Mouqawamah Music

ANALYSIS, HOLLYWOODISM, TELEVISION

WHY MUST WE, THE NATIVES, BEG OUR

OPPRESSORS?: ON “HOMELAND”, MENTAL
COLONIZATION AND JEWISH HOLLYWOOD
OCTOBER 25, 2014 | MADDCOLDSONOFKUFA | 2 COMMENTS

by Jonathan Azaziah (Mouqawamah Music EXCLUSIVE)

Begging one’s oppressor to stop engaging in oppression is the logical equivalent of demanding a
mosquito to kindly cease with the sucking of your blood. Regardless of your line of questioning, be it
soft or ferocious, both creatures are going to proceed with what it is they do, for it is their nature.
And yet, we Natives, i.e. the Brown, Black and Yellow peoples of the world along with our Irish and
Russian brothers and sisters in Eurasia, cannot seem to stop going out on a limb and requesting of
Zionists and Imperialists to just be nicer and treat us, well, like human beings. This is a symptom of
mental colonization and cultural imperialism; it stems from an inferiority complex that has been
installed in all of us, in one way or another, by the hegemonic forces of colonialism which deceptively
seek to convince us they can somehow be reformed and made kinder as long as we don’t resist their
savagery and don’t express our anger over being invaded, colonized, mass murdered, raped, usurped
and pillaged.

Out of all the various forms of colonialism, each and every one of them per dious and
unconscionable, the most dangerous, hands down, is Morphing Zionism. Originally identi ed by
Palestinian luminary Nahida Izzat and expounded upon by this author several years ago in an essay
entitled “The Tribal Nexus: Zionists And ‘Anti-Zionists’ Unite To Ensure The Survival Of ‘Israel’ (1)”,
Morphing Zionism is an amalgamation of “spiritual” Zionist godfather – and raging supremacist –
Ahad Ha’am’s Cultural Zionism and the “liberal” Zionists’ Post-Zionism, and its function is to impose
Jewish culture on the Palestinian people as well as the other peoples of the region, and to not only
legitimize but also internationalize the Jewish squatter presence in Palestine in the name of “peace”
or “one state” while making believe that the Nakba and all other “Israeli” crimes against humanity are
simply inconsequential. There is another function of Morphing Zionism however, one that is just as
treacherous as the aforementioned and which has never been discussed previously. Nevertheless, it
requires dedicated attention and vigorous analysis.

While attempting to grind the liberationist character of the Palestinian cause into the sawdust of a
lackadaisical “human rights” issue or the boringness and incompleteness of a “social justice” issue,
Morphing Zionism also seeks to instill in the minds of the oppressed peoples of the world, be they
Arab, African, Iranian, Afghan, Pakistani, Kashmiri, Indian, Latino, Pnaci/Indigenous (in America,
Canada or Australia), etc., that the Jew is just as oppressed as they are.

Morphing Zionism wants the Black, Brown and Yellow peoples of the globe, all of whom have faced
Jewish-Zionist terror at some point in their histories, including in an ongoing capacity right now, to
look at the Jew as a friend and ally of their struggles, instead of the lying, conniving, capitalistic,
imperialistic, tribalistic, anti-Brown, anti-Black, anti-Yellow, anti-Christian, anti-Muslim supremacist
wretch that he is. Morphing Zionism has been successful in the endeavor as this phenomenon has
already taken root in myriad ways, most prominently in the way that the Native refuses to see
corrosive Jewish preeminence in banking, media, entertainment and Western policymaking as a
conspiratorial, destructive and pernicious force, despite that all of this is to his grave detriment.

