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AN A TT E M P T T O WA R D S
H E NRY MOR L EY
LL . D . P R O F E S SOR O F E NG L I S H L I T E R AT U R E AT U N I V E R S I T Y C OL L E G E
L O N DO N
I N T R O D UCT I O N O R I G I NS
OL D C E LT I C L I T E R A TU RE
B E O W ULF
CASS E L L C O M PA N Y L I MI TED
LO N D O N PA R I S NEW YOR K M E L BO U R N E
1 8 87
[A L L R I G H T S R E SE R V E D ]
P R E F AC E .
that time also the lab ours of the E arly E glish Text S ociety n
A F I R ST volume f E N G L I S H W T E R S w published in t h
o RI as e
L iteratu re
. This w oct vo f bout 8 pages
as an a o a 00 ,
w aiting fo r .
men and b ooks are men or the best part of them After
, , .
j a nu a ry , 1 8 8 7.
C O N T E N T S
I NT R O DU CT I O N .
N M,
T he Fu l l H i y o f L i t e ra t u re
s to r
Th e re can b e n o F u l l H i s t o ri an o f L i t e rat u re
T h e P u rp os e o f t h i s B o ok
T he F ou r P e ri od s o f E ng l i s h L i t e ra t u re
T h e on e M i n d i n t h em A l l
S ou rces of Li tera t u re
I n Pag an T i m es
I n E a rl y Chri s t i a n D ay s
U nd er th e N o rm an s .
T h e I n fl u e nce o f N a t i o n u p o n N a t i o n
I n the Ou t s e t of I t al i an
I n t he O u t s e t of L i t era t u re
G e rm an
I n E ng l an d u nd e r t h e E arl y N o rm an Ki ng s
7 F ou nd at i ons o f t h e E arl y I n fl u en ce o f I t al y o n E u rop ean
L i te rat u re
I n Ac t i v i t y of C o m m e rc e
I n t h e Li be ral a nd B u s y s ens e of I n d i v i d u al and S o c i a l
R i gh ts
R e l at i o n t o i t s T i m e o f D an t e
’
e
s V i t a Nu o v a
»
R e l a ti o n t o a l l T i m e o f t h e D i v i n e C o m edy
T ransm i ss i on o f certai n F o rm s o f Po e t ry fro m th e T ro u
b ad o u rs t h ro u g h D ant e t o Pe t rarc h
Bo ccacci o an d hi s D e cam ero n
I t al i an I n fl u ence Ch au ce r
on
26 — 28
R e fl ec t i on “
of I tal i an L o v e -con ce i ts i n A s t roph e l a nd
”
S t el l a
S p e n se r an d th e I t al i an R o m an t i c Po e t s
“A
Fo re i g n I n fl ue nce on I t al y . m ad i s of G au l
S ou rces of th e New Tast e for R o m ance . T he P u l ci
Boj ard o
A ri os t o
T he Tas t e for Q u ot at i on
G ro wi ng D em an d fo r Al l eg o ry Tasso .
D u ra t i on o f L yl y s Po pu l ari t y
’
S t yl e
D u ra t i on o f I t ali an I n fl u ence i n t h e T as t e for C o ncei t s
R i d i cu l ed b y Ben J onson i n Cyn t h i a s R evels '
! I t al i an I n fl u ence i n France
S p an i s h I nfl u ence i n F rance al li ed t o t h e
Te nd ency o f F rench Li t erary C oncei t to V erbal C ri ti ci s m .
T he R e ason of it
R on sard
M al h erb e
T h e M e e t i ng s at t he H 6 t el R am b o u i l l e t
‘
'
T h e P r ca em es
CO N T E N T S . xi
T he F rench Aca d e m y
S e t t l em en t of th e F re nch Lang u ag e b y t he Fo rt y Di c
t i on ary M ak e rs .
D e foe i n t h e l il l ory ’
D efoe i n Ne wg a t e
'
se ts u p th e R em ai o
A dd i s on i n t h e w ay o f Pa t ronag e
S t eel e rep res en t s t h e I e0pl e
’
t h e P e op l e b et t e r t h an fo r Pa t rons . T a t l er , Sp ect at or ,
Gu a r d i a n
E ng l zlcb m a n
’
S t ee l e s .
Po p e
D ev el op m en t of Pro se F i ct i o n R ob i ns on C ru soe a nd
G u l l i v er
Ri ch ard s o n
’
s P a m el a
F i el d i ng
xii CON T E N T S .
T om J one s
T h e F re nc h T as t e o f t h e Les s e r C ri t i cs
S a m u e l J o h nso n
G o l d s m i t h s I n fl u e nc e o n G o e t h e
’
T h e S p i ri t o f M i l t o n I s A b ro ad G o t t s ch e d an d B
.
od m er
K l op s t o ck
T h e R ev o l t ag a i ns t D es p o t i s m i n L i fe o r L i t e ra t u re I I I I I 2
T h e R ev o l t m os t v i o l e n t i n F ra nce
G oe t h e
S ch i l l er
Li m i t s o f th e G erm an I n fl u ence o n E ng l i sh L i t e ra t u re
W o rd sw ort h C ol e ri d g e an d S ou t h ey
, ,
Wa l t er S co t t
D ev e l o p m en t J ou rnal i s m
of
W ri te rs and R ead e rs
g unk I .
C H AP T E R I — T H E F O R M I N G O F T H E
. PEO P L E .
L i fe and G ro w t h
E t h n ol og y O rig i n o f t h e E ng l i s h
.
T h e I n d o E u ro p ean Fa m i l y
-
S t on e , B ro n ze , an d I ro n Pe ri od s
T he S to n e P eri od
C rom l ech s
T he B ro nze P e ri o d . Ba rro w s
T he I ron P e ri o d
We re t he G ae l s H ype rboreans ?
We re th e C el t s C i m m e ri ans ?
T he C el t i c B ri t o n s
T h e B e l g ae
T h e G ae l s
T he Cym ry
T he C el t ic El em e n t i n E ng l i s h
C ON T E N T S . x iii
C el t i c i n L ocal Nam es
T h e C el t i c El e m e n t i n C om m o n E ng l i h s
F i rs t Peri od 1 6 1, [ 6 2
T w i l ig h t before t he D
.
aw n of E n li s h L i t era t u re D ru i d s I 62 — I 64
g .
C H A PT E R I I — OI
. . D L I T E R AT U R E OF T HE G AE L .
A nc i en t Li t e rat u re of t h e G ae l i n B ri t ai n
T he Og h a m
’
P oet s S t a v e s
O ld G ael i c D eg re es i n L i t era t u re
O f H i s t o ry am on g t h e A n ci en t G ael s
O l d G ael i c Po et ry
G ael i cT al e s i n Prose and
T h e C e l t i c I n fl u e nce on E ng l i s h L i t e rat u re
T h e F en i a n Tal es
A d ornm e n t of M SS .
T h e Ba t t l e of M ag h G rat h
M S M at eri al s fo r
. a S t u dy of Ol d G ael i c Li t erat u re
C H A PT E R I I I — O L D L I T E R AT U R E
. OF T HE C Y M RY .
T h e Cy m ry
G erm an i c S e t t l e m e n t s i n B ri t ai n be fore A D . .
449
Pres su re Cym ry and the S axo ns
of t he on the G ae l s i n
G w y n edd o r N ort h Wal e s 2 06 —2 08
Pressu re o f t h e S ax on s on t h e Cy m ry . T he R eco rd of
S i x S e t t l emen t s
C onnect i on of t he Anci ent Li t erat u re of t he Cy m ry
w i t h t h e A ng l o S a x o n C o n q u e s t s
-
U ri en
Tali es i n
L l yw arch H e n
M erl i n , an d o t her Bards of t he Six
th C ent u r y "
A ne u ri n . T h e G od od i n
C el t i c M et res
M S M at e ri al s fo r S t u dy
. of Ol d C ym ri c Li t e rat u re
xiv CON T E N T S .
PA G E
C H A PT E R I V —OL D L I T E RAT U R E
. OF T HE T E U T ON s .
G il d as
T he A ngl o -S a x on S e tt l em en t s
J u t es
A ng l es
S axons
Fri si ans and Sax o n s
T h e R o mans i n G ermany
U l fi l as and the M oes og o t h s . B i bl e T ra ns l at i o n
T h e S ong of H i l d e brand
T he Wei ss enb ru nner Praye r
C H AP T E R V .
—S C A N D I NAV I A .
U l t i m a Th u l e
R u n es
S cand i navi an E n g l an d
I cel a n d
T h e I s l e n d i ng a BOk
T he L a nd n a m a B ok
I ri s h H ermi t s i n I cel and
I ce l an d Peo p l ed
T h e E dd as
T h e Ol d Nort h e rn A rs Poe t i ca
R el at i on of E ng l and t o t h e E dd a M yt hs
C H APT E R VI .
—B E0W U I . F .
E t t m u l l er
Wack crb ath
ENG L I SH WRI T E RS .
INTR O DUCTI O N .
T HE F OU R P E R I ODS OF ENGL I S H L I T E R AT U R E .
an
Q t
uao est a
rzeb lished t w o o f the chie f b ends in the current o f
our literary history T f ir account then of the liter ture
. o a a , , a
,
a
b nks there spread into sluggish lake over the m rsh land
a ,
a a -
,
Of no
literature does there exist or will there ever exist , ,
he would really show not only the form and stir of mind i n
w rite .
seen Give and Take keep the gates o f kno wledge w here
.
,
B 2
4 E N GL I SH Wm T E R S .
T he
p m the dress o f th ught A student of costume c ld
o
.
o . ou ,
Efigfi fi
’ f
by‘
s
bserv
°
ti n o f th se outo w rd c h nges c me a o o a a ,
o
Li m ‘e
very ne r to the ex ct date o f a picture r p e
u 'e °
a a e r
Th t of T H E FO R M AT I O N O F T H E LA N G U G E d ring
a A , u
w hich E nglish bvi usly d s bst nti lly di ff ers from the
o o an u a a
E nglish w e w spe k no a .
Th t o f I T L I A N I N F L U E N C E fe l t in Ch ucer s d y as
a A , a
’
a
a G er ma n I fl
n u ence .
T h O e
gener tions
ne
fo more th n tho sand years
a the r a a u
M di h m
a11
in most distinct
nt diversities
e o f m nner should found a
l l n u Iv r I I
e rs
a .
b est mi d o f t h e country
n But why so ex S m f .
o e, o
we lth
a But the man w ithout heredit ry store wh g ve
. a o a
pay fo r.
8 E N GL I SH WR I T E R S .
U d n h
e, achieved their b est and w ere about to lapse int
t e ,
o
the whole E ngl ish people i n the miracle play that imparted
its hal f prof ne liveliness to religious teaching such i
-
a — n
—
even in Normandy among t h e clergy such i nfluences
,
determined protest agai nst wrong which form s the bone and ,
Wycli f and the author o f Piers Plo wman w ith the old
“
,
”
f n u n o
ar e ow o b solete
n But with C h ucer w e dr w towards the
. a a
begins .
o f sou t h ern Fra nce w ent out to fight upon the sacred soil o f
,
forms ; each city scorned its neig h b our s dia l ect ; cl ssical
’
a
v e i fi t io
rs ca to the S panish poems o f the Cid w ritten a
n
“
,
. I I
the Limousin
’
No n es m era v e l h a s i eu can
N ei l s d e n u l au t re c a n t a d or .
gave the l w of so g to It ly
a n a .
g e d l y g and poem
r o f the N b e l g b e
g
G I un en e rm a n
I t e ra t u re .
longed to the true m d of the people w t h — In I
a z sa er . ua an
In E l d
un
ng a n
ff ected by the d enturous and busy temper
a a v
lg
l m
or anpay fo C h roniclers i verse and prose
r They n .
I ng s .
liked w ell that the hist ry they made should be o
southern love song which the earnest men of the soil and
-
,
n ,
—
in th eir vei s w ere like inapt to invent b ut the first a
w ited
a race of energetic h istory m kers and t
on a -
a o
where man meets man and eac h man s energies are called
’
5535335 1 party
8
h d their w ay But
, that graa n dson o f B . ar
d
?? hfg
g
i ‘c a
b rossa Frederica II w hom w e h ve fou n d i
,
.
, a n
g t i g in
au S icily an
u raIt li n e w birt
n h m in a a n ,
a
batt l e of Mont Aperti the Ghibel lines had been enj ying ,
o
fo it
r Bu t it is not to b e so reg rded
. a .
in the Convito his n ext w ork h e expl ains that this m aid
, ,
l ter he was banished the poet left five or six little children
a , ,
in his n ative city w ith the wi fe wh o there only could she l ter
and rear th em and being allied to a house then in t he
, ,
imply person l suit Had Dante indeed b een trai ned only
a .
, ,
h d b elonged
a H e might even have imitated as at l st he
.
,
a
e a t on
ture with regard only to its infl u ence upon old E nglish
writers .
18 E N GL I SH WR I T E R S .
b
.
t ro u a
33:2n .
le rnt to n ew m uld our E nglish verse ; and into
a -
o
D
P
ant e t o
e t rarc h
the Italian t ste fo conceits w hic h exercised soa r
l I el y n nfluence on our E l ab et h n l I t e t e
.
v a I Iz a ra u r .
i i
r c an W —
like a hetstone s id the pupil b lunt himsel f but , a ,
to Avignon w ere Jo n h ,
h XX II kept a great b e e e shop
fi — . n c ,
a
g e o f t w enty three first s w her
-
S h e h d in additi
, o n to a . a ,
i
s c en ce w herein even w hile Petr rch lived in Fr nce d ctor a a o
a z a . as e
her spirit ,
I f s he es t a b l i sh
bod e be t w ee n her a
M a rs an d t he p l a n e t s t ar o f Be au ty s qu ee n -
’
,
T h e s u n w i l l b e o b s cu red s o d e ns e a c l o u d ,
S ay t h at s h e ‘ fi x es o n a l o w er s p h e re,
B e n ea t h t h e g l o ri o u s s u n , h e r be a u t y so on
\Vi l l d i m t h e s p l en d ou r of i n fe ri o r s t a rs
O f M ars , of V en u s , M ercu ry, a nd the M oo n .
La t i n s ang u e g e nt i l e
N o t su ch w i s e N at u re s
’
O u rs o u rs t h e c ri m e
, . cou rs e .
A h i s n o t t h i s t h e s o i l m y fo ot fi rs t p re s s e d ?
,
A n d h e re i n cra d l e res t
, ,
\Vas I n o t so ft l y h u s h ed ? h e re fo nd l y re a re d
A h i s no t t h i s m y co u n t ry s o en d ea re d
, ,
B y e v e ry fi l i al t i e ,
I n w h os e l a p s h ro u d e d bo t h m y p are n ts l i e ?
O h b y t h i s t e nd e r t h o u g h t
, ,
Look on t he p eop l e s g ri e f ’
,
Wh o , a ft e r G od , of you ex
pe ct re l i e f ;
A nd i f ye b u t re l en t ,
V i rt u e s h al l rou s e h e r i n em ba t t l e d m i g h t,
Ag ai n s t bl i n d fu ry ben t ,
I N T R OD U C T I ON . 2 I
his pat riot ism or for his truth that he w as made d rling a a
fe t ed
c .
—
O f the t wo form s of his verse he deri ed one the ,
v
in emulative rhyme .
—
Boccaccio appointed t Florence first Of a line of pro a
tion
G l ad l y d o I se ize h
t i s o pp o rt u n i t y
o f c o n fu t i ng t h e c a rg e m a d e h
ag ai ns t me by m y e ne m i es o f a t i n g t i s g re at p oe t h h
hy s o u l I . W h d
ha t e hi m ? I n e v e r sa w h i m b u t o nce , o r ra t e r h e w as s o w n t o m e , h h
and t h at i n m y ch i l dh o od H e l i v ed w i t h m y fa t h e r an d g ra nd fa t h e r,
.
m y fat h er b u t th e y t oo k o p p o s i t e c ou rs es : m y fat h e r y i e l d ed t o
c i rcu m s t a nce s and o cc u i ed h i m s e lf w i t h t h e care o f h i s fa m i l y D an t e
, p ,
p o v e rt y n o r l o v e o f c h i l d ren or w i fe — n t h i n cou l d d i s t ra c t h i m f ro m
, o g ,
the best and eas iest though ne rly the first I talian prose
,
a ,
machinery in which the tales are set came from the East ,
still more d i sas trous period of the ensuing War s of the R oses ,
li
au x nd Church legends into prolix verse
a H e en forced , .
the Rose into the reign o f Henry VII Here the Prince
,
”
.
u n ,
the bright spirits among the people who must still be amused
w ith so gs nd stories struck out fo themselves b y telling
an r ,
p re a o
of
, .
”
there was in Italy Loren o de Medici delight
0
’
z ,
,
a
in 5 and
1 it w s
2 1, w ithin the next t w enty
a years that ,
model .
a p st ral i
-
a prose d verse including sonnets and
o n an ,
can oni of his e rly years w hich dealt with love begun
z a , a
fi l
i
a l mourned be fore by the w hole E nglish Court and
people d wa su g in elegy b y the b est poets o f
, an s n
$12 35 his d
?
y It w as t fo attr. ctive graces as a no r a a
fi h mi d
un
s
d h
c
er t
urtier
n
e
th t heo w as thus loved and honoured by
a
I li
m
ta a n his Queen and country The Queen he th w rted . a
r a as
p ion s h i p f religious li
o b erty w ith every missi n th t he o a
loved .
F k l y re ed a n d h at i n g w h a t i s n au g h t
o r cl e r , ,
F o r fa i t h fu l h e a rt c l e an h an d s a n d m o u t h as
, ,
t ru e .
R e flecti
present
on
there b usiness Philip f llow ed the
on . o
o
I
fI i
ta l an Queen to Ch rtley w here he first s wa — she being
, a
i ié i fi
"
c then her th rteenth ye r he h t wenty fi s t
In i a , In Is -
r
e h l
sc
of Pet rarch form and s piri t as h i s
o o
, Arcadia ,
I N T R OD U C T I ON .
9
, ar
w a s
one nother a d e tly a hundred ye rs fter the
an x ac a a
"
Italian influence .
per fect was the sym p thy betw een the ideal an d the ctual
a a
o f rms in jousting or in w
a that we get in the romances a r,
a p pe rs
a in the yo ng D a d i e l l o m ny romantic
u p ss ges r n ,
a a a
attention .
i e s f o each C nto
r by Tom so P h
a i d a
“ “ 55
g o r o ,
a rc a c c
D
34 E N GL I SH I VR I T E RS .
meas ure m ent and w eight The d em n d for thi s all ego ical
, . a r
m ade God frey o f Boul gne (fo year) King o f Jeru sal em o r a ,
S i l
oc a d civilisation
an spoke o f the o ter nations a fte r the
,
u ,
‘ hfl '
im ‘a
describing to his c ntry m en his visit to the ou
w rs was yielding to
a e w activity o f thought and t h e a n ,
reviv l o f letters in It ly w
a m king itsel f felt at the Court
a as a
o f Henry VIII to visit Italy was the des ire alike of the
.
,
o colder blood w h
f w ent to I t ly fo inspir ti n
o f h a r a o .
c a u s es o t e
d f s p re a o a
D 2
3 6 E N GL I SH WR I T E R S .
v r r a ,
r ,
the s tire even the dram l l w ere dropping th eir fi rst fruits
a ,
a, a
light .
f bl e
a So it had been l s in Rome
. There w s thought a o . a a
dreariness of w inter .
E ngl nd be f re D nne
a M rino w like Lyly or Donne
o o . a as , ,
c a n ,
a d Arist tle
n I Ita ly Pl to in Fr ce Arist tle was pre
o . n a , an o ,
“
talking as Drayton said
,
”
,
mind d dress an .
T h E
vigorously in his Schoolm ster w ork pu b lished a ,
”
a
nor so o ft in Homer b ec u e he w s th t i s ,
a s a a ,
w k pn g
o
’
ti th t is w ise in all purposes and ware in l l
rt , a , a
a lso the truest and most e rnest work on w hich the pens f a o
l tion f t he Bible
a o .
a o ar an
clothes f character or .
o a . a an ,
w ith w i fe
a d family he sm ked tob cco and w
an wi t o a , as a
“
Thirteen years h e s ys in petition to the Queen pre
,
”
a ,
a ,
4 2 E N GL I SH .
E uphuist !
Lyly still in ow day has su ffered i justice The tr di
ou r n n . a
t io l vie w of his
na E uphues i represe ted by t h e s ying s n a
o f Gi ff rd th t it
o
“
did inc lcul ble m ischie f by viti ting the
,
a a a a
,
r ,
w s in his m i d c reer
a It w s f this l t th t the E uphuist
a . a o czc e a
f shionable poe t ry
a d in the pedantry f J mes Ian o a .
Ly yl hi lf
our
mse
liter ature O f t he treatise educat i on . on ,
a i l
p ra c t c afo m g so prom nent r p rt of E uphues or
In
“
i a a ,
remissi n d study
o As there is watching so is there
an .
,
tha learn virtue and wi t Neit her with costly attire f the
n . o
fr m I t ly
o It is as e rnest
a i f L timer himsel f h d
. a as a a
f l u d mythologic l dornment w
an s common to liter ture
a a as o a
P h il i p s ee i ng t he s m i l i ng c ou nt en ance o f t h e ch i l d w as w el l pl eas e d
, ,
w i t h Th e m i s t ocl es E v en s o i f t h rou g h t hy m an i fo l d s i n s a n d h e i n o u s
.
,
o ffen ce s t h ou ro v ok e t h e h e av y d i s l e as u re o f t h G d i o m u c h as
p p y o n s ,
t h ou s ha l t tre m b l e fo r h o rro r t ak e h i s o n l y b eg o t t en an d w e l l b el o v e d
,
- -
so n J esu s i n t h i ne a rm s an d t h e n h e n e i t h e r can n o r w i l l b e an ry w i t h
, g
t h ee .I f t h ou h av e d en i e d t hy G o d ye t i f t h ou g o o u t w i t h P e t e r an d ,
w ee p bi t t e rl y G od w il l n o t d e n y t h ee
, Th ou g h w i t h t he p rod i g al s o n .
t h o u w all o w i n t h i n e o w n w il fu l n e s s ye t i f t h ou re t u rn ag ai n s o rro w fu l ,
t h ou sh a l t b e re ce i v ed I f t h o u b e a g ri e o u s o ffend e r ye t i f t h o u c o m e
. v ,
u n t o Ch ri s t w i t h t he w o m a n i n L u k e a n d w as h hi s fe e t w i t h t h t e ars
y , ,
t h o u s h al t o b t ai n re m i s s i o n
”
.
s ry to b e remembered m nu l of l l th t is w rth y to be
a - - -
a a a a o
ca p b ut
, l emp l e i t m so g e
c c zc
'
n n ocen an
'
en n .
,
s o
fa fetched similitude
r-
We h am ed t h at ou r b i rd w h i c h fl u t t ere th by t wi l i g h t see m
are as ,
i ng a s w an s h ou l d b e p rov ed a b at s e t ag ai n s t t h e s u n
,
Bu t as J u p i t e r .
d S n d A l c i b i ad e s co v e re d h i s p i c t u re s
’
p l a c e i l e n u s ass a m o n g t h e s t a rs a , ,
k i n g s o m e t i m es s h av ed s t i ck s : o u r h op e i s y ou r H i g hn es s w i l l at t hi s
t i m e l e n d a n e a r t o an i d l e p a s t i m e A p p i o n ra i s i ng H o m e r fro m h e l l
.
,
d e m an d ed on l y w h o w as h i s fa t h e r an d w e cal l i ng A l ex an d er fro m h i s
, ,
g r a v e see, k o n l y w h o w a s h i s l o ve W h a t s o e v e r w e p res e n t w e w i s h i t
.
,
m ay b e t h o u g h t t h e d a nc i ng o f A g ri p p a h i s s h ad o w s w h o i n t h e , ,
m o m e n t t he y w e re s ee n w e re o f an y s ha p e on e w ou l d c on ce i v e : o r
,
fo rg e t .Wi t h u s i t i s l i k e t o fa re as w i t h t h es e t o rch e s w h i ch g i vi ng
, , ,
l i g h t t o o t h ers c o ns u m e t h em s e l v es a n d w e s h e w i n g d e l i g h t t o o t h ers
,
s h a m e o u rs e l v e s
”
.
E u phues — “
E uphues a d his E ngla d
, ends the letter n n -
n ,
a , a
caught trippi g n
h a ve h ea rd th a t t h e T o rt oi s e i n I n d i a w h en t h e s u n s h i ne t h
I ,
s w i m m e t h a b o ve t h e w a t e r w i t h h e r ba ck a n d b e i ng d e l i g h t e d w i t h t h e ,
fa i r w e a t h e r fo rg e t t e t h h e rs el f u n t i l t h e h ea t o f t h e s u n s o h ard en h er
,
s h e l l t h at s h e can no t s i n k w h e n s h e w o u l d
, w h e re by s h e i s cau g h t ,
.
A n d s o m ay i t fa re w i t h m e t hat i n t h i s g oo d c o m p an y d i s p l ay i n g m y
m i nd h av i ng m ore reg a rd t o m y d el ig h t i n t al k i ng t h a n t o t h e e ars o f
,
48 E N GL ISH WR I T E R S .
f llo w ed up
o P n d osto nine ye rs fter the ppe rance f a ,
a a a a o
“
E uphues w ith M en aph b ok h ving f r second ”
,
o n, a o a o
E ng l i s h I tal i a ns , fi nes t ds
’
T u t, y sa ou r th e w its o u r c l i m at e s en
fo rt h a re b ra i n ed d ol t s i n co m pa ri s o n w i t h o t h e r c ou n t ri es ;
b u t d ry -
w h o m i f y o u i n t e rru p t w i t h t h e y w i l l t e l l yo u o f
’
'
R cd d c r a t zon em ‘
, ,
P e t ra rc h T a s s o C el i a n o w i t h an i n fi n i t e m o re o f o t h e rs
, , , T o w h om .
i f I s h o u l d o p pos e Ch au ce r Lyd g a t e G o w e r w i t h s u c h l i k e t h a t , , , ,
l i v e d u n d e r t h e t y ra n n y o f i g n o ra n ce I d o t h i n k t h e i r be s t l o v e rs ,
w o u l d b e m u c h d i s co n t e n t e d w i t h t h e c o l l a t i o n o f c o n t ra ri es i f I s h o u l d
w ri t e o v e r a l l t h e i r h e ad s H a i l fe l l o w w el l m e t ! , S h ou l d t h e
c h a l l e n g e o f d e ep con c e i t h e i n t e nd e d b y a n y fo re i g n e r t o b ri n u
g o r
E ng l i s h w i t s t o t h e t o u chs t o n e o f a rt I w o u l d p re fe r d i v i n e M a s t e r ,
S p e ns er, t h e m i racl e of w i t , t o h a n d y l i n e fo r l i n e fo r m y l i fe i n t h e
h o n o u r o f E n g l an d ,
a
g a i n s t S pa i n, F rance , I t al y, a n d al l t h e w o rl d .
Sh kespe r h d
a t b een t wo ye rs in to w n
a e a d w ith h i
no a an , s
Lost .
”
L
”
t lk in many forms
a
Fi gu res p ed an t i cal .
”
Thou ’
sh i n s t in e ver y
ha t I d o w eep
tear t
No d ro p b u t as a co ac h d o t h c arry t h ee ,
S O ri d est t h ou t ri u m p h i ng i n m y w oe
”
.
a t ers
r c as given b y S hakespeare have a close rese m blance
, ,
f L —
in spirit to so m e of the scenes o yl y s plays t o those fo ’
, r
,
E
E NGL WR I T E R S
‘
5 0 I SH .
example in E ndymion , ,
w hich jest w ith Si r T op h as , the
br gging soldier
a :
S a m za s — Bu t w h at i s t h i s ? C al l yo u i t yo u r s wo rd
'
T op /t ar —N o i t i s m y s i m i t e r, w h i c h I b y co ns t ru c t i o n o ft en
s tu dy i n g h e c o m pe n d i o u s ,
to c al l my s m i te r .
D a r es —\Vh at , are yo u
. a l so l earn ed , sir ?
T op i u m— L e arne d ? I a m al l M a rs a nd A rs .
S a m i a s — N a y , yo u a re al l m as s an d a s s
. .
7 bp /za s — M o c yo u m e ? . Y o u s a l l bo t s u ffe r, ye t w i t
k su c h h h h
h k
w e a p o ns as yo u s a l l m a e c o i c e o f t h e w e a p o n w e re w i t h
yo u s al l h h h
p e ri s h
A m. I a l l a m a s s o r l u m p ? I s t e re n o p p
ro o rt i o n i n me ? h
Am I al l as s ? I s t h e re no wit in me ? E p i , p re p are t h em t o t h e
s l au g h te r .
—I ra y s i r, h ea r k We ca l l m as s , w h i c h
p , us s p ea .
y ou
yo u r l e a rn i ng d o t h w e l l u n d e rs t a nd i s al l m an fo r M a s m a ri s i s a m an , , .
T h e A s (a s yo u k no w ) i s a w e i g h t an d w e fo r y o u r v i rt u es acco u n t yo u ,
a w e igh t .
T opi u m — T h e La ti n h a t h sa v ed y ou r l i v es t he w h i c h a w orl d o f
.
,
s i l v e r c o u l d n o t h a v e ran s o m e d I u n d e rs t an d you an d pa rd on yo u
. .
imit tion a .
While E uphues w
“
th us in f shion Shakespeare as a ,
D f
critic
u ra t I on o
l pre f ce to “
M e ph a B con w a na o n,
”
a as a
I li
ta
i an young n b rister p rt deviser o f t h e dumb sho
ar w s ,
a
str in o f
a ild earnestness to his last novels Ben Jon
a w .
bef re the birt h o f Milto who was himsel f ten years older
o n,
g ne i o s allusions
u th t b y display o f a w riter
a s re ding ’
a
125 55 ? a
jest a
s
g inst w h t its chie f E up
ah uist descri b es a
“ your shi ting age
s f a for w i t w hen y u must ,
o
prove the aptitude o f your gen ius ; i f you find one you n
must hearken out a vei n and buy It was to bid men put .
