s p u rsu i ng h i m i f h e w as o v e r

,

t a k en o r w ou n d e d i n t h e w o od h e was re fu se d as t oo s l u gg i s h a n d ,

u n s k i l fu l t o fi h t w i t h h ono u r a m on h l i t t o o s
g g s u c v a an r p .

A l s o h e m u s t h av e a s t ro ng a rm a n d b e abl e t o h ol d h i s w e ap on
,

s t e ad i l y .

A l s o w h en h e ran t h rou g h a w oo d i n ch ase h i s h ai r s h o u l d n o t


,

co m e u n t i ed i f i t d i d h e w as rej ec t e d .

H e m u s t b e s o s w ift a nd l i g h t o f foo t as n ot t o bre a k a ro t t e n


s t i c k b y s t an d i ng u po n i t a bl e a l s o t o l ea o v e r a t ree as h i g h as h i s
p
foreh ead a nd t o s t oo p un d e r a t ree t h at w as l o we r t h an h i s k n e e s
,
.

Wi t hou t s t op pi ng or l ess eni ng h is sp eed h e mu s t b e abl e t o d raw a ,

b o rn ou t o f hi s foo t .
OL D L I T ERA T U RE OF T HE G AE L .

Fi nal l y , h e m u s t t ak e an o a t h of fid el i t y .

T he R ev G eo ff re y K ea t i ng , w h o w ro t e a h i s t o ry o f E ri n i n t h e
.

year 1 6 30, grav e l y s ays , S o l o ng as th es e t erm s o f ad m i s s i o n w ere


e x act l y i n s i s t ed u p o n , t h e m il i t i a o f I rel an d w e re a n i n vi n c i b l e d e fe nce

h
t o t e i r co u n t r y , an d a t e rro r t o re be l s at h o me a n d e n em i e s a b road .

Goll M M o na had sl in Fi c s f therr C u m h i l l in a onn



a a

b attle and was Fionn s m rt l enemy in e rly li fe A fter


,

o a a .

wards he made peace w ith him d fought under him s


a ,
an a

C hie ftain o f the Conn ught Feni ns But the supremacy o f a a .

the Cla n B oi sg e led t feuds and t l st Fi nn and his


n a a n o , a a o

clan defying the throne itsel f were tt cked by ll the f rces


, ,
a a a o

of E rin except those o f the King o f Munster w h o took p rt , a

w i t h him n d su ffered carn ge in th t b ttle


,
a f Gab b r in a a a o a,

the flat country f Me th w herein O i i s son Osc r and the


o a ,
s n

a

Ki g fell b y e ch other s h nds Fi


n s
a C i b w as

a . onn

son a r ar

then dead but poets feigned th t he was nly bsent th t


,
a o a , a

he arrived in time to cl se his gr nds n s eyes d o a o



, an

a fter this de fe t pe ce h d no s w e ts f him and w no


a ,
a a e or ar

t riumphs Fion died at l st it is s id by the l nce f an


. u a ,
a , a o

assas sin .

The foll wing piece is from the collection of old Gaelic


o

poems in The De n f Lismore s Book The Rev Thom s a o



.

. a

M c L a ch l
a their tr nsl tor is not ans werable fo the
u an , a a , r

attempt I have here made t represent the song o f the chief o

bard to modern ears by a rude blending f rhy m e a d o n

a sson nce Fergu s F i b h eoi l is supposed to tell i reply


a . nn , n

to questions from his father Fi o M C m h i l l the nn c u a ,

sl ughter o f his Fei or Feni ns t the b ttle of Gab b ra


a n n, a ,
a a ,

and the de th of Osc r Ois i s son the old m n s grand


a a ,
n

, a

son A Gaelic poe m close s usu lly with repetiti n f its


. a o o

first w ord or phras e Th t repetition here serves lso to . a a

suggest the b rd wh o w the hist rian f ancient times


a ,
as o o ,

passing from tribe to tribe d nsw ering in e ch pl ce the ,


an a a a

demand fo f ll detail o f the great deeds whereo f it w as he


r u

only wh o kept the record and maintained the f me a

N
I
94 E N GL I SH WR I T E R S .

T b e D eat b of Os ca r .

S ay, B ard o f th e F e i n n o f E ri n ,
H o w fa red t h e fi g h t , Ferg u s , m y son ,
I n G a bh ra s fi e rce ba tt l e d ay ? S ay

-

T hefigh t fa re d n o t w e l l s on o f C u mh ai ll
, ,

From G abb ra com e t i d i ngs o f ru i n ,

F Os car t h e fearl es s i s s l ai n
or .

T he s ons o f C a ei l t e w e re s e v en
T hey fe l l w i t h th e F e i nn o f Al ban .

T he you t h o f t he P e i na are fal l en ,

A re d e a d i n t h e i r ba tt l e a rray .

A n d d e a d o n t h e fi e l d l i es M a c L u y ,

Wi t h s i x o f t h e s o ns o f t h y s i re .

T h e y ou ng m e n o f A l ba n a re fal l e n
T he F ei nn o f B rea t an a re fa l l en .

A nd d ead i s t h e k i ng s s on o f L ochl a n

,

Wh o h as t e ne d t o w a r fo r o u r ri g h t
T he k i ng s s o n w i t h a h ea rt e v e r o pe n

,

A n d arm e v er s t ro ng i n t h e fi g h t

.

N o w , 0 Bard — m y d esi re

son s son , my ,

M y O sca r, of hi m , F e rg u s t e l l
,

H ow h e hew ed at t h e h el m s e re h e fe l l .

H a rd w ere i t F i o nn t o nu m b e r
, , ,

H eav y fo r m e w e re t h e l a b ou r ,

T o t e l l o f t h e h os t t h a t h as fal l en ,

S l a i n b y t he v a l ou r o f O s ca r .

N O ru sh o f t h e w a t e rfal l s w i ft e r ,

No p ou n ce o f t h e h a w k on h i s p rey ,

N o w h i rl p oo l m o re s w ee p i ng an d d ead l y ,

Th an Os car i n b at t l e t h at d ay .

A nd yo u w h o l as t s a w hi m cou l d s e e
H o w h e t h ro bb e d i n t h e ro ar o f t h e fray ,

As a s t orm w o rrie d l eaf o n t h e t ree


-

Wh os e fel l o ws l i e fal l en bel o w ,

As an as p en w i l l q u i ver and s way


W h i l e t h e ax e d eal s i t bl ow u pon b l o w .

W h en h e s aw t hat M acA rt , K i ng of E ri n ,
S t i l l l i v ed i n t h e m i d s t of t h e roa r,
1
9 6 E NGL I SH WR I T E R S .

D an a n n (pe ple o f the D c untry


o
) landed in S c tl nd an o o a ,

an d ppro ching the headl nds f the north western sh re


,
a a a o -
o ,

g ve to the country the n me of Al b n (Highl nd or Alp


a a a a

l nd the words Al b d Alp b eing o f one Celtic origin)


a ,
an ,

w hich as Al b ion b ecame the first n tive name o f the w h le


, , a o

isl d The T at h a d é Da
an . passed as tr diti n has
u n an n , a o

a lr dy told us into E rin


ea d partly occupied the l nd
, ,
an a

b f r the Milesian b rothers c me from Sp in The


e o e a a .

C i t h e w hom some connect w ith the Picts first l nded


ru n , ,
a

fr m L
o h l a in E rin and migr ted thence to Alb n
oc n To
,
a a .

the b rds then o f these n rthern Celts wh o h d ot


a , , o , a n

re ched u shores b y w y o f s uthern E urope the Feni ns


a o r a o ,
a

an d their poets m y h ve been allied most closely a The a .

tr ditions o f the C u i t hne i descri b ing their migr ti ns


a r ,
n a o ,

even name as the myth ic p et o f their race one w hom they o

c ll d H u asei n
a e .

W may only touch here on the relation of t h bright


e e

heroic stories o f the P ga time among the Gaels to the a n ,

Ad o rn m e n t sa m e q u ick rtistic feeling that g ve w ith the


— a a
“ 53
A4
eal o f which w sh ll find eviden ce hereafter
z e a

c lour n d for m to their first C h risti n utterances They


o a a .

show ed their native genius for rt even in the miniature a

painting that illumin tes their manuscripts The adorn a .

ment f b ooks used in the Church servi ce w ith initi l s


o ,
a

c r fully designed and coloured began in I rel n d in the


a e ,
a

seventh century i f t in the sixth the artistic spirit blend


, no

ing itsel f w ith the first utterances of their Christi n f ith a a .

T h e m st beauti ful ex mple kno wn is a M S o f the Gospels


o a .

w hich came from the C thedr l f Kells d is in the library a a o , an

o f Trinity College Du b lin Next in b e uty to the Kells M S


,
. a .

is t h e M S o f S int Cuth bert kno wn lso as the D rh m


. a , a u a

M S b ec use it was b r ugh t from Lindis farne to Durh m at


.
,
a o a

the time f trans ference o f the See I n the north where the
o .
,

Irish priests C u ldees — wh o received inspiration from the


,

a

E stern Church w ere b e fore Augusti n e the first bringers of , ,
OL D L I T ERA T U RE OE T HE GA EL . 197

Chri s tianity to Britain their illuminators also brought their t


, ar

into the first E nglish Church While the Irish illuminations .

h ve a common origin w ith other ancient e mples of the


a xa

art and owed something to Byza n ti ne influence they h ve


, ,
a

characters f their o wn They are marked by an absence


o .

o f decoration dr w n fr m flo w ers and foliage ; a grotesque


a o

elaboration o f anim l forms d especially by the frequent


a an

use of spir l ornament and f an interl cement o f lines


a a , o a ,

r ther suggestive o f b sket work to fill up the ground of


a a -
, a

design These interl cements d the spir l line like the


. a an a ,

vol u te of an Ionic col mn sin gle or double e both u , ,


ar

c ommon as orn ments f the Bron e period


a B t w hile o z . u

these spiral ornaments are trace ble from the earliest t o f a ar

the Celts it w s in Irelan d th t t he l x u ri nt and pl y f l


,
a a u a a u

f ncy was first a pplied to the tre tment o f ni m al forms


a a a

in the decoration o f their books Another f ature in the . e

decoration o f old Irish M SS is a red dotted bordering to .

the initial letters .

A legend ry tale of the B ttle o f M gh Rath is in a


a a a

fi fteenth century M S in the library o f Trinity Coll ge .


e ,

Dubli containing als other pieces There is h B “


n, o .
T e at t le
.

another M S c py o f it in the Book of Fe m oy


. o M h R “ r ,
ag at

d there w s third in the Duke o f B ckingh m s libr ry ’


an a a u a a

a t S to w e This t le blends f ble with the rec rd f


. a a o o a

f mo u s b t tle ctually fought in t h e ye r 6 3 7


a a a It w s edited a . a

fo the Irish A rch aeological S ociety w ith


r tr nsl tion and , a a a

notes by a famous Iris h schol r John O D o o in the a ,



n v an ,

year 1 8 4 a d in the editor s Opinion the t le s we h ve


2, n ,

,
a , a a

it belongs to the tw el fth centu y I f it was written to please


, r .

a descendan t o f its hero wh ile his race still h d po wer in , a

the North of Irel nd it must have been written be f re the


a , o

year 9 7 when t h e last chief of the f mily died


1 1 , a .

The battle upon which this tale was founded was in


resistance to i nvas ion bro u ght on b y domestic stri fe A .

good k i ng M al cob a was c t off by his s u ccessor


, , d the u ,
an
1 98 E N GL I SH WR I T E R S .

s u ccessor was cut o ff b y his en emy Congal Glaen a man of , ,

gen i us and po wer M al cob a b rother D om h nall then .



s , ,

b ecame kin g de feated Congal C l ae n i n b attl e and drove


, ,

him to e ile among t h e Scots in Britain C o gal s hi gh


x . n

qual i ties gathered to him friends amon g the Scots of Al b n a ,

Picts Briton s and Saxons and he came back with a great


, , ,

force to I reland D om h al l King of I reland gath ered all


. n , ,

the forces o f t h e country which united for the common ,

safety an d t Magh Rath t he t wo great armies fought a


,
a

six d ys battle ending with su ch de fe t of the S cots of


a

,
a

Alban as acc rding to Ad am a wh o lab oured al ways for


, o n n,

accord bet ween the brother tribes i n Irelan d and Britain ,

to this d y has obliged the S cottish natio n to succumb to


a

foreign po w ers and which gives our heart grie f w hen we


,

consider it .

The legendary tale o f the battle had soon after its pro
d u ction an introd u ctory tale written for it call ed ,

T I re B a n qu et o f Dun na u -
Ged/z and tfi e Ca u se o f t he B a t t l e f
o

Th ere w ere no egg s fo r t h at banq u e t o f Du n na n G ed h an d egg s -


,

w ere ve ry s carce Th o s e s ent i n search o f egg s carri ed away a t u b o f


.

o o s e e gg s be l o ng i n g t o a h o l y s ai n t
-
w h o se c u s t o m w a s t o s e n d t h e
g p
,

d ay i n t h e B oy n e u p t o hi s a rm p i t s p rayi ng from h i s Ps al t er o p en o n
-

t h e s h o re b e fo re h i m t h en t o g o h o m e an d d i ne u p o n an eg g an d a
,

h al f a n d th re e cres ses fro m t h e wat e r o f t h e Boyne W h en t h e sai n t .


ca m e h om e an d fo u nd h i s egg s g one t o t h e K i ng s b a nq u e t h e cu rs ed

,

t h e ban q u e t as bi t t e rl y as h e w a s ab l e t o cu rs e i t T h e fi rs t p ers on

.

w h o c rac k e d on e o f t h e s ai n t s egg s b e fo re t h e b anq u e t h ad bee n



,

b l ess ed w as C ong a l C l aen t h en th e p ro v i nci al k i ng of U l s t e r an d h e


, , ,

d id so w i t h o u t w ai t i ng for a bl ess i ng o n t h e m eat Th ence cam e t h e .

a t c rac k i n t h e p eace o f E ri n al t h o u g h t h e K i n s i d n o n e l
g re g a, o e s e

s h al l p art ak e o f t h i s feas t u n t i l t h e t w el v e a p os t l es o f E ri n a re b ro u g h t

t o bl es s a n d con s e c rat e i t a n d a v e rt t h e c u rse i f t h ey can



, T he .

t w el v e a p os t l es o f E ri n cam e and each b rou g h t a h u nd red sai nt s w i t h


,

hi m and t hey m u s t h av e s ai d g race p ow erfu ll y ; b u t t h ey cou l d n o t


,

a v e rt t h e cu rs e b e ca u s e C o ng al h a d t a s t e d o f t h e fe a s t b e fo re i t h a d

been bl es t and t h e v eno m of t h i s t h ey w ere not abl e t o a v e rt


, .
z oo E N GL I SH WR I T E R S .

men of t h e contending hosts We have the later and more .

florid manner o f recital and there was terror in the grimness ,

o f t h e Gaels d h o rri b le aeri l phan t o ms rose up in


,
an a ,

dismal regular aerial storm shrieking hovering fi end like


, , ,
-
,
-

hosts constantly in motion shrieking and ho wli g as they , n

h overed b ove the rmies ; n d the grey haired Morri gu


a a a -

shouts victory over the he d of D o mh al l a n

O v er h i s h ead i s sh ri ek i ng
A l ea n h ag q u i ck l y h o p p i ng
,

O v e r t h e p o i n t s o f t h e i r w eap on s an d s hi eld s
S h e i s th e g rey h ai red M o rri g u

-
.

But the to u ch of the Christian teacher is felt i n th ese later


tales Apostles and saint Church blessings and cursings
. s,

enter n ow into the argument E ven the cowardi ce of the .

her S i b h n e whose sudden fear is a feature in the story


o u , ,

an d w h o is said in another tale to have died of the many


poems m de upon him is thus moralised It con fo u nded him
a ,
.

b ecause he had been cursed by St Ronan and denounced .


,

by the s ints of E rin for having slain an ecclesi stic l


a a a

student o their people over the consecr ted trench that


f — a ,

is the clear stream over which the shrine of the Lord had
,

b een placed fo worship be fore the b ttle God b efo e l


r a . r

His blessing on the b read His blessing on the bat tle so , ,

the ew n ote rises in the ancient son g


n .

The chie f M S materi ls fo a study o f the old Gaelic


. a r

L anguage and Literat u re are

L AT I N M SS . OF T HE 8 1H ' ‘
on 9T H C E NT U R Y WI T H

G A E L I C G ros s e s .

I . d e x o f Pri s ci an i n t he L i bra ry at S t G al l i n Sw i tze rl and


A co , .
,

c ro w d ed w i t h I ri s h g l oss e s i n t e rl i nea r a n d m argi na l as fa r as p 2 2 2


, , . .

(Th e y w e re I ri s h m o n k s w h o fi rs t ca rri ed Ch ri s t i an i t y t o S w i t z e rl a n d ) .

i f
Qu ot e d i n Z eu s s s

G ra mm at i ca Cel t i ca ,
OL D L I T ERA T U RE OF THE GAE L . 20 1

2 . A cod ex o f St . Pau l

s E p i s t l es , i n the U n i v e rs i t y L i b ra ry at

Wu rzbu rg , con t a i n i ng e v en m ore g l oss es t h an t h e S t G al l . Pri sc i an .



3 . A L at i n C o m m ent ary o n t h e Ps al m s , asc ri bed

now to St .

C o l u m b an u s , i n t h e A m b ros i a n L i bra ry at M i l an, ye t m o re c row d ed


w i t h an c i e n t I ri s h g l oss es .

4 . dA e x a t
co C ar l s ru h e con t a i n i n
g so m e f
o M e w o r ks
f
o B e d e A n .

e n t ry o f t h e d ea t h o f A e d K i n g o f I re l a n d e s t a b l i s h e s t h e d a t e 8 1 7
, , .

n d co d e x o f C h h ”
A P ri s c i an l t l w i t f w
5 .s e c o a s o a a r s ru e e , e r ,

g l o s ses t h a n t h a t o f S t G al l . .

6 A m i s cel l a n eou s cod e x o f S t G al l i n c l u d i ng m ed i cal c h a rm s i n


. .
, ,

w h i c h G o i b ne n n t h e s m i t h an d D i a nc e ch t t h e l eech o f t h e T u a t h a d é
Danann a re m e n t i on ed .

7 A. c o d e x a t C a m b ra y w r i t t en b e t w ee n t
, h e y ears 6
7 3 an d 790 ,

I cou n c i l h e l d A D 6 84
co n t ai n i ng ca non s o f a n I r i s/ an d a f r a m en t o
g f . .
,

an I r i s / I ser m on co n t ai n i ng L a t i n s e n t en ces .

A N NA L S A N D OT H E R L I T E R AT U R E .
—I I T H C E N T U RY .

T he S yno ch ro n i s m s of F l an n o f M o n as t e rb o i c e , a m on k , w h o
d i ed in 105 6 , a s k e t ch o f U n i ve rs a l H i s t ory fro m t h e re m o t e s t t i m e s .

T he c h ron ol og i cal Po e m of G i l l a C ae m h ai n ,

w ho d i ed A D
. . 1072 .

“ A nnal s d T
(p

T he of
T i g h e rna ch na h ) O B r a ozn ,
'

r n ee -
o o u n c e r

a bbot of t he M o n as t e ri es o f C l onm ac no i s and R o sco m m o n , w h o d i ed


A D . . 1 088 . O f t h e A n na l s T i g h ernach t h e re a re s e v e n M S c op i e s , a l l
of .

d e fec ti ve , an d a v e l l u m frag m e n t Th i s i s t h e m os t t ru s t wort hy o f t h e


.

a n c i en t re cor ds .

T he A n n al s of I nn i s fa l l e n , b el i ev e d by P rofes s o r O ’
C u rry t o h a v e
bee n m ai n l y w ri t t e n by M ae l s u t ha i n , a p ri n c e of t he t ri b e s o f L o ch
L éi n or K i l l a rn ey , w h o w a s
d u ca t e d i n t h e m onas t ery o f t h e l ak e and
e ,

d i ed i n i t re t i red fro m t h e w orl d A D 1009 Th es e ann al s b e i ng


, , . . .
,

con t i n u ed t o 1 2 1 5 a re c o m m o n l y as c ri b ed t o t h e 1 3 t h c e n t u ry
, .

o r Bo o k of t h e D u n C o w

T he L eab h a r n a h U id re - -
a frag m e n t
,

re m a i n s o f 1 3 8 fo l i o p ag e s w ri t t en b y M a e l m i o re w h o w as k i l l e d i n
, ,

1 106 co n t ai ns a nci e n t p o e m s a nd t a l e s
,
I t c on t a i ns pa rt o f t h e B o o k .

G i l l a N ae m hi n

of G en es i s , p art of s t ra n s l a t i o ns o f N e n n i u s , p a rt o f
t h e T ai n Bo , a n a cco u n t o f t h e Pag a n ce re m on i es o f I re l a n d , a n d o t h e r

t ract s . I t i s i n t h e l i brary of t he R o a l I y ri s h A cad e m y .

12 T H C ENT U RY .

T he L e i n st er co m p i l ed by F i nn M G o rm an Bi s h op o f
Boo k of ,

,

K i l d are w h o d i e d A D 1 1 60 for t h e D e rm o d M M u rro ch w h o i n



. .
, ,

v i t e d S t rong b o w i n t o I re l a n d I t co n t ai n s i n v as i on s a d escri p t i on o f
.
,
zo z E N GL I SH H RI

T ERs .

Tara , ol d c h roni cl es
, a fragm e n t G l ossa r of C o rm ac s
y , a copy of t h e ’

D i nnse n ch as , g eneal ogi e s, and l i v es o f t he I ri s h S a i n t s T he bo ok , .

n o w i n t he l i b rary o f T ri n i t y C o l l eg e , D u bl i n , co n t ai ns m ore t h an 400

a
p g es o f l arg e fo li o v el lu m .

14 T H C E NT U RY .

T he Bo ok of Ba ll y m o t e,

5 02 pp . o f l arg es t fo l i o v el l u m , w as b e i ng
w ri t te n i n 1 39 1 . It co n t ai nsp ed i g ree s , t h e ad v e n t u res o f E n eas, t h e
B o ok of R i gh t s , t h e D i nns e nch as , and s ev e ral h i s t ori ca l and m yt h o
l og i cal pi eces I t i s i n th e l i brary o f t h e R oyal I ri s h A cad em y
. .

L eab h ar B reac , or S p eck l ed Book , i n t h e sa m e L i brary



T he .

T he Y e l l o w Boo k of L ecai n , h i s t ori cal pi ec es i n p rose an d verse,


a l s o a c u ri ou s l aw t rac t , cop i e d in 1 390 . I t i s i n t h e l i b ra ry of T ri n i t y


C o l l ege D u b l i n w h ere i s al so th e Book of Leca i n co m p il ed i n 14 16
, , ,

by M acF i rh i s es o f L ecai n i n S l i g o
, , .

“ Bo o k o f Li s m ore w ri t t e n i n 1400 d i s co v e re d i n 1 8 14 i n

T he , ,

Li sm ore C ast l e co n tai ns l i ve s o f Sai nts d i al og u es of t he sag es t h e


, , ,

H i l l of th e Bel l ow i ng Oxen T rav e l s o f M arco Po l o and oth er pi ece s


, , .

1 TH3 C E N T U RY .

“ A nnal sU l s t er so cal l ed becau se t hey w e re com pil ed i n


of
T he ,

U l st er and t reat m ore o f U l s t er affa i rs t h an o f t h os e o f ot h e r p rov i nces :


,

c o m pi l ed b y C a t h al M G u i re o f Lo c h E rn e w ho d ied A D 14 98

. . .
, ,

T h e annal s w e re con t i nu e d aft e rw a rd s t o t h e y ear 1604 .

16 T H C E N T U RY .

Annal s of Ki l ro nan , or L o ch Cé , e x t e nd t o 1 5 9 0 .

Annal s of C onnach t ,

a frag m en t d et ai l i ng Co nnau gh t h i story fro m
122 3 t o 1 56 2 .

1 7T H C E N T U RY .

T he “ Ann al s of th e Fou r M as t e rs , col l ect e d fro m anci en t MS .

m at eri al b y Fa t h er M i ch ael O C l e ry

a nd hi s t h ree co l l eag u es, mas t ers
in an t i q u ari an l ore , w ere p u b l i sh ed i n 16 34 .


By t h e s am e c o m p i l ers , t he S u ccess i on o f t he K i ng s and th e
Book

of I nv as i ons .
2 04 E NGL I SH WR I T E R S .

G ul into t h e south e st of Brit in hence the few Gaels


a -
a a — w

wh o h ad w andered so fa from E rin d our w estern shores r an

w ere driven b ck on the m i b ody o f their ow a a n n


G e manic
r
s et t l

B
e m people
e nt s
ri t a i n
— the Cymry w ere in their turn pressed , ,

by the Belg a Germ n c r ce w h o partly d S


In
b e fo re ae, a i a ,
l
4 4 9'
lodged them first in G ul d a fterw ards in ,
a ,
an

Britain These people as w e h ve see h d occupied the


.
,
a n, a

Frisi n shore o f the continent d the co st o f Fr nce east


a an a a

o f the S eine But the ncient l ngu ge of the Frisian co st


. a a a a

is llied more closely th n O l d S x n itself or y other


a a a o ,
an

l nguage t the l nguage f the Anglo S ns Anglo


a , o a o
-
a xo .
s

Sax n and old Frisian are in f ct


o llied so closely that ,
a ,
a

they seem to be only di lects of t h e s me tongue A a a .

di lect lso o f th t t ngue may have b een the l ngu ge


a a a o a a

sp ken by t h e Belgae w h h d crossed into Brit in be fore


o o a a

C aesar s time ’
d the m in bulk o f the Anglo S x ns may
an a -
a o

h ve been only Belg f l ter d te d from noth er p rt


a ae o a a a ,
an a a

o f their l ng line f continent l shore opposite Britain


o o The a .

beginning f the Germ nic immigration is in f ct pre


o a , a ,

historic Spe king of Brit in from direct kno wledge C aes r


. a a , a

s id
a

The interior is inh bited by those wh o are tra a

d i t i o ll y s id t o be
na tiv s o f the isl nd itsel f ; the se c ast
a na e a a -
o

by those wh o h ve cr ssed from Belg i m f the s ke of a o u or a

spoil or w their settlements bei g lmost ll c lled by the


ar, n a a a

names of the pl ces w hence they came Having c rried a . a

w ar into Brit in they rem ined there d began to cultiv te


a , a an a

the fi el d 1 This pr cess f gr du l conquest and tillage


s .
” '

o o a a

led to the existence o f recognised Saxon fringe o f “


a

L ib . v . c . 12 .

1
'
T h e w ri t er of t he a rt i cl e u p on t he Be l g ae i n D r . W i ll ia mhs Sm it
'

D i ct i onar y of A n ci e n t G e og ra p hy .
"
b el i e ve s t ha t t h e Be l g ae w ere p art l y
G e rm a n i c a nd p a rt l y Ce l t i c . T h e fa c t . ”
he sa ys , o f C ae s ar m a ki ng s u ch

a ri v e r a s t he M a rn e a b ou n d a ry b e t wee n Cel t i c and Be l g i c p e o p l e s . i s a


p roo f t ha t h e s a w s om e m ark ed d i s t i n c t i on b e t ween Be l g ae a n d C el t ae Bu t .

t h e M e na p i i t h e s a vag e N erv i i ,

i f we e xc l u d e , he ad d s , , an d t h e p u re
G erm a n s , ”
th e res t m ay h ave b ee n Ce l t s .
'
OL D L I T ERA T U RE oE T HE C YM R Y . 0
5

population S axon being the n me formerly ppli ed from


,
a a

w ithout to the Germanic popul tion in this country In the a .

reign of Diocleti n A D 9 M am e t i athe or tor in hi s


,
. . 2 0, r nu s, a ,

panegyric on M i m i the E mperor s colle gue spe ks of


ax an ,

a ,
a

a victory t London w o by the Roman provinci ls over


a ,
n a

Franks (Germans ) wh occupied the city In 3 6 Con ,


o . 0 ,

s t a t i u s dying
n t York Germ n chie f in Brit in E o
a ,
a a a ,
r c

King o f the Alem nni helped his son Const nti ne to ssume
a , a a

the empire Towards the close f the period o f R m n


. o o a

oc cupation the Notiti utriusque Imperii compiled


,
a ,

b et ween the ye rs 3 6 9 d 4 8 describe the administr tion


a an 0 , a

o f a Saxon S hore (L i t t S o i m ) in Brit in and i G ul us ax n cu a n a .

The L i tt u s S o i u m in Brit in appears from t h e pl ces


ax n c a a

na med in it — u Br nc ster and Burgh C stle in Norfolk


o r a a a ,

O t h o a in E ssex
n , o w under the s e ; Dover ,Lympne n a , ,

Reculvers d Richborough in K ent ; Pevensey d the


, an , an

River Adur in Sussex to h ve extended from the Wash to



,
a

Southa mpton W ter It h been rgued th t the S xon


a . as a a a

S hore wh ich is c lled also in the same record the S xon


, a a

Boundary (Limes ) me nt shore not occupied by but liable


, a a ,

to attack from Germ nic people This however is only


, a a .
, ,

a rgu ed to evade one o f the d i fli u l t i e m de by rejection of c s a

that evidence of C aes r Str bo d Tacitus w ith which the a ,


a , an ,

appointment in Brit in o f a Rom n Count o f the S xon a a a

S hore is w ithout str in o f interpret tion per fectly con


, a a ,

sistent E u t opi s wh o died bout the year 3 7 spe ks


. r u , a 0, a ‘

o f the Fr nks d S xons wh o in fested the se betw een the


a an a a

coasts o f G ul and Brita in Ammianus Marcellinus in


a .
,

wh om Gibb n ckno w ledged o ccur te d f ith ful gu ide


a an a a an a ,

an d w h o w rites f h i o w times in his history w hich closes


o s n ,

w ith the ye r 3 78 spe ks under d ate 3 6 4 and 3 6 8 o f the


a , a

Britons or Cymry s invaded by t h e Picts Scots and a , ,

At t c ot s (in E rin the A i t hea h T


a th turbulent u c ua a, a n

L ib . xi i . ca p . 2 1 .
206 E N GL I SH WR I T E R S .

privileged cl ss of the Gaels) and t h e Fr nks an d t h e


a

a

S xons wh o
a e on the frontiers o f the G uls ravagi ng t h e
, ar a ,

country w herever they could efl ect entran ce H e tells '

an .

,

also of the Fr nks d Saxons having b een gain fought


, a an a

w ith in L ondon city being attacked and b eaten b y Theo ,

d o i u in L ondinium ancient tow n n ow called Aug usta ’


s s , an ,

as they were driving the inhabitants prisoners in chains , ,

w ith cattle be fore them 1



.

But at this time the Cym ry had not yet driven t h e Gaels

or Scots out of Nort h Wales After Britain had b een .

p f
relinquished
YC S S U RC
'
0
by the Roma n s at the clo s e o f t h e

fourth century fresh successes of the Gae ls and


$3?n ,

Sa x o n s onPicts c used aid to b e invoked by t he Cymry


.
a

2 from Roman legions b y which they were hel ped



, ,
hw i
N °rt
in the ye r 4 8 only to fall again into extrem ity
a °"
a 1 , ,

n d send by ambassadors to Rome in 4 4 6 t h e Groans o f



a

the Britons The Rom n s had no thought to spare from


. a

th eir own troubles ; and i t is s id to h ve been b y t he a a

advice of Vortigern th t the Cymry made common cau se a

w ith the intruders from t h e south east t h e Saxons ag a in s t -


, ,

the G aed h el s d the Picts Then with the landing of


an .
,

Hengist and H rsa ascri b ed to t he year 4 4 9 s uccess began


o , ,

to cro wn the w ork of forcing the G aed hel s in Wes tern


Britain to cross over to E rin Very remarkab le illus trat i on of .

this is afforded by the recurren ce fi e d twenty ti m es i n v -


an -

W les and t w enty times out of the fi v e an d twenty in North


a ,
- -

W les o f the name G wyd d el (for G aed h el ) attached to


a ,

places w hich m y h ave been remaining stron gholds held b y


a

the Gaels after their m in body h d been cas t out b y t he a a

Cymry with t he added pressure of the Saxon The old


,
.

n ame o f H olyhead w as Cerrig y G wyd d el ; an d there are

three other G wyd d el s in Anglesey four in Caernarvon fou r , ,

O C u rry M S M a t o f I ri sh H i s t
’ ”
.
p 2 30 . , . .

1 Amm ianu s M arcell i nu s , b k x xv i i cap 8


'
. . . .
2 08 E NG L I SH WR I T E R S .

h aml et s a Ga el to wn a Gael port a d in t w o pl ac es th e


, , ,
n

Gae l s Wall ’
s .

Bu t their G erman llies soo n began to o e whelm t h e a v r

Cymry and after the depo s ition of Vortigern the struggle ,

”m m f o f the Cymric
o Celts w as to resist the oc cupation

t
w
h C m
e y
o f their
ry .
land by succes s ive wa rior b ands o f r
“ 4
W" W
A n gl o Saxon colon sts S I X s e ttlements by m i
m
-
.

iii iiii
sc c
c h
as i o n sprea d over period of a century a e
v ,
a , r

recorded upo n the autho rity of the Saxon Chronicle w hich ,

was not b rought into its present form until after the death
of B ed e and o f Bede s E cclesi as tic l H istory dedicated
’ ”
,
a ,

to a k ing wh o re i gned in Northumberland b et ween the


y ear s 7 9 and 73 7 Of these settlements the first under
2 .
, ,

H en gist and Horsa is said to have b een of Jutes the next , ,

thre w ere o f Saxons t h e last t wo o f Angles They w e e


e ,
. r

s e ttl e m e nts

t .Jutes landing A D 4 4 9 under Hengist and ,


. .
,

l l or a at E hb fl e t in the Isle o f Thanet


s , s S i years later
e ,
. x

th ey establi sh ed th e ki ngdom of Ken t .

2 S axons landi ng A D 4 77 under E ll


. in Sussex
, . .
, a, ,

wh ich t h e y mad e the k ingdo m o f the South Saxons .

3 O f S axons
. l nding A D 4 95 under Cerdic in , a . .
, ,

l l am p h i re wh ere they established the kingdom of the


s ,

We t Saxons (Wess x )
s e .

4 Saxon s l anding A D 5 3
. leader unnamed i ,
. . 0, ,
n

Es s e x .

5 An g l
. e w ho l and e d in Nor folk and S u ffol k s,

d ur i ng ( Terd ie s re ig n in W s ex

e s .

6 An g l es l anding A D 5 4 7 under Ida o n t h e


.
, .
, ,

sou t h e a t e rn c o as t of S otl and bet w een T weed an d


s c ,

l t t rt lt
f .

ir o f bat t l e i n the co nflict o f the Cym y w ith


I t is t he st r

t h e e l as t o me rs t h at anim at e s t he old e st lite ra ture o f t h e


s c

t ytnri C e l t Agai n t I d a and hi s Ang le s Urie n R h eged


s.

t s

l ed t he wa rri or of Bri tain and t he p rais e of U rien was s ,


OL D L I T ERA T U RE OE THE C YM R Y . 2 09

s u ng by m ny bards w ho received gi fts from his h nd


a a .

Urien fought n ot only against Ida but after Id s de th , ,


a

a ,

against his sons and gr ndsons and w s trea C n ecti “ a ,


a
o n on

c h e o u s l y slain
r by M o ca t another Cymric { h i r n ,
e a nc e n t
f I t e ra t u re o
ch ief w hile b esieging Theodoric the son o f Ida a C m
, , ,
t; y ry

on his extreme seaward border in the island of Xfiéxé’ém ’ ’


n

Lindisf rne w hich is off the coast n ear t h e mouth


a ,

o f t h e T weed I d died in 5 6 ; his son Adda reigning


. a 0 ,

eigh t ye rs succeeded him and then follo wed the four


a , ,

years reign o f E t h l i c t h e son of Adda b efore the



e r , ,

accession of Theodoric t h e son of Ida w h o reig ed seven , ,


n

years Urien there fore did not survive the year 5 79 T he


.
, ,
.

contest w ith Ida the Angle ended in the formation o f the


, ,

great Anglian ki gdom of Northumbria n d the origin l n a a

territory of Urien probably was in the coun try of the


Cumbrian Britons lying bet w een the v le of the Clyde and ,
a

t h e Ribble w ith t h e sea fo w estern boundary and the


,
r ,

e stern bou n d ry v rying with t he fortune of w a since it


a a a r,

touched the An gli n or Saxon k ingd oms of Deira and a

Bernicia Th ese Cymry of the Sco t tish Lowlands Cumber


.
,

land Westmorel nd d North Lanc shire were called also


, a , an a ,

n eighbours to the Ot ad i n i wh o had occupied t h e shores of ,


North umberl n d from F l am b o o gh Head to the Frith o f


a r u

Forth O verpo wered by the Angles some o f the Cy m ry


.
,

at last w ithdre w from Cumberland to W les while others a ,

rem ined living quietly under the n ew rule or m i n taini ng


a , ,
a

among the hills fo the next centu y or t wo n acknow ledged r r a

independence .
*

U rien s dist i ct of R h eged ( gift ) placed by S i Francis



r a , r

P lgrave in the forests s outh of Scotland is U i


a ,

ssigned by traditions that make U ien a nephe w


r e n.
a ,
r

o f King Arthur to Gl mo rgan d t h e country is said to


, a an

h ve been given to Urien fo his v lour in d riving certa in


a r a

Iris h Gaels from Go wer in Glamorgan b ack to Anglesea , , .

Bed e
'
s Hist . lib . v . c. 2 3 .
2 10 E NGL I SH WR I T E R S .

He appears accordingly in French Arthurian romances as


, .

S i r U ri en c e o f Go re The Cymric b ards o f t h e sixth


.

century stand forem ost i n connection w ith t h e wars of Urien


an d of t h e S trathclyde Bri tons L l ywarch H en wh o was
— ,

b rd and prince Aneurin who w as hard and warrior an d


a ,

T liesin who was ha d lone T o each of t he latter poets


a , r a .

h s b een give n in posthumous honour the name


a King of
B rd s But i f we are o w to judge them by the few
a .

n

rem ins of each that are not clearly spurious Aneuri and
a ,
n

Taliesin were excelled by L l ywa ch H en r .

Taliesin (Shining Forehe d ) was in the highest repute a

in the middle of the t welfth centu ry and he was then a d ,


n

T li i
a fter wards unless we except M erlin the hero o f
, ,
a es n .
the greatest number of romantic legends H e .

is said to h ave b een the son o f H enwg the hard or S aint ,

H e wg of Caerleon u p on Usk and to have b een ed cate d


n ,
- -
,
u

in the school of Cat t wg at L l anvei t h i i n Glamorgan ,


n, ,

w here the historian Gildas was his fello w pupil Sei e d . z

when a youth b y Irish pi rates w hile fishi n g at sea in a


coracle of osier covered w ith le ther he i s said probably a , ,

b y rational inter pretation of a later fa b le of his his t ory to ,

have esca ped b y using a w ooden bu ckler for a b oat ; so he


c me into th e fishing weir o f E lphin one of the sons of
a ,

Urien Urien made him El ph i n s instructor and gave h i m


.

,

an estate o f land Bu t once introduced t o the court of


.

th t great warrior chie f T liesin became his foremost bard


a -
,
a ,

follo w ed him i n his wars an d s ng his victories He s ings


, a .

victories over Ida at Argoed bout the year 5 4 7 at Gwen n a ,

E s trad b et ween that year and 5 6 0 at M en ao a b out the yea r ,

5 6 0 . A fter the death o f Urien T aliesin was the h ard o f ,

his son Owai n b y whose hand Ida fell After the death of
,
.

all Urien 8 sons T aliesin mourned t he past in Wales dyin g



, , ,

it is said at Bangor T ei vy i n C ard igan shire and he was


, , ,

buri ed under a cai rn n ear Ab e ystwi th T aliesin is am ed r . n

by Aneuri n i n th e G od od i n :
“ I Aneu rin will sin g what , ,
2I 2 E NGL I SH WR I T E R S .

L et my k i ns m en co m e h
t og e t e r,
An d w e wi l l ra is e o n t he h i l l s ou r banner ,

A n d w i l l t u rn h
ag a i n s t t ose w arri ors o u r fac e s ,
A n d w i l l l i ft a bov e t h e h e ad s o f m e n o u r s p ea rs ,

A n d w i l l s ee k F fla m d w yn i n h i s a rm y ,

A n d w i l l s l ay h i m t og e t h e r w i t h h i s t roo p

.

B ecau s e o f t he bat t l e pf A rgoed L l wy fa i n


Th e re were many d ead
R e d w e re t h e rav e n s t h rou g h t h e s t ri fe o f m en ,

A nd has ty m en carri ed t h e n ew s .

I w i l l d i v i n e t h e y ear, w h os e l i fe i s on t he w a n e
B u t t i l l I fal l i n t o o l d ag e
A n d t h e p ai n fu l g ras p of d eat h ,

M a y I n e ve r s m i l e
I f I p ra i s e n ot U ri en .

pr ised not Urien there was neither w ine nor


I f be a ,

b read for Taliesin He was ha d and not a w a rior wh o


. a r , r ,

li ed by and praised the chief s li b erality the next goo d


v

,

thing after the valour that gave po wer of gi fts into his hand .

The bro d spoils of t h e spe r says Taliesin in another


a a ,

,

o f these songs

T b e Sp oi l s of T a l i es i n .

T he b ro ad s p oi l s of the s p ea r re w ar dbefore
my s on g , D el i v e red
t h e b ri g h t s m i l i n g h e ro
, T h e m os t res o l u t e o f C h i e ft ai ns i s U ri en
. .

N o p ea ce fu l t ra fli ck e r i s h e C l a m orou s l ou d s h o u t i ng s h ri l l m i g h t y
,
-
, , ,

and h i g h l y e x a l t ed E v e ry o ne k n o ws o f t h e e x t erm i na t i o n on t h e s i d e
.

o f M erw yd d a nd M ord e i T h e ch i e f i s ve ry s w i ft t o p re p a re p l eas u re ;


.

W h en ha rpe rs p l a y i n h al l he i s o f peace fu l cheer A p rot ec t o r i n A eron ; ,

E xcel l en t h i s w i ne , h i s poe ts , hi s m u s i ci ans : H e g i v es n o res t t o h i s


e n e m i es H e i s t h e g reat s t re n g t h o f t h e B ri t on p eo p l e L i k e a w h i rl i ng .

fi e ry m et eo r a c ros s t h e eart h Lik e a


, w av e co m i ng fro m L wyfenyd d ,
Like t he s w ee t s o ng of G w e i t hen ,
G w en n a nd Li k e M o r, t he v ery
c o u rt eo u s , i s U ri e n I n
. t h e a s s e m b l y o f a h u n d re d w a r-h e r
oe s H e

d i re ct s an d i s t he l ead er am ong pri nces , H e i s ch i e f o f t he peop l e of


s wi ft h o rs es . I n t h e begi nn i ng o f M ay i n com p l e t e ord e r o f bat t l e ,
Wh en h i s peopl e s end fo r h im , h e i s co mi ng E ag l e o f t he l and , v ery .

k ee n i s t h y s i g h t . I h av e m ad e a requ es t for a m et t l e d s eed , T he t


r i ce of t h e s oil s of T al i es i n
p p
OL D L I T ER A T U R E OF T HE C YM R Y . 2 13

O ther of Taliesin s songs praise Urien as the provider o f


’ “

w ine and meal and me d The issue o f one of his ”


, , a .

battles is look ed to as men would loo k t o the issue of a


foray in a b undance
, of calves and co ws— milc h co ws an d

oxen—and all goo d thi ngs also .


We s h ou l dj oy fu l w e re U ri en s l a i n H e t e rri fi es t h e
not be .

t re m bl i n g S a x o n w h o w i t h h i s w h i t e h a i r w e t i s carri ed a w a y o n h i s
, , ,

b i er and h i s fo reh e ad bl oody I h a v e w i ne fro m t h e ch i e f t o m e


.

w i ne i s m os t ag reeab l e D oo rk e e p e r l i s t e n
. W ha t n oi s e i s t h at ? I s
,

i t t h e eart h t h a t s h ak es O r i s i t t h e sea t h a t s w el l s R ol l i ng i t s w h i te
, ,

h ead t ow ard s t hy feet ? I s i t abov e th e v a l l ey ? I t i s U ri e n w h o th ru s ts .

I s i t a bo v e th e m ou n t ai n ? I t i s U ri e n w h o co n q u ers I s i t b ey on d .

t h e sl ope o f t h e b il l ? I t i s U ri en w h o w ou nd s I s i t h ig h i n ang er I t .
,

i s U ri en w ho s h o u t s A bo v e t h e road a bo v e t he p l ai n A bo ve a l l t h e
.
, ,

d e fi l es Ne i t h e r on o n e s i d e no r t w o I s t h e re re fu g e fro m hi m
, Bu t .

t h os e s h al l n o t s u ffer h u ng e r W h o t a k e s p o i l i n h i s c o m p an y H e i s t h e ,

p ro v i d e r o f su s t enan ce W i t h i t s l o ng b l u e s t rea m e rs H i s s p ea r w as
.

t h e ch i l d o f d e a t h I n s l ay i ng h i s e ne m i es A n d u n t i l I fal l i nt o ol d
.

ag e I n t o t h e s ad n ece s s i t y o f d ea t h M a y I n e v er s m i l e I f I p ra i s e n o t
, ,

U ri en .

In lines of t wo or three w ords each h ere run together to ,

save space I quote fro m this ha d of the sixth century one


, r

illustration m ore of the con fessed dependence o f t h e


anci e nt poet upon t he favour of a single p tr n in the a o

warrior chief whose praise he lived b y singi g


-
n

I n t ranq u i l re t i rem e n t I w as p ro d i g al o f s on g ; h o no u r I ob t ai ned ,


and I h ad a bu nd an ce o f m ead , I h ad a b u nd ance o f m ea d fo r p rai s i ng

hi m .A n d fa i r l a nd s I h ad i n ex ces s , and g rea t fe as t i ng , and g ol d and


s i l ver, an d g o l d and g i ft s , an d p l e n t y , an d e s t ee m , an d g ift s t o m y

d esi re, an d a d es i re t o gi ve i n m y p rot ect or I t i s a b l ess i ng , i t i s .

g o o d , i t i s g l o ri o u s , i t i s g l ori ou s , i t i s g o od ,
i t i s a b l e s s i ng i n

the e nce , t h e p rese n ce o f t h e be s t o we r T h b a rd s o f t h e w orl d


p re s e .

y ren d eri ng h o mage t o t h e e accord i ng t o t hy d es i re G od


are cert a i n l .

h at h su bj ect ed t o t h ee the ch i e fs o f t h e i sl and t h rou g h fear of thy ,


2I 4 E NGL ISH I VR I T ERS .

assa u l t , p k i n
g b a t
ro v ot l e P ro t e c t o r o f t h e l an d
. u su al w i t h t h ee i s ,

h ead l o ng act i v i t y an d t h e d ri nk i ng o f al e a n d al e fo r d ri n ki ng and , ,

fai r d w e l l i ng a nd beau t i fu l rai m en t


,
O n m e h e h as b es t o w ed t h e .

es t a t e o f L l wy fe nyd d an d a l l m y re qu es t s t h ree h u nd red a l t og e t h e r


'

, , ,

rea t a n d s m al l T h e so n g o f T al i es i n i s a p l e as u re t o t h ee t h e g rea t es t
g . ,

e v e r h e ard o f ; t h e re w ou l d b e reaso n fo r ang e r i f I d id n o t p ra i se t h y

d eed s A n d u n t i l I be co m e ol d an d i n t h e sa d n ec ess i ty o f d ea t h I
.
,

s h a l l n ev er rej o i ce e xce p t i n p ra is i ng U ri e n

.