This sensitive subject is grandiosely exempli ed by the – past and recent – Arab-Muslim reactions to
the hit TV series “Homeland”. In an October 15th op-ed for the Jewish-Zionist-Sulzberger-family-
owned New York Times (2), Pakistani author Bina Shah expressed her dismay at the “Homeland”
depiction of Pakistan. The mental colonization in the piece runs deep. At one point in the article, Shah
apologetically remarks, “We look to see if we come across to you [in the West] as monsters, and then
to see what our new, monstrous face looks like. Again and again, we see a refracted, distorted image
of our homeland staring back at us. We know we have monsters among us, but this isn’t what we look
like to ourselves,” as if the “monsters” in Pakistani society, the Tehrik-I-Taliban in particular, aren’t the
creation of the US-“Israeli” Empire and its junior Hindutvadi partner in New Delhi, brought to life
through a Zion-designed covert program called the “Dragon Policy (3)”. It’s a disgracefully blatant
nod to the oppressors – an acknowledgment of their xenophobia masquerading as faux wisdom –
that yes, yes, absolutely, “monsters” exist in *our* societies but not in theirs.
Elsewhere she writes, “And we in Pakistan long to be seen with a vision that at least approaches the
truth,” in an unequivocal invocation that the Native needs validation from her oppressor and her
colonizer to feel human, to feel normal, to feel *part* of the wider family of nations. Who is this “we”
she is speaking for? What Pakistanis feel this need, this longing for recognition from the imperialist
madmen who drone and subvert their country? The Pakistanis that this author knows, from his two
Mouqawamah Music comrades and colleagues Khanverse and Assad al-Liftawi to numerous other
friends in the Diaspora, as well as other brothers and colleagues from Karachi, Islamabad, Rawalpindi,
Lahore, Quetta and Mirpur in Azad Kashmir, feel no such desire. In actuality, what they “long” for is to
stop being droned, stop being terrorized by World Zionism’s proxies and to stop being ruled by CIA-
Saudi-backed puppets. How they’re depicted on “Homeland” isn’t exactly a concern of note.

In her conclusion, Shah laughably and rather embarrassingly provides a verse from the Holy Qur’an,
about the different nations made by the Creator coming together and knowing one another, to
seemingly back up her point that Hollywood should be bridging the gap between East and West,
North and South, not dividing it, “All of us, in the outside world as well as in Pakistan, need art — lm
and television, story and song — that closes that gap between representation and reality, instead of
prying the two further apart.” What she fails to realize however is that Hollywood has always been in
the business of propagandizing for the powers that be and dividing nations and peoples who may be a
threat to those powers. Hollywood’s destructive purpose is indeed primordial.

From the opposite end of the critique spectrum, we have Palestinian thinker Joseph Massad offering
a blistering assault on “Homeland”, tearing it to pieces bit by bit and exposing all of its Zionist,
Imperialist, Ashkenazi-centric, white supremacist and sexist tropes (4). Unlike Bina Shah, Massad
also notably and correctly pointed out that “Homeland” is an “Israeli” product – the creator Gideon
Raff is a former IOF paratrooper, and thus, a war criminal — hence why Zionist propaganda is
featured so prominently throughout the program.

However, in lockstep *with* Shah, Massad, like Edward Said before him in his broken critique of
American imperialism (5), fails to point out the massive, screeching, stomping Jewish elephant in the
room. Massad’s conclusion is a con rmation of this failure, as he writes, “That American shows are
now equal-opportunity offenders in their racism against internal and external others is hardly news,
but that the rst black American president is a fan of them should be.” No it certainly should not. At
all. Obama is not some sort of beacon of radical Black consciousness. Obama is not Malcolm X’s
second coming or the modern-day Kwame Ture. He is a half-Anglo tool of Chicago’s Jewish political
ma a who nurtured his career from jump street and lovingly referred to him as America’s “ rst
Jewish president (6)”, why wouldn’t his favorite show be an “Israeli”-created, Judeocentric, Zionist-
Imperialist hasbara festival like “Homeland”?