”
A n i n w a rd co m e l i n ess o f bo u n t y k no w l ed g e , ,
A nd s p i ri t t h a t m ay c o n fo rm t h em a ct u al l y
T o G od s h i g h fi gu res w h i ch t h ey h av e i n p o w e r
’
,
.
c h
ence to an uthor w h o is n o w read only by
a
Efig ggm
b
y the minute
e
student o f litera t ure —Gui l laume d e
W k ee f
s Sal u s t e d u Bartas
o He was a French nobleman .
,
D B u a rt as.
b orn a b out the ye r 5 4 4 H e w s educated s a 1 . a a
than once into each langu age Its metaphors are extra .
as i n E ngl a nd ,
the b ook is ow but a curiosity o f bad taste n
I d m
remember w hen I w s a boy writes Dryden
, a ,
” ts u’a’ '
lines
N o w , w h en t he w i n t e r s
’
kee n e r b reat h began
T y
o cr s t a l l i z e t h e Ba l t i c ocean
T o g l az e t h e l ak e s , t o b ri d l e u p t h e fl ood s ,
A nd pe ri w i g w i t h s n o w t h e b a l d p at e w oo d s -
uc a a , a
tion to e ch other a .
”
his conceited s t yle with the prev iling f shio but to his a a n,
wit h ph ra s e s ch o i c e ,
So on dd e n c an d i s co u rs e i n G reek
t h e su ,
Pl e ad al l fo r ri g h t i n h e r n at i v i t y
”
.
b athos w hen fter Crom well s death a f llo wer decl res
, ,
a
’
, o a
5 6 E N GL I SH WR I T E R S .
S p anih s
exercising on the minds o f Fr nce Sp i t o a . a n, o ,
152
3 252
“ i spoke n a Rom nce t ngue d early thea o ,
an In s 1x
e l b o ate nicety i
a r a rhet ric l use of w ords w ill lso indi
n o a ,
a
t h t added tendencies t
a more po m pous m n r th n o a an e a
m ea do w s d strength to t h e pl nts ; an f a or o
zezc s, a
c e ncy
a
b ec useaI t was the character o f tho s e l d es
l
f F h a i o re n c
i t e ra r y
Th
to whose scho l they belonged o fi o
e rea s on
t.
s
’
i l s fon t q u e l q u e ch o s e ,
C es t
’
p ros e r d e l a ri m e , e t ri m e r d e l a p ros e .
a a a o s o
M lh b
a er e
determi ed ch mpio o f the verb l purit y o f n a n a
. as as o
period “
An hour be fore his death says his disciple
.
”
,
”
s l f by m rryin g noth r
e a a e .
i the fir t ye rs o f his f me
n s C therine de Vivo ne de
a a . a n
“m i
Pis ni
e e t ng s
w hen in 6 s h e m rried t the age o f
a , 1 00 a , a
at t
R am
h H si
b
e
l
sixteen
‘
ou i l
the
tel M
et
rquis de R mbo illet Gr nd M ster , a a u ,
a a
a a ,
a a a
r czeu s s ,e o n
o f ver b l criticism
a O f her i direct i fluence it is not
. n n
f
or her i stead o f it A t h é i its a n gr m V gelas the
n r n ce , a a . au
th re tened li fe o f t h e word
a O ver f m ili r w ords i f ca r .
-
a a ,
A the M rchi
s a ess s w comp y in her i ght p d the
on a an n -
ca , an
T h M
e
critics
P ,
esteemed preci us to France P é o ,
r
T h c e } m le uthors w
,
hich met f amutu l
a i d d dis or a a an
A cad m e
si oy t th
'
house o f C a t o e o f their
cus n a e o nr r ,
n
ti e i i i a i n .
li fl fli ff
g
f the ’
t w o w ks
by
t h e senti l d i fl e e e is not
or to e s a
’
r nc
l gu g b y
an a p d t
e t But there a h be
cou n ither ’
i
t a . as e ne
allo wed its lungs free play and w ill be str pped up in the ,
a
it ,
Boile u s wered ; b ut to die upon Monsieur l Ab bé
a an ,
’
ee d from
c w holesome b ut too servile reg rd a a
z z
ce
dep rteda
Ev i t o ns ce s e x ces . Lai ssons a l I t al i e
’
To u t d o i t t en d re au Bon Sen s .
”
I N T R OD U C T I ON . 65
fl ence b egan
u .
wrote his “
Art of Poetry D yden s age was then forty ’
. r .
o f the to wn .
S pi te of m ys e l f, I l l y fig h t l o v e, d e s pa i r ;
’
sta , ,
A nd al l h
t is I ca n do b ecau s e I d are,
of Dr d y e n s heroes ’
I d ri nk , I h u ff , I s t ru t , l o o k b ig , and s t
are
A nd al l h
t is I ca n do becau se I d are, ”
play a gu ardian angel praises his s word all keen and ground
u pon the edge o f day and a bold martyr sent enced by t h e ,
W here er t h ou
’
s t an d st
’ ’
I l l l e v el at t h at l
p ace
bl ood a nd S p ou t i t a t t hy face
M y gu s h i n g , .
Th u s no t by m arri ag e w e ou r bl o o d w i l l j o i n
, ,
N ay m o re m y arms s h a l l t h ro w m y h ead at t h i ne
, ,
.
, a ,
Serp i t h u m i tutus
rate i f French .
T h ei d f
M
p er o
demoiselle
o
de Q e o i ll
a w s as Duchess o f u r ua e a ,
z z gggfi
i fl
P ortsmouth
fl u
g ent
'
p tron ge f the the tre tainted the stage and poli t e litera
a a o a ,
w as —
impending and the satire of a Dryden since he wh o
co ld look b ck in his maturest d y w ith so tender a fel l ow
u a a
ho oured w hile the w ord s o f the light w its who pl yed over
n , a
-
all h d their E nglish represent tives John Sheff eld Duke
a a . i ,
F 2
68 E NG L ISH WR I T E R S .
d c e d fo us a Rymer
u d a Dennis
r an
Wh t h
he had ever he rd N t long a fter he w ent to a .
”
o ,
po li
a
ld the King s The tre where he says we s aw
t e w or
t e
“ ’
a , , ,
3 33 555
5222
1 Midsummer Night s Dream w hich I had never ’
,
’
, an a
a l t a r o f D i an a m en t i on e d b y H o ra ce H a m l et co m es i n t al k i ng t o.
con s i d era t i o n s m en t i on e d i n t h a t so l i l o q u y ,
T o b e, or n o t t o b e,
’
84 0.
As s o on as d on e t al k i ng to h i m se l f h e s ee s Op h el i a an d p as s es
h e h as , ,
n o t hi ng b e fo re so h as i t n o m a n n e r o f i n fl u en ce o n w h a t fo l l o w s a ft e r
, ,
l T h l n g and t ed i ou s s o l i l o q u y o f t h e b as t a rd F a l c o n b ri d g e i
p y a . e o n ,
ri d i cu l ou s T o g o t h rou g h al l t h e so l i l o q u i es of S h ak es p ea re w ou l d b e
.
t o m ak e a v ol u m e on t h i s s i ng l e h e ad B u t t h i s I ca n s ay i n g ene ra l
.
,
t l zat n ot on e in ca n be ex cu s ed by n a t u r e or
7 0 E N GL I SH WR I T E R S .
s y
a upon the f ults o f Shakespeare Lucilius he ad ds
, a .
, ,
q a
ui t e d
n w ith t ; and t h t reput tion w a s a sort
aro f tradi a a
tio n ar
y authority looked upon to be so s cred that Horace
,
a ,
request disc rd her orn aments and the margin directs her
,
a ,
A l/r . W h i t he r d o y ou r ras h w or d s an d p as s i o ns fly ?
T o cal m you r m i nd m y u t m os t p o w e r I l l t ry
,
’
.
T i s t h a t I you m i g h t w i t h a d v an t ag e pl e ase
’
.
I f w an t i ng t h i s y ou r l o v e b e n o t i m p a i r d
’
, , ,
0 it l i k e t h e sw eet d
’
cam e o er my ears s ou n
Th at b reat h es u po n a b an k of v i ol et s .
”
T h e ru l es a n a t i on b o rn t o serv e o b eys ,
A Den nis feebl y but for a time successfu lly maintai ed the
, , n
h ad d o
'
o nce he had b een dragged out into the d ylight Yet even a .
o f O ford University in
x 6 94 h ad passed from S penser to
, 1 ,
in h i s Jour l to S tell
na
“
I f he h d a mind to be c h sen
a, a o
Sc ip t
'
C t R m
’
,
ea z e o a nc r or es
ct
'
c l zt G fi
e ra During t h e next four months Milton w
.
”
as
an d adds “
There is t Greek or Latin critic w h h as
,
no a o
their con formity w ith L tin style E ven Dryden alth ough a .
,
t e ri e d throughout by a
s extrav g nt t ste fo emphasis n a a a r .
In v ai n he j es t s
i n hi s un
p o l i s h ed s t ra i n ,
A n d t ri es t o m ak e h i s re a d e rs l au g h i n v ai n .
C an c h arm a n u n d e rs t an d i n g a g e no m ore
T h e l o ng s p u n
-
fu l s o m e g ro w ,
a l l eg ori e s
Addison would not have had the soul in him that gives
li fe to his name had he n ot grow n into the perception of
,
think that its old state o f slavery has b een exchanged for
the mere indolence of freedom .
virtue w ere all men of one right mind uni formly good
, , ,
Th d
details must b e h rmonised ; they are but i a n
stamp o f fashion .
h i s s tire o f
a
“
The Tr e born E nglishm n r hymes o f u -
a ,
h
A ru l i n g p r e s t oo ,
i d a s a p r i es t -r
i d k i n g
A n d o f a l l p l ag u e s w i t h w h i c h m a nk i n d are c u rs t ,
E ccl es i as t i c t y ra n n y
’
s t h e w o rs t
Wh e n k i n g s th e s w or d
j u s ti ce fi rs t l ay d o w n
of ,
Th ey are no k i ng s t h ou g h t h ey p os se ss t h e cro w n
, .
T i t l es a re s h ad o w s cro w n s a re e m p t y t h i n g s
, ,
T h e g oo d of s u bj ec t s i s t h e e n d o f k i ng s
”
.
tyr nny and the old doctrine o f the divine right to govern
a ,
in a Bill that was to disqu lify them fro m all c i vil employ a
G
82 E N GL I SH WR I T E R S .
th t De foe
a thriving citi en with much to lose spoke
,
a z ,
f ir pro pos l t
a m ke to the horses th t we shall all o f us
a — o a a
p mphlet ; but in the first hal f the irony is not all gainst
a a
ecclesi stic l int ler nce De foe was against all i ntoler nce
a a o a . a ,
3 d
0 , an
3 in the year
1, 7 3 turned the course o f popular
1 0 ,
—
opinion against the men wh o pl ced him there men as his a ,
A re l oss t o fi nd hi s g u il t ,
at a
’
An d ca n t co m m i t h i s cri mes .
fro m 7 4 to 7 3 1 0 1 1 .
first n tion o f T h e T tl
o
’
a er .
”
p l g
H e there fore after the campai gn of 1 6 9 5 offered
, ,
fo diplomatic service
r It dropped in a year or t wo t the .
, a
p e n d e c e on
n the friendship o f the strong An honest friend .
to h ve t ken a trumpet
a a .
”
a r a
o f l wyer Pu
a le a protest against m ockery of truth a d
zz , n
B u t b e t h ou h o n es t , fi rm , i m pa rt i al
L e t nei th er l ov e n o r h at e nor fact i on m ov e t h e e
, ,
v e t i o al w its w h
n n held themselves to be especi lly the
o a
,
r
piety .
”
T h o f li fe S
e
teele never w ithdre w his
, go d w ill from o
T m“
i
the players never neglected t praise good play
e
,
o a ,
R l hm
e a f ferred this course to gam b ling for the p tron
o a
e
l
l f f fii é
‘
o
age o f men
‘
in o ffi ce Ha v i g pleasantly S ho w n . n
o ffer .
”
honours of success .
which th ese frie n ds wor k ed young Pope must have felt for ,
94 E N GL I SH WR I T E R S .
an d “
The Dying Christian to his Soul Such o ff e ri gs . n
ess yists
a .
themselves .
”
77 t h “
T tler so ambitious
a to be thought
,
”
w orse than he
is th t in his degree o f underst anding he sets up fo a
a r
cr n
s u rv iving children .
E ngl ish liter ture ran in Queen Anne s reign In the reign ’
a .
a e G l l i u ve r
P a t h e i s sa
r or the transl ted ro m ances of M d me
n
”
a a a
Sc d é y
u r No nor with l l its appreci tion of mor lity
.
, ,
a a a ,
H
9 8 E NGL I SH WR I T E R S .
of
“
the im pertinences of m nkin d v i the Wri t ing and a ,
z .
The great fault o f Pam ela was that with l arge pre t e ns i on , ,
ing wh o had t ill then found fo his sense of life and man ne s
,
r r
F i ldi
an impe rfect expression on the stage t o begin as , ,
-
a,
1 74 9 Fielding
,
pu b lished his T m Jones assuredly the o ,
are novels and again novels N critic has over praised the . o
men .
which one obj ect lone in this lo wer cre tion could be more
a a
ab o u t w ho m the wh l e st ry ev l ves e as t h e t wo p ol es
o o r o , ar
c n r .
“
Tom Jones Allworthy delivers no mock exhort tions ;
”
a
people .
S m el
a u
figure o f that elder f i end but t wo years younger r ,
g es t i n g also I f he w ould
,
add line or t w o to say it c me a a
h o no u n
It was in the honour of Samuel Johnson to be b so a
f rm l w ords of prayer
o a Johnson prayed w ith his he rt . a ,
imagined .
”
we reco rd o f t hi s c i ti cal m om e t ; d t o t h e
hav e t h e r n an
T here e m o ra l e po c h s
ar Go e the ai d u nd er w hose ,
s ,
age and be f re there were yet est blished sound rel tions
, o a a
cast ver E nglish liter ture d uring the grea ter part o f the
o a
m an
Th e n Old Ag e a nd E x p e ri e n ce h and i n h an d , ,
Le ad h i m t o Dea t h an d m ak e hi m u nd e rs t an d
, ,
A ft e r a s e a rc h so p ai n fu l a n d s o l o ng ,
Tha t al l hi s l i fe h e h as b ee n i n t he w rong .
i l m d
c - a- g e o c But the sa me a ty r nny o
. f st
”
y le w orked in a
G m u this
", direction De foe s Robinson Crusoe e
“
,
’
r
C m w
wa s reprinted and pirated t home I G e many a ,
n r
wa a S xon
s S ilesi n
a Fr nconi n Bohemian Je wish
, a a , a a a , a , a
R ob u ns nd R ob i s he
e a R o b i o e t ta the Mor l Robin n c n, ns n ,
a
literary history .
“ im f v
J oh nn Christi
o
n Gottsched — w hose
a w i f tr n a e a s
ié ém
t ii
f
i lateds Fr nch plays and Po p e s R p f thee
’
a e o
zas
e
—
While Bodm er wh o delighted also in S i r Roger de
’
de r lso to Rousseau
a a .
Th m l
e
expressed
o t
b y the French Court o f L uis X I V o .
ne s t
{
in F
i l The
v o ent
ran c e .
reaction from it wa s universal nd no ,
a
G h
this
oe t
country
e.
becam b y the force o f his rare , e
his powers .
s 0
T h e great German poet reflected b ack to us 9 m m
3 ,
L m mm
c ei v e d from us In sei ing upon his humour u ’
. z
i , , i i i
—
greed he cursed them b itterly stirred also in t h e young
,
I
r 14 E N GL ISH I VR I T ERS .
T u rn ed i n w ard t o e x am i n e o f w h at st u ff
,
T i m e s fe t t e rs are co m p o se d an d l i fe w as p u t
’
T o i n qu i s i t i o n l ong a n d p ro fi t l es s
,
.
T h e i nt el l ec t u al p ow e r t h ro u g h w o rd s an d t h i ng s
, ,
F rom t h at abst ra ct i on I w as ro u s e cl , — an d ho w ?
”
C o nfu s i on i n fi ni t e
h eav en and ea rt h of ,
D i d ye n o t h ear t h at co nq u es t i s a bj u re d ?
B ri ng garl and s b ri ng fo rt h ch o i ces t fl o wers t o d eck
, ,
T he t re e o f Li be rt y M y h eart rebo u n d ed ’
.
M y m el an ch o l y v oi ce t h e c h o ru s j o i ned .
N e i t h e r b y d a y n o r ye t b y n i g h t
,
Th ey l ay d o w n t o res t
W i t h co rs l e t l aced ,
Pi l l o w e d on b u ck l er co l d and h a rd
Th ey carved a t t he m eal
W i t h g l o v es o f s t eel ,
When these metric l t les lost influence be fore the gro wing
a a
ye r 8 3
a 1 Then the occ si n l historical and other work
0 . a o a
an d s w ell fitted t
a its ti m e s that which had beeno , a
’
as
papers .
O n the 3 t h o f January 8
7 5 i ppeared a paper in fo ur ,
1 ,
a
a
“ ”
, a ,
l i he d on the
s ,t of January 7 8 8 under rs the e w name of ,
1 ,
n
p e d
ar
e in 79 ;
4 d in the year1 f ol l o w ing there w
anere in
London f urteen daily p pers ten pu blished three times a
o a ,
w ee k t wo t wice a w eek
, d t welve w eekly ; w hile the d i s , an
l i v es . W eigh ty
itty though t w i t hout a was te word i
or w ,
n
T h e E art h
’
t
from d us t t h e g ras s
s ou r ances or :
E arth , g ra ss , c x , m an , be h ol d ou r p ed i gree .
B u t w h ence th e t ou ch t ha t b re ed s ano h er l o v e t
I n t h e cl a y
l am p t h ere l i es t h e p reg nan t oi l
Tha t gi ves no l i g h t t i l l k i n d l e d from above .
T o q u es t i on and t o fi nd Al l T ru t h at l e ngt h
, .
I N T R OD U C T I ON . 121
By m any p at h s w e t rav el , an d w e s ee k
T o s e rv e Th ee, an d t o t read t h e u p w ard w ay
W hen, i n each t rack , w i t h w i l l i ng s t ep s t h ou gh w e ak ,
We fal t e r, g u i d e u s, t ha t w e m ay n o t s t ra y .
Lan d t h at w e l ove , t h e h a pp y l an d t h a t bi n d s
U s m an t o m an i n b ro t h e rh o o d o f s t ri fe
F or h and ri g h t an d th e fu l fi l l ed d e si g n
t ru t ,
O f ou r C re at o r and t h ou E n g l i s h Sou l , ,
O ne i n t h e s t re ng t h o f all th e sou l s t h at s h i n e
I n E ng l is h an nal s an d w i t h w i s e co n t rol
S ee k t o b d u e th e w rong m ai n tai n t h e ri gh t
su , ,
T i l l al l be g ood i n t h e C reat o r s si gh t ’
,
A nd G od s fai r E art h b e T e m p l e o f H i s M i nd
’
.
1 24 E N GL I S H WR I T E R S .
the n tions
a .
32 5313
h to tNoah
e s Ark w ere classed according to the
’
, ,
se vant
r .
”
Accord i ng t o t h e Op i ni o n of su n d ry v er y l ea rn e d and j u d i ci a l
au t hors , w as t h e fa t e r h of T u i s co , h and co n
or T u i sco n , t h e fa t e r
d u ct or of th e G erma ns wh o aft er hi s n am e e v e n u n t o t hi s d ay d o i n
, , , ,
t h ei r ow n t ong u e cal l t h e m s e l v es T u yt s h a n d t h e i r co u n t ry o f G e rm an y , ,
T u yt s h l an d and t h e N e t h e rl a nd s u si n t h e D fo r the T d o m ak e i t
g , ,
D u y t sh a n d D u y t s h l a n d S o m e au t h o rs as nam el y S e bas t i a n M u n
.
, , ,
c o m i n g w i t h h i s p e o p l e o u t o f As i a i n t o E u ro p e b e e x t e n d ed h i s ,
d om i ni on fro m t h e ri v er T an ai s e v en u n t o t h e R h i n e O t h er G erma n .
t h e s i d e o f t h e ri v e r R h i n e a t a p l ace w h i c h u n t o t h i s d ay re t a i n e t h t h e
,
n a m e o f D u y t s h s i t u a t e d ri g h t o v er ag a i n s t t h e c i t y o f C u l l i n
, [I ) e u t z ,
O p pos i t e C o l og n e ] B u t n o w w h e t h e r T u i s c o w e re t h e s o n o f N oah
.
, ,
o r t h e s o n o f A s hk en az w h o w as g rand ch i l d u n t o J a h e t h al t h o u g h
, p ,
s o m e d o m ov e qu es t i o n y e t s u re l y w i,t h m o re l i k e l i h o o d o f t ru t h w e
w h i c h i s v e ry ag ree ab l e u n t o t h e m os t p op u l o u s G erm an na t i o n a c ,
c o u n t i ng a l l m e m bers t h ere o f
”
.
Anti qu i t i es , ed . 16 2 8 ,
’
Vers t ega n s p 9 . .
1 26 E N GL I SH I VR I T ERS .
q u ar
y s id “
This seemeth
a to proceed o f a cert in kind o f a
“u d n
theo
Germans s w ell s the Celts out o f Asia a a ,
gural disc urse s first President of the Asi tic Soc i ety o f
o a a
H s ti p
a Krishna
na inc rn tion of Vishnu figh ting
u ra .
, an a a ,
h l a do en d r m s t h ree by K i li d
— ”
af z a S k O t l a t he
a asa, a n a
t h e eighth century .
said was more per fect th n the Greek more copious tha n
, a ,
in 78 7 th e H i t p d esa
1 d this w s follo wed t wo ye ars
o a ,
”
an a
Si r William
Jones l oked rather to the Persi n than to o a
t h e S nskrit as
a great parent language but the enthusiasm
a
study .
S nskrit
a d the n me is considered to be derived from the
, an a
o f these migr tions S nsk rit itsel f tells us nothing ; the very
a a
t e re s e i de ce t o s ho
h i n v w th t
a a non A y l angu ag t he
an e— -
r
E u s k ri an a ow s po k e n on l y b y t h e Bas q u es
, n w as t on e a
M e la noc hroi in E u ro pe T h e a ea o f t h e l an gu ag e h s . r a
R om n conquest t h ey h d a cce pt ed
a ,
s bo th the dark a d a , a n
S t o ne ,
period first deduced b y Pro
,
fessor Wo s e o f r aa
{ 121153 531
0 Copenh gen from an ex a mination o f t h e D nish
a ,
a
f rs t a remote epoch w he
i the spruce fir n ow no l nger a
,
n , o
o f the o k w hich is
a ,
o w rare A fter the oaks came the
n .
OR M I N G OF T HE E .
3
clear land into which men with only fire and flint to aid
the m co u ld have penetrated thinly peopled w ith the r ce ,
a
F or Sir Ch arl es Ly e l l ’
s v i e w s , s ee his G e o l o g i cal E v i d e nce s of
t h e An t i qu i t y o f Ma n .
i 34 E N GL I SH WR I T E R S .
Th S m
e u
d eep u n der g ro wt h o f p ea t tah t see m s t o b e a t a
“
S cattered all through them are flint knives h tchets n d , a ,
a
w here it is o w una b le to l ve
n i — when there fore the oce n , , a
C ml h
ro ec
and it h s been w ell suggested b y Mr Thoms
s.
a .
i n .
q u ar
y s i n ference’
o f the e stern origin o f the S tone people a
fro m the r rity of their rem ins on the west coast o f Den
a a
, ,
an d b e en s y no n y m o u s w i t h q u ozt t h e n a m e by w h i c h t h es e e rec t i on s
’
a re h e re a n d i n s o m e p a rt s o f Wa l e s m o s t c o m m o n l y k n o w n
”
,
T he , .
La n d s E nd D i s t i c t : i t s A n t i q u i t i es &c
’
-
r By Ri ch a rd E d m o n d s , .
”
.
Lo n d o n 18 6 2 Cr ab i n W el s h i s acco rd i ng t o R i ch a rd s s \Ve l s h
,
.
, , ,
’
D i c t i o na ry a ro u n d h e a p o r h u n c h
,
[l ac/z any b roa d fl a t s t on e , ,
’
a
g ra v e s t on e , s l a t e , a l i ak e s t o n e .
T HE F OR M I N G OF T HE P E OP L E . I 37
are rare and lead only to the largest cromlechs Gener lly
,
. a
—
smooth often smoothed by artifici l splitting ou the inner
— a
232
4 B .
ba ro ws b u nt their de d
ar r enclosed t h e as h es i
r a n
over it .
they shaped are all the tr ces that remain The men wh o a .
f
or th se whose heirs would not grudge burying their shes
o a
in t heir gold .
T h m“
e o f this period d i d t burn their de d Their no a .
P ” d
e ° °
f mily f Man ?
a o Says one O t o f Cimmeri n darkness ; , u a
N ow , a ft e r d e scri bi ng
t h e p a rt s o f As i a l i ng n o rt w ar , w e t i n y h d h k
i t n o t i n ap p rop ri a t e t o n a rra t e t h e m t o l og i cal s t ori e s con cern i ng t h eyh
H ype rborea ns . H ecat ae u s , h e r a u t h o rs o f anci en t m y t ho
an d s o m e o t
l og y say t ha t i n
, t h e reg i o ns o v er ag a i n s t C e l t i ca t h e re i s i n t h e o ce a n ,
’
'
a n i s l and , n o t s m al l e r t h an S i c i l y ; t h a t t h i s i s l an d i s s i t u a t e d b el o w
t h e c o n s t e l l at i o n o f t h e Bea rs a n d t h a t i t i s i nh abi t e d by m en ca l l ed
,
sary an d e nj oy i n
, g a fi n e t e m p e ra t u r e b ear s t w
, o c ro s i n t h e y ea r
p .
No w t h ey m y t h ol og i cal l y s t a t e t h a t Lat o n a w as bo rn t h e re an d t h a t
, , ,
a m o ng t h e m t h e re are s o m e m en ri e s t s as i t w e re o f A p o l l o a n d t h a t
p , , ,
c on s e q u en t l y h e i s d a i l y an d co n t i n u o u s l y hy m ne d b y t h e m w i t h l y ri c
,
s o n g s and e x ce e d i n l y h o n ou re d t h a t t h e re i s a l s o i n t h e i s l a n d b o t h
, g
a c o n sec rat e d re c i n t f t m i fi c e n ce an d a t e m p l e o f co rre
p c o g re a a g n ,
s po n d i n
g b ea u t y a d o
, rn e d w i t h n u m e r o u s d e d i c a t e d g i ft s a n d i n s h a e
p ,
s ph e ri ca l ; t h a t t h e re i s a l s o a c i t y s acre d t o t h e o d a n d t ha t t h e
g ,
m aj o r i t y o f i t s i n h abi t an t s a re h arp e rs a n d t h at t h es e co n t i n u o u s l y
, ,
m ag n i fy h i s d e ed s Th ey al so s t at e t h at t he H yp e rb o re a ns h a v e a
.
e s pe c i a l l y t o t h e A t h e n i an s an d D e l i a n s a n d t h at t h e y h a v e i n h e ri t e d
,
p r ec i o u s d e d i c a t e d g i ft s b e a ri n g H , e l l e n i c i n sc r i p t i o n s ; t h a t i n t h e
sa m e m a n ner A ba ri s i n a fo rm er ag e h ad p as se d i n t o H e l l as a n d
, , ,
re n e w e d w i t h t h e D e li an s t h e b o n d o f fri e n d s h i a n d c o ns ang u i n i t y
p .
I t i s a l so sa i d t h a t e v e ry n i n et e en t h y ear t h e g od d es cend s i n t o t h i s
i s l an d . Now e ve ry n i n e t een t h y e ar ce rt ai n ret u rn s o f t h e s t a rs t o fi xed
,
n i g h t fro m t h e v e rn a l e q u i nox t o t h e ri s i n f t h P l i d t k i e a t
, g o e e a e s a n gg r ,
d e l i gh t i n h i s ow n s u ccessfu l effort s .
”
H e re fe w p o i n t s i n w h i ch t h e h i s t o ri a n D i od o ru s ag ree s w i t h
a re a
t h e a n c i e n t M y t h o l o g i s t (bo o k v ) .
“
F or o v er a g ai n s t t h e Paro ce an i c G al at i a t h ere are i n t h e oc ean
m any i s l a n d s , of h h
w ic on e , b e i ng al s o t h e g reat e s t , i s c al l e d Bre t
’
t an i ca .
“
C o m pare the i s l an d of M y t h o l og y, ‘
an i sl a n d o ff th e coas t of
C e l t i ca , i n th e ocean .
’
Ag a i n , t h e i sl an d b e i ng t ri a ng u l ar, s om et h i ng l i k e S i ci l y , h as
i t s s i d es qu al l y l o ng ’
no t e .
“ C o m are t h i s w i t h h e ex re s s i n h i
’
p t p o n o t l e ss t a n S c i l y , .
Ag ai n t h e H y pe rborean i s l an d w as u n d e r t h e B ear
’
, .
w e re d es cri be d as u n d i s t u rbe d by w a rs n on e of t h e i r ne i g h bo u rs e v er
m o l e s t ed t h em w i t h t h e s w o rd .
F o r w e h a ve n o t h e a rd t h a t D i on ys u s n o r H e rac l es n o r an y o t h e r h ero ,
o r p ri n ce m ad e w a r a ai n s t i t
’
, g .
p eace ful.
b e an s
or His inquiries it is rgued proved only that there
.
,
a ,
t h e Hyperboreans w est w rd a .
B u t t h e D e l i an s s ay bou t t h e H y p e rborean s as t he y
m u c h m o re a ,
s ay t h a t s a c re d
g i ft s b ou n d u p ,
i n w h ea t e n s t raw a re reg u l a rl y con ,
v e e d t o t h e S cy t h i a n s
y an d t h a t t h e,
n e i g h b o u rs o f t h e s e rec e i v i n
g ,
t h e m i n s u cc e s s i o n co n v ey t h e m t o t h e H a d ri a t i c t h e fu rt h es t s t a t i o n
, ,
f ro m t h e m t h e y d e s ce n d t o t h e M a l as a n G u l f a nd c ross o v e r i n t o ,
E u b oea a n d t h e n t h at ci t y s e n d s t h e m t o an o t h e r c i t y u n t i l t h ey re ac h
T e n os a nd t h e T e n i a ns t o D e l os Tha t i n earl i e r t i m e s t h e H yp e r
, .
b o re a n s s e n t t w o v i rg i n s t o b ea r t h e s ac re d o ff e ri n g s Th es e t h e .