The f iry tales f w hich T liesin afte wards b ecame t h e


a o a r

her d the mythological poet y scribed to him b elo n g


o , an r a ,

Ll ywm h to a l ter chapter in this na rative a W e kno w r .

H“
him here only one o f the b rds of the w orld as a

wh o f u nd in Urien o m i fi ce t re w rder o f their song s a un n a ,

and as the h ard o f the sixth centu y w h o seems to h ve r , a

b ee n most care ful o f himsel f Another poet of the sam e .

period wh o g ve l l to h i cou try is L l yw h H en (that


, a a s n ,
arc

is to say L l ywa h the Ol d ) warrior who sang w a and


,
rc ,
a r, ,

s fl e i g w ith his pe ple p pe rs by his remains to h ve


'

u r n o , a a a

excelled chiefly in p thetic l ment tion His poems illus a a a .

tr te w ith peculi r felicity the man ers and feelings o f h i s


a a n

time nd in h ppy incident l touch we le rn from him


a a a a a

h w f mili r w
o the d ily c nt ct between li fe d liter
a a as a o a an a

ture wh en he thus p irs s the t w o lights o f a home the


, a ,
a ,

b rd s song d the household fire


a

an

T he h al l o f C y n d y l l an i s d k ar t nig
o -
ht
Wi t h ou t fi re , w i t h ou t s o ng s .

L l ywarc h was b orn


bout the ye r 4 9 and educa ted in a a 0,

t he north
of E ngl nd mong the woods o f Arg ed where
a ,
a o ,

his father E lidir was so ereign chie f He went w hen y ung


, , v . o

to the court o f E rbin King o f Corn wall d Devon T ,


an . ra

d i t i o n s o f the t wel fth centu y send h i m to King A rthur s



r

court and m ke him for time King Arthur s minister for


, a a

t h ey are the dayspr i ngs o f Arthuri n r m nce to which w e a o a ,

are o w looking back through their contempor ry records


n a .
2 16 E N GL I SH WR I T E R S .

asylum i W les w ith C y d yl l a a Prince of Po wys at his


n a n n, ,

capital o f P e gwe (Shre wsbury ) C ynd yl l recei v ed


n rn . an

such exiles w ith open arm s and maintained const nt battle ,


a

w ith the S xons In battle w ith the S xons fought at Tren


a . a ,

(n o w Tarn ) near the W rekin


, C n
y yd ll a and t wo other ,
n

Cymric chie fs fell in the year 5 8 That is the C y d yl l a 0 . n n

w hose hall was then made dark w ithout fire and w ithout ,

songs His house was burnt and his whole family w s


.
,
a

massacred The Cymry w ere ow b eing hunted from the


. n

plains d L l y wa h found no b etter refuge than a hut o f


,
an rc

b oughs on the b anks of the Dee near Bal He s ys that , a . a

he h d there b ut a c ow fo his companion His four and


a r .
-

t wenty sons w ere de d O e o f them had in his d y a . n a

rescued from prison Aneurin wh o sang From the u , ,


n

pleas nt prison o f earth I am rele sed from the haunt of death


a a ,

and a h te ful land by Cen the son of L l ywa h magnan


a ,
an , rc ,

d bold But o f all L l ywa h s sons G wenn w s


” ’
i mo s u an . rc ,
a

the de rest to him d he was the first wh o fell under the


a , an

spears o f the L l oeg ia s The poet grieves that he is too r n .

old and feeble to avenge him O f Peil his second son .


, ,

a hall says L l yw h could have b een built w ith the
,

arc ,

splinters o f the bucklers he has broken With melancholy .

ch nt the old m passes l l too slo wly to his gr ve He


a an a a .

sees in the night the spirit of his mother ; do u bts whether


the God who h s not heard his prayers fo his sons o w
a r ,
n

listens to his grie f He turns ag in to his superstitions. a .

The grey monks o f the neighbouring monastery of L l anv o r

then fflict him He ch nges his ho m e to the valley o f


a . a

Ab er K i oh and sits there on the mountain side lo ging for


,
-
n

death H e c lls hi m sel f the son o f sorro w B t t he


. a . u

monks of L l v o follo w him to teach h i m faith in one


an r

w h o w hen on earth was yet more a man o f sorro w s and


, , ,

acquainted w ith grie f S o at l st in the church o f their . a

monastery Ol d L l ywa ch L l ywa h Hen was b uried H i s


— — r rc .

li fe was one o f p triotic stru ggle b ut the te m per o f his mind


a ,
OL D L I T ERA T U R E OF T HE CY M R Y . 21 7

w as gentle In composition o f the tenth century there is


. a

attri b uted to him the courteous precept Greet kindly



, ,

though there be no acqu int nce In the l ment over his a a . a

son a fter describing the de th at the contest o f the ford


, a ,

o f Morlas o f his b est b eloved G wenn


, w h o w s strong and ,
a

large of stature the old ha d s ys ,


r a

’ '

L ly wa r c/z s L a m e nt f or l us s on Gw en n .

L e t t h e w av e b reak no i s i l y ; l e t i t c o ver t h e s h o re w h e n t h e j o i ne d
l an ces a re i n b a t t l e 0 G w en n , w o e t o h i m w h o i s t o o o l d t o av e ng e
.

y o u ! L e t t h e w a v e brea k n o i s i l y ; l e t i t co ve r t h e p l ai n , w h en t h e
l an ces j oi n w i t h a s h o ck O G w e n n , w oe t o h i m w h o i s t o o o l d , s i n ce
.

h e h as l os t y ou A m a n w as m y s o n , a h ero , a g en e ro u s w arri o r, an d
.

h e w as t he nep he w
U ri e n G w e n n h as bee n s l ai n a t t h e fo rd o f
of .

M o rl as . H e re i s t h e b i e r m ad e fo r h i m by h i s fi e rc e con q u e re d e ne m y
a ft e r h e h ad bee n s u rrou n d ed o n a l l s i d es by t h e arm y o f t h e L l o eg ri an s

h ere i s t h e t o m b o f G w en n t h e s o n o f t h e O l d L l y w a rch
, S w ee t l y a .

bi rd s ang on a p e ar t ree abo v e t h e h ead o f G wen n be fo re t h ey co v e re d


-

hi m w i t h a t u rf Th a t b rok e t he h ea rt o f t he Old
.

It i s a curious f ct that a tumul u s called Gorsed d Wen


a ,

w ithin 5 y rds o f the river Morlais (which flo w s into a lake


1 0 a ,

n e r Merthyr T yd fi l ) w hen O pened in


a 85 w as fou n d to , 1 0,

conta in the skeleton o f a m six feet seven inches high an

the place of the tom b its name and the stal wart si e o f the , ,
z

w rrior there b uried testi fying in favour o f the b elie f that


a ,

these were the b ones of Gwenn the son of L l ywa c h ,


r .

We will part w ith this best poet of his time at the


blackened and oo es s a o C y d y an i his patrimony
fl h l l f n ll — r

o f T ren (n o w at T rn Bridge by Wroxeter) that he had de


— a ,

fended i n vain ag inst the r vaging L l oegri a s The w hole


a a n .

T he o ri g i n a l an d t ra nsl a t i on i n t o F re n c o f t h e p oem fro m w i ch t h i s h h


p as sa g e i s t ak e n , a n d o f o t er p o e m s h
w il l b e fou nd , w i t h m u c v a l ua b l e
, h
t h e w ol e s u bj e c t , i n
h Poé m e s d u
'

i n fo rm at i o n u pon L e s Ba rd e s B re t o n s
V I e S i ecl e . Pa r l e V i c o m t e H e rsa rt d e l a V i ll e marq u é . N o u ve l l e E d i t i o n .

Pa ri s , 1 8 60 .
2I 8 E N GL ISH I VE I T ERS .

p oe m is l o n g; b u t t h e fo l l o wi ng pa s sag e fro m i t s u ffi c i en t l y

re prese n ts

L ly wa r ch ? L a ment f or Cj u dj l l a n .

T he ha l l C ynd yl l an i s g l oo m y t hi s n ig h t , ‘ Vi th ou t fi re, wi th ou t
of

b e d —I mu st w ee p a w h i l e an d th e n b e si l en t T he b al l o f C yn d y llan i s .

l oo m y t hi i h t W i t h t fi w i t h ou t a
c n d l — E c e t G o d d o t h
g s n g , o u re , e x
p ,

w ho w i l l en d u e m e w i t p h C
a t i e n ce n
y y?d ll a n i s g l
T h e ha l l
oo m y of

t h is ni g h t , W i t h o u t fi re, wi t h o u t b e i ng li g h t ed — Be t hou enc i rc l ed w i t h


s pread i n g si l e n ce ! T h e b a l l o f C ynd y l l a n, g l o o m y see ms i ts roo f,
S in ce t he s w eet s m i l e o f h u ma ni t y I s n o m o re — Woe t o hi m t hat saw i t ,

—Ah D
i f he n eg l ec ts t o d o g ood ! T h e b al l o f C y nd yl l a n I s w i th ou t l o v e t hi s
n ig ht , S i nc e h e ow ne d it no m o re eat h , i t w il l b e b u t a s ho rt

t i me h e w i l l l ea v e m e . T h e ba l l of C ynd y l l an i s n o t ea s y t hi s ni g ht ,

O n t h e t o p o f t he roc k o f H yd wy t h , \Vi t h o u t i ts l o rd , w i th ou t co m pan y ,


w i t h ou t t he c i rc li ng feas ts ! T h e ba l l o f C yn d yl lan i s g l oo my t hi s
ni g h t , \Vi t h o u t fi re , w i t h o u t so ng s — T ears a ffl i c t t he ch ee ks T h e ha l l .

of C y nd yl la n i s g l oo m y t hi s n ig h t , fi re , w i t h ou t fam i l y — My
o ve rflo w i ng t ea rs h t T h e h all of C yn d yl l a n p i erces m e t o se e
g u s o u

i t , Roo fless , fi re l ess , M y c h i e f is d ea d , an d I a l i v e m yse l f ! T h e hal l


of C ynd y ll a n i s an o pe n was t e t is h n ig ht , Aft e r b ei ng t h e con t e n t e d
res o rt o f w arri o rs ; E l v an , C ynd yl l an , an d C aea w g . T h e ba l l of C yn
d y l la n h
is t h e se a t o f c i l l g ri e f t is h ni
g h t , A ft e r t h e res pec t I had ;
W i th o u t t he m en , w i t h ou t t h e w o m e n w ho t h e re d w el t T h e b al l o f
C yn d yl l an i s s i l en t t h is n i g h t , A ft er l o s i ng i t s m as t e r .
— T h e g rea t ,

m e rci fu l G o d, w h a t s ha l l I do T he h al l C yn d yl l a n , g l oo m y see m s
of

i ts roo f, s i nce t he L l oeg ri ans ha ve d es t royed C ynd yl l an and E l van o f

hose victories w ere thus lamented by


T he L l oeg ri a ns, w
the Cymric b rds were the people of L l oeg the part of
a ,
r,

ancient Britain occupied by the Belgae ; r b ut the n ame now ’

applie s to all E ngl nd o f which ho wever the people ha ve


a , , ,

b een long called not L l o egri a b ut Saxon n, .

T he He roi c El og i es an d o t her Pi eces of L l yware H en Pri nce of t he ,

Camb ri an Bri t on s : wi t h a L i t e ral T ran s la t i on By W i ll i a m Owe n .



.

Lond o n 179 2 ,
.


1 Oc

s L l yware H e n Pu g h e

s W el s h D i c t i o na r y , s u b v oce
220 E N GL I SH WR I T E R S .

in Brit in fr m the spe r f the Celt to the plough o f t h e


a o a o

Teuton But w e see in this s ng o f the great tri fe when


. o s ,

the men o f G o d od i w ent to C t t et h the tumult w ith n a ra ,

,

out indic tion o f the strength that w as to come o f it there


a

a fter As to C t t et h the poem tells us that it w a d y s


. a ra ,
as a

m rch from the s t rting point f the G o d od i neigh b ours


a a -
o n,

o f the men o f D e i y d B yn ei h Deir and Bernici v r an r c ,


a a,

t h t is t
a s y Durh m n d Northum b erland In the ad
o a ,
a a .

j ining county f York w a R m n tow n o f note c lled


o o as o a ,
a

C t ra t o i m
a a c ow Catterick three
n u f ur miles from
, n ,
or o

Richm n d w here an ffluent j ins the Sw le and there


o , a o a , ,

perh ps w f ught the gre t b ttle cele br ted in Aneurin s


a ,
as o a a a

G od d i There it m y b e that the three hundred and


o n .

a

sixt y three chie fs who w ere t C t t et h w ere l l sl in except


-
a a ra a a ,

three in battle w ith the S xon s The Roman n me o f C t


, a . a a a

rac t o i m only Latinises the British w ord


n u o w pron unced , n o

Catterick d s id to be derived from


,

C at h i i gh
an a a rr ,

fortified city or C er d

ich the c mp on the water The ”
a -
ar- , a .

churchy rd f the vill ge o f C tterick mile from the site


a o a a , a

o f the Ro m n st tion d c m p is w ithin a ancient camp a an a , an

o f unkno w n origin d ncient b uri l mounds are in the , an a a -

neigh b ourhood A eurin present in t his battle survived . n , ,

it to b e killed b y B iddin son o f E i i g with the blo w o f ,


n an ,

an axe ccord ing t t h e Cymric Tri ds one of the three


,
a o a ,

a ccursed deeds o f Brit in In the O pinion o f the Rev a .



.

John Williams b I t h el n by w hom the G o d d i has



a
L
o n

b een edited d tr nsl ted C t t et h is identic l not w ith


an a a ,
a ra a ,

C tterick Bridge but w ith the t i l


a

r mp rt and fosse ,
c a ra ,

or a a

extending across T e i o td l e fo fi e d f rty miles from v a ,


r v -
an -
o

G l shiels south w rd to Peel fel l in the Cheviots This


a a ,
a ,
-
.

S te p h e n s ’
s

.
Li t e rat u re o f t h e K ym ry .

1
'
Y G o d od i n : a Poe m on t h e Ba t t l e of C a t t raet h , b y Aneu ri n , a

W el s h Ba r d of t he S ix t h C e n t u ry ,
wit h an E ng l i s h T ra n s l a t i o n and

nu m e ro u s H i s t o ri c al a nd C ri t i cal A n n o t at i o ns By t h e R e v . .
Jo h n W i ll i a m s
ab I t h el , M A . R e c t or o f L l a n g m o w d d w y M e ri o ne t s i re , hh .

Ll an d o very ,

1852 . T h i s b o ok i s m y ch i e f a i d i n d e s c ri b i ng t h e G o d od i n .
OL D L I T E RA T U R E OF T HE C YM R Y . 22 1

was a rampart raised t check the further progress of the o

Saxons w est ward ; and i f the fight was here the word , ,

C at t aet h m y possibly me d t aet h the w tr ct ; or


“ ”
r a an ca -
r ,
ar -
a

cad h i t h the leg l w fence B t I h ve little


-
r a ,

a ar- . u a

dou b t th t the true site o f C at traet h I s the Yorkshire


a

Catterick .

When in the year 5 4 7 Ida c me to our northern co st


, ,
a a

with forty ships i n aid o f the S xons comb t nt lready w ith


,
a a a a

the C ym y the people of G od od i n D ei y and B yn ei ch


r , ,
v r, r

( Deira and Bernicia ) on the e stern sh re bordering


, on a o ,

L l ywarch Hen s distric t f Arg e d were especi l l y liable



o o ,
a

to depredation and mos t probably already in the po wer of


,

the Saxon .

At the cal l of M y yd d wg L rd of B iddin Cymric n a ,


o ,

chie fs f rmed an alliance brought their forces to B iddin


o , ,

and w ere sumptuously entert ined B iddin is commonly a .

identified w it h E din b urgh I f so we must look for .


,

C at t ae t h to the C at ai l
r No b ody I b elieve has su ggested
r .
, , ,

o bvious as it seems that the lands of the L rd o f B iddi n, o

w ere on Words w orth s “


li fe s neighb o u r t he river E den
’ ’ ”
, ,

whose bold rock s are w orthy o f their fa m e The E den ”


.
,

passing through Westmorel nd and Cumberl nd flo ws a a ,

to wards the north east into the S ol way F rith and has i t s
-
,

source on the opposite side o f the same hills from which


the Sw le rises to flow b y Catterick to the s ut h w est The
a o -
.

sources o f the E den and the Sw le are only t w o or three a

miles dist nt from each other ; and i f the fort of B iddin


a ,

t hat was the g theri g point o f the Cymric allies was among
a n -

the fells n e r the head waters of the river it w s but a m rch


a -
,
a a

for the her es o f some fi e and t w enty miles fro m thence


o v - -

through Sw ledale to C at t et h The host was l rge T h e


a ra . a .

l arger army o f the Saxons gathered in G o d od i and n,

m arch ed west ward to meet at Cat t aet h the Britons of the r

yet unconquered West The fight b egan on a Tu esday .


,
222 E NG L I SH WR I T E R S .

and like one of the great battles o f the Am eri can C ivi l
,

Wa was maintai ned for a w eek the las t four days being
r, ,

most bloody Aneuri n was himsel f made prisoner in a


.

panic of t h e men with whom he fought and aft erwards ,

forci b ly li b erated b y a son of L l ywarch H en Aft er this .


,

at con ference d u ring the struggle Aneurin as b ard nd


a , ,
a

herald demande d restoration of a part of G od od i n as the


,

conditio n of peace The Saxo herald ans wered him by . n

k i l ling the h ard Owain and the b ttle was rene wed b y the ,
a

Cymry and maintained so doggedly that of their three


,

hundred and sixt y three ch iefs only three Cynon and -


, ,

C ad ei t h and C ad l ew of C ad an t survi ved with Aneurin


r ,
n , .

All u sions to protection o f corn indicate that the great figh t


was in the harvest seas on and the date usually as signed t o ,

it is the year 5 7 0.

Aneurin s poe m of The G od od i n as it remains to


“ ’
,

us co n sists of ninety seve s tan as ; and w ith the story


,
-
n z

o f the b attl e com b ines p raise o f ninety o f the Cymri c

chiefs I t is consid ered that in t he whole poem every


.

chief ha d his eulogy ; and th t variou s d etached piece s a

w hich are extant and w hi c h ans wer to its character are


, , ,

in f ct fragmen ts detached from t his old wail over the d eath


a ,

o f Cymric heroes upo w hom the Saxon s e t his heel n .

O ne o the inety seven stan as the t wenty fi s t was put


f n — -— z -
r

into verse as T he Death of H oel by Gray who had found



, ,

literal translation s i n E a s s S pecimens o f Welsh Poetry



v n

.

I h ve follo wed an edition of The G od od i n pu b lished in


a

1 8 5 2 b y the Rev John Wil l iams a b I t h el w ith a literal


,
.
,

pros e translation in the follo wi g attempt to give metrical


,
n

form to the successive sta n as as far as the t wenty fi t z -


rs ,

w hich is the one kno wn to modern readers as Gr y s Death ’


a

o f H oel H ere I b reak off that m y own ruder ttempt to



.
, a

rhy m e the G od od i n may have the advantage of a poet s ’

close .
2 24 E N GL I SH WR I T E R S .

M a n awyd , t ho u s w i ft an d fearl es s ,
By no foem an

d e l ay e d
s s p e ar

F o e m en s t e n t s t h ro u g h t h e e are ch eerl es s

.
,

No ne ev ad e t hy s pea rm an s rai d

.

W rea t h e d d
t h e l e a er w ol f ca m e fo rt h
A m be r ri n g s h i s t em p l e t w i n e ,
A m be r w o rt h a feas t of w i ne .

He q u el l ed t he s t ro ng o f t h e h o s t i l e t h ro ng
Th ou g h hi s s h i el d w as sh at t ered h e sh u n ned n o m an .

M i n e w o u l d h a v e been V e n ed o t and t h e N ort h ,

S ai d t h e h eart o f t h e son o f Y s gy ran .

V.

Wreat h ed w as t he l ead er w h o , a rm e d fo r t h e bl o ody s t rife ,

W e n t t o t h e ba t t l e fi el d n ot ed -
o f al l .

Ch i e f i n t h e fo re m o s t ran k , fea rl ess l y s p en d i ng l i fe,


S w ee p i n g ba t t a l i on s d o w n , g ro a n i n g t h e y fa l l .

F o e m en o f D ei vyr a nd foe m e n o f B rynei ch sl ai n ,

H u nd red s o n h u nd red s i n one l i t t l e h ou r .

E v e r h i s b ri d e feas t u n t as t e d m u s t no w re m ai n
-

H i m n o w t h e w o l v es and t h e ra v en s d ev ou r .

M e a d i n t h e h al l H yv eid d H i r co s t u s h i g h
, ,

Prai s e s h al l ye t l i v e for t h ee t i l l ou r so ng d i e

T o G o d od i n m arch ed t h e h eroes G ognaw l au g h ed .

R ou n d t h e i r fl ag s t h e y fi erc el y ba t t l e d b ore t h ei r s m art s


F e w t he fl e e t i ng ye a rs w h e n p l eas u re s c u p t h e y q u a fl ed
’ '

S t ro k es o f G og n aw so n o f B o t gad s h o o k m en s h ea rt s

, , .

B e t t e r p e nan ce i s t h an l au g h t e r o n t h e b re at h ,

W h en yo u n g a n d o l d and s t ron g and bo l d


'

, ,

H e roes m arc h t o m eet t he fat ed s t rok e of D eat h .

T O G od od i n march ed t h e h eroes G wanar l au g h ed


A s h i s sh i n i ng t roo p w en t d ow n ad orn ed t o k i ll .

J es t t h ou ch eck es t w i t h the g ri pe of t hy s wo rd h al t -

Wh en i ts bl ad e , 0 D eat h , t h ou w av es t , w e are s t i l l
OL D L I T E RA T U RE OF T HE C YM R Y . 22 5

VI II .

T h e w arri o rs m arc h ed t o C a t t rae t h , fu l l of wo r ds


Bri g h t m ead g av e t h em p l easu re , t h e i r b l i ss was t h ei r
I n s e rri e d array t h ey ru s h ed d o w n on t h e s word s
Wi t h j oy o u s y —t he n was s i l enc e ag ai n
ou tcr .

Be t t e r pe n a nce i s t han l au g h t e r on t h e breat h ,

Whe n you ng an d ol d and s t rong a nd bol d


, ,

H eroes m arch to mee t t he fat ed s t rok e of Deat h .

T h e w arri o rs march ed t o C a t t rae t h , fu l l of mead


D ru n k e n , b u t fi rm i n array ; g reat t h e s h am e ,
B u t g rea t er t h e va l o u r no h ard ca n d e fa me .

T h e w ar -
fou g h t fi e rc el y , red s w o rds see m ed t o b l ee d
d ogs .

Fl es h a nd sou l I had s l ai n t h ee m ys e l f, had I t hou g h t ,


S o n o f C i an , m y fri e nd , t h a t t hy fai t h had bee n bo u g h t
By ab ri be from t he t ri be o f the Brynei ch Bu t no
H e s corned t o t ak e d o w ry fro m h an d s o f the foe ,

And I a l l u nh u rt , l os t a fri e n d i n t h e fi g h t
, ,

W h om t he wrat h of a fat h e r fel l ed d own for the sl igh t .


U p o n t h i s verse. a nd t h e g e ne ral se nse o f i ts con t ex t , G ra y fo u n d ed



o p e n i ng o f h is Od e fro m t he W el s h , T he Deat h of Hoel
'

t he .

H a d I bu t t he t orre nt s m i g h t

Wi t h head l ong rag e an d W i ld a fl ri g h t


'

U pon B e i ra s sq u a d rons h u rl d
’ '

T o ru s h and s we e p t h e m fro m t he wor l d .

T oo , t oo s ec u re i n y ou t h fu l p ri d e
B y t h e m m y fri e nd , m y H oe ] , d i e d ,
G rea t C i an s s on o f M a d o c o l d

H e as k ed no h e a p s o f h oa rd e d g ol d
Al o ne i n N at u re s w ea l t h a rra y d ,
’ '

H e as h d a nd ha d t he l o v e l y ma i d

.

Bu t t h e se n se of t h e ori g i nal i s far m ore v i g o rou s. T he so n of C i a n h ad


m a rri ed t h e d au g h ter of o ne o f t h e H i s m arri ag e d i d n o t s ta y
B ry ne i ch .

h i s fe u d wi t h h i s w i fe s t ri be

H e re p u d i a t ed h er fa mi l y d i s da i n ed t o ta k e
. ,

h er d owry and was s o u g h t an d s l a i n i n t h e b a t t le by h e r i ns u l t ed fa t h er


. .

T h e res t o f G ra y s Od e is a s u ffi c i e n t l y cl ose veI s i on o f t h e t wen t y fi rs t


s t an za o f t h e G od o d i r . G ray cl o s es i t l i k e t h e t ru e p oe t t ha t h e is ; b u t
P
WR l T E R S

2 26 E N GL I S H .

T h e warri o rs m arch ed t o C at t rae t h w i t h t h e d aw n


They feare d t h e m wh o m et t he m w i t h m arti al u p roa r
A h os t on a h and fu l t o bat t l e w ere d raw n ,

B road m ark fo r t h e l a n c es t h a t d re nc h ed t h e m i n g o re .

T he s ho c k o f t h e ba t t l e be fo re t he b rav e ba nd
,

O f t h e n o b l e s w h o fre e l y o be y ed hi s c o m ma nd ,

M ynyd d aw g F ri en d o f H e roes was h ol d t o w i t h s t and


, , .

T h e w a rri o rs m a rch e d t o C a t t rae th w i t h t he d aw n


T he l o ved o ne s l a m en t e d i n m as t e rl e s s t e n t s
A s n a re ha d th e s w ee t ye l l o w m e ad ro u n d t h e m d raw n .

Th at d a rk
year fu l l o ft en t h e m i ns t re l l a m ent s
R ed p l u m es redd e r s w o rd s b rok en bl ad es h e l me t s
, , , c l e ft ,

E v en t h os e o f t he ban d t h at o beyed t h y c o m m a nd ,

M ynyd d aw g F ri e nd o f H eroes of h eroes b e reft


, , .

T h e w arri o rs m arch ed t o C at t ra e th w i t h t h e d ay
Bas e t au n t s s h a m e d t he g re a t es t o f ba t t l es Th ey . c ri e d
As th ei r bl ad es s l e w t h e bap t i s e d G elorwyd d A w ay ,

\Vi t h y o u r k i n d re d t h e h o m e l e ss t h e d e ad t o abi d e
, ,

F o r t h e G e m o f t h e Ba p t i s e d be h ol d w e p ro v i d e

\Ve t h e h o s t o f G o d od i n an u n c t i o n o f b l ood
,

A l as t u nct i o n i s d u e ere t h e l as t fi g h t i s fo u g h t .

S h ou l d t he m i g h t o f t ru e c h i e fs no t be m as t e red w i t h t h o u g h t ?

T h e w arri o r m a rc h e d t o Cat t rae th w i t h t h e d a y


I n t h e s t il l n e ss o f n i g h t h e h ad q u a fl e d t h e w h i t e m e ad
'

H e w as w re t ch ed , t ho u g h p ro p h es i e d g l o ry a nd s w a y
H ad w i ng ed h i s a m b i t i o n \Ve re n o ne t h e re t o l ead
.

T o C a t t rae t h w i t h a l o ft i er h op e i n t he i r s pee d .

the d i ct i o n o f t h e ei g ht een t h ce n t u r y i s an swerab l e for hi s i nfl at i on of


t h e p la i n wor s d wi ne a nd m ead i nt o

N ec t a r t h a t t h e b ee s p rod u ce ,
Or t he g ra pe s ecs t a t i c u i ce

j .
"
z 28 E N GL I SH WR I T E R S .

I her d ays b e bl end ed m ead and al e


n ot

I n o t h e r d ay s p u rpl e and g ol d h e w o re
I n o t h e r d ays G wart h l ev t h e V o i ce o f B l a m e
H ero d ese rvi ng of a t ru e r n am e
H a d s t a l l fed s t eed s w ho sa fe l y s w i ft l y bo re
-
, ,

Th ei r m as t e r ou t o f pe ri l These now fai l . .

I n o t h e r d ays h e t u rn ed t h e e bbi ng t i d e ,

A nd b ad e t h e fl oo d o f w a r s w ee p h i gh s p rea d wi d e , .

XV I 1 .

Li g h t of l ig h t s— the s u n ,

L e a d e r o f t h e d ay ,

F i rs t t o ri se a nd ru n
H i s a p po i n t ed w ay ,

C ro w ned w i t h m any a ray ,

S e ek s t h e Bri t i s h s k y ;
S ees t h e fl i g h t s d i s m ay

,

S ees t h e Bri t o n fly .

T h e h orn i n E i dd i n s ha l l

H ad s pa rk l ed w i t h t he w i ne ,

A nd t h i t h e r a t t h e ca ll
,

T o d ri n k an d be d i v i ne ,

H e w e n t t o s h are t he fea s t
,

O f rea pe rs w i n e and mea d


,

H e d ran k and so i nc reas ed


H i s d ari ng for w i l d d eed .

T he re a pe rs s a ng o f w ar
That l i ft s i t s s hi ni ng wi ng s ,

I t s s h i n i ng w i ng s o f fi re ,

I t s s hi el d s t h at fl u t t e r fa r .

T he b ard s t oo sang o f w ar ,

O f pl u m ed a n d c rest ed w ar
T he s ong ro se e v e r h i g h e r .

Not a s h i e l d
E scapes t h e s h oc k ,

T o t he fi e l d
They fie rcel y fl ock ,

Th ere t o fal l .

Bu t o f a ll

Who s t ru ck on g ian t G wrv eli ng,


Who m h e wou l d he s tru ck ag a i n ,

All h e s t ru c k i n grave were l ai n


OL D L I TE R A TU R E OF T HE C 229

E re t h e b eare rs cam e to b ri ng
T o hi s g rav e s tou t G w rv el i ng .

XV I I I .

Th es e g ath e red fro m t he l and s arou n d


Th ree ch i e fs fro m t h e N o v ant i n e g rou nd
Fi v e t i me s fi v e hu nd re d m e n e m ba t t l ed band s , ,

Th re e t i m es t h re e h u nd red l e v i e d fro m t h e i r l and s


Th ree h u nd re d m en o f ba t t l e a rm ed i n g o l d , ,

F ro m B i dd i n t h en t h ree c u i rass e d h os t s en ro l l e d
B y t h ree k i ng s g o l d e n ch a i ne d t h re e c h i e fs b e s i d e
-

W i t h w h o m t h re e h u nd red m a rch e d i n e q u al p ri d e ;
Th ree o f l i k e m ark and j e al o u s e ac h o f e ach
, ,

F i erce i n a t t ac k and d read fu l i n t h e breach ,

W o u l d s t ri k e a li o n d ea d w i t h g o l d t h ey s h one .

Th ree k i ng s cam e fro m th e Bry t h o n C yn ri g o n e , ,

A n d Cyn o n an d C y nra i n fro m A ero n ,

T o b reas t t h e d art s t h e s u l l e n D ei v yr t h ro w .

B e t t er t h an Cy n o n ca m e fro m B ry t h o n n o ne ,

H e p rov ed a d ead l y s e rp e n t t o t h e fo e .

I d rank t he M o rd e i ’
s w i ne and m ead
S pears w e re m a n y , m en p re pa red
F o r t h e ba n q u e t , s ad l y s ha red ,
T he s ol e m n fe as t w h e re e ag l es fe e d .

Wh en C yd yw a l t o ba t t l e
d s
p e ,

I n t h e g re e n d a w n h e ra i se d a s h ou t
,

T ri u m ph a nt o v e r m an y d ead .

U po n t h e fi e l d w e re s t ro w n a bo u t
T h e s h i el d s h e s p li n t e re d t ea ri ng s pe a rs
,

H e w n a nd cas t d ow n H i s w e re n o fears
.

S on of the s t a r-w i s e S yv n o , h e
K n e w t h a t h i s d e a t h t h at d a y s h o u l d b e
B y s pear or b o w , n o t by s w o rd -bl a d e ,
And no t a s w o r d h av oc s taye d
hi s
O r cou l d ag a i n s t h i s s w o rd a s t ri fe s u s t ai n .

H e gav e h i s o w n l i fe t o o k a h o s t
,

B l ae n G w y n e dd k n e w h i s anci e n t boas t
O f t h e b ra v e t oi l ers pil ed w h om h e h ad s l ai n .
z
3 0 E NGL I SH WR I T E R S .

I d rank t he M o rd ei s w i n e a nd m ead

,

I d ran k a nd n o w fo r t h a t I b l e ed
, ,

A n d y i el d m e t o t h e s t ro k e of p ai n
Wi t h y earni ng t h ro b of hi g h d i s d ai n ,

That u pward pa nt s t o s t ri ke agai n .

Th ee t oo the s w o rd t h at s l ays m e sl ays .

Wh en d ange r t h rea t ens u s th e d ays ,

O f e v i l d o i ng q u ai l t h e h an d
-

H ad w e w i t h s t ood w e c o u l d w i t h s tand .

P res yn t was bo l d t h ro u g h w a r s al arm


,

H e t h ru s t h i s way w i t h d o u g h t y arm .


T oC a t t rae t h s v al e i n g l i t t eri ng ro w

T w i ce t w o h u nd red warri o rs go
E ve ry w arri o r s m an l y n ec k

Ch ai ns of regal h on ou r d eck ,
W reat h e d i n m any ad en l i nk
g o l
F ro m t he go l d e n cu p t h ey d ri n k
Nec t ar t h at t he b ees p ro d u ce ,

O r t h e g rap e s e cs t a t i c j u i ce

.

F l u sh ed wi t h m i rt h a nd h o pe t hey bu rn
fro m Ca t t rae t h ’
Bu t n on e s v al e re t u rn ,

S a ve A ero n bra v e an d C o nan s t ro ng ,

B u rs t i ng t h rou g h th e bl o o dy t h rong ,

A n d h e t h e meanes t o f t h em al l
, ,

Wh o l i ves t o weep an d si ng t h ei r fal l .

T he c h i e fsfro m t h e No v a nt i n e g rou nd refe rred t o i n t he e i g h t e ent h


s t anz a w e re fro m t he o ppos i t e s h o re o f t h e S ol way F ri t h , w h e re a re n w
o
Wi g t o w n , Ki rk cu d b ri gh t , a nd A yr ; l e v i es fro m B i dd i n w ere fro m t he
bank s a nd es t u a r y o f t he E d en h h
t ree c i e fs fro m B re i t an w e re fro m t h e
s h o re s o f C l yd e ; a nd A eron m ay be a n ol d form o f A yr . Th es e co m

l t e d t h e list of th e co n fe d e ra t e Cy m ri c t ri b es o n t h e w es t c oas t o f t he
p e

Cy m ry w h o m arch ed t o C at t rae t h t o resi s t t h e s ei zu re by E ng l is h i n ,

vad e rs o f t h e i nl and reg i o n i m m e d i a t e l y b e h i n d t he c o a s t s o f D ei v yr


,

an d B ryn e i c h ro m a n i s ed as t h e O t ad i n i from O d o d i n
, O d od i n
, .
,

w i t h o u t t h e p re fi x o f an u nes se n t i al was t h e Cy mri c nam e o f t he



G ,
232 E N GL /S H I VR / T E R S .

a nd w e n t t o h i s d ea t h at C a t t rae t h w i t h t h e C ym ry . I n m a rshal l e d
a rra y t hey h s h o u t o f w ar wi t h po w e rfu l s t eed s an d d k bro w n
w en t w i t ,
ar -

h arness w i t h s hi e l d s w i t h u pl i ft e d j a v e l i ns a n d p i e rc i ng l an ces wi t h
, , ,

g l i t t e ri n
g m a il a n d w i t h s w o rd s M o r i e n f e l l i n a
. t

t a c k o n t h e S ax o n

c a m p a s h e ca rri e d an d s rea d fi re a d as hi s s w o rd res o u n d ed o n t h e


p n ,

s u m m i t h e w as k i l l e d b y a s t one h u rl ed fro m t h e w al l o f t h e fo rt Bu t .

t h e fo rt w as t ak e n Te rri bl e w i t h i n i t w as t h e cry o f t h e t im i d m u l ti
.

t u d e ; t h e v an o f t he a rm y o f G o dod i n w as sca t t e red A no t h e r fi e rce .

a t t a c k w as m ad e ; a d w a rf m es se n e r o f t h e S a x o n s h as t e ned t o t h e
g
fe n ce ; t he Cy m ry se n t fo rw ard t o m e e t h i m t h e i r c h i e f co u n se l l or a ,

h o ary h ead e d m a n m ou n t ed u po n a pi e bal d s te ed a nd w ea ri ng t h e


-
,

o l d e n c h ai n T h d w f d m t b t t h Cy m ry ans w e red
g e. a r
p p
ro os e a c o p ac u e ,

fo r t h e m se l ves w i t h a g rea t s h ou t L e t h e av e n b e o u r p ro t ec t i o n
,
.

L e t hi s co m pa ct b e d e a t h b y t h e s pe a r i n ba t t l e F o r t h i s w as a .

l i fe s t ru gg l e i n wh i c h e v en w o m e n o f t h e Cy m ry fo u g h t am o ng t h e m e n
-
.

E q u a l t o t h ree m en t h ou g h a m ai d w as B ra d w e n ; E q u al t o
, ,

t w el v e w as G w e nab w y, t h e son of G w en . F or t he p i e rci ng o f t h e


s kil fu l an d m o s t l ea rned w o m an , H e r b h d se rv an t o re a s i e l i n the
a c t i o n a n d w i t h en e r y h i s s w o rd fe l l u o n t h e h e ad s o f t h e foe ; I n
, g p
L l o e g yr t h e ch u rl s c u t t h e i r w ay be fo re t h e C h i e ft a i n H e w h o g ras ps .

t h e m an e o f a w o l f w i t h o u t a c l u b i n h i s h and w i l l h a ve i t g o rg e ou s l y
, ,

e m b l az o n ed o n h i s ro be I n t h e e ng ag e m e n t o f w ra t h a nd ca rnag e
.
,

Bra d w n e ri h e d — s h e d i d n o t esca e C a rcase o f g o l d m ai l ed


p
-
e s s
, p .

w arri o rs l ay u p o n t h e c i t y w a l l s ; n on e o f t h e h ou se s o r c i t i es o f
Ch ri s t i an s w a s any l o ng e r ac t i v el y e ng ag ed i n w ar ; Bu t o ne fe e bl e
m a n w i t h h i s s h o u ts k e pt al o o f t h e ro v i ng bi rd s ;
, , M y l i m bs a re
r i ck e d a n d I a m l o ad e d
, I n t h e su b t e rrane o u s h ou s e ; A n i ron c hai n
,

Pa s s e s o ve r m y t w o k n ees ; Y e t o f t h e m ead a n d o f t h e h o rn A nd o f ,

t he h o s t o f C a t t rae t h I A ne u ri n w i l l s i ng Wh a t i s k no w n t o T a l i e s i n
, ,

Wh o co mm u n i ca t e s t o m e h i s t h ou g h t s O r a s t ra i n o f G o d o d i n Be fo re , ,

t h e d a w n o f t h e b ri g h t d ay T h e ch i e f e x p l o i t o f t h e N o rt h w as a o
.

c o m p l i s h e d by t h e h e ro O f a e n t l e b rea t a m re l i b e ral l o rd co u l d
g , s o

n o t b e s e e n ; Ea rt h d o es no t s u o rt n o r h as m o t h e r bo rne S o i l l u s
pp ,

t ri o n s and po w e rfu l a s t e el cl a d w a rri o r B y t h e fo rce o f hi s g l ea m i ng


-

s w o rd h e
p ro t e c t e d m e F ro m t h e c ru el u n d e rg ro u n d
, p r i s o n h e b ro u g h t
m e o u t F ro m t h e ch am be r o f d ea t h fro m t h e ene m y s cou n t ry ; S u ch

, ,

w as C e n en s o n o f L l y w arch e n e rg et i c an d h o l d

, , .

T h e t id e o f b a t t l e t u rned ag ai ns t th e Cy m ry Th ey w e re fo rc ed t o .

c o n s i d e r t e rm s o f a g re e m en t T h e d e m a nd m ad e o f t h e d al es b ey o n d
.

t h e ri d g e o f E s s yd (pe rh ap s E s t h w a i t e L ak e ) t h e s t a bb i n g o f A n eu ri n s

,

c o m p a ni o n by t h e S a xo n h e ra l d a nd t h e u ri s i n
p o f t h e Cy m r y t o
g ,

u rs u e t h e t ra i t o r a re t h e nex t i nci d e n t s t o l d
p ,
.
OL D L I TE R A T U R E OF THE C YM R Y . 233

T og e t he r a ri se th e exp ert w arri o rs and p u rs u e t he s t ra nger t h e


, ,

m an w i t h t h e cri m so n ro be T h e e n cam p m e n t i s b ro k e n d ow n by t h e
g g o r eou s p i l g ri m , W h e re t h e y o u n g d eer (c o l l ec t e d as p r o i s i o n s fo r v

t he a rm y ) w e re i n fu l l m e l od y A m o ng s t t h e s p e a rs o f B rych t h ou
.

cou l d s t s e e no rod s (w h i t e fl a s )
g W i t h t h e b a s e t h e w o rt hy c a n h a ve

n o c o n co rd M o ri al i n p u rs u i t w i ll n o t co u n t e nan ce t h ei r d i s h o no u ra bl e
d eed s wi t h hi s s t e el b l ad e ready for b l oo ds h ed T o g e t h er ari s e t h e
, .

co n fed e ra t e w a rri o rs S t rang e rs t o t h e c o u n t ry t h e i r d ee d s s h a l l b e


.
,

p roc l a i m e d ; Th e re w as s l a u h t e ri n
g g w i t h a xe s a n d b l a d es A n d t h e r e ,

w as rai s i ng l arg e ca i rn s o v e r t h e h e roe s o f t o i l T h e w arri o rs a ros e


.
,

m e t t og e t h e r A nd a l l w i t h o n e acc o rd s a l l i e d fo rt h
, s h o rt w e re t h e i r

l i v es l o ng i s th e g ri e f o f t h o se w h o l o v ed t h e m ; S e v e n t i m es t h e i r
,

n u m be r o f L l oe ri an s h ad t h e y s l ai n ; A ft e r t h e c o n fl i c t t h e i r w i v es
g j
ra i s e d a scre am A nd m an y a m o t h e r h a s t h e t ea r o n h e r ey e l as h .

T he sol d i e rs ce l e b ra t ed t h e p ra i s e o f t h e H o l y O n e A n d i n t h e i r ,

p re s e n ce w as k i nd l ed a fi re t h a t rag e d o n h i g h O n T u es day t h e y p u t
.

o n t h e i r d a rk b ro w n
-
g ar m en t s ; O n W e d nes d a y t h e y p u r i fi e d t h e i r

e na m e l l e d arm ou r ; O n Th u rsd a y t h e i r d es t ru c t i o n w as c e rt a i n ; O n

F ri d ay w as b ro u g h t carnag e al l rou nd O n S a t u rd ay t h ei r j oi nt l abo u r


w as u s e l es s ; O n S u n d ay t h e i r bl ad e s as su m e d a ru d d y h u e ; O n
M o nd ay w as se e n a poo l k nee d ee p o f b l oo d -
T h e G od od i n re l a t e s
.

t hat a ft e r t he t o i l B e fo re t h e t e n t s o f M ad og w h e n h e re t u rne d O n l y
, , ,

o n e m an i n a h u n d re d ca m e w i t h h i m .

A t C at t e ri ck a t ri bu ta ry ri v e r fl o w s i n t o t h e S w al e ; an d t h e n e x t
i nci d ent o f t h e G od o d i n i s t h a t a t e a rl y d a w n th e re w as a ba t t l e a t
'

t h e co n fl u e nc e o f ri v ers w h e re a fi re w as k i nd l ed i n fro n t o f t h e fe n c e

, ,

a n d t h e d w a rf h e ral d s ee m s t o h a v e b e e n k i l l ed t rea ch e ro u s l y i n re v e n e
g
fo r t h e t reach e rou s s l ay i ng o f A n eu ri n s co m pan i o n by t h e S a x o n h era l d

.

T h e res t i s s t i ll ce l e b ra t i o n at l e ng t h o f t h e d eed s o f s l au g h t e re d ch i e fs ,

t h e l as t n a m ed be i ng M o ri e n and G w e nab w y .


A nd M o ri e n l i ft e d u p ag ai n h i s anc i e n t l an ce A n d roa ri ng , , ,

s t re t c h e d o u t d e at h T o w a rd s t h e w arri o rs t h e G w yd d yl and t h e , ,

Pryd yn ; Wh i l s t t o w ard s t he l o v e l y s l e nd e r b l o od s tai n e d bod y o f


, ,
-

G w en , S i g h ed G w e nab w y t he o n l y s o n o f G w e n
, Bec au s e o f t h e .

w o u nd o f t h e s k i l fu l a nd m os t w i s e w a rri o r G ri e v o u s an d d ee p w h e n ,

h e fel l p ros t ra t e u po n t h e g ro u n d T he b ann e r w as p o m p o u s l y u n fu rl ed


, ,

a n d bo rn e b y a m an a t h i s s i d e ; A w i l d s ce n e w a s be h e l d i n B i dd i n ,

a n d u p o n t h e ba t t l e fi e l d -
T h e g ras p o f hi s h an d p e rfo rm e d d ee d s o f
.

v a l o u r U o n t h e Gy n t h G d d l d h I d H ’
p t e , w y y an t , e r
y y n e who .

m edd l es w i t h t h e m ane o f a w o l f w i t h ou t a c l u b I n h i s h an d w i l l
, ,

h av e i t g o rg eou s l y e m bl azo ned on h i s ro be Fa i n w o u l d I si ng . w ou l d .

t h a t M o ri e n had n o t d i e d I s i g h for G w e nab w y t h e s o n o f G wen


’ ”
.
, .
234 E N GL I SH WR I T E R S .

So cl oses ,
wi th a s igh , t h e so ng of A n e u ri n C hi e f
.

af te h e has mars hall ed i n h is p ri d e


r c hi ef o f l i fe an d fl u s h o f

y
va l o u r, o n l t o w ee p fo r h is d eat h i n t he d ay w h en t h ere
g t g t
w as s la u h er i n wi h ax es an d l a d es , an d h ere was b t rai s i ng

l a ge ca irns o ve t h e h e

r r L l ywarc h u rged al l h i s
roes o f toil .

so ns t o ba t t l e fo r t h ei r co u n t ry, an d a ft erw ard s, a c h il dl ess

ol d m an, h e m o u rn ed t he m al l w i t h we n, t h e d eares t, w h o G
fe ll by the fo r d at M orlas ; al l sl ai n ,

h e wai l s , “
by my
w ords fo i t w as he who as o ice o f h i s co t ry
,

r ,
v un , u ged
r

the m to t h e fi el ds o f d eat h I t was oth e G wen w h o fell . an r

i n t h e d ea d l y an d d isas t o us st ggl e at Cat t ae t h and o e


r ru r ,
v r

w h ose l o vely l e n d e bl oo d s tai n ed bod y k n el t G we na



,
s r, -

h wy h is o n l y so n
,
I sigh for G wenabwy t he so n o f ,

G we n M e rl in cared by t h e ho o s of t he st ru ggl e
.