Again, Hollywood’s destructive purpose is primordial, and its anti-Arab, anti-Muslim stances are by
design as Hollywood is a Jewish institution through and through and has been so since the beginning.
And this is not up for debate. Anyone who would foolishly disagree merely needs to read Neil
Gabler’s unparalleled work “An Empire of Their Own: How the Jews Invented Hollywood (7)”, a
book that even actor Gary Oldman invoked in his pathetic apology to the ADL and American Jewry
at large after he stated, accurately, that Jews run Hollywood (8). Additionally, the relationship
between the usurping Zionist entity and Jewish Hollywood is that of a perfect union, with “Israelis”
having premier sway over decisions made throughout Tinseltown. Hollywood has also been an
integral cog in the World Zionism war machine’s plans against Sudan and Syria, and in the past, has
served as a front for illegal Zionist nuclear activities and gun running (9).

With these facts noted, it’s obvious that “Homeland”, despite being the trashiest, most Islamophobic
and racist show on television, isn’t the root of the problem. Nor are its fanatical Zionist creators and
producers. Jewish Hollywood itself is. Demolish Jewish Hollywood and all of its bigoted shows,
movies and other appendages of hate and hasbara will come tumbling down into nothingness like a
house of cards.

So while there undoubtedly is a dichotomy between fawning House Muslim quislings like Bina Shah
and articulate anti-imperialist voices like Joseph Massad, there is a convergence between the two
when it comes simply to the mentioning of Jewish power, let alone the ght against it. Both, and both
is not only a reference to these two individuals alone but both categories of the Arab-Muslim
Diaspora who fall in line with their thinking, have a blind spot on the matter and it is most dangerous
as there is no thing in the world more important to discuss, understand, analyze, combat and defeat.

What we, the Natives, must scream at the top of our lungs, is that until the Jew – be he Ashkenazi or
Mizrahi – abandons the supremacism embedded in his culture and religion, cuts off his attachment to
the marauding Jewish gangster “state” and denounces the domineering, conspiratorial behavior of
his coreligionists in numerous criminal sectors across this earth from Wall Street to the underground
world of the Russian-Jewish ma a, he, like his Anglo-American and European colonialist
counterparts, is no friend of ours, and we will resist him until his reign of tyranny is brought to its
knees. As martyred anti-apartheid visionary Steve Biko famously said, “The most potent weapon of
the oppressor is the mind of the oppressed.” We must decolonize our minds rst, purging all traces of
Morphing Zionism, and once this has been accomplished in fullness, decolonizing our homelands –
pun intended – should be a walk in the park.

~ The End ~

Sources:

(1) The Tribal Nexus: Zionists And “Anti-Zionists” Unite To Ensure The Survival Of “Israel” by
Jonathan Azaziah, Mask of Zion

(2) A ‘Homeland’ We Pakistanis Don’t Recognize by Bina Shah, The New York Times

(3) The Salala Massacre: NATO’s Naked Aggression Against Pakistan And The Hegemonic Israeli-
Indo-American Strategy Behind It by Jonathan Azaziah and Assad al-Liftawi, Mouqawamah Music

(4) ‘Homeland,’ Obama’s Show by Joseph Massad, Al-Jazeera English

(5) Anti-Zionist Wit Vs. “Chosen” Gutterisms: Dieudonné and Imperialist Subservience To Jewish
Supremacy by Jonathan Azaziah, Mask of Zion

(6) Obama and the Jews by Pauline Dubkin Yearwood, The Chicago Jewish News

(7) An Empire of Their Own: How the Jews Invented Hollywood by Neil Gabler, Anchor Books

(8) Oldman says Hollywood is ‘run by Jews,’ then offers over-the-top apology by Philip Weiss,
Mondoweiss

(9) Natalie Portman Shills For The Zionist War Machine And Spews Lies On Syria: Jewish
Hollywood’s Power In Action by Jonathan Azaziah, Mask of Zion

2 THOUGHTS ON “WHY MUST WE, THE NATIVES, BEG OUR OPPRESSORS?: ON “HOMELAND”,
MENTAL COLONIZATION AND JEWISH HOLLYWOOD”

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