D e l i an s n a m e H yp e ro ch e a n d La od i ce ; a nd t h a t as a n e sco rt t h e y
s en t w i t h t h e m fi v e o f t he i r c i t i z e n s w h o m t h e y n o w c a l l Pe r h ere e s
p , ,
w h o h a v e g re a t h o n o u rs a t D e l os ; b u t t h a t w h e n t h e m e n t h u s s e n t ,
e v i l t h a t i t s h ou l d al w ay s b e t h e i r l o t ne v e r t o re ce i v e b ack t h e m e n
s t ra w t o t h e i r n e x t n e i g h b ou rs w i t h i nj u n c t i o n s t o e sc o rt t h e m fro m
, ,
t h e i r o w n t o a n o t h e r na t i on an d t h e y s ay t h a t t h e o ffe ri ng s t h u s
, ,
e s co rt e d re a c h e d D e l o s
”
, .
L ib i v . . ca p . 32 .
T HE F OR M I N G OF THE P E OP L E . 145
deacon Wi l l i a m s wh o wou l d
connect a hierarchy o f Druids
—
w ith the w orship o f Apollo and o f course could see o ly , n
have also thei r n u rsery lore and s u ggestive fab le ble nds ,
W e re h t
related
e
names is an opinion w idely held W hat , .
C al l i s Aristotle
nu , d b y rem ining n ames o f places , T he
an a .
a a a
H e ro d o t u s (Lo nd on v ol
’
1" R aw l i n s o n s , . i i i pp. . 1 83 - 1 9 1 .
“ O d sse y y xi. 1 3 -2 2 .
.
x P ro m e t h e u s Bo u n d . 8
74 7 5 0
-
. S ee al s o S t rabo , Vi i . 0
3 9.
Fragm en t of Gal li a ns , 2.
148 E NGL I SH WR I T E R S .
k e w only in Central
n d Western E urope o f the Si gyn es
,
an ,
n ,
speci l n me o f Cymry
a a .
r ce it was in Brit in
a ,
in Gaul the Celts w hom they dis a as
E ur pe n countries
o The name f the C i m m e ii
a d . o r an
a ncient home .
t
o G u l and S p in and Brit in The pre ure o f l beri n s
a ,
a , a . ss a
T HE F OR M I N G OF T HE P E OP L E . 149
The w hole body then of the Celtic Briton s cert inly did
, ,
a
o . a
Th B le e
Germ
g as
ns most po w er ful of all the nations w est
a ,
*
, a
ant i q u it u s t rad u c t o s , p ro p t e r l o c i fe rt i l i ta t e m i b i c on s ed i s s e . G al l o s q u e q u i
ea l oca i n co l e ren t e x p u l i s se .
”
De B G . ii 4
. . Tac i t u s , w ho n o t es t he s a m e
t h i ng . s p e ak s al s o of the l a ng u ag e o f t he I E stu i , a G e rm a n t ri b e . as
L i n g u a Bri t anni ca p rO p i o r (M or G e rm . .
15 2 EN GL I SH WR I T E R S .
the coast they disl dged from the north eastern sh ore o f
, o -
a a a
f ct to h ve been Gaels
a , a the I b erian or Spanish Celts , as
, ,
a
r c a
Th G l
e
little
ae s
dou b t th t the first Celts w ho c me to a a
a ,
“
i
’
L ib iv . . 1 -2 . 1
‘
D e Bel l o G al li co , . I .
THE F OR M I N G OR T HE P E OP L E . 1 53
E e n d E sk
x a E ven the tradition f the common people
. o
“
V i t Agri c . ii . .
1
'
Bri g an t e s a n d S i l u re s s e em t o have b ee n n a m es a d o p t e d b y t h e R om an s
fro m C m ri c y au t hori t y t ho s e , q u i e t in W a l es b e i ng ca l l e d m en o f t h e sy l
(pl i y l u r) or
. s oi l , t h os e i n t h e N o rt h of E ng l an d , w h o b a t tl ed a g a i ns t the
B r ig a n t i s W el s h fo r t i e f h an d h i g h l an d e r .
154 E N GL I SH WR I T E R S .
r, a o o ,
have b een d riven p rtly inl nd where they could only pos a a ,
bef re C s r s time
o ae a
’
.
pi m
r i convulsions By me ns o f the i r sm ll ships
t ag e n . a a ,
gig gg
n
f
slo
a
w ly d in course o f ye rs the S panish G els ,
an a ,
a
Eng li hs
colonised Irel nd and our western coasts By a .
S ei e n d o f so m e Bretons
,
an ol nt ry migr tion certain l y v u a a
i Be l gic G ul
n O E nglish soil G el yielded ground t o
a . n -
a
hist ry Anglo S xo s
o as -
a n .
E t h n o l og i c al a n d Li n g u i s t i c Lo n d o n a n d Le i p s i c 1 8 6 1 ”
E s sa ys , .
, .
T h o m a s W ri g h t h o s e na m e m u s t a l way s b e m en t i o n ed w i t h ho nou r i n
,
c o n nec t i o n w i t h E ng l i s h a t i q u i t i e s a n d w h o w ork e d s t e ad il y fo r t h e
n ,
d i ff u s i o n o f h i s k n o w l e d g e g a e h i s s u p p o rt t o t h e b e l i e f t h a t C ae sa r w a s
,
v
ri g h t a b ou t t h e Be l g as (i n T h e Cel t R o m a a nd S axon ed , n, , .
T HE F OR M I N G OF THE P E OP L E . 1
57
G elic forms
a
m na es .
A be r i nver co n fl u e n ce Afo n al i h an a ri v e r
o f s m al l an d l arg e s t re a m ri v e r Avon Th e re i s a n A v o n a t
.
m ou t h as A be rd ee n , fo rm e rl y B ri s t o l a n t h er i n N o rt h a m p t o n
, o
A be r-d o n , nea r m ou t h of
D on ; s h i re an o t h e r i n W a rw i c k s h i re
, .
A b erg a v en n y , a t co n fl u en ce o f P t o l e m y c al l e d t h e H u m be r
t he U sk an d t he G a ve n ny . A Bp v p s —o w hi ch
r cis ,Avon
A ch a field as Ac h n i v e r, t he T ros (o v er e x ceed i ng ) an au g , ,
T ro sa c h s . m e n t a t i v e a ppl i e d t o t h e b ro ad
A rg y l l A rre -G ai d h el , t he e s t u ary .
Ba l a flow of a ri v e r i n to a in L ond i n u m ,
g d u nu m , & c L u .
n a m ed i n B reck n ock s h i re C a e r ,
a nd d o w ns .
N ew p o rt , L V Du n a fo rt i fi ed h i l l o r t o w n
V
.
. ,
Be i n n , Be n a m o u n t ai n or Dwr w a t er : D e rw en t , d w r
l B e n -Ne v i s (L an d fai r ; or g w en t , a fai r
'
i
’
p nn ac e : .
, m ws g w e n ,
of s now ) , o r co n t ra c t i o n of G . o p en reg i on ; D a rt , A d o u r, A d u r,
n ea m b a t h oi s , c l o u d b row ed
-
. C al d e r , S t ou r (E s D wr) . E l se
C ae r cat h ai r w al l s of w h e re , the D o u ro , &c .
n arvo n , t h e s t ro n g hold y n Ar G w ys g u i sg e i s ca , a
C il l k i l a h erm i t ce l l p l ace
,
-
, ch u rc h of Pe t e r ; L l an d afl ,
of w o rs h i p bu ryi ng g ro u n d ,
-
c h u rch o f Dav i d ; L l anb eri s ,
K il k e n n y ch u rch o f S t K e nn y
, . ch u rc h o f S t P e ri s L l a ng o l l e n
.
,
o r C a ni c e . c h u rch o f S t C o l l e n . .
roc k o r cas t l e o n a ro c k : C a r
, Lynn i n No rfol k t h e p ool ;
, ,
,
ri ck fe rg u s cas t l e o f F e rg u s
, . Lo nd o n (l yn d u n) t h e t o w n o f ,
C l u yd a co m m o n r i v e r n a m e t h e p oo l , t h e p o ol o f t h e ri v e r
l and w as n am ed by t h e Cy m ry . M a en a s t one : P e m ae n
n -
Cw m m a d a l e w h e n ce A S ,
.
-
. M on so l i t a r y , i s o l at e : M o n a ,
co m b : V ycom b w a t e re d d al e A ng l e s e y ; I s l e o f
V
, , ol d n am e o f
fro m ( C ) w
g y , o r w y.
, w a t e r ; M an . M aw n , m oi n (G m ou n .
C o m p t on , c w m m d u n, or A -S . . tai n , c o mm o n , b og .
ci t y t h e R om an d u n u m , d i n u m Pe n a h ead , su mm i t , n ot con
1 60 E N GL I SH I VR I T ERS .
h o b , m easu re h ooped v e s se l
p o t (G ael .
p o it to
d ri n k )
l l a th , ro d
l l ym ry , j el l y o f oa t p o t e s, a coo k ed
m es s
m eal
rh as a s l i ce
g ,
m atog
rh i m , ra i s e d e dge
m o p , m op a
s y th , s t i ffe ni ng
g l u e
p an , c u ,
p bo w l t ac l , i n s t ru m e n t ,
e
p g, p g ,
e e d a m ea t oo l
s u re
t ed d u , t o s p rea d
i e
P y .n
a s h ri , t ri c k , m is bl e w h ai r
, of an i
c h ief s p re e . m al s flu e (o f fu r) .
be w i t ch , c h eat ) ba rn .
caro l , m o v e m en t of
b i cra , to w rangl e b i ck e r . s ong o r d ance
T HE F OR M I N G OE T HE P E OP L E .
ci c , foo t , c i c i an , to h w ch , a s w i ne h og .
s t ri ke wi t h the l l ac h i a w , a cu dge l l i ck .
foo t k i ck . l l aw d , you t h l ad .
c n oc , a k no ck . l l od e s , g i rl l as s .
be l l k n el l l l u g d w y, t e p i d
.
c nu l , p a s s i n g .
c o c ru , to i nd u lg e c o ck e r . l l u m on , lu m .
h ort s t a ff
c og e l , s cu dg el .
p a n eg , e n t rai l s
p a u nc h .
c rw t h fidd l e , cro w d .
p i c i aw , t o t h ro w p i t c h .
c w t a s h o rt cu t t y i e s m a rt , a
g y i nk
, p n , p .
(pi p e. (t o a o rn ) d .
ch w a p , s mart s t ro ke w h op .
p w m p, rou n d m as s p i m p l e .
d wn , d u s ky dun . t al , l o ft y t al l .
fu g , d ece p t i o n fu d g e . t o ci a w , t o cu t s h o rt d o ck
,
.
g l y n v
, a l l e y g l en . t os i aw , to j e rk
h o ch i t o e x p e c t o r
, th ro w t o ss .
at e t u i g u n d e rs t a n d
,
t wi g
h oed en , a fl i rt
g u ge o f
a i t s people For w e h rdly cc nt . ca n a a ou
( c astr in Chester
a, M nchester ) ; their colonies (as
,
in Lin a
i
an i s ed b ei g ccounted L tin o f the S econd ; those that
, n a a
f mili r sketch f
a a priestly cl ss th t in rude age rises t o
o a a a a
w rior chie fs
ar The priests called Druids judged and
-
.
, ,
people .
OL D L I T E R AT U R E OF T HE G AE L .
existing dialects does not aff ect the story o f their ncient a
a n d S cotland w h o also
, s they spre d themselves a b ro d
,
a a a
(w d poster i o r w es t e nfi
ar “ E ri as the greater and more r n,
, ,
where there was court tha t represented the best stren gth
a
S c t or Irishman to
o exclus i ve proprietorship in any an
“ h h h ce nt u ry
Av i enu s i n h i s O ra M ari t i m a w ic b el o ng s t o t h e fou rt .
s pe a k s of I re l a n d as t h e s acre d i s l and . M .H G a i d o z i n t he R ev u e
.
Cel t i q u e, V o l . IL , p .
3 5 2 , reas o nab l y arg u e s t ha t t h i s w as h i s i nt erp re t a t i on
i s m. a b ou t I s l es o f th e Bl e s t
o f 159 m i n t o s u gg e s t e d by ol d l eg e n d s .
1
'
T h i s d oct ri n e i s e ff ec t i v e l y s u s t a i ne d by M r .
J . F .Ca m p b e l l , i n t he
fou rt h v ol u m e of h is P o p u la r T al e s of t he W es t H i g hl a n d s . O ra ll y
C ol l ect ed . E d i nb u rg h , 1 86 2 .
68 E NG L I SH WR I T E R S .
Me d her army
av an As e ch staff w as found it w as . a ,
f
’
o L e zm t er .
s e t ou t t o m ee t each o t h e r p ri v a t e l y on t h e b ank s o f B oy n e Ba i l é .
eo
p p l e h a d u n y ok ed t h e i r ch a ri o t s sen t t h e i r h o rses ou t t o
g raz
, e a n d ,
s ai d B ai l é
“ “
t o ask w h i t h e r h e g o e s w h ence h e
”
L e t h i m b e m et , , ,
co m es a nd w h y h i s h as t e H e ca m e from M ou n t Le i n s t er t h e m an
”
.
, ,
T h e L e ab h ar na -h -Ui d re , q u o t e d i n t h e S eco nd Ap pe n d i x t o t h e l a t e
Pro fes s or E u g e ne
'
O C u rry s L
e c t u res o n t h e M S M a t e ri al s o f A n c i e n t
'
h
I ri s H i s t o r
”
y
Du b l i n ,
. 1 86 1 . Pro fe sso r O C u rry h ad ’
u n eq u a ll e d k no w
l ed g e o f t h e c ont e n t s o f th e O ld G a el i c M SS i n I rel a n d an d . wh ere no
.
sa i d , an d w en t n o rt h . H e h ad no n e ws b u t t h a t Ai ll i n as sh e w as
co m i n g t o m e e t Bai l é h ad been
you t h s o f L ei n s t e r o v ert a k e n by t he ,
an d w a s d e ad o f t h e h i n d ra n ce a s i t w as fore t ol d by D ru i d s t h a t t h i s ,
cou p l e w o u l d no t m ee t i n l i fe b u t w o u l d m ee t aft e r d ea t h a n d w o u l d , ,
n o t p art fo r e v e r a ft e r t h a t T h e m an t h e n p a s s ed by as a b l as t o f
.
s t one w as s e t u p an d a ye w g re w u
p t,h r o u g h h i s g ra v e an d t h e fo rm ,
o f Ba i l e s h e ad a p e a re d o n t h e t o Th s p ed
’
p p o f i t e n t h e s a m e m a n .
s o u t h a n d p asse d i n t o t h e su n n y ch a m b e r o f A i l l i n a nd t o l d h er h o w
, ,
h e h ad s e e n t h e l am e n t a t i on o v e r Bai l é w h o d i ed w h i l e c om i n g t o m e e t ,
a fav o u ri t e an d b e l o v e d w o m an \Vh e n h e h ad t o l d h i s e v i l ne w s h e .
o f s e v e n y e a rs a n d t h e fo rm o f A i l l i n s h ea d a re d o n t h e m ) o f i t
’
, pp e a l .
A t t h e e n d o f s e ve n y ears po e t s a nd p ro p h e t s and v i s i on e rs c u t d o w n
, , ,
t h e ye w w h i ch w a s o v e r t h e g rav e o f Bai l é an d t h ey m a d e a Po e t s
’
,
T abl e t o f i t an d t h ey w ro t e t h e v i si on s an d t he es p ou sa l s a n d t h e
, , ,
l ov es and t h e c o u rt s h i p s o f U l s t er i n i t
,
T h e a p p l e t ree w h i c h g re w .
-
o v e r A i l l i n w a s al so c u t d o w n an d i n t h e sa m e w ay t h e co u rt s h i p s o f,
A rt t h e s o n o f C o nn m ad e fes t i v al t h e p o e t s a nd t h e p ro fe ss o rs o f
, , ,
e v e ry art cam e t o t h a t fe a s t as i t w a s t h e i r c u s t o m an d t h e y b ro u g h t ,
sa w t h e m and w h en h e saw t h em h e as k ed fo r t h e m ; an d t h e t w o
,
t a b l e ts w e re b ro u g h t an d h e h e l d t h em i n hi s h a nd s fa ce t o face
, .
S u d d en l y t h e on e t ab l e t o f t h em s p rang u po n t h e o t h er and t h ey ,
u n t i l i t w as b u rn t b y D u n l a n t h e s o n o f E n n a a t t h e t i m e b e b u rn t
g , ,
t he Pri nc es s es .
Ogh m in hi spe r
a Then he w ent out upon the sea d
s a .
,
an
s id the poet
a It w as not good luck he designed f r you
. o .
W h t does it cont in ?
a sked the king s son from a a
’
Munster “
What it cont ins s id the poet is that i f a a , ,
y ou c me by day
a to F e d h s court your he d should be ra ac a
P oe t sS
’
or in the f lds of
ta v e s
thick sta ff opening f n w ise o a a .
,
a
a o .
Old G 1
per fec t Doctor wh o w s q alified to recite at
ae i c
’
,
a u
a nr ,
Of a B at t l e f o ug l zt on t i re P l a i n o f M oy t u r a .
T he p l a i n i s s t i l l co v e re d wit h c ro m l e c hs , an d i f the st or y b e t ru e i n
i ts d a t es t h o s e c ro m l ech s w e re rai s e d o v e r t h e s l ai n
,
a b ou t t h re e
t h o u san d e ig h t h u n d red y e a rs ag o .
t h ey co n t ri v ed t o m e e t i n t h e u n p e op l e d l a n d an d fi x e d t h e i r sea t o f ,
v e rn m e n t u o n t h e h i l l w l l d T ra T h e fi v e b ro t h e rs
g o
p g r e e n n o c a e a .
w as an o t h e r p eo p l e i n t h e l an d t h e T u at h a (t h a t i s , p peo l e ) d é ,
D anaa n o f w h o m t h e y h ad k n o w n n o t h i ng Th e s e p eo p l e a ft e r l an d i ng .
,
o n t h e n o rt h e a s t coa s t o f E ri n h ad d es t roy e d t h e i r b o a t s s l i p p e d i n t o
-
, ,
fas t n e ss es i n L e i t ri m an d s o g rad u a l l y s h o w e d t h e m s e l v e s t o t h e
,
s k i l l i n n ec ro m a n c y T h e K i n g o f t h e F i rb o l g s se n t a g re a t w arri o r
.
,
na m ed S re n
g t o o b s,e rve t h e s t ra n g e rs w h o s e e i ng h i s a pp roa ch sen t , , ,
fo rt h a ch am pi on o f t h ei r o w n n a m e d Bre as t o m e et h i m ,
T he t w o , .
c h a m p i on s a p roa ch e d c au t i o u s l y p p g
e e i n a t eac h o t h e r o v e r t h e i r
p ,
s h i e l d s ; B re a s s o k e fi rs t a n d S re n g w as d el i g h t e d t o h e ar h i m se l f
p ,
a dd re ss e d i n G a e d hl i c Th en t h ey conv e rs e d a nd fou nd t h a t t h e t wo
.
na t i o n s w e re o f o n e d e s ce n t t h e an ces t o rs o f t h e T u a t h a d é D a n an n
,
p a r e d ar m s e x c
, h a n g e d s p e ar s f o r c o m p a r i so n o f a rm s o n e i t h e r s i d e ,
c o u n s el l i n
g d i v i s i o n o f t h e i s l a n d a n d m u t u a l f ri,en d s h i p b e t w e en t h e
t w o p e op l e s B u t w h e n S re n g re t u rn ed t o t h e F i rbo l g K i ng t ha t k i ng
. ,
an d hi s
p p
e o l e w e r e b en t u p o n g i v i n g b a t t l e T h e T u a t h a d é D a n ann .
,
e x p e c t i ng a t t a ck w i t hd re w t o M a h T u i read h (o r M o t u ra n ear t h e
, g y ,
p res en t v i l l a
g e o f C on g i n M a y ,o ) T h e F i rb o l g s .m a r c h e d u p on t h e m .
m od a t i on . B u t t h e F i rb ol g s w e re res o l v e d t o fig h t d i d fig h t a n d , ,
w e re d e fea t ed w i t h g re a t s l au g h t e r t h e i r n u m be rs b e i ng b ro u g h t d o w n ,
t o t h ree h u n d re d a ft e r fo u r d ay s b a t t l e S re ng cu t o ff t h e l eft a rm o f
’
.
t h e K i ng o f t h e T u ath a d é D a n a n n B u t t h e m ai m e d K i n g h a d a
.
s i l v e r arm m ad e t o re l a ce i t a n d w as ca l l e d i n s t o ry a ft e rw a rd s t h e
p ,
(g eni t iv e d an a n n ) , c a l l ed al so Anu or A n a , w as , w i t h t he m , he y
s a s , t he
M o t h er o f t he G o ds .
OL D L I T ERA T U R E OF T HE GAEL . 1 73
S i l ve r -
h and e d . h t he t h re e h u n d red s t i l l
S re n g , w h o s u rv i v e d wit ,
fou g h t o n an d o ff e re d t o co m p l e t e t h e ba t t l e b y a s e ri e s o f s i ng l e
,
o ne o f t h e fi v e d i v i s i ons o f t h e l a n d t o ru l e o ver s o t h a t C o n n a u h t
g ,
b e ca m e k n o w n as S re ng s P ro v i n ce ’
.
OC
’
y s ys “
u rr I m b ound to ssert th
a t I believe
, there isa a a
t i c i ty .
T li ef i m t ea r a m e o f t /w Gard /I ai r i n E r zn
’
a
pp .
S cy t h i a t h en w en t t o G re ece a n d l as t l y t o S p ai n w h e re a ft e r a l ong
, , ,
re s i d e n ce t h e y bu i l t t h e c i t y o f B ra a n t i a b
g [O s e rv e t h e p e rfe c t c o i nc i .
(ab ou t 1 700 u n d e r co m m an d o f t h e ei g h t s o n s o f G a l a m h w h o i s ,
co mm on l y ca l l e d M i l es i u s Th es e M i l e si an s l and e d a t t h e m ou t h of
.
t h e S l a n ey i n W e x fo rd u n o bs e rv e d by t h e T u a t h a d é D ana n n a n d a t
, , ,
o n ce m arc h e d u p o n T a ra t h e s ea t o f g o v e rn m e n t w h e re t h e y ca l l e d
, ,
u p on t h e t h re e k i ng s o f t h e i s l a n d t o s u rre n d e r Th ey re pl i ed t h at t h ey .
o u t t o s e a a d i s t anc e o f n i n e w a v es a n d t h en i f t h ey co u l d fo rc i b l y, ,
m ak e g oo d t h e i r l a nd i ng t h e y s h ou l d h a v e t h e c o u n t ry
, T h e M i l es i a n s .
ag re e d t h a t t h i s w as fa i r a n d w en t b a ck t o t h e i r s h i s b u t t h e T u at h a
, p
d é D anaa n t h e re u po n rai se d a fi e rc e m ag i ca l t e m p es t w h i c h d i s p e rs ed ,
t h ei r fl e e t T h e M i l e s i ans h ow e v e r h a d al s o D ru i d s an d al t h o u g h
.
, , ,
j u dge , an d Am e rg e n w as t h e fi rs t
d i s pens e d j u st i ce i n E ri n
m an w h o .
A ft e r t h e l an d i n g t w o bat t l e s w e re fo u g h t an d w o n al t h o u g h i n t h e ,
fi rs t t he M i l es i a n b ro t h ers l os t t h ei r m o t h e r S cota T he po w e r o f t h e .
T u a t h a d é D a n an n h a v i ng be e n t h u s o v e rt h ro w n E re m o n a nd E be r ,
F i n n d i v i d e d t h e l an d be t w ee n t h e m Bu t t h e y t h e m se l v e s q u arrel l e d.
a n d fo u h t
g A f t erw a rd
. s E re m on w a s s o l e k i ng a n d i n hi s rei n t h e
g ,
Bri n Bo i m h e
a ro .
t i e l y modern
v About the ye r 5 8 S ench n (pronounced
. a 0, a
g n é ,
w hich took place bout the ye r 39 They s id th t a a . a a
I rish history
t he Ca t t l e '
T /I e T al e f
o p
-S
oi l f Cl ma i lg ne. ‘
o
h ad be fo re t h e n q u i tt ed C o nor K i ng o f U l s t e r t o w h om s h e h ad b ee n
, ,
c h osen th e Ki ng o f L e i ns t e r s y o u ng es t s on w h o w as na m ed a l so Ai l i l l
’
, ,
c h i l d ren w e re bo rn o f t h ei r h ap p y m a rri ag e .
p ro d u ce a n d co m pa re t re a s u re s ag ai n s t e ac h o t h e r Th e re w e re b ro u g h t .
e q u al i n val u e ; t h ei r fi ng er ri ng s c l as ps b racel e t s t h u m b ri ng s
-
, , ,
-
,
g re e n , an d y el l o w an d m o t t l ed a n d w h i t e
,
a nd s t rea k e d
, i n w ea l t h o f,
t h es e t oo t h ey w e re e q u al
, ,
Th e re w e re brou g h t t h e i r fl ock s o f s h ee p
.
M eav s co w s w h i c h no t d ee m i ng i t h o no u ra bl e t o b e u nd e r w o m a n s
’ ’
, ,
co n t ro l h a d g o n e o v e r an d a t t a c h ed h i m s el f t o A i l i l l s h erd s
’
.
,
T he na m e of t h i s fi ne an i m al w as t he Wh i t e h o rn e d and i t was -
,
fo u nd t hat t he Qu ee n had n o t o ne t o m at ch h i m .
M
1 78 E NGL I SH WR I T E R S .
C h u ai l g n é . It be l o ng e d t o D ar é , s on of F a ch t n a, of C h u ai l g né , i n
U l s t er .
G o, d t h e Qu een
s ai a sk D a ré t o l end i t m e for a y ea r a n d I
, ,
w i l l s e n d h i m fi ft y h ei fe rs b ack w i t h i t I f t he p eo pl e o f t hi s d i s t ri c t .
o bj ec t t o
p ar t i n g w i t h t h e b u l l l e t D a ré c o m e w i t h i t
, h i m s e l f a nd h e ,
s h al l h a v e l a n d s h ere o f m
y b es t e q u a l i n e x t e n t t o h i s o w n a ch ari o t
, ,
w o rt h s i x t y t h re e c o w s and m y fu t u re fri e nd s h i p
”
-
.
,
O ne s ai d t h a t D are h a d d o n e w el l t o g i v e t o n i ne fri e n d l y m e n
’
cu p s .
t h e B ro w n B u l l t h at t h e fo u r p ro v i nce s o f E ri n cou l d n o t ha v e t ak e n b y
fo rce o u t o f U l s t e r A n o t h e r s a i d t h a t l i t t l e t h an k s w e re d u e t o h i m
.
,
fo r i f h e h ad n o t g i ven t h e bu l l w i l l i ng l y Q u ee n M c dv w o u l d h av e ,
t h a t t i m e a n d h e h e a rd t h e b o as t
, A n g ri l y t h ro w i ng d o w n t h e fo od .
hi s m as te r w h o s w o re b y h i s g od s t h a t t h e s e u nm an n e rl y c l a i m an t s
,
s h o u l d no t h a v e t h e B ro w n B u l l e i t h e r b y c o n s en t o r fo rce .
B a ns h e e t h at a p p eared t o h e r t h e Q u ee n h e rs e l f l e d t he a rm y o f ,
i n v a s i on h er h u s b an d a nd h er d a u g h t e r t h e F a i rb ro w ed g o i n g w i t h
, , ,
h er . W h e n t h e h os t w as enca m p e d fo r t h e n i g h t M e av con t ri v e d t o ,
s p e a k p ri v a t e l y t o ea ch o f t h e c h i e fs a n d p ro m i s e h i m fo r h i s fid e l i t y ,
t h e h a n d o f h e r be au t i fu l d au g h t e r t h e F a i rb ro w e d i n m arri ag e , , .
I t h app en ed t h a t t h e U l s t e rm en l ay at t h a t t i m e u nd e r a c u rs e o f
d e bi l i t y s o t h a t t he on l y d e fe nd er o f t h e i r bo rd e r w as t h e you t h
,
C u ch u l ai n an d C u ch u l a i n s p a t ri m on y w as the fi rs t t o b e i n vad ed fo r
,
’
w i t h i n i t l i v ed t h e o w ne r o f t h e B ro w n B u l l o f C h u ai l g n é C u ch u l a i n .
,
t h e m b y t h e l aw s o f w ar n o t t o a d v a n ce fu rt h e r u nt i l i n fa i r s u cce ss i v e ,
ra n t ed B u t d ays p as s e d an d C u c h u l ai n s t i ll w as v i c t o r i n e a c h
g .
,
c o m bat M e v b ec a m e t h e re fo re i m pa t i e n t o f d e l ay b ro k e c o m pac t
'
. ii , ,
t h e B ro w n B u l l .
Bu t no w al so th e t i m e of t h e cu rs e ca m e t o a n en d , a nd the U l ste r
1 80 E N GL I SH WR I T E R S .
He s h ed b l o o d w el l w i t h hi s s p ea rs .
T i s pi t y
’
A s t o ne o v e r h i s g ra v e
H e w ho ca rri ed b a t t l e o v e r G l i fi M ai l .
My bl e ki ng ne v er sp ok e fa l s e h o od
no
Bl ac k as t h e rav e n w as h i s b ro w
S harp as a raz o r w as h i s s p ea r
W h i t e a s l i m e w as hi s s k i n
We u s ed t o feas t t o g e t h er .
H i g h w as h i s s hi el d as a ch a m pi on ,
L ong as an oar w as h i s a rm ,
T he p ro p ag ai n s t t h e k i n g s o f E ri n ,
H e m ai n t a i n e d h i s s h i el d i n ev e ry ca u s e .