, s rr r ,

passe d at l s t from a wi ld batt l e fi el d wi t h th e l igh t of h is


a -
,

rea son que nched i n b l oo d t o d i e a h om el ess wand ere , r

u pon a l on el y rive ba k T h e c h i e fs of th e C ym ry m ay
r- n .

h ve bee n t oo rea dy to q u afl t h e whi t e m ea d on se e e


a
'

r n

nights o on the ev e of batt les th ey m ay have b ee n


,

r

pla gues to each other wi th d is p tes fo ays and pe tt y d i s u , r ,

cord it may be that amo ng the m en o f D ei vyr and Bryn


eich on the eas t e rn coas t nort h an d so th o f t he H u m b e
, , u r,

there were Cymry subject to th e coas t ravagi ng Saxons who


,
-
,

fought w ith the invaders ag inst th e ir o w n count ymen ; a r

and the pecu li r bittern es s with which Cymric poets s pea k


a

al w ys o f the B y ei c h i s tho u ght to support t h i s o p i n io n ;


a r n

but t he best min d of the Cym y as expres sed by their poe ts r , ,

h ad in these grievou s ti m es ass u redly t h e stro ngest i nfluence .

The seven day s battle at Cat t raet h where the S trathclyd e



,

Britons gathered their forces for a last fierce s tan d and ,

stood firm to the de th bore w itness to the S pirit of a a ,

generation that m kes poets Urie n chief of the co nfed er


a .
,

ates am ong the hills o f our C ym ryl d of the North — a an

land stretching beyond the bounds o f Cumb erland a d n

Northum b erland into t h e Scottish lo wlands — had many


2 36 E NGL I SH I VR I T ERS .

The verse system of the Celts w s f unded not like th a t a o ,

o f the Greeks d R m ns upon length d shortness o f


an o a ,
an

syll bles b ut upon agreements in the s ounds o f


a ,

initi l nd fin l lett rs The old Te tonic verse


a a a e . u ,

as we sh ll find in the ca se of Anglo S on w s based upon


a -
ax ,
a

all i ter tion o f initials only The G elic d Cymric Celts


a . a an

used gr ement not o nly of fin l conson nts the most simple


a e a a ,

an d ncient form o f fin l sson nce b t lso o f fin l syll b les


a a a a , u a a a .

The Cymric verse might cl se t wo three or even six or more o , ,

successive lines w ith the s me syll b le In G elic syll b le a a . a ,


a a

e ding in a vowel
n sson te nl y w ith syll b le ending can a a o

a a

in vo w el A syll b le ending in t wo conson nts


a . w ith a a can ,

a f w exceptions sson te only w ith


e syll ble ending in t w o
,
a a a a

conson nts In the c se o f d uble d triple ss n nces


a . a o an a o a ,

the first syll b le o f the first member of the t must h ave the
a se

acute ccent d the second syll ble of the second member


a ,
an a

must h ve either the cute or the gr ve but r ther the cute


a a a , a a .

A m nosyll ble h ving the acute ccent m y ss n te wi th


o a a a a a o a

a fin l syll b le h ving only the gr ve In ss n nce b y


a

a a a . a o a

repetition o f the fin l syll ble we h ve the germ of rhyme a a a .

It is more tr e rhyme th n w uld b e the ss ci tion of


no u a o a o a

ship w ith h rdship


“ ”
d “
w orship The G els used
a

an .

a

m ay b e na m e d he re a s a c u ri os i t y o f Li t era t u re . T he a u t h o r t ak e s

t he p ri n c i p al w o rd s i n ea ch l i ne of the G od o d i n ,

by t h ree l i ne s o f t hem
a t a t i m e , t ra n s l a t es e a c h w o rd i n t o H e b re w , fi nd s al l t h e s y n o ny m s of ea c h
H eb rew w ord a n d t he n p u zzl es ou t a new s e ns e b y p i ec i ng t og e t her s u ch
,

s y n o ny m s a s c a n b e m a d e t o s u i t T h e n h e t ri e s t o j o i n h i s l i t t l e g rou p b y
.

t w o s m ak i ng i n e v e ry ca se t we n t y fi v e e x p eri m e n t s
, L a s t l y t h es e d ou b l e
-
.
,

g ro u p s a re to b e t ri ed w i t h e ac h o t h er, and t ha t s e l ec t e d w h i c h m ak es t h e
m os t c o h e re n t w h ol e t h i s res u l t ca n ne v e r b e m i s t a ke n — fo r s en s e . T he

p ro ces s i s s h o wn i n ac t i o n b y c o nv e rs i o n o f t h e G od o d i n i n i ts Ara m i t i c ,

se n s e i n t o a n i n c o h ere n t
, p o e m o n t h e g a m e o f ch es s T h e h e roes .


m a rch t o C a t t rae t h w i t t h e d aw n , b e co m es h N e i g h b ou rs w i t h c es s e n d h

t h e e v e n i ng .

W h i t l ey S t ok e s on I ri s h M e t ri c .

R ev u e Cel t i q u e for M ay , 1 88 5 (v ol .

vi .
, p . S ee al s o R T h u rn e ys e n
. on T h e I ri s h
M et re R i n n a r d , i n

t h e s am e R e vi e w for Ja nu a r , 1 8 86 (vol y . v n, .
p .
OL D L I TE R A T U R E OF T HE C YM R y . 23 7

o ten a tw o syllab led as z d m : ( health d misery )


f -
,

s o re,
'

a an ,

sometimes even a three syll bled assonance -


a , ,
as

th t of the Cymry wa almost l ways one


a s a

syllabled ; d w hile the Cymry depended chiefly for e ffect


an

upon the ssonant ends o f their lines the G els cared more
a , a

for assonant initi l letters fo lliteration The Gaels also


a ,
r a .

were more care ful th n the Cymry to b alance w ith a a

rhythmic l antithesis the t wo h lves of a verse There was


a a .

, a ,

peculiar ag in to the G elic poetry what Dr Zeuss whose a .

Celtic Grammar is the b est u thority upon this su bj ect a

calls a hal f sson nce where the vowel being the s me the
-
a a , , a ,

consonants were only those of the same cl ss No distinct a .

ru le was kept as to the length of lines b ut they were short , ,


and seven s in the first line of Gray s partly imit t ive
a

a

D eath o f Hoel from the Welsh — wa ve y commonly


,
s r

the n umber o f their syllabl es But much depended upon .

accent .

The chie f M S materi ls fo study of the ol d Cymric . a r a

l a ngu age n d literature are a

LAT I N MSS . OF T HE 8T H on 9T }! C E NT U R I E S w rr u
CYM RI C 6 1 05 5 5 5 .

1 . T he O x ford C od ex i n th e Bod l ei an L i bra ry (A u c t . F .


4
co n t ai n i n a t i f t h e t rea t i s e o f E u t ych i u s t h e g ra m m a ri a n , w i t h
g p o r o n o

i n t erl i n ea r Cym ri c g l os ses . T he E xo rd i u m of O vi d



s A rt L o ve
of ,

wi t h Cy m ri c i n te rl i near g l osse s fro m v 3 1 to 3 70 . . A n a l p h ab e t


asc ri be d t o N e m n i v u s w i t h l e t t e rs rese m bl i ng w h at
,
a re p ri n t e d as

Ba rd i c Le t t ers b u t o f d i ffe re n t si g n i fi cat i on a nd a frag m en t o f a t reat i se


, ,

on Wei g h t s an d M eas u res part l y i n B ri t i sh part l y i n La t i n Th ese


,

, .

Cym ri c rem ai n s a re of t h e e nd o f t h e 8t h o r beg i n ni ng of t he 9t h .

cen t u ry .


2 . T he S e co nd O x ford C od e x a l s o i n t h e B od l e i a n i s t h eo
, ,

l og i ca l an d co n t a i ns i n t h e m id d l e fro m p 4 1 t o p
, a v oc a b u l ary
, . .

o f L a t i n w o rd s w i t h B ri t i s h i n t e r re t a t i o n s w ri t t e n o v e r o r u n d e r t h e m
, p .

T he Cy m ri c i s of anc i e n t form an d t h e fo l l o w i ng La t i n en t ry s h o ws
,

Qu o t e d on p . 2 25.
238 E N GL I SH WR I T E R S .

h
t at i t w as w ri t t e n w h e n t h e Cy m ry w e re res i s t i ng t h ei r i n v ad e rs
H u mi l i b u s D eu s d a t g ra t i a m e t v i c t o ri a m C l ad es m ag na facta es t , .


d e S ax on i b u s p e rcu s s i s u n t m u l t i , d e Bri t on i b u s au t e m ra ri .

(formerl y L l and afl ) C od e x, or Chad s


” ’
3 T he L i ch fi e l d
'

. St .

Boo k c o n t ai n s La t i n e n t ri es o f d o na t i on s &c w i t h m any w o rd s and



, ,
.
,

s e n t ence s i n Cy m ri c o f t h e be i nn i n o f t h e 9 t h ce n t u ry
g g .

4 O f t he s am e ag e i s a l eaf w i t h Cy m ri c g l o s se s fo u n d by M o ni u s
.
, ,

at t ach e d t o a co v e r o f a c o d e x i n t h e L u x em b u r L i b ra ry
g .

5 .A M S o f t he G os p el s p arap h ras ed by J u v encu s i n La t i n h e xa


.
,

m e t e rs co n t ai ns Cy m ri c g l oss es a l so so m e v e rses a t pp 4 8 4 9 50
, , .
, , .

T he M S o f t h e 8 t h or 9 t h ce n t u ry i s i n t he U n i v e rs i t y L i b ra ry a t
.
, ,

C am bri dg e (F f 4 .
,

AN N AL S A N D OT H E R L I T E RAT U R E .

10T H C EN T U RY .

T he La w s of H ow e l D d a, co m pi l ed i n th e 1o t h ce nt u ry . T he
ol d es t M S is . of t he 1 2 t h .

C E NT U R Y 12 T H .

T he Li ber L a nd av ens i s or Boo k o f T ei l o anc i ent Chartu l ary , ,

o f L l an d a fi C a t h ed ra l p u bl i s he d fro m M SS i n t h e l i b ra ri es of H en g w rt
'

.
,

a n d o f J es u s C ol l eg e O x fo rd b y t he Wel sh M S S S oci e ty com p i l ed


, , .
,

e arl y i n t h e 1 2 t h ce n t u ry .

V el l u m M S o f T h e G od odi n a p a ren t l y of t h e y ea r 12 00 i
.
p n , ,

p oss es s i on o f M rs E P o w e l l o f A .b e rg av en.n y , .

Bl ac k Bo o k o f C ae rm art h e n i n t h e l i b rary of H eng w rt a



T he , ,

4 t o o f 54 l e a v e s co n t a i n s i n t he ea rl y p art an e l eg y o n t h e d eat h o f
,

H ow el Dd a s g ra nd so n i n 1 104 an d l a t e r an el eg y o n t he d ea t h o f a

, ,

P ri n ce o f Po w ys i n 1 1 58 Th i s book i ncl u d es t h e so ng o f T h e Sons


.


of L l ywarch H e n, &c .

C E NT U R Y 14 T H .


L l yfr C o ch R ed Boo k o f H erg es t

T he or i n t he li b rary o f
, ,

J e su s C o l l eg e Ox ford a fo l i o of 72 1 pp i n d ou b l e col u m ns A t p 208


, , . . .


is a B ri e f Chro n o l og y fro m Ad a m t o A D A t p 4 99 a . . .
,

Ch ro nol og i cal H i s t ory of t he S axo ns t o A D I n t h i s v ol u m e . .

a re t h e o l d es t k n o w n co p i es o f m os t o f t h e p oe m s as cri be d t o Tal i es i n

and L l y warch H e n b eg i n ni ng a t p 5 1 3 and t h ere fore w ri t t en aft er t h e


, .
,

year 1 3 76 .

OF V A R I OU S D AT ES.

A col l ect i on o f M SS . form ed by Mr . O w en j o ne s , a fu rri er, i n


t t
o

Th ames S tree t , at hi s own g reat e x pense . T he con e n s of m any of t h em


CHAPTE R I V .

OL D L I T E R AT U R E O F T H E T EU T ONS .

G I L D A S the histori n by Anglo S xons called the Wise is


,
a ,
- a ,

s id to h e b een Str thclyde Briton o f the S ixth century


a av a a ,

fello w pupi l o f L l ywa h and a b rother o f


a -
rc ,
G i ld as

Aneurin i f not Aneurin himsel f Bo rn in or


.

.
,

s o b e fore the b eginning of the century he w s taught


o n ,
a

first by St I l t t d then studied for seve years in Gaul


. u ,
an n ,

be fore he dwelt ne r the present St D vid s Head a the . a



, on

co as t o f Pembrokeshire d himsel f became a teacher H e ,


an .

went t E rin and there founded mon steries mong t h e


o , a a

Irish Gaels After his return t Brit in he proceeded t


. o a o

Rome and on his w y back when in Brit t n fo nded


, a , a y, u

the Mon astery o f St Gildas de Ruys w here its monks y .


, sa

th t he ended his li fe O thers ay th t he came ag in to


a . s a a

E ngl nd and died in an oratory ne r Glaston b ury


a , a .

To the Gild s o f whose li fe these det ils are usually


a a

given is cribed a very ancient history w ritten in monasti c


' as ,

L tin De C l mit te E i d i o e t C o q u e st B i t a i ae
a ,
a a a ,
xc , n u r nn

or as the text itself enl rges on the title


, b out the situa a , a

tion o f Brit in her di o b edience and subjection her e


a ,
s ,
r

bellion second su bjection d dread ful Sl very ; f her


,
an a o

religion persecution holy martyrs heresies o f di fferent


, , ,

k i ds o f her tyr nts her t wo hostil e d r v ging nations


n a , an a a

T he c h i ef a u t h o ri t y fo r d e t a l s . o f t he l i fe of G i l d as i s a b i og ra p h y
wri t t en i n t h e t wel ft h cen t u ry by Carad oc of L a ncarvan .
OL D L I T ER A T U R E OF T HE TEU T ON s . 24 1

of her first devast tion her de fence her second devast tion
a , ,
a

and second taking venge nce ; f her third devast tion o f a o a ,

her famine d the letters to Aet iu s ; o f her victory and


, an

her crimes ; o f t he sudden r mour o f enemies ; o f h u er

famous pestilence ; o f her counse l s ; o f her l st enemy f a ,


ar

more cruel th n the first ; o f the subversion o f her cities


a

and of the remn nt th t esc ped ; d fin lly o f the pe ce


a a a an a , a

which b y the w ill o f G d h s b een gr nted her in these


, o ,
a a

our times The hist ry is very ncient but m st ssuredly


. o a , o a

it was not w ritten b y m wh o h d in his veins the b lood a an a

o f Aneurin A ssuming to be one o f themselves t h is priest


.
,

uses a tone tow rds the Cymry o f contemptuous hostility


a ,

under the cloak o f p stor l d brotherly reproo f “


a They a an .

are impotent s ys the covert ss il nt i f llo wing the


,

a

a a a , n o

standard o f peace d truth b ut b ld in w ickedness d an ,


o an

fal sehood Brit in h kings but they e tyrants ; h e


. a as ,
ar S

has judges b t unrighteous ones gener lly eng ged in


,
u , a a

p l u nder d r pine
an b t l w ys preying
a on the,
innocent ;u a a

w henever they exert themselves to venge or pr tect it is a o ,

sure to b e in favour o f rob b ers d criminals ; they an

are ever re dy t take o ths a d s o ften perjure them


o a , an a

selves ; they m ke ow and lmost immedi tely act


a a v , a a

falsely ; they make wa b ut their w rs e g inst their r, a ar a a

c untrymen d unjust ones This could not have b ee n


o ,
an .

s id b y a Str thclyde Briton in ne r the d ys of the b ttle


a a or a a a

o f C at t et h ; b ut it m ight w ell be said b y an Ang l o S axon


ra -

monk of the seventh century wh o g ve force to his censure ,


a

by w riting s one wh o must tell the b itter tr th to his w


a u o n

people .

Through the equivoc l Gild s then w e pass from the a a , ,

Cymry to the Anglo Sax ns Wh w ere they ? Something -


o . o

h as been lre dy said of their strong ffinity to T h A l


a a a
e ng o

the Frisi ns and o f the r pro b able rel t on to the Sm m


,

a i a i a x on s e t t l e
,

Belgae wh o w ere on our southern co st in


e b ’

,
a

C aesar s time We have cited lso the i recorded settle



. a S x

Q
242 E R GL I SH WR I T E R S .

m ents be tw ee n t he a s 44 9 d 5 4 7 fi st e f J t es v r an ,
r on o u

then t h e e f S o r o d th en t w f A g l es
ax ns , R an o o n

th i se t t l emen t
es e s x m ai l y p e
s e t t i e o f
s ast h e p e i n re r n a v r

an d ch a t e f A g l o S a o co q es t
ar c r o d co l
n isat i o w x n n u an on n,

h e ne t t k w h t i m m t by t h d i s t i ct i o be tw ee
av x o as , a s e n n

J tes Sa
u , d A ngles
xo ns , an

Th at t he e w e e ch sett lem ts w e lea r on t h


r r su en n,

authori ty of V e e ble Be d e d f the S xon Ch ni cle


n ra ,
an o a ro

w hic h h e ein foll w s B d r The st tements f B de cor


o e e
. a o e

re po nd als to t h e b i f n t i e in the hist y o f Gildas


s o r e a rra v or

w ri t t en pr f s e dly se en t ee n
o e s d t l tes t a h nd e d yea r
v ,
an a a u r ,

aft er I d a l nded o a no th e t c oas t s Be de born i


on ur r -
as .
,

6 73 w , stu dyi ng hist ory i


as North mbri m onas t n a u an e

only t
a cen u r
v d h al f ft er the l andi ng of Ida Th
an a a .

in fo m tion u p n w hich h e w ot w the best he co l


r a o r e as u

g ther chi fly by inquiry mong hi s neighbo urs t h monk


a , e a e

in the no th o f E ngl nd b t l o by collecting record


r a u a s an

l c l traditi n from t h monas te ies o f the S ou t h d o n


o a o e r , an c

su l t i g in f ct every cc sible record


n ,
a , To the best o f t h
a es .

b li f of his o w d y he tells us the ma n er of e t b li hi


e e n a , n s a s n

the A ngl o S xon po w r in this count y O f the Sax


-
a e r . o

Chronicle the p t r l ting t this rly period was prob b l


ar e a o ea a

t put togeth r till King Al fred s time t w o c ntu ies la t e



no e , e r

than Bede Use w as t hen m de o f the existing record s


. a

the E cclesiastic l History o f Bed b eing mong t h a



e a

number In f ct the n the account o f the i settlement


. a , , S x

r mains to us upon Bede s single d s fe testimony to t h


e

an a

r cord or tr dition ext nt in his ow d y


e a a n a .

The chie f sourc s f the h i story o f the fir t coming 0


e o s

T utonic settlers d inv ders are Gild w h o wrote p e h p


e
— an a as , r a

ea rly in the s eventh century B de wh o w r te in the eight e , o

century finishing his history in the ye r 73 and the late


,
a 1

hist ry o f a w riter wh o in the t w el fth century w


o name d as

as N n i who b elongs to the ninth ce nt ry nd who was


e n u s, u , a

writing in the year 8 2 2 Of Bede and of Nen n i u s w e Shal l.


24 4 E N GL I SH WR I T E R S .

the eas t coast various Teuto nic tri b es from the oppo s i te
shores know n to the Rom ns generally b y the name o f
, a

Saxons made fi erce descents


, The Roman milita ry pow e .
r

spreading d strengthening w lls w ere built around to w n s


an ,
a

even in the regions more firmly held as protectio n agains t ,

attack from the people o f the co u ntry and there was estab ,

l i s hed a strong chain of fortresses against attack from acro s s


t h e sea — fortresses man ned b y ten thousan d soldiers under a
chie f kno w n as the C ount of the Saxon shore While th is .

lasted t he Teutonic inv ders c uld gain little or no hold u po n a o

the l n d But when di ffi culti es at home o b liged t he R oma n s


a .

to w ithdr w their soldiers from Britain and at l ast in the year


a , ,

4 10, Brit in w as requireda by letter from the E mperor t o , a ,

provide f its o wn de fence we have a generat ion of co


or ,
n

fusion follow ed by the b eginning in the ye r 44 9 and 4 5 ,


a 0,

of a series o f large Teutonic settle ments pon our southern u

and e stern Shores Th ese e represente d b y the six


a . ar

settlements t h t Bede describes a .

Now s to the first s ettlement o f Jutes under H engist


, a

and Hors (Horse and M re) wh o estab l ished themselves i


a a ,
n

Kent Hampshire and the Isle o f Wight an d


, , ,

who m Bede distinctly b elieved to have c om e


from Jutland it is to b e observed th t Jutlan d is no w

, a

occupied by Danes and th t men from Jutland settli ng o , a n

our e stern coasts in the d ys o f the Angles were cal l e d


a a

Dan s ; but th t i n this c se they re c lled Jutes n o t


e a

a a a ,

D nes nd do not seem to have b een D nish Wh e re


a , a a .

there h b ee n a D nish settlement to wns commonly are


as a ,

found w ith nam es ending in “


by Thus in L incolnshire .

,

w ithin d en m i l es f Gre t Gri m s by there stand F ores by


a oz o a , ,

T he s tate men t of Be d e i s as fol l ow s De J u t a ru m ori g i ne su n t

C a n t u a ri i ct V e c t u a ri i , h oc es t ea g e ns , q u a: u sq u e hod ie i n p ro vi nc i a
o cc i d e n t a l i u m S a xo nu m c on tra i ps a rn
J u ta ru m nat i o p o s i ta
n o m i na t u r,

ns u la m V ec t a m . I ’
ot t o dc A ng l i s h o c e s t il l a pa t ri a q u ze Ang u l u s ,

d ie i t u r et ab eo t e m po re u squ e h o d i e m ane re d e se rt u s i n te r p rov i n ci a r


J a t a r u m et S ax om n n perh i b et u r — E rc1 H i m , i . . . 15.
OL D L I T ERA T U RE OF T HE TEU T G I vS . 24 5

U tterb y Fotherby Ashby cum Fenby Barnol dby Irby


, ,
- -
, , ,

Lace b y Keel b y G r sby Br ckles b y Ulce b y Yet through


, ,
a , o , .

out this Jute region of Kent H ampshire d the Isle o f



, ,
an

Wight there is not even one pl ce to be found th t h a a as a

n me ending in b y There is no cle r ground fo ssert


a .

a r a

ing lthough it h b een suggested one way o f c nquer


,
a as as o

ing this di ffi culty th t Germanic people occupied Jutl nd , a a a

in the middle f the fi ft h century But th t o inv ders f . a ou r a o

A D 44 9 (or s Bede s c ntext sho w s c lled the Jutes ’


. . a o a ,

w ere D nes from Jutland is not only g inst loc l evidence


a , a a a .

I t might b e urged g inst f ir likelih od th t the first ships


as a a a o a

from Jutland to this country inste a d o f cr ssing the N rt h , o o

S ea as they fterw ards did


,
d striking on o
a e stern , an ur a

coas t should have t ken the trouble to m ke a l ng v y ge


, a a o o a

south w rd nd land now here until they got to Pegw ell B y


a , a a ,

where a farmhouse be ring the n me o f E b b fle et ow , a a s ,


n

s ho ws w here the old p ort used to be But t this it be . o ca n

re plied th t they came invited a f reign uxi li ries d as o a a , an

c me to a p rt of the co st ppointed fo them U po politic


a a a a r n

conside rations And s me unkno wn preceding rel tions


. o a

w ith their le ders or other politic c nsiderations m y


a , o , a

a ccount fo their h ving been fetched fr m far w hen a like


r a o a ,

help could h ve b een found ne r t hand The S xon


a a a . a

C hronicle is not here a Sep r te uthority d si m ply d pts a a a ,


an a o

the q 1104 7 o f Bede in testi fying to that tribe m gst



us ue 5 , a on

the West Saxo n s which is yet c lled the Jute kin Ag in a -


.

a ,

i the Angl o S xon poem o f Beo w ul f presently t b dis


n -
a , o e

cussed as wel l as in the fragment on the battle o f Finnes


,

burgh Hengist appe rs as the n ame f Jute her It is


,
a o a o .

notice b le also that w ith the neighbou ing regi ns med


a r o na

E ssex S ussex and Wessex a fter the S xo s


, ,
f the E t ,
a n o as ,

and South and West Kent kept its Bri t ish n me d h d


, ,
a ,
an a

a peculi r division into S i n rly equal lathes inste d f


a x ea , a o

the usu al h ndreds of the Anglo S on hires w hi l e it h


u - ax S as

b e en po inted out t h t by Jutish l w military e pedition is a a a x


246 E N GL I S H I I R rT E R S .

st il l led a l et h i g or i Da i h l ed i g (l a d i g ) O
ra i n ,
"

,
n n s ,

n n . n

t h e O t h r ha d i epp o t f t hn p i,
i o t h at t h i
n sufi rs t r o e O n n s

se tt l e m e n t w as t o f J t es f m J t l nod b t o f G o t hs f o m u ro u an ,
u r

G ul D R G I t ha m ha bse ed t hat Ki g Alf ed i n


a ,
r . . . a s o rv n r ,

tra n lat ing Bed


s Ec cles i as t i ca l H i t o ye s

has d eal t w i t h s r ,

Be d rec o de d c q es t b y t he t h ee t o nges t of t h e i n
e s

r on u r s r

va di g peo p le
n Sa o i b A gli s, J t is as t h t o f x n us, n s, u ,

a

Sa m xu d f A gl e an d f Ge t m
o an d n f t he G e nt s ;
,
an o a u o

w hile t h e Ki g i w h ose reig t h e Sa o C h o i l e p pea s


n ,
n n x n r n c a r

to h e b ee es t bli h ed lso dro ppe d o t f h is ers i o o f


av n a s , a u o v n

Be de t h e re fere ce t o l “
J A ”
p p
eo e ye t ca ll e
n d t e g a i n a u .
,

it i o bs r ed tha t Be d e co e ts t h e m e of t he peo pl e o f
s e v nn c na

the I le f s ow aer V —
i a wi t h J t ae as -
e, e -
v ar u ,

King Al fred i his d a y co nn e cted it wi t h G eat B t t he


n . u

e ror here is cert a in the me be ing B it is h n m e k n o wn


r na a r a ,

to the R man s d cu rent i So uth B i ta in long b efo re


o , an r n r

a n yt hi g h d be en he rd f Hengi st d H o sa I
n a a T he o an r . n

Li fe of King Al fre d rib ed t his Bish p As s er Al f ed ,



asc o o ,
r

himsel f is m de by inference Jute hi s g an d fa th e bei n g


a a ,
r r

O l s ac , G o th by n ti n f he was bo rn o f t h e Go ths d
a a o , or an

Jute ; th t is t y o f the r ce o f St f d Wi h tga


s a o sa , d a u an r, an ,

b ing m de Go vernor o f the Isle o f Wight killed i


e a , n

G w i t ig b g h (C isbr ke ) their l as t stro ng h ld in t h e


ara ur ar oo ,
o

i l nd the fe w n tive Cym y wh w ere not lrea dy s la i o


s a , a r o a n r

ex iled Dr L th m d w ells u pon this ph se Goth a d


. . a a ra n

Jut e ,
d upon Al fred s rende ing f Jute by Ge t w hen he
an

r o a ,

ir g u s th t the J tes f the fir t settlement w ere in f ct


e a u o s ,
a ,

l o t b ; or tha t i f Jutes they w ere Jutes wh


s ,
c me in m ,
o a co

p a ny w ith G oths and that they c me not , t o f Jutl n d bu t a , ou a ,

o nly f om t he coast f G ul across the str it s that divide


r o a ,
a

G au l fro m Britain Thus he rgu es we may h ve i n t h e .


,
a ,
a

names of t h e t wo Ki ng o f Wessex C y e i d C w i c h el m s ,
n r c an ,

G ot hs H u n neri c (H einrich ) d Wilhelm He observe s an .

wordi ng t o t h i s t heory we have still in Kent a people


!

t Saxon t o preserve t h e ancient n am e o f that part ,


248 E N GL IS H WR I T E R S .

t hi s country Ag in this Angulus is the e stern n ot the


. a ,
on a ,

w estern co st ; so that i f their district b e confined w ithin


a

Bede s definition o f it the Angles w hen they c me to Britain



,
a

either b eg n their migrati n over la d or h d to sail out o f


a o n ,
a

the Baltic and come round Denm rk on their way The


, a .

dist nce ho w ever is but fi e and tw enty miles from the he d


a , , v - -
a

o f the Sli c to the w est coast The w hole breadth of l nd . a

fr m the mouth f the Flensborg Fiord to the shore o f the


o o

North Sea is only forty m iles d on th t O pposite shore an a ,

a mong the Frisi n po pul tion north o f L e k anot her little


a a e ,

district bears yet t this d y the name o f A ngeln I f they o a .

w ere in Slesvig the s me Angles w h pr ved so b usy and so a o o

strong w hen they reached Brit in w e m y be quite sure th t a ,


a a

in Slesvig they occupied the w hole bre dth o f the l nd from a a

c st to co st N rth o f the Angles as thus pl ced w ere


oa a . o ,
a ,

the Jutes and to the south bet ween t hem d the E lbe , an ,

th t is to say in modern H olstein w ere the S x ns


a , ,
a o

Denm rk Proper in a S light measure d Slesvig and a , an

H lstein almost entirely being acc rding to this view t he


o , , o ,

p rent count y o f the Angl o Saxon race


a r -
.

We h ve here no more than a fr gment f the truth


a a o .

From the whole r nge f the coast O pposite Britain betw een a o

Jutland d the Seine c me rein f rced by kindred t ibes


an ,
a ,
o r

th t e tended inl nd the men w ho t di ff erent times took


a x a ,
a

p ssessi n f the pl ins o f Brit in They w ere F i i


o o O Of a a . r s an s

the co st from isl nds over g inst u ide f the Slesvig


a , a a a o r S o

sh re still c lled the Frisi n Isl nds t the border f Fr nce


o ,
a a a ,
o o a ,

in the country th t is to this d y n med fter the Belgas a a a a .

Th y were c lled by a n me o f their w


e a Angles ; but a o n as

the n me f S x n like th t f Welsh (f reigner) given to


a o a o ,
a o o

the Cymry seems t h ve been ,


n me pplied from o a a a a

w ith ut by the Romans


o d the Celts Welsh meaning an as ,

f reign w s
o n me given by th se w hom they called
, a a a o

S xons to the Cymry


a The Angles f the N rth f E ngl nd . o o o a

were call ed Saxons b y the b a rd of


“ h
T e G od o d i n and ,
OL D L I T E R A T U RE OF T HE TEU T ON s . 249

w ere S ssenach l ng a fter to the Highl nd Sc t It is


a o a o .

there fore n t impr b able th t the pp rent di ff erence


o o a a a

b etw een S xon and Angle h a risen from the f ct th t the as a a a

same people w ho ruled in the n rth under a n tive n me o a a ,

accepted the ther w hen est blish ing among those by w h m


o a ,
o

they w ere c lled S xon their Angle kingdoms I f it w


a a , . as

E gbert King o f the West Saxons wh o first gave to the


, ,

w hole c untry the n me o f E gl nd — the land


o f t he a n a o

Angles we m y c nsent to the pini n th t he w uld not


— a o o o a o

h ve done this h d it b el nged to di ffering r ce of Saxons


a a o a a ,

he being h imsel f a S xon a .

From the Angles f Bede we turn lastly to the S x ns o a o ,

w hos e l nd he identifies w ith H lstein


a There is no record o .

o f the geography f Germ ny w ithin the peri d O a o


S
f Bede s six Anglo S xon settlements But
ax ons .

o -
a .

reaso ble in ferences


na be dr w n from comp ris n o f the can a a o

l test acc unts be fore t hat period w ith the earliest accounts
a o

a ft er it ; th t is to s y o f the ccounts given b y Tacitus in


a a ,
a

t he Germani (A D d by Claudius Ptolemy in his


a . . an

Geography (A D w ith th se

f the nnalists o f
. . o o a

Ch rlem gne d his successors (f m re th n century


a a an or o a a

fter C h rlem gne s accession A O In T ci t us there



a a a ,
. . a

is no S xony ; there e S x ns The first mention f


a ar no a o . o

S xons is by Ptolemy w h o places the m on the m inl nd


a ,d a a , an

in three isl nds adj cent t the land n rth f the E lbe
a a o o o ,

from H m b urg west w rd to the sea and north w rd t


a the a , a o

E ider This is the reg ion corresponding to the Holstein


.

districts Of S t o m nd D i t m h w i t h the (Frisi n ) isl nds


r ar a ars , a a ,

it is supposed o f Dyl t Fohr d N rdstrand Both T citus


, , ,
an o . a

an d Ptolemy pl ced on the c st south o f the E l b e b et w een


a oa ,

th t river and the E m


a people c lled the Ch n ci The s, a a a .

rest of the co st north eastern Fr nce included w s s id


a ,
-
a , a a

t
o b e occupied by F i s i a s d B t vians The Angles o f r n an a a .

Tacitus were on the Low er E lbe a bout H mburg Lauen , a ,

burg and H olstei n They w ere the Angles o f Bede s


,
.

2 5 0 E N GL I SH WR I T E R S .

A ngulus w ith a wider extension to the south and w es t


, .

Behind the C hau c i o f the coast whose country dipped far ,

inland south also o f the Angles w ere a people calle d b y


, ,

Tacitus and Ptolemy Cherusci Their land co tain ed w hat . n

we ow call the Hart


n Mountain s and included m odern z ,

Saxony S outh of the Cherusci w ere the L ongobardi and


.
,

between the C heru sci and the Frisian coast were other
tri bes the Angri va i i whose district was ab out E ngern
,
r , ,

which is a small tow n bet w ee n Biele fel d and Minden and ,

the C h m a i an d Chasu ari i in the province called after wards


a v

Westphalia .

We pass n ow over the b lank period of the six Anglo


S xon settlements in E ngl nd to the geography o f C ar lo
a a

i gi a times t wo or three centuries su b sequent to those


v n n ,

events The F ranks called the part s lying to the nort h an d


.

e st o f their own frontier the four countries of the Slaves


a ,

the D nes the Frisians d the Saxons The Sl ves were


a , ,
an . a

in E astern E urope ; Dani wa the country north of the a s

E yd e modern Jutland and Slesvig


r, F risia wa the coast . s

country b etween the Frank b oundary and the Weser con ,

sisting o f the present Dutch provinces of Friesland and


Gr ningen E ast F riesland and a part of Olden b urg ; thu s
o ,

including the chie f part o f the region formerly ascri b ed to


the C hau ci As fo the Sax ony o f Carlovingi n d ays this
. r a ,

wa a large region through w hich flo w ed the E lbe


s North .

o f the E l b e No d al b i g i a or T ansal b i a Saxony nearly


,
r n, r n ,

corresponded to the S axony o f Ptolemy its pe ple being , o

divided into T h i ed m a i (Di t m a h e s) with M el d rp fo rs rs r , o r

their c pital and H ol s t i (d wellers in woods H lsteiners )


a a , o

s ep r ted b y the river S turia from the S t o m a ii


a a w hose r r ,

capital was H am b urg S outh o f the E lbe the C i l b i a . sa n

S axons were d ivided into Westphalians and Eas t p h l i a s a n ,

w ith the A ng a i an s formerly A g i va i i b et w een them


r r ,
n r r , .

The C ham a i and C hasu a ii are now Westp halian (wes t


v r

dwelli g) Saxons the Angles and the Cherusci with a tri b e


n ,
E N GL WR I T E R S

25 2 I SH .

t h eir national li fe l i fe t hat h as


since been m rked b y great
— a

changes in their method of speech d thei voc bula ry an r a ,

and by some changes of imp rt nce even i t h e temper o f o a n

the mind th t these are to express a .

To the geogr phic l deta ils here given I d d only a a a a

pertinent sentence or t wo from King Al fred s acc unt f the ’


o o

geogr phic l voy ges of the N o t h m e Oht he e


a a a d r n r an

Wul fstan comm nic ted to him by those explorers a d


, u a ,
n

intr duced mong his numerous v ri tions d dditions t


o a a a an a o

the Geogr phy tr nsl ted by him from Orosius



a
” “
T a a . o

the nort h o f t he Thuringians he s ys (i f the district ,


a t e . o

o f S xe Goth S axe Weim r e the O l d S axons



a -
a, -
a ,
ar .

To the north w est e the Frisi ns d to the w est o f the


-
ar a ,
an

Ol d S xons is the mouth


a f the E lbe lso Frisi o ,
as a a .

Hence to the w est north is th t l nd c lled Angle l nd -


a a a -
a ,

S e l nd d some p rt o f Denm rk Ag in in desc ibing ”


a a ,
an a a . a . r

a v y ge o f Oht he e t I E t H aet h m
o a

p rt b y t h e r o -
u , a o

he ths w hich is identified w ith H d d by on the S li c


a ,

a e ,

O pposite the to w n o f S lesvig or sometimes w ith l d S lesvig , , ,


o

itsel f Alfred s ys that Z Et H aet h m st nds bet ween t h e


,

a -
u a

We e d ae t he S x ns
n d the Angles and is su bject t
, a o the , an ,
o

D nes For t wo d ys be fore Oh t h e e c me to H aet h u m on


a . a r a ,

his right h nd w Jutl nd Sae l nd d m ny isl nds all


a as a , a , an a a ,

w hich l nds w ere inh bited b y the E nglish be fore they c me


a a a

h ither T h ese w ere the l nds in d about the Ang lus



. a an u

o f Bede .

To l l this ext ern l evidence as t the p rt o f the Con


a a o a

ti n ent from w hich the Angl S x ns c me to E ngland there o- a o a ,

is to be added the internal evidence o f c mmunity o f loc l o a

an d personal names d close n logy o f l ngu ge Thus an a a a a .

in E nglish names of pl ces w h ve w rds ending in a e a o

hurst me ning copse or wo d d b eck meaning a


,

a a o ,
an ,

brook Betw een the L wer E l b e d Weser as w ell as in


. o an ,

H lstein n rth f the E lbe such horsts e numerous O u r


o o o ,
ar .

b ecks we find g in in t he beck s nd b achs of t he sam e


, a a , a
OL D L I T ERA T U RE OF T HE TE U T O Ns . 25 3

region especially in the more inl nd p rt where t he Leine


, a a ,

flow s tow rds the Aller and the Weser


a .

The evidence of language to the Frisi n origin f the a O

Saxons is so strong th t there is contradicti n betw een


a no o

the st tement o f Procopius in the S ixth century


a
*
F i i d , r s a ns a n

th t Britai n was inh bited b y the three races of


a
S m
a
a

Britons Angles d Frisian s d Bede s state m ent that


, , an , an

the inh b ita nts w ere Britons Angles d Saxons Jac b


a , , an . o

von der M rl nd w h o in the thi teenth century produced


a a , r

the fi t fru its o f Dutch poetry in his Spiegel Historical


rs -
,

or Mirr r o f History cl ims Hengist himsel f as a


o , a

Frisian a S xon wh w s driv n out o f the l nd using the


, a ,

o a e a ,

t wo w ords as synonyms

E en hiet E ng i s t u s , ee n V ri es e , ee n S as
Die, u t en Land e v e rd re v e n w as .

And V e s t egan quotes to like e ffect


r , , an old Teut ni c o

author wh o s ith thus


, a

O u d e Bo ek en b o o rd e i c g e w ag e n ,
O l d bo o k s h eard I t o m e n t i o n ,

Da t al be ned e n N u e m ag e n
h et l an t ,

Th a t al l t he l an d be nea t h N i m egu e n ,

Wy l e n N ed e r S as s e n h i e t ,

Wh i l o m e N e t h e r S ax o n h ig h t .

Th e n goe t h he on an d t el l et h h o w t h e ri v e r of S ch e l d t w as th e w es t e rn
li m it of the S a x on cou n t ry S o as acco u n t i ng no w fo r t h e e a s t s i d e
. of

H o l sa t i a , w h i c h co n fi ne t h on t h e Ba l t i c S e a , u n t o t h i s a fo re sa i d ri v e r of

S ch e l d t , S a x o n l a n d , or t h e co u n t r y of t h e S axo n s , c o n t a i ne d i n l e ng t h
m o re t h an t h re e h u nd re d m i l es . T he s am e T eu t o ni c au t h o r add e t h

fu rt h e r,
D i e N ed e r S ass en b i e t e n F ri es en ’
nu ,

t hat is ,
T h e Ne t h er S ax o n s are h ig h t no w F ri s i ans .

"
De Be ll o G o t h i c o , iv . 20 .
254 E NGL I SH I VR I T E RS .

A glance at the m p of E urope w ill soon Sh ow b y what a

cu rents in the course of n ture the tide o f migratio fro m


r , a ,
n

the m i nland to Brit in must have s ped over the dividing


a a

se a From each region it strikes on the shore m ost nearly


.

o pposi t e d w e find accordi gly to this day in ou pro


, an n r

i
v nc ai l speech and in the very fr mes ,d faces o f the a an

spe kers S candin vian i n the north to which Scandinavian s


a , a ,

w uld h ve found their wav most readily D nish types i


o a ,
a n

the Midl nd F isi n in the south The g eat characteristic


a ,
r a . r

di fferences bet ween Low l nd Scot or a Northumbri an a a

d lesman
a d a S ssex l bourer w hose fore f thers h ve
, an u a a a

never strayed b eyond the p rent soil still cle rly p int to a ,
a o

di fference o f ch r cter in the Teutonic t ri b es from w hich


a a

they are descended .

The de fe t of the Rom ans in the year 9 b y Armin chief


a ,

o f the Cherusci h d checked their successes in Germany


,
a ,

11 R m
1. o
d w fo
an,
the brave
an enemy high respect
on r a .

i G
n “ The Germ ni
e rm a n
f T citus w ritten in the year a a o a ,

1 00, le ves us record f the Germ n ch r cter as t h e


a a o a a a

Rom ns understo d it and o f the divisi ns o f their tribes


a o ,
o .

He describes them s p ple f l rg gro wth b lue eyed a a eo o a e ,


-
,

and uburn h ired wh w orshipped g ds o f wa cl shed


a -
a , o o r, a

their sh ields t the time f w songs d pr ised in their


o o ar -
, an a

feasts Armin w h delivered them from Rome They


,
o .

reverenced w omen w ere true to their marriage v ws d ,


o , an

held together s pe ple by strong pirit of ssoci tio a a o a S a a n

th t would d aw them readily t common action fo a


a r o r

c mm n go d A recent writer tr ces them b ck to the


o o o . a a

S cyths c lled by the P rsi ns S c


,
a wh spre d from the e a a ae, o a

Ary n h me t t h e h ighl d f t h Scythi n Ima s and


a o o an s o e a n ,

t h nce
e ver l rge p rt f Asi a wit h
o a influence th t a o ,
an a

imposed s m f th ir th ught o th d rk skinned Mon


e o e o on e a -

goli n a d levi d t i b ut
ra c e s , a n l l Asia b e f re the time of e r e on a o

Ninus wh o freed Assyri from their yok e The Scyths he


,
a .
,

argues w ere kin to the Thraci ns and appearing first as


,
a ,
256 E N GL I SH WR I T E R S .

near the tow n o f Parn ssus Born with the genius of a


'

a . .

le der h e completed the conversion o f the tribe They


a ,
.

sent him b out the year 3 8 to represent them at the


,
a 2 ,

court of the E mperor Const ntine nd there he was in the a ,


a ,

year 3 4 t the ge of thirty ordained Bis h op by E use b ius


1, a a , .

He returned then to his people w hose faith in h i m w s so ,


a

complete that saying arose mong them All that U l fi l as


a a

does is well done He preached and wrote in Greek in


.

,

L tin and in t h e l nguage f the Goths and he beg n to


a ,
a o ,
a

transl te f their use the Scriptures into their own language


a or .

Th t he might do this it is s id that h e per fected a Gothic


a a

a lphabet w ith letters based on Greek r ther than L atin


, a

f rms this being d ne t


o ,
void the u se o f h eat hen runes
o o a .

When he h d been Bis h op fo seven ye rs t hat is in t h e


a r a , ,

ye r 3 4 8 his Christi n tribe h d endured so much p e secu


a ,
a a r

ti n fr m the unconverted tri b es round them that h


o o a e

obt ined le v fr m the E mperor Constantius to lead th e m


a a e o

a cross t he D nube and pl nt th e m t safe distance from t h eir


a , a a

persecutors in M oesi ow k o wn as Servia and Bulgari a a, n n .

U l fi l as h ving led t h em to the prom i sed hills they w ere


a ,

kno w n thence forth s the M oes o Goths Not counting t h e


a -
.

seven ye rs be f re their remov l U lfi l as conti ued to be


a o a ,
n

their teacher o thirty three ye rs th t is u til the year 3 8


f r — -
a a ,
n 1 .

He was then summ ed by Th eodosius to the imperi al on

court t Const ntinople w here he w s held in high honour


a a , a ,

an d requested as head f the Ari n p rty w hich T h eodosius o a a

f voured to dispute
a , g inst cert in propou ders o f a a a a n

doc t rine th t began t spread among the Goths but w hen


a o

h e re ached the capit l he was sei ed w ith his last illnessa z ,

and died in the s me year t the ge of seventy In h i s


a a a .

l st hours o f li fe having in mind the theological dispute s


a ,

th t h d b egun to vex his people he dictated decl r tio n


a a , a a a

o f his f ith aI believe God the Father to b e o e only


. n ,

un b egotten d invisi b l e and in His on ly b egotten So n


an , ,

our Lord and God maker o f all that is created havi g one
, ,
n n
OL D LI T E RA T U R E OF THE TEU T ON s . 25 7

like unto H im ; so that there is one God over all who is ,

also God of our God and one Holy Spirit an illuminating , ,

and sancti fying power neither God no Lord but the , , r ,

m inister o f Christ obedie n t in all things to the S on , ,

as the So is o b edient in all things to the F ther


n a .

Phi l ost orgi u s s ys that U l fi l as translate d the whole Bi b le


a

except the Books of Kings those b e omitted b ecause they


contained histories of wars and hi s Goths had delight in , a

war that c lled rather fo r repression than enc uragement


a o .

T he translati n was m ade chiefly from Greek M S S


o Copi es .

o f it w ere in the armies f the Goths when th e y invaded o

I taly and m ny o f the fr gments wh ich have furnished


, a a

additions to the text of the chie f copy the f mous S ilver ,


a

Co dex ow belonging to the University o f Ups la have


,

n a ,

b een found in Italy There rem in l arge fragments of the . a

four Gospels the E pistle to the Romans p rt f the F irst


, , a o

and the whole of the Second E pistle to the Corinthians ,

the only complete book the E pistles to the G latians



,
a

an d E phesians w ith a few gaps here and there in each and


, ,

fr gments o f Paul s other epistles Of the M oeso Gothic



a .
-

tr nslation of the Ol d Test ment th ere are only t wo scraps


a a

from the first and seco n d b ook o f E xodus .