H e fe d w i t h h i s s p ear cou n t l es s w o l v e s
A t t h e h e el s o f o u r m a n i n e v e ry ba t t l e .
g at i o n ubsequently
s led a C mmittee f t h Highl nd o o e a
Fi nn b h eo i l d one to C e i l t e
,
an The most important a .
Mor yshire d t d
a r fers t
,
a e w el l o f the Fein
1 2 2 0, e o a
”
it a
12 3 8 cont
,
ins i Irisha ch r cter
,
the
n song o f D e i d i or a a ,
r r,
D ea d r
(raM acpherson s D t h u l ) In B rbour
’
s Brus ar a . a
’
,
1 3 75 the,
Lord f Lorn is representedo quoting to his men
Fionn b y the n me f Fing l in his stri fe gainst G ll M
,
a o a , a o ac
morna ,
ex mple o f cour ge William Dunbar in the
as an a a .
,
C a m p b el l s ’
Pop u l a r T al e s o f t h e W e s t H ig h l a n d s , v ol . iv . , p .
45 .
and for t h e ne xt fa c t s .
182 E NGL I SH WR I T E R S .
ye r 5 5
a d much o f it b e fore 5
1 0 , an The volume le ft by 1 12 .
cont ins t w enty eight Feni n poems nine ttrib u ted to O isin
a -
a ,
a
C u m ha i l l .
o , . o a ,
Bo o k ”
h a s b ee n ed i t ed , (E di n b u rg h , 1 862 ) wit h a t ra n s l a t i o n a n d n o t es ,
b y t he R e v . T h o m as M ac L a u g hl a n , and an i n t ro d u c t i on a nd ad d i t i on a l
a . .
High -
m i n d ed G ol l , W ho bat s F i onu A h ero brav e Bol d i n
c om , ,
We ev e r fea r, Wh e n he as sa i l s .
I t e l l y ou F i on n , A v oi d t h e m an , Te rror o f G o l l , S h al l m a k e yo u
q u a i l S oot h e h i m rat h er, B e t t e r t h a n fi g h t S k i l fu l and j u s t , H e
. .
r ul es h i s m e n H i s bou n t y w i d e , A b l oody m an , F i rs t i n t h e s c h oo l s ,
A free r h ym ed h
t ra n s l a t i o n o f t i s p oe m . b y D r A n s t e r, wi l l b e fo u n d
.
i n t h e D u bl i n U i v er s i ty I l l ag a z i n e fo r M a rch
n an d Ap ri l , 1852 .
1 B o f
. D o f is m .ore L T r , pp,
"
- 8
43 4 . . .
OL D L I TERA T U RE OF THE G A EL . 185
A l l fu l l o f g race , F i e rc e t o e x ac t , W h en au g h t i s d u e , I n v i g o u r g re a t ,
O f fai re s t fac e, N o k i ng l i k e G ol l .
hi s g ai t , C o m el y h i s fo rm , G o l l
’
s s k i l l e d fen c e , N o p l a y w h e n ro u s e d .
R ea dy t o gi ve , D read fu l hi s s t reng t h , M an l y hi s m o u l d , S o l d i e rl y g re a t ,
N e e r c ou l d I t e l l , H i s g race a n d p ow er ; A fea rfu l fo e , R eady h i s
’
Ch o i ce am i d s t k i n s
g J o y fu l h i s . w ay , H i s t e e t h s o w h i t e
’
T i s h e t h at .
wo u n d s T h e g rea t e s t fo e
, H i s p u rpo s e fi rm A v i c t o r s u re D es i res
.
, ,
t em p t u o u s G o l l Pl u n d ers a t w i l l A fearl es s m an
, W ra t h fu l i s h e ,
.
,
D re ad fu l i n l oo k L eo p a rd i n fi g h t F i erce as a h o u n d O f w o m en
, , ,
l o v ed A ci rcl e t ru e E e r by hi m s t o od H e h u rl s h i s d a rt N o g en t l e
’
. .
, ,
c h a ng ed s u c ces s N o s t re am so s w i ft A s hi s a s s a u l t
, M a e M o rn m o re , ,
g re a t L
, i b e ra l j us t D o es n o t d e s i se
p Y e t fi rm res ol v es
, G e n t l e ye t , ,
fi e rce h i s m i e n A nd s t ro ng h i s bl o w Wh e n ro u se d hi s w rat h H e s
, , .
’
t h i rd o f t h e c h as e .
No b l e M c C u m h a i ll S o o t h e an d p ro m i s e G i ve p eac e t o G o l l, , ,
Check w ra t h a n d g u i l e D u ri ng m y d ay W h a t e e r i t b e I d g i v e .
,
’
,
’
w i t h ou t gu i l e A t h i rd o f t h e c h as e
, .
L e t s s t ri v e n o m ore S o ft d o t hou s p ea k F i on n s l o ve t o G o l l
’
.
,
’
A nd t h i rd o f t h e b ou n d s .
G ol l l ea v e t h y w rat h W i t h u s h av e peace No w w i t h o u t g ru d g e , , ,
H av e o f F i onn s fo res t a t h i rd ’
.
m o re I as k .
F ri en d wi t h ou t g u iLi ps t h i n and
l e , red , Bo u n t y and s t re n g t h ,
S h al l w i n t h e p rai s e , H ig h mi n d ed G ol l -
.
”
cut chips from the handle of his spear and cast them in t he
1 86 E N GL I SH WR I T E R S .
C ei l t e M R o a
a the other chie f poet was Fionn sc n n, ,
’
w ith the native p etry and legend f the Gael W ith lively o o .
No w i s F i on n th e Wh i t eh an d ed p l ac e d by G od am ong t h e d e v i l s ,
an d al th ou g h once g reat hi s s t re n g t h to re l y u p o n h e i s w e a k n ow i n
,
the c ou n t ry o f p a i n s .
Oi s i n — My . my g ri ef I o wn ! no t t h at m ys el f o r
a ffl i c t i o n an d
P a t r i r/ — I t i s b e t t er fo r t h ee t o b e w i t h m e an d t h e cl erg y , a s
e
.
h ou
t a rt , t h a n t o b e w i t h F i on n an d t h e F e n i an s , fo r t h ey a re i n h e l l
w i t h ou t or d e r of rel e as e .
Oi s zn
’
.
— By thy book an d i t s m e a n i ng , by t h y croz i e r and by t hy
i m ag e , b e tt er w ere i t for m e t o s h are t h ei r t orm e n ts t h an , to b e a m on
g
1 88 E N GL I SH WR I T E R S .
T w o d oor pos t s o f g re e n I s e e
-
N o r i s i t s d oo r w i t h ou t b eau t y ,
L on g ren o w n ed fo r i t s carv ed s i l ve r
I s t h e l i n t el t h at i s o v er t h e d o o r .
T h e p l eas an t e s t o f t h e p l easan t
A l l o v e r a b l a z e o f m o u n t ai n g o l d ,
A t t he fo o t of h er beau t i fu l c ou c h .
O f y e l l o w g ol d an d p re ci ou s s t o nes .
O f g o l d a n d s i l v er w i t h o u t d e fec t ,
C u rt ai ned an d s oft .
a e a at s
a
An h u nd red fe e t s p an s C red e 8 h ou s e
F ro m o ne c o rn e r t o t h e o t h e r,
A n d t w e n t y fe e t a re fu l l y m e a s u re d
I n b re ad t h o f i ts no bl e d oo r
t he .
I t s p o rt i c o i s t h a t ch e d
W i t h w i ng s o f b l u e an d y el l o w bi rd s
I t s l a w n i n fro n t i t s w el l an d
O f cry s t al a n d of carm og a l .
a a is
Th e re i s a v at of ro yal b ronze ,
W h ence fl ow s t h e pl easan t j u i ce o f m al t
A n app l e t ree ov e rh a ng s t h e v at
-
Wi t h th e a bu nd an ce of i t s h eav y fru i t .
Wi t h t h e al e of t h e n obl e vat ,
nam ed
OL D L I T ERA T U RE OF T HE GAE L . 189
that s u ggested for the lady s p rch a roofing w ith the blue ’
o
shi ing spear t his shoulder Such w ere the chiefs who
n o .
”
g y a s their
a cl ks listene d to the hist
oaries p ems d o ,
o ,
an
Sh kespe re
a The recollections of the past on w hich we
a .
written mind .
Th F e i i vention
e n an
o f t les h vi gnFionn O isin Fer g us a a n , , ,
T l
C ei l t e
a °s °
T b e P u rsu i t o f D i an /m i d and Gr a i n a t .
Wh e n F i o n n w en t t o T ara d au g h t e r o f C o rm ac
t o s u e G ra i n n é , t h e
M ac A rt h e t o o k w i t h h i m h i s s on O i s i n h i s g ran d so n O s ca r a n d a
, , ,
ol d , w a r w orn m an -
O i s i n an d D i a rm ai d p l eased t h e l ady m o re
. .
W h e n t h e re fo re sh e s en t h er cu p rou n d at t h e feas t se l e c t i ng as w as
, , ,
u s u a l fo u r ch i e fs a t a t i m e e ach o f w h o m
p a ss e d ,i t t o fo u r n e i g h b ou rs ,
s h e d ru
gg e d h e r c u
p an d c o n t ri v e d t h a
, t a l l s h o u l d d ri n k fro m i t b u t
O i s i n a n d D i a rm ai d Th ey w h o d ran k s l ep t Wh en t h ese al o n e re
. .
m a i n e d aw a k e G ra i n n é t o l d O i s i n t h at s h e w o u l d ra t h e r m a rry h i m
,
t h a n t h e o l d m an O i s i n w ou l d n o t b e t ra y h i s fa t h e r
. Th en t h e .
P ri n ces s b eg g ed o f D i arm a i d t h at h e w o u l d ru n o ff w i t h h e r So i t .
w a s t h a t t h e y fl ed t og e t h e r Fi o n n w h en h e a w o k e p u rsu ed an d
.
, , ,
s e n t h i s b e s t m e n o u t i n v ari o u s d i re c t i o n s b u t D i a rm ai d h ad t h e g o od
w i l l o f t h e o t h e r F en i a ns an d t h ey n ev e r ca m e u p on h i s t race s e x ce p t
,
w h e n F i o nn h i m sel f w a s o f t h e p art y A n d t h e n i t al w a y s h a pp e n e d
.
a i l i t y c o n t ri v ed a w o nd e rfu l e s ca p e
g ,
.
B o i sg ne
a This militia is said to have been p id by the
. a
g o o d m a n n e rs t h at h e w ou l d nev e r o ffe r vi o l en c e t o a w o m an t h a t as
re v e ng e h i s d e at h u on t h e w h o m i g h t s l a y h i m b u t t h a t t h ey
p p e rso n ,
T h e y ou t h h i m s el f m u s t b e w e l l ac q u ai n t e d w i t h t h e t w el v e b o ok s
of p o e t ry a n d b e abl e t o com p ose v e rs e s
, H e m u s t b e a p erfect m as t er
.
o f l a n d w e re t o h u rl t h e i r s ea rs a t h i m a t o n ce i f h e w as u n h u rt h e
, p
w as a d m i t t ed b u t i f wou n d ed h e w a s s e n t o ff w i t h a rep ro ach
,
.
t re e s b rea d t h t h e w h o l e o f t h e F en i an s p u rsu i ng h i m i f h e w as o v e r
’
,
t a k en o r w ou n d e d i n t h e w o od h e was re fu se d as t oo s l u gg i s h a n d ,
u n s k i l fu l t o fi h t w i t h h ono u r a m on h l i t t o o s
g g s u c v a an r p .
A l s o h e m u s t h av e a s t ro ng a rm a n d b e abl e t o h ol d h i s w e ap on
,
s t e ad i l y .
co m e u n t i ed i f i t d i d h e w as rej ec t e d .
b o rn ou t o f hi s foo t .
OL D L I T ERA T U RE OF T HE G AE L .
Fi nal l y , h e m u s t t ak e an o a t h of fid el i t y .
T he R ev G eo ff re y K ea t i ng , w h o w ro t e a h i s t o ry o f E ri n i n t h e
.
h
t o t e i r co u n t r y , an d a t e rro r t o re be l s at h o me a n d e n em i e s a b road .
’
assas sin .
M c L a ch l
a their tr nsl tor is not ans werable fo the
u an , a a , r
N
I
94 E N GL I SH WR I T E R S .
T b e D eat b of Os ca r .
S ay, B ard o f th e F e i n n o f E ri n ,
H o w fa red t h e fi g h t , Ferg u s , m y son ,
I n G a bh ra s fi e rce ba tt l e d ay ? S ay
’
-
T hefigh t fa re d n o t w e l l s on o f C u mh ai ll
, ,
F Os car t h e fearl es s i s s l ai n
or .
T he s ons o f C a ei l t e w e re s e v en
T hey fe l l w i t h th e F e i nn o f Al ban .
A re d e a d i n t h e i r ba tt l e a rray .
A n d d e a d o n t h e fi e l d l i es M a c L u y ,
Wi t h s i x o f t h e s o ns o f t h y s i re .
T h e y ou ng m e n o f A l ba n a re fal l e n
T he F ei nn o f B rea t an a re fa l l en .
A nd d ead i s t h e k i ng s s on o f L ochl a n
’
,
Wh o h as t e ne d t o w a r fo r o u r ri g h t
T he k i ng s s o n w i t h a h ea rt e v e r o pe n
’
,
A n d arm e v er s t ro ng i n t h e fi g h t
”
.
N o w , 0 Bard — m y d esi re
’
son s son , my ,
M y O sca r, of hi m , F e rg u s t e l l
,
H ow h e hew ed at t h e h el m s e re h e fe l l .
H a rd w ere i t F i o nn t o nu m b e r
, , ,
H eav y fo r m e w e re t h e l a b ou r ,
T o t e l l o f t h e h os t t h a t h as fal l en ,
S l a i n b y t he v a l ou r o f O s ca r .
N O ru sh o f t h e w a t e rfal l s w i ft e r ,
No p ou n ce o f t h e h a w k on h i s p rey ,
N o w h i rl p oo l m o re s w ee p i ng an d d ead l y ,
Th an Os car i n b at t l e t h at d ay .
A nd yo u w h o l as t s a w hi m cou l d s e e
H o w h e t h ro bb e d i n t h e ro ar o f t h e fray ,
W h en h e s aw t hat M acA rt , K i ng of E ri n ,
S t i l l l i v ed i n t h e m i d s t of t h e roa r,
1
9 6 E NGL I SH WR I T E R S .
isl d The T at h a d é Da
an . passed as tr diti n has
u n an n , a o
fr m L
o h l a in E rin and migr ted thence to Alb n
oc n To
,
a a .
c ll d H u asei n
a e .
”
the time f trans ference o f the See I n the north where the
o .
,
a
—
E stern Church w ere b e fore Augusti n e the first bringers of , ,
OL D L I T ERA T U RE OE T HE GA EL . 197
,
a , a a
consider it .
”
The legendary tale o f the battle had soon after its pro
d u ction an introd u ctory tale written for it call ed ,
T I re B a n qu et o f Dun na u -
Ged/z and tfi e Ca u se o f t he B a t t l e f
o
o o s e e gg s be l o ng i n g t o a h o l y s ai n t
-
w h o se c u s t o m w a s t o s e n d t h e
g p
,
d ay i n t h e B oy n e u p t o hi s a rm p i t s p rayi ng from h i s Ps al t er o p en o n
-
t h e s h o re b e fo re h i m t h en t o g o h o m e an d d i ne u p o n an eg g an d a
,
“
ca m e h om e an d fo u nd h i s egg s g one t o t h e K i ng s b a nq u e t h e cu rs ed
’
,
t h e ban q u e t as bi t t e rl y as h e w a s ab l e t o cu rs e i t T h e fi rs t p ers on
”
.
a t c rac k i n t h e p eace o f E ri n al t h o u g h t h e K i n s i d n o n e l
g re g a, o e s e
s h al l p art ak e o f t h i s feas t u n t i l t h e t w el v e a p os t l es o f E ri n a re b ro u g h t
a v e rt t h e cu rs e b e ca u s e C o ng al h a d t a s t e d o f t h e fe a s t b e fo re i t h a d
O v er h i s h ead i s sh ri ek i ng
A l ea n h ag q u i ck l y h o p p i ng
,
O v e r t h e p o i n t s o f t h e i r w eap on s an d s hi eld s
S h e i s th e g rey h ai red M o rri g u
”
-
.
is the clear stream over which the shrine of the Lord had
,
L AT I N M SS . OF T HE 8 1H ' ‘
on 9T H C E NT U R Y WI T H
G A E L I C G ros s e s .
“
(Th e y w e re I ri s h m o n k s w h o fi rs t ca rri ed Ch ri s t i an i t y t o S w i t z e rl a n d ) .
i f
Qu ot e d i n Z eu s s s
’
G ra mm at i ca Cel t i ca ,
OL D L I T ERA T U RE OF THE GAE L . 20 1
2 . A cod ex o f St . Pau l
’
s E p i s t l es , i n the U n i v e rs i t y L i b ra ry at
“
3 . A L at i n C o m m ent ary o n t h e Ps al m s , asc ri bed
”
now to St .
4 . dA e x a t
co C ar l s ru h e con t a i n i n
g so m e f
o M e w o r ks
f
o B e d e A n .
e n t ry o f t h e d ea t h o f A e d K i n g o f I re l a n d e s t a b l i s h e s t h e d a t e 8 1 7
, , .
n d co d e x o f C h h ”
A P ri s c i an l t l w i t f w
5 .s e c o a s o a a r s ru e e , e r ,
g l o s ses t h a n t h a t o f S t G al l . .
w h i c h G o i b ne n n t h e s m i t h an d D i a nc e ch t t h e l eech o f t h e T u a t h a d é
Danann a re m e n t i on ed .
7 A. c o d e x a t C a m b ra y w r i t t en b e t w ee n t
, h e y ears 6
7 3 an d 790 ,
I cou n c i l h e l d A D 6 84
co n t ai n i ng ca non s o f a n I r i s/ an d a f r a m en t o
g f . .
,
an I r i s / I ser m on co n t ai n i ng L a t i n s e n t en ces .
A N NA L S A N D OT H E R L I T E R AT U R E .
—I I T H C E N T U RY .
T he S yno ch ro n i s m s of F l an n o f M o n as t e rb o i c e , a m on k , w h o
d i ed in 105 6 , a s k e t ch o f U n i ve rs a l H i s t ory fro m t h e re m o t e s t t i m e s .
T he c h ron ol og i cal Po e m of G i l l a C ae m h ai n ,
”
w ho d i ed A D
. . 1072 .
“ A nnal s d T
(p
’
T he of
T i g h e rna ch na h ) O B r a ozn ,
'
r n ee -
o o u n c e r
a n c i en t re cor ds .
T he A n n al s of I nn i s fa l l e n , b el i ev e d by P rofes s o r O ’
C u rry t o h a v e
bee n m ai n l y w ri t t e n by M ae l s u t ha i n , a p ri n c e of t he t ri b e s o f L o ch
L éi n or K i l l a rn ey , w h o w a s
d u ca t e d i n t h e m onas t ery o f t h e l ak e and
e ,
con t i n u ed t o 1 2 1 5 a re c o m m o n l y as c ri b ed t o t h e 1 3 t h c e n t u ry
, .
o r Bo o k of t h e D u n C o w
”
T he L eab h a r n a h U id re - -
a frag m e n t
,
re m a i n s o f 1 3 8 fo l i o p ag e s w ri t t en b y M a e l m i o re w h o w as k i l l e d i n
, ,
1 106 co n t ai ns a nci e n t p o e m s a nd t a l e s
,
I t c on t a i ns pa rt o f t h e B o o k .
G i l l a N ae m hi n
’
of G en es i s , p art of s t ra n s l a t i o ns o f N e n n i u s , p a rt o f
t h e T ai n Bo , a n a cco u n t o f t h e Pag a n ce re m on i es o f I re l a n d , a n d o t h e r
12 T H C ENT U RY .
T he L e i n st er co m p i l ed by F i nn M G o rm an Bi s h op o f
Boo k of ,
’
,
v i t e d S t rong b o w i n t o I re l a n d I t co n t ai n s i n v as i on s a d escri p t i on o f
.
,
zo z E N GL I SH H RI
’
T ERs .
Tara , ol d c h roni cl es
, a fragm e n t G l ossa r of C o rm ac s
y , a copy of t h e ’
a
p g es o f l arg e fo li o v el lu m .
14 T H C E NT U RY .
T he Bo ok of Ba ll y m o t e,
”
5 02 pp . o f l arg es t fo l i o v el l u m , w as b e i ng
w ri t te n i n 1 39 1 . It co n t ai nsp ed i g ree s , t h e ad v e n t u res o f E n eas, t h e
B o ok of R i gh t s , t h e D i nns e nch as , and s ev e ral h i s t ori ca l and m yt h o
l og i cal pi eces I t i s i n th e l i brary o f t h e R oyal I ri s h A cad em y
. .
by M acF i rh i s es o f L ecai n i n S l i g o
, , .
“ Bo o k o f Li s m ore w ri t t e n i n 1400 d i s co v e re d i n 1 8 14 i n
”
T he , ,
1 TH3 C E N T U RY .
c o m pi l ed b y C a t h al M G u i re o f Lo c h E rn e w ho d ied A D 14 98
’
. . .
, ,
16 T H C E N T U RY .
Annal s of Ki l ro nan , or L o ch Cé , e x t e nd t o 1 5 9 0 .
Annal s of C onnach t ,
”
a frag m en t d et ai l i ng Co nnau gh t h i story fro m
122 3 t o 1 56 2 .
1 7T H C E N T U RY .
m at eri al b y Fa t h er M i ch ael O C l e ry
’
a nd hi s t h ree co l l eag u es, mas t ers
in an t i q u ari an l ore , w ere p u b l i sh ed i n 16 34 .
“
By t h e s am e c o m p i l ers , t he S u ccess i on o f t he K i ng s and th e
Book
”
of I nv as i ons .
2 04 E NGL I SH WR I T E R S .
B
e m people
e nt s
ri t a i n
— the Cymry w ere in their turn pressed , ,
C aesar s time ’
d the m in bulk o f the Anglo S x ns may
an a -
a o
s id
a
“
The interior is inh bited by those wh o are tra a
d i t i o ll y s id t o be
na tiv s o f the isl nd itsel f ; the se c ast
a na e a a -
o
o o a a
L ib . v . c . 12 .
1
'
T h e w ri t er of t he a rt i cl e u p on t he Be l g ae i n D r . W i ll ia mhs Sm it
'
D i ct i onar y of A n ci e n t G e og ra p hy .
"
b el i e ve s t ha t t h e Be l g ae w ere p art l y
G e rm a n i c a nd p a rt l y Ce l t i c . T h e fa c t . ”
he sa ys , o f C ae s ar m a ki ng s u ch
t h e M e na p i i t h e s a vag e N erv i i ,
”
i f we e xc l u d e , he ad d s , , an d t h e p u re
G erm a n s , ”
th e res t m ay h ave b ee n Ce l t s .
'
OL D L I T ERA T U RE oE T HE C YM R Y . 0
5
s t a t i u s dying
n t York Germ n chie f in Brit in E o
a ,
a a a ,
r c
King o f the Alem nni helped his son Const nti ne to ssume
a , a a
O t h o a in E ssex
n , o w under the s e ; Dover ,Lympne n a , ,
L ib . xi i . ca p . 2 1 .
206 E N GL I SH WR I T E R S .
S xons wh o
a e on the frontiers o f the G uls ravagi ng t h e
, ar a ,
an .
”
,
But at this time the Cym ry had not yet driven t h e Gaels
“
or Scots out of Nort h Wales After Britain had b een .
p f
relinquished
YC S S U RC
'
0
by the Roma n s at the clo s e o f t h e
O C u rry M S M a t o f I ri sh H i s t
’ ”
.
p 2 30 . , . .
Gae l s Wall ’
s .
”m m f o f the Cymric
o Celts w as to resist the oc cupation
”
t
w
h C m
e y
o f their
ry .
land by succes s ive wa rior b ands o f r
“ 4
W" W
A n gl o Saxon colon sts S I X s e ttlements by m i
m
-
.
iii iiii
sc c
c h
as i o n sprea d over period of a century a e
v ,
a , r
was not b rought into its present form until after the death
of B ed e and o f Bede s E cclesi as tic l H istory dedicated
’ ”
,
a ,
s e ttl e m e nts
3 O f S axons
. l nding A D 4 95 under Cerdic in , a . .
, ,
We t Saxons (Wess x )
s e .
4 Saxon s l anding A D 5 3
. leader unnamed i ,
. . 0, ,
n
Es s e x .
5 An g l
. e w ho l and e d in Nor folk and S u ffol k s,
d ur i ng ( Terd ie s re ig n in W s ex
’
e s .
l t t rt lt
f .
s.
‘
t s
c h e o u s l y slain
r by M o ca t another Cymric { h i r n ,
e a nc e n t
f I t e ra t u re o
ch ief w hile b esieging Theodoric the son o f Ida a C m
, , ,
t; y ry
independence .
*
Bed e
'
s Hist . lib . v . c. 2 3 .
2 10 E NGL I SH WR I T E R S .
rem ins of each that are not clearly spurious Aneuri and
a ,
n
T li i
a fter wards unless we except M erlin the hero o f
, ,
a es n .
the greatest number of romantic legends H e .
his son Owai n b y whose hand Ida fell After the death of
,
.
by Aneuri n i n th e G od od i n :
“ I Aneu rin will sin g what , ,
2I 2 E NGL I SH WR I T E R S .
L et my k i ns m en co m e h
t og e t e r,
An d w e wi l l ra is e o n t he h i l l s ou r banner ,
A n d w i l l t u rn h
ag a i n s t t ose w arri ors o u r fac e s ,
A n d w i l l l i ft a bov e t h e h e ad s o f m e n o u r s p ea rs ,
A n d w i l l s ee k F fla m d w yn i n h i s a rm y ,
A n d w i l l s l ay h i m t og e t h e r w i t h h i s t roo p
’
.
A nd has ty m en carri ed t h e n ew s .
I w i l l d i v i n e t h e y ear, w h os e l i fe i s on t he w a n e
B u t t i l l I fal l i n t o o l d ag e
A n d t h e p ai n fu l g ras p of d eat h ,
M a y I n e ve r s m i l e
I f I p ra i s e n ot U ri en .
thing after the valour that gave po wer of gi fts into his hand .
o f these songs
T b e Sp oi l s of T a l i es i n .
T he b ro ad s p oi l s of the s p ea r re w ar dbefore
my s on g , D el i v e red
t h e b ri g h t s m i l i n g h e ro
, T h e m os t res o l u t e o f C h i e ft ai ns i s U ri en
. .
N o p ea ce fu l t ra fli ck e r i s h e C l a m orou s l ou d s h o u t i ng s h ri l l m i g h t y
,
-
, , ,
and h i g h l y e x a l t ed E v e ry o ne k n o ws o f t h e e x t erm i na t i o n on t h e s i d e
.
We s h ou l dj oy fu l w e re U ri en s l a i n H e t e rri fi es t h e
not be .
t re m bl i n g S a x o n w h o w i t h h i s w h i t e h a i r w e t i s carri ed a w a y o n h i s
, , ,
w i ne i s m os t ag reeab l e D oo rk e e p e r l i s t e n
. W ha t n oi s e i s t h at ? I s
,
i t t h e eart h t h a t s h ak es O r i s i t t h e sea t h a t s w el l s R ol l i ng i t s w h i te
, ,
I s i t a bo v e th e m ou n t ai n ? I t i s U ri e n w h o co n q u ers I s i t b ey on d .
t h e sl ope o f t h e b il l ? I t i s U ri en w h o w ou nd s I s i t h ig h i n ang er I t .
,
i s U ri en w ho s h o u t s A bo v e t h e road a bo v e t he p l ai n A bo ve a l l t h e
.
, ,
d e fi l es Ne i t h e r on o n e s i d e no r t w o I s t h e re re fu g e fro m hi m
, Bu t .
t h os e s h al l n o t s u ffer h u ng e r W h o t a k e s p o i l i n h i s c o m p an y H e i s t h e ,
p ro v i d e r o f su s t enan ce W i t h i t s l o ng b l u e s t rea m e rs H i s s p ea r w as
.
t h e ch i l d o f d e a t h I n s l ay i ng h i s e ne m i es A n d u n t i l I fal l i nt o ol d
.
ag e I n t o t h e s ad n ece s s i t y o f d ea t h M a y I n e v er s m i l e I f I p ra i s e n o t
, ,
U ri en .
”
g o o d , i t i s g l o ri o u s , i t i s g l ori ou s , i t i s g o od ,
i t i s a b l e s s i ng i n
assa u l t , p k i n
g b a t
ro v ot l e P ro t e c t o r o f t h e l an d
. u su al w i t h t h ee i s ,
, , ,
rea t a n d s m al l T h e so n g o f T al i es i n i s a p l e as u re t o t h ee t h e g rea t es t
g . ,
d eed s A n d u n t i l I be co m e ol d an d i n t h e sa d n ec ess i ty o f d ea t h I
.
,
s h a l l n ev er rej o i ce e xce p t i n p ra is i ng U ri e n
”
.
H“
him here only one o f the b rds of the w orld as a
u r n o , a a a
h w f mili r w
o the d ily c nt ct between li fe d liter
a a as a o a an a
T he h al l o f C y n d y l l an i s d k ar t nig
o -
ht
Wi t h ou t fi re , w i t h ou t s o ng s .
”
t he north
of E ngl nd mong the woods o f Arg ed where
a ,
a o ,
w hose hall was then made dark w ithout fire and w ithout ,
’ '
L ly wa r c/z s L a m e nt f or l us s on Gw en n .
L e t t h e w av e b reak no i s i l y ; l e t i t c o ver t h e s h o re w h e n t h e j o i ne d
l an ces a re i n b a t t l e 0 G w en n , w o e t o h i m w h o i s t o o o l d t o av e ng e
.
y o u ! L e t t h e w a v e brea k n o i s i l y ; l e t i t co ve r t h e p l ai n , w h en t h e
l an ces j oi n w i t h a s h o ck O G w e n n , w oe t o h i m w h o i s t o o o l d , s i n ce
.
h e h as l os t y ou A m a n w as m y s o n , a h ero , a g en e ro u s w arri o r, an d
.
h e w as t he nep he w
U ri e n G w e n n h as bee n s l ai n a t t h e fo rd o f
of .
M o rl as . H e re i s t h e b i e r m ad e fo r h i m by h i s fi e rc e con q u e re d e ne m y
a ft e r h e h ad bee n s u rrou n d ed o n a l l s i d es by t h e arm y o f t h e L l o eg ri an s
h ere i s t h e t o m b o f G w en n t h e s o n o f t h e O l d L l y w a rch
, S w ee t l y a .
hi m w i t h a t u rf Th a t b rok e t he h ea rt o f t he Old
.
the place of the tom b its name and the stal wart si e o f the , ,
z
i n fo rm at i o n u pon L e s Ba rd e s B re t o n s
V I e S i ecl e . Pa r l e V i c o m t e H e rsa rt d e l a V i ll e marq u é . N o u ve l l e E d i t i o n .
Pa ri s , 1 8 60 .
2I 8 E N GL ISH I VE I T ERS .
re prese n ts
L ly wa r ch ? L a ment f or Cj u dj l l a n .
T he ha l l C ynd yl l an i s g l oo m y t hi s n ig h t , ‘ Vi th ou t fi re, wi th ou t
of
b e d —I mu st w ee p a w h i l e an d th e n b e si l en t T he b al l o f C yn d y llan i s .
l oo m y t hi i h t W i t h t fi w i t h ou t a
c n d l — E c e t G o d d o t h
g s n g , o u re , e x
p ,
w ho w i l l en d u e m e w i t p h C
a t i e n ce n
y y?d ll a n i s g l
T h e ha l l
oo m y of
—Ah D
i f he n eg l ec ts t o d o g ood ! T h e b al l o f C y nd yl l a n I s w i th ou t l o v e t hi s
n ig ht , S i nc e h e ow ne d it no m o re eat h , i t w il l b e b u t a s ho rt
t i me h e w i l l l ea v e m e . T h e ba l l of C ynd y l l an i s n o t ea s y t hi s ni g ht ,
of C y nd yl la n i s g l oo m y t hi s n ig h t , fi re , w i t h ou t fam i l y — My
o ve rflo w i ng t ea rs h t T h e h all of C yn d yl l a n p i erces m e t o se e
g u s o u
m e rci fu l G o d, w h a t s ha l l I do T he h al l C yn d yl l a n , g l oo m y see m s
of
Lond o n 179 2 ,
.
“
1 Oc
’
s L l yware H e n Pu g h e
’
s W el s h D i c t i o na r y , s u b v oce
220 E N GL I SH WR I T E R S .
t h t is t
a s y Durh m n d Northum b erland In the ad
o a ,
a a .
C t ra t o i m
a a c ow Catterick three
n u f ur miles from
, n ,
or o
fortified city or C er d
“
ich the c mp on the water The ”
a -
ar- , a .
S te p h e n s ’
s
“
.
Li t e rat u re o f t h e K ym ry .
1
'
Y G o d od i n : a Poe m on t h e Ba t t l e of C a t t raet h , b y Aneu ri n , a
W el s h Ba r d of t he S ix t h C e n t u ry ,
wit h an E ng l i s h T ra n s l a t i o n and
nu m e ro u s H i s t o ri c al a nd C ri t i cal A n n o t at i o ns By t h e R e v . .
Jo h n W i ll i a m s
ab I t h el , M A . R e c t or o f L l a n g m o w d d w y M e ri o ne t s i re , hh .
”
Ll an d o very ,
1852 . T h i s b o ok i s m y ch i e f a i d i n d e s c ri b i ng t h e G o d od i n .
OL D L I T E RA T U R E OF T HE C YM R Y . 22 1
Saxons w est ward ; and i f the fight was here the word , ,
Catterick .
the Saxon .
C at t ae t h to the C at ai l
r No b ody I b elieve has su ggested
r .
, , ,
to wards the north east into the S ol way F rith and has i t s
-
,
t hat was the g theri g point o f the Cymric allies was among
a n -
and like one of the great battles o f the Am eri can C ivi l
,
Wa was maintai ned for a w eek the las t four days being
r, ,
k i l ling the h ard Owain and the b ttle was rene wed b y the ,
a
it is the year 5 7 0.
close .
2 24 E N GL I SH WR I T E R S .
M a n awyd , t ho u s w i ft an d fearl es s ,
By no foem an
’
d e l ay e d
s s p e ar
F o e m en s t e n t s t h ro u g h t h e e are ch eerl es s
’
.
,
No ne ev ad e t hy s pea rm an s rai d
’
.
W rea t h e d d
t h e l e a er w ol f ca m e fo rt h
A m be r ri n g s h i s t em p l e t w i n e ,
A m be r w o rt h a feas t of w i ne .
He q u el l ed t he s t ro ng o f t h e h o s t i l e t h ro ng
Th ou g h hi s s h i el d w as sh at t ered h e sh u n ned n o m an .
V.
W e n t t o t h e ba t t l e fi el d n ot ed -
o f al l .
E v e r h i s b ri d e feas t u n t as t e d m u s t no w re m ai n
-
H i m n o w t h e w o l v es and t h e ra v en s d ev ou r .
M e a d i n t h e h al l H yv eid d H i r co s t u s h i g h
, ,
Prai s e s h al l ye t l i v e for t h ee t i l l ou r so ng d i e
S t ro k es o f G og n aw so n o f B o t gad s h o o k m en s h ea rt s
’
, , .
B e t t e r p e nan ce i s t h an l au g h t e r o n t h e b re at h ,
, ,
J es t t h ou ch eck es t w i t h the g ri pe of t hy s wo rd h al t -
Wh en i ts bl ad e , 0 D eat h , t h ou w av es t , w e are s t i l l
OL D L I T E RA T U RE OF T HE C YM R Y . 22 5
VI II .
T h e w ar -
fou g h t fi e rc el y , red s w o rds see m ed t o b l ee d
d ogs .
And I a l l u nh u rt , l os t a fri e n d i n t h e fi g h t
, ,
H a d I bu t t he t orre nt s m i g h t
’
U pon B e i ra s sq u a d rons h u rl d
’ '
T oo , t oo s ec u re i n y ou t h fu l p ri d e
B y t h e m m y fri e nd , m y H oe ] , d i e d ,
G rea t C i an s s on o f M a d o c o l d
’
H e as k ed no h e a p s o f h oa rd e d g ol d
Al o ne i n N at u re s w ea l t h a rra y d ,
’ '
H e as h d a nd ha d t he l o v e l y ma i d
’
.
h i s fe u d wi t h h i s w i fe s t ri be
’
H e re p u d i a t ed h er fa mi l y d i s da i n ed t o ta k e
. ,
s t an za o f t h e G od o d i r . G ray cl o s es i t l i k e t h e t ru e p oe t t ha t h e is ; b u t
P
WR l T E R S
’
2 26 E N GL I S H .
B road m ark fo r t h e l a n c es t h a t d re nc h ed t h e m i n g o re .
T he s ho c k o f t h e ba t t l e be fo re t he b rav e ba nd
,
O f t h e n o b l e s w h o fre e l y o be y ed hi s c o m ma nd ,
Th at d a rk
year fu l l o ft en t h e m i ns t re l l a m ent s
R ed p l u m es redd e r s w o rd s b rok en bl ad es h e l me t s
, , , c l e ft ,
E v en t h os e o f t he ban d t h at o beyed t h y c o m m a nd ,
T h e w arri o rs m arch ed t o C at t ra e th w i t h t h e d ay
Bas e t au n t s s h a m e d t he g re a t es t o f ba t t l es Th ey . c ri e d
As th ei r bl ad es s l e w t h e bap t i s e d G elorwyd d A w ay ,
\Vi t h y o u r k i n d re d t h e h o m e l e ss t h e d e ad t o abi d e
, ,
F o r t h e G e m o f t h e Ba p t i s e d be h ol d w e p ro v i d e
—
\Ve t h e h o s t o f G o d od i n an u n c t i o n o f b l ood
,
A l as t u nct i o n i s d u e ere t h e l as t fi g h t i s fo u g h t .
S h ou l d t he m i g h t o f t ru e c h i e fs no t be m as t e red w i t h t h o u g h t ?
H e w as w re t ch ed , t ho u g h p ro p h es i e d g l o ry a nd s w a y
H ad w i ng ed h i s a m b i t i o n \Ve re n o ne t h e re t o l ead
.
T o C a t t rae t h w i t h a l o ft i er h op e i n t he i r s pee d .
N ec t a r t h a t t h e b ee s p rod u ce ,
Or t he g ra pe s ecs t a t i c u i ce
’
j .
"
z 28 E N GL I SH WR I T E R S .
I n o t h e r d ay s p u rpl e and g ol d h e w o re
I n o t h e r d ays G wart h l ev t h e V o i ce o f B l a m e
H ero d ese rvi ng of a t ru e r n am e
H a d s t a l l fed s t eed s w ho sa fe l y s w i ft l y bo re
-
, ,
I n o t h e r d ays h e t u rn ed t h e e bbi ng t i d e ,
A nd b ad e t h e fl oo d o f w a r s w ee p h i gh s p rea d wi d e , .
XV I 1 .
Li g h t of l ig h t s— the s u n ,
L e a d e r o f t h e d ay ,
F i rs t t o ri se a nd ru n
H i s a p po i n t ed w ay ,
S e ek s t h e Bri t i s h s k y ;
S ees t h e fl i g h t s d i s m ay
’
,
S ees t h e Bri t o n fly .
T h e h orn i n E i dd i n s ha l l
’
H ad s pa rk l ed w i t h t he w i ne ,
A nd t h i t h e r a t t h e ca ll
,
T o d ri n k an d be d i v i ne ,
H e w e n t t o s h are t he fea s t
,
T he re a pe rs s a ng o f w ar
That l i ft s i t s s hi ni ng wi ng s ,
I t s s h i n i ng w i ng s o f fi re ,
I t s s hi el d s t h at fl u t t e r fa r .
T he b ard s t oo sang o f w ar ,
O f pl u m ed a n d c rest ed w ar
T he s ong ro se e v e r h i g h e r .
Not a s h i e l d
E scapes t h e s h oc k ,
T o t he fi e l d
They fie rcel y fl ock ,
Th ere t o fal l .
Bu t o f a ll
E re t h e b eare rs cam e to b ri ng
T o hi s g rav e s tou t G w rv el i ng .
XV I I I .
F ro m B i dd i n t h en t h ree c u i rass e d h os t s en ro l l e d
B y t h ree k i ng s g o l d e n ch a i ne d t h re e c h i e fs b e s i d e
-
W i t h w h o m t h re e h u nd red m a rch e d i n e q u al p ri d e ;
Th ree o f l i k e m ark and j e al o u s e ac h o f e ach
, ,
W o u l d s t ri k e a li o n d ea d w i t h g o l d t h ey s h one .
T o b reas t t h e d art s t h e s u l l e n D ei v yr t h ro w .
B e t t er t h an Cy n o n ca m e fro m B ry t h o n n o ne ,
H e p rov ed a d ead l y s e rp e n t t o t h e fo e .
I d rank t he M o rd e i ’
s w i ne and m ead
S pears w e re m a n y , m en p re pa red
F o r t h e ba n q u e t , s ad l y s ha red ,
T he s ol e m n fe as t w h e re e ag l es fe e d .
Wh en C yd yw a l t o ba t t l e
d s
p e ,
I n t h e g re e n d a w n h e ra i se d a s h ou t
,
T ri u m ph a nt o v e r m an y d ead .
U po n t h e fi e l d w e re s t ro w n a bo u t
T h e s h i el d s h e s p li n t e re d t ea ri ng s pe a rs
,
H e w n a nd cas t d ow n H i s w e re n o fears
.
S on of the s t a r-w i s e S yv n o , h e
K n e w t h a t h i s d e a t h t h at d a y s h o u l d b e
B y s pear or b o w , n o t by s w o rd -bl a d e ,
And no t a s w o r d h av oc s taye d
hi s
O r cou l d ag a i n s t h i s s w o rd a s t ri fe s u s t ai n .
H e gav e h i s o w n l i fe t o o k a h o s t
,
B l ae n G w y n e dd k n e w h i s anci e n t boas t
O f t h e b ra v e t oi l ers pil ed w h om h e h ad s l ai n .
z
3 0 E NGL I SH WR I T E R S .
I d rank t he M o rd ei s w i n e a nd m ead
’
,
I d ran k a nd n o w fo r t h a t I b l e ed
, ,
A n d y i el d m e t o t h e s t ro k e of p ai n
Wi t h y earni ng t h ro b of hi g h d i s d ai n ,
O f e v i l d o i ng q u ai l t h e h an d
-
H ad w e w i t h s t ood w e c o u l d w i t h s tand .
H e t h ru s t h i s way w i t h d o u g h t y arm .
’
T oC a t t rae t h s v al e i n g l i t t eri ng ro w
T w i ce t w o h u nd red warri o rs go
E ve ry w arri o r s m an l y n ec k
’
Ch ai ns of regal h on ou r d eck ,
W reat h e d i n m any ad en l i nk
g o l
F ro m t he go l d e n cu p t h ey d ri n k
Nec t ar t h at t he b ees p ro d u ce ,
O r t h e g rap e s e cs t a t i c j u i ce
’
.
F l u sh ed wi t h m i rt h a nd h o pe t hey bu rn
fro m Ca t t rae t h ’
Bu t n on e s v al e re t u rn ,
B u rs t i ng t h rou g h th e bl o o dy t h rong ,
A n d h e t h e meanes t o f t h em al l
, ,
l t e d t h e list of th e co n fe d e ra t e Cy m ri c t ri b es o n t h e w es t c oas t o f t he
p e
an d B ryn e i c h ro m a n i s ed as t h e O t ad i n i from O d o d i n
, O d od i n
, .
,
a nd w e n t t o h i s d ea t h at C a t t rae t h w i t h t h e C ym ry . I n m a rshal l e d
a rra y t hey h s h o u t o f w ar wi t h po w e rfu l s t eed s an d d k bro w n
w en t w i t ,
ar -
h arness w i t h s hi e l d s w i t h u pl i ft e d j a v e l i ns a n d p i e rc i ng l an ces wi t h
, , ,
g l i t t e ri n
g m a il a n d w i t h s w o rd s M o r i e n f e l l i n a
. t
”
t a c k o n t h e S ax o n
s u m m i t h e w as k i l l e d b y a s t one h u rl ed fro m t h e w al l o f t h e fo rt Bu t .
t h e fo rt w as t ak e n Te rri bl e w i t h i n i t w as t h e cry o f t h e t im i d m u l ti
.
a t t a c k w as m ad e ; a d w a rf m es se n e r o f t h e S a x o n s h as t e ned t o t h e
g
fe n ce ; t he Cy m ry se n t fo rw ard t o m e e t h i m t h e i r c h i e f co u n se l l or a ,
o l d e n c h ai n T h d w f d m t b t t h Cy m ry ans w e red
g e. a r
p p
ro os e a c o p ac u e ,
“
fo r t h e m se l ves w i t h a g rea t s h ou t L e t h e av e n b e o u r p ro t ec t i o n
,
.
L e t hi s co m pa ct b e d e a t h b y t h e s pe a r i n ba t t l e F o r t h i s w as a .
l i fe s t ru gg l e i n wh i c h e v en w o m e n o f t h e Cy m ry fo u g h t am o ng t h e m e n
-
.
E q u a l t o t h ree m en t h ou g h a m ai d w as B ra d w e n ; E q u al t o
, ,
t h e m an e o f a w o l f w i t h o u t a c l u b i n h i s h and w i l l h a ve i t g o rg e ou s l y
, ,
e m b l az o n ed o n h i s ro be I n t h e e ng ag e m e n t o f w ra t h a nd ca rnag e
.
,
w arri o rs l ay u p o n t h e c i t y w a l l s ; n on e o f t h e h ou se s o r c i t i es o f
Ch ri s t i an s w a s any l o ng e r ac t i v el y e ng ag ed i n w ar ; Bu t o ne fe e bl e
m a n w i t h h i s s h o u ts k e pt al o o f t h e ro v i ng bi rd s ;
, , M y l i m bs a re
r i ck e d a n d I a m l o ad e d
, I n t h e su b t e rrane o u s h ou s e ; A n i ron c hai n
,
Pa s s e s o ve r m y t w o k n ees ; Y e t o f t h e m ead a n d o f t h e h o rn A nd o f ,
t he h o s t o f C a t t rae t h I A ne u ri n w i l l s i ng Wh a t i s k no w n t o T a l i e s i n
, ,
Wh o co mm u n i ca t e s t o m e h i s t h ou g h t s O r a s t ra i n o f G o d o d i n Be fo re , ,
t h e d a w n o f t h e b ri g h t d ay T h e ch i e f e x p l o i t o f t h e N o rt h w as a o
.
c o m p l i s h e d by t h e h e ro O f a e n t l e b rea t a m re l i b e ral l o rd co u l d
g , s o
n o t b e s e e n ; Ea rt h d o es no t s u o rt n o r h as m o t h e r bo rne S o i l l u s
pp ,
s w o rd h e
p ro t e c t e d m e F ro m t h e c ru el u n d e rg ro u n d
, p r i s o n h e b ro u g h t
m e o u t F ro m t h e ch am be r o f d ea t h fro m t h e ene m y s cou n t ry ; S u ch
’
, ,
w as C e n en s o n o f L l y w arch e n e rg et i c an d h o l d
”
, , .
T h e t id e o f b a t t l e t u rned ag ai ns t th e Cy m ry Th ey w e re fo rc ed t o .
c o n s i d e r t e rm s o f a g re e m en t T h e d e m a nd m ad e o f t h e d al es b ey o n d
.
t h e ri d g e o f E s s yd (pe rh ap s E s t h w a i t e L ak e ) t h e s t a bb i n g o f A n eu ri n s
’
,
c o m p a ni o n by t h e S a xo n h e ra l d a nd t h e u ri s i n
p o f t h e Cy m r y t o
g ,
u rs u e t h e t ra i t o r a re t h e nex t i nci d e n t s t o l d
p ,
.
OL D L I TE R A T U R E OF THE C YM R Y . 233
m an w i t h t h e cri m so n ro be T h e e n cam p m e n t i s b ro k e n d ow n by t h e
g g o r eou s p i l g ri m , W h e re t h e y o u n g d eer (c o l l ec t e d as p r o i s i o n s fo r v
“
t he a rm y ) w e re i n fu l l m e l od y A m o ng s t t h e s p e a rs o f B rych t h ou
.
cou l d s t s e e no rod s (w h i t e fl a s )
g W i t h t h e b a s e t h e w o rt hy c a n h a ve
n o c o n co rd M o ri al i n p u rs u i t w i ll n o t co u n t e nan ce t h ei r d i s h o no u ra bl e
d eed s wi t h hi s s t e el b l ad e ready for b l oo ds h ed T o g e t h er ari s e t h e
, .
p roc l a i m e d ; Th e re w as s l a u h t e ri n
g g w i t h a xe s a n d b l a d es A n d t h e r e ,
m e t t og e t h e r A nd a l l w i t h o n e acc o rd s a l l i e d fo rt h
, s h o rt w e re t h e i r
l i v es l o ng i s th e g ri e f o f t h o se w h o l o v ed t h e m ; S e v e n t i m es t h e i r
,
n u m be r o f L l oe ri an s h ad t h e y s l ai n ; A ft e r t h e c o n fl i c t t h e i r w i v es
g j
ra i s e d a scre am A nd m an y a m o t h e r h a s t h e t ea r o n h e r ey e l as h .
T he sol d i e rs ce l e b ra t ed t h e p ra i s e o f t h e H o l y O n e A n d i n t h e i r ,
p re s e n ce w as k i nd l ed a fi re t h a t rag e d o n h i g h O n T u es day t h e y p u t
.
o n t h e i r d a rk b ro w n
-
g ar m en t s ; O n W e d nes d a y t h e y p u r i fi e d t h e i r
e na m e l l e d arm ou r ; O n Th u rsd a y t h e i r d es t ru c t i o n w as c e rt a i n ; O n
t hat a ft e r t he t o i l B e fo re t h e t e n t s o f M ad og w h e n h e re t u rne d O n l y
, , ,
o n e m an i n a h u n d re d ca m e w i t h h i m .
A t C at t e ri ck a t ri bu ta ry ri v e r fl o w s i n t o t h e S w al e ; an d t h e n e x t
i nci d ent o f t h e G od o d i n i s t h a t a t e a rl y d a w n th e re w as a ba t t l e a t
'
t h e co n fl u e nc e o f ri v ers w h e re a fi re w as k i nd l ed i n fro n t o f t h e fe n c e
”
, ,
a n d t h e d w a rf h e ral d s ee m s t o h a v e b e e n k i l l ed t rea ch e ro u s l y i n re v e n e
g
fo r t h e t reach e rou s s l ay i ng o f A n eu ri n s co m pan i o n by t h e S a x o n h era l d
’
.
T h e res t i s s t i ll ce l e b ra t i o n at l e ng t h o f t h e d eed s o f s l au g h t e re d ch i e fs ,
t h e l as t n a m ed be i ng M o ri e n and G w e nab w y .
“
A nd M o ri e n l i ft e d u p ag ai n h i s anc i e n t l an ce A n d roa ri ng , , ,
s t re t c h e d o u t d e at h T o w a rd s t h e w arri o rs t h e G w yd d yl and t h e , ,
G w en , S i g h ed G w e nab w y t he o n l y s o n o f G w e n
, Bec au s e o f t h e .
w o u nd o f t h e s k i l fu l a nd m os t w i s e w a rri o r G ri e v o u s an d d ee p w h e n ,
a n d bo rn e b y a m an a t h i s s i d e ; A w i l d s ce n e w a s be h e l d i n B i dd i n ,
a n d u p o n t h e ba t t l e fi e l d -
T h e g ras p o f hi s h an d p e rfo rm e d d ee d s o f
.
v a l o u r U o n t h e Gy n t h G d d l d h I d H ’
p t e , w y y an t , e r
y y n e who .
m edd l es w i t h t h e m ane o f a w o l f w i t h ou t a c l u b I n h i s h an d w i l l
, ,
So cl oses ,
wi th a s igh , t h e so ng of A n e u ri n C hi e f
.
y
va l o u r, o n l t o w ee p fo r h is d eat h i n t he d ay w h en t h ere
g t g t
w as s la u h er i n wi h ax es an d l a d es , an d h ere was b t rai s i ng
l a ge ca irns o ve t h e h e
”
r r L l ywarc h u rged al l h i s
roes o f toil .
ol d m an, h e m o u rn ed t he m al l w i t h we n, t h e d eares t, w h o G
fe ll by the fo r d at M orlas ; al l sl ai n ,
”
h e wai l s , “
by my
w ords fo i t w as he who as o ice o f h i s co t ry
,
”
r ,
v un , u ged
r
h wy h is o n l y so n
,
I sigh for G wenabwy t he so n o f ,
G we n M e rl in cared by t h e ho o s of t he st ru ggl e
.
”
, s rr r ,
u pon a l on el y rive ba k T h e c h i e fs of th e C ym ry m ay
r- n .
r n
e ding in a vowel
n sson te nl y w ith syll b le ending can a a o
‘
a a
the first syll b le o f the first member of the t must h ave the
a se
m ay b e na m e d he re a s a c u ri os i t y o f Li t era t u re . T he a u t h o r t ak e s
t he p ri n c i p al w o rd s i n ea ch l i ne of the G od o d i n ,
”
by t h ree l i ne s o f t hem
a t a t i m e , t ra n s l a t es e a c h w o rd i n t o H e b re w , fi nd s al l t h e s y n o ny m s of ea c h
H eb rew w ord a n d t he n p u zzl es ou t a new s e ns e b y p i ec i ng t og e t her s u ch
,
s y n o ny m s a s c a n b e m a d e t o s u i t T h e n h e t ri e s t o j o i n h i s l i t t l e g rou p b y
.
t w o s m ak i ng i n e v e ry ca se t we n t y fi v e e x p eri m e n t s
, L a s t l y t h es e d ou b l e
-
.
,
g ro u p s a re to b e t ri ed w i t h e ac h o t h er, and t ha t s e l ec t e d w h i c h m ak es t h e
m os t c o h e re n t w h ol e t h i s res u l t ca n ne v e r b e m i s t a ke n — fo r s en s e . T he
”
p ro ces s i s s h o wn i n ac t i o n b y c o nv e rs i o n o f t h e G od o d i n i n i ts Ara m i t i c ,
se n s e i n t o a n i n c o h ere n t
, p o e m o n t h e g a m e o f ch es s T h e h e roes .
”
m a rch t o C a t t rae t h w i t t h e d aw n , b e co m es h N e i g h b ou rs w i t h c es s e n d h
”
t h e e v e n i ng .
W h i t l ey S t ok e s on I ri s h M e t ri c .
”
R ev u e Cel t i q u e for M ay , 1 88 5 (v ol .
vi .
, p . S ee al s o R T h u rn e ys e n
. on T h e I ri s h
M et re R i n n a r d , i n
”
t h e s am e R e vi e w for Ja nu a r , 1 8 86 (vol y . v n, .
p .
OL D L I TE R A T U R E OF T HE C YM R y . 23 7
a an ,
upon the ssonant ends o f their lines the G els cared more
a , a
, a ,
—
peculiar ag in to the G elic poetry what Dr Zeuss whose a .
calls a hal f sson nce where the vowel being the s me the
-
a a , , a ,
—
and seven s in the first line of Gray s partly imit t ive
a
’
a
accent .
LAT I N MSS . OF T HE 8T H on 9T }! C E NT U R I E S w rr u
CYM RI C 6 1 05 5 5 5 .
cen t u ry .
“
2 . T he S e co nd O x ford C od e x a l s o i n t h e B od l e i a n i s t h eo
, ,
l og i ca l an d co n t a i ns i n t h e m id d l e fro m p 4 1 t o p
, a v oc a b u l ary
, . .
o f L a t i n w o rd s w i t h B ri t i s h i n t e r re t a t i o n s w ri t t e n o v e r o r u n d e r t h e m
, p .
T he Cy m ri c i s of anc i e n t form an d t h e fo l l o w i ng La t i n en t ry s h o ws
,
Qu o t e d on p . 2 25.
238 E N GL I SH WR I T E R S .
h
t at i t w as w ri t t e n w h e n t h e Cy m ry w e re res i s t i ng t h ei r i n v ad e rs
H u mi l i b u s D eu s d a t g ra t i a m e t v i c t o ri a m C l ad es m ag na facta es t , .
”
d e S ax on i b u s p e rcu s s i s u n t m u l t i , d e Bri t on i b u s au t e m ra ri .
. St .
s e n t ence s i n Cy m ri c o f t h e be i nn i n o f t h e 9 t h ce n t u ry
g g .
4 O f t he s am e ag e i s a l eaf w i t h Cy m ri c g l o s se s fo u n d by M o ni u s
.
, ,
at t ach e d t o a co v e r o f a c o d e x i n t h e L u x em b u r L i b ra ry
g .
m e t e rs co n t ai ns Cy m ri c g l oss es a l so so m e v e rses a t pp 4 8 4 9 50
, , .
, , .
T he M S o f t h e 8 t h or 9 t h ce n t u ry i s i n t he U n i v e rs i t y L i b ra ry a t
.
, ,
C am bri dg e (F f 4 .
,
AN N AL S A N D OT H E R L I T E RAT U R E .
10T H C EN T U RY .
T he La w s of H ow e l D d a, co m pi l ed i n th e 1o t h ce nt u ry . T he
ol d es t M S is . of t he 1 2 t h .
C E NT U R Y 12 T H .
o f L l an d a fi C a t h ed ra l p u bl i s he d fro m M SS i n t h e l i b ra ri es of H en g w rt
'
.
,
e arl y i n t h e 1 2 t h ce n t u ry .
V el l u m M S o f T h e G od odi n a p a ren t l y of t h e y ea r 12 00 i
.
p n , ,
p oss es s i on o f M rs E P o w e l l o f A .b e rg av en.n y , .
4 t o o f 54 l e a v e s co n t a i n s i n t he ea rl y p art an e l eg y o n t h e d eat h o f
,
H ow el Dd a s g ra nd so n i n 1 104 an d l a t e r an el eg y o n t he d ea t h o f a
’
, ,
”
of L l ywarch H e n, &c .
C E NT U R Y 14 T H .
“
L l yfr C o ch R ed Boo k o f H erg es t
”
T he or i n t he li b rary o f
, ,
“
is a B ri e f Chro n o l og y fro m Ad a m t o A D A t p 4 99 a . . .
,
a re t h e o l d es t k n o w n co p i es o f m os t o f t h e p oe m s as cri be d t o Tal i es i n
year 1 3 76 .
OF V A R I OU S D AT ES.
OL D L I T E R AT U R E O F T H E T EU T ONS .
.
,
L tin De C l mit te E i d i o e t C o q u e st B i t a i ae
a ,
a a a ,
xc , n u r nn
T he c h i ef a u t h o ri t y fo r d e t a l s . o f t he l i fe of G i l d as i s a b i og ra p h y
wri t t en i n t h e t wel ft h cen t u ry by Carad oc of L a ncarvan .