I t was t the end of the year 4 76 that Odo cer t the


a a ,
a

head of his hordes Of H eru li R gi i Scy ri P i l i gi and , u , r ,


u rc n ,

Goths b ecame m ster of I t ly and ruled in the n me o f


,
a a , a

the E mperor Nepos wh o w s murdered t S l n in M y ,


a a a o a a ,

4 80 . Both o f these d tes w hich mark the extinction o f a ,

the Western E mpire fall within the li fetime o f U l fi las I t , .

was also w ithin the li fetime o f U l fi l as that the E mperor


Zeno at C onstantinople had in 4 74 ceded to the O str goths , , o

the southern p rts of Pannoni and Daci a d trusted to a a, an

them the de fence o f the lo wer D nu b e In 4 75 The doric a . o ,

wh o from the g e o f eight to the g o f eighteen had lived


a a e

a s a friendly ho s tage in C onstantinople and w ho m U l fi l as ,

must have known personally b ecame King of the O tro , s

R
25 8 E NGL ISH I VR I TERS .

goths Ze n f und him incon eniently i g us i the


. o o v v o ro n

as se tion f h i ights
r o d di r t ed hi s m i li t a y ardour
s r , an ve r

t w rd s O doa cer agai t w hom he b egan hi s m rch seven


o a , ns a

y a
e s r fter t h a de a th o f U l fi la e
s W ome an d h ildr e . n c n

f ll wed wi th the
o o my o f the Go ths who w ere m i grating
ar ,

to the fertile p la in s o f Ita ly w hich h d b ee ma de over t o ,


a n

Theod ic by the E m peror t Co ta ntino ple d w ere t o


or a ns , an

be hi i f he co ld conq er them Go ths t o the nu m be r i t


s, u u .
,

i sa i d o f t wo hu ndred tho us an d h d cro sse d t h e Al ps by


s ,
a

the summer of the year 4 8 9 eight ye rs fter t he death o f , a a

d copies o f U l fi l as Bi bl e w ere brought w it h '

U l fi l as ; an s

them o f w hich frag me nt h ve si ce bee n fo und i It li


, s a n n a an

mo te ies Bef re the end o f the year O doacer was


nas r . o

de fe ted t Aquilei d t Vero na Then ft er e du rance


a a a an a .
, a n

of three ye s siege in R ven na he surrendered in 4 9 3


a ar

a , ,

on condition o f j oint rule w ith Theod ic But a few days or .

a fte wards
r c c sed o f trea chery
,
a he w as murdered t
u , a a

b nquet to w hich The odo ic in i ted him The odoric the n


a r v .

m de himsel f m ter o f l l Italy and until his de th in


a as a , ,
a

the ye r 5 6 ruled s P t i i u over the Ro m ns d as


a 2 , a a r c s a an

King over his w pe ple o n o .

T he nly note o f old German heroic song that h as


o

come dow n t us is a strain from one o f the heroic poems


o

S f in
o ng o
w hich incidents o f this great w a w ere cele r
“M bm d ‘
b t e d b y the O strog ths
'

ra The only kn w n o . o

M S o f it is on a piece o f p rchment fo nd betw een t h e


. a u

wood and le ther o f the binding f a La tin Prayer Book in


a o

the ancient monas tery o f Fuld It is M S of t h e a . a .

e igh t h century ow in the pu b lic library at C ssel T he o


,
n a .

doric the Os t rogoth con q uer r o f It ly ppe rs in later


, , o a , a a

rom nce as Theodoric of Ver n Dietrich von Bern


a o a, .

Hilde b r nd chie f of his heroes h d fought in his youth i n


a , ,
a

It ly m rried there and le ft a three ye r old son wh en he


a ,
a ,
-
a -

was driven b y O doacer to Attila King o f the Huns Afte ,


. r

years during which the s on gre w up to manhood Hildeb ra n d ,


2 60 E NGL I SH WR I T E R S .

Wi th s l y en t i c i ng wo rd s w o u l d

st w i n m e nea r
My a ns w er h em i s w i t h cas t o f s pear
to t ,

Th o u rt o ld Th i s cu n ni ng ou t o f age i s bred

. .

O v e r t he M i d l an d S ea ca m e foes w h o sai d ,

H i l d ebrand son o f H e rb ran d h e i s d ead


, , .

H i l d ebrand s on o f H erbrand s pak e ag ai n


, ,

Th i n e arm s s h o w t ha t i n t h i s l and t hou cou l d s t no t g a i n ’

A l i be ral l ead er o r a royal fri en d .

N o w wel l aw ay g rea t G o d Fa t e s e vi l end



, ,

F o r s i x t y years e x i l e i n s t ran g e r l a n d s
, ,

S u m m e r and w i n t er w i t h s p ea r d art i ng ba nd s -
,

N ev er o nce l eg b ou nd w i t h i n c i t y w al l ,

I co m e bac k b y m y o w n s o n s h an d t o fa l l

,

H e w n b y h i s s wo rd or b e h i s m u rd erer
, ,

B u t i f t hy s t reng t h h o l d t ho u ca n s t read i l y

,

Wi n o f t h e b rav e hi s arm s s poi l o f t he s l ai n , ,

Wh e n t h i n e b y ri g h t S ai d H i l d e b rand
.

N ow w o rs t , ,

O f O s t rogo t h s b e h e w h o h ol d s m e back
M y h eart i s fo r t h e fray .

J u d g e com rad es wh o l oo k on w h i ch of u s wi ns
, ,

T he fam e bes t t h ro w s t h e d a rt and earns t he s poi l


, ,

T h e as h e n s pears t h e n s p ed s t u c k i n t h e s h i e l d s ,

W i th t h ei r k een p oi n ts a nd d ow n on t he w h i t e s h i el d s
,

T h e h eav y ax es rang w i t h s ou nd i ng bl o ws ,

S h at t e ri ng t h ei r ri ms t h e fl es h beh i n d s t ood fi rm
, .

Th ere is no more Thank s to the t wo monk s who dis


.

s e c t ed the cover o a prayer book


f — not the only exam ple of -

a gain to L iterature from studies in the anatom y o f old b ook


covers— there is this one ri ft in t h e thick clou d that hides
from us the inner li fe o f the Germans in the s ixth or seventh
century one ray o f light shoots forth t hen all is dark again , .

B t w e h ave seen enough to k n o w t hat the ol d literatures of


u

the S candinavi ans and First E nglish pass o u t of an cien t


times from brotherhood with Teuton s of the Continent ,

among who m there was no t silence though there b e o , n

record of t he song Very noticeable in this fragment is t h e


.


sudden rise of the wa spi it o f what Gaelic poets m ight
r r
OL D LI T ER A T U R E OF T HE TEU T ON s . 26 1

have called Hilde b rand s b ird o f valour the close ’


— at
even the s t rong instinct of f mily affectio was su b dued a n

fo a tim e b y that appetite fo wa which made it seem


r r r

pru de t to U lfi l as to leave the record of the w ars o f Israel


n

out of his Gothic Bi b le .

T h e la guage of U l fi l s and o f t h e O strogot hs w as o f


n a

the L ow Ge rma type After t h e de th of Theodoric the


n . a

power of the O strogoths declin ed I t was fi ally D n“ . n aw


.

destroyed i n Italy i the ye r 5 5 5 d the n a , an

Teutonic tri b es who next played foremost $3 32? a


3

part in the shaping o f the future w ere a c o P


n
ra y ”

federacy k no w as the Franks from whom France takes


n ,

her nam e They w ere o b oth sides o f the lo wer Rhi e


. n n ,

a d s pread their po w er
n M ero eu s wh o gave t he name o f
. v ,

M erovingian to the li e of Fran kish k ings c me t o his ru le


n , a

i n the year 4 4 8 His gran dso n Clovis succeeded i t he


.
, ,
n

ye r o f the de th o f U l fi l as 4 8 b eing then only a boy of


a a ,
1,

fourtee n He succe eded to a smal l d omi io a d army


. n n n an

o f not more than fi e thousand fighting m e v But it was n .

he who l aid the foundations of t he Fra kish power He n .

married in 4 9 3 a Christian prince s s and pro bab ly through ,

her influ ence was draw n to Christianity himsel f and to t he


Christian isi ng of h i s people Christianity thus spread .

t hro u gh a l rge popul tion spe king a langu ge o f t h e


a a a a

high German type and the earliest trace s of high Germ


, an

liter ture are few Fr kish pieces of Church w riting


a a an

portions of catechism promises at b ptism con fessio s o f


, a ,
n

fai th and the Lo rd s Prayer— instrume ts in the w ork o f


, n

conversion There is als o one small piece of origi al verse


. n ,

which i s kno wn as
T be Wezss m bm
'

n n er P r ay er .

I s ou g ht ou t an d h eard a m ong m en
T he g reates t of w on d ers .

Ea rt h was no t , n o r h ea v e ns bri g h t ,

There was n ot hi l l or t ree ,


2 62 E N GL I SH WR I T E R S .

N0 sun s h one , no m o o n g a v e l ig h t ,
T he re w as n o t t h e se a .

There w as no t hi ng , so n o en d ,

B eg i n n i n g , b o u n d s , w ere t h e re
O n l y G od , m an s t e nd e re s t fri e nd ,

A nd H i s a ng e l s fa i r
.

H o l y G o d A l m i g h t y G od
, ,

That m ad es t s k y a nd l and ,

Th at g i ve s t m an so m any a goo d ,

G i v e m e t o u nd e rs t a n d
Thy g race i n ri g h t b el i ef and w i l l
, ,

I n w i sd o m a n d i n s t re ng t h ,

T o fi g h t ag a i n s t t h e p o w e rs o f i l l ,

A n d co m e t o Th ee a t l eng t h .

This prayer which I have ventured to turn


, the old
unrhymed alli terative measure into modern rhym e withou t one

ch nge in the sequence o f its thought u n less it b e a change
a

to tre t in the last line coming to God as equivalent to


a ,

“doing f God s w ill — is the oldest attempt at Christian



t he o

song that has come do w n to us from our Teutonic fore


f thers upon the C ontinent
a It was discovered i n the Bene
.

di tine monastery at W eissen b ru n n in Bavari a set mong


e , a

Latin pieces and having L tin inscription over it D


, a a , e

I ts author pro b b ly lived after our E nglish C a d


a

mo b ut his date c nnot b e later than the eighth century


n, a ,

an d it was follow ed in the ninth centu ry b y a f more i m ar

portant work the H eliand (modern Gem an Heiland


,
“ ”
i ,

S viour) a detailed poem on the Messiah i


a ,
b out six , n a

thousand lines of L ow German w ith only t wo High



German forms composed by Saxon priest a b out the ye r
— a a

I have take n my vers i o ns o f t h e Hi l d ebra n d s Li ed a nd W e i ss e n


“ ’ ”

b ru n ne r G e be t fro m t h e s t u d y o f t he m by t he Bro t h ers G ri m m :



Die
b e i d e n al t est en d eu t s chen G e d i ch t e au s d e m ach t en Jah rh u n d e rt : D as
Li e d v on H il deb ra nd u n d H a d u b ra n d u nd d as W ei s s enb ru n ner G eb e t zu rn ,

e rs t e n m a l i n i h re m M e t ru m d a rg e s t e l l t u n d h e rau sg eg eb e n d u rch d i e
Brii d e r G ri m m .
"
C as sel 1 8 1 2
. .
CH A PTER V
S CA N D I N AVI A .

P YT H EA S a Greek navigator who live d in the time of Alex


,

ander the Great sailed from the port of M ssilia no w a ,

U l im
t Marseilles
a on voy ge
, o f inquiry
a to Thule
a ,

w hich he made to b e six days sail b eyond


Britain He brought home reports concerni g lands which


. n

m ust h ve been a part of S candinavi a b ut his reports w ere


a ,

treated as untrustworthy by Polyb ius and S tr bo For the a .

next t welve hundred ye rs until the time o f Ki g Al fred


a ,
n ,

little w as kno w n of the lands whence the ships o f the


N o t hm e came with cre ws o f plunderers or settlers to the
r n

British shores Those were the lands o f L o w Germ an


.

tri bes quickened to energy by soil and clim te d by a ,


an

b attle w ith the wild Atl ntic i their search f bre d


a n or a .

With high free spirits the S candinavi ns w ere b old


, , a

a lso in invention ; long winter nights m u ch f voured story a

telling and none but the old Greeks excelled them i n the
,

number nd the beauty o f their legendary tales They per


a .

s on i fi ed the g reat forces o f N ture until they h d fr med a


a a a

w ide an d b eauti ful mytholog y ; they developed their chie f


heroes into mythical forms h l f human hal f divi e ; they
, a , n

prese ved the glory o f the deeds of the i r foref thers in f mily
r a a

tr ditio n s that were cherished in the settlements of every


a

valley .

They shape d at l st their god Odi n or Woden (after


a ,

w hom w e n ame ou Wednesday ) into an historic l myth that


r a
S CA N D I N A VI A . 265

accou n ted in their o wn way fo the division of their tribes r

into Norwegians Swedes and Danes When Pompey de


, ,
.

feated Mit hridates (B C he overc me lso Scythia . . a a n

tri b es that M i thridates had armed against Rome O e o f . n

these t i bes was said to have b een he ded by Sigga s o o f


r a ,
n

Fri d u lf who fled from the Rom ns to the nor th o f E urope


,
a ,

a nd took the name o f O d in the chie f god o f the Teutons , .

H i s t ri b e had been the fi s h b et ween the Black S e d ,


a an

t h e Caspian and the chie f city o f the fi s h w s Asg rd a


,
a a ,

famous centre o f w orship These w ere n ames o f the gods .

an d o f their home borro w ed fro m myth fo ,


the making o f r

history O din led his follo wers to northern conquest and


.
,

gave sons to rule k ingdoms that he founded S taying .

lo g i the pleasant island of Funen he there b uilt the


n n ,

to w n of Od en s e e Su b duing the rest of Denm rk he


. a ,

made his son S i ld its k i ng He p ssed to S weden . a ,

w here G yl fi its king paid him worship There he e


, ,
. s

tab l i s h e d his uthority d le ft his son Y g i as king


a ,
an n v ,

whence k ings o f S w eden w ere said to be o f the r ce o f t he a

Y ngl i gan Odin est blished in S weden his form o f w or


r
. a

ship and w ent on to Nor w y over which he g ve the rule


,
a ,
a

to his s o S aem i g Then ssembling his f iends he g ve


n n .
,
a r , a

h imsel f nine l nce wounds in form o f a circle


a -
d m ny , an a

s word cuts whereo f he died decl ring that he o returned


-
, ,
a s

to Asgard to sit at etern l b anquet w i t h the other go d s a ,

where he would receive w ith great honour a l l those w ho


s hould die b ravely s w ord in ha d The northern chro i
,
n . u

clers m ake this Odin the most persu sive o f men first a ,

teacher of poe try to the S candinavians and inventor of ,

runes H i s ski l l in m gic helped him to pass s god and


. a a a ,

his singin g was s o sw eet th t mount ins opened w ith delight a a

and gho s ts w ere drawn out of their caves In wa he was . r

as a w ild wolf biti g his Shield with r ge so that his


, n a ,

enem i es b y ter or o f his aspect w ere str ck blind d


,
r , u an

dea f .
2 66 E N GL I SH WR I T E R S .

Runes w ere the letters of the lphabet s used by al l the a

o l d Teutonic tri b es When the t of conveying so u nd by . ar

R
sight was ew it w a great marvel and n , as a

mystery kno w n to fe w This we h ave s een in


u nes.
.

the Gaelic Ogham letters an d among Germans an d Sc ndi a

n av i a s Rune w s at once used s nother word fo secret


n a a a r

convers tion private council The letters w ere even con


a , .

sid e ed rmagical and cas t into the air writte n sep r tely
,
a a

upon chips or spills o f w d to f ll as fate determined on oo ,


a

a cloth nd then b e re d by the interpreters S o in our


,
a a .

First E nglish r i n w s to whisper or speak secretly



,
un a

a ,

runin g was dealing in secrets d with the phonetic ,


an ,

addition o f a d after the n (like that in sound “


d ,

an

rem ined s round even to S h kespeare s a a a


The writing o f the ru nes w s upon S lips o f w o d or a o ,

upo st n e when perm nence w s sought they were set as


n o a a

ch rms lso upon weapons and the first sense of the w ord
a a ,

w rite was to cut or carv e I n our F irs t E nglish


“ ”
'

Beo w ul f the hero in mortal b ttle w ith the dragon w t


, , a ,
ro e

hi m in t h e middle w ith his de dly kni fe The as soci tion a . a

o f the runic letters w ith he then mysteries an d superstition


'

c used the first Christi n te chers to discourage


a d a a ,
an ,

indeed s fa as possi bl e suppress their u s e They w ere


, a r , .
,

there fore superseded by the L tin alpha b et which in First


,
a ,

E gl i sh w as supplemented b y retention o f t wo o f the runes


n ,

named thorn and we to represent sounds o f t h


“ “ ” “
n,

and w fo which the L ti lph b et had no letters pro



,
r a n a a

vi d ed E ach rune was named a fter some o bject w hose


.

name b ega n with the sound represented The first letter .

w as F P e h money ; the second U Ur a b ull


,
o ,
the thi d , ,
r

Th Thorn a thorn ; the fourth 0 O S the mouth ; the fi fth


, , , ,

R R d a sad d le ; the sixth C Cen a torch ; and the s i x


,
a , , ,

ro u n d e d i n th e ea r

By t hat sa m e p u rp ose ch a ng er . i ng l oi n.
268 E N GL I SH WR I T E R S .

than the l ter a e to be fou n d scattered b out E nglan d and


a ,
r a

the northern l nds As old b uil d ings a e taken dow n and


a . r

var i ous diggi gs e m de ru n ic stones are con t in u lly being


n ar a ,
a

found b t n o t one ever comes to light in


, u y S axon or an

German territory Of the thousands of inscri bed remain s


.

dug up i n German y says Pro fessor George S teph en s al l are


, ,

Rom n tiles alt rs nd fu neral stones or other such T he


a , a a ,
.

region within w hich these ru n es e found he s ays is l l ar , ,


a

S candin via from Lapl nd to the E ider and all E ngland


a a ,

from Kent to the Firth o f Forth d to his mind there is , an

no longer doubt th t the old popul tio o f D nish South


a a n a ,

an d North Jutl nd the old o t flo wi g An glic nd Jutish


a ,
u n a

and F i si c settlers mixed w ith Norsk and Swen sk ad e


r ,
v n

t e s w ho flocked to E n gland in the third fourth


ur r d fi fth , , an ,

a n d follow ing centuries w ere chiefly S ca n dinavians North , ,

men not S xons still less Germans That is to say the


, a ,
.
,

North fu nished the domin nt type of the L ow German


r a

people w h o united to make E ngl n d The n orth o f E ng a .

l nd w chiefly peopled by t he N rthern S candinavian s


a as o

wh o w ere most ne rly opposite to them the Midland b y a ,

the D es d the en rgetic North h d touched lso and


an , an e a a

le ft its m rk u pon the So thern Frisi ns


a

This runic u a .

brand dds Pro fessor S teph ns this Broa d Arro w this


,

a

e , ,

outst nding m rk o f a peculi r culture d n tion lity i s


a a a an a a ,

not confined to o n e p rticul r sp t i each nort hern land a a o n .

The ru es meet us in S weden from t he north to t he


n

south in N rway from t h e nor th to t he south in Den mark


, o ,

from the n or t h to the south in E n g l a n d from the north t o ,

the south ; and every where from the oldest Northern


d ys and at one common period But over all this
a ,
.

common ground there were diversities o f tribe n d speech a ,

d ialects th t into each other and under di ff eren t


a ra n ,

conditions w ere su bjected to different degrees an d rates o f


chan ge .

For record of t he li fe and literature of ou r S can di


SG A ND I N A VI A
'
. . 269

n avian fore fathers b efore they b ecame C hristians s i d to , a a

the study o f our own e rliest heroic poem Beo w l f w e a , u ,

ar e i n de b ted chiefly to the norther n colonists o f


I l d ce a n
Iceland
.

Icelan d touchi g the Arctic c i rcle on the north is a


, n ,

fi fth larger than Irel nd It is volcanic and deeply indented a .


,

w it h fi ord s on ll sides except the south a The chie f moun .

tain s are in the south In the south east is a m ss o f .


-
a

glacier co vering an are o f


,
square miles the V tna a , a

J O k u l l W est wlard
= =
b et w een this and B l afe l l r
, Hekla Tor fa ,

,

J O k u i l is ground
, risi n g in s w eeps to w rds the gl ciers a a .

North of this o the eastern hal f o f th e isl nd is a d esert


,
n a

plai n cros s ed b y three tracks the routes being m rked by ,


a

ston e pyr mids or he ps o f turf Th ese regions include


a a .

square miles of b rren country imperfectly explored a ,


.

Ice desert geysers and volc noes s w mps l kes and


, , , a ,
a , a ,

chasms in the earth leave i the w hole isl nd a bout ,


n a

square m i les o f hab it b le ground At Reykj vi k on the a . a ,

so u th west peninsula the m e n te m perature o f the year is


-
,
a

39
°
at Akureyri in the north it is I,
w inter there ,
n

is t h e aurora there a e electric flames a b out metals and


,
r ,

s tream s from t h e heads o f m e n like glories o f s ints There a .

are m o ck suns — so m etimes nine at once storm rings ab out ,


-

the m oon meteors also fierce hurric nes and whirl winds
, a .

Iceland was d iscovered in the year 8 6 by Nad d o t h a 0 r,

Norwegian V i k i g $ wh o was voyaging to t he Faroe Isl nds


n r, a .

Va i n , wa t e r ; jbk u l l , i
a n ci cl e , a g l a c i e r F i rs t E ng l i s h gi re l , whence
i S g i cel , i ci cl e
- ‘
.

1 B id
'
, bl u e of wav es or hori zo n , b u t i n th e eas t o f I ce l a nd i t m e ans a

m ead ow c o ve red wi t h hal f m el t ed


-
s n ow . F el l , a s i ng l e wi l d h ill . i n p l u ral
a ra ng e o f hi l l s . H ek l a fja l l , a b ri d g e d to H ekl a , so c a ll e d fro m i t s c o w l

of s n o w , k ek l a b e i ng t h e na m e o f a s o rt o f c o wl e d o r h o o d e d fro c k . T f
or a ,

t u rf, o r a g ree n s p o t , o r a l
p ace w here m an y fa rm s are b u i l t t og e t h e r .

I Vi k i n
g r w as t h e m an w h o w en t o n a v i k i ng . Vi ki ng wa s a free
y
b oo t i ng vo ag e , nam ed fro m t h e a rk , o r s m a ll b ay , o u t o f w h i c t h e p i ra t e h
v es sel ra n , or wi t i n w i c i t l u r edh h h
Bu t free b oo t i ng was s o fa r fro m k .
-
2 70 E NGL I SH WR I T E R S .

He looked out on it from hill on the east coast and a ,

c lled it S ja l nd Snow land I the ye r 8 64 G a t hr a


a n -
a ,
-
. n a ,
r ,

S wede w ent r und Icel nd i n his ship


,
d called it G a th r
o a an r

h Ol m In 8 6 8 P loki Ra fn another Nor wegi an explor e d


.
*
, ,

the south and w est o f the island and it was he who called ,

it I l nd Icel nd
s -
a ,
a .

S oon after w rds w he Harold H fagr (F i h i red )


a ,
n ar a r a

had b een crushing the petty chie fs of Nor w y I gol f and a ,


n r

Hj o l e i f w ere the first to seek indepe dent li fe in Icela n d


r r n .

They were follo wed b y b nds of such exiles w ith their a ,

serv ts cattle household goods their national traditions


an , , , ,

and their spirit o f freedom I g ol f h d killed his ad v er . n r a

sary on sm all barren isl nd w hither they h d gone to


a a ,
a

fight lone together t the de th fter the way kn wn as a


a o a , a o

h lmg ng As H rold w ould m ke him ns wer ble he


o a .

a a a a ,

sa i l d a w y w ith all his h usehold and his household goods


e a o ,

a n d w ith the door p sts o f his N r wegi n ho m e w hich b e -


o o a ,

cast int the sea ne r Icel nd that he might est b lish h i s


o a a ,
a

n e w h me w herever they w ere c st


o shore B t this was i n a a . u

the ninth century in the d ys w he n o Al fred s u cceeded t o


,
a ur

a kingdo m w hich he h d to save from rui by the Dane s a n .

The earliest piece of Icel n d ic literature the I sl e d iga a ,


n

is ascribed to Ari Frothi 1 wh o w not b rn until t h e ,


'
as o

T h i l “
e
year a fter the N rman C onquest of E ngland
s e . o .

Ba“
He g thered into this book as accur tely as he
a ,
a

co ld the tr diti ns of the island He cites v rious people


u ,
a o . a ,

upon whose testimony he gives f cts and d tes b t o ly a a , u n

once quotes written authority th t being fo the ye r 8 7 , a r a 0,

b ei ng reg a rd e d a s d i s c re d i t a b l e t h a t , an ol d S ca nd i n a vi a n s ca rce l y ha d s o c i al

p o s i t i on u nt i l h e h a d d i s t i ng u i s h ed h i m s el f i n a bold ra i d by land or

s ea .

H el m r an i s l et , w he nce t h e n am e o f Hol m s i n t h e O rk ne ys and th e


Bri s t o l Chann el .

N an o l d
'

1 A ri , w d f E l F é t k l ned T h e m os t
'
o rs e o r o r a g e r z e a r . , .

t h o rou g h acc o u n t o f A ri a n d h i s w ri t i n g s w a s b y P ro fe s s o r W erl au f w h o ,

p u b l i s h e d , a t C o p e n h ag e n i n 1 80 8 a D i s s e rt a t i o n D e A , ri o M u l t i s c i o .
2 7 2 E N GL I SH WR I T E R S .

For sixty years after the arrival o f the first emigr nts a

there w constant i nflux o f settlers Celts came so me


as a .

I l d
ce an times and some w ere b rought home as priso ner
,
s

o f the vikings By the ye r 9 3 t h e land was


l d
Pe °P °
a
°

. 0

as fully peopled as ever a fte w rds d a cod e o f l aws was r a ,


an

the adopted An a nual m eeting was appointed o t h e


n . n n

pl i n of T hi gvol l r Th is meeting w hich esta b lished t h e


a n .
,

g overnment as com m on w ealth was called the Alth i ng


a ,
.

The Althing met b y the river Gx r near A m ans fel l ; an a a, r

assembly h d b efore b ee held at Kjal e s The time o f


a n arn .

meeting was bout the last fortnight in June The Althi g


a . n ,

instituted i the year 9 3 w s re formed in 9 6 4 and in t h e


n 0, a

ye r a i t resolved upo the establish m ent o f C hristi nity


1 000 n a

as the religion o f the l nd a .

The colony had been f r m ed as a pl ce o f ref ge for o a u

men wh o were among the foremost of their land who took ,

w ith them their f milies their househol d goods their o l d


a , ,

religion customs and tr ditio s and tr nsmitted t he m to


, ,
a n , a

th i children s children Although the actual liter ture o f


e r

. a

these Northmen is all l ter th n th t ye r in w hich a a a a 1 0 0 0,

Christianity w as dopted as the National faith the estab


a ,

l i h e d f m ilies in Iceland th t had preser ed their tr ditions


s a a v a

and ad anced th eir culture were able t furnish to t he ew


v o n

church their o wn b ishops and priests b orro wing little fro m ,

abroad after the consecration o f their first n tive b ishop a ,

I sl e i f in , 5 6 To these
10 n tive priests
. and b ishops the a

tr ditions o f the f ith o f their f re f thers were of the deepest


a a o a

interest From li fe to li fe through successive generations


.
, ,

tales and so gs h d p ssed fo the lightening of ti me


n a a r

Vbl l r m ea n t
'

a fi el d
p l a i n ; T h i ng vo ll r w as , t e re fo re t h e Pa rlia
or h .

m ent F i el d T k i ng m ea n t t hi n g a s i n E ng l i s h b u t as a l aw p h ras e m e an t
. , ,
-

a l s o a n y p u b l i c m e e t i n g , e s p ec i a l l y
fo r l e g i s l a t i on o r a d m i ni s t ra t i o n o f t he
l aw . A 1, as a p re fi x , m ean t q u i t e -
t h o ro u g h l y —c o m p l e t el y so t ha t
A l t /ri ng m ea n t t h e s u p re m e o r ab so l u t e A s s e m b l a s d i s t i ng u i s e d fro m y , h
su c h as se m b l i e s a s t a t o f h
t h e h as (o r o u s e )ht h i n —
g , w h en ce ou r wo rd
h u s t i ng s ,

—t o w hi ch a ch i e f s u m m o ned hi s p eo p l e or g u ard s m en .
S CA N D I N A VI A .
3

through th e l ong n orth ern winters among m en w hose hom e ,

steads were thinly s cattere d i n valleys p arted b y wi de


s ol itu d es o f rock an d glacier fro m n earest settle m ents out

s i d e th eir o wn .

F ro m t h e end of the thirteenth cent u ry come s t h e


earl i e s t k no wn copy o f a c ollection b egun about t h e year ,

1 2 4 0 of ol d m ythica l religious and he roic songs


, , ,
T h Edd as .
an d tale s then c hanted an d told b y the grand
e

m oth ers throu g hout the l an d That earliest copy of them


.

was a p archment b oo k ( Code x Regius


“ ”
N in ,
o .

C o penhage n ) wh i ch was sent in 6 6 fro m Iceland as a


, 1 2 ,

pre sent from t he Bishop Brynju l f Svei nsson of Skal holt r , ,

t o K i ng Frederick I II o f Denmark . The b ishop had dis .

c o ve r ed i t i na farm hous e in 643 T his work was ascri be d


1 .

to Sa mu nd Si gfu s s on wh o was priest poet d h istorian


, , ,
an ,

had a s hare in for m i ng the ec clesiast i cal code in Iceland ,

a nd d i ed i n t h e year 35 h u n d red
11 years b,e for e t h e a

col l ec ti on was made It has b een k no wn there fore as


.
, ,

Sa mu nd s E dda or the E l der or the Poetical Edda


’ -

, , .

T h e Y ounger or Prose Edda— Snorri s Edda—was the b oo k


t o w hi ch t h e n am e E d d a was first attached and the auth o r of ,

this was Smot ri S tu l u son Sno ri S t u l u son poet T h l d


r . r r ,

an d h i s tori an w as b orn i n ros to h gh e o

, 7 8 e i N
11 h , o rt e rn
.

A
o ffi ce i n I celand a d was murdered in 4 His
,

n 12 1 .
"

b ook calle d E dda was an Ars Poetica containing the ol d



,

rul es for verse m aking and poetic diction ; but as t he


-

d i ction included a large num b er of allusions and phrases


deri ve d from the old Northern m ythology a summary was ,

a l so gi ve n o f t h e myths from w hich t h ey al l w er e draw n .

Fi rs t ca me t wo sections G yl fag i n i ng (the Delusion of


,
n

G yl fi ) and B agaraed u r (Bragi s T les ) which gave larger



r a ,

an d s m all e r sketches o f t h e old mythology ; then came a

third s ec ti on called Skal d s kapa m al (the Ars Poetica) r ,

which d esc ri b ed the c onvention l c ircum l ocutions and t h e a

other devi ces of t h e Skal d s or Northern poets ; the fou rth


,

S
2 74 E N GL I SH WR I T E R S .

las t sectio n was calle d H att atal (C ou n ting of M et res )


'

an d ,

w hich was a Prosody i gen i ously s e t fo rth b y hel p o f a n

S ong of Praise i n a hundred a nd t wo l i n e s c on tri ved as ,

examples of all verse me asures i n use F our gram mati cal - .

a n d histo rical trea t ises w ere a ppe n ded t o S orri s w o r k



n .

The oldest of t hese gr mm ati cal treati ses i s as cri be d t o a a

T h o o d d called t h e R u n em ast e wh o l ived i n t h e m i ddl e


r , r,

o f the t wel fth c e nt u ry and t he third treati se was b y O laf ,

T h ord arson H v i ta S k ald a n eph ew o f Sn orri s T he d i s



.
,

c o e ry o f this w ork was d e to Arngri m


v Jon as an I c e u ,

lau di c lergyman who sent i t i n 6 8 to Ol e Worm t h e


e , ,
1 2 , ,

Dan ish an tiquary with w hom he was corres pondi n g abo u t


,

runes The b ook was called E dd a from i t s great gran d


.
-

mother s tales of a d ead f ith that had b eco m e li vi ng p o et ry



a .

But as the whole work w as designed to teach the ru l e s o f


,

poetry E dda and rules of E dd w ould b e o ften us ed as a


, , a,

nam e for t he poet s craft Some have derived E dd a ’


.

from O dde the home of S aem u d , Pro fessor Rhy s has n .

suggested Aid ead h a Celtic nam e given to old Irish tragi c


,

,

t les concerned with ait t e death There wil l b e n ee d t o


a ,

.

re fer to th e ru les of S orri when di s cuss i ng our o wn early n

form s of verse
,
.

The oldest of the E dda poems date n o farther back than


the ninth cent u ry They reproduce the ol d faith of t h e .

R eu i n f
no p e ople
o b u t w i t h touches of li fe and
,
action in m yt h s

325338 an d
3
heroic

tales w ith a w ealth of fresh an d v i gor ,

m h
y‘ s°
ous imagination for w hich there was no paral lel ,

except in ancien t Greece Professor S ophu s Bugge o f Ch ris .


,

i i n a stu dy of t h e origin o f the old myth s and t al es r



tian a, ,

h s pointe d to word s in the E dda poems as w ell as to


a ,

I n t h e A cad emy for Jan u ar 3 1 . 1 8 80 y .

S t u d i en ii b e r d i e E n t s t e u ng d e r no rd i s c en G o t t eru nd He l d en
h h
sa g e n v o n S Op h u s Bu g g e , Pro fes s or d er U n i vers i t ii t ri s t i a n i a V om Ch .

V e rfass er au t ori s i ert e u nd d u rc g ese e ne U eb e rs et zu ng vo n D r O scar h h .

d er U n i v ersi tbl t M i t u ch en M u ni ch , 1 88 1 - 82

Bre n ner, Pri vat d ocent . .


C H APT E R VI .

B E OW U L F .

l AS ED on historical events e rlier perhaps in d te than a , ,


a

those which have give n rise to ny hero ic tal e mong t he a a

S candinavi ns w e have at the b eginning of First B


a , lf e ow u ,

E nglish Literature the great poem entitled B EO


W U L F It sho ws the touches o f a Christian hand
.
,

b ut it preserves w ith the fidelity of one w h o took an ,

artist s ple sure in the w ork



picture o f the Norther n
a ,
a

li fe and tone of thought in days b e fore the spread of


Christian ity G u n d t i g s cle r identific tion of H ygel ac
. r v

a a ,

a chief in t he story w ith C h oc il ai c u s wh o fell in b attl e , a

in the ye r 5 fi es a ti m e for the historic l events


a 2 0, x a

that were tr nsformed into the fab les of the poem The
a .

poem extends as w e have it to 6 3 5 6 o f the Short First , ,

E nglish lines or h al f lines s they are usu lly printed i n


, ,
a a

E ngland The o nly existing M S i s in the Cotton L i brary


. .

i
n the British M useum ; it is fu ll of inaccuracy and the ”
, ,

Cot t
MS . . V i t el l i u s , A . 15. DrM a t t he w Park er Arc hb i s hop o f
. ,

C an t erb u ry (b . r 5 04 ; d . 1 5 7 5 ) re s cu e d m an y A ng l o S axon M SS fro m -


.

a m on g t h e ru i n s o f t h e di ss ol v e d m o n a s t e ri e s . They w ere b e q u ea t he d by
y
h i m t o h i s ow n U n i v ers i t an d C o l l eg e w h e re t e y are a m o ng t h e Park eri an , h
M S S o f C orpu s h ri s t i ol l eg e C a m b ri d g e
. C C
S i r R o b e rt C o t t o n (b 1 5 70 ;
, . .

y
d 1 6 3 1 ) re s c u e d m a n m o re o f t h e A ng l o -Sax o n M S S n e wl s cat t ered
. . y
a b ro ad . b eg i n n i n g t o co l l ec t a t t h e ag e o f 1 8 . By t h e fi re , i n 1 73 1 , i n i tt l e L
D ean

s Ya rd . W e st m i n s ter , 111 M S S w e re
. l os t . b u rn t , o r e n t i rel d efa ce , y d
an d 99 , i n c l u d i n g t h e Beo wu l f, m a d e i m pe rfect . T he c ol l e c t i on was te

m o ved t o the O ld D orm i t ory at W e s t m i n s t er ,


a nd th en , i n 1 75 3 , t o th e
Bri t i s h M u seu m .
BE O WU L F . 2 77

change beginni ng at line 9 4 w s written b y t w o copyi sts 1 0, a ,

pro bab ly i the first hal f of the eleventh ce tury It was


n n .

also m u ch injured by the fire t Cotton House We must a .

th i nk o f it however not as a tindery manuscript but s a


, , , a

br ight gleam of human light and l i fe fro m the fa past T he r .

gre ter part of Beo wul f b elongs at l test to the seventh or


a a

eighth century and r nks s the oldest heroic poem extant


,
a a

not only in E nglish but i any Germa i c tongue n n .

And ow is to be asked what is the su b stance of this


n ,

a ncient tale ? For we must kno w something o f the text


itsel f before we turn to its interpreters We T h S b .

e u

enter one o f the great festive h alls to join at h l ’ f s t a nc e o


t
the ale drinking and hear the gleeman 5 song
e a e'

-
.

The b l l s long and w ide say


a i feet b y 4 w ith a ,
2 00 0,

high roo f and curved gab les There is at e ch extremity . a

an entra ce in the middle of the wall protected by a


n ,

porch that is continued at its farther end to form cell r


,
a

and pant y We pass into the hall a spaciou s nave with


r .
,

n rro w side aisles


a Pill rs dividing aisles fro m nave s u p
. a , ,

port the central roo f The n ve is the great hall itsel f . a ,

and down the middle o f its floor run the stone he rth s a ,

upon w hich bla e gre t tim b er fires At the upper end is


z a .

the r ised se t o f the chie f t a oss b e h w here h i s


a a , a cr o
nc ,

w i fe w h o fills the cups o f the guests and his f miliar


, , a

th nes or those whom he dist i nguishes sit w ith him O


a , , . n

each side of the long he rth there runs line o f t bles a a a ,

flanked with b enches and stools t w h i ch s i t the people ,


a

wh o are the chie f s hearth sharers At the lo wer end in


’ ”
-
.
,

the space corresponding to the d s is a t ble fo the ai ,


a r

drinki ng c u ps Bet ween the ro ws o f p i ll rs d the outer


-
. a an

w alls spaces are parted o ff w ithi the n rro w i sles f n a a or

sleepi ng benches of the warriors In some o f the sp ces


-
. a

are the gilded vats of liq or into which the p ils of the cup u a

bearers are dipped I f w omen sleep in the h ll the . a ,

recesses of the pill rs b ehind the d i s e kept s cred to


a a ar a
2 78 E N GL I SH WR I T E R S .

them and there are in the ai sles i f the hall b e t he ch i e f s


, ,

d well i ng as that in Beo wu l f w s n ot d i stinct enclosures fo


, a , r

t h e occupatio n o f the family The sleeping space beh i n d .

t he pill ars might perhaps be parted fro m the hall b y


, ,

p an ell i ng and tapestry In such a hall the gleeman o fte n .

cha ted to his h rp n ow one adventure ow another as t h e


n a n ,

g uests or their lord might c ll fo t h is or that fa vourit e a r

i cident from the long rhythmical lliterative poem that


n , ,
a

cont ins the t le of


a a

B E O WUL F .

An elder Beo wulf was for a long time the b eloved


king of the S yl d i gs and from his root gre w forth at last
c n ,

the lo fty H eal fd en e O l d and w a fi e ce he gave to t h e


. r -
r ,

world fo r children head s o f hosts H eo oga and H rothgar


u ,
r r, ,

an d Halga the good and E l a , .

Th en w as t o H rot h gar g i v en speed i n w ar ,

H on ou r i n ba t t l e h i s d ear k i n s m en t h e n
O b eye d hi m g l ad l y t i l l t h e y ou t h g rew u p
, ,

A n u m e ro u s ba n d o f k i n d red I n hi s m i n d .

I t ran t h a t h e w o u l d b i d a c ou rt b e b u i l t
A m ead h al l g rea t e r t h a n h ad ye t be e n k no w n
-

B y t al k a m o ng t h e s on s of m en t h e rei n ,

Wou l d d ea l t o y o u ng an d o l d w h at G od m ad e h i s ,

E x ce pt t h e pe o pl e s s h are an d l i v es o f m en

.
,

Th e n w as I t ol d t h at am ong m any t ri bes


W i d e w ent t h e cal l o v e r t h e ea rt h t o w ork ,

T o ad orn t h i s h o m e of t h e p eo pl e Ti m e w ent by .

A m o n g m e n s w i ft l y t i l l t h e c h i ef of h al l s
,

“(as al l pre p ared and H eorot w as t h e na m e


,

Th a t h e w h os e w o rd h ad po we r sh aped fo r i t
, ,

H e w as fa l s e t o h i s p ro m i s e , ri ng s h e g av e
no t

A n d t reas u re a t t h e feas t Th e re rose t h e h al l .

H ig h c re s t e d w a i t i ng t o b e t ri e d b y h ea t
Of h a te fu l fi re .

Then the grim fo e ca m e Gre n del l e that held the


, , i

moors the f n
,
e ,
and f stness
a Forbidden the homes of
.
2 80 E N GL I SH WR I T E RS .

cam e h e warred against righ t one again s t al l till empty , ,

s tood the b est o f houses Tw elve wi nters tide was hi s rage ’


.

hom e and it be cam e openly kno wn i n sad s on gs that


,

Grendel warred then agai n st H rothgar would have peac e ,

of n o Dane w as not to b e met w ith money


, T h e high and .

young he sought and snared In l asting n ight he held t h e .

m isty moors H e orot he held in the s wart n i gh t with i t s


.
,

seats richly stained b ut t h e gift stool [the chief s seat


,
-

,

w h ence gi fts were distri b uted] he m i ght not tou c h H ro t h .

gar the S cyl d ings friend broken in mind sat many a tim e
,

, ,

in thought Sometimes they w orshipped at the holy places


.
,

prayed in words for help from the Ghost slayer -


.

Wh en from h i s h om e H yg el ac s t hane had heard ’


,

G o od G ot h s o f G re nd el s d e ed s h e t h en

a m o ng , , ,

T h e s t rong es t of t h e l i v i ng race o f m an ,
N o bl e and p ro s pe ro u s , he bad e re
p p a re

A g ood s ea t rav ers e r, s ai d h e w o u l d s ee k


O v e r t h e sw an road t h e b rav e k i ng , g reat p ri nce ,
B e cau se h e w as i n n eed o f m en Th at v oyag e .

T h e w i se b l am ed l i t t l e t h ou g h t h ey l ov ed hi m mu ch
, ,

B u t w h e t t ed hi s k e e n m i n d fo ret ol d g oo d end , .

Fi ft een t h e brav es t w arri o rs h e cou l d fi nd


,

A m ong t h e G ot h s t h e g ood ch i ef c h os e w i t h t h em
, ,

H e s o u g h t t h e fl o a t i n g w oo d A w arri or s k i l l ed .

I n s hal l o w s eas m a d e k no w n t h e b ou n d s of l an d .

A space o f t i m e p as sed o n a fl oa t o n wa v es ,

T h e boat l ay b y t h e h i l l t h e re ady m en ,

M ou n ted t h e prow t h e s h al l ow w at ers rol l ed


U pon t h e sand t h e w arri o rs bore b righ t arm s
I n t o t h e b ark s h ol d w ar g ear w ell p re pared

, .

U pon t h e ch ose n pat h t h e m en s h ov ed ou t


T h e b and ed w ood O n w av es o f t h e d eep s ea
.

T h e fl oat er foam y n e ck ed d epart e d t h en


, , ,

S pe ed ed by w i nd and m os t l i k e t o a b i rd
, ,

U n t i l t he t wi s te d pro w had ru n for an hou r 5

O f t h e s econd d ay and t h en t h e v oyagers


,

S aw l an d t h e s ea c l i ffs g l i t t er t h e s t eep h i l l s
, , ,

T h e b road sea ness es Th en i n s h al l ow er s ea


.

T h e sai l ors v oyag e e n d ed u i ck l h



Q y t e n c e .
B E G WU L F .

U p s t ep ped t h e \Ved e r s p eop l e on t h e p l ai n ,


B ou nd t h e s ea w o od , s h oo k w ar S h i rt s , an d t h an k ed G od ,
-

Wh o eas ed for t hem t h ei r w ay acros s t h e w av es .

Wh e n the Scyl d i g s warder wh o had to keep the sea


n

shores s aw from t he w ll bright shields b orne over the


a

b ul war k of the s h ip he asked in his mi n d w hat men those


,

were Then w ent to the shore H rothgar s thane the ’


.

mighty spear qu ked in his hand ; and he sked What


a

a ,

w eapon be rers are ye wearing w a s h irts w h o thus come


-
a ,
r
-
,

hither leading over the water street a foamy keel ? I hold -

ward that to the Dane s land no fo e may bring w b y sea



ar .

Never have I seen a greater earl on earth than is one o f


you ; he is a m a w orthy with his w eapons i f his f ce tell
n , a

true Now ye far dwellers quickly tell me whence ye


.
— -
,

co m e
T he leader o f the b and unlocked his w ord hoard “ We -
:

a e o f the Goths kind H yg e l c s hearth sharers my father


’ ’
r , a -

was kno wn w idely a high born lord hight E cgt h eo w ; he


,
-

abode in hi s house m ny w inters ere he went on his way


a ,

al m ost all t he w i se throughout the wide earth keep him in


mind We have come through kindness to help thy lord
. .

We have heard say th t a w retch I kno w not wh o does to


a , ,

the Scyl d i ngs hurt in the dark n ights I may teach H oth . r

gar h ow to overco m e the fo e .


The fearless warder se ted on his horse then said A


,
a ,

sharp shield warrior knows w ords from w orks I hear that .

this i s a band friendly to t h e S yl d i gs Bear we pons c n . a

forth I S ho w the w ay I w ill b id also my fello w th nes to a

hold against every fo e your ew tarred Ship until it b e r n -


a

b ack to the Weder marches those to w hom it sh ll b e given a

to c om e whole out o f the rush o f w ar .


They went there fore ; the w ide bosomed ship stood fast -

at anchor heavy in the mud


, .

E nw rea t h ed w i t h g o l d , o v er t h ei r faces ro s e
A b oar-l i k e cres t , fi re -h a rd en ed , m an y -h u ed ,
282 E N GL I SH WR I T E R S .

It held th e l i fe i n g u a rd fi erce . Wa rl i k e an d

T h e m en p resse d o n t og e t h e r t h e y w e n t d o w n , ,

T i l l g ay and gol d e n ri ch i n t i m be r wo rk , ,

Th e y saw t h at g reat es t h ou se u nd e r t h e s u n ,

T h e k i ng s h o u s e w h os e l i g h t l i g h t ed m an y l and s

.
,

Of the warriors one turned his horse and said No w


, , ,

is my time to go may the all w ield ing Father hold you safe -

in yo r undertaking I w ill b ack to the sea to hold ward


u :

against foemen .