OL D L I T ER A T U R E OF T HE TEU T ON s . 24 1
of her first devast tion her de fence her second devast tion
a , ,
a
p l u nder d r pine
an b t l w ys preying
a on the,
innocent ;u a a
people .
a i a i a x on s e t t l e
,
,
a
Q
242 E R GL I SH WR I T E R S .
m ents be tw ee n t he a s 44 9 d 5 4 7 fi st e f J t es v r an ,
r on o u
then t h e e f S o r o d th en t w f A g l es
ax ns , R an o o n
th i se t t l emen t
es e s x m ai l y p e
s e t t i e o f
s ast h e p e i n re r n a v r
an d ch a t e f A g l o S a o co q es t
ar c r o d co l
n isat i o w x n n u an on n,
h e ne t t k w h t i m m t by t h d i s t i ct i o be tw ee
av x o as , a s e n n
J tes Sa
u , d A ngles
xo ns , an
w ri t t en pr f s e dly se en t ee n
o e s d t l tes t a h nd e d yea r
v ,
an a a u r ,
only t
a cen u r
v d h al f ft er the l andi ng of Ida Th
an a a .
the eas t coast various Teuto nic tri b es from the oppo s i te
shores know n to the Rom ns generally b y the name o f
, a
attack from the people o f the co u ntry and there was estab ,
, a
C a n t u a ri i ct V e c t u a ri i , h oc es t ea g e ns , q u a: u sq u e hod ie i n p ro vi nc i a
o cc i d e n t a l i u m S a xo nu m c on tra i ps a rn
J u ta ru m nat i o p o s i ta
n o m i na t u r,
ns u la m V ec t a m . I ’
ot t o dc A ng l i s h o c e s t il l a pa t ri a q u ze Ang u l u s ,
st il l led a l et h i g or i Da i h l ed i g (l a d i g ) O
ra i n ,
"
,
n n s ,
“
n n . n
t h e O t h r ha d i epp o t f t hn p i,
i o t h at t h i
n sufi rs t r o e O n n s
se tt l e m e n t w as t o f J t es f m J t l nod b t o f G o t hs f o m u ro u an ,
u r
has d eal t w i t h s r ,
Be d rec o de d c q es t b y t he t h ee t o nges t of t h e i n
e s
’
r on u r s r
va di g peo p le
n Sa o i b A gli s, J t is as t h t o f x n us, n s, u ,
”
a
Sa m xu d f A gl e an d f Ge t m
o an d n f t he G e nt s ;
,
an o a u o
Be de t h e re fere ce t o l “
J A ”
p p
eo e ye t ca ll e
n d t e g a i n a u .
,
it i o bs r ed tha t Be d e co e ts t h e m e of t he peo pl e o f
s e v nn c na
the I le f s ow aer V —
i a wi t h J t ae as -
e, e -
v ar u ,
a n yt hi g h d be en he rd f Hengi st d H o sa I
n a a T he o an r . n
O l s ac , G o th by n ti n f he was bo rn o f t h e Go ths d
a a o , or an
Jut e ,
d upon Al fred s rende ing f Jute by Ge t w hen he
an
’
r o a ,
names of t h e t wo Ki ng o f Wessex C y e i d C w i c h el m s ,
n r c an ,
the Jutes and to the south bet ween t hem d the E lbe , an ,
From the whole r nge f the coast O pposite Britain betw een a o
f reign w s
o n me given by th se w hom they called
, a a a o
l test acc unts be fore t hat period w ith the earliest accounts
a o
Geography (A D w ith th se
”
f the nnalists o f
. . o o a
in three isl nds adj cent t the land n rth f the E lbe
a a o o o ,
t
o b e occupied by F i s i a s d B t vians The Angles o f r n an a a .
between the C heru sci and the Frisian coast were other
tri bes the Angri va i i whose district was ab out E ngern
,
r , ,
Westphalia .
25 2 I SH .
a v y ge o f Oht he e t I E t H aet h m
o a
“
p rt b y t h e r o -
u , a o
We e d ae t he S x ns
n d the Angles and is su bject t
, a o the , an ,
o
o f Bede .
t wo w ords as synonyms
E en hiet E ng i s t u s , ee n V ri es e , ee n S as
Die, u t en Land e v e rd re v e n w as .
”
O u d e Bo ek en b o o rd e i c g e w ag e n ,
O l d bo o k s h eard I t o m e n t i o n ,
Da t al be ned e n N u e m ag e n
h et l an t ,
Th a t al l t he l an d be nea t h N i m egu e n ,
Wy l e n N ed e r S as s e n h i e t ,
Wh i l o m e N e t h e r S ax o n h ig h t .
’
Th e n goe t h he on an d t el l et h h o w t h e ri v e r of S ch e l d t w as th e w es t e rn
li m it of the S a x on cou n t ry S o as acco u n t i ng no w fo r t h e e a s t s i d e
. of
H o l sa t i a , w h i c h co n fi ne t h on t h e Ba l t i c S e a , u n t o t h i s a fo re sa i d ri v e r of
S ch e l d t , S a x o n l a n d , or t h e co u n t r y of t h e S axo n s , c o n t a i ne d i n l e ng t h
m o re t h an t h re e h u nd re d m i l es . T he s am e T eu t o ni c au t h o r add e t h
fu rt h e r,
D i e N ed e r S ass en b i e t e n F ri es en ’
nu ,
t hat is ,
T h e Ne t h er S ax o n s are h ig h t no w F ri s i ans .
"
De Be ll o G o t h i c o , iv . 20 .
254 E NGL I SH I VR I T E RS .
i
v nc ai l speech and in the very fr mes ,d faces o f the a an
d lesman
a d a S ssex l bourer w hose fore f thers h ve
, an u a a a
never strayed b eyond the p rent soil still cle rly p int to a ,
a o
11 R m
1. o
d w fo
an,
the brave
an enemy high respect
on r a .
i G
n “ The Germ ni
e rm a n
f T citus w ritten in the year a a o a ,
t h nce
e ver l rge p rt f Asi a wit h
o a influence th t a o ,
an a
goli n a d levi d t i b ut
ra c e s , a n l l Asia b e f re the time of e r e on a o
a . .
f voured to dispute
a , g inst cert in propou ders o f a a a a n
our Lord and God maker o f all that is created havi g one
, ,
n n
OL D LI T E RA T U R E OF THE TEU T ON s . 25 7
R
25 8 E NGL ISH I VR I TERS .
as se tion f h i ights
r o d di r t ed hi s m i li t a y ardour
s r , an ve r
y a
e s r fter t h a de a th o f U l fi la e
s W ome an d h ildr e . n c n
f ll wed wi th the
o o my o f the Go ths who w ere m i grating
ar ,
U l fi l as ; an s
a fte wards
r c c sed o f trea chery
,
a he w as murdered t
u , a a
S f in
o ng o
w hich incidents o f this great w a w ere cele r
“M bm d ‘
b t e d b y the O strog ths
'
ra The only kn w n o . o
Wi th s l y en t i c i ng wo rd s w o u l d
’
st w i n m e nea r
My a ns w er h em i s w i t h cas t o f s pear
to t ,
Th o u rt o ld Th i s cu n ni ng ou t o f age i s bred
’
. .
O v e r t he M i d l an d S ea ca m e foes w h o sai d ,
F o r s i x t y years e x i l e i n s t ran g e r l a n d s
, ,
S u m m e r and w i n t er w i t h s p ea r d art i ng ba nd s -
,
N ev er o nce l eg b ou nd w i t h i n c i t y w al l ,
I co m e bac k b y m y o w n s o n s h an d t o fa l l
’
,
H e w n b y h i s s wo rd or b e h i s m u rd erer
, ,
B u t i f t hy s t reng t h h o l d t ho u ca n s t read i l y
’
,
Wh e n t h i n e b y ri g h t S ai d H i l d e b rand
.
”
N ow w o rs t , ,
O f O s t rogo t h s b e h e w h o h ol d s m e back
M y h eart i s fo r t h e fray .
J u d g e com rad es wh o l oo k on w h i ch of u s wi ns
, ,
T h e as h e n s pears t h e n s p ed s t u c k i n t h e s h i e l d s ,
W i th t h ei r k een p oi n ts a nd d ow n on t he w h i t e s h i el d s
,
T h e h eav y ax es rang w i t h s ou nd i ng bl o ws ,
S h at t e ri ng t h ei r ri ms t h e fl es h beh i n d s t ood fi rm
, .
—
sudden rise of the wa spi it o f what Gaelic poets m ight
r r
OL D LI T ER A T U R E OF T HE TEU T ON s . 26 1
a d s pread their po w er
n M ero eu s wh o gave t he name o f
. v ,
, n
which i s kno wn as
T be Wezss m bm
'
n n er P r ay er .
I s ou g ht ou t an d h eard a m ong m en
T he g reates t of w on d ers .
Ea rt h was no t , n o r h ea v e ns bri g h t ,
N0 sun s h one , no m o o n g a v e l ig h t ,
T he re w as n o t t h e se a .
There w as no t hi ng , so n o en d ,
B eg i n n i n g , b o u n d s , w ere t h e re
O n l y G od , m an s t e nd e re s t fri e nd ,
’
A nd H i s a ng e l s fa i r
.
H o l y G o d A l m i g h t y G od
, ,
That m ad es t s k y a nd l and ,
Th at g i ve s t m an so m any a goo d ,
G i v e m e t o u nd e rs t a n d
Thy g race i n ri g h t b el i ef and w i l l
, ,
I n w i sd o m a n d i n s t re ng t h ,
T o fi g h t ag a i n s t t h e p o w e rs o f i l l ,
A n d co m e t o Th ee a t l eng t h .
e rs t e n m a l i n i h re m M e t ru m d a rg e s t e l l t u n d h e rau sg eg eb e n d u rch d i e
Brii d e r G ri m m .
"
C as sel 1 8 1 2
. .
CH A PTER V
S CA N D I N AVI A .
U l im
t Marseilles
a on voy ge
, o f inquiry
a to Thule
a ,
telling and none but the old Greeks excelled them i n the
,
prese ved the glory o f the deeds of the i r foref thers in f mily
r a a
valley .
clers m ake this Odin the most persu sive o f men first a ,
dea f .
2 66 E N GL I SH WR I T E R S .
R
sight was ew it w a great marvel and n , as a
sid e ed rmagical and cas t into the air writte n sep r tely
,
a a
ch rms lso upon weapons and the first sense of the w ord
a a ,
ro u n d e d i n th e ea r
By t hat sa m e p u rp ose ch a ng er . i ng l oi n.
268 E N GL I SH WR I T E R S .
J O k u l l W est wlard
= =
b et w een this and B l afe l l r
, Hekla Tor fa ,
’
,
J O k u i l is ground
, risi n g in s w eeps to w rds the gl ciers a a .
39
°
at Akureyri in the north it is I,
w inter there ,
n
the m oon meteors also fierce hurric nes and whirl winds
, a .
Va i n , wa t e r ; jbk u l l , i
a n ci cl e , a g l a c i e r F i rs t E ng l i s h gi re l , whence
i S g i cel , i ci cl e
- ‘
.
1 B id
'
, bl u e of wav es or hori zo n , b u t i n th e eas t o f I ce l a nd i t m e ans a
of s n o w , k ek l a b e i ng t h e na m e o f a s o rt o f c o wl e d o r h o o d e d fro c k . T f
or a ,
t u rf, o r a g ree n s p o t , o r a l
p ace w here m an y fa rm s are b u i l t t og e t h e r .
I Vi k i n
g r w as t h e m an w h o w en t o n a v i k i ng . Vi ki ng wa s a free
y
b oo t i ng vo ag e , nam ed fro m t h e a rk , o r s m a ll b ay , o u t o f w h i c t h e p i ra t e h
v es sel ra n , or wi t i n w i c i t l u r edh h h
Bu t free b oo t i ng was s o fa r fro m k .
-
2 70 E NGL I SH WR I T E R S .
the south and w est o f the island and it was he who called ,
it I l nd Icel nd
s -
a ,
a .
T h i l “
e
year a fter the N rman C onquest of E ngland
s e . o .
Ba“
He g thered into this book as accur tely as he
a ,
a
b ei ng reg a rd e d a s d i s c re d i t a b l e t h a t , an ol d S ca nd i n a vi a n s ca rce l y ha d s o c i al
p o s i t i on u nt i l h e h a d d i s t i ng u i s h ed h i m s el f i n a bold ra i d by land or
s ea .
N an o l d
'
1 A ri , w d f E l F é t k l ned T h e m os t
'
o rs e o r o r a g e r z e a r . , .
p u b l i s h e d , a t C o p e n h ag e n i n 1 80 8 a D i s s e rt a t i o n D e A , ri o M u l t i s c i o .
2 7 2 E N GL I SH WR I T E R S .
For sixty years after the arrival o f the first emigr nts a
I l d
ce an times and some w ere b rought home as priso ner
,
s
. 0
I sl e i f in , 5 6 To these
10 n tive priests
. and b ishops the a
Vbl l r m ea n t
'
a fi el d
p l a i n ; T h i ng vo ll r w as , t e re fo re t h e Pa rlia
or h .
m ent F i el d T k i ng m ea n t t hi n g a s i n E ng l i s h b u t as a l aw p h ras e m e an t
. , ,
-
a l s o a n y p u b l i c m e e t i n g , e s p ec i a l l y
fo r l e g i s l a t i on o r a d m i ni s t ra t i o n o f t he
l aw . A 1, as a p re fi x , m ean t q u i t e -
t h o ro u g h l y —c o m p l e t el y so t ha t
A l t /ri ng m ea n t t h e s u p re m e o r ab so l u t e A s s e m b l a s d i s t i ng u i s e d fro m y , h
su c h as se m b l i e s a s t a t o f h
t h e h as (o r o u s e )ht h i n —
g , w h en ce ou r wo rd
h u s t i ng s ,
”
—t o w hi ch a ch i e f s u m m o ned hi s p eo p l e or g u ard s m en .
S CA N D I N A VI A .
3
s i d e th eir o wn .
a nd d i ed i n t h e year 35 h u n d red
11 years b,e for e t h e a
, , .
, 7 8 e i N
11 h , o rt e rn
.
A
o ffi ce i n I celand a d was murdered in 4 His
,
’
n 12 1 .
"
S
2 74 E N GL I SH WR I T E R S .
an d ,
form s of verse
,
.
R eu i n f
no p e ople
o b u t w i t h touches of li fe and
,
action in m yt h s
325338 an d
3
heroic
”
tales w ith a w ealth of fresh an d v i gor ,
m h
y‘ s°
ous imagination for w hich there was no paral lel ,
S t u d i en ii b e r d i e E n t s t e u ng d e r no rd i s c en G o t t eru nd He l d en
h h
sa g e n v o n S Op h u s Bu g g e , Pro fes s or d er U n i vers i t ii t ri s t i a n i a V om Ch .
d er U n i v ersi tbl t M i t u ch en M u ni ch , 1 88 1 - 82
‘
B E OW U L F .
that were tr nsformed into the fab les of the poem The
a .
i
n the British M useum ; it is fu ll of inaccuracy and the ”
, ,
Cot t
MS . . V i t el l i u s , A . 15. DrM a t t he w Park er Arc hb i s hop o f
. ,
a m on g t h e ru i n s o f t h e di ss ol v e d m o n a s t e ri e s . They w ere b e q u ea t he d by
y
h i m t o h i s ow n U n i v ers i t an d C o l l eg e w h e re t e y are a m o ng t h e Park eri an , h
M S S o f C orpu s h ri s t i ol l eg e C a m b ri d g e
. C C
S i r R o b e rt C o t t o n (b 1 5 70 ;
, . .
y
d 1 6 3 1 ) re s c u e d m a n m o re o f t h e A ng l o -Sax o n M S S n e wl s cat t ered
. . y
a b ro ad . b eg i n n i n g t o co l l ec t a t t h e ag e o f 1 8 . By t h e fi re , i n 1 73 1 , i n i tt l e L
D ean
’
s Ya rd . W e st m i n s ter , 111 M S S w e re
. l os t . b u rn t , o r e n t i rel d efa ce , y d
an d 99 , i n c l u d i n g t h e Beo wu l f, m a d e i m pe rfect . T he c ol l e c t i on was te
e u
and down the middle o f its floor run the stone he rth s a ,
are the gilded vats of liq or into which the p ils of the cup u a
B E O WUL F .
H on ou r i n ba t t l e h i s d ear k i n s m en t h e n
O b eye d hi m g l ad l y t i l l t h e y ou t h g rew u p
, ,
A n u m e ro u s ba n d o f k i n d red I n hi s m i n d .
I t ran t h a t h e w o u l d b i d a c ou rt b e b u i l t
A m ead h al l g rea t e r t h a n h ad ye t be e n k no w n
-
B y t al k a m o ng t h e s on s of m en t h e rei n ,
Wou l d d ea l t o y o u ng an d o l d w h at G od m ad e h i s ,
E x ce pt t h e pe o pl e s s h are an d l i v es o f m en
’
.
,
T o ad orn t h i s h o m e of t h e p eo pl e Ti m e w ent by .
A m o n g m e n s w i ft l y t i l l t h e c h i ef of h al l s
,
Th a t h e w h os e w o rd h ad po we r sh aped fo r i t
, ,
H e w as fa l s e t o h i s p ro m i s e , ri ng s h e g av e
no t
H ig h c re s t e d w a i t i ng t o b e t ri e d b y h ea t
Of h a te fu l fi re .
moors the f n
,
e ,
and f stness
a Forbidden the homes of
.
2 80 E N GL I SH WR I T E RS .
gar the S cyl d ings friend broken in mind sat many a tim e
,
’
, ,
G o od G ot h s o f G re nd el s d e ed s h e t h en
’
a m o ng , , ,
T h e s t rong es t of t h e l i v i ng race o f m an ,
N o bl e and p ro s pe ro u s , he bad e re
p p a re
T h e w i se b l am ed l i t t l e t h ou g h t h ey l ov ed hi m mu ch
, ,
B u t w h e t t ed hi s k e e n m i n d fo ret ol d g oo d end , .
A m ong t h e G ot h s t h e g ood ch i ef c h os e w i t h t h em
, ,
H e s o u g h t t h e fl o a t i n g w oo d A w arri or s k i l l ed .
I n s hal l o w s eas m a d e k no w n t h e b ou n d s of l an d .
A space o f t i m e p as sed o n a fl oa t o n wa v es ,
T h e boat l ay b y t h e h i l l t h e re ady m en ,
S pe ed ed by w i nd and m os t l i k e t o a b i rd
, ,
S aw l an d t h e s ea c l i ffs g l i t t er t h e s t eep h i l l s
, , ,
B ou nd t h e s ea w o od , s h oo k w ar S h i rt s , an d t h an k ed G od ,
-
co m e
T he leader o f the b and unlocked his w ord hoard “ We -
:
the Scyl d i ngs hurt in the dark n ights I may teach H oth . r
They went there fore ; the w ide bosomed ship stood fast -
E nw rea t h ed w i t h g o l d , o v er t h ei r faces ro s e
A b oar-l i k e cres t , fi re -h a rd en ed , m an y -h u ed ,
282 E N GL I SH WR I T E R S .
It held th e l i fe i n g u a rd fi erce . Wa rl i k e an d
T h e m en p resse d o n t og e t h e r t h e y w e n t d o w n , ,
T i l l g ay and gol d e n ri ch i n t i m be r wo rk , ,
Th e y saw t h at g reat es t h ou se u nd e r t h e s u n ,
T h e k i ng s h o u s e w h os e l i g h t l i g h t ed m an y l and s
’
.
,
is my time to go may the all w ield ing Father hold you safe -
against foemen .
”
the hall in gruesome gear Sea weary they set broad s hi elds .
i
, ,
round and stone hard against the house wall then stoop ,
-
,
i g t him Wul fg r sa id
”
I then the Danes frie d w ill ’
n o . a , , , n ,
,
r a
n me Beo w ul f ; they b eg
a my lord to talk w ith you ; d o , ,
H m d la le ft m e, it is We la nd ’
s w ork . Wha t is t o he g oes
e ver as it m ust .
”
h
H ro t gar, h e l m of t h e Sc yl d i ngs, sai d :
F or fights , fr ie nd B eo wu l f, an d for hi gh pra i se t h ou h ast
so ught s T hy u q e.ll e d fo r m e t he g rea tfa t her
es t fe u d u ,
co m ing o e t h e w es t o t he Sc yl d i gs w he I in m y you t h
v r av n , n
sh mes me t h us i H eo o t F u n O ft en ha e so ns of t i fe
a n r . v s r ,
w as gl dnes s of wa rrio
a of m e gre t m ong Dan e s an d rs , n a a
Wed ers .
came fro m the eas t the se s were st i l l so that I might see the
, a ,
,
a -
fi rst gave the cup to the lord of the Danes bade h i m dear , ,
2 86 E N GL I SH I VR I T ERS .
to h i l nd h blithe t t he b ee r d ri ki g H e gladly
s a , e a -
n n .
“
B eo w u l f, t h e so n o f E cg t h eow , s pa ke : I m ean t ,
in boa t se t w i t h m y w a rri o r ba n d
t he
I m o u n t ed t h e d e e p sea t h a t I a l o ne ,
w o rk yo u r p e o p l e s w i l l o r yi e l d m y l i fe
'
, ,
N o b l y o r i n t h i s m ea d h al l h i d e m y e nd
”
-
.
,
T h e p e o p l e s j o yfu l q u ee n ad o rn e d w i t h g old
’
, ,
t o h e r l o rd s he sa t ,Th e n as be fo re .
Bo l d w o rd s w e re s po k en i n t h e ha l l w i th j oy ,
T h e pe o pl e rai s ed t h e c ry o f v i c t o ry .
T i l l s u d d en l y t h e so n O f H e a l fd e ne
P re pa red t o s ee k h i s re t S t ri fe w as o rd a i n e d
s .
,
H e k n e w ag ai n s t t he w re t c h i n t h e h ig h h a l l
, , ,
A ft e r t h e su n l i g h t l e ft t h e m an d d u s k n i g h t , ,
T h e s had o w h e l m o f al l crea t e d t h i ng s
-
,
C a m e ro l l i ng o nw a rd w an be nea t h t h e c l o u d, , s .
T h e w h o l e ba nd rO e m e n g re e t e d o n e a n t h e r
S , o ,
H ro t h g ar s o g ree t e d Be o w u l f bad e h i m I I a i l , ,
G a v e p ow e r o v e r t h e w i ne h a l l s a i d t h e re t o -
,
N e v er b e fo re s i n ce I ra i s e d h a n d o r s h i e l d
, ,
G a v e I t o a n y m an t h e D a ne s s t ro n g h al l
’
\s n o w t o t h ee
. I l a v e t h ou a nd h o l d t h o u n w
. o
T h e be s t o f h o u se s h a v e t hy fam e i n m i nd
, ,
Th o u s h a l l n o t w an t al l t h i ng s t o t h y d e s i re
I f t h o u co m p l e t e t h i s w o rk o f s t reng t h and l i v e .
a l l h i s w a rri o rs fro m t h e h al l w ou l d s ee k
, ,
\Veal t h e ow t h e q u e e n h is bed fe l l ow
, M e n sa y
, .
T h e g l o ry o f k i ng s h ad ag ai n s t G re n d el s e t
A gu ard ov e r t h e h al l a bou t t h e ch i e f o f D a ne , s
2 88 E N GL I SH WR I T E R S .
Tha t h
h fo rt h
t h e fou l s p oi l er m i g t n o t d rag t em ,
S i c e t h e L rd w ed n o t
n o i l l — u nd e r s h ad e of n ig h t
, ,
B u t h e i n w rat h w as w at ch i ng fo r at t ac k ,
Wai t ed w i t h s w el l i ng h ea rt t h e s t ri fe s o rd eal ’
.
S ca t h er o f m en h e t h ou g h t i n t h e h i g h h al l
,
S h rou d ed h e w en t
’
T o s nare o ne o f m an s race .
Ti l l h e s aw cl earl y th e g o l d h al l o f m en -
,
T h e w i n e h o u s e g ay w i t h c u p s
-
, n o r t h e n fi rs t s o u g h t
T h e h o m e of H ro t hg a r B u t i n h i s l i fe d ay s
.
-
N e v e r b e fo re o r s i nce a bol d er m an
H e fo u n d o r h al l t h a nes
, J o u rneyi ng t o t h e h ou se
.
C a m e t h en t h e m an d i v i d e d from al l j oys
Q u i ck l y h e ru s h e d u p on t h e d oo r m ad e fas t
\ Vi t h b an d s fi re h ard e n e d
’ -
w i t h hi s h an d s b rok e t h rou g h ,
F o r h e w as s w o l l en w i t h rag e t h e h ou s e s m ou t h
’
.
,
Th e n s oo n u pon th e m an y co l ou re d fl oor -
T he fo e t rod o n h e w e n t w i t h i re fu l m o od ,
C a m e fro m h i s ey es a fi e rce l i g h t l i k e s t fi re .
H e saw w i t hi n t h e h al l a k i n d re d band
Of m an y m e nas l ee p a c o m p an y ,
O f co m rad e s al l t og e t h e r t h e n h e l au g h ed
,
F o r t h e d i re m on s t e r t h o u g h t be fo re d ay cam e
T o p a rt l i fe fro m t h e b ody o f eac h on e .
H op e o f a g l u t o f foo d had g ro w n i n hi m ,
Y e t i t w as n o t h i s fat e t h at h e S h ou l d e a t
A ft er t h a t n i g h t m ore o f t h e race o f m e n .
H yg el ac s s t ro ng k i n s m an s aw h o w t h e fo u l fo e
’
D e l ay fo r at t h e fi rs t h e s w ift l y s ei zed
,
A s l e e p e r s l i t h i m u naw a re bi t t h ro u g h
, ,
H i s b o n e ca s e fro m h i s v ei ns d ran k bl o od an d s oo n
-
, , ,
S w al l o w i ng i n l a rg e l u m p s , h a d e a t e n al l
H e s t e p ped , l ai d h an d s on t h e s t o u t h eart ed ch i e f
-
U pon h i s co u ch . Bu t h e ag ai n s t t h e fo e
S t re t ch e d ou t a h a nd
k new h i s fou l i nt en t
, so on ,
S o on h e fo u n d t h at o n eart h i n a l l i t s p arts
A s t rong er h and g ri p n e ve r had h e fe l t
-
.
E E OW U L I' . 2 89
Bu t not fo r t ha t cam e h e t he s oo n e r h
t e nc e .
H e t o hi s l u rk i ng p l ace w ou l d fly , w ou l d s ee k
-
T he w i l d t h rong o f t h e d e v i l s hi s l i fe d ay s -
H ad k no w n be fore n o t u g s o S h a rp as t h i s .
The n I l yg e l ac
’
d k i ns m an bo re i n m i n d
s g oo
H i s fi nge rs b u rs t ou t w ard t h e e o t e n w as
, .
F l y t o h i s fen p oo l b u t h i s fi ng e rs s t reng t h
’
, ,
I n t h e fi e rce g ri p h e k ne w , T h e h armfu l S po i l er .
Fou nd t h at h i s pa t h t o H e oro t l e d t o g ri ef .
Th ere fo rt i fi ed fo r al l t h e b ra v e m e n earl s
, , ,
T h e al e was s p i l t t h a t t h e w i n e h al l w i t h s t o od -
,
T h e fa i r h ou s e o f t h e w orl d t h e s h o ck o f w a r , ,
B u t i t w as s t reng t he ne d ag a i n s t t h a t w i t h band s ,
W i t h i n w i t h ou t o f i ron cu n ni ng w o rk
, , ,
O ld c ou ns e l l o rs o f t h e S cy l d i n g s n e v e r t h o u g h t
Th at a ny ma n i n h at e and s l au g ht er s t ai ned
C ou l d b rea k i t o r u ncl ose i t by h i s c raft ,
Bu t onl y by t h e ho t em b rac e o f fi re .
O f h orro r s u ng b y G od s an t ag o n i s t ’
,
S o ng of no v i c t o ry t he t h ral l o f h e l l
,
Wai l i ng i n pa i n t oo t ig h t l y h e w as h el d
By hi m t h en s t rong es t of a l l l i v i ng m e n .
T he h el p o f ea rl s w o u l d n ot fo r an y t h i ng
L e t g o t h a t d ead l y g u es t w h i l e l i v i ng t h o u g h t ,
H i s l i fe d ays o f n o u s e t o an y m an
-
.
I f so he m i g h t t he p ri nce s l i fe Th ey k n ew n o t
’
, . ,
T he s t ri fe and s o u g h t t o h e w on eve ry s i d e
, ,
2 90 E NG L I SH WR I T E R S .
Ch o i c es t of bl ad es , cou l d t ou ch t h e w i ck e d fi e nd .
O n t h at d ay o f t h i s l i fe o f m e n t o d i e ,
H i s g h o s t fa r j o u rn e y i n g t o serve t h e fi en d s .
Th en h e w ho e rs t agai ns t t h e race o f m a n
I n m i rt h fu l m oo d had w rou g h t o u t m a n y c ri m es ,
T o s e rv e h i m be cau s e H yg el ac s b o l d k i ns m an
’
,
I I ad h i m i n h a n d T h e ot h e r s l i fe t o e ac h
’
.
W as h at e fu l t he fe ll w re t ch e n d u red s o re pai n ,
A w i d e w ou n d o n hi s s h o u l d er cou l d b e s ee n
T h e s i n e w s s nap p e d t h e bon e e n cl os u re s b u rs t
, ,
G l o ry o f b at t l e w as t o Beo wu l f g i ve n
T o h i s fe n S h ad es d eat h s t ru ck m u s t G re nd el fl ee
,
-
, ,
S e ek a s ad h o m e w e l l k n o w i ng t h a t l i fe s e n d
’
,
S av ed i t fro m m al i ce G l ad i n hi s n i g h t s w o rk
’
.
,
H i s fa m e fo r s t re ng t h t h e C h i e ft ai n o f t h e G o t h s
,
C l ear w as t h e t ok e n o f t h i s w h en t h e s t o u t ch i ef ,
T h e g ri p o f G re n d e l u n d e r t ha t g rea t roo f .
b oiling with b lood the waves w elled hot with clotted gore
, .
t h e fe
n. From the mere again went the gl d fellow warriors a -
w e pons
a Also the lord of w rriors g ve to each o f th os e
.
, a a
—
in gruesome waters the cold streams came on a path of ,
been fixed fo him after the gi fts to the gre t Goth There
r a .
Then was the wise k ing the h oar warrior wroth when , ,
T he y peopl e t al k i ng i n m y h al l
cou n t r
I h av e h ea rd s ay t h at t h e y u po n t h e m oo r
,
H av e seen t wo s t ri d e rs of t he bo rd er l and -
,
S t ra n g e be i ng o f w h i c h o n e as t h ey cou l d t e l l
s, ,
M os t nea rl y w a s i n w o m a n s l i k e ness o n e
’
, ,
A w an d e ri ng m an l a rg e r t ha n o t h e r m e n
, ,
\Vho m t h e o l d d w e l l e rs o n t h e l a n d na m e d G re n d e l .
Th ey k n o w n o t o f a fa t h er w h e t h er m o re ,
T h e d i m l an d t h a t g i v es s h e l t e r t o t h e w o l f ,
T h e w i n dy h ead l an d s p e ri l ou s fe n p a t h s , ,
\Vh e re u n d e r m o u n t a i n m i s t t h e s t rea m fl o w s d o w n
, ,
A n d fl o od s t h e g ro u n d N o t far h en ce b u t a m i l e
.
, ,
T h e m ere s t an d s o v e r w h i ch h ang d e a t h ch i l l g ro v e s
,
-
,
A w o o d fa s t roo t e d o v e rs h a d e s t h e fl o o d
-
Th ere e v e ry ni g h t a g h as t l y m i rac l e
I s s e e n fi re i n t h e w a t er
, N 0 m an k n ow s .
,
N o t t h e m os t w i s e t h e b o t t o m o f t h at m e re
, .
T h e fi rm h o rn ed h ea t h s t a l k e r t h e h a r t w h e n p ress e d
- -
, , ,
VVe a ri ed by h o u n d s an d h u n t e d fro m a fa r
, ,
W i l l ra t h er d i e o f t h i rs t u p o n i t s ba n k
Than be nd hi s h ead t o i t I t i s u n h o l y . .
Da rk t o t h e cl ou d s i t s y eas t y w a v e s m o u n t u p
Wh e n w i nd s t i rs h at e fu l t e m p e s t t i l l t h e ai r ,
G ro w s d re a ry a n d t h e h ea v e n s p o u r d o w n t e a rs
, .
A g a i n no w c o u n s e l i s w i t h t h e e a l o ne ,
Th ou k n o w e s t n o t ye t t h e s po t t h e p l ace o f d ari ng ,
W h e re t h o u m ay s t fi nd t h i s w i ck ed be i ng S e e k i t
’
.
I f t h o u b e b o l d I rec o m pe n s e t h e s t ri fe
,
\Vi t h g i ft s o l d t reas u re s a s I d i d b e fo re
, , ,
I f t h ou re t u rn t o u s
”
.
Th e n E cg t h e o w s s o n ’
,
Be ow u l f re p l i e d t o h i m
, W i s e m an s o rro w no t
, , ,
B e t t e r fo r e ac h t o a v e ng e h i s fri e nd t h an m ou rn .
A n e n d t o t h i s w o rl d s l i fe aw ai t s u s al l
’
L e t hi m w h o c a n d o h i g h d eed s e re h e d i e
, ,
S o w i l l b e h ap p i es t w h e n t h e w a rri or s d ea d
’
.
G u ard o f t h e h el m ari s e a n d l e t u s g o ,
Qu i ck l y u po n t h e t rack o f G re n d e l s k i n ’
,
I p ro m i se t h e e t h at n o t i n t h e d e e p sea
S h a l l s he e sca pe n o r i n e m brace o f ea rt h
, ,
No r i n t he w ood u p on t he m o u n t ai n s i d e -
,
N or on t h e s ea s b roa d b ed g o w h e re sh e w i l l
’
, .
H a ve pat i e nc e fo r t o d ay i n a l l th y w oes -
, ,
Th i s I ex pect o f t he e .
”
296 E NG L I SH WR I T E R S .
Bes t a nd bra v es t
B rou g h t t o h i s e nd .
Th en t h ey t h rea d e d ,
A t h e l i n g s so ns
’
,
S t ee p s t o n y g o rg es
, ,
A s t rai t roa d ,
W e i rd narro w w a y , ,
Was t es u n k n o w n ,
Nak ed h ig h n esses , ,
N i ck er h ou se s m an y .
B e fo re al l Beo w u l f
A nd som e o f t h e b ra v e s t
\Ve n t on t h e w a y,
W i se m en ,
T o e x l o re
p t h e pl a i n ,
Ti l l , p l a n t e d l e an i ng
O v er th e h ro c k
ro u g ,
He reac h e d s u dd e n l y
An u nw i nsom e w ood .
d u n de r i t
s t oo
G h as t l y w i t h g o re
I t w as g ri e f for al l D a n e s ,
A s i g h t o f s o rro w
F or t h e S c yld i ng s fri e n s ,
’
d
A h o rro r fo r h e ro es ,
W h e n th e h ead o f [Esch e re
Was fo u nd by t h e s t ee p fl oo d
F l o at ed as h o re .
T h e w a t er w e l l e d b l o od ,
T h e w a rri o rs g a z e d
O n t h e h o t h ea rt s bl ood
’
,
W h i l e t h e h o rn s an g
A d o l e fu l d ea t h n o t e - .
The b and all sat They saw along the water man y o f
.
w ort hy w ith riches girt w ith lordly link beset w ith the ,
s,
self du rst not meet death under the stir of w ters Beo wul f a .
s word The edge failed The an gry fighter cast upon the
. .
cau ght him quickly w ith fierce grasps d thre w him weary ,
an ,
2 98 E N GL I SH WR I T E R S .
g round The s
. w ord w s gory the be m still shone mild a , a ,
spr ng f
a w y w hen he cut o ff the head
ar a a ,
But then .
de r lord F o t hwi t h he w
a . float ; he dived up through
r as a
bor e by the hair into the place where men were drinking
n ,
o f as w i fe o f O ffa
a Dr Grein has su ggested th t in . . a ,
succeed his f ther and off ered the chie f rule to Beo wul f
a ,
.
his turn and killed Beo wul f was Goth only on his mother s .
’
t the end
o B eo wu l f returned from his adventures am on g
.
,
b E o I VU L
’
. E .
3
w id e shore s .
M ad e k n ow n t h at t h e re w as co m e i n t o t h e p l ace
, ,
T he w arri o rs s h el t e r h i s s h i el d fri e nd al i v e
’
,
-
, ,
S ou n d fro m t h e w a r p l ay co m i n g t o h i s h o u se
-
, .
Q u i ck l y t he h al l w as c l ea red fo r t h e m ,
As t h e k i ng b a d e Th e n fac i ng hi m w ho cam e
.
A ft e r hi s l ord h ad g re e t e d w i t h l ou d v o i c e
T he fai t h fu l fri e nd w e n t H aere t h s d au g h t e r s h e
’
, ,
W ho l o v ed th e peop l e t h ro u g h t h e ha l l p o u red m e ad
,
:
, ,
A nd ba re t h e w i n e cu p t o t h e h i g h c h i e f s h an d
’
-
.
Th en i n t h e h i g h h al l H yg el ac b egan
-
K i n d q u e s t i on w i t h hi s gu e s t e ag er d e s i re ,
U rg ed hi m t o k now h o w t h e se a G o t h s h ad fared -
.
“
T hen said Beo wul f finishing that episode i his narra
,
”
,
n
ti ve
Th en bo t h si d e s t h e o a t h s o f w arri o rs b reak
on .
I n I ng el d d ead l y h at e bo i l s fo r h i s w i fe ,
Lo v e coo l s a ft er t h e bu rn i ng o f h i s ca re .
Th erefo re I d o no t cou n t t he H ea t h ob a rd s
As h av i ng l o v e o r p a rt i n fe l l o w s h i p
, ,
O r any se t t l ed fri en d s h i p t o t h e D a n es .
Bu t n ow of G re nd el I s p ea k on t ha t t h o u , ,
G i v er o f g ifts m ay st k no w h ow w e n t t h e fi g h t
’
,
3 0 2 E N GL I S H WR I T E R S .
T h e g u es t , t h e g i a n t , g ri m a t e v e ,
T o v i s i t u s w h o sa fe l y k e p t t h e h a l l .
Th e re w as hi s g l o v e d ead l y i n w a r l i fe bal e
, ,
T o t h e d oo me d H e w h o l ay fi rs t g i rt ch am p i on
.
, ,
T o h i m t h e b ra v e t h an e o f o u r b l o o d b e cam e
, ,
G re n d e l m ou t h m u rd e re r t he b ody a l l
-
, , ,
O f t h e b e l o v e d m a n h e s w al l o w e d, Y et .
F o r t h a t n o s oon e r w e n t t h e m u rd e re r
W i t h bl oody t o ot h an d e v i l i n hi s m i n d ,
F ro m t h at g o l d h al l b u t t ri al m ad e o f m e
, ,
H i s g l o v e b ro ad w o nd ro u s w i t h s t ra n g e fas t e ni n g s
, , , ,
A l l c u n n i ng l y p re p are d w i t h d e v i l s c raft s
’
A nd s k i ns o f d rag o n s S h a p e r o f i l l d eed s
.
,
H e t h ou g h t t o m a k e m e u no ffe n d i n g on e , ,
O f m an y v i c t i m s B u t t hat m i g h t n o t b e
.
,
W h e n I i n w ra t h s t oo d u p ri g h t L o ng t o t e l l .
,
O p ri n c e h o w I re p a i d t h e m i s crea n t s w ro ng s
’
, ,
W ha t I d i d t h e re s e t fo rt h t hy p eo pl e s w ort h ’
.
”
also .
No t ea s i l y I b ro u g h t m y l i fe a way,
I w as n o t fa t e d ye t T h e s h i e l d o f ea rl s ,
.
H ea l fd e n é s s o n , ag ai n g av e m a ny g i ft s
’
.
S o t h e g rea t k i ng l i v e d a s h e s h ou l d , re w a rd s ,
T h e m e ed o f s t re ng t h , h av e n o t bee n l o s t t o m e ,
’
F or h e , H e al fd e n é s son , p u t i n m y p o w er
T reasu res t h a t I w i l l b ri ng , O w arri o r k i n g ,
T o t h ee w i t h j o y p re p a re fo r t h e e
, Of t h ee .
A re al l m y s a t i s fac t i ons F o r I ha ve .
F e w k i ns men n ea r m e H yg el ac sa v e t h ee , , .
Then Beo wul f bade them b ear in the b oar head ensign -
,
miseries must end for t h e prince and fo the worm with him , r ,
G o l d fri en d o f G o t h s and t h e re h e ba d e fa re w el l
-
,
T o h i s h eart h co m p an i on s H e w a s s ad o f m i n d
.
,
M os t n ea r w h i ch n ow m u s t m e e t hi m i n h i s ag e ,
N o t l o ng w as fl es h t o e n w rap t h e p ri n ce s so u l
’
.
T he so n of Ecg t h e o w Be o wu l f sp ak e , I n you t h ,
I ha v e o u t ba t t l e d m any a ru s h o f w a r
-
.
T h e k i ng re c ei v e d m e fro m m y fa t h er k ep t m e
, , ,
I w as n o t i n h i s cou rt s a w h i t l ess l o v e d
Than any o f h i s ch i l d ren H e re beal d , ,
O r H ea t h cyn , or m y H yg e l a c . F o r on e
U
3 0 6 E N GL I SH WR I T E R S .
H is k i ns man bro t he r no t t o b e av e ng ed
, , ,
F or an o l d fat h e r t o a wa i t t h e d ea t h
O f hi s yo u ng c h il d u po n t h e g al l o w s Then .
R i s e s hi s s ong of sorro w w h en h i s so n ,
H angs t o d e l ig h t t h e ra v e n and he Ol d , ,
W i t h e v e ry m o rni ng w i l l co m e m e m ory
O f h i s bo y s d e a t h h e ca res n o t t o aw ai t
’
A no t h e r he i r w i t h i n hi s g a t es w h en one ,
H as d i ed fo r h i s l i fe s d e ed s I n h i s s o n s hall
’ ’
.
W i nd w h i s t l es a nd h e s ees t h e w i ne be nch e m pt y
,
-
,
R e ft o f i t s ch ee r s l e e p s h an g i n g i n t h e d ark
T h e w a rri o r t h e re i s no s ou n d o f h arp ,
M i rt h i n hi s h o m es t ead as t h e re w as o f ol d , .
T h e p ri nc e fo r H e re b e al d a nd b o re h eart s pai n
’
.
,
N ow S h al l t he fal ch i on
d g e h and and h ard s w o rd
’
s e ,
D o b at t l e fo r t h e h o ar Th en Be owu l f s pak e
A nd u t t ere d for t h e l a s t t i m e w o rd s o f t h rea t
Y e t w il l I a w i s e g u ard i a n o f m y l and
, ,
S ee k con fl i c t d o g re a t d e e d s i f t h e v i l e scat h e r
, ,
W i l l from hi s ca v ern s ee k m e H el me t e d .
”
A s on ce w i t h G ren d el B u t n ow I expect :.
3 0 8 E N GL I SH PVR I T ERS .
t h e li fe gor e -
s w h o w the stone
a rches firm on their pillars held for ever
a , ,
“
I h r led he s id fi fty w inters and had I a
av e
“ u ,
”
a , ,
M y l i fe i s w e l l p ai d fo r t h i s b o ard an d no w
C are fo r t h e pe o pl e s ne ed s , I m ay n o m o re
’
A ft e r th e bu rn i n g , on t h e n es s by t h e s ea ,
O n H rones n es s , w h i ch s hal l ri s e h ig h an d be
F o r a re m e m bran ce t o m y p e o pl e S e a fa rers .
\Vh o fro m a fa r o v e r t h e m i s t s o f w a t e rs
D ri ve fo a m y k ee l s m ay cal l i t Be o w u l f s M o u n t ’
Pu t o ff a g o l d e n co l l ar t o h i s t h a n e ,
T o t h e yo u ng w arri o r g a v e i t w i t h h i s h el m
, ,
A rml et and co rs l e t ba d e h i m u s e t h e m w e l l
, , .
F o r fa t e h as s w e p t m y k i n s m e n a l l a way .
E a rl s i n t h e i r s t re ng t h a re t o t h ei r Ma k e r g o n e ,
A n d I m u s t fo l l o w t h e m T he ag e d ch i e f
”
.
S p ak e n o t ag a i n Th i s was h i s l at e s t w o rd
. .
f ce t u rned to Wi gl af
a He sat w e ried by the shoulders
.
,
a ,
rep roach.
fi re -
d agon l ay n ear fi fty feet o f m eas ure ; b y hi m were
r ,
H ron es nes s .
W i t h s h i e l d s a n d a rmou r h u n g a s he h ad as ked , ,
A n d i n t h e m i d s t t h e w a rri ors l a i d t h e i r l o rd ,
La m en t i n g Then t h e w arri o rs on t h e m ou nt
.
K i nd l ed a m ig h t y ba l e fi re ; t h e s m o k e ro s e
B l ack fro m t h e S w ed i s h p i n e t h e s o u n d o f fl am e ,
M i ng l ed w i t h s ou n d o f w eep i ng ; t h e w i n d fe l l ;
U n t il h o t on t h e b re as t t h e bo n e cas e b u rs t -
.
S ad l y t h e y w ai t e d t h ei r l o rd s d eat h w h il e s m o k e
’
,
S p read o v e r h eav e n Th e n u p o n t h e h il l .
T h e pe o p l e o f t h e Wed ers w ro u g h t a m o u n d ,
I n t e n d a y s t h e y h a d b u i l t an d w a l l e d i t i n
A s t h e w i se t h ou g h t m os t w o rt hy p l ace d i n i t ,
Th e y l e ft t h e ri ch e s g ol d en jo y o f earl s , ,
I n d u s t fo r e art h t o h ol d
, w h e re ye t i t l i e s ,
U se l e ss as e v e r Th en a bo u t t h e mou nd
.
F o r t h e i r d e ad k i n g e x al t ed h i s b ra v e d e e d s , ,
H ol d i ng i t fi t m e n h onou r t h ei r l i eg e l o rd ,
P ra i se h i m a nd l o v e h i m w h e n h i s s ou l i s fl e d .
Th u s th e G o t h s p eo p l e sh arers o f h i s h ea rt h
’
, ,
M o u rn ed t h e i r ch i e f s fal l p ra i s ed h i m o f k i ng s o f
’
, , , m e n,
T he m i l d e s t an d t h e k i nd es t an d t o al l ,
I l i s p e o p l e g e n t l e s t y earn i ng fo r t h e i r p rai s e
, .
p l e t e E nglis h ac c o u nt o f t h e p o em wi th num e ro u s s p ec i ,
G d i tv g
schol r dedicated to the same pat ron an edition of
ru n .
av a ri c i ou s Bok u s , w h o w as co ns u med
B ui are a Bii g i (b og ie ) , an d an by
R ol v o .
(S a x o G ra m m . Hi s t . D an . Ed . M ii l l er et V e l s ch o w (H a vn l z
e ,
Not p
’
V ol . II P ro l eg . ct . . T he b es t su gg e s t i o n i s G re i n s,
I ll u s t ra t i o n s of Ang l o S a x on Poe t ry
-
. by J o hn J o si as C on yb ea re ,
M A . &c s u c ce s s i v e l y P ro fe s s o r of A ng l o -S a x o n an d of Poe t r y in
t h e U n i ve rs i t y o f O x fo rd . E d i t e d b y h i s b rot her W i lli am
, D a n i el C on y
b ea re , M A . &c . Lo nd o n , 1 82 6 .
h
d i g t , p aa G ru n d s - p rog e t , v ed N ik . F re d . S ev . G ru n d t vi g Kjob e nh avn ,
.
1 86 1 ,
E E G WU L F .
3 3 1
,
a
Ba t t el o f F i n n e s -b u r — h
e d i t ed t og e t h er w i t h a g l o s s a r
, o f t h e m o re d i ffi y
c u l t w o rd s , an d a n h i s t o ri ca l p re fa ce b y Jo h n M K e m b l e E s q ,
M A , .
, , . .
of Tri n i ty Co l l eg e Ca mb ri d g e , . Lo n d o n , 1 833 . T he vo l u m e is a d el ig h t
fu l l i t t l e ra m o , p ri n t e d by W h i t t i ng h a m and p u b l i s h e d b y t he l at e M r .
Pi c k e ri n g , of w h i ch , ac c ord i ng t o a b ad fa s h i o n a m o ng a n t i q u a ri ans fo r
t h e c rea t i o n of an art i c i al ra ri t y, fi h
t ere w e re o nl y o n e hu nd red co pi es
i n te d .
pr
3 14 E N GL I SH WR I T E R S .
ascri bes the work on his title page to the eighth centu ry -
,
E m ll
tt
originally
il er
a m yth d says o f himsel f In ge n era l , an ,
W k
a trans
ac ep
l ation o f Beo wul f into E nglish verse by A .
T h
a glossary an d this is the very serviceable edition
Be o w u l f H el d eng e d i c ht d e s Ac t e n h J h
a h r u n d ert s . Z u ri c h , 1 84 0 .
S a x on at th e Col l ege o f O u r L ad ye of O s co t t .
"
L on don , 1 849 .
3 16 E N GL I SH WR I T E R S .
s h ining panoply .
Bu g g e , in 1 86 8 — 6 9 — 73 . G re i n
’
s ed i t i on w as p u b l i s e d i n 1 8 67 In h .
1 876 h
t e re w a s p u b l i s h e d Lo n d o n
in a n e d i t i on o f Be o w u lf w i t h a t ra n s
l a t i o n, N o t e s , and A p p e n d i x b y Th o m a s . A rn ol d . In 1 88 3 t h e re was
p u b l i s h e d a t Bo s t on a n ed i t i on of Be o wu l f a nd t he F i g h t a t F i n n e s -b u r , h
w i t h te xt and a y
g l o s s a r b a s e d u p o n H ey n e s
’
ed i t i o n I n t h e s a m e e ar,
. y
al so, t h e re w as a c a re fu ll y re - e d i t e d t e x t o f Be o w u lf i n Pro fes s o r R i cha rd
W i i l c k er s
’ '
ne w e d i t i o n o f k d e r Ang el sac h s is c h e n Po es i e
G re i n
’
s Bi b l i o t h e .
"
I n t h e n e xt ye ar 1 8 8 4 Beo wu l f w as e d i t ed w i t h t h e t e x t a nd a g l os sary b y
, ,
A H old e r as N o 1 2 o f t h e G e rm a n i sc h e B ii c h ersc h at z
.
, . An Au t o t y p e .
F acs i m i l e o f t h e U n i q u e M S o f Be o w u l f i n t h e C o t t o n Co l l ec t i o n (V i t el l i u s
. ,
A xv w as p u b l i s h e d b y t he E arl y E ng l i s h T e x t s o ci e t y i n 18 8 2 w i t h a
.
,
P ro fe ss o r o f t h e E ng l i s h La ng u ag e a nd L i t e ra t u re i n t he U n i vers i t y o f
Be rl i n . T h e re w as p u b l i s h e d i n L ond o n , in 1 88 1 , an E ng l i s h m e t ri ca l
t ra n s l a t i o n b y i e u t -C o l H W L . . . . Lu m s d e n ; an d at Bo s t o n , i n 1 88 2 , a n
E n g l i s h p ro s e t ra n s l a t i o n b y J am e s M G arn ett
. .
"
J a h rb u c h fl i r R o m a n i s c h e
‘
fe ss or a n d e r U n i v e rs i t at Lei p zig .
(L e i p zi g ) V i e rt e r Band D ri t t es H e ft , .
A p ri l t o J u ne , 1 86 2 . T hi s v al u a b l e j ou rnal w a s b ro u g t t o h a n e nd wi t h a
tu e l ft h v ol u m e in 1 87 1 . A n e w s e ri e s , e d i ted b y Dr . Lu d wi g Lem ck e ,
Pro fe s s o r at t h e U n i v e rs i t y of G i ess en , w a s b eg u n i n 18
74 , b u t en d ed wi t h
t h e t hi rd vo l u me i n 18 6
7 ,
B E OWU L F .
3 7
1
his lead estab lished and exte ded their power Wh e n after n .
laden with rms and t re sure was set dri ft u pon the se
a a , a a
—
Beow l f not him o f the poem to succeed h i m
u — .
th t migh t be H e o ot
a d li t tle m re inl nd there is
r an a o a a
the isl nd o f H i s i ge
a Thi s B Ohfi s gives to i ts townsh i p
n n .
S eo i
v o w S ea i c e
r ce , n or S veal nd lying i mmediatel y t o
v r , a ,
G re i n s
’
e d i t i on , l i n e s} 1 2 02 —1 2 1 4 , 2 354 — 372 2, 2 497— 2 5 0 8 , 2 9 10
3 2 0 E N GL I SH WR I T E R S .
an d s nd hills
a e the c h ie f fe ture o f the sh re belo w
-
ar It a o .
m y be th t Beo w l f though
a a Danish t le w as m de u ,
a a ,
a
n e r it is
a n enclosure c lled the P l ce G rths
a There a a a a .
Wyt h e g i l d Frode
r d I g el d his son
,
In the neighb r ,
an n ,
. ou
, a
’
.
v
3 22 E NGL ISI I WR I T E R S .
S e d el d m
c
“
the di ided l nds Sc d an d Su nd ri an
an u ,
”
v a , ea an
north of Shilbottle .
W tl d
e i er is an ncient Anglo Saxon fortres s called
en s a -
E dm nd H egi l e d u e — q
a u i H yg el ace d
, e — and th i s
s n u as s un
m y be
a corruptio o f Raven Wood There re remains
a n . a
an d R u gg b é e r Chippi g Campden w e h ve
an r c, n a n ,
a a
W r wickshire Al eston
a place directly north o f the
v ,
a
Al e o t t
v sc This i corr bor tion o f the w ritten record
.
, n o a ,
B o d i gs or cl ns o f Br nd or Brond
r n n , O f the Fins there
a a .
ei h b o s i f not subjects o f H e t h e l
c
n ur , ,
r .
w old .
W i o wi gs or S ea Wi wi g s people of Wi wa whose na m e
n , n , ,
w ent to the scene o f his old fight w ith Grendel and ru led ,
an e sy contraction fo B eo w l fe s beo h
a r u -
r .
P t me o
en a a bo ok o f ta les i the Neapolitan d i l ect
r n e,
”
n a ,
fe s o E rle proce ds to
s r a y th t “
from G ul
e the dragon sa a a ,
n rr tive
a a o f the sixth century
e ra The geogr phy of .
”
a
It o cc u rs al s o in C ae d m on L e6 d E b rea , G en es i s , l i n e l i ne
E x od u s , l i n e 2 77 . T he na m e l e u d es
"
fo r t h e eom i t es o f a c hi e f
i s k no w n to m os t rea d e rs o f e a rl y h i s t o ry . I t is e nou g h t o re fer t o M on t es
x x x . , ch D es L
'
q u ie n . D e l E s p ri t d e s L oi s. liv . . 16 , e u d e s ou Va s s a u x .
E E 0 WU L F .
3 9
2
V i gf s s o
u wh o first pointed this out
n Then follow s the .
1 H aeft m eg e ,
-
hafted s wo rd , in c o m b i nat i on , h ap p ens t o o ccu r o n l y
o n ce in Be o wu l f, b u t h ae ft is u se d els e w here as e x p ress i o n o f t h e s w ay
an d p o we r o f t h e s w ord o r s p e ar . It o ccu rs in ot he r p oe m s , a nd hap t i is
co m m on i n S can d i na v i an fo r a h a ft or hil t . T he s ag a of G re t t i r t h e
S t ro n g wa s d e ve l o p e d fro m t h e hi s t ory o f an
hero who li ve d ab o u t I c e l a nd i c
t wo ce n t u ri e s a ft e r C ha rl e m ag ne i n t h e b eg i nn i ng o f t h e e l e ve n t h c e n t u ry
, .
T h e l eg e n d ary ta l e o f h i m i s a s c rib e d t o t he e n d o f t h e t h i rt e en t h ce n t u ry .
P ri m u s I sl an d u s fe rru m ca n d e n s g e s t a s s e p erhi b e t u r G re t t i r R ob u s t u s c u i i d
a re g e O l a v o i n N o rv e g i a u n c t u m , a n n o c i rc i t er
e s t i nj M ii ll e r a nd
T h ere m a y b e a n d i s , q u e s t i o n
'
V el s c ho w s n o t es t o S a xo G ra mm a t i cu s . ,
of the i n fl u en ce of Be o w u l f on t he G re t t i s s ag a , b u t a rg u m e n t o f i n fl u enc e
u n t i l m o re t ha n fi ft y yea rs af t e r t h e d ea t h o f Ch a rl e m ag n e .
33 0 E N GL I SH WR I T E R S .
wh e occ si n called f
n a hero broke out d b ec me
o or a ,
an a
gre t a
“
I f the poem was written fo the benefit o f the
. r
, a a o e a
f ther
a He wa s consecrated m nifestly by H igeb yh t
. a r ,
poet “
Wh t e they
. I f t h e bove re soni gs b e true
a ar a a n ,
t h p et m u t h ve been a person w h o c u l d S p
e o s a k w it h o ea
33 2 E N GL ISH I VR I T E RS .
,
er ,
me n looking little m
a -
This was t h e s me Pope Grego y an . a r
the g e test value fo the i r free and fearless telling of the wild
r a r
se nd
a, a having l nded de st te and t ke prisoners in a
,
a ,
va a a
A t ra n s l a t i o n i n t o D a n i s h fo l l ow e d i n 1 86 1 by a t ex t , Be o w u l fes
Be o rh ae l l e r Bj
o vu l fs D ra p e n , d e t O l d A n g e l s k e H e l t e d i h t ,
-
g p aa G ru n d s
-
p ro g e t , ved Ni k F red S e v G ru nd t v i g
.
”
. o b e n h a v n, 1 86 1
. . Kj .
B E G WU L F .
3 33
h av g killed
. the
n king s b dued the e emy in a s e a fight ,
u n ,
0
H i s i t a g e s t i s Da ni c u m reg e s u o C hoci l a i co e v ec t u n a va l i pe r m a re
G all i as a p pe t u n t e g re s s i q ue a d t e rras p ag u m u n u m d e reg n o T h e o d o ri c i
,
j
e us fu e ri t a b e x t ra n e i s d e v as t ata , T heo d ob e rt u m fi l i u m , m , i n i l l a s p a rt e s
su u
c u m v al id o e xe rc i t u a c m ag no arm o ru m a p p a ra t u , d i re x i t q u i , i n t e rfe c t o
re s t i t u i t — H i s t F ra nc i i i 3
.
”
. .
, . .
1
“
D a ni c u m re g e s u o , n o m i n e C h oc i l a g o , cu m na v a l e hos te pe r a l t u m
m a re G a l l i as a p pe t u n t , T he u d e ri c o p ag u m A t t u a ri o s vel al i os d evas t a n t e s
a t q u e ca p t i va n t e s , p l e n as na v e s d e ca p t i vi s h ab en t e s , al t o m a re i n t ran t e s ,
re x c oru m a d l i t t u s m a ri s res i d i t .
— G e s ta R eg a . o .
, c . xi x.
I De H u n g l a co M fi u nt m o n s t ag no . —E t
ra m i rae m a g n i t u d i n i s u t
re x H u n g l ac u s , q u i e n i m i mp e ra v i t g e n t e s (G e t i s) e t a F ra n c i s oc c i s u s
es t , q u e m e q u u s a d u o dec i m o ze t a t i s a n n o p o rt a re n o n p o t u i t , c u j u s o ss a
i n R en i fl u m i n i s i n s u l a , ubi in o c ea n o p ro ru m i
p t, re s e rv a t a s u nt et de
l o ng i n co v e ni e n t i b u s p ro m i racu l o o s t e nd u n t u r .
Q u o ted fro m M ii l l en h o ff
“
t h ro u g h Herm an n D ed e ri ch
'
s H i s t o ri sc he u nd G eog ra p h i s c he S t u d ie n
334 E N GL I SH WR I T E R S .
s p o d to
n thes old sound o f the lette H w h i c h w s r ,
a
H yg l of
e acold chronicle w s then a D nis h king f a , ,
a o
5 1 1 d 53 4 an d w h o s he w s bout
, to dep
an rt rich i n ,
a a a a ,
The mighty king c rried the orn ment w it h him the precious a a ,
stones over the cup of the w aves He fell under his Shield . .
The life of the king then p ssed into the gr sp o f the Fra ks a a n ,
zu m ang e l -s a c hs i s c h en Be o w u l f-l i e d e . K o l n 1 8 7 7 T h i s e xc e l l e n t m o n o
, .
g ra p h ,
by a you ng s c h o l a r, pu t t og e t h e r ve ry cl e arl y s o m e o f t h e ch i e f re
su l ts o f rec e n t c ri t i c i s m .