The street was made hands ome w ith stones it sho w e d ,

the path to the men The wa shirt shone hard han d . r -


, ,

locked the bright ringed iron sang as they came w lking t o


,
-
a

the hall in gruesome gear Sea weary they set broad s hi elds .
i
, ,

round and stone hard against the house wall then stoop ,
-
,

ing to b ench placed in a ring their wa shirts garb of


a ,
r -
,

men the darts the s eam e s weapons stood together w ith


,
n

, ,

t h e ash w ood grey a b ove


-
Then Wul fg r a proud warrior . a , ,

a sked the sons o f stri fe hence b e r ye yo r s tou t


“W
a u

shields grey sh i rts fierce helms d he ps of wa shafts


, , ,
an a r-

The proud lord of the We d e s ns wered h i m fro m r a

beneath his helmet We e H yg e l board sharers ar ac s



-
,

B E OW U L F is my n me I w ill make kno wn my errand t o


a .

the lord thy m ster i f he grant us th t w e give good greet


, a ,
a

i g t him Wul fg r sa id

I then the Danes frie d w ill ’
n o . a , , , n ,

speak to the lord of the S yl d i gs the S h rer o f r i ngs and c n , a ,

I w ill soon make kno wn the ns wer he thinks fit to give a .

He then turned to where Hrothg r old d h airless s t a , an , a

among his earls He went so th t h e stood be fore t h e


. a

shoulders o f the D nes lord fo he kne w the w ys of a a


,
r a

k ing s house Wul fg r spake to his friendly lord Hi t he



. a r

ar e come Goths fr m afar the le der these sons o f stri fe


o ,
a

n me Beo w ul f ; they b eg
a my lord to talk w ith you ; d o , ,

n o t deny them They seem w orthy to be gladdened wit h


.

your speech and mix with e rls ; t le st he seems so w ho a a a ,

has led hither the men of w H rothgar helm o f t h e ar .


,
2 84 E N GL ISH I VR I T E RS .

H m d la le ft m e, it is We la nd ’
s w ork . Wha t is t o he g oes
e ver as it m ust .

h
H ro t gar, h e l m of t h e Sc yl d i ngs, sai d :
F or fights , fr ie nd B eo wu l f, an d for hi gh pra i se t h ou h ast
so ught s T hy u q e.ll e d fo r m e t he g rea tfa t her
es t fe u d u ,

co m ing o e t h e w es t o t he Sc yl d i gs w he I in m y you t h
v r av n , n

fir t ruled t h e D n es Sorro w is m e t o say why G re nd e l


s a .

sh mes me t h us i H eo o t F u n O ft en ha e so ns of t i fe
a n r . v s r ,

dru nk en w ith be e id er t h e l e cu p th t t hey i n t h e


r, sa ov a -
a

beer hall w ld b ide G e d el o sl ugh t w i t h sharp ed ges


-
ou r n

s n a

the al w ys in the m o i g was t hi m ea d h ll tai ned wi t h


n a rn n s -
a s

gore ; w hen the d ay d wn ed l l t h e be ch floo was b e a a n -


r

stea med w i th blood o f faith f l m e S i t n o w to t h e b oard u n .

a d n s eal with m ea d t hy breast m o g m y warri ors


un a n .

Then was be nch c lea red in t h e be er h ll fo t h e so ns o f


a -
a r

the Goths The t han e who ba re i n hi han d t h e b ra vel y


. s

beset ale c u p mi nded h is w ork po ed out t h e b ig ht s wee t


-
, , ur r ,

ale at times the glee m n sa ng pea ceful i n H eo ot t h e e - a ,


r : r

w as gl dnes s of wa rrio
a of m e gre t m ong Dan e s an d rs , n a a

Wed ers .

spake Ecgl f s s o who sat at the feet of t he


H u n fert h a

n,

S yl d i g lord To hi m was the coming of Beowul f t h e



c n s .
,

b old sea farer most irksome beca use he grudged tha t an y


-
, ,

other man ever w o n more praise tha n h imsel f Art t h ou



:

the Beo wul f wh o strove wi th Breca on t h e sea w he ye f o m ,


n r

pride tri ed the fords and fo fool is h bo st risked l i fe in t he r a

deep water ? [Mor e also in this w ise s id H u n fe t h]



, a r

He overcame thee in s wimming He h d more stre ngt h . a .

N o w I look fo worse things though thou shine ever i n r ,

i f thou durst bide a ight ne r Grendel Beo wu l f ”


w ar, n a .

replied Well thou a great de l my friend H u nferth



: , a , ,

drunken with b eer hast spoken abo u t Brec I say truly ,


a .
,

that I had greater strength at sea than any other man We .

agreed being stripli ngs that we would risk our li es o n t he


, , v

fl o d and we did thus We h d a n aked s word in han d


o ,
: a

when we ro wed on the deep meant fo our w against t he , r ar


B E G W OL F . 28 5

w hale fishes H e could not s wim a way from me nor I


.
,

fro m him ; we w ere together in the s e five nights t i ll the a

flood drove us as under ; the b oiling fords the coldest o f ,

weather clo u dy night and the north w ind de adly gri m


, ,

threw ti p rough billo ws roused was the rage of the sea :

fi s he s . There my b ody shirt hard hand locked gave me -


, ,
-
,

help against the foes ; my b r ided war r il lay upon m y a -


a

b reast handsome w i th gold


, A painted foe dre w me to the .

ground a grim one had m e in his grasp yet it was gr nted


, , a

me to reach the wretched b eing with the point o f my wa r

b lade Thus o fte n my foes threatened me I paid the m


. .

as was fit w ith my dear s word In the morni ng wounded .

with thru sts they lay put to sleep in shoals so th t they


, ,
a

have n ot afterwar d s been any let to the s ea farers Light -


.

came fro m the eas t the se s were st i l l so that I might see the
, a ,

headland s w indy walls The Must Be o ften helps an



. un

doomed m a when he is br ve Yet it w s my lot to slay


n a . a

nine nickers I have not he rd of harder fight b y night


. a

under heaven s round Brec never yet nor any o f you at



. a , ,

the g me of war did such great deeds Of this I bo st t


a . a no .

Though thou hast been the sl yer o f t hy brothers fo whic h a , r

thou shalt pay i n Hell Grendel w ould not h ve done s ch


, a u

gru esome deeds in H e ot i f thy mind were s w fi e e or ,


a ar- rc as

thou tellest of thysel f H e has found that he cares t f r


. no o

the strength o f your folk he slays n d shends you and , a ,

expects not stri fe fro m the Gar Danes But a Goth sh ll . a

sho w h i m fight and a fterw rds he shall go to the m ad wh


,
a e o

may i n peace and gladness


,
.

Gl d the n was the bright D nes lord ho ry locked and


a a

,
a -

war prais ed t rust i ng i n help w hen he heard Beo wul f There


-
, .

was laughter o f men the din rose w ords w ere w insome


, , .

Weal t h eow H rothgar s q u een went for t h Mind f l o f their


,

, . u

rank the cheerful wi fe gold decke d greeted the men in h ll


, ,
-
, a ,

fi rst gave the cup to the lord of the Danes bade h i m dear , ,
2 86 E N GL I SH I VR I T ERS .

to h i l nd h blithe t t he b ee r d ri ki g H e gladly
s a , e a -
n n .

shared the mea l d hall u p The h e we t rou nd and


an c
-
. n s n ,

g e on every ide rich esse ls t l d and you g u nti l s h e


av S v o o n ,

bore the me d cup br celet c o e ed q ee n t o B eow u l£


a -
, a -
v r u ,

S h e greeted the Goth s l o rd thanki ng G o d t h at t he wi ll h ad



,

be f llen her to t ust in y ea rl fo h elp H e t he fi e rce


a r an r .
,

w rior drank of the cu p from Weal t h eo w an d t h en


ar , ,


B eo w u l f, t h e so n o f E cg t h eow , s pa ke : I m ean t ,
in boa t se t w i t h m y w a rri o r ba n d
t he

I m o u n t ed t h e d e e p sea t h a t I a l o ne ,

w o rk yo u r p e o p l e s w i l l o r yi e l d m y l i fe
'

, ,

F as t bo u nd i n t h e foe s g ri p I sh al l u se s tre ng t h'

N o b l y o r i n t h i s m ea d h al l h i d e m y e nd

-
.
,

Tho se w o rd s t h e G o t h s p rou d s pe e ch w e ll pl eas e d th e w o m an


,

, .

T h e p e o p l e s j o yfu l q u ee n ad o rn e d w i t h g old

, ,

t o h e r l o rd s he sa t ,Th e n as be fo re .

Bo l d w o rd s w e re s po k en i n t h e ha l l w i th j oy ,

T h e pe o pl e rai s ed t h e c ry o f v i c t o ry .

T i l l s u d d en l y t h e so n O f H e a l fd e ne
P re pa red t o s ee k h i s re t S t ri fe w as o rd a i n e d
s .
,

H e k n e w ag ai n s t t he w re t c h i n t h e h ig h h a l l
, , ,

A ft e r t h e su n l i g h t l e ft t h e m an d d u s k n i g h t , ,

T h e s had o w h e l m o f al l crea t e d t h i ng s
-
,

C a m e ro l l i ng o nw a rd w an be nea t h t h e c l o u d, , s .

T h e w h o l e ba nd rO e m e n g re e t e d o n e a n t h e r
S , o ,

H ro t h g ar s o g ree t e d Be o w u l f bad e h i m I I a i l , ,

G a v e p ow e r o v e r t h e w i ne h a l l s a i d t h e re t o -
,

N e v er b e fo re s i n ce I ra i s e d h a n d o r s h i e l d
, ,

G a v e I t o a n y m an t h e D a ne s s t ro n g h al l

\s n o w t o t h ee
. I l a v e t h ou a nd h o l d t h o u n w
. o

T h e be s t o f h o u se s h a v e t hy fam e i n m i nd
, ,

S h o w t h y g rea t s t reng t h k e e p w at c h ag a i n s t t h e foe s , .

Th o u s h a l l n o t w an t al l t h i ng s t o t h y d e s i re
I f t h o u co m p l e t e t h i s w o rk o f s t reng t h and l i v e .

Th e n t he d e fe nce o f Scyld i ng s H rot hg ar w e n t , ,

a l l h i s w a rri o rs fro m t h e h al l w ou l d s ee k
, ,

\Veal t h e ow t h e q u e e n h is bed fe l l ow
, M e n sa y
, .

T h e g l o ry o f k i ng s h ad ag ai n s t G re n d el s e t
A gu ard ov e r t h e h al l a bou t t h e ch i e f o f D a ne , s
2 88 E N GL I SH WR I T E R S .

Tha t h
h fo rt h
t h e fou l s p oi l er m i g t n o t d rag t em ,

S i c e t h e L rd w ed n o t
n o i l l — u nd e r s h ad e of n ig h t
, ,

B u t h e i n w rat h w as w at ch i ng fo r at t ac k ,

Wai t ed w i t h s w el l i ng h ea rt t h e s t ri fe s o rd eal ’
.

Th en from t h e m oor u n d er t h e sh rou d o f m i s t


, ,

C am e G re nd e l s t rid i ng W rat h of G od h e bare . .

S ca t h er o f m en h e t h ou g h t i n t h e h i g h h al l
,

S h rou d ed h e w en t

T o s nare o ne o f m an s race .

Ti l l h e s aw cl earl y th e g o l d h al l o f m en -
,

T h e w i n e h o u s e g ay w i t h c u p s
-
, n o r t h e n fi rs t s o u g h t

T h e h o m e of H ro t hg a r B u t i n h i s l i fe d ay s
.
-

N e v e r b e fo re o r s i nce a bol d er m an
H e fo u n d o r h al l t h a nes
, J o u rneyi ng t o t h e h ou se
.

C a m e t h en t h e m an d i v i d e d from al l j oys
Q u i ck l y h e ru s h e d u p on t h e d oo r m ad e fas t
\ Vi t h b an d s fi re h ard e n e d
’ -
w i t h hi s h an d s b rok e t h rou g h ,

F o r h e w as s w o l l en w i t h rag e t h e h ou s e s m ou t h

.
,

Th e n s oo n u pon th e m an y co l ou re d fl oor -

T he fo e t rod o n h e w e n t w i t h i re fu l m o od ,

C a m e fro m h i s ey es a fi e rce l i g h t l i k e s t fi re .

H e saw w i t hi n t h e h al l a k i n d re d band
Of m an y m e nas l ee p a c o m p an y ,

O f co m rad e s al l t og e t h e r t h e n h e l au g h ed
,

F o r t h e d i re m on s t e r t h o u g h t be fo re d ay cam e
T o p a rt l i fe fro m t h e b ody o f eac h on e .

H op e o f a g l u t o f foo d had g ro w n i n hi m ,

Y e t i t w as n o t h i s fat e t h at h e S h ou l d e a t
A ft er t h a t n i g h t m ore o f t h e race o f m e n .

H yg el ac s s t ro ng k i n s m an s aw h o w t h e fo u l fo e

W ou l d m ak e h i s su dd en g ras ps n o r m ean t t h e w ret ch


'

D e l ay fo r at t h e fi rs t h e s w ift l y s ei zed
,

A s l e e p e r s l i t h i m u naw a re bi t t h ro u g h
, ,

H i s b o n e ca s e fro m h i s v ei ns d ran k bl o od an d s oo n
-
, , ,

S w al l o w i ng i n l a rg e l u m p s , h a d e a t e n al l

T he d ead m a n , fee t a nd hand s . Th en n earer fo rt h ,

H e s t e p ped , l ai d h an d s on t h e s t o u t h eart ed ch i e f
-

U pon h i s co u ch . Bu t h e ag ai n s t t h e fo e
S t re t ch e d ou t a h a nd
k new h i s fou l i nt en t
, so on ,

A n d fas t ened o n h i s arm H e rd sm an of m i sch i efs.


,

S o on h e fo u n d t h at o n eart h i n a l l i t s p arts
A s t rong er h and g ri p n e ve r had h e fe l t
-
.
E E OW U L I' . 2 89

Fearfu l i n m ind an d s ou l , he sou g ht e s cap e ,

Bu t not fo r t ha t cam e h e t he s oo n e r h
t e nc e .

H e t o hi s l u rk i ng p l ace w ou l d fly , w ou l d s ee k
-

T he w i l d t h rong o f t h e d e v i l s hi s l i fe d ay s -

H ad k no w n be fore n o t u g s o S h a rp as t h i s .

The n I l yg e l ac

d k i ns m an bo re i n m i n d
s g oo

I l i s ev e ni ng s p e ech s t o o d u p ri g h t g ras pe d h i m h ard


, ,

H i s fi nge rs b u rs t ou t w ard t h e e o t e n w as
, .

T h e earl ad van ce d m ore T h e b o l d ch am p i on t h ou gh t


.

Whe th er he m i g h t no t s o g e t roo m t o es cap e ,

F l y t o h i s fen p oo l b u t h i s fi ng e rs s t reng t h

, ,

I n t h e fi e rce g ri p h e k ne w , T h e h armfu l S po i l er .

Fou nd t h at h i s pa t h t o H e oro t l e d t o g ri ef .

T h e g reat h a l l t h u nd ere d fo r a ll Da nes w h o d w e l t ,

Th ere fo rt i fi ed fo r al l t h e b ra v e m e n earl s
, , ,

T h e al e was s p i l t t h a t t h e w i n e h al l w i t h s t o od -
,

T h e fa i r h ou s e o f t h e w orl d t h e s h o ck o f w a r , ,

That i t fel l n o t i n ru i n was g reat w o nd er , .

B u t i t w as s t reng t he ne d ag a i n s t t h a t w i t h band s ,

W i t h i n w i t h ou t o f i ron cu n ni ng w o rk
, , ,

O f s mi t h s .Th e re m any a m ead bench go l d ad orned -


, ,

Was t i l t e d fro m i t s s i l l as I v e h eard t el l


,

O ld c ou ns e l l o rs o f t h e S cy l d i n g s n e v e r t h o u g h t
Th at a ny ma n i n h at e and s l au g ht er s t ai ned
C ou l d b rea k i t o r u ncl ose i t by h i s c raft ,

Bu t onl y by t h e ho t em b rac e o f fi re .

U p ros e a c ry n ew u rgent a d i re fear


, ,

Fell on t he N ort h Danes o n e ach one o f t h os e ,

Who fro m t h e w al l h ea rd t h e w i l d w h oop t h e c h an t ,

O f h orro r s u ng b y G od s an t ag o n i s t ’
,

S o ng of no v i c t o ry t he t h ral l o f h e l l
,

Wai l i ng i n pa i n t oo t ig h t l y h e w as h el d
By hi m t h en s t rong es t of a l l l i v i ng m e n .

T he h el p o f ea rl s w o u l d n ot fo r an y t h i ng
L e t g o t h a t d ead l y g u es t w h i l e l i v i ng t h o u g h t ,

H i s l i fe d ays o f n o u s e t o an y m an
-
.

Then m an y an earl of Beo w u l f s d re w h i s s w ord ’


,

H i s an ci e n t h eri t age a nd w o u l d d e fend


, ,

I f so he m i g h t t he p ri nce s l i fe Th ey k n ew n o t

, . ,

These eag er s o ns o f bat t l e w h en t h ey j o i ned ,

T he s t ri fe and s o u g h t t o h e w on eve ry s i d e
, ,
2 90 E NG L I SH WR I T E R S .

T o s ee k hi s s ou l , t hat d u pon eart h


no swor ,

Ch o i c es t of bl ad es , cou l d t ou ch t h e w i ck e d fi e nd .

Bu t h e al l m art i al w ea p on s h ad forsw orn ,


E v e ry d g ed b l ad e And he was w ret ch ed l y
e .

O n t h at d ay o f t h i s l i fe o f m e n t o d i e ,

H i s g h o s t fa r j o u rn e y i n g t o serve t h e fi en d s .

Th en h e w ho e rs t agai ns t t h e race o f m a n
I n m i rt h fu l m oo d had w rou g h t o u t m a n y c ri m es ,

H e w as G o d s foe fo u nd t h a t h i s bod y fai l e d



,

T o s e rv e h i m be cau s e H yg el ac s b o l d k i ns m an

,

I I ad h i m i n h a n d T h e ot h e r s l i fe t o e ac h

.

W as h at e fu l t he fe ll w re t ch e n d u red s o re pai n ,

A w i d e w ou n d o n hi s s h o u l d er cou l d b e s ee n
T h e s i n e w s s nap p e d t h e bon e e n cl os u re s b u rs t
, ,

G l o ry o f b at t l e w as t o Beo wu l f g i ve n
T o h i s fe n S h ad es d eat h s t ru ck m u s t G re nd el fl ee
,
-
, ,

S e ek a s ad h o m e w e l l k n o w i ng t h a t l i fe s e n d

,

Was co m e t h e n u m ber o f hi s d ays w as p as t


, .

S o h e w h o had co m e fro m a far fu l fi l l e d


I n d e ad l y fi g h t th e w i l l o f al l the D a n es
Wi s e
'
an d s t o u t - h e art ed d H ro t hg ar s h al l
, h ad c l ea n s e ,

S av ed i t fro m m al i ce G l ad i n hi s n i g h t s w o rk

.
,

H i s fa m e fo r s t re ng t h t h e C h i e ft ai n o f t h e G o t h s
,

H ad s e rv e d t h e Dan es acc o rd i ng t o hi s b oas t ,

H eal i ng t h e d ee p s e t g ri efs t h e y h ad e nd u red


-
,

N O s l i g h t a ffli c t i on borne t h rou g h h ard es t n e ed


, .

C l ear w as t h e t ok e n o f t h i s w h en t h e s t o u t ch i ef ,

Lai d d o w n h an d arm an d Sh ou l d e r t h ere was al l


, , ,

T h e g ri p o f G re n d e l u n d e r t ha t g rea t roo f .

Then came in the morning as I have h e rd tell m ny , a ,


a

a warrior b o t the gi ft hall from f and near to see t h e


a u -
ar ,

w onder . The foe le ft his track as he fled death doomed ,


-

and w eary to the ickers m ere There w as t h e surge


,
n

.

b oiling with b lood the waves w elled hot with clotted gore
, .

Grendel had dyed it a fte he laid dow n his li fe in Shelter of r

t h e fe
n. From the mere again went the gl d fellow warriors a -

proudly to ride on horses Beo wul f s praise was sung n or .



,

b lamed any the gl ad Hro t hgar for that was a good k i ng ,


2 92 E N GL I SH WR I T E R S .

s word of great w orth many a w borne be fore the warrior s .

Beo wul f s hared the cup in the court T h e shelter of earls .

then bade eight steeds be led into t h e court ; on on e 0 1


them stood a saddle cunningly worked ; that was the war
seat f the high king w hen the son o f H eal fd ene played the
o

game o f s w ords To Beow ul f he gave all h orses and— .


,

w e pons
a Also the lord of w rriors g ve to each o f th os e
.
, a a

on the mead bench wh o came the e way with Beo wul f a


-
s a-

gi ft an heirloom ; and b de th t the on e who m Grendel


, a a

slew sho ld be paid fo w ith gold Be fore H eal fd e e s


u r . n

w a r- leaders the glee w ood w to ched and H rothg r s -


as u , a

gleemen glad deners o f the h ll told of the w orks o f F i n s


, a ,

o ff spring the t le o f Fin F ol w l d i g o f H naef d Hengest


, a c a n ,
an ,

and the sons o f H i l d eb u h burnt by their mother at H aef s r n


pile The l y w a sung the gleeman s song games w er e


. a s ,

,

beg n gain the noise was loud the p be rers gav e wi ne


u a , , cu -
a

from w ondrous cups Then We lt h eow w earing a golden . a ,

cro w came forth to w here t h e t wo good kinsm en sat


n, .

There lso s t H u fert h the spokesman at the feet o f t h e


a a n , ,

S yl d i g s lord The Queen s id Take this cup dear




c n . a : ,

lord d b e thou hap p y golden friend o f m e speak to t h e


,
an ,
n,

Goth s kindly H eo ot bright h ll o f ri gs is cleansed


. r ,
a n , .

E njoy the mead o f the m n y and leave to t h y sons folk a ,

and l nd wh en thou must forth to behold God Th en she


a .

turned to w rds t h e b en ch wh ere her sons were H ret hri c


a ,

an d H ro t h m d w here Beo w ul f the Goth sat by t h e t wo


un ,

brethren To him the cup was borne a d friendly biddi ng


. n

done and tw isted gold t wo sleeves a cloak and rings were


, , ,

given the l rgest I have heard tell of on e rth S ince Hama


,
a a

bore o ff t h e B o i g neck ring Weal t h eo w said Wear


r

s n s -
.

this ring d ear Beo w ul f 0 you t h w ith all hail ! and wi th


, , ,

this clo k these riches thrive enliven thysel f w ith strength


a , , ,

and be to th ese b oys a kind helper Thou h st done that . a

wh ich sh ll b eget p ra i se thro ghout all time as w idely as t he


a u

water girds the w indy walls o f l and L ive thou a thrivi ng .


B E O WU L F . 2 93

Athel i ng and b e k i nd to my sons H ere all are friends


, . .

Sh e then w ent to her se t The meat was choice the men a .


,

dran k w ine they knew not of grim hereafter When


, a .

eveni ng came and H rothg r had gone to his rest m any a ,

e rls guarded the house as o ften they had done They


a ,
.

bared t h e b ench floor it w s overspread w ith beds n d ,


a a

b olsters Filled with b eer ready for Sleep they bo w ed ;


.
, ,

th ey set t th eir h eads the round bright shields There


a ,
.
,

on the b ench was to be seen over each Atheli ng his h igh


,

w ar- h elm h i s ringed S hirt


, d stout war wood It was ,
an -
.

their way to b e ready fo r wa t home and in the host ; r a

w hen need cam e to their lord their help w as n ear .

But G rend el s m other etched o an she wh dwells


w w m

— , r o


in gruesome waters the cold streams came on a path of ,

s o rro w to w reak w rath fo her dead s on She ca me to r .

H eo o t whe re the Ring D es w ere all sleeping through


r ,
-
an

t he hall When in r u s h ed G en d el s m oth er the hard edge ’


. r ,

was d rawn m any a broad s h ield li fted


, Sh e was in haste . ,

w ould save hersel f being thus found and quickly sei ed , ,


z

o e o f t h e Athelings as she w ent to the fe n


n He whom she .

killed was H rothgar s counsellor his dearest frie n d betw een ’


,

t h e seas B eo wul f was not there for another abode h d


.
, a

been fixed fo him after the gi fts to the gre t Goth There
r a .

was a din in H eorot S h e took a way the k indred h nd . a

cl otted with gore .

Then was the wise k ing the h oar warrior wroth when , ,

he kne w h i s ch ief thane his dearest to b e dead Quickly , , .

to his bo wer was B eowu l f fetched H ro t hgar helm o f the .


,

S yl d i g s spak e “jE sch ere is dead Y m e nl af elder ’


c n , : ,
r s

broth er w ho know s my runes my co u nsellor F o th t


, ,
. r a

thou killedst Grendel yesternight there is now come another ,

mighty ma scat her to ave ge her son


n -
n .

T he y peopl e t al k i ng i n m y h al l
cou n t r

I h av e h ea rd s ay t h at t h e y u po n t h e m oo r
,

H av e seen t wo s t ri d e rs of t he bo rd er l and -
,
S t ra n g e be i ng o f w h i c h o n e as t h ey cou l d t e l l
s, ,

M os t nea rl y w a s i n w o m a n s l i k e ness o n e

, ,

A w an d e ri ng m an l a rg e r t ha n o t h e r m e n
, ,

\Vho m t h e o l d d w e l l e rs o n t h e l a n d na m e d G re n d e l .

Th ey k n o w n o t o f a fa t h er w h e t h er m o re ,

11ad b e e n o f t h o s e d ark s p i ri t s The y i nh ab i t .

T h e d i m l an d t h a t g i v es s h e l t e r t o t h e w o l f ,

T h e w i n dy h ead l an d s p e ri l ou s fe n p a t h s , ,

\Vh e re u n d e r m o u n t a i n m i s t t h e s t rea m fl o w s d o w n
, ,

A n d fl o od s t h e g ro u n d N o t far h en ce b u t a m i l e
.
, ,

T h e m ere s t an d s o v e r w h i ch h ang d e a t h ch i l l g ro v e s
,
-
,

A w o o d fa s t roo t e d o v e rs h a d e s t h e fl o o d
-

Th ere e v e ry ni g h t a g h as t l y m i rac l e
I s s e e n fi re i n t h e w a t er
, N 0 m an k n ow s .
,

N o t t h e m os t w i s e t h e b o t t o m o f t h at m e re
, .

T h e fi rm h o rn ed h ea t h s t a l k e r t h e h a r t w h e n p ress e d
- -
, , ,

VVe a ri ed by h o u n d s an d h u n t e d fro m a fa r
, ,

W i l l ra t h er d i e o f t h i rs t u p o n i t s ba n k
Than be nd hi s h ead t o i t I t i s u n h o l y . .

Da rk t o t h e cl ou d s i t s y eas t y w a v e s m o u n t u p
Wh e n w i nd s t i rs h at e fu l t e m p e s t t i l l t h e ai r ,

G ro w s d re a ry a n d t h e h ea v e n s p o u r d o w n t e a rs
, .

A g a i n no w c o u n s e l i s w i t h t h e e a l o ne ,

Th ou k n o w e s t n o t ye t t h e s po t t h e p l ace o f d ari ng ,

W h e re t h o u m ay s t fi nd t h i s w i ck ed be i ng S e e k i t

.

I f t h o u b e b o l d I rec o m pe n s e t h e s t ri fe
,

\Vi t h g i ft s o l d t reas u re s a s I d i d b e fo re
, , ,

I f t h ou re t u rn t o u s

.

Th e n E cg t h e o w s s o n ’
,

Be ow u l f re p l i e d t o h i m
, W i s e m an s o rro w no t
, , ,

B e t t e r fo r e ac h t o a v e ng e h i s fri e nd t h an m ou rn .

A n e n d t o t h i s w o rl d s l i fe aw ai t s u s al l

L e t hi m w h o c a n d o h i g h d eed s e re h e d i e
, ,

S o w i l l b e h ap p i es t w h e n t h e w a rri or s d ea d

.

G u ard o f t h e h el m ari s e a n d l e t u s g o ,

Qu i ck l y u po n t h e t rack o f G re n d e l s k i n ’
,

I p ro m i se t h e e t h at n o t i n t h e d e e p sea
S h a l l s he e sca pe n o r i n e m brace o f ea rt h
, ,

No r i n t he w ood u p on t he m o u n t ai n s i d e -
,

N or on t h e s ea s b roa d b ed g o w h e re sh e w i l l

, .

H a ve pat i e nc e fo r t o d ay i n a l l th y w oes -
, ,

Th i s I ex pect o f t he e .

296 E NG L I SH WR I T E R S .

Bes t a nd bra v es t
B rou g h t t o h i s e nd .

Th en t h ey t h rea d e d ,

A t h e l i n g s so ns

,

S t ee p s t o n y g o rg es
, ,

A s t rai t roa d ,

W e i rd narro w w a y , ,

Was t es u n k n o w n ,

Nak ed h ig h n esses , ,

N i ck er h ou se s m an y .

B e fo re al l Beo w u l f
A nd som e o f t h e b ra v e s t
\Ve n t on t h e w a y,
W i se m en ,
T o e x l o re
p t h e pl a i n ,
Ti l l , p l a n t e d l e an i ng

O v er th e h ro c k
ro u g ,

He reac h e d s u dd e n l y

An u nw i nsom e w ood .

d u n de r i t
s t oo

G h as t l y w i t h g o re
I t w as g ri e f for al l D a n e s ,
A s i g h t o f s o rro w
F or t h e S c yld i ng s fri e n s ,

d
A h o rro r fo r h e ro es ,

W h e n th e h ead o f [Esch e re
Was fo u nd by t h e s t ee p fl oo d
F l o at ed as h o re .

T h e w a t er w e l l e d b l o od ,

T h e w a rri o rs g a z e d
O n t h e h o t h ea rt s bl ood

,

W h i l e t h e h o rn s an g
A d o l e fu l d ea t h n o t e - .

The b and all sat They saw along the water man y o f
.

the wor m kind str nge sea dr gons ; also in clefts o f t he


, a a

nesses Nic k ers lying T hese hurried a way bitter an d ang y


.
, r ,

as soon s they heard the w r horn On e the Goth s lord


a a .

killed w ith a rro w Quickly on the wave h e was w ith


n a .
,

boar spe rs sh rply hook ed and dra wn on t h e ness


-
a , a .
B E G WU L F . 297

Beowul f clad himsel f in w eed s of a chief His w by n i e . ar r ,

t wisted with hands w ide and cunningly dyed must kno w , ,

the deeps But th e wh ite helm guarded his he d made


. a ,

w ort hy w ith riches girt w ith lordly link beset w ith the ,
s,

likeness o f s w ine that o br nd might bite into it Nor ,


n a .

least of ids w as the hafted s w ord H ru t i g its n a m e lent


a ,
n n ,

h i m b y H rot hg r s speak er Its edge was iron tainted with



a .
,

poiso n t w igs h rdened with warriors blood E gl f s s on


,
a

. c a

bore not in mind w hat he h ad said d unken w ith w ine r ,

w hen he lent the weapon to a b etter s word w ielder H im -


.

self du rst not meet death under the stir of w ters Beo wul f a .

sp k e Gold fr i end of men I m ready I f I die fo thy


a ,
-
, a . r

n eed b e a helper to my fello w thanes


, d send dear -
,
an ,

H rothgar to H ygel ac the gold thou hast given me that the


, ,

Goth s lord may kno w I found a good bes to wer o f rings



.

A n d let the fa f m ed man h ve my s w ord H r


-
a fe t h the a un r ,

old relic I w ill with B runting work my doo m He


. .

a waited no ans wer the s e wave to ok the w rlike man , a-


a .

I t was day s S pace ere he sank to ground Then she


a

.

wh o had d w elt i n the fl ood gri m d greedy fo a hundred ,


an ,
r

years saw a m an coming from above into the land of


,

wo n d e rs g asped at him a d clutched t h e wa rior


,
r But n r .

she co u ld not break his ri ng mail w ith her fi gers The n .

sea wol f bore the prince o f rings to her d welling m any a


-
,

s ea beas t w ith its w ar t u sks broke his mail


-
The n the .

w a rior found himsel f in a roo fed hall where w s no w ter


r ,
a a .

A pale b eam of fi rel ight shone nd then he w the gro nd ,


a sa u

w ol f the mighty mere wi fe


,
H e struck h ard w ith his wa . r

s word The edge failed The an gry fighter cast upon the
. .

earth the t wisted b rand and trusted in his strengt h the ,

might of his hand gri p So sh ll a man do when he thinks -


. a

t o g ai n in b ttle lasting pra i se nor careth fo r his li fe


a ,
.

Then G e d el s mother sei ed the Goth s lord by the


r n

z

shoulder Fe rless b e dr gged her till she bo wed Sh e


. a a .

cau ght him quickly w ith fierce grasps d thre w him weary ,
an ,
2 98 E N GL I SH WR I T E R S .

pressed him do wn and dre w her seax broad bro wn ed ged


, , ,
-

S h e w ould venge her son a The braided b reast net on his .


-

shoulder w ithstood point d edge an .

He aw among the weapons huge b ill a old s w ord


s a ,
n

o f the E o t e w ork o f gi nts greater than a y other m n


n s, a ,
n a

mig ht be r forth to the g me o f w


a The Scyl d i g a ar . n s

w arrior st od up d sei ed the knotted hilt fast and fierc e


o an z ,

he struck with the br nd upon h e neck her bone rings a r ,

br ke the bill w ent through h flesh S he s k on the


a , er ,
an

g round The s
. w ord w s gory the be m still shone mild a , a ,

as the light from he ven s c ndle He looked through thata



a .

d welling d saw Grendel lying li feless His huge trunk


an .

spr ng f
a w y w hen he cut o ff the head
ar a a ,
But then .

behold th t s word melted w y as ice in the hot venomous


a a a

blood ; there w s left only the h ilt Beowul f took none o f


a .

the we lth th t he saw ; he took only the giant s head and


a a

the rich s word hilt .

The men who w ere w ith H rothgar lookin g on the w ater


sa w it mixed w ith e w blood They said this was a w rning
n . a

th t the Atheling wa S l in Then c m e the noon of d y


a s a . a a ,

an d the bold S yl d i g le ft the he dl nd sick of mood


c n s a a , ,

g ing upo the mere w ishing not w eening to see their


az n , , ,

de r lord F o t hwi t h he w
a . float ; he dived up through
r as a

the w ter c me s wimming to l nd gl d in t he burthen he


a ,
a a , a

brought w ith him The stout band o f th nes loosed quickly


. a

his hel m and w Shirt the stre m trickled d o wn of water


ar -
, a

s t ined w ith gore When they went forth from the s e


a . a

shore four m e could h rdly be r upon the deadly st ke


n a a a

the head o f Grendel .

S o they c me to the h l l fourteen br ve Goths march


a a ,
a ,

ing with their lord over the me do ws The wor thiest o f a .

th nes came to g eet Hrot hg r ; then G e d el s he d w s


a r a r n

a a

bor e by the hair into the place where men were drinking
n ,

and the he d of the w oman also Beo wulf s id Behold


a . a , ,

these token s from the se we bring with gladness to thee a ,


3 0 0 E N GL I SH WR I T E R S .

of H yge l ac , w h od welt by the s ea w all t he wealth of t h e -


,

Athelings Kinsm n f ced kin sman ; H ae et h s dau gh ter


. a a r

,

gentle of m ood ba e the w ine cup to the high chief s hand


,
r -

.

H m et h daughter wh o poured wine fo her lord when


r

s ,
r

Beow ul f returned w s H ygd the second wi fe of H ygelac , a ,


.

S econd w i fe because S h e is described as e y y oung an d


, v r ,

H ygel c had alre dy when he ca me to the gi ft s t o ol a


a a ,
-
,

mar i ge ble d ughter H ygd seems in the poe m to be


r a a a .

first described as young w ise w ell bre d an d genero u s and , ,


-
, ,

then held p to scorn fo cruelty and murder and spoken


u r ,

o f as w i fe o f O ffa
a Dr Grein has su ggested th t in . . a ,

fact the word tr nsl ted violent is


, proper n me ppl ied
a a a a ,
a

to a hal f mythic l she monster w hose ch r cter is contraste d


-
a -
, a a

w ith the mildness o f Q een H yg d as in earlier part o f u , an

the poem the pr ise of a good king had been en forced a

i m mediately by contr st with bad one a a .

H ygd had a young son H e d ed When Beo wul f t e , ar r .

turned afterwards from the expedition in w hich H ygel c a

w a slain H ygd believed th t her child w


s , too young to a as

succeed his f ther and off ered the chie f rule to Beo wul f
a ,
.

But Beo wul f s stained the b oy in his hereditary r nk and


u a ,

served h i m as protector O e l the son of O get heow . n a, n ,

w asthen ruling in Sw ede and t wo of his nephe w s s ons o f n, ,

a younger brother having re b elled against h i m came as , ,

exiles Ean m d and E d g i l s to young H e d ed s court


,
un a ,
ar r

.

H e d e d received them hospita b ly H i s land was there fore


ar r .

inv ded by O e l he was besieged in his high w ll nd


a n a, a ,
a

killed in b ttle E a m d lso was then sl in O nel a


a . n un a a .

ret u rned to his ow la d and B eowul f then b ecame king o f n n ,

the Goths keeping Ead gi l s at his court and helping h i m


, ,

a fter w rds to his reve nge upon O ela wh o w s att cked in


a u ,
a a

his turn and killed Beo wul f was Goth only on his mother s .

S ide His f ther E gt h e ow w s o f another race


. a , c , a .

We m y n o w go b ck to the old poem a d tell i t s story


a a n

t the end
o B eo wu l f returned from his adventures am on g
.
,
b E o I VU L

. E .
3

the Dan es had lan ded in G ot hl a d He w ent w ith


, n .

chosen band alo g the s nds treading the sea plain


n a ,
-
,

w id e shore s .

Q u i ck l y t o H ygel ac w as Beowu l f s vo yag e ’

M ad e k n ow n t h at t h e re w as co m e i n t o t h e p l ace
, ,

T he w arri o rs s h el t e r h i s s h i el d fri e nd al i v e

,
-
, ,

S ou n d fro m t h e w a r p l ay co m i n g t o h i s h o u se
-
, .

Q u i ck l y t he h al l w as c l ea red fo r t h e m ,

As t h e k i ng b a d e Th e n fac i ng hi m w ho cam e
.

S afe fro m t h e con fl i c t k i n l o o k ed u p o n k i n


, .

A ft e r hi s l ord h ad g re e t e d w i t h l ou d v o i c e
T he fai t h fu l fri e nd w e n t H aere t h s d au g h t e r s h e

, ,

W ho l o v ed th e peop l e t h ro u g h t h e ha l l p o u red m e ad
,
:

, ,

A nd ba re t h e w i n e cu p t o t h e h i g h c h i e f s h an d

-
.

Th en i n t h e h i g h h al l H yg el ac b egan
-

K i n d q u e s t i on w i t h hi s gu e s t e ag er d e s i re ,

U rg ed hi m t o k now h o w t h e se a G o t h s h ad fared -
.

H ygel ac asked and Beo w ul f ans were d dding to his


, , a

recital o f the greatness o f H eo ot that at times he h d r ,


a

s een the daughter o f Hrothg r w hom he heard called a ,

F reaware b e ar the al e cup to the earls


,
-
.

F re aware married I g el d son o f Frod king o f th e n ,


a,

H eat hoba d s b et ween whom


r d the D nes there had b ee n
, an a

l ong fe u d in the course of which I g el d s f ther Froda



, n a , ,

had b een slain When F eawa e w s taken to her hus b nd s


. r r a a

cou rt one of her Dani sh followers w ore as trophy F od a s


, a r

s w ord . This was noticed a d t h e old feud which t h e ,


n ,

marri ag e was to have ended b roke o t g in fiercely ,


u a a .


T hen said Beo wul f finishing that episode i his narra
,

,
n

ti ve
Th en bo t h si d e s t h e o a t h s o f w arri o rs b reak
on .

I n I ng el d d ead l y h at e bo i l s fo r h i s w i fe ,

Lo v e coo l s a ft er t h e bu rn i ng o f h i s ca re .

Th erefo re I d o no t cou n t t he H ea t h ob a rd s
As h av i ng l o v e o r p a rt i n fe l l o w s h i p
, ,

O r any se t t l ed fri en d s h i p t o t h e D a n es .

Bu t n ow of G re nd el I s p ea k on t ha t t h o u , ,

G i v er o f g ifts m ay st k no w h ow w e n t t h e fi g h t

,
3 0 2 E N GL I S H WR I T E R S .

O f w a rri o rs h andh a nd to . \Vh en h eav en s ’


g e m
H ad g li d e d o v e r e a rt h i n , a ng e r ca m e

T h e g u es t , t h e g i a n t , g ri m a t e v e ,
T o v i s i t u s w h o sa fe l y k e p t t h e h a l l .

Th e re w as hi s g l o v e d ead l y i n w a r l i fe bal e
, ,

T o t h e d oo me d H e w h o l ay fi rs t g i rt ch am p i on
.
, ,

T o h i m t h e b ra v e t h an e o f o u r b l o o d b e cam e
, ,

G re n d e l m ou t h m u rd e re r t he b ody a l l
-
, , ,

O f t h e b e l o v e d m a n h e s w al l o w e d, Y et .

F o r t h a t n o s oon e r w e n t t h e m u rd e re r
W i t h bl oody t o ot h an d e v i l i n hi s m i n d ,

F ro m t h at g o l d h al l b u t t ri al m ad e o f m e
, ,

Pro u d o f h i s m i g h t g ras ped w i t h a ready h an d


, ,

H i s g l o v e b ro ad w o nd ro u s w i t h s t ra n g e fas t e ni n g s
, , , ,

A l l c u n n i ng l y p re p are d w i t h d e v i l s c raft s

A nd s k i ns o f d rag o n s S h a p e r o f i l l d eed s
.
,

H e t h ou g h t t o m a k e m e u no ffe n d i n g on e , ,

O f m an y v i c t i m s B u t t hat m i g h t n o t b e
.
,

W h e n I i n w ra t h s t oo d u p ri g h t L o ng t o t e l l .
,

O p ri n c e h o w I re p a i d t h e m i s crea n t s w ro ng s

, ,

W ha t I d i d t h e re s e t fo rt h t hy p eo pl e s w ort h ’
.

Beo wul f proceeds in this manner to recount h o w


Grendel fled to his mere leaving his arm in H eorot h ow ,

Hrothgar re warded his cha m pion how G e d el s mother r n


c me and sn tched aw y E h e e h ow he descended


a a a sc r

to the bottom o f the mere d overc me th t monster an a a

also .

No t ea s i l y I b ro u g h t m y l i fe a way,

I w as n o t fa t e d ye t T h e s h i e l d o f ea rl s ,
.

H ea l fd e n é s s o n , ag ai n g av e m a ny g i ft s

.

S o t h e g rea t k i ng l i v e d a s h e s h ou l d , re w a rd s ,
T h e m e ed o f s t re ng t h , h av e n o t bee n l o s t t o m e ,

F or h e , H e al fd e n é s son , p u t i n m y p o w er
T reasu res t h a t I w i l l b ri ng , O w arri o r k i n g ,
T o t h ee w i t h j o y p re p a re fo r t h e e
, Of t h ee .

A re al l m y s a t i s fac t i ons F o r I ha ve .

F e w k i ns men n ea r m e H yg el ac sa v e t h ee , , .

Then Beo wul f bade them b ear in the b oar head ensign -
,

the helmet c rs let


, d rich s wor d and said
o ,

Thes e
an , ,
3 04 E N GL I SH WR I T E R S .

The earl wh o heaped it there had spoken h is fare wel l t o


the helmets that had f llen from t he fated the sword s t h at a ,

should moulder a fter t h e warrior T here was n o joy t o .

him in music no h wk in the hall or steed in the ci t y , a .

De th h d b rought desol tion let earth hold t h e t reas u res


a a a

o f t h e d ead The b urier o f the treasure died


. .

The b urning sc at h e o f the t w ilight w h o seeks out t h e r ,

mounds the n ked envio u s dr gon wh o flies by night g ir t


, a a

w ith fi e found the ho rd


r , For three hundred years he a .

held the b o d i the e rth u til o e m enraged him


ar n a , n n an ,

w h o took a cup from the b oa d to his liege lord as a pe a c e r

offering Then the b o d w a plunde ed t h e b o d o f


. ar s r ,
ar

rings borne o ff the prayer o f the poor man was g ranted , .

The lord aw fo t h first time the a ncient work o f men


s r e .

When the dr gon woke t h e deed h d been rene wed a a , a .

Then he smelt alo g the rock the strong he rted found n ,


-
a

t he foot trace o f the fo e


-
He h d stepped forth by secret . a

cra ft ne r to the dr gon s head Thus m y an u ndoomed


,
a a

. a

m n escape fro m w o e whe n the Almighty favours him


a .

The dr gon so ght d found no m in the surrou ndi g


a u ,
an an n

desert He returned sometimes to his ho rd and found


. a ,

it pl ndered It w as h rd fo him to wait till evening


u . a r

c me then he would requite the wrong w ith fire When


a ,
.

the day w s e ded to his w ish he would a bide no longer


a n ,

in his mo nd but carried fire over t h e l nd He vomited


u ,
a .

fire over the bright d wel l ings the s t h e of the Goths w o u ld ,


ca r

le ve nothing l ive He h ad w r pped t he l nd in fl me


a a . a a a

w ith fire d burning H e trusted in his moun t his war


an .
,

an d his w ll Th t hope deceived him


a . a .

It was m de kno wn to Beo w ul f th t his o wn home the


a a ,

best o f houses w s burnt w ith the g ift stool o f the Goth s,


a ,
-
.

The w ise chie f weened th t he had angered the Almighty a .

The fi e dr gon h ad w asted w ith fire an isl nd without t he


r -
a a ,

cou try s s feguard Then the warlike king bade fashion


n

a .

fo hi m sel f a w ond ous S hield


r l l iron fo he kne w that r ,
a ,
r
B E G WU L E .
3 5
0

w ood of t h e forest would not help hi m against fi re L i fe s .


miseries must end for t h e prince and fo the worm with him , r ,

th ough h e long had held th e hoard w ealth -


.

T h e giver o f rings disdai ned to S eek the h i ghfli e w ith r

a host of men he dreaded not the battle fo hi m sel f Rashly


, r .

daring he had escap ed fro m man y stri fes si nce h e had


,

cleans ed H rothgar s hall and taken Grendel in his grasp



.

That was not the least o f conflicts when H yg el ac was slain ,

lordly friend of the peoples in the F i es l and s Thence , r .

Beo wul f escaped by his o wn po wer H e had need to s w im . .

H e had on his arm thirty war c oats spoils o f the sl in -


, a ,

whe n h e w ent do wn to the s ea The H et waras who b ore .

spears against him in that battle had no need of b oast ; few


wh o met h i m saw the ir homes agai n .