R e l y i ng u pon co m m o n k n o wl e g e o f t h i s fa c t, M r G W K i t c i n
d . . . h ,
h as s p el t t h e n a m e s , u s u al l y w ri t t e n C l o t h a i re
”
i n h is H i s t o ry of F ra n ce ,
an d C h i l p e ri c , as H l o t ha i r an d H i l p e ri c . I n t he v o we l of H u g l e k r, or
H u g l ek , as the n a m e s t an d s i n t h re e ol d Da ni s h re c o rd s , t he u w eak e n s t o
i n H yg e la c b eco m i n g I , e b y t h e
' '
o, and , l a t e r, t o I ,
t h e s u c c es s i v e v o w e l s
u s u al a c t i o n o f t h e u ml au t . H u g l atu s i s t h e na m e i n S ax o G ra m m a t i c u s
of a v er y ri ch k i ng i n I rel a n d , w h o w as s o a v a ri c i o u s h h
t a t w e n h e g av e
a wa y b oo t s he k e p t t he i r l ac es.
4'
Be o w u l f 11 . .
33 6 E N GL I SH WR I T E R S .
year 5 20 .
A“ i d so
in
e
the account o f the feast w elcoming Beo w ul f
“ hm “ on his return to the court o f H el a Her name
3
c
yg .
,
t r t ed
as d w h o is praised as one w h o loved the pe ople
an .
Be o wu l f, 11 .
B E G WU L F .
337
o f G a m u d gre t in fight
r The p ssage o f which this is
n , a . a ,
de th o f H ygel
a T ken n ow it h s been re d by
ac . a ,
as a a
Di e H i s t o ri s ch e n V e rh al t ni s s e d es Be o wu l fl i e d e s in E b e rt ’
s
“Ja h rb u ch fu r R o m a n i s c he u n d E ng l i s ch e Li t e ra t u r ,
u n te r b es on d ere r
M i t w i rk u n g v o n F erd i na n d W o l f v o l i v , p p
”
, . . . 2 60 — 2 85 .
S ax o L a ng e , La t i n i s e d Sa x o Lo n g u s ,
a nd fo r t h e g o o d
s tyl ed ,
La t i n h e w ro t e , G ra m m a t i c u s ,
”
w as a fri e nd a n d c o m p a n i o n o f S v en d
“ C om d i H i s t o ri a Reg u m D a n i aa wa s t he fi rs t
A a g e s ii n , w h o s e p e n osa
a t t em p t a t a cont i n u ou s hi s t or y of D e n m a rk . Aa g e s on sa i d h i m se l f t h at
hi s reco rd wa s t he s h o rt e r b e ca u s e h e k ne w t h a t h i s fri e n d S a x o w as en
g g
a e d o n a m o re d e t a i l e d h i s t o ry of hi s t im e . The y w e re b o t h e c cl e s i
a s t i cs , b u t Aa g e so n ce rt a i n l y , a n d S a x o p ro b a b l y , w e n t w i t A rc h b i s h o p h
Ab s o l o n t o wa r a g ai n s t t h e W e n d s
’
S a x o s fa t h e r a n d g ran d fa t h e r w e re
.
s o l d i ers u n d e r W a l d e m a r t h e G re a t S a x o w a s p ri va t e s e cre t a r t o A rc
. y h
b i s h o p Ab s o l o n , w h o m h e s u rv i v e d ,
i n s c ri b i ng t o Ab s o l o n ’
s s u cces s or hi s
” ”
fa m o u s c h ro n i c l e o f D e n m ark , G es t a Da n o ru m , or H i s t o ri a D a n i c a .
S a xo d i e d i n o r a ft e r t h e ye a r 1 2 08 . H is b oo k i s a g ra n d s t o re - h ou s e of
t h e l eg e n d an d h is to r y of D e n m a rk , as t h e y w e re c ol l ec t e d i n t h e M i d d le
Ag es b y a s k i l fu l w ri t e r wh o h a d t h e t o u c h o f an a rt i s t wi t h the g ra s p o f an
h i s t o ri a n .
W
33 8 E N GL ISH IV R I TERS
'
.
i
n tr cing the descent o f the Mercian O ff who ruled
a a
S quence here o f t h e
e mes o f We m d O ff E o m ae na r un , a, r
Beo wul f w ith ddi t ion t his other t riumphs that he t med
, a o , a
a s h re w T his myth ic l O ff so f s he
. be d ted a a, ar a c an a ,
t oler b le th t
a t l st a ft er s me
a t especi lly
a trocious
a ,
o ac a a ,
f ll s w ay o f her b e uty b u t
u t the s me time she regained
a , , a a ,
a .
,
a
O ffa s ,
d m kes the Mercian the man w ho ma ried
an a r
34 0 E N GL I SH IVR I T ER S .
f unded b y
o S cyld w h o c me s a child on
a ship l den a a a a
S l d cy
w ith ar m s and tre sure to the coast o f Denmar k a
,
’
u a .
Scyld son o S e a
, f c f — S cyld Sc e g m y h ve been an
fi — a n a a
Sk i l d i w s B i
a In t h e S xon chr nicle S eal d va was
a arr . a o c
3r d o f December 8 8 5 It ssu m es th t Be w l f w ,
1 . a a o u as a
“
Grend l Pro fessor Skeat o b ser es never used
e ,
” “
v ,
w h en h e sei ed f E s h e
s Again it is suggested that
z c re .
,
fo his chievemen t s
r a n d fo th t lso he was credited w ith , a r a a
h d
a proverb that he h the strength of ten men and the
a as
lines 76 —
z,o Pr fessor Ske t tr nsl tes
z, 1 oo o a a a
“
There w s t h e glov i p aw re dy to descend i
a e, ze .
,
a n
(
a f ter m e ) w ith re dy p lm His glove or
( p )a w hung a a .
n e on w e a l l e l e ng
B i t l a n w ol d e, ac m i d b ze l e fd r
P y re g e fys e d .
i the ccounts of H yg el
n a l l Beo wul f wa read into myth ac , a s ,
(since b d is an
ea Anglo S oxon prefix me ning w a -
a ,
a r
hero s n me
’
a .
i t» u
Deu t sc he M y t hol og ie . 1 835
B E G WU L F .
345
“ mm“
He grees with Kemble that the n am e is Beaw
a ,
E g th eo w
c For the s wimming r ce w ith Breca he finds
. a ,
“
K em b l e
’
s S axo n s i n E ng l a n d .
34 6 E N GL I SH WR I T E R S .
Gi n t Beli Beo wul f and Breca sw m tow rds the Pol r seas
a a a a ,
and the s words they carried sign i fied that they w ent to subdue
the ri gour o f the n rthern bl st Grendel is the god o f the o a .
is the Summer b etw een the victory over the storms of early
spring beyon d w hich he lives i summer glory and over the
, n ,
U h d seeing
la n ,
in the ss ults o f Grendel th t bring a a , a
L i m
a b‘
de th to the d well ers in H eo ot the entrance
’
a r ,
w s wi d
a d Breca the bre ker r l ed over the B o d i g
n ,
an ,
a ,
u r n n s
fi eb
r d s hot r ys of the summ r
ran ,
Here let us p us e
a e . a .
then the Dragon story (11) give this to another man whom ,
critic l judgm ent w hich never forgets the b oun d ries b et w een
a a
s top and w ith aid here and there only of a little reason
,
T HE F I G HT AT F I NN E S B U R G .
e g t
the cover o f M S of H omilies in the library at m g“i
a .
at n
m
La m beth Pal ce The volume has been doubt
a .
,
H i ck es i n his “
Thesaurus o f old Northern Langu ages
( 7 3
1 0 and is part o f a poe m on the sam e
“
peril o f
F in s o ff spring which forms an episode o f the tale told at
’
prince o f the Frisians and the rush and stir of the life o f
the past th t aroused a quiet antiquary by its cry from the
a
w as this
n ev e r bu rn . Th e n
d al ou d t he w arl i k e you ng k i ng
c ri e ,
t h a t t he h at re d o f t h i s peo p l e w i l l d o Bu t w a k e u p n ow m y w arri o rs
.
, ,
H i ck es
’
s The sau ru s L i ngu aru m Se p t e n t ri o nal i u m , i . 1 92 .
350 E NGL ISH I VR I T E RS .
s w o rd N o b l e w arri o rs w e n t t o t h e d o o r ; S i g efe rt h a nd E ah a d re w
.
t h e i r s w o rd s a n d a t t h e o t h e r d oo rs O rd l a f a nd G u t h l a f an d H e n gi s t
,
t h a t h e s o j oyo u a s ou l b o re n o t a rm s t o t h e h a l l s d oor a t t h e fi rs t
’
,
s ,
i n s t an t n o w t h a t a fi e rce e n e m y w o u l d t a k e i t
, B u t a b o v e al l t h e .
,
fi e rc e wa rri o r a k e d op e nl y Wh o h el d t h e d oo r
s S i g e fe rt h i s m y
,
na m e q u o t h h e I am t h e S ecg a s l o rd a w a rri o r w i d el y k n o w n I
,
’ ‘ ’
, .
fro m m e i s h e re d e cre e d fo r t h ee
, Th e n w as t h e d in o f s l au g h t e r i n
t h e h al l T h e k e e l ed bo ard s h o u l d
.
(t h e s wo rd ) t h e y t o o k i n h a nd
t o b re ak t h e b one h e l m T h e b u rg fl o o r re s o u nd ed u n t i l G a ru l f
.
,
G u t h h e re s s o n fe l l fi rs t o f e art h d w el l e rs i n t h e fi g h t
’
,
T h e co rp ses -
.
o f m an y g o od foes w e re a bo u t h i m T he ra v en w an d e red s w ar t an d .
,
s al l o w b ro w n T h e s w o rd g l e am s t o od as i f al l Fi n s bu rg w e re o n
’
-
.
fi re . N e ve r h av e I h ea rd o f s i x t y con q u e ri n g h e roes w ho be t te r bo re
t h e m a t a c o n fli c t o f m e n n o r e v e r re q u i t e d s o n g o r b ri g h t m e ad b e t t e r
,
t h a t n o ne o f t h e m o f t h e n o b l e c o m rad es fe l l b u t t h e y h el d t h e d o o r
, , , .
Th en th e g u ard i an o f h is p eo p l e qu i ck l y as k e d h i m h ow th e w arri o rs
h ad reco v e re d fro m t h e i r w ou nd s o r w h e t h e r o f t h e y ou ng m e n , P
w el co m ed t h e s o n g fre q u e n t w h en H ro t h g ar s s c op t h e j oy o f t h e
’
, , ,
h a l l t o l d a ft e r t h e s i t t i ng a t m ea d o f F i n s o ffs p ri ng s e i z ed by s u dd e n
’
,
l a nd .
Not H i l d eb u rh , i nd ee d , co u l d p ra i se t he fa i t h of J u te s .
A t the s hi el d -
p l ay she, s i nl es s , w as d e p ri v e d of he r d ear o n es ,
ch i l d re n a n d b ro t h e rs t h e i r fa t e w as t o fal l p i e rced b y t h e s p e ar .
N o t w i t h o u t ca u s e H o ce s d au g h t er m o u rn e d h e r d o o m w h e n
’
, i n the
m o rn i n g s h e m i g h t s ee u n d e r t h e s k y t h e ba l e fu l m u rd e r
, of h er
k i nd red w h ere i n sh e befo re h ad m os t o f t h e wo rl d s jo y
,
’
.
Be o wu l f 11 , .
35 2 E NGL lSh
'
I VR I T E RS .
o f so rro w a n d a v e ng e d t h e i r s h a re o f w o es ; t h e w a v e ri n
, g c o u ra g e
s t ay e d no t i n h is b reas t The n w a s t h e h al l be se t w i t h e n e m i es F i n
.
,
a l s o w as s l a i n t h e k i ng i n t h e t h ro ng a n d t h e q u e e n t ak e n
, T he .
w arri o rs o f t h e S cy l d i n g s c a rri e d t o t h e i r s h i p s a l l t h e g oo d s o f t h e
k i ng o f t h e l an d s u ch as t h e y m i g h t fi nd i n F i n 5 h o m e o f j e w e l s a n d
,
ra re g e m s Th ey ca rri e d a w ay w i t h t h e m t h e ro yal w o m an t oo k h e r
.
,
t o t h ei r pe o pl e .
T h e l a y w as s u ng , t h e s o ng of the gl e e m an ; u r i th e
p o se a a
g n
s o u n d o f s p o rt , an d n o i s e w a s l ou d u p o n t he b e n ch es .
”
”
na v ,
f ther H c
a ,
The D nes de fended themselves fo five d y s
o a . a r a
w ithin F i es b g killing m ny
nn f their ssail
ur nts d , a o a a , an
with little loss mong themse l ves At the end of the fi fth
a .
a a ,
an r a .
,
The hall w s filled w ith the slain Fin himself fell in the throng
a , ,
tales in the first E nglish speech argues ingeniou sly that the ,
W l t h ri s M u fo t i s T wo p rchment le ves of
a a u an r . a a
W ld h
W l d h e e e ch containing thirty one lines were
a r , a -
,
a e re .
,
354 E N GL I SH WR I T E R S .
wm i h t
through.
m ny l nds in the old d ys on w hich w
a e a a
D “
e
h ve b een d welling But he was a S cop great
a .
,
a
pass next with them i nto the old Teutonic song w orld d , an
R ed h and e d
-
, p an t i ng , s l a yi ng t h ro ugh t h e ni g t , h
M an s c a t t ers d eat h an d g l u t s t h e m ort al ran ; b d
R ed fl am es t h e s k y d e ad face s a re al i g h t
,
W i t h fi re n o t k i n d l ed b y a fo e m a n s h an d ’
.
Daw n b ri ng s a bl u s h d face
u po n the d ead co l
A m o rn i ng b re eze m o v es i n t h e m a t t ed h a i r
H e re h o p e h e re h a t e m an s ru i n H ea v e n s g rac e
,
’
,
’
B at h i ng i n l i g h t t he w reck ag e o f d es p a i r .
H na f i s '
no m o re a new c hi ef i n his s t ea d
Ba t t l e s ag a i n s t th e s p i ri t s w h o b e t ra y .
T h e \Vo rd m ad e F l es h l i ft s fro m t he fi e l d o f d e a d
Ou r e yes t o w a rd s t h e p ri n g i ng o f t h e d ay
s .
35 6 E N GL ISH WR I T E R S .
t h at i t w as K i ng Al fred w h o
'
ca u s e d i t to be t ra n s l a t e d ou t of
D a n i s h i n t o A ng l o -S ax o n .
18 1 5 —16 — T h o rk e l i n s La t i n
’
T rans l a t i o n i v e n w i t h t h e t e xt ca u s e d
.
g
h fi rs t p ri nt e d e d i t i on o f t h e Poe m t o b e d i sc u ssed i n 18 1 5 i n
t is , ,
D en m a rk i n t h e Li t e ra t u r T id end i a nd t h e Nye s t e S k i l d e re i ”
-
, ,
a t Kj obe nh a v n w h e re G ru nd t v i g w as t h e c ri t i c i n G e rm a n y i n
”
, ,
J e na L i t Z ei t u ng and t he Ki el e r B l at t e r i n E ng l a nd
.
,
”
,
“
T h e M on t h l y R e v i e w V o l 8 1 a l so fo r 1 8 1 6 ; [i n 18 1 7 b y
”
in , .
, ,
G ru nd t v i g i n t h e D an n e V i rk e a n d by t h e S w e d es a t S t oc k
-
,
h o l m i n I d u na
, I n 1 8 1 8 t h e p o e m w as a l s o d i scu s s ed i n t h e
.
,
G e l e h rt e A nz ei g en
”
o f G ot t i n g e n ] I n 1 8 16 G ru n d t v i g p ro .
p o s e d t o E ras m u s R as k w h o t h e n re t u rn e d fro m a v i s i t t o I c e l a n d
, ,
t h a t t h e y s h ou l d j o i n fo rces i n a n e d i t i o n o f Beo w u l f w h i ch R as k ,
h ad b eg u n t o w o rk a t w h en h e s e t ou t on t h e l o ng j o u rn e y t o t h e
E a s t fro m w h i c h h e cam e h o m e t o d i e .
1 8 1 7 —R as k p ri n t e d a s p ec i m e n o f B e o w u l f i n t h e R ead i ng Bo o k
.
add e d t o h i s
”
A ng el s ak s i k S p rog l aere .
1 8 20 .
— N i k F re d S e v G ru n d t v i g
. .
“
Bj o w u l f s D ra p e
. E t G o th i s k .
’
.
A fre e rhy m e d t ra ns l a t i o n i n t o D an i s h
”
B ii m . .
18 2 6 — J o h n J os i a s C o ny b eare
. I ll u s t rat i o n s of A n g l o S a x o n Po e t ry
.
-
.
by W D C o nyb ea re M A L o nd o n Pu bl i sh e d by t h e S oc i e t y
. .
, . .
, .
o f A n t i q u a ri es Th i s c on t ai ns a fu l l d e s c ri p t i on o f Beo w u l f w i t h
”
.
,
p as s a es
g i n m e t ri ca l t ra n s l a t i o n and s om e p i e c es of t he A ng l o
Saxon .
— “ T he A n l o Sax o n Po e m s T rav el l e r s S o ng of Be ow u l f, t he
’
g
-
,
E d i t ed t og e t h er w i t h a G l o s s ary
”
an d t h e B a t t l e o f F i n n e s b u rh .
,
o f t h e m o re d i ffi c u l t w o rd s a n d a n H i s t o ri ca l P re fac e by J o h n M , , .
s o l d i n t h ree w e e k s .
1 8 3 5 — A s e co nd e d i t i o n o f K e m b l e s
’
. B eo w u l f .
18 3 7 . A T ran s l at i o n o f t h e A ng l o S a x o n Poe m of B e o w u l f wi t h a -
,
Ke m bl e .
1 8 39 . I I ei n ri ch L eo
-
B e o w u l f d as z a l t es t e d e u t s ch e i n a ng e l
.
, ,
sach s i s c h e r M u n d a rt e rh a l t e n e H e l d eng ed i c h t n a c h s e i n e m I n h a l t e
'
, ,
u n d n a c h s e i n e n h i s t o ri s c h e n u n d m y t h o l og i s ch en Be z i eh u ng e n
b e t rac h t e t E i n Be i t rag zu r G es c h i ch t e a l t e r d e u t s ch en G ei s t e s
.
Z u s t ae n d e Pu b l i s h e d a t H a l l e
. .
1 8 40 —
. Lu d w i g E t t mul l e r B eow u l f H e l d e ng e d i ch t d e s ach t e n
. .
J a h rh u nd e rt s Z u m ers t en M a l e a u s d e m A ng e l sfi ch s i sc hen i n d as
.
B I BL I OG R A P H Y OF B E G WU L F .
35 7
N e u h o chd e u t sc h ebrei m e nd u b e rs e t zt u n d m i t E i nl ei t u ng u nd
s ta
A n m erk u n g e n v ers eh en
”
A t ran s l a t i on i n t o a l l i t era t i v e v e rse .
,
p u b l i s h e d a t Z u ri c h .
18 4 7 — F red e ri k S ch al d e m ose
. B e o W u l f o g S c o p e s W i d s i t h t o an g e l .
-
,
k e D i g t e , m ed O v ers ze t t e l s e og 0p l ys e nd e A n m aerk n i ng e r
s axi s .
Te x t , w i t h t ra n s l a t i o n i nt o D an i sh , o f w h i ch t h e re w as an o t h e r
d i t i on p u b l i sh e d a l so at C o pe n hag e n i n 1 8 5 1
e .
— “
1 8 49 A Di ed ri ch \Vack e rb art h
. . Beo w u l f a n E p i c Po e m t ra n s .
,
l a t e d fro m t h e A n g l o S ax on i n t o E ng l i s h V e rs e L ond on :
-
.
P i ck eri ng .
185 5 — Benj a m i n Th o rp e “
. T h e A n g l o Sax on Po em s o f Beo w u l f t h e
.
-
,
S c op o f G l ee m a n s Tal e an d t h e F i g h t at F i n n es b u rg wi th a
’ ”
, ,
1 85 7 — C W M
. . G re i n B e ow u l f i n t h e
. . B i b l i o t h e k d e r a ng e l s a c h
.
s i s ch e n Poe s i e P u b l i s h e d a t G ot t i ng e n
. .
18 5 9 .
— Ka rl Si m ro ck . Beo w u l f . D as a l tes t e D e u t s ch e E pos . U e be r
S t u t t g art an d A u gs b u rg
”
s e t z t u n d e rl au t e rt . .
1 86 1 — N F S G ru nd t v i g
. . . Beo w u l fes Beo rh ae l l er Bj
. o v u l fs -D rap e n ,
.
d e t Ol d -A ng e l s k e H e l t ed i g t , p aa G ru nd e p ro g e t C o p e n h ag e n
”
-
. .
1 8 6 3 — M o ri t z
. H e y ne Beo v u l f M i t au s fii h rl i ch e m G l o s sa r
. . .
i i b e rs e t zt v o n M o ri t z H ey ne
”
.
18 6 7. — C W M G re i n. B eo v u l f n ebs t d e n F rag m e nt en F i nn sb u rg
. . .
W orterbu ch .
”
C as s e l and G ot t i ng en .
18 72 .
— H ans v on VVo l zog en . B e ov u l f (Ba rw el f ) D as al t es t e d e u t sch e
H e l d eng e d i c h t Au s d e m A ng el s ach s i sch e n . .
”
Pu b l i s h e d a t
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L e ca i n , T h e Y e ll o w Boo k o f, 2 0 2 M ul l e r, P e t e r E ras m u s , 3 1 1
L e i ns t e r , 1 68, 1 6 9 , 1 7 5 M u n s t e r, 1 69 , 1 70
T h e B oo k o f, 1 76, 1 79 , 1 8 1 , 1 8 3 , M y nyd d a w g , 2 2 1
2 0 1 , 2 02 M y rd d h i n 2 1 9
L e i t r i m , 1 72 M yt h s E a rl y
,
1 4 1 — 1 44
—
, ,
L e mck e , L u d w i g , 3 16 su g es t e d i n B e o w u l f, 3 43 3 4 7
g
L e o , H e i n ri c h , 3 1 4, 3 1 8 M y v y ri a n A rc ha mI Ogy o f Wa l e s 2 3 8 , ,
L h u y d , E d wa rd , 1 5 3 2 39
L i be r L a n d a v e ns i s , 2 3 8
L i ncol ns h i re , 1 5 5 N
L i nd i s fa rne , 2 1 5 N a d d o t hr, 2 69
L i s m o re , 1 8 1 1 82 N e m a n , M a c ha , a nd M o rri g a n , ol d
L i t e ra t u re o f P e Op l e 1 2 3 .
I ri s h Ba t t l e F u ri e s , 19 1
t he E n l is h P e o p l e 1 2 4 N e nn i u s , 2 4 2
,
7 O l d G a e i c D e g re e s i n, 1 70, 1 71 N orfo l k , 2 08
L i t t u s Sax o n i cu m , 20 5 N o rt h u mb ria , 1 5 5 , 2 09
L l a nd a fl , 2 3 8
'
L l oe g ri a ns , 2 1 8
L l y fr Coc h 2 3 8 O
L l y w a rc h He n , 2 1 0 , 2 1 4 — 2 1 8
O C u rry , E u g e ne , 1 73 , 1 8 1 , 1 87
’
L oca l N a m e s , C e l t i c , 1 5 7 1 5 9 -
L oc hl a n , 1 9 5 O d i n . 2 6 4 . 2 6 5 . 3 1 3 3 44 .
Od o —
L o n d o n , 1 5 1 , 2 06 a c e r , 2 5 7 259
O D o noya n
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J
oh n , 1 97
L y c ia i i a n d Ol e n , 1 4 5
0 113 5 , l e h
"
T W —3 30 . 3 37 3 3 9
—
O 2
. 3 7
L y e l l , S i r C harl e s , 1 3 4 , 1 3 5
L y mp ne , 2 0 5 O g ha m L e t t e rs , 1 6 7 1 70
O i s i n ,
1 66 ,
1 80 -
1 86 :
M O le n , 1 45
O ll am h , 1 70
M a c G re or, J am e s , D ean of L is m ore , O n e la , 300
—
h i s 00 11 , 1 8 1, 1 82 O nge t h e o w , 3 00 306
M ac h e i s o n , a m e s , 1 80 , 1 8 1 O p i s a nd A rg e, 1 4 5
M ag R a t h , o f, O l T d i t i o n A cc u rac y i n 1 70 1 7 1
g e nd of t he Bat t l e r a ra , , , ,
1 97 —200 I 76 . I 77
M a h a b hara t a , 1 2 8 O sca r, s o n o f 0 15 m , 1 8 3 1 8 4
M ai l a nd , J a co b v a n d e r, 2 5 3 P oe m o n t h e d ea t h o f, 1 94 , 1 9 5
M an u sc ri p t M a t e ria l s fo r S t u d y of O s t ro g o t hs , 2 5 7 2 6 1 —
G a e l i c L a ng u a g e an d L i t e ra t u re , O t ad i n i , 20 9
2 00 —20 2 O t h ona , 20 5
C y m ri c L a ng ua g e O u d e n d orp (o r O l d e nd o rp ) , oha n n. J
an dL i t e ra t u re , 2 3 7 —2 3 9 15 1
M at t h e w P a ri s 3 3 3 3 8 O w en , Wi l l ia m 2 18
f
,
M e rl i n, 2 1 9 P e g w e l l Ba y , 2 4 5
M e ro v m g i an s , 2 6 1 , 3 3 5 Pel m i ss us 1 4 5
M e t ho d u s , 2 6 3 Pen t l a n d I I i ll s , 1 5 4
‘
M e t re s , C e l t i c , 2 3 6 2 3 7 , P e rc y , D r . J
oh n , 1 3 3
Sca n d i n a v i an , 2 73 , 2 74 P e v e nse y , 20 5
A ng l o-S ax on . 2 95 . 2 96 . 34 5 . 3 46 P h i l os t o rg i u s , 2 5 5
3 6 6 I N D E X ES .
Po m pe y , 2 6 5 T hom a s , 2 1 9
Pot t , A u g u s t F ri ed ri c h , 1 2 9 S t o k es , W h i t l e y , 2 3 6
P ri me S t o ri e s , G a e l i c 1 7 1 S t o ne Pe ri od , T he , 1 3 2 — 1 3 8
P ri s c i a n , M S of, w i t hG a e l i c G l o s s e s ,
. S t ra bo , 2 0 5
2 00 S t y rm e r t h e L ea rn e d , 2 7 1
P roco p i u s , 2 5 3 S u ff olk , 20 8 3 2 5 ,
P t o l e m y , C la u d i u s , 2 4 9 S u i b hne , T h e C o w a rd i ce o f, 200
P u rs u i t o f D ia rma i d a nd G rai n né , S u rre y , 1 5 1
1 90 S u sse x 1 5 1 , 2 08
P y t heas , 264 S w a l e da l e , 2 2 1
Q
Q u o i t s , t he C o rn i s h , 1 38
R T i
ac t us, 1, 1 5 3 , 2 05 , 2 49
T ain B0 C h i i a i g n é 1 76 — 1 79 ,
R i c h o ro u g h , 20 5 S on o f I d a ,
R o m a n Occ u pa t i o n of B ri t a i n , T he od os i u s , E m p e ror, 2 5 6
I h i n (i l l r, P l a i n o f, 2 72
'
2 43 1 ? 44
R o m a n s i n G e rm a n y , 2 54 T ho r e l i n , G ri m J
oh n s o n , 3 1 1 , 312,
R u n es , 2 66 — 2 6 8 352
T ho rp e B e nj am i n, 3 1 4 , 3 1 5
S T ho rt ha rs on , S t u rl a , 2 7 1
S a cae , 1 2 6 , 1 47, 2 5 4 T h u l e . 2 64 , 2 7 1
S aem u n d S i g fu s so n , 2 73 T i g h e rna c h , A n n a l s o f, 2 0 1
S a i n t I l t u t s H e rm i t ag e , 1 3 8
’
T i n fro m B ri t a i n , 1 49 , 1 5 0
S ak on t a l a , 1 2 8 T u i s co , 1 2 5
S an s k ri t , 1 2 7— 1 3 0
Sax o , A M y t h i ca l , 1 2 6
U
G ram ma t i cu s , 3 1 1 , 3 3 7
—
’
U fl c . 3 3 7. 3 8
S a x o n s , 1 2 6 , 2 0 8 , 2 49 2 5 4
S ca n d i n a v i a , 1 3 0 , 2 6 4 —2
U I
es h a l l n S u ffo l k , 3 2 5
S co t a , M o t h e r of t he L i es i ans , I 1 6 7,
gg
U and , L u d w i g , 3 46
U l fi l as , 2 5 5 — 2 5 8
S
17
U l s t e r, 1 75
Sc I d c e fi n
h i
3 1 7, 3 40, 3 4 1
S c l e g e l , F r ed ri c h , 1 2 9
A n n a l s o f, 20 2
U p sa l a , S i l v e r C o d e x a t , 2 5 7
S c y t hs , 1 2 6 , 1 47 1 6 7, 2 5 4
U ri e n 2 0 3 2 09— 2 1 7
Se mi t i c F a m i l i es o f M a n, 1 2 4
i —
,
T a l e s i n 5 So g
n s o f 2 1 3 2 14
S e nc han , G ae l i c c h i e f p o e t , 1 76
,
L l y w a rc h H e n o n t h e D e a t h o f,
Se t t l e m e n t s T he S i x T e u t o n i c , in
E ng l a n d 20 8 , 2 4 1 —2 5 3
,
2 15
,
S i ml L a k e , 3 1 7
S i m u nd , 3 3 9 V
S i u re s , 1 5 3
S i l v e r C o d e x a t U ps a l a , 2 5 7 V e d a s , T he , 1 2
S i m roc k , Ka rl , 3 1 5
S i n fi ot l i 3 3 9
V e l s c h ow , D r
V e n t ry H a rbo u r, 1 01
M 311 .
J
. .
S ki l d s k a pa rm al , 2 73 V e rs t e g a n , R i c ha rd , 1 2 5
S k ea t , Prof W W , 3 4 1 — 3 4 3
. . . V e s p as i a n , 2 4 3
S l a ng a p i g , 3 1 8 V i l l e ma rq u é , Vi co m t e H e rsa rt d e
Sla v o n i a n s , 1 30 , 2 6 3
S n o rri S t u rl u s o n , 2 73 V o l s u n g a -sa g a , 3 3 9
S o me rs e t s h i re , 1 5 1 Vu lfi l a s , 2 5 5 —2 5 8
E G L I S H W R I T E RS
N E XT S UMME R
oak II
F RO M CI E D M ON T O T H E C O NQU E ST