[ Here follo w s in the poem the re ference to the events


follo wing Beo wu l f s return to the de ath o f H eard red and

,

his own coming to t he throne ]


Thus E cg theow s son had outlived all conflicts till the

d ay came w he n he must go forth against the dr gon A a .

m an wh o had v i sited the b o d and stolen from it a cup ar

must Sho w t h e path t o the m ound under the rock by t he


n ear stir an d s t ri fe o f w ves a .

Th en on th e h ead l and Sat t h e w arri o r k i ng -


,

G o l d fri en d o f G o t h s and t h e re h e ba d e fa re w el l
-
,

T o h i s h eart h co m p an i on s H e w a s s ad o f m i n d
.
,

W av eri ng ready t o d e part t h e fa t e


, ,

M os t n ea r w h i ch n ow m u s t m e e t hi m i n h i s ag e ,

S eek h i s sou l t reas u re p a rt hi s l i m bs fro m l i fe


,

N o t l o ng w as fl es h t o e n w rap t h e p ri n ce s so u l

.

T he so n of Ecg t h e o w Be o wu l f sp ak e , I n you t h ,

I ha v e o u t ba t t l e d m any a ru s h o f w a r
-
.

S e v e n yea rs I h ad se e n w h e n H re t he l p eop l e s fri end



, ,

T h e k i ng re c ei v e d m e fro m m y fa t h er k ep t m e
, , ,

G av e m e good g i ft s and feas t s m i n d fu l o f k i n , .

I w as n o t i n h i s cou rt s a w h i t l ess l o v e d
Than any o f h i s ch i l d ren H e re beal d , ,

O r H ea t h cyn , or m y H yg e l a c . F o r on e

U
3 0 6 E N GL I SH WR I T E R S .

T he el d es t b y h i s brot h er s d eed the b i er


,

s t re w n H e m isse d hi s m ark a nd s hot


.
,

H is k i ns man bro t he r no t t o b e av e ng ed
, , ,

W hen H ea t hcyn w i t h an arro w from hi s b ow


Lai d l o w h i s l o rd and fri end S o sad i t i s .

F or an o l d fat h e r t o a wa i t t h e d ea t h
O f hi s yo u ng c h il d u po n t h e g al l o w s Then .

R i s e s hi s s ong of sorro w w h en h i s so n ,

H angs t o d e l ig h t t h e ra v e n and he Ol d , ,

A nd fee bl e has no h e l p t ha t h e can b ri ng


,

W i t h e v e ry m o rni ng w i l l co m e m e m ory
O f h i s bo y s d e a t h h e ca res n o t t o aw ai t

A no t h e r he i r w i t h i n hi s g a t es w h en one ,

H as d i ed fo r h i s l i fe s d e ed s I n h i s s o n s hall
’ ’
.

W i nd w h i s t l es a nd h e s ees t h e w i ne be nch e m pt y
,
-
,

R e ft o f i t s ch ee r s l e e p s h an g i n g i n t h e d ark
T h e w a rri o r t h e re i s no s ou n d o f h arp ,

M i rt h i n hi s h o m es t ead as t h e re w as o f ol d , .

Th e n p ass es h e t o s o ngs l ay aft er l ay ,

O f s o rro w al l a rou n d hi m d eso l at e


,

T h e h o m e t h e w orl d i s e m p t y Thu s t h en m ou rne d ”


.
,

T h e p ri nc e fo r H e re b e al d a nd b o re h eart s pai n

.
,

And he told more o f the pas t to his s urrounding f l o

l wers s adly recalling li fe w ith the foreshadowing of death


o , ,

upon him H e told o f the invas ion b y Onget heow t h e


.
,

de th o f H e t hel the succession o f H eat hcyn the eturn


a r , ,
r

a ttack upon Onget h e w in which O nget heow was sl in of


o ,
a ,

his sl ying of D aegh efn the H ga s champion not w ith


a r ,
a

,

s word but b y a h and grasp in the fight


,
-
.

N ow S h al l t he fal ch i on
d g e h and and h ard s w o rd

s e ,

D o b at t l e fo r t h e h o ar Th en Be owu l f s pak e
A nd u t t ere d for t h e l a s t t i m e w o rd s o f t h rea t
Y e t w il l I a w i s e g u ard i a n o f m y l and
, ,

S ee k con fl i c t d o g re a t d e e d s i f t h e v i l e scat h e r
, ,

W i l l from hi s ca v ern s ee k m e H el me t e d .

A n d b o l d fo r t h e l as t t i m e h e g ree t e d d ear com pan i ons


,

I w ou l d no t b ear a w eap o n i f I k new


H o w I m i g h t g rappl e w i t h t h i s ev i l on e ,

A s on ce w i t h G ren d el B u t n ow I expect :.
3 0 8 E N GL I SH PVR I T ERS .

Then ca me ag in the an gry d ragon ; t h e waves o f h i s


a

fire b urnt the youth s shield but he defe nde d hi ms el f b ol dl y


beh ind the iron shield of his kinsman Agai n B eo wu lf e . t

c lled his past pro wess n d struck w ith h is mai n fo ce u p o


a ,
a r n

th e drag s he d H is good s word Naegl i ng s p pe d


on

a .
, ,
na

as nder with the stroke It was n ot gran ted to B eo wu l f to


u .

prevail with edge o f the s w ord His han d s trok e was t o o .


-

strong It broke every blade


. .

A third ti m e the dr gon r u shed on t he gre t ch i e f a a .

Then Beo wul f fiercely grasped his n eck w ith i t s h orrid


bones Blood bubbled forth in w aves staining hi m w i t h
.
,

t h e li fe gor e -

Then Wigl f sought to i d his kinsm h eeded not t h e


a a an ,

he d struck lo w r The s w ord w ent deep ; the fire beg n


a , e . a

then to abate The pr tect r of the Goths dre w then t h e


. o o

de dly k ni fe th t he b ore on his corslet nd st b bed t h e


a a , a a

dr g a in the midst Then the kindred chiefs had d e


on .

str yed the f e There was to the pr i nce p u s e of vi cto ry


o o . a a .

But the w o d given t first b y the dragon then began to


un a

b urn d s w ell the poison w orked w ithin him The pri nc e


an .

s t on a seat by the m u d looked on t h e giant s w ork



a o n , ,

s w h o w the stone
a rches firm on their pillars held for ever
a , ,

the c ve w ithin Then t he thane l ved w ith w ater t h e


a . a

w ound o f his prince Beo wul f spake o f the deadly l i vi d


.

w ound kne w th t his j oy o f e r t h was ended


, a a .


I h r led he s id fi fty w inters and had I a
av e
“ u ,

a , ,

son o f m y o w would o w bequeath to him my rms I


n n a .

h ve he ld my o wn w ell sought no tre chery s worn n o


a ,
a ,
.

f lse o th ; tho g h w ounded to de th I h ve j oy for I


a a u a ,
a ,

h ve done no wrong to my kinsmen N w go dear


a . o ,

Wig l f to see the ho rd under the rock ; let me behold the


a ,
a

tre s re o f the p st be f re I resign li fe and kingdom


a u a o .

The poem then tells o f the tre sures seen by Wigl af in a

the cavern With treasure fo his prince to see he hurri ed


. r

out lest when he returned he S hould find li fe t end T h e


,
a .
B E G WOL F .
3 9
0

aged man looked at the g ld w ith sorrow and thanked the o ,

glory ki ng that he h d been able be fore de th to acquire


a a

this riches fo his people


r .

M y l i fe i s w e l l p ai d fo r t h i s b o ard an d no w

C are fo r t h e pe o pl e s ne ed s , I m ay n o m o re

Be w i t h t h em B i d t h e w a rri o rs rai se a ba rro w


.

A ft e r th e bu rn i n g , on t h e n es s by t h e s ea ,
O n H rones n es s , w h i ch s hal l ri s e h ig h an d be
F o r a re m e m bran ce t o m y p e o pl e S e a fa rers .

\Vh o fro m a fa r o v e r t h e m i s t s o f w a t e rs

D ri ve fo a m y k ee l s m ay cal l i t Be o w u l f s M o u n t ’

H e rea ft e r Th e n t h e h ero fro m hi s neck


.

Pu t o ff a g o l d e n co l l ar t o h i s t h a n e ,

T o t h e yo u ng w arri o r g a v e i t w i t h h i s h el m
, ,

A rml et and co rs l e t ba d e h i m u s e t h e m w e l l
, , .

T ho u art t he l as t Waeg m u nd i ng of o u r race


. ,

F o r fa t e h as s w e p t m y k i n s m e n a l l a way .

E a rl s i n t h e i r s t re ng t h a re t o t h ei r Ma k e r g o n e ,

A n d I m u s t fo l l o w t h e m T he ag e d ch i e f

.

S p ak e n o t ag a i n Th i s was h i s l at e s t w o rd
. .

The ten who h d fled to the wood came now with


a

s hields and arms to w here the dying champion lay w ith h i s

f ce t u rned to Wi gl af
a He sat w e ried by the shoulders
.
,
a ,

of his lord l ving him w ith w ter


,
a B t there w as no po w er a . u

on earth to revive the C hie ftain Then e sily ca m e a fierce . a

ans wer fro m the youth to those who h d lost co r ge F a u a . or

every ca ] he tol d the m de th is b etter than li fe of


r , ,
a a

rep roach.

T hen a messenger w s sent to t h e d wellings w here the


a ,

return of Beo w l f was in v in expected w ith new s that


u a ,

Wi gl af sat over Beo w l f the living o er the li feless The


u ,
v .

poem fol lo w ing the ne ws of the de th o f Beo wul f to sur a

rounding n ations g in f lls into episode o f retrospect


a a a an .

T hen is told the coming out o f the p eople to bring Beo w l f s



u

b ody w ith all ho nour to the b urning on the funeral pile .

They went s d and tearf l to the rocks under the e gle s


a u a

ness and fo u n d the good ch ie f soulless on the s nds


,
T he a .
3 I 0 E NG L I SH WR I T E R S .

fi re -
d agon l ay n ear fi fty feet o f m eas ure ; b y hi m were
r ,

rich cups an d b o wl s d i sh es an d costl y s word s wi t h st as


, ,
r u

of athou sand years upon them Wi gl af t ol d wi th l ame t . n

t h e p rince s wi s h th t a lo ft y mou n d shou ld be rai s e d ov e r



a

his as h es T he b ier was made ready Woo d was bro u gh t


. .

from afar fo the funeral pil e S even m en en tere d t h e


r .

c vern wi th Wigla f one ca ryi ng a t orch to bri ng out t h e


a ,
r ,

treasures The dragon s b ody w as rolled o ver t he cli ff i nt o


.

the s e T wisted gold was dr wn he ped in a w i n t o


a . a ,
a a ,

H ron es nes s .

The n t he G o t h s peo pl e rea red a m i gh t y pi l e


W i t h s h i e l d s a n d a rmou r h u n g a s he h ad as ked , ,

A n d i n t h e m i d s t t h e w a rri ors l a i d t h e i r l o rd ,

La m en t i n g Then t h e w arri o rs on t h e m ou nt
.

K i nd l ed a m ig h t y ba l e fi re ; t h e s m o k e ro s e
B l ack fro m t h e S w ed i s h p i n e t h e s o u n d o f fl am e ,

M i ng l ed w i t h s ou n d o f w eep i ng ; t h e w i n d fe l l ;
U n t il h o t on t h e b re as t t h e bo n e cas e b u rs t -
.

S ad l y t h e y w ai t e d t h ei r l o rd s d eat h w h il e s m o k e

,

S p read o v e r h eav e n Th e n u p o n t h e h il l .

T h e pe o p l e o f t h e Wed ers w ro u g h t a m o u n d ,

H i g h b road and t o b e s ee n far ou t at s ea


, , .

I n t e n d a y s t h e y h a d b u i l t an d w a l l e d i t i n
A s t h e w i se t h ou g h t m os t w o rt hy p l ace d i n i t ,

R i n g s j e w e l s o t h e r t rea s u res fro m t h e h oa rd


, , .

Th e y l e ft t h e ri ch e s g ol d en jo y o f earl s , ,

I n d u s t fo r e art h t o h ol d
, w h e re ye t i t l i e s ,

U se l e ss as e v e r Th en a bo u t t h e mou nd
.

T h e w arri o rs rod e a n d rai s ed a m ou rn fu l s o n g ,

F o r t h e i r d e ad k i n g e x al t ed h i s b ra v e d e e d s , ,

H ol d i ng i t fi t m e n h onou r t h ei r l i eg e l o rd ,

P ra i se h i m a nd l o v e h i m w h e n h i s s ou l i s fl e d .

Th u s th e G o t h s p eo p l e sh arers o f h i s h ea rt h

, ,

M o u rn ed t h e i r ch i e f s fal l p ra i s ed h i m o f k i ng s o f

, , , m e n,
T he m i l d e s t an d t h e k i nd es t an d t o al l ,

I l i s p e o p l e g e n t l e s t y earn i ng fo r t h e i r p rai s e
, .

ends the m ost ancient heroic song not on ly in E nglis h


So ,

literature but in t he l i ter ture of any Teutonic language


,
a .
3 i 2 E N GL I SH WR I T E R S .

aft erward s as Mr C on ybeare observ es } i d enti fi es hi m wi th


, .

the se co d sylla bl e i n H rot h w u l f bei ng eq ual l y gl ad t o


n -
,

tak e the wolf wi th ou t a bo Mr Conybeare h ims elf giv es . .

in his Illustration s o f Anglo Saxon Poe try th e fi rs t com -

p l e t e E nglis h ac c o u nt o f t h e p o em wi th num e ro u s s p ec i ,

m ens of the origin al t o wh ich he s uppli es t ranslation s i n to ,

E nglish b l an k v e rs e an d l ite ral L atin add i ng to h i s acc ou n t ,

a list of T h o k el i n s mis readi n gs from coll ti on o f t h e


r

, a

Copenhagen edition o f Beow ul f wi th the origi nal M S at .

the British Muse m T h o k el i n h o wever is perhap s l es s


u . r , ,

to b lame than Admir l Nelson H e had made his t ran a .

script in the year 786 and h d it ready fo pres s wi t h a 1 ,


a r ,

tr nsl tio n w hen his literary w ork of th irty years was


a a ,

destroyed by the b ombardment o f Copenh agen H e was .

urged by the li b er lity of the Danish Pri vy Cou ncillor a ,

Johan Bii l ow of Sand eru m g d to begin a fresh ; an d h is


,
aar ,

edition of Beow ulf pu b lished in 8 5 was t h e resul t ,


1 1 , .

It w s t t h e cost of t h e s me noblem an th t the Dan i sh


a a a a

scholar N i k Fred Sev G u d t i g published in 8 h i s


. . . r n v 1 20

free Danish translation of Beo wul f T h e sa m e .

G d i tv g
schol r dedicated to the same pat ron an edition of
ru n .

the tex t w hich he h d studied in the ori gin al M S when in


,
a .

E ngland b etw een 8 9 1 2

I n t h e year 8 3 3 n w edition o f the text o f Beo w ul f


1 ,
a e

av a ri c i ou s Bok u s , w h o w as co ns u med
B ui are a Bii g i (b og ie ) , an d an by
R ol v o .
(S a x o G ra m m . Hi s t . D an . Ed . M ii l l er et V e l s ch o w (H a vn l z
e ,

Not p

V ol . II P ro l eg . ct . . T he b es t su gg e s t i o n i s G re i n s,

w hi c h w e w i l l fo l l o w w hen w e t ak e h i s rea d i n g of t h e h i s t o ri cal e l e men t i n



Beo wu l f .

I ll u s t ra t i o n s of Ang l o S a x on Poe t ry
-
. by J o hn J o si as C on yb ea re ,
M A . &c s u c ce s s i v e l y P ro fe s s o r of A ng l o -S a x o n an d of Poe t r y in
t h e U n i ve rs i t y o f O x fo rd . E d i t e d b y h i s b rot her W i lli am
, D a n i el C on y
b ea re , M A . &c . Lo nd o n , 1 82 6 .

1 Be o wu lfe s Be o rh ae l l er Bj o v u l fs -D rap e n , d et O l d Ang el s k e H el t e


-

h
d i g t , p aa G ru n d s - p rog e t , v ed N ik . F re d . S ev . G ru n d t vi g Kjob e nh avn ,
.

1 86 1 ,
E E G WU L F .
3 3 1

w as published b y Mr John M Kemble A prose tr ns . . .



a

l tion w ith gl ossary was pu b lished four ye rs J h


a ,
a ,
a
o n

afterwards in a co mpanion volume ; d this con MK i mhb’l l an tc e

t ai n ed in a postscript to the origin l pre face and


e e'

,
a

in the appendix Mr Kemb l e s l test n d fullest opinion o f


,
.

a a

the me ning of the poem He considere d Beo w l f to b elong


a . u

essentially to the poetical cycle o f the A gles and to b e n ,

founded on leg ends wh ich existed previous to t h e Angle


c onquest Beo wulf h i m sel f he pres med to be origin lly
. u a

the name not o f a man but o f a god one o f Woden s ,



an

c e s t o s represented throughout in this poem d e fender


r
“ as a
, ,

a protecting and redeeming being The rel tionships ”


. a

gi ven to h i m e accounted fo b y the necessity of bring


ar r

ing him into the legend B o wul f belo gs to the Ge ats .



e n

or Goths b ut Geat or Gaut was the parent o f a tribe c lled


,
a

b y Procopius I A G othic verb gives the pr aet gaut


’ ’
a v r or . .

the Anglo Saxon ged t gi es ged t b th w ords with the


-
an v o

s e n se o f pouring Was not Ge at then the god o f b d


.
, , a nu

ance O din ? For the E dd s ys th t G t w s Odin s


,
a a a au r a

name m ong the gods Hrothg r d H l g Mr Ke mble


a . a an a a .

identifies with H o r a d H el gi D nish kings ctu lly r a n , a a a

reigning in the fi fth century B t in his second pre face . u

t h e s me scholar says Although I w ill not r ise Hrothg r



a ,
a a

and h i s brother to t h e rank of gods yet I must observe


that any attemp t to assign historic l d tes to thes or lmo t a a e, a s

any other princes b e fore the introd cti n o f C hr isti nity


,
u o a

lead s to n othing but con fusion All th t p rt of my . a a

pre face which assigns d tes to one prince or to nother or a a ,

T h e Ang l o S axo n Po e m s o f Be o wu l f— t h e rave l l er s S o n g a nd t h e


-
T '

Ba t t el o f F i n n e s -b u r — h
e d i t ed t og e t h er w i t h a g l o s s a r
, o f t h e m o re d i ffi y
c u l t w o rd s , an d a n h i s t o ri ca l p re fa ce b y Jo h n M K e m b l e E s q ,
M A , .
, , . .

of Tri n i ty Co l l eg e Ca mb ri d g e , . Lo n d o n , 1 833 . T he vo l u m e is a d el ig h t
fu l l i t t l e ra m o , p ri n t e d by W h i t t i ng h a m and p u b l i s h e d b y t he l at e M r .

Pi c k e ri n g , of w h i ch , ac c ord i ng t o a b ad fa s h i o n a m o ng a n t i q u a ri ans fo r
t h e c rea t i o n of an art i c i al ra ri t y, fi h
t ere w e re o nl y o n e hu nd red co pi es
i n te d .
pr
3 14 E N GL I SH WR I T E R S .

w hich attempts to draw any conclusions from dates so


assigned I declare to be null and void upon wh t s oever
, , a

authority thos e dates may pretend to rest Mr R emble s .



.

arguments w ould in f ct go far to transport Beo wul f


,
a ,

altogether to the l and of dre ms a .

Next there appeared i n 8 3 9 and of the same sch ool o f ,


1 ,

criticism w ithout text a mythological historical Germ n


, , , a

an a l ysis of Beowul f by H L eo The first German . .

translator of Beo wul f L udwig E t t mii ll e w ho ”


, r,

ascri bes the work on his title page to the eighth centu ry -
,

proposes lso to Show that the legend of Beowul f was


a

E m ll
tt
originally
il er
a m yth d says o f himsel f In ge n era l , an ,

I follo w Kemble He pl ces the Geats in Sweden


.

. a ,

an d consi d ers the term Weder Goths w hich occurs o ften i n ,

Beowul f to b e equivalent to Weather Goths m eaning


, ,

Northern Goths b ecause out of the n orth came the bad


,

w e ther a This critic is I think the first who obser es


.
, , v ,

w h t is w orth o b se rvi n g that neither the name Angle nor


a ,

the name Saxon occurs once in t h e whole poem In 84 9 . 1

W k
a trans
ac ep
l ation o f Beo wul f into E nglish verse by A .

b h D iedrich Wackerbarth t was pre faced by an other


a rt

argument upon the meaning of the poem in which after , ,

describing the first Beo wulf as a son of O din i f not O di ,


n

himsel f the writer says I believe w ith Ke m b le that he i s


, ,

re lly the s ame mythical person


a .

In 8 5 5 appeared Benj min Thorpe s edition of


1 a

Beow ul f text and translation with a sh ort introduction and


, ,

T h
a glossary an d this is the very serviceable edition

w hich was u sed fo m ny years by E nglish students


orp e .
r a .

Thorpe s opinion h ere expressed is th t the poem is not



a

an original production o f the Anglo Saxon m use b ut a ,

Be o w u l f H el d eng e d i c ht d e s Ac t e n h J h
a h r u n d ert s . Z u ri c h , 1 84 0 .

f Be owu l f : an E p i c Po e m . fro m t h e A ng l o Sa xon i n t o


t ra n sl a t e d -

E ng l i s h v ers e, by A . D i e d ri c h W ack e rb art h


Pro fess o r o f An g l o
.

S a x on at th e Col l ege o f O u r L ad ye of O s co t t .
"
L on don , 1 849 .
3 16 E N GL I SH WR I T E R S .

study o f literature in the Romance l n gu ages and E nglish a ,


there was in the year 8 6 n rticle by Dr Grein on t he 1 2 a a .

historical element in the poem o f Beo wul f w hich he ag eed ,


r

w ith others in consideri n g to have b een writte n in t h e


beginning of the eighth century at latest Dr Grein thought . .

th t t h e mythical dventures were ascri b ed to n h istorical


a a a

person The t wo popul ations mentioned in the poem are


.

the D nes over whom Hrothg r ruled nd th e Ge ats or


a , a ,
a

G ths wh o were r led b y H ygel ac d from among whom


o ,
u , an

Beo w l f came to Hrothgar s hel p The D nes e c lle d


u

. a ar a

in the poem w i t ho t pp rent distinction Se Da es East


,
u a a ,
a n , ,

West South , d North D nes ; also fro m their rmour


,
an a ,
a ,

they are previo sly c lled R i ng D nes fr m their ring m il u a a o -


a ,

G arD nes from their spe rs or Bright Danes from their


a a ,

s h ining panoply .

The Danes l so are cal led S yl d i gs from the founder a c n ,

Bu g g e , in 1 86 8 — 6 9 — 73 . G re i n

s ed i t i on w as p u b l i s e d i n 1 8 67 In h .

1 876 h
t e re w a s p u b l i s h e d Lo n d o n
in a n e d i t i on o f Be o w u lf w i t h a t ra n s

l a t i o n, N o t e s , and A p p e n d i x b y Th o m a s . A rn ol d . In 1 88 3 t h e re was

p u b l i s h e d a t Bo s t on a n ed i t i on of Be o wu l f a nd t he F i g h t a t F i n n e s -b u r , h
w i t h te xt and a y
g l o s s a r b a s e d u p o n H ey n e s

ed i t i o n I n t h e s a m e e ar,
. y
al so, t h e re w as a c a re fu ll y re - e d i t e d t e x t o f Be o w u lf i n Pro fes s o r R i cha rd

W i i l c k er s
’ '
ne w e d i t i o n o f k d e r Ang el sac h s is c h e n Po es i e
G re i n

s Bi b l i o t h e .
"

I n t h e n e xt ye ar 1 8 8 4 Beo wu l f w as e d i t ed w i t h t h e t e x t a nd a g l os sary b y
, ,

A H old e r as N o 1 2 o f t h e G e rm a n i sc h e B ii c h ersc h at z
.
, . An Au t o t y p e .

F acs i m i l e o f t h e U n i q u e M S o f Be o w u l f i n t h e C o t t o n Co l l ec t i o n (V i t el l i u s
. ,

A xv w as p u b l i s h e d b y t he E arl y E ng l i s h T e x t s o ci e t y i n 18 8 2 w i t h a
.
,

T ran sl a t i o n and No t e s b y an e xcel l e nt E ng l i s h s ch ol ar D r Ju li u s Z u p i t za , . ,

P ro fe ss o r o f t h e E ng l i s h La ng u ag e a nd L i t e ra t u re i n t he U n i vers i t y o f
Be rl i n . T h e re w as p u b l i s h e d i n L ond o n , in 1 88 1 , an E ng l i s h m e t ri ca l
t ra n s l a t i o n b y i e u t -C o l H W L . . . . Lu m s d e n ; an d at Bo s t o n , i n 1 88 2 , a n

E n g l i s h p ro s e t ra n s l a t i o n b y J am e s M G arn ett
. .

"
J a h rb u c h fl i r R o m a n i s c h e

u nd E ng li s c he L i t t era t u r u nt er b eso nd erer


M i t w i rk u n g von F e rd i na n d W ol f , h erau s g eg eb e n von D r Ad o l f Eb ert , P ro
.

fe ss or a n d e r U n i v e rs i t at Lei p zig .
(L e i p zi g ) V i e rt e r Band D ri t t es H e ft , .

A p ri l t o J u ne , 1 86 2 . T hi s v al u a b l e j ou rnal w a s b ro u g t t o h a n e nd wi t h a

tu e l ft h v ol u m e in 1 87 1 . A n e w s e ri e s , e d i ted b y Dr . Lu d wi g Lem ck e ,

Pro fe s s o r at t h e U n i v e rs i t y of G i ess en , w a s b eg u n i n 18
74 , b u t en d ed wi t h
t h e t hi rd vo l u me i n 18 6
7 ,
B E OWU L F .
3 7
1

of their dynasty Scyld Sc e fi ng or Scyld the So o f the ,


n

Ski ff The old myth wa t hat on a b oat laden with rms


. s, a

a nd tre sure a child wa s fl


a ted to th e Danish coast d oa ,
an

the D nes being then in great tro u b le accepted the boy


a , ,

as sent them b y the gods made h i m their king and under , ,

his lead estab lished and exte ded their power Wh e n after n .

a long reign Scyld died his body placed again on a sh i p , ,

laden with rms and t re sure was set dri ft u pon the se
a a , a a

an d no man ever h e ar d r kne w whit h er th t vessel w ent o a .

Scyld may have b een re l w rrior wh o b ro ght help to a a a , u

the D nes ag inst their tyr nt H e em od e s t blish ed his


a a a r , a

o wn dyn asty mong them and le ft his son the elder


a , ,


Beow l f not him o f the poem to succeed h i m
u — .

Dr Grein considered th t the poem treats of ctions


. a a

d ne among the D nes in Denm rk Mr H i gh we s h ll


o a a . . a , a

find pl ces the scene wholly in E ngl nd E ch writer


,
a a . a

identifies H eo ot (which me ns a h rt ) w ith pl ace so


r a a a

c lled on spot tallying ex ctly w ith h i theory The tr e


a a a s . u

seat of the Danish kingdom s ys Dr Grein was the island of , a .


,

Sael nd on w hich in f ct t this d y Copenhagen st nds


a ,
a , a a , a .

Now on the east co st o f S ael nd ver g inst Sweden


a a , o a a ,

n ot far to the south o f Helsingor d opposite the I sland , an

o f Hveen there is t w n bout t wo miles from the sea


,
a o a

calle d H jort h olm or in Ger man Hirschholm H t h ol m ;


,
— ar

th t migh t be H e o ot
a d li t tle m re inl nd there is
r an a o a a

lake the Size ] L ke th t migh t be G e d el s L ake ; from


,
a ,
a r n

which a stream flo ws by H j o t h o l m to the ea Here then r s .


, ,

Dr Grein fi xes t h e site o f H eo ot Where d es he find


.
r . o

the s hore of H ygel c King of the Geats or Goths whence


a , ,

Beo wul f came to H rothgar s aid This he agreed w ith ’

Thorp e in finding on the opposite coast of the m inland a ,

an d a l i ttle to t h e orth in Sw edish G o th l a d a d he


n , n , n

indicates as the pro b ble neighbourhood of Beo wul f s grave


a

the ruined castle o f BOh f s B o house b uilt in 3 8 upon i ,


-
, 1 0

a rock wh ere the m outh of the Gotha divides to enclose


, ,
3 18 E N GL I SH WR I T E R S .

the isl nd o f H i s i ge
a Thi s B Ohfi s gives to i ts townsh i p
n n .

the n me o f B oh u sl ae upon the isl nd lso is a B i O l and a ;


a n a a r

bu t Bi s ys Dr Grein is an old nort hern form on


a rr, a .
,
c

n ec e t d w ith the name of the Sc yl d i ng Beo w ul f T he .

identific tion f this continenta l G ot hl nd and the neigh


a o a

b o h oo d o f the River Goth w ith H ygel c s kingd o m i s


ur a a

p rtly supported by the f ct mentioned in the poem— th t


a a a

H yg el ac S predecess r an d b rothe r H eat h c yn w as engage d



o

in a des per te w w ith the K ing of the S é ons i n


a ar v

S eo i
v o w S ea i c e
r ce , n or S veal nd lying i mmediatel y t o
v r , a ,

the north of G oth l d We h ve lso app rently on e t an


an . a a ,
a ,

g i b l e corro b orated f ct to give us a date fo a the re i g n o f r

H yg el c In four pas sages of Beo wul f there is mentio n


a .

of an expedition o f plunder m de b y H ygel ac w ith Beo w l f a u

in his tr in g inst the Frisi ns when H ygel ac b eing op


a a a a , ,

p sed by the H et w e the H g s and the Frisian s fell i n


o ar ,
u a , ,

b ttle d the king s li fe dep arted into the gr sp of t h e


a ,

an

a

Fr nks Beowul f and the rest o f the Geats only savi ng


a ,

themselves b y s wimming to their Ships Can this b e any .

other th n the de cent recorded by Gregory o f T ours an d


a s

the Gest Regum F a coru m s h ving been m de in th e


a r n ,
a a a

ye r 5 by the D ne C ho i l ag s upon the coast of the


a 20 a c u

Fr nkish H t t u i i whose llies d neigh b o u rs w ere th e


a a ar , a an

West F i e l nd e r s f s asouth s the mouth o f the Maas ?


rs a ar a

Th ere is record lso from the tenth century of a traditi o n


a

then scribing immense bones on


a island at the mo u th o f an

the Rhi e to H u i gla u u King o f the Geti wh o was there



n c s, ,

s l in by the Fr nks This historical p rallel h d bee n


a a . a a

p inted out by L e o d E t t m ii l l e Conceding mythical


o an r
.

or igin t o the stories f Grendel of the s wimming match o ,

w ith Brec and o f Be wul f s b ttle with the dragon Dr ’


a, o a , .

Gre in rgues that such myths are att ched to persons wh o


a a

were really living in the early years o f the s i xth ce n tury ,

G re i n s

e d i t i on , l i n e s} 1 2 02 —1 2 1 4 , 2 354 — 372 2, 2 497— 2 5 0 8 , 2 9 10
3 2 0 E N GL I SH WR I T E R S .

that of Scyld which w e have to this day i n t he n ei gh b o u r


,

ing No rth and South Shields North of the Wal l aga i n .


,

in the same neighbourhood is Shilbottle Scyl d es botl t he


— — -
,

palace of Scyld n ear at b a d also is Bolton on t he Aln e n ,

the B ol el a i o of Ravenn s which seems to con tai n t h e


v un a ,

n ames o f Beo wul f and Ala nna Hrothgar s mead h l l H eoro t ’


.
-
a ,

Mr H igh fixes at H art in Durham I ts situ tion t wo


. a , . a ,

miles from the co st agrees (like that of t he Sae lan d Hj ort


a ,

holm ) w ith the distance of H eo ot from the shore as i nd i r ,

c t e d by the description o f t h e m rch to it a fter Beo w ul f s



a a

landing But th t is not l l G en d el s mere to b e found


. a a . r

,

b y the w y where the hi l l stre m goes un d er t he sha d e of


a -
a

the cli ffs w as said b y H rothgar speaking t H eorot t o


,

,
a ,

be a mile thence overshaded w ith b ushy groves
, there
liveth none so wi se wh o kno ws its b ottom Just a m ile .

from H rt there once was a l rge po l


a called t h e a o ,

Bottomless C r n ow turn e d like the fens into arable lan d


a r, ,

from w hich stream still calle d H o w (mountain ) Beck


a , ,

flo ws through the p rish o f Hart into the Sl ke of H artle


a a

pool In the f llo wing lines concerning the mere al though


. o

,

the he th st lker wearied b y hounds the hart firm of h orn s


a -
a , ,

seeking th t holt woo d driven from a far w il l ot dri n k


a -
, ,
n

o f it ere he dies there seems also to be a reference to t h e



,

story fr m which the n me of H artlepool arose as rept e


o a ,

sented on the common se l o f t h e b orough a h rt standin g a ,


a

in water att cked by a hound Then as w e read on of


, a .

the n ked igh nesses icker h ouses many we are re


ha — , n ,

minded of the coast of H rtlepo l and its wave worn c aves a o -


.

The scenery however of the poem is to be looke d for


, ,

south of Hart lepool b etween Bo wlby C li ff and Wh it b y


, .

S uch glen as that which ru n s up from the sea at Sta ithes


a

into the high moorland with the nicker—houses in th e lias


rocks by the sea shore reproduces more e actly than any
-
,
x

co st scenery in E ngland or Saeland t he as pects of natu re


a

descri b ed in the poem There is n othi ng at Hart nearer to .


B E OWU L F .
3 21

this th n smoot h d h llo w dip in cul t iv ted ground


a a an S a a ,

an d s nd hills
a e the c h ie f fe ture o f the sh re belo w
-
ar It a o .

m y be th t Beo w l f though
a a Danish t le w as m de u ,
a a ,
a

E nglish by poet w h o lived in the Whitby dis trict d


a ,
an

when he described or suggested scenery prod ced impres ,


u

sions from the only scenery he kne w Th t is my ow . a n

thought I return ow to t h e rgu m ent of Mr H igh


. n a . a .

At H rt there e t r ces of a ncient fort d ar a an a , an

n e r it is
a n enclosure c lled the P l ce G rths
a There a a a a .

is no record of y residence t H rt by the historic an a a

kings o f N rthumbri But the P l ce G rths ne r the


o a . a a a a

old fo t would ns w er to the ite of H eo ot b y Hrothg r s


r a S r a

fortress There is reference moreover in Beo w ul f and in


.
, ,

the Traveller s S ong fo w hich lso E ngl i sh origin



,

r a an

is argued to tt ck on H o o t by the Be rds under


, an a a e r a

Wyt h e g i l d Frode
r d I g el d his son
,
In the neighb r ,
an n ,
. ou

hood of H rt tr ces of such b ttle h ve b een fo nd


a a a a a u .

Near the north western end o f the Sl ke o f H rtlepool a-


a a

n um b er o f graves eight feet squ re h ave been foun d filled


,
a ,

w ith hum n bones In one grave w ere the bones of


a .

a hundred and fi fty men of t ll stature Ag in we m y a . a ,


a

h ve trace o f I ngel d s princip lity i the t h ree I gl e b ys the



a a n n ,

Ingleton and I gleborough of the neighbouring cou ty o f


, n n

York and o f the Wy i g n d Be rds in Wycli ffe B rtin d


, c n s a a , a , an

Barforth As fo the destroying chief wh o is represented


. r

by the monster Grendel he lso has le ft the m rk o f his , a a

n ame behind him It is cert inly the me o f m n . a na a a .

T here is a G e d l es m ere i n Wiltshire d


r n G i d l e pyt t in ,
an a r n e s

Worcestershire a Grindleton in Y rkshire an d Grind le


,
o ,
a

dykes on the Rom n wall ne r which e Grindon loch a ,


a ar

and G a d y s kno we Near H rt th ere is p rish n med


r n

. a a a a

Gran d on n d G d y s Close w ith close to G d y Close


a ran

, ,
ran

s ,

T b rum s Hill the Gi nt s Hill


, a

.

Beo wul f the S yl d i g is s id in the poem to h ve reigned


c n a a

i n the S ed el a d s t S e d e i g w hich Dr Grein identifies


c n ,
a c n ,
.

v
3 22 E NGL ISI I WR I T E R S .

w ith the Sc n d ina ia f old geogra phe s S chonen t h e


a v o r , ,

southernmost part o f t h S c ndin vi an peninsu l a B u t M e a a . r


.

H igh obse ves th t M


a K mble has igh tly t ran slat ed
r a r . e r

S e d el d m
c

the di ided l nds Sc d an d Su nd ri an
an u ,

v a , ea an

having the s me m eaning to divide or su nd er d t h es e


a , , an

Sce d e l n d appe r to be represented by the modern S under


a s a

l ands o f w hich one is on the coast o f No th u m berl an d


, r ,

north of Shilbottle .

The i f w e look fo the kingdom o f H yg elac t he s on o f


n r ,

H ret h l w h o r led over the Weder Goths w e fin d p er


e ,
u , ,

h ps traces of the Su ffolk Weders in t wo S u ff olk Wet h erd ens


a , ,

and W t h h t h W th u p e d Wether in gs ett wi th a


er ea , e er ,
an ,

Wethe by hundred in the dj oini ng cou n ty o f C m bridge


r a a .

W m y suspect H e t h l f mily n ame in t h e S uffolk Redl


e a r e

s a

ing fi l d d tr ces o f himself t R attlesde and R a t tl erow


-
e ,
an a a n

Hill (H d l h aew H e t h el s corpse) which m ay have


rae an r ,
r

b een his pl ce of b ri l A mile d i stant from one o f t h


a u a . e

W tl d
e i er is an ncient Anglo Saxon fortres s called
en s a -

Haughley in which e t least the H g l of H ygel c


, ar a , , ,
a .

There is lso a Ho m e which has been c lled Hoxton and


a , a ,

E gl d oes w hich is c lled by Leland quotin g a li fe o f St


n, a ,
.

E dm nd H egi l e d u e — q
a u i H yg el ace d
, e — and th i s
s n u as s un

place is o ly four miles fr m R ed l i g fi e l d d not far fro m


n o n an

Ugges h ll perhaps o ce H ygd esh ll H ygd being e ither


a , n a ,

another n me of H ygel or the me o f his qu een


a ac , na .

E v e n det ils o f the de dly w ar o f H yg l


a w ith O n gen a e ac

the w King o f the S weo fol k m y be f intly traced i n


o , ,
a a

loc l n mes on our o w soil The first battle w as fought t


a a n . a

R v n Wood There is Ravenh ill n e r Whitby on t h e


a e . a a ,

c oast of York hire d the djacent Robin Hood s Bay s , an a


m y be
a corruptio o f Raven Wood There re remains
a n . a

o f entrenchments to the south of this neighbourhood called

Wa Dyke r d to the e st calle d Green D yke ; six mi l e s


, an a

to th e north west is a vill ge o f Uggleb rnby which seem s


-
a a ,

to con t i the name o f H ygel ac nd m y m rk the sce n e


a n
,
a a a
3 4
2 E N GL I SH WR I T E R S .

the theory which places the scene of the poem i Den m a k n r

an d S weden it is nece s sa ry h e says th t this Ofi a s hou ld , ,


a

be carried o ff to the origi l ho m e o f the Angl es B u t t h e


na .

s tory o f O ff as told in the poem of Beowu l f and t h e


a,

Traveller s T le has lso i ts strong confirm ti on attach e d



a ,
a a

to our E nglish soil The f bled h is tory tells that Od a w as


. a
'

blind ti l l his seventh ye r d dea f and du m b t i l l h i s


a ,
an

th i rtieth when he recovered ll his f culties u nder t h e


, a a

press u re of d nger from the chie f Al ewi h wh o sou gh t t o


a ,

usurp his right of succession T h e forces o f O ffa nd . a

Al e wi h met on the opposite ba nks o f a river n med Ave e a n ,

and fought by missiles t ill O ffa cro ssed d t h e e nemy ,


an

su ffered a gre t defeat ccording to the Travel ler s


a , a

S ong b y the b order o f F i fi e l d There was honourabl e



, .

b urial given to the no b les and the est o f the sl in w ere ,


r a

buried under great he p o f stones which received there


a a , ,

fore the name o f Q u al m h u l (S laughter Hi l l )


, T h e b attle .

field w s called a fterw ds B l od ewal d N o w F i fi el d i n


a ar .
,

O x fordshire is separated from Glo u cestershire by t h e rive r


,

E venlode (Avene of the poem ) ; there is no Bl od e wal d ,

b ut t he parish n ext Fi fi el d on the other side of t h e river , ,

is Bledingto and three miles west o f Bledingto n there i s


n,

to thi s d ay Slaughter Hill givi g its name to t wo n eigh ,


n

b o u ri ng parishe s as well as t the hu dred The bodies o n .

of the no b les w ere buried apart I n the i m mediate n eig h .

b o u rhoo d are t wo parishes called Upper and Lo w er ,

S well .S well means burni g a funer l pile The n m e


a n , a . a

occ u rs only in o ne other p rt o f E nglan d in Somersetshire a ,

also near ancient b ttle fi l d In diggi ng foundations


an a -
e .

for enlarge ment o f the church o f L o wer S well a long deep ,

b e d o f ashes was discovered in the church yard and o f ,

eleven barr ws i n the parish the largest is called Picked


o

M orde n selected S lain T h e field i n which it stan ds is


— .

called Camp gro u nd History records no b ttle b u t that


-
. a

o f O ffa on thi s spot O vercome in this battle O ff s



.
, a
B E G WU L F .
5

O pponent fled nd was pursued and fter secon d fight


a , ,
a a ,

perished in t he R iga b u A stre m flo w i g into the n rn . a n

S to r ne r its ju n ction w ith the Avon w s fter w rds k o w n


u a a a a n

as R u gg b é d ne rly in direct line bet wee n F i fi e l d


an r c, an a

an d R u gg b é e r Chippi g Campden w e h ve
an r c, n a n ,
a a

pl ce c lled B ttle Bridges Al ewi h s n me is in the


a a a .

a

W r wickshire Al eston
a place directly north o f the
v ,
a

stream in which he perished which m y there fore h ve ,


a , ,
a

b een the fort o f his o w to w hich he w s flyi g ; there is n a n

a lso n Alveston in Gloucestershire d in O x fords h ire an


a , an

Al e o t t
v sc This i corr bor tion o f the w ritten record
.
, n o a ,

Mr H igh considers to be strong evidence g inst t aki g


. a a a n

the first hus b and of H yg el w i fe out o f E ngl nd ac s



a .

We return n o w to Beo wul f t the court o f H ygel a ,


a c .

Let s ssume th t the gre t s wimming m tch w ith Brec


u a a a -
a a,

Prince of the B o d i g w s ro wi g m tch in w hich r n n s, a a n -


a ,

Beo wul f w s victor Beo wul f is s id to h ve re ched the


a . a a a

shore of the l nd o f the Fins Brec to h ve l ded t


a , a a an a

H aet h o ae m i s w hence he sought his cl ear territo y the l nd


r ,
r ,
a

o f the B o d i g s Beo wul f and Brec then must h ve


r n n . a, , a

been neighbours A b o u t ten miles from H et hel s b ode


.
-
r

a ,

or R ttlesden we h ve B eckley b earing perh ps the n m e


a ,
a r , ,
a , a

o f Brec and in the s me county B s fi el d Bra deston


a, a ,
ra n , n ,

Branth m a d Brandon may indic te settlements o f the


a ,
n a

B o d i gs or cl ns o f Br nd or Brond
r n n , O f the Fins there
a a .

is no trace on the co st ; but t w o F i bo o gh not f from a n r u s, ar

Rattlesd e n ppe r to sho w t h at th ere w ere Fins here


,
a a ,

ei h b o s i f not subjects o f H e t h e l
c
n ur , ,
r .

From the descriptions gi en in the poe m o f B eo wul f s v


voy ge o t and ho m e to H eo ot Mr H igh suggests th t


a u r , . a a

Uggesh ll in Su ffolk bout five miles i nl nd w s H yg el a s


a ,
a a ,
a c

roy l residence and Covehithe o f w hich the name indi


a , ,

c tes n ancient harbour Beow lf s pl ce o f emb rk tio


a a ,
u

a a a n.

The ce to Hartlepool the dist nce is bout t w o hundred


n a a

an d t wenty mi l es distance th t might be accomplis h ed


,
a a
3 26 E NG L I S H I VR I T E RS .

in the specified time the dvent u ers reachi ng th e c ou t ,


a r r

o f Hrothg r o n t he second day a At s i x m iles a ho . n u r,

r ther b elow the speed o f the fishing co bles on t he York


a

shire coas t Beo wul f d his comp n ion s wo uld t s e en


, an a , a v

or eight o clock in t h e morni g of the secon d d ay b e



n ,

opp site Cromer and th en steering di rect for Hart w ithin


o ,

sight o f F l mboro gh He d th ey w o u ld make t h ei r way


a u a ,

to t h e cli ffs o f H rtlepool on which H ro t hgar s oas t


a ,

c

g u ard was statio ned disem b rk on th e sa nds an d m arch ,


a ,

t wo miles on the ro d to H rt or H e oro t O t heir


a a . n

ho m e voy ge they would desc y t he wel l k nown cliff s of


a r -

the Ge ts in the highl nds be t ween L o westo ft an d S ou t h


a a

w old .

A fter H yg el ac s fall w e a e t old in t h e p o e m t h at



r

Beow ul f s reig was dist rbed by w ar w ith t h e Mere



n u

W i o wi gs or S ea Wi wi g s people of Wi wa whose na m e
n , n , ,

o ccurs at Wiveton in Norfolk and who founded t h e ,

kingdom of the E as t A gles e rly in the sixth c entu ry n a .

Recently arri ed and settled t fi rst on the coas t they


v , a ,

w ere Beo w ul f s n eighbours and the contest w ith t he m



,

ended in their absorption o f his little s t ate He t hen .

w ent to the scene o f his old fight w ith Grendel and ru led ,

over the Scyl d i ngs dying in an encou n ter which w hat, ,

ever its n ature is s id to have taken place on Earna


, a

N aes E gle s Cli ff There is


,
a

promontory so n amed
. a

s outh o f Hartlepool about fi fty feet high nearly sur , ,

rou d ed b y the Tees Finally i f the b arro w raised over


n .
,

the de d hero on the se he dlan d called H ro es aas


a a a n n

w as to b e kno wn by se m en s Beo wul f s Mount it looks



a a ,

something like identific tio th t H on s name m ay be a n a r


preserved in Runs wick a vi l l ge n ear Whitby having four , a ,

miles to the north of it a lo fty sea headland th t m y wel l , a a

h ve been H ron es ae s fo on it is the vill ge f Bo wlby


a n ,
r a o ,

an e sy contraction fo B eo w l fe s beo h
a r u -
r .

The latest theory that assigns an English orig in to


3 2 8 E NGL I SH I VR I T ERS .

h t h might rely es pe cially o the d r gon s tory i n Bas ile s


t a e n a

P t me o
en a a bo ok o f ta les i the Neapolitan d i l ect
r n e,

n a ,

w hich w published in the middle o f the seventee nth


as

century fo evidence t h t folk l re tales included killing of


,
r a -
o

dr gons But in Beo w ul f tale o f goi g out on adventu re


a . a n ,

ac hieving d returning home h s been g afted on the


,
an , a r

dr g n st ry In furthe evidence o f origin in folk lore


a o o . r -

Pr fessor E rle cites the gibing t O dysseu s by Alci nous


o a a ,

wh o sees re so to ch nge his Opinion n d off e s in


a n a ,
a r te

turn v lu ble s word as H f t h does to Beo wu l f


a a a , u n er .

Th t the t le w rec st in the Merovingian age Pro fessor


a a as a

E rle in fers from t h e fact th t the kings in Beo wu l f are v ery


a a

like the ki gs of the Histori F n oru m in the promin a ran c

ence given to g ldsmiths work an d to precious j ew els an d


o

decor tions o f pp rel Ag in in Gregory of Tou s t he


a a a . a , r

w rriors immedi tely bout prince e ca lled leudes “ ”


a a a a ar ,

and the w ord le od f lord occurs repe tedly in Beo wul f , or , a .


*

Again Gregory of T urs tells of bishop who found his


,
o a

church at nights full o f fiends and the a h fi e d himsel f i n , rc n

the episcop l throne This forcibly recalls t o Pro fessor


a .

E rle the p ss ge i the Beo wu l f w here it is said th t though


a a a n a

Grendel h d H eo ot l l to himsel f yet divine power per


a r a ,

m i t t e d him not t t uch the roy l se t o o a a .

H vi g s tisfied himsel f w ith these argumen ts P o


a n a ,
r

fe s o E rle proce ds to
s r a y th t “
from G ul
e the dragon sa a a ,

t le in its e w Frankish dress passed into Scandi avia and


a n n ,

obt ined loc l settlement t here


a a a At the back o f the .

northern s g s s o f l l E ur pe n romance lies the grand


a a ,
a a o a ,

n rr tive
a a o f the sixth century
e ra The geogr phy of .

a

the poe m is cons istently Sc ndin vi n This lone a ffords a a a . a

str ng presumptio th t the Be wul f h s been b sed on a


o n a o a a

It o cc u rs al s o in C ae d m on L e6 d E b rea , G en es i s , l i n e l i ne
E x od u s , l i n e 2 77 . T he na m e l e u d es
"
fo r t h e eom i t es o f a c hi e f
i s k no w n to m os t rea d e rs o f e a rl y h i s t o ry . I t is e nou g h t o re fer t o M on t es
x x x . , ch D es L
'

q u ie n . D e l E s p ri t d e s L oi s. liv . . 16 , e u d e s ou Va s s a u x .
E E 0 WU L F .
3 9
2

S candinavi n s g This was the saga of Gretti G ett i


a a a . . r

rs
'

contest w ith Gl m is he s ys substantially the s m e as that


a ,
a ,
a

o f Beo wul f w ith Grendel Also there occurs in the poem .

o f Beo wul f n d in no other kno wn piece o f Anglo Sa on


,
a -
x

liter ture the word ae t mece and there occurs in the


a ,
“h f -
,

G et t i s saga the w ord h ep t i sax 1


r

: It w as Dr G d b and -
.

. u r

V i gf s s o
u wh o first pointed this out
n Then follow s the .

particular suggestion J hn Mitchell Kemble had in ferred . o

nearly forty years ago from a passage i n praise of the


mythic O ffa a reputed ncestor of Off King o f Mercia
,
a a, ,

th t the poem w s Angli n Pro fessor E rle ow sees in


a a a . a n

this f ct evidence that the poem was w ritten in the reign


a

o f O ff King of M erci a b etween the ye rs 75 5 a d 794


a, ,
a n .

The ai m of the poe m as a whol e is to set up an heroic


example as i f to kindle admiration in young prince and
,
a ,

every occasion is sei ed fo illustrating the relations of z r

king and subject and especially as regards those military


,

subj ects who immediately surround the person of a king .

The poem is in Short the institution of a prince ; and that


, ,

prince can b e no other than E cgfe t h the son of Offa r ,


.
"

The mythic Beowul f is in all things exemplary Beo wul f .

particularly resembles O ff King of Mercia i n that having a, ,

1 H aeft m eg e ,
-
hafted s wo rd , in c o m b i nat i on , h ap p ens t o o ccu r o n l y
o n ce in Be o wu l f, b u t h ae ft is u se d els e w here as e x p ress i o n o f t h e s w ay
an d p o we r o f t h e s w ord o r s p e ar . It o ccu rs in ot he r p oe m s , a nd hap t i is
co m m on i n S can d i na v i an fo r a h a ft or hil t . T he s ag a of G re t t i r t h e
S t ro n g wa s d e ve l o p e d fro m t h e hi s t ory o f an
hero who li ve d ab o u t I c e l a nd i c
t wo ce n t u ri e s a ft e r C ha rl e m ag ne i n t h e b eg i nn i ng o f t h e e l e ve n t h c e n t u ry
, .

T h e l eg e n d ary ta l e o f h i m i s a s c rib e d t o t he e n d o f t h e t h i rt e en t h ce n t u ry .

I n h i s t ori a G re t t eri Ro b u s t i q u i s aec u l o u n d e ci m o fl o ru i t i n I s l a n d i a


,

P ri m u s I sl an d u s fe rru m ca n d e n s g e s t a s s e p erhi b e t u r G re t t i r R ob u s t u s c u i i d
a re g e O l a v o i n N o rv e g i a u n c t u m , a n n o c i rc i t er
e s t i nj M ii ll e r a nd
T h ere m a y b e a n d i s , q u e s t i o n
'

V el s c ho w s n o t es t o S a xo G ra mm a t i cu s . ,

of the i n fl u en ce of Be o w u l f on t he G re t t i s s ag a , b u t a rg u m e n t o f i n fl u enc e

t he o t h e r way i s l ik e arg u i ng a b o u t t h e i n fl u e n ce o f T ha ck eray on F i e l d i ng .

G re t t i r w as a h ero of N ort h I ce l a n d a nd I ce l a n d w as n o t e ven co l o n i s e d ,

u n t i l m o re t ha n fi ft y yea rs af t e r t h e d ea t h o f Ch a rl e m ag n e .
33 0 E N GL I SH WR I T E R S .

been a youth o f no promise inc p b le h e suddenly ,


an a a , ,

wh e occ si n called f
n a hero broke out d b ec me
o or a ,
an a

gre t a

I f the poem was written fo the benefit o f the
. r

king s son w h t tre tment m re pl asing to the f ther or


, a a o e a

m re ttr ctive fo the youth than th t which identified


o a a r a

heroic irtues with incidents in h i f ther s c reer d


v s a

a an

w ith the heredit ry temperament o f his f mily 1 a E g fe t h a c r

w as con ecrated king nine ye rs be fore the death o f his


s a

f ther
a He wa s consecrated m nifestly by H igeb yh t
. a r ,

the n e w Arch b ishop o f Merci This s ys Pro fessor a .


,
a

E rle is the occasion w ith which I connect the pro



a ,

duction f our poem He fi nds H ygeb i ht under the


o .

r

n me of E o m ae w h o is s id to have been b orn in the


a r, a

mythic Off s house and the story o f T h y th o the



a

,
r

V ir g wh o w s t med by the mythic O ffa is in direct


a o, a a ,

pr ise o f the reigni g O ff with covert admonition of


a n a,

C y eb i h t the Queen Consort I feel confident says ”


n r ,
.
,

Pr fess r E rle th t the whole of H ygel s court n d


o

o a ,
a ac

a

n ti n w first introduced in the E nglish poem and was


a o as ,

never in the S g O ff w in corresponden ce w ith


a a .

a as

Ch rlem gne wh o w s no despiser o f old songs d t les


a a , a an a .

H e c sed them t be w ritten do w n


au

By this chan nel o .
,

Pro fessor E rle s ys I im gine the s g c me out o f



a a ,
a a a a

Fr nkl nd to the h nd o f the poet


a a d prob bly it was a ,
an a

w ritten in L tin It suggests L tin association has i t s ”


a . a a ,

scene in S c ndin vi a and h s o S c ndin vian words b ut


a a ,
a n a a ,

an occ sion l u translat b le w ord like haeft mece may


a a n a ,
-
,

h ve bee e m bodied in the context


a n As a Fr nkish scholar . a

m y b e supposed more likely t h n a poet in E ngl an d to


a a

be cqu inted w ith t h e Histori F


a a o um fro m w hich a ran c r ,

p rt o f the story of H yg l was borro wed it might seem


a e ac ,

e sier t l y this p rt of the w ork t the door o f the Fr nk


a o a a a a .

But there are stronger re sons fo crediting it to the E nglish a r

poet “
Wh t e they
. I f t h e bove re soni gs b e true
a ar a a n ,

t h p et m u t h ve been a person w h o c u l d S p
e o s a k w it h o ea
33 2 E N GL ISH I VR I T E RS .

a ctive am b ss dor in the a ff i s o f Sige b e t s son C h il d eb t


a a a r r

,
er ,

wh o bec me in 5 9 3 King o f A ustrasia and o f Burgundy


a , ,
.

Not long bef re his death in 5 9 5 the great Archbish o p


o , ,

Grego y tr velled to Rome to visit the gre t Pope Gr go y


r a a e r ,

w h o expected to see in him cre ture o f heroic mould d a a , an

w s surprised to find that in body he w


a but a we k as a ,

me n looking little m
a -
This was t h e s me Pope Grego y an . a r

w h o in t h e ye r fter t h e death o f Grego y of Tours sent


, a a r ,

A gu sti e to pre ch Christianity in E ngl nd The ten


u n a a .

books of H is t ori F o m by Grego y of Tours are of



a ran c ru ,

r ,

the g e test value fo the i r free and fearless telling of the wild
r a r

history in which he himsel f b d part They give the fullest a .

a d the truest record o f events o f his o w


n time in G ul n a .

It w s Nikolas G d t i g wh o in the D n n ewi k e


a ru n v ,
a r ,

publish ed in 8 7 d in his Bjow l fs D ap e published


1 1 ,
an u r n,

a t Copenh ge in first directed ttention to t he


a n a

p ss ge in Gregory of Tours by w hich the h isto ical elemen t


a a r

in the legend was m de cl r Hei rich Leo in 8 3 8 a ea . n ,


1 ,

reg rded this identification as estab lished ; a d the reader


a n

w h o w ill w f llo w the rgu ment n h ve no reasonable


no o a ca a

doubt upon the point .

Gregory o f Tours wrote After this t h e D nes w ith



, a ,

their Ki g C ho il ic s s eek G ul w ith a fleet across the


n c a u ,
a

se nd
a, a having l nded de st te and t ke prisoners in a
,
a ,
va a a

p rt o f the kingdom o f Theodoric Havi g lo ded their


a . n a

Ships w ith Sl ves d spoil they desired to return to their


a an ,

co ntry But their k ing waited on Shore till al l his ships


u .

w ere on the high sea w hen he w ould follo w When it was ,


.

told to Theodoric th t a region o f his h d b een laid was te a a

b y foreigners he sent T h eo d ob e t his son to those part s


,
r , ,

with a strong army d great store o f arms T h e o d ob e t


an . r

A t ra n s l a t i o n i n t o D a n i s h fo l l ow e d i n 1 86 1 by a t ex t , Be o w u l fes
Be o rh ae l l e r Bj
o vu l fs D ra p e n , d e t O l d A n g e l s k e H e l t e d i h t ,
-
g p aa G ru n d s
-

p ro g e t , ved Ni k F red S e v G ru nd t v i g
.

. o b e n h a v n, 1 86 1
. . Kj .
B E G WU L F .
3 33

h av g killed
. the
n king s b dued the e emy in a s e a fight ,
u n ,

nd restored l l the plunder to the l nd



a a a .

The sa m e incident is thus recorded i n another chronicle ,

the Gest regum Franco m


“ a The Danes with their ru .

,

k ing nam ed C h oc i l g s seek G ul over the e w ith a fleet a u ,


a s a ,

devastating and taking prisoners in T he d o i c s dominion ,


u r

,

the At t ii or others ; h ving their ships full o f captives


u ar a ,

w hile they em b rked on the high sea their king remained a ,

ashore f Here there is mention of tri b e the A t t u i i


. a , ar ,

w h o are called H et wa e in the poe m r .

A tenth centu ry M S o f Ph aedru s at W l fenbuttel h s


-
. o a

appended m tter o f the same date which incl des note o f


a , u a

King H g la w h o w as an example o f the w o nderf l


un cu s , u

si e to which m e attained He ruled it is s id over the


z n .
, a ,

Goth s and was killed b y the Fr nks A fter he had reached


,
a .

his t wel fth ye r he was s big that n o horse could b e r


a o a

h i m an d his b ones found in an island at the mouth o f the


, ,

Rhine are sho wn as a m i racle to p eople comi g from af r I


,
n a .

0
H i s i t a g e s t i s Da ni c u m reg e s u o C hoci l a i co e v ec t u n a va l i pe r m a re
G all i as a p pe t u n t e g re s s i q ue a d t e rras p ag u m u n u m d e reg n o T h e o d o ri c i
,

d e vas t an t atq u e c a p t i va n t ; o nera t i s q u e na vi b u s t am d e ca p t i vi s q u am d e


re l i q u i s s p ol i i s re vert i ad p a t ri am c u p i u n t : s e d re x eo ru m ad l i tt u s
re s i d e ba t , d o nec n a ve s al t u m m a re c o m p re h e n d e ru n t , i p s e d e i nc e p s
s e c u t u ru s . Q u od cum T h e o d o ri co n u n t ia t u m fu i s s e t , q od
u s c i l i c et reg i o

j
e us fu e ri t a b e x t ra n e i s d e v as t ata , T heo d ob e rt u m fi l i u m , m , i n i l l a s p a rt e s
su u

c u m v al id o e xe rc i t u a c m ag no arm o ru m a p p a ra t u , d i re x i t q u i , i n t e rfe c t o

re g e , hos t e s na ali p roali o s u pe ra t os


v o p p ri m i t . o m ne m q u e ra p i na m t e rrze

re s t i t u i t — H i s t F ra nc i i i 3
.

. .
, . .

1

D a ni c u m re g e s u o , n o m i n e C h oc i l a g o , cu m na v a l e hos te pe r a l t u m
m a re G a l l i as a p pe t u n t , T he u d e ri c o p ag u m A t t u a ri o s vel al i os d evas t a n t e s
a t q u e ca p t i va n t e s , p l e n as na v e s d e ca p t i vi s h ab en t e s , al t o m a re i n t ran t e s ,

re x c oru m a d l i t t u s m a ri s res i d i t .
— G e s ta R eg a . o .
, c . xi x.

I De H u n g l a co M fi u nt m o n s t ag no . —E t
ra m i rae m a g n i t u d i n i s u t

re x H u n g l ac u s , q u i e n i m i mp e ra v i t g e n t e s (G e t i s) e t a F ra n c i s oc c i s u s

es t , q u e m e q u u s a d u o dec i m o ze t a t i s a n n o p o rt a re n o n p o t u i t , c u j u s o ss a

i n R en i fl u m i n i s i n s u l a , ubi in o c ea n o p ro ru m i
p t, re s e rv a t a s u nt et de
l o ng i n co v e ni e n t i b u s p ro m i racu l o o s t e nd u n t u r .
Q u o ted fro m M ii l l en h o ff

t h ro u g h Herm an n D ed e ri ch
'
s H i s t o ri sc he u nd G eog ra p h i s c he S t u d ie n
334 E N GL I SH WR I T E R S .

In the n me C ho il i u s the Ch o f co rse corre


a c a c ,
u ,

s p o d to
n thes old sound o f the lette H w h i c h w s r ,
a

equiv lent to the Hebrew letter e/ t/ and h d origi ally


a ze z, a n

a str ng gu ttur l s und This is represented by the g or e


o a o .

b e fore it in word l ike E nglish [ g / a d G erm n l / d u z, a n a ac zen

so a ls H m the son o f Noah w as c lled Chem This


o a , ,
a .
*

H yg l of
e acold chronicle w s then a D nis h king f a , ,
a o

Goths (the S wedish G ot hl a d ) wh o m de t tack upon n ,


a an a

the A t t i i (H et w ) in p rt o f north eas t G ul u nder


u ar are a a -
a ,

the rule o f The d ric L King f Met b etw ee the years o o , o z n

5 1 1 d 53 4 an d w h o s he w s bout
, to dep
an rt rich i n ,
a a a a ,

pl nder w tt cked by T he o d b ert the o of Theodoric


u ,
as a a e ,
s n ,

w ho w fter w rds King o f Austr si


as a in the ye rs from
a a a, a

5 34 t 54 8 oThe evidence that


. this w s the H yg e l o f a ac

the old heroic poem does not rest upo one p ss ge I n a a . n

Beo wul f 1 there is episode menti ni g a je welled neck



an o n

o rn ment equ lled only by th t which H m took from


a a a a a

the B o i gs d this ring or circlet it is s id


r s n an

had H ygel a ,
a ,
c

the Goth the ephe w o f Swe t i g w hen he w ent fo the


, n r n ,
r

l st ti m e u nder the b ner to lay hold on tre sure to


a an a ,

de fend poils of the sl in F te snatched him w y when


S a . a a a

through pride he ought sorr w in feud g inst the Frisi ns S o a a a .

The mighty king c rried the orn ment w it h him the precious a a ,

stones over the cup of the w aves He fell under his Shield . .

The life of the king then p ssed into the gr sp o f the Fra ks a a n ,

zu m ang e l -s a c hs i s c h en Be o w u l f-l i e d e . K o l n 1 8 7 7 T h i s e xc e l l e n t m o n o
, .

g ra p h ,
by a you ng s c h o l a r, pu t t og e t h e r ve ry cl e arl y s o m e o f t h e ch i e f re
su l ts o f rec e n t c ri t i c i s m .

R e l y i ng u pon co m m o n k n o wl e g e o f t h i s fa c t, M r G W K i t c i n
d . . . h ,

h as s p el t t h e n a m e s , u s u al l y w ri t t e n C l o t h a i re

i n h is H i s t o ry of F ra n ce ,

an d C h i l p e ri c , as H l o t ha i r an d H i l p e ri c . I n t he v o we l of H u g l e k r, or

H u g l ek , as the n a m e s t an d s i n t h re e ol d Da ni s h re c o rd s , t he u w eak e n s t o
i n H yg e la c b eco m i n g I , e b y t h e
' '

o, and , l a t e r, t o I ,
t h e s u c c es s i v e v o w e l s
u s u al a c t i o n o f t h e u ml au t . H u g l atu s i s t h e na m e i n S ax o G ra m m a t i c u s
of a v er y ri ch k i ng i n I rel a n d , w h o w as s o a v a ri c i o u s h h
t a t w e n h e g av e
a wa y b oo t s he k e p t t he i r l ac es.
4'
Be o w u l f 11 . .
33 6 E N GL I SH WR I T E R S .

the t ibe cal led by T cit s the G gu rni an d C u gur i w h o


r a u u n ,

w ere named als o b y Pliny as n e igh bo u rs to t h e Ba ta v ians ,

a d those w h o live d on is l ands o f the Rhi n e


n I f t h e s ec ond .

syl l able represent the old Gothic en d i ng in airn s w e ha e -


,
v

only to l lo w fo the g t tural soun d o f t h e l etter k to


a r u

identify H uga w ith Guga But the Q ed l inburg chronicl e . u

s ys that once al l Franks w ere called H ugos fro m thei r


a ,

chie f H ugo d W iduk i n d S peaks o f a H u g Ki ng o f t h e


an a,

Fr nks w h o was succeeded by h i s son Theodoric But


a ,
.

this was (the son o f C hl od ow i ) Theodoric Ki n g o f Met c ,


z,

upon whose shore H ygel m de his desce n t and in the ac a ,

Quedlinburg chronicle he is distinguished from Theodo ric


the O strogoth as the Fr nkish Hugo Theodoric H e i s a .

the Hug Dietrich o f old Germ n roman ce The historica l


-
a .

re ferences th en to t h e b ttle in w hich H ygel a fell e


, ,
a c ar

perfectly consistent They clearly identify the H yg el ac o f


.

the poe m w ith the C h o i l i c o f Gregory of Tours an d o f


c a us

the Gesta Regum F an oru m who fell in batt l e in the r c ,


year 5 20 .

Let us o w turn to the shrew whose character is con


n

t as t ed w ith the m i ldness o f H ygel a yo u ng Queen H ygd ’


r c s ,

A“ i d so
in
e
the account o f the feast w elcoming Beo w ul f
“ hm “ on his return to the court o f H el a Her name
3
c
yg .
,

M o d t h yt h o or rather T h yt h o has been misread into an


r ,
r ,

adjective joining passionate temper and all the vices o f the


bad w oman to the virtues of H yg d w ith w ho m She is c on ,

t r t ed
as d w h o is praised as one w h o loved the pe ople
an .

T h yt ho is described as so vi lent th t no one d red to


r o a a

look in her eyes except her husban d wh o looked on her ,

daily and to h i m she decreed fetters d de th The


,
an a .

k insm n o f Heming repro ched her over the l e drinkin g


a a a -
,

and s id that it wa not w omanly fo


a pe ce w eaver
s r a a -
,

though be uti ful beyond comp re to pr ctise the death o f


a a , a

Be o wu l f, 11 .
B E G WU L F .
337

a husb nd Others s id th t she w less w ick ed fter she


a . a a as a

h d by her f ther s counsel crossed the s e to be joined to



a ,
a ,
a

t h e young O ff that Sh e w s h ppy on t h e throne and h d


a, a a , a

h igh love fo her husb nd t h e be t o f men fo w a r d a , s r r an

w isdo m His son wa E omer kinsm n o f Heming nephe w


. s , a ,

o f G a m u d gre t in fight
r The p ssage o f which this is
n , a . a ,

t h e text w formerly re d in t o t h l i fe f B ygd w h o w a s


, as a e o ,

there f re supposed to have been m r ied to Offa after the


o a r

de th o f H ygel
a T ken n ow it h s been re d by
ac . a ,
as a a

G ei r and others fter him it is an episodic l remem


n l
’ ‘
a , a

br nce f a fierce w om n in contrast to the ge n tleness o f


a o a

H ygd The Off h ere re ferred to is n med in the Travel l er s


“ ’
. a a

S ng herea fter to be described s King o f the Angles



o , d ,
a ,
an

is the elder of the t wo Off s w hose lives w ere recorded in a

the thirteenth cent u ry by M tthe w P ris M tthe w P ris a a . a a

calls the elder Off son o f W r m und and in S xo Gr m a a , a a

m at i u s ; he is called U ffo the son o f V m n d wh o


c er u ,

was son to the King o f Den m rk by w hom Hamlet s ’


a

usurping uncle w s succeeded U ffo large and str g a .


, on ,

broke through all rmour o f other men that he might try a

Di e H i s t o ri s ch e n V e rh al t ni s s e d es Be o wu l fl i e d e s in E b e rt ’
s
“Ja h rb u ch fu r R o m a n i s c he u n d E ng l i s ch e Li t e ra t u r ,
u n te r b es on d ere r
M i t w i rk u n g v o n F erd i na n d W o l f v o l i v , p p

, . . . 2 60 — 2 85 .

S ax o L a ng e , La t i n i s e d Sa x o Lo n g u s ,
a nd fo r t h e g o o d
s tyl ed ,

La t i n h e w ro t e , G ra m m a t i c u s ,

w as a fri e nd a n d c o m p a n i o n o f S v en d
“ C om d i H i s t o ri a Reg u m D a n i aa wa s t he fi rs t
A a g e s ii n , w h o s e p e n osa

a t t em p t a t a cont i n u ou s hi s t or y of D e n m a rk . Aa g e s on sa i d h i m se l f t h at
hi s reco rd wa s t he s h o rt e r b e ca u s e h e k ne w t h a t h i s fri e n d S a x o w as en

g g
a e d o n a m o re d e t a i l e d h i s t o ry of hi s t im e . The y w e re b o t h e c cl e s i

a s t i cs , b u t Aa g e so n ce rt a i n l y , a n d S a x o p ro b a b l y , w e n t w i t A rc h b i s h o p h
Ab s o l o n t o wa r a g ai n s t t h e W e n d s

S a x o s fa t h e r a n d g ran d fa t h e r w e re
.

s o l d i ers u n d e r W a l d e m a r t h e G re a t S a x o w a s p ri va t e s e cre t a r t o A rc
. y h
b i s h o p Ab s o l o n , w h o m h e s u rv i v e d ,
i n s c ri b i ng t o Ab s o l o n ’
s s u cces s or hi s
” ”
fa m o u s c h ro n i c l e o f D e n m ark , G es t a Da n o ru m , or H i s t o ri a D a n i c a .

S a xo d i e d i n o r a ft e r t h e ye a r 1 2 08 . H is b oo k i s a g ra n d s t o re - h ou s e of
t h e l eg e n d an d h is to r y of D e n m a rk , as t h e y w e re c ol l ec t e d i n t h e M i d d le
Ag es b y a s k i l fu l w ri t e r wh o h a d t h e t o u c h o f an a rt i s t wi t h the g ra s p o f an

h i s t o ri a n .

W
33 8 E N GL ISH IV R I TERS
'
.

to w e r d co ld bre k s w rd by the for ce w ith which


a ,
an u a a o

he sl hed it thr gh the i He fought memorable du el


as ou a r . a

on anis nd o f t h E ider t h F i fel d o referred to in the


l a — e e r

T v ll r s Song up n wh ich o w st nds the citadel o f
ra e — e

o n a

Rends b urg The S xo Chronicle under the ye r 75 5


. a n , a ,

i
n tr cing the descent o f the Mercian O ff who ruled
a a

ov er the Angles f t h e cont i ent makes him t w el fth in


o n ,

descent scending fro m E m the son o f A g el th eow to


,
a o ae r n

A g l t h ow the son o f O ffa O ff the son o f Wae m


n e e d , a r un .

S quence here o f t h e
e mes o f We m d O ff E o m ae na r un , a, r

a grees w ith w h t we find s id o f the O ffa mentioned i


a a n

Beo wul f w ith ddi t ion t his other t riumphs that he t med
, a o , a

a s h re w T his myth ic l O ff so f s he
. be d ted a a, ar a c an a ,

m st h ve l iv d t h e m iddle o f t h e f urth century— i t has


u a e in o

been sugge ted t t he as born b ut the ye r 3 3 6


h w s a — d a o a an

H yg el wac killed in the ye r 5


as The reference there a 20 .

f re t King O ff and his i l l tempered w i fe was parenthetical


o o a -

use f a tr dition which dded crowning triumph to the


o a a a

f bles o f the pro w ess o f O ffa ; H ygd s kindness in her



a

husb nd s home n d kingdom suggesting contrast with the


a

a

shre w w ho m only O ff h d the po wer to t me M tthe w an a a a . a

P ris gives us t h very n me ow disentangled fro m mis


a e a n

re ding in the t ext o f Beo wul f He c l l s her Drid a d


a . a a, n

says sh e w s of w ondrous bea ty but w ith temper so i h


a u , a

t oler b le th t
a t l st a ft er s me
a t especi lly
a trocious
a ,
o ac a a ,

she w condemned to de th but so f r reprieved th t she


as a ,
a a

w as only c st dri ft up n the sea The w ves t ossed her


a a o . a

to King O ff s sh re By her be uty d her distress Offa


a

o . a an

w as dr wn to love and pity He pl ced h u der the care


a . a er n

o f his o w moth r d she soon rec o ered he lth w ith the


n e ,
an v a

f ll s w ay o f her b e uty b u t
u t the s me time she regained
a , , a a ,

lso the full s wing o f her temper Nevertheless Ofl was


'

a .
,
a

wo nby the beauty d m rried her M tthe w Paris ,


an a . a ,

living in t h e thirteenth cen tury con fuses here the t wo ,

O ffa s ,
d m kes the Mercian the man w ho ma ried
an a r
34 0 E N GL I SH IVR I T ER S .

of hen his strength diminished was b e


H ere m o d , w h o , w ,

t y ed i nto the po w er o f his enemies


ra d cast out o f t h e an

land There is some re son to think that the tyrant


. a

H e e m o d w as the l st sovereign of a dyn sty overthro w n


r a a

by his people with aid from leader w h o beca me t h e a

founder o f the next dyn sty th t o f the S yl d i gs a ,


a c n .

The dynasty o f the S yl d i ngs is said to h ave b een c

f unded b y
o S cyld w h o c me s a child on
a ship l den a a a a

S l d cy
w ith ar m s and tre sure to the coast o f Denmar k a

at a t ime w h en the country w s i great distress a n .

The D es received the child


an gift from heave and as a n, ,

in good time they m de Scyld king He reigned long


,
a .

and prosper usly subjecting m ny o f the surrounding


o ,
a

nations fou nded the dy nasty of the S yl d i g and w as after


,
c n s ,

death by his w direction put into a sh ip g in w ith


, o n ,
a a

tre sure n d rms


a a d c st dri ft
a No man ever heard
,
an a a .

whither th t s h i p w ent This s ys Grein may be a


“ “ ”
a .
,
a ,

legend fr med from the name o f the S eafa wh o is said in


a c , ,

the Traveller s S ong to have r led over the Lom b rds


,

u a .

Scyld son o S e a
, f c f — S cyld Sc e g m y h ve been an
fi — a n a a

a dventurous son of the Lom b ard chie f m y h ve gone out ,


a a

in the usu l w y in search o f profi table dventure and may


a a a ,

h ve fo u nded a dyn sty on the ruins o f that which had


a a

H e em o d fo its last represent tive The poem make s a ”


r r a .

Beowul f to be t h e son of S cyld and the father o f H eal fd en e .

In the t bles of descent of the S e i s ga the so n o f


a v rr s a ,

Sk i l d i w s B i
a In t h e S xon chr nicle S eal d va was
a arr . a o c

the f ther o f Be o H eal fd en e eldest son wa H eo oga


a a .

s s r r,

w h o s cceeded him b ut did not reign l o n g


u He h d a
,
. a

son , H eo o w e d w h o died prob bly b e fore his f ther


r ar , ,
a ,
a .

The succession passed there fore to H g next brother eo ro ar s



,

H roth g r t time w hen Hrothg r must h ve been a


a ,
a a a a

young m since he had reigned fi fty years t the time


an , a

w hen the poem O pe n s The next brother wa Hel and . s a,

then came El w h o marrie d a king of t h e Sw edish rac e


a,
B E G WU L F .
34 1

of the Scylfi g ; prob b ly n G n d t ig suggested O nge


s a ,
as ru v ,

theo w King o f Sweden w h o was contempo ary with


, ,
r

H yge l ac and with the sons o f H eal fd e n e .

The episode o f the fight t F i n es b u g requires also a n r

some separ te attention b ut th t will b e most conveniently


a , a

given when we discuss in the next ch pter distinct frag ,


a ,
a

ment of verse on the same subject .

In the t wenty ninth number o f the Journ l o f Philology


-
a

( t h at for July the C mbridge


, Pro f essor f Anglo a o

Saxon the Rev Walter W S ke t h s


, . p per PM . S k . a ,
a a a
ea t

on The M nster Grendel in B o w lf hich


o w G d l e u ,

on re n e

w as read be fore the Cambridge Philologic l S ociety on the a

3r d o f December 8 8 5 It ssu m es th t Be w l f w ,
1 . a a o u as a

re l ma one o f w hose expl its w s the sl ying f Grendel


a n, o a a o ,

w h o w s not a m t all b ut a b ear G e d e l name



a an a , . r n s ,

derived as E t t m ul l e derived it means th t he is the r ,


a

grinder ; that he is carnivorous a gri nder of bones H e ,


.

was fierce and fu rio u s he used to pro wl round the gre t



,
a

h ll every igh t jus t lik Horace s e p t i u s ursus ’ ‘ ’


a n e v s er n

( E p o d xvi . and caught


. d carried o ff so m an y m e an n

that at l st the gre t hall w deserted at night


a a as .


Grend l Pro fessor Skeat o b ser es never used
e ,
” “
v ,

w eapons b ut tr u sted solely to the strength o f his grip l


, , ze .

the w ell kno wn b ear s h g


-
Whe n he sei ed ’
sleeping u . z a

warrior tore hi m unresisting h i t h i s b one fr me dr nk


, ,
-
a ,
a

blood fr m his veins o d in gre t bites s w llo w ed h i m


, an ,
a ,
a ,

this says Pro fessor Ske t is obvio u sly the mode o f
,

a ,

procedure o f ca rnivorous beast a .


It is f rther argued th t Gren del was


u b e rs are a ,
as a ,
a

solitary ani m l and an excellent s wimmer The b ear like


a , .
,

Grendel seeks its food t night and never f ils to return to


, a ,
a

its ow district When Beo w lf had slain Grendel he had


n . u ,

a harder t sk with G d l mother


a

This ays Pro re n e

s .
,

s

fe s sor S keat might e sily h ppen in the case o f an old


, a a

she bear especially i f angered b y t h e loss of her whelp


-
, .
3 4 2 E N GL I SH l VR / T E R S .

L et abear r bbed o f her whelp meet m n rather than


o a a a

fool i his f l l y (Prov xvii We kno w o f t w o ’


n o . .

Asi tic she be rs th t t re forty d t wo children at o n e


a -
a a

a an

time ( Kings ii 2 Beo wul f s dive to reach G e d el s


,
.

r n

mother w as his s w i m cr ss to the be r s c ve G e d el a o a



a . r n

s

moth r being she be r had no we pon b ut her g ip she


e , a -
a , a r ,

w as , like Grendel c rnivorous d she came also by night , a , an

w h en h e sei ed f E s h e
s Again it is suggested that
z c re .
,

Gr ndel and h i s mother were b oth dumb b east s There is


e .

no hint o f their use o f speech ; b t Grendel uttered a u

terrible cry or howl when he lost his arm The n me o f . a

Beo wul f b ee w lf me ns be r d the hero was so named


-
,
-
o ,
a a ,
an

fo his chievemen t s
r a n d fo th t lso he was credited w ith , a r a a

t h e s t rength o f thirty m e Of the b e r the Nor wegi ns n . a , a

h d
a proverb that he h the strength of ten men and the
a as

sense f t w elve Fin lly Pro fessor Ske t pays special


o . a ,
a

att ntion to the wordi g o f the p ss ges that spea k of


e n a a

G e d el s hand He finds the be r s cl w in its hard nails


’ ’
r n . a a ,

and the be r s furry p w in its glove or han d ceo The


a

a s .

lines 76 —
z,o Pr fessor Ske t tr nsl tes
z, 1 oo o a a a

There w s t h e glov i p aw re dy to descend i
a e, ze .
,
a n

conflict l i fe b l e [w s it] to the doomed m


,
a a he l y the a an a

neare st girded w rrior ; to him was Grendel ; i to


,
a a v z .
,

that gre t wa t h n e a sl yer w ith his mouth


a r a ,
a .

And at lines — 8 8 Pro fessor Skeat translates 2 ,o

But he strong in might m ade t rial of me groped


, , ,

(
a f ter m e ) w ith re dy p lm His glove or
( p )a w hung a a .

susp nded etc


e ,
.

Pr fessor Skeat points out that his readi gs f G e d l s


o n o r n e

hand into p w remain t h e same even i f Grendel b e not a


a a ,

be r a . All uncouth m onsters he says m st be treated



,

,
u

as havi g someth ing in the w y o f hands w hich a poet


n a ,

w uld m re n tur lly li k en to the pa w s o f


o o a be st than to
a a a

t h e w o der ful h nds o f m


n I m er ly thro w out the sug
a an . e

gestion th at Beo wul f s feats m y have been founded upon ’


a
344 E N GL I SH WRI T E R S .

close o f his li f w ith the dragon that laid waste his ow


e, n

dominions there is the same common poetic l device


,
a .

S ome enemy provoked b y petty p l u n d eri ngs u po n his o wn


dom in h rries G o thl n d
a a a

n e on w e a l l e l e ng
B i t l a n w ol d e, ac m i d b ze l e fd r
P y re g e fys e d .

He would st y no more in his o wn stro nghold but w ent


a ,

forth w ith fl m es prompt w ith his fire and presently a fter


a , ,

wards w e tol d that as he flew he poured out fire and


a re

burnt the d w llings of the l nd Ag in Beowul f battles


e a . a

wi t h d ngerous inv der d w hile the poet sings the glory


a a a ,
an

o f the chie f he denies fame to the strong antagonist and


, ,

fashions more welcome d wondrous tale by fabling hi m


a an

into a fi bre thing d r gon


re - a a .

Be fore y clue had b een found to t h e histor ical element


an

i the ccounts of H yg el
n a l l Beo wul f wa read into myth ac , a s ,

d harmo ised w ith the legends of n ture that


an n a

form part o f the old orthern myth l gy as set n o o ,

forth i the E dd s Jaco b G i m m ide tified n a . r l


’ ‘
n

Gre del with Lok i the m licious god of the


n , a

Scandin vi ns and found in the monster s home under the



a a ,

water a resemblance to (E g i d welling Be wul f said ’


rs . o ,

Jacob Grimm means Bee w ol f n me for the Woodpecker


,
-
,
a ,

a bird greedy f r b ees ; d this pie (Picumnus ) is placed


o an

by classic l mythology in the r ce o f Kr n os Zeus and


a a o , ,

Hermes d inter woven by the old Bohemian mythology


, an

w ith the r ce o f S i t ia t Kirt n d R ad i g o t s Beo w l f


v ra , , a s ,
a u

w ith Ge at d Woden an It may be asked ho wever wheth er .


, ,

(since b d is an
ea Anglo S oxon prefix me ning w a -
a ,
a r

W wol f is o t a simpler re din g than Bee w ol f for the


ar
-
n a -

hero s n me

a .

i t» u
Deu t sc he M y t hol og ie . 1 835
B E G WU L F .
345

Mr J M Kemble in a p per on West S xon gene


. . .
,
a -
a

alogie s suggested that the old S xon beo b e wo d a


,
“ “
a ,

,

kni fe w as in the first p rt o f the me making


, M a na ,
“ “
. .

Beo w ul f a god of the ha vest I the comments r . n


n e'

j oined to his tr nsl tion o f Beo wul f he identified Beo wul f


a a ,

w ith B e w or B e wa and he also s w in his fight w ith


a a ,
a

Grendel a reflection o f the struggle of Thor with the


Midg rd serpent
a .

Kemble did not believe that in E ngl nd the w oodpeck r a e

w asever c lled bee wol f and opp sed the woodpecker



a -
,
o

theory E t t m ul l er argued that the names o f L u


.
‘t
. p

mythical heroes o demigods are com pound those r


m ll
,
"

o f the greater god s i mple d th t the n me o f Beo w ul f , an a a ,

there fore ought not to be read as B eowa He adopted the


,
.

interpret ti n o f the n ame into Bee wol f the w oodpecker


a o -
, .

M ii l l e hoff pro n ounced it to be o n ly a guess th t the o l d


n a

Germ ns called the woodpecker B eewol f a d says it is


a ,
n

not cle r that they accounted the b ird s cred K l M m


a a .
ar ,

“ mm“
He grees with Kemble that the n am e is Beaw
a ,

w hich h e allies w ith b auen to bui l d ; nd he sees ,


a a

myth of the coming i o f c i vilis tion w hen peace ful -


n a

S eaf w h o first brings t h e culture o f the earth and


c ,

the ful l Sheaf o f corn h f h i s son Scyld Shield ,


as or , ,

the de fending w rrior w ho sh p ed the young community a ,


a

into a st te d g ve security to those w ho pl ughed


a ,
an a o

and s wed their descend nts were then c lled Be v nd


o : a a a a

T t w because t illage and b uilding on the settled soil h d


ae a, a

m ade li fe pleasant to the ncient Germans But M ii l l e h o ff a . n

held th t Sceaf Scyld B aw and T aet w w ere all to be


a , , e ,
a

t ken s Freyr god of the fields d o f the s e M ii l l e h ff


a a ,
an a . n o

finds Freyr not only i the Beo w l f wh o was Hrothg r s n u a


a ncestor but also in the hero o f the poem Beo w l f son o f


, , u

E g th eo w
c For the s wimming r ce w ith Breca he finds
. a ,


K em b l e

s S axo n s i n E ng l a n d .
34 6 E N GL I SH WR I T E R S .

par llel in F ey s contest g inst storm personi fi ed by the


a r

r a a ,

Gi n t Beli Beo wul f and Breca sw m tow rds the Pol r seas
a a a a ,

and the s words they carried sign i fied that they w ent to subdue
the ri gour o f the n rthern bl st Grendel is the god o f the o a .

w ild s e in storm t the t i me o f the S pring equinox Beo w l f s



a a . u

contest w ith Grendel typifies s ys M ii ll e h off the checking , a n ,

o f the f ry of the w aves that threaten to flood the fl ts o f


u a

the l o w Germ n shore As Grendel represen t s the s e under


a . a

the equinocti l g les o f spring the Dragon represents the gales


a a ,

o f the other equinox a d the w ild sea d the storms that ,


n an

bring w i ter Beo w ul f has become an old man (th t means


n . a ,

it is tumn ) ; he kno ws th t his de th is ne r (winter is


au a a a

coming) ; b t the w inter storms e not to over whelm all


u ar

li fe and Beo wulf dies victorious His heroic li fe o f action


, .

is the Summer b etw een the victory over the storms of early
spring beyon d w hich he lives i summer glory and over the
, n ,

a utu m n storms th t leave him de d w ith the l nd saved a a ,


a

from lasting ruin .

Uhland s w i Grendel a pesti ferous m rsh on a


a n a

l o w shore ; and L i s t e h c rried t this ide by a n r as a ou a

U h d seeing
la n ,
in the ss ults o f Grendel th t bring a a , a
L i m
a b‘
de th to the d well ers in H eo ot the entrance

a r ,

o f m l ri into t h e house d h ighly i n creased de t h


a a a , an a a

r te He tr ces t h Beo of Beo wul f to the M aesogo th i c


a . a e

b gj an to clean e w hence B e wa the cleanser


an , s ,
a , .

Wol f he expl ins int mist a d thus makes Beo wul fa o ,


n

the cle nser from m ist I f there fore Grendel be mist


a .
, , ,

Be wul f is the w ind th t blo w s the m i st aw y The


o a a .

Dr gon also is interpreted b y L i s t e into mist When


a a n r .

Beo w ulf s wam w ith Brec th ey w ere cc rd i g to L ai t n e a, ,


a o n s r,

wi d n d s n armed g inst ice o f the north ; fo Beo w ul f


an u ,
a a r

w s wi d
a d Breca the bre ker r l ed over the B o d i g
n ,
an ,
a ,
u r n n s

fi eb
r d s hot r ys of the summ r
ran ,
Here let us p us e
a e . a .

E nou g h o f w i nd and mist O e more o f these i ngenious . n

turns o f the mythologic scre w might convert Beo wul f int o


34 8 E N GL I SH W R I T E RS .

then the Dragon story (11) give this to another man whom ,

you ca ll I n terpolator B He revises everythi g th t has bee n


. n a

don e be fore is the monk who puts in th e Christian touche


,
s,

edits the whole vigoro u sly (sho w e actly w here and ho w ; x

never doubt that you kno w al l bout it) and he introduces a ,

the little historical episodes This describes exactly enough .


, ,

the theory of Karl M ii l l e ho fl one of the ablest of the modern


n
'

w orkers upon Beo w ul f d may s er e as a key to the l st ew


, an v a n

method of criticism in our early literat re The metho d is u .

not itsel f so exception b le as the delusive air of ex ctness a a

w ith w hich it is a p plied This gives to mere guesses an air


.

of positiveness u f vour ble to the gro wth o f that sound


n a a

critic l judgm ent w hich never forgets the b oun d ries b et w een
a a

kno wn pr b b le d possible As there are some evident


, o a ,
an .

touches from a Christian hand in a poem w hich i n other ,

respects is b ody and so u l pag n d s we have it in t h e


,
a , an a

language here formed by a fusion o f di lects a language a ,

spoken only in this country w kno w it to h ve been shaped , e a

by Christian in E ngl n d and reason bly accept it as his


a a , a

faith ful revisio n of a legend brought from over s e a .

M ii l l e h o fi vie w o f the poem s composed o f parts


n
"
s , a

once separ te h as been dopted and confirmed by Her


a , a

man n M eller in a book which seeks to procure


a strophic rrangement o f the poe m into fo u r
a

lined b all d stan as By thro wing out w hatever


a z .

interferes w ith arr ngement of the nar ative an a r

into four li n ed stan s each of them closed w ith a ful l


-
za ,

s top and w ith aid here and there only of a little reason
,

a ble ingenuity Hermann M ller s h o ws that he


, l eave o can

the t wo main stories cle rly told through in such b llad a a

form .But he fi nds only fragments o f this rrangement in a

the p rts believed to be interpol ted The theory o f strophic


a a .

arrangement w ill be discussed when w e come to a c nsidera o

tion of F irst E glish Metre ; only its use in suppo t o f t h e


n r

theory of M ul l e hoff concerns us ow n n .


C H APT E R VII .

T HE F I G HT AT F I NN E S B U R G .

A F R A G M E NT heroic Ang lo S xon poetry containing part


of -
a ,

o f a description o f the fight at F i n es b u g was found in the n r ,

seve teenth century by Dr George H i ck es on T h fi h


n .

e g t
the cover o f M S of H omilies in the library at m g“i
a .
at n

m
La m beth Pal ce The volume has been doubt
a .
,

less since rebound an d the old cover destroyed in i g o


, ,
n r

ance o f its great value The fragment was pu b lished b y .

H i ck es i n his “
Thesaurus o f old Northern Langu ages
( 7 3
1 0 and is part o f a poe m on the sam e

peril o f
F in s o ff spring which forms an episode o f the tale told at

the feast after Beo wul f s conquest of Grendel Fin was a ’


.

prince o f the Frisians and the rush and stir of the life o f
the past th t aroused a quiet antiquary by its cry from the
a

cover o f a so b er book o f early H omilies in an old li b rary ,

w as this

n ev e r bu rn . Th e n
d al ou d t he w arl i k e you ng k i ng
c ri e ,

Th i s da w ns not from t he E as t n or fl i es a d rag o n h e re n o r are t he


, ,

h o rns of t h i s hal l bu rn i ng ; b u t h e re i t bl azes fo rt h T h e bi rd s s i ng .


,

t h e c ri ck e t s ch i rp t h e w a rw ood res o u n d s s h i e l d ans w e rs t o s h a ft


, , No w .

s h i nes t h e m oo n w a nd e ri ng am on g cl o u d s N ow ari s e d eed s o f w oe .

t h a t t he h at re d o f t h i s peo p l e w i l l d o Bu t w a k e u p n ow m y w arri o rs
.
, ,

h ol d y ou r l a nd s rem em be r you r val ou r m arch i n rank b e o f one


, , ,

H i ck es

s The sau ru s L i ngu aru m Se p t e n t ri o nal i u m , i . 1 92 .
350 E NGL ISH I VR I T E RS .

h ea rt . Th e n a ros e m any a g o l d d eck ed t h ane g i rd e d hi m w i t h h is -


,

s w o rd N o b l e w arri o rs w e n t t o t h e d o o r ; S i g efe rt h a nd E ah a d re w
.

t h e i r s w o rd s a n d a t t h e o t h e r d oo rs O rd l a f a nd G u t h l a f an d H e n gi s t
,

h i m se l f t u rne d o n t h e i r t rack Th e n y e t G a ru l f re proach e d G ut h h e re


.
,

t h a t h e s o j oyo u a s ou l b o re n o t a rm s t o t h e h a l l s d oor a t t h e fi rs t

,
s ,

i n s t an t n o w t h a t a fi e rce e n e m y w o u l d t a k e i t
, B u t a b o v e al l t h e .
,

fi e rc e wa rri o r a k e d op e nl y Wh o h el d t h e d oo r
s S i g e fe rt h i s m y
,

na m e q u o t h h e I am t h e S ecg a s l o rd a w a rri o r w i d el y k n o w n I
,
’ ‘ ’
, .

h a v e s u ffe red m any w oes h ard b at t l e s \Vh i ch e v er t h ou w il t s e e k


, .

fro m m e i s h e re d e cre e d fo r t h ee
, Th e n w as t h e d in o f s l au g h t e r i n
t h e h al l T h e k e e l ed bo ard s h o u l d
.
(t h e s wo rd ) t h e y t o o k i n h a nd
t o b re ak t h e b one h e l m T h e b u rg fl o o r re s o u nd ed u n t i l G a ru l f
.
,

G u t h h e re s s o n fe l l fi rs t o f e art h d w el l e rs i n t h e fi g h t

,
T h e co rp ses -
.

o f m an y g o od foes w e re a bo u t h i m T he ra v en w an d e red s w ar t an d .
,

s al l o w b ro w n T h e s w o rd g l e am s t o od as i f al l Fi n s bu rg w e re o n

-
.

fi re . N e ve r h av e I h ea rd o f s i x t y con q u e ri n g h e roes w ho be t te r bo re
t h e m a t a c o n fli c t o f m e n n o r e v e r re q u i t e d s o n g o r b ri g h t m e ad b e t t e r
,

t h an hi s y o u ng w a rri o rs re q u i t e d H nae f Th e y fo u gh t fi v e d ays s o .


,

t h a t n o ne o f t h e m o f t h e n o b l e c o m rad es fe l l b u t t h e y h el d t h e d o o r
, , , .

Th en t h e w ou n d e d h e ro w e n t w al k i ng awa y H e sai d t h at hi s b yrni e .

w as b ro k en h i s w a r d res s w eak a n d al s o t h at hi s h e l m was p i e rce d


, , .

Th en th e g u ard i an o f h is p eo p l e qu i ck l y as k e d h i m h ow th e w arri o rs
h ad reco v e re d fro m t h e i r w ou nd s o r w h e t h e r o f t h e y ou ng m e n , P

The s me struggle is the s bject of an epi sode


a u

in B e w l ffi At the feast in H eo ot after the
o u r

victory over Grendel


Th e re w as s ong j o i n ed w i t h t he s ou n d o f m u s i c t h e g l e e wo od w a s ,

w el co m ed t h e s o n g fre q u e n t w h en H ro t h g ar s s c op t h e j oy o f t h e

, , ,

h a l l t o l d a ft e r t h e s i t t i ng a t m ea d o f F i n s o ffs p ri ng s e i z ed by s u dd e n

,

d ang er w h e n H eal fd en e s h e ro H n aef o f t h e S cyl d i ng s fe l l i n F ri e s



, ,

l a nd .

Not H i l d eb u rh , i nd ee d , co u l d p ra i se t he fa i t h of J u te s .

A t the s hi el d -
p l ay she, s i nl es s , w as d e p ri v e d of he r d ear o n es ,

ch i l d re n a n d b ro t h e rs t h e i r fa t e w as t o fal l p i e rced b y t h e s p e ar .

N o t w i t h o u t ca u s e H o ce s d au g h t er m o u rn e d h e r d o o m w h e n

, i n the
m o rn i n g s h e m i g h t s ee u n d e r t h e s k y t h e ba l e fu l m u rd e r
, of h er
k i nd red w h ere i n sh e befo re h ad m os t o f t h e wo rl d s jo y
,

.

Be o wu l f 11 , .
35 2 E NGL lSh
'
I VR I T E RS .

w h en G u thl a f a nd fi e rce a t t ack a ft e r s ea v o yag e w e re m i n d fu l


Os l a f i n , ,

o f so rro w a n d a v e ng e d t h e i r s h a re o f w o es ; t h e w a v e ri n
, g c o u ra g e
s t ay e d no t i n h is b reas t The n w a s t h e h al l be se t w i t h e n e m i es F i n
.
,

a l s o w as s l a i n t h e k i ng i n t h e t h ro ng a n d t h e q u e e n t ak e n
, T he .

w arri o rs o f t h e S cy l d i n g s c a rri e d t o t h e i r s h i p s a l l t h e g oo d s o f t h e
k i ng o f t h e l an d s u ch as t h e y m i g h t fi nd i n F i n 5 h o m e o f j e w e l s a n d
,

ra re g e m s Th ey ca rri e d a w ay w i t h t h e m t h e ro yal w o m an t oo k h e r
.
,

t o t h ei r pe o pl e .

T h e l a y w as s u ng , t h e s o ng of the gl e e m an ; u r i th e
p o se a a
g n
s o u n d o f s p o rt , an d n o i s e w a s l ou d u p o n t he b e n ch es .

The Fri si ns o f this song w h o h d Fin f their leader


a ,
a or ,

w ere the North Frisi ns on the w est co st o f S chles w ig d a a an

in the isl nds of the North S ea not the West a ,

Frisi ns by the R h i eba k wh o sh red the fight


a n n ,
a

in which H yg el c fell Fin w s the son o f F o l a . a c

w alda .F o l cw l d me ns ruler of the people and the


a a a ,

m e o f Fin has been deri ed fro m the Gothic fani old


.


na v ,

High German f nni or fenn i “


fen his people h vi n g
a

,

a , a

their homes mong bro d lakes d fensa a an .

From the lines which y th t fter the funeral o f sa a a

H aef the w rriors dep rted to visit the homes b ere ft o f


n a a

friends to see Friesl n d its homes and its hig h burg


, a , , ,

Grein in ferred that F i esb u g w s h ll of Fin s in Jutl nd nn r a a a



a ,

not his chief se t o f g overnment As Grein read these a .

fragments of an old heroic song H aef o f the race o f the , n ,

H o i gsc n thane of the D nish king H eal fd en e f ther o f


,
a a , a

Hrothg r w staying t F i esb u g


a , as guest w ith sixt y a nn r as a ,

me n one o f the sixty b eing Hengest w h o is no way to be ,

regarded as the He gest wh o cam e to E gl nd w ith h i s n n a

brother Hors Fi s men tre cherou ly tt cked these


a . n

a s a a

guests one night It is suggestion of E t t m ii l l s th t the


. a er

a

a tt ck c me o f fresh outbre k of l d trib l fe ds that h d


a a a a o a u a

been i m perfectly st yed by m rri ge bet ween Fin and a a a

H i l d eb h ur H erm nn M oller dds th t the giving o f


. a a a

H ae f s sister s w i fe to Fin w ould according to the ol d



n a ,

l aws fo t he s taying of b lood feu d be i n aton ement for t he


r -
,
T HE F I GH T AT F I NNESB U R G .
353

killing of Fin s f ther F ol c w l d a by H aef or b y H aef s



a , a ,
n n

f ther H c
a ,
The D nes de fended themselves fo five d y s
o a . a r a

w ithin F i es b g killing m ny
nn f their ssail
ur nts d , a o a a , an

with little loss mong themse l ves At the end of the fi fth
a .

day H aef w as killed Hengest then took his pl ce s


n . a a

le der of the de fence Fin seeing th t ne rly l l h i s men


a .
,
a a a

w ere killed st yed the att ck d o fl e e d terms o f pe ce


'

a a ,
an r a .
,

He promised Hengest d his men another h ll w ith equ l an a ,


a

sh re o f gi fts to D es d Frisi ns There foll wed the


a an an a . o

b rning d buri l of the body of H aef by H i l d eb u h


u an a n r ,

d ughter o f H oca wh o see m s to have been H aet s sister


a ,
n

an d the w i fe of Fin The n Fin w ent to his chie f roy l . a

se t his high burg in F riesl nd The winter seas del y ed


a ,
a . a

Hengest s return to Den m rk nd either before or fter his



a a a

return H u l fi ng killed hi m with the s word Another


,
n a .

re ding ho wever m kes H nl fi ng the n me of h i s ow


a , , a u a a n

sword which he simply f stened to his b oso m I f before


, a .

he could s il aw y he fell w hen ttempt in g a revenge upon


a a , a

the tre chery of Fin s the context m kes probable ( he


a

, a a

thought more o f vengeance th n o f the voyage the n the e a r

venge followed his death The D nes returned in force under . a

Guthlaf and Osl af nd made fierce att ck upon F i n n es b g , a a ur .

The hall w s filled w ith the slain Fin himself fell in the throng
a , ,

and his queen H i l d e b h w s carried back to her ow pe ple ur a n o .

Joseph Mone h s c lled attentio n to clear tr ces in the a a a

fight t F i n es bu g of correspondence w i th some points in


a n r

the story of Gudrun and the story of the Ni b elungen Mr . .

H igh wh o m k es E ngl nd itsel f the scene of all t hese heroic


a , a a

tales in the first E nglish speech argues ingeniou sly that the ,

site of F i nes b rg is to b e found at F i n sham in Nor folk


n u n .

There remain to us fragm ents o f W l d h ere a first a ,

E nglish poe m upon the t le o f W lter of Aquita i ne a a

W l t h ri s M u fo t i s T wo p rchment le ves of
a a u an r . a a
W ld h
W l d h e e e ch containing thirty one lines were
a r , a -
,
a e re .

discovered b y Pro fessor E C Werl a fl ch i e f librarian of . . u


'

,
354 E N GL I SH WR I T E R S .

the King s Library t Copenh gen among M SS th t h d



a a , . a a

belonged to T ho k el i d they w ere p u blished by Pro


r n, an

fe s s o George S tephens o f C penh gen in the ye r 8 6


r , o a ,
a 1 0 .

These fr g m ents prob bly represent a vers i on of that heroic


a a

tale ne rly t wo cent ries earlier th n t he L tin metric l


a u a a a

version m de b y E kk h t w ho died Abbot of St Gall in


a e ar ,
.
,

the ye r 9 73 E k k h t preser d in his L tin verse an old


a . e ar ve a

heroic t le then current mong the people But there is much


a a .

yet t be told of myths d s g s of the north d of the k i


o an a a an n

dred li fe cross the sea old t les th t touch ed


a d were , a a u s an

touched b y us E nglish Liter ture grew from in fancy to youth


as a .

There is Tr veller s Song also the tr veller S cop


a— a

a a

w h o c lls hi m sel f Wi d s i t h F r way and w hose w ndering is


a , a ,
a

wm i h t
through.
m ny l nds in the old d ys on w hich w
a e a a
D “
e
h ve b een d welling But he was a S cop great
a .
,
a

chief s poet d so ls w as Deor from whom w e have



,
an a o ,

l ment th t he h d been s u ppl nted by a rival W e


a a a a .

pass next with them i nto the old Teutonic song w orld d , an

learn something of the t by w hich rough w rriors w ere ar a

stirred through w hich also b y Christi n guides rough


, a

passions were set t rest a .

R ed h and e d
-
, p an t i ng , s l a yi ng t h ro ugh t h e ni g t , h
M an s c a t t ers d eat h an d g l u t s t h e m ort al ran ; b d
R ed fl am es t h e s k y d e ad face s a re al i g h t
,

W i t h fi re n o t k i n d l ed b y a fo e m a n s h an d ’
.

Daw n b ri ng s a bl u s h d face
u po n the d ead co l

A m o rn i ng b re eze m o v es i n t h e m a t t ed h a i r
H e re h o p e h e re h a t e m an s ru i n H ea v e n s g rac e
,

,

B at h i ng i n l i g h t t he w reck ag e o f d es p a i r .

H na f i s '
no m o re a new c hi ef i n his s t ea d
Ba t t l e s ag a i n s t th e s p i ri t s w h o b e t ra y .

T h e \Vo rd m ad e F l es h l i ft s fro m t he fi e l d o f d e a d
Ou r e yes t o w a rd s t h e p ri n g i ng o f t h e d ay
s .
35 6 E N GL ISH WR I T E R S .

t h at i t w as K i ng Al fred w h o
'

ca u s e d i t to be t ra n s l a t e d ou t of

D a n i s h i n t o A ng l o -S ax o n .

18 1 5 —16 — T h o rk e l i n s La t i n

T rans l a t i o n i v e n w i t h t h e t e xt ca u s e d
.
g
h fi rs t p ri nt e d e d i t i on o f t h e Poe m t o b e d i sc u ssed i n 18 1 5 i n
t is , ,

D en m a rk i n t h e Li t e ra t u r T id end i a nd t h e Nye s t e S k i l d e re i ”
-
, ,

a t Kj obe nh a v n w h e re G ru nd t v i g w as t h e c ri t i c i n G e rm a n y i n

, ,

J e na L i t Z ei t u ng and t he Ki el e r B l at t e r i n E ng l a nd
.
,

,

T h e M on t h l y R e v i e w V o l 8 1 a l so fo r 1 8 1 6 ; [i n 18 1 7 b y

in , .
, ,

G ru nd t v i g i n t h e D an n e V i rk e a n d by t h e S w e d es a t S t oc k
-
,

h o l m i n I d u na
, I n 1 8 1 8 t h e p o e m w as a l s o d i scu s s ed i n t h e
.
,

G e l e h rt e A nz ei g en

o f G ot t i n g e n ] I n 1 8 16 G ru n d t v i g p ro .

p o s e d t o E ras m u s R as k w h o t h e n re t u rn e d fro m a v i s i t t o I c e l a n d
, ,

t h a t t h e y s h ou l d j o i n fo rces i n a n e d i t i o n o f Beo w u l f w h i ch R as k ,

h ad b eg u n t o w o rk a t w h en h e s e t ou t on t h e l o ng j o u rn e y t o t h e
E a s t fro m w h i c h h e cam e h o m e t o d i e .

1 8 1 7 —R as k p ri n t e d a s p ec i m e n o f B e o w u l f i n t h e R ead i ng Bo o k
.

add e d t o h i s

A ng el s ak s i k S p rog l aere .

1 8 20 .
— N i k F re d S e v G ru n d t v i g
. .

Bj o w u l f s D ra p e
. E t G o th i s k .

.

H e l t e D i g t fra fo rri g e A ar T a s i nd e a f A ng el S ax is k paa Da ns k e -

A fre e rhy m e d t ra ns l a t i o n i n t o D an i s h

B ii m . .

18 2 6 — J o h n J os i a s C o ny b eare
. I ll u s t rat i o n s of A n g l o S a x o n Po e t ry
.
-
.

E d i t ed t o g e t h e r w i t h add i t i o n al N o t es I n t ro d u c t o ry N o t i ces &c


, , , .
,

by W D C o nyb ea re M A L o nd o n Pu bl i sh e d by t h e S oc i e t y
. .
, . .
, .

o f A n t i q u a ri es Th i s c on t ai ns a fu l l d e s c ri p t i on o f Beo w u l f w i t h

.
,

p as s a es
g i n m e t ri ca l t ra n s l a t i o n and s om e p i e c es of t he A ng l o
Saxon .

— “ T he A n l o Sax o n Po e m s T rav el l e r s S o ng of Be ow u l f, t he

g
-
,

E d i t ed t og e t h er w i t h a G l o s s ary

an d t h e B a t t l e o f F i n n e s b u rh .
,

o f t h e m o re d i ffi c u l t w o rd s a n d a n H i s t o ri ca l P re fac e by J o h n M , , .

Ke m b l e Lo nd on : W Pi ck eri ng E d i ti on of 100 c opi es al l


. . .

s o l d i n t h ree w e e k s .

1 8 3 5 — A s e co nd e d i t i o n o f K e m b l e s

. B eo w u l f .

18 3 7 . A T ran s l at i o n o f t h e A ng l o S a x o n Poe m of B e o w u l f wi t h a -
,

c o pi o u s G l os sary P re fac e and P h i l o l og i cal N o t es b y J oh n M


, , , .

Ke m bl e .

1 8 39 . I I ei n ri ch L eo
-
B e o w u l f d as z a l t es t e d e u t s ch e i n a ng e l
.
, ,

sach s i s c h e r M u n d a rt e rh a l t e n e H e l d eng ed i c h t n a c h s e i n e m I n h a l t e
'

, ,

u n d n a c h s e i n e n h i s t o ri s c h e n u n d m y t h o l og i s ch en Be z i eh u ng e n
b e t rac h t e t E i n Be i t rag zu r G es c h i ch t e a l t e r d e u t s ch en G ei s t e s
.

Z u s t ae n d e Pu b l i s h e d a t H a l l e
. .

1 8 40 —
. Lu d w i g E t t mul l e r B eow u l f H e l d e ng e d i ch t d e s ach t e n
. .

J a h rh u nd e rt s Z u m ers t en M a l e a u s d e m A ng e l sfi ch s i sc hen i n d as
.
B I BL I OG R A P H Y OF B E G WU L F .
35 7

N e u h o chd e u t sc h ebrei m e nd u b e rs e t zt u n d m i t E i nl ei t u ng u nd
s ta

A n m erk u n g e n v ers eh en

A t ran s l a t i on i n t o a l l i t era t i v e v e rse .
,

p u b l i s h e d a t Z u ri c h .

18 4 7 — F red e ri k S ch al d e m ose
. B e o W u l f o g S c o p e s W i d s i t h t o an g e l .
-
,

k e D i g t e , m ed O v ers ze t t e l s e og 0p l ys e nd e A n m aerk n i ng e r
s axi s .

Te x t , w i t h t ra n s l a t i o n i nt o D an i sh , o f w h i ch t h e re w as an o t h e r
d i t i on p u b l i sh e d a l so at C o pe n hag e n i n 1 8 5 1
e .

— “
1 8 49 A Di ed ri ch \Vack e rb art h
. . Beo w u l f a n E p i c Po e m t ra n s .
,

l a t e d fro m t h e A n g l o S ax on i n t o E ng l i s h V e rs e L ond on :
-
.

P i ck eri ng .

185 5 — Benj a m i n Th o rp e “
. T h e A n g l o Sax on Po em s o f Beo w u l f t h e
.
-
,

S c op o f G l ee m a n s Tal e an d t h e F i g h t at F i n n es b u rg wi th a
’ ”
, ,

L i t e ral T rans l at i o n Pu bl i s h ed at O x fo rd b y J A Park e r . . . .

1 85 7 — C W M
. . G re i n B e ow u l f i n t h e
. . B i b l i o t h e k d e r a ng e l s a c h
.

s i s ch e n Poe s i e P u b l i s h e d a t G ot t i ng e n
. .

Al s o i n t h e s am e y ear a t ran s l at i on i n t o a l l i t e ra t i v e G erm an ,



i n G rei n s D i ch t u ng e n d e r A n g el sac h s en s t ab re i m e n d

v ers e , ,

i i b ers e t zt .

18 5 9 .
— Ka rl Si m ro ck . Beo w u l f . D as a l tes t e D e u t s ch e E pos . U e be r
S t u t t g art an d A u gs b u rg

s e t z t u n d e rl au t e rt . .

1 86 1 — N F S G ru nd t v i g
. . . Beo w u l fes Beo rh ae l l er Bj
. o v u l fs -D rap e n ,
.

d e t Ol d -A ng e l s k e H e l t ed i g t , p aa G ru nd e p ro g e t C o p e n h ag e n

-
. .

1 8 6 3 — M o ri t z
. H e y ne Beo v u l f M i t au s fii h rl i ch e m G l o s sa r
. . .

P u b l i s h ed Pad erb o m ; a nd , i n t h e s am e y ear, w i t h H e yne s



at

Te x t , hi s T ransl a t i on , Beo w u l f Ang el s ach s i s che s H el d e ng ed ich t .

i i b e rs e t zt v o n M o ri t z H ey ne

.

18 6 7. — C W M G re i n. B eo v u l f n ebs t d e n F rag m e nt en F i nn sb u rg
. . .

u nd V al d e re i n k ri t i sch b e a rbe i t e t e n T e x t e n n eu h erau s g eb en , m i t

W orterbu ch .

C as s e l and G ot t i ng en .

18 72 .
— H ans v on VVo l zog en . B e ov u l f (Ba rw el f ) D as al t es t e d e u t sch e
H e l d eng e d i c h t Au s d e m A ng el s ach s i sch e n . .

Pu b l i s h e d a t
L e i pz i g .

18 76 — Th o m as Arn o l d Be o w u l f a H e ro i c Poe m o f hh
'

. .
, the E ig t
C en t u ry w i t h a Tran sl at i o n No t es and A pp end i x
, , , . L o nd o n
L on
g m a n s .

1 8 77 — L

. Bo t k i ne . . Beo w u l f, E po pee A ngl o -S ax on ne T rad u i t e e n
.


F ra n ai s
q p ou r la p re m i ere fo i s P re c ed e d i n 1 8 76 . b y Be o
w u l f, A n al y s e h i s t ori q u e et gé o
g raph i q u e . Bo t h p u bl i s h e d a t
H a v re .

1 88 1 .
-
R i ch ard Wu l ck er . A Tex t of B eo w u l f, n ew l y co l l at e d wit h
the M S i n t he . se con d ed i t i o n o f G re i n s ’
Bibl o th e k d e r A ng e l
h s i s ch e n ed i t ed b y R Wii l ck e r

s ac Po es i e , . .
E NGL I SH WR I T E R S .

L i eu t C o l H W Lu m s d en
.
- . .Beo w u l f a n E ng l i s h P oe m
. .
, ,

t ra n s l a t e d i n t o M o d e rn R hy m e s L ond on ”
. .


18 8 2 — A
. . H ol d e r Beow u l f A b d ri i ck d e r H a n d sch ri ft i m B ri t i s h
. .

M u s eu m .F rei bu rg an d Tu bi ng e n

.


J u l i u s Z u pi tz a B e o w u l f A u t o t y p es o f t h e U n i q u e C o t t o n
. .

M S V i t e l l i u s A xv i n t h e B ri t i s h M u s eu m
. . .

1 88 3.
— Ja m es M G arn et t Beo w u l f a n A ng l o S ax o n P o e m a n d
.
, ,
-
,

t h e Fi g h t a t F i n nesb u rg T ran s l at ed B os t o n : G i n n H e a t h
, .

, ,

an d Co .


J a m es A . H arri son an d R o be rt S h a rp , I . B eo w u l f : An
A n g l o - S a x o n P oe m F i g h t at F i n ns b u rh A F rag m e n t
. II . T he . .

W i t h T e x t a nd G l o ssary on t h e ba s i s of M H ey ne E d i t e d c o r . .
,

re c t e d a n d e n l arg ed b y J a m e s A
, H arri so n P ro fe s o r o f E ng l i s h
, .
,
s

and M o d e rn La ng u ag e s Wash i n g t o n and L e e U n i v ers i t y ; a n d


,

R ob e rt S h a rp (Ph D P ro fe s s o r o f G ree k a n d E n g l i s h
. .
,

U n i v e rs i t y o f L ou i s i ana B os t o n G i nn H e at h a n d C o
.
, , .

1 88 4 .
— H o l d e r s t e x t w as re pu b l i sh e d by J C B M oh r a t F re i b u rg

. . .

G e rm a n i sch e Bii ch e rs ch a t z

a n d T i i b i n g en as No 7 o f t h e . .
3 6 0 I N D E XES .

H a w e s , S t e p he n , 2 4
'
D e ca m e ron , Bo ccacc i o s , 2 2
D e foe , D an i e l , 80 —84 , 9 7 H i s t o ry o f L i t e ra t u re , 1 4 —
J
D e n n i s , o h n 7 2 , 73 H ora ce s
'
A rt of P oe t ry , 6 7
D e v e reu x , Pe n e l o pe , 2 8 H u g h es , oh n , 95 J
D i c t i o nary o f t he F re nch Acad em y ,
61 I

D i v i n e C om e d y . Dan t e s 1 7 .
I ng e l o , N a t h anael , 9 7
D i vi ne We ek s , of D u Ba rt a s , 5 3

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I sa u re , C l e m e n t i na , Cou nt es s o f T o u
54 l ou s e , 1 9
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I t ali a n I n u e n ce P e ri od of, 9 — 5 5
D ra w ca ns i r, 6 5 I t a l i a na t e E ng l i s hm an , T he , 34 , 3 5
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D ry d e n . oh n . 67
J
E d ga r , R y me r s T ra ed of 70
' Je ru s a l e m D e l i v e re d , T

as s o s , 34
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J o h n so n S am u el , 104 — 107
E d m b u rg h R e v i e w , T e , 1 1 9
“ J on s o n , Be n 5 1 —53
E l e g y i n a Co u n t ry C h u rch y a rd ,
’ J ou rna l i s m ,
,
D e v e l o p men t o f, 1 1 7 —1 1 9
G ra s , 1 0 5
E l i za be t
J u ni u s, L e t t e rs o f, 1 1 7
Q u e e n , 5 4” '
E ng l i s hman , T he , S t e e l e s Pap e r,
5
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Kl o p s t ock , 1 1 1

L
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F i e l d i ng , H en ry , 1 00 —1 0 4
L aF o n t a in e , e a n d e , 6 3 J
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F l o re nce , a rl y G row t h o f, 1 3 — 1 5
L a ns d o w n e , G e o rg e G ra n v i l l e , L o rd ,
F l o ra l G a m e s o f T o u l o u s e 1 9 ,
69
'
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L atin, Pe t ra rc h s S t u d y of, 1 9
F o rm a t i on o f t h e L a ng u ag e , P eri od
A u t hors P re fe rre d u nd e r E l i za
o f t he , 6 — 9
be t h . 3 6 . 3 7
F re d eri ck I L , E m p e ror, 1 0, 1 1 L a t i ni , B ru n e t t o
” ’
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F re n ch I n u e nc e , P e ri od of, 5 5 —77
fl L a y of t h e L a s t M i n s t rel , Scot t s ,

F u ll e r, T h o m as , 5 1
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L e o X , P op e , 2 5
.

L i be l , L a w s o f 1 1 7
G
.

L i l l y , W i l li a m , 3 9
G ai Sa be r, 1 1 L i na cre , T ho m as , 39
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o n e o n t h e o t h e r, 1 08 —1 1 0 , 1 1 2
G i ffo rd , W i l l i a m , 1 1 8
L y d g a t e , oh n 2 4 J .

L y t ng L ov e r, T h e , S t ee l e s C om e d y ,

G i l d on, C h a rl e s , 69 , 70
90
G oe t h e , J
o h a nn W ol fg a n g v o n , 1 0 7
JOI N] ,
1 10 , 1 1 2 , 1 1 3
G Ot z v o n Be rl i c h i ng e n , 1 1 5
G ol d s m i t h , O l i v e r 1 0 4 , 1 07, 1 08 ,
, 1 17
M a n fred i 1 0 1 1
G ot t s c h e d , J
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,

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G re e ne , R obe rt , N o v e l s o f, 4 7 , 4 8 M i l t on , J o h n 73 — 77, 79 80 , 1 1 0 , 1 1 1
G roc y n , W i l l i a m , 3 9
, .

M i n ne s a ng e r, T h e S u a b i a n 1 1 ,
G u a rd i a n , T he , S t ee l e s P a p e r, 9 5

M o l i ere 6 3 ,
G u e l f a nd G hi be l l i ne , 1 3 , 1 4 M o n t a g u C h arl e s , E a rl o f H al i fa x
,
G u i n i ce l l o, G u id o, 1 7 8 5 , 86

G u l l i ve r s T ra ve l s , S wift s , 9 7, 98
’ ’

M o re, H e n ry , 39
S i r T h o m a s, 5 4
H M org a nt e M ag g i o re , 3 1
H al l , J o ep h
s , 39 M o rna y , P h i l i p d u P l ess i s , 5 4
M orn i n g A d v e rt i s e r , 1 18

C h ro n i c l e , 1 1 7
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H e ra l d , 1 1 8 S ana zza ro , a c0p 0, 2 6 , 2 9 J
P os t , 1 1 8 S a n t i ll a n a , M a rq u i s o f, 3 3 , 3 4
S ch i l l e r, F ri e d ri c h v o n , 1 1 2 , 1 1 3
Sc ot t , S i r Wa l t e r, 4 5 r r r r 1 7 ,
N e o P l a t on i s t s , 3 8 S c u d eri , G e o rg e a n d M a d e l e i n e , 6 2 ,
N i be l u n g e n L i e d , T h e , 1 1 63 97 .

N orm a n s T h e E a rl y , 8 , 1 2 S h ak e s p ea re , Wi l l i a m 49 , 5 0 ,
.

N o rt h B ri t on , W i l k e s s ,
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.


F u n os o , Ari os t o s , 3 1 , 3 2


O rm u l u m , T h e , 1 3 S oa m e , S i r W i l l i a m 6 7
O s s i a n , M ac p h e rs o n s , 1 1 2
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’ S p e c t a t o r, S t ee l e a n d Ad d i s o n s
,
Pa m e l a R i c h a rd so n s , 99
92 . 94
Pa rt ri d g e s A l ma na c k , 9 1 S p e n s e r, E d m u n d , 2 9 , 4 7
Pas t i m e of Pl ea s u re , S t e p h en Sq u i re of Da m e s , T h e , i n Ari o s t o a nd

H aw e s s , 2 4 S p e n s e r, 2 9
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S t e e l e , R i c ha rd , 8 7 9 7

Pe fi gd ’
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S u a b i a n M i n ne sang e r, 1 1
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P u I
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— J
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7 7 1 19

Pe ri od s of ng l i s h L i t e ra t u re , T h e
F o u r, — 9
P e t ra rc h . ra n c i s , 1 8— 2 1 , 5 4 T a l iesi n , 6
P e u c er, Cas p a r , 5 4 T a ss o , T o rq u at o , 2 9, 3 4, 5 4
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P l a t o n i s m, 3 8 T S t e e l e s , 90
a t l e r,

P o l i z i a n o , A n ol o , h i s O rp h eu s , 2 6 Te nd e r H u s ba n d , e,
” ’
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P r i ci e u s es , he , 4 —
5 7 60 C orn e d 98 , 99
P u bl i c L ed e r, I
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.


A v ert i ser, T he , 1 1 7 T i m e s , T he O ri g i n o f, 1 1 8
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.

Pu l ci , L u i g i , 3 1 J” '

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Q u art e rl y R e v i e w , T he , 1 1 8 , 1 19 U ri e n, 6
Q u o ta t i o n T h e T a s t e fo r , 3 3
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V i ca r o f W ak e fi e l d , T h e , i t s I

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fl u e nce on G oe t h e , 1 0 7
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V i t a N u ov a , D an t e s , 1 5 — 1 7
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R a p i n , R en é , 6 7
R e g n i e r, M a t h u ri n , 5 7
R e hearsa l , t h e D u k e o f B u c k i ng W
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Wa l t on I s aa c 5 1
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Word s w o rt h W i l l i a m 1 1 3 — 1 1 5
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R i n a l d o , T as so s , 34

W ri t ers a nd R ea d e rs 1 1 9 1 2 0 , ,

R o b i n s o n C r us oe , 9 7— 99 , 1 1 0 Wy a t S i r T h o m a s 2 5 2 6

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R os c mm o n , We n t w ort h D i l lo n , E a rl
0q 1
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R y m e r, o ma s , 70 Y ou ng , E d w a rd , 1 08 , 10 9, 1 1 1
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U l s t e r, 2 0 2
A n ro t h , T he , 1 70
A n t oni n u s P i u s , 2 4 B ra nc as t e r 20 5
3 ,

Ap o l l o, S u p os e d w ors h i B rea ta n 1 9 5
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s Bri t an nic I s l a n d s 1 49
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Art h u r s S t one , 1 3 8
Art is t ic G en i us o f

C a e i l t e , M e R o na n , 1 86 1 8
A t t a c o t s , 2 05 , 7
C a e r l e o n u po n U s k , 2 1 0
A u g u s t a (L o n d o n ) , 2 06 C a e rma r t h e n , T h e B l a ck Boo k o f, 2 3 6
A u xe n t i u s , 2 5 5
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C ae sa r, u l i u s , 1 5 03 1 5 1 2 0 2
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1 9 3 —1 9 6
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G a b h ra , T h e Ba t t l e o f,
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33 5
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G ae d he l s (S ee a l s o G a e l s ) , 1 66 , 1 73 ,
M ori a .
G e o rg e, 1 1
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1 74
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of t he , 1 30,
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H i s t o ry O l d G ae lic , 1 7 1 —1 79
152

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1 65
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.

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H o w e l Dd a , he

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1 49
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.
H u m ber , T he 1 5 5 ?
H u x le y . T ho m a s H en ry , 1 3 1 , 1 3 2
G e rmani c S e t t le m e n ts i n B ri t a i n ,
li n d Wi fe o f H yg e lac . 30 9 . 3 36 —3 3 9
20 4

H rs e fin h t . 39 . 3 3 !
G es t a R e g a i n F ranc oru m , 3 1 8—3 3 3 —
G i ld a s 240
H y g e la c 3 1 3 32 3
H ype rb orea ns , Ce l ts
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G i l la C aem Poe m o f, 2 0 1
H y p e roc h e, 1 44

I
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1 26
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G rad e before Me a t , 1 98, 199 2
G ra mpi an H il ls , 1 I d a, T he g l i sh e
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I nd o-Eu ro pea n F a mi l y , he 1 2 9—1 3 1
.


I n u ence of th e C el t s on E n g l i s h L i t e r
a t u re , 1 89 , 1 90
I n g el d , 3 0 1
I n ne s fa l l e n , An na l s o f, 20 1
I n v er, 1 5 5
I ol o M o rg an wg , 2 3 9
in L o ca l I ra n, 1 2 8
I I ri s h H e rmi t s i n I re la nd , 2 7 1
G wy ne d d . T he G ae l i n , 1 5 3 , 2 06 —2 08 I ro n P e ri od , 1 40
G y l fa-g i n n i ng , 2 73 I sca , 1 5 3
I s l e nd i ng a Bé k , 2 70, 2 7 1

H
H a dr i an s Wa ll . 2 4 3

J
H ai g h , R ev Da n i e l H , 3 1 9—3 2 6 3 5 3
. .
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. 153
H a m i te F ami lie s of M an , 1 2 4 , 1 2 5 O w e n , hi s M y v y ri a n Arc h e o l og y

Si
23

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J u t e s , 2 08 , 2 4

4 2 47
H at t a ta l 274 .

H eard red . 39 1 . 30 3 . 3 0 5
K
H ea t hc yn n , 3 1 8
H ecat m us t he M il es ia n, 1 40 —1 4 3 Kea t i ng , R e v G e o ff rey , 1 9 3 .

K J
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H e n g es t o f F i n nes b u rg , 3 5 2 , 3 5 3 e mb le , o h n M i t che l l , 3 1 2 , 3 4 5
H e ng i st and H orn , 208 , 2 44 K e n t , 1 5 4 , 20 8
H e n g wrt . 2 38 K i an, 2 1 9
H en wg , t he Ba rd , K i n Art hu r , 2 09 , 2 1 9, 2 3 5
H eremod , 33 9 , 340 K i t c e i i -m i d d e n s , D a n i s h , 1 3 4
H e re ri c , 30 K i t s Co t y H ou s e , 1 3 8
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H e rg e s t , T e R e d Book o f, 2 3 8 Kb l b i n E u ge n, 3 1 6
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H e rod ot u s on t he H y pe rb o re a n s , 1 44 K y wry 2 19
I N DE XES .
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L M il es ia n s , 1 72 , 1 73
L i L , 3 46
a s t ne r , .
M i t h ri d a t e s 2 6 5 ,

L a k e D w e ll i ng s of t h e S t one P e ri od , M od t hry t ho , 3 3 6 3 39
l 341 135 H e rma nn , 3 4 8 , 3 5 2 , 3 5 3
fi ll e r,
L a n d na ma b 6 k , T he , 2 7 1 M m s og o t h s , 1 30 - 2
55
—258

L a o d i ce , 1 44 M o n e , ose p h 3 5 1

L a t ha m , D r R G , 2 4 6. . . M ong o o i d s , 1 3 1 1 3 2
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L a t he s o f e n t , 2 4 7 M or l a i s , t h e R i v e r 2 1 7 ,

L a t i n , Pe ri od s o f t h e I n t rod u ct i on o f, M orrig a u , t h e Ba t t l e F u r 1 9 1 2 00 ,

i n t o E ng l i s h , 1 6 2 M o y t u ra , Ba t t l e o n t h e l a i n o f, 1 7 2 ,
L ea b h a r B re a c, 2 0 2 . 73
n a -h U i d re , 1 8 2 , 2 0 1
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M i i l l e n h o fl , a rl , 3 4 5 , 3 4 8
L e ca i n , T h e Y e ll o w Boo k o f, 2 0 2 M ul l e r, P e t e r E ras m u s , 3 1 1
L e i ns t e r , 1 68, 1 6 9 , 1 7 5 M u n s t e r, 1 69 , 1 70
T h e B oo k o f, 1 76, 1 79 , 1 8 1 , 1 8 3 , M y nyd d a w g , 2 2 1
2 0 1 , 2 02 M y rd d h i n 2 1 9
L e i t r i m , 1 72 M yt h s E a rl y
,

1 4 1 — 1 44

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L e mck e , L u d w i g , 3 16 su g es t e d i n B e o w u l f, 3 43 3 4 7
g
L e o , H e i n ri c h , 3 1 4, 3 1 8 M y v y ri a n A rc ha mI Ogy o f Wa l e s 2 3 8 , ,

L h u y d , E d wa rd , 1 5 3 2 39
L i be r L a n d a v e ns i s , 2 3 8
L i ncol ns h i re , 1 5 5 N
L i nd i s fa rne , 2 1 5 N a d d o t hr, 2 69
L i s m o re , 1 8 1 1 82 N e m a n , M a c ha , a nd M o rri g a n , ol d
L i t e ra t u re o f P e Op l e 1 2 3 .
I ri s h Ba t t l e F u ri e s , 19 1
t he E n l is h P e o p l e 1 2 4 N e nn i u s , 2 4 2
,
7 O l d G a e i c D e g re e s i n, 1 70, 1 71 N orfo l k , 2 08
L i t t u s Sax o n i cu m , 20 5 N o rt h u mb ria , 1 5 5 , 2 09
L l a nd a fl , 2 3 8
'

L l oe g ri a ns , 2 1 8
L l y fr Coc h 2 3 8 O
L l y w a rc h He n , 2 1 0 , 2 1 4 — 2 1 8
O C u rry , E u g e ne , 1 73 , 1 8 1 , 1 87

L oca l N a m e s , C e l t i c , 1 5 7 1 5 9 -

L oc hl a n , 1 9 5 O d i n . 2 6 4 . 2 6 5 . 3 1 3 3 44 .

Od o —
L o n d o n , 1 5 1 , 2 06 a c e r , 2 5 7 259
O D o noya n
'
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L y c ia i i a n d Ol e n , 1 4 5
0 113 5 , l e h
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O 2
. 3 7
L y e l l , S i r C harl e s , 1 3 4 , 1 3 5
L y mp ne , 2 0 5 O g ha m L e t t e rs , 1 6 7 1 70
O i s i n ,
1 66 ,
1 80 -
1 86 :
M O le n , 1 45
O ll am h , 1 70
M a c G re or, J am e s , D ean of L is m ore , O n e la , 300

h i s 00 11 , 1 8 1, 1 82 O nge t h e o w , 3 00 306
M ac h e i s o n , a m e s , 1 80 , 1 8 1 O p i s a nd A rg e, 1 4 5
M ag R a t h , o f, O l T d i t i o n A cc u rac y i n 1 70 1 7 1
g e nd of t he Bat t l e r a ra , , , ,

1 97 —200 I 76 . I 77

M a h a b hara t a , 1 2 8 O sca r, s o n o f 0 15 m , 1 8 3 1 8 4
M ai l a nd , J a co b v a n d e r, 2 5 3 P oe m o n t h e d ea t h o f, 1 94 , 1 9 5
M an u sc ri p t M a t e ria l s fo r S t u d y of O s t ro g o t hs , 2 5 7 2 6 1 —
G a e l i c L a ng u a g e an d L i t e ra t u re , O t ad i n i , 20 9
2 00 —20 2 O t h ona , 20 5
C y m ri c L a ng ua g e O u d e n d orp (o r O l d e nd o rp ) , oha n n. J
an dL i t e ra t u re , 2 3 7 —2 3 9 15 1

M at t h e w P a ri s 3 3 3 3 8 O w en , Wi l l ia m 2 18

f
,

M ea v , Q u e e n, lie r a m e n t for C u c h orb ,


P
M e l a no c h ro i , 1 3 1 , 1 3 2
M e n d i p H i ll s , 1 5 4 Pa l g ra v e , S i r F ra nc i s , 2 09
M e ng a n t , 2 1 9 Pa t ri ck S a i n t , an d 0 15 m , 1 86 , 1 87

M e rl i n, 2 1 9 P e g w e l l Ba y , 2 4 5
M e ro v m g i an s , 2 6 1 , 3 3 5 Pel m i ss us 1 4 5
M e t ho d u s , 2 6 3 Pen t l a n d I I i ll s , 1 5 4

M e t re s , C e l t i c , 2 3 6 2 3 7 , P e rc y , D r . J
oh n , 1 3 3
Sca n d i n a v i an , 2 73 , 2 74 P e v e nse y , 20 5
A ng l o-S ax on . 2 95 . 2 96 . 34 5 . 3 46 P h i l os t o rg i u s , 2 5 5
3 6 6 I N D E X ES .

P i n d a r, h i s re fe re nce to H yp e rbo rea n s , S p o i l s o f T a l i e s i n , T he , 2 1 2


I 43 S t e p ha n u s o f B y za n t i u m , 1 4 5
Poe t s S ta v e s , 1 70

S t e p h e ns , Pro f G eo rg e , 26 7, 2 6 8 ,
.

Po m pe y , 2 6 5 T hom a s , 2 1 9
Pot t , A u g u s t F ri ed ri c h , 1 2 9 S t o k es , W h i t l e y , 2 3 6
P ri me S t o ri e s , G a e l i c 1 7 1 S t o ne Pe ri od , T he , 1 3 2 — 1 3 8
P ri s c i a n , M S of, w i t hG a e l i c G l o s s e s ,
. S t ra bo , 2 0 5
2 00 S t y rm e r t h e L ea rn e d , 2 7 1
P roco p i u s , 2 5 3 S u ff olk , 20 8 3 2 5 ,

P t o l e m y , C la u d i u s , 2 4 9 S u i b hne , T h e C o w a rd i ce o f, 200
P u rs u i t o f D ia rma i d a nd G rai n né , S u rre y , 1 5 1
1 90 S u sse x 1 5 1 , 2 08
P y t heas , 264 S w a l e da l e , 2 2 1

Q
Q u o i t s , t he C o rn i s h , 1 38

R T i
ac t us, 1, 1 5 3 , 2 05 , 2 49

T ain B0 C h i i a i g n é 1 76 — 1 79 ,

R a m aya na , T he , 1 2 7 T a l e s C l ass i fi e d fo r R eci t a t i o n , 171


R a s k , E ra s m u s , 1 2 4 1 2 6 . T a l ha i a rn , 2 1 9
R a w l i n s o n P ro f G e o rg e , 1 46
T i
.
a l i es n , 2 1 0 , 2 1 4
S i r H e n ry 1 4 6 af ar I 1 75
T
31
R e c u l v e rs , 2 0 T e i l o, h e Bo ok o f, 2 3 8
R e d Boo k o f H
e rg es t , 2 3 8 T e v i o t d a l e , 2 20
g m’
iiii T he od or ic , t he O s t rog o t h , 2 5 7 - 2 6 1
'"I
ed — 2 09 I , K
i ng o f M e t z , 3 3 2 , 3 3 5
i
e 20 3

R i c h o ro u g h , 20 5 S on o f I d a ,

R o m a n Occ u pa t i o n of B ri t a i n , T he od os i u s , E m p e ror, 2 5 6
I h i n (i l l r, P l a i n o f, 2 72
'
2 43 1 ? 44
R o m a n s i n G e rm a n y , 2 54 T ho r e l i n , G ri m J
oh n s o n , 3 1 1 , 312,
R u n es , 2 66 — 2 6 8 352
T ho rp e B e nj am i n, 3 1 4 , 3 1 5
S T ho rt ha rs on , S t u rl a , 2 7 1
S a cae , 1 2 6 , 1 47, 2 5 4 T h u l e . 2 64 , 2 7 1
S aem u n d S i g fu s so n , 2 73 T i g h e rna c h , A n n a l s o f, 2 0 1
S a i n t I l t u t s H e rm i t ag e , 1 3 8

T i n fro m B ri t a i n , 1 49 , 1 5 0
S ak on t a l a , 1 2 8 T u i s co , 1 2 5
S an s k ri t , 1 2 7— 1 3 0
Sax o , A M y t h i ca l , 1 2 6
U
G ram ma t i cu s , 3 1 1 , 3 3 7

U fl c . 3 3 7. 3 8
S a x o n s , 1 2 6 , 2 0 8 , 2 49 2 5 4
S ca n d i n a v i a , 1 3 0 , 2 6 4 —2
U I
es h a l l n S u ffo l k , 3 2 5

S co t a , M o t h e r of t he L i es i ans , I 1 6 7,
gg
U and , L u d w i g , 3 46
U l fi l as , 2 5 5 — 2 5 8
S
17
U l s t e r, 1 75
Sc I d c e fi n
h i
3 1 7, 3 40, 3 4 1
S c l e g e l , F r ed ri c h , 1 2 9
A n n a l s o f, 20 2
U p sa l a , S i l v e r C o d e x a t , 2 5 7
S c y t hs , 1 2 6 , 1 47 1 6 7, 2 5 4
U ri e n 2 0 3 2 09— 2 1 7
Se mi t i c F a m i l i es o f M a n, 1 2 4
i —
,

T a l e s i n 5 So g
n s o f 2 1 3 2 14
S e nc han , G ae l i c c h i e f p o e t , 1 76
,

L l y w a rc h H e n o n t h e D e a t h o f,
Se t t l e m e n t s T he S i x T e u t o n i c , in
E ng l a n d 20 8 , 2 4 1 —2 5 3
,
2 15
,

S i ml L a k e , 3 1 7
S i m u nd , 3 3 9 V
S i u re s , 1 5 3
S i l v e r C o d e x a t U ps a l a , 2 5 7 V e d a s , T he , 1 2
S i m roc k , Ka rl , 3 1 5
S i n fi ot l i 3 3 9
V e l s c h ow , D r
V e n t ry H a rbo u r, 1 01
M 311 .
J
. .

S ki l d s k a pa rm al , 2 73 V e rs t e g a n , R i c ha rd , 1 2 5
S k ea t , Prof W W , 3 4 1 — 3 4 3
. . . V e s p as i a n , 2 4 3
S l a ng a p i g , 3 1 8 V i l l e ma rq u é , Vi co m t e H e rsa rt d e
Sla v o n i a n s , 1 30 , 2 6 3
S n o rri S t u rl u s o n , 2 73 V o l s u n g a -sa g a , 3 3 9
S o me rs e t s h i re , 1 5 1 Vu lfi l a s , 2 5 5 —2 5 8
E G L I S H W R I T E RS

N E XT S UMME R

oak II

F RO M CI E D M ON T O T H E C O NQU E ST